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#to dark who's always been bearing all this insane burden and self-expectation alone
dnangelic · 1 month
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sometimes i think abt towa and argentine in the very last manga chapter n cry
#*・゚⊰ 𝐎𝐔𝐓 𝐎𝐅 𝐂𝐀𝐑𝐃𝐒. ⊱ ✦ › OUT.#waaaa waaaa my lucifer my boy-king and the respect and power he doesn't even want but deserves sm#dark wouldnt want towa n argentine's help if he could go without it!! all his theft has been bc he cared#n its the fact he n dai care tht they genuinely deserve the sort of trust respect n acknowledgement from the niwa fam#that the rest of the world who doesnt properly or intimately know the likes of dark n dai doesnt afford them#i justttt wooooughhhh towa argentine gratefully graciously bowing themselves with fealty#to dark who's always been bearing all this insane burden and self-expectation alone#all by himself#afraid even of that solitude but nevertheless doing everything he could for the sake of#what he felt was right saving the artworks saving precious things even if he had to steal them away and disparage himself#more and more (the more he succeeds the more he disgraces himself as a villain and a criminal)#aaaa waaaa INNER NIWA FAM CHARAS r just so special.... THEY GET TO SEE IT ALL...#how heavy the pressure is on dark n dai both actually despite the superficial layers like elmroot says#the 'outer self' that enjoys being a phantom thief and then the inner that 'hunts his own kind'#how tired dark is sometimes...#well. w/e. point is niwa fam chara writers who ever take this into account ill kiss u forever#dark can be annoying or behave in spoiled/lazy/belligerent ways sometimes but it rlly makes him and dai more like the#rebel angel leader / boy king example i try to write them as. they still care ofc they doooo#it's just they're the equivalent of the highest seat holding together their little country#their miniature empire that dark n the niwa have built up over yrs n yrs n yrs!!#dark never claims himself a king or a prince he doesn't throw his weight or titles around like that#but between paradise lost and POTO's occasional angel of darkness/PRINCE of darkness#the vibes are there in between the lines. they r right there. this dude has so much hes taking responsibility for#even though he doesn't even Have To. but in doing so- he is. and SHOULD rightly be supported#in the manner of someone in service demonstrating loyalty to him#ok. ramble over
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munku-collar · 3 years
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I would very much appreciate an analysis of the reasoning and song placements for you Macavity playlist whenever you get the opportunity.
- Signed, a big fat music nerd
Putting this guy under a cut cuz it'll be long! I'm just going brief with these but if there's one in particular you want a deeper look at I can def do that. Also I didn't proofread this before posting so i'm sorry for any typos ksjdbgksbdg
Dead Souls- It's a combination of the title and sound for this one. It kind of encapsulates that cool guy vibe that he was born with, that Tugger was born with too. Kind of slow, steady and strong. It covers his general essence, the sort of beat of his heart if you will, and then the lyrics speak to his loneliness as a child and the allure of giving into his worst impulses. He's just lost, looking for support which he unfortunately doesn't find.
How Soon Is Now?- Same idea here. He's left the tribe, he's on his own and every bit of positivity has disappeared. He's hopeless and tired of feeling "other" and not getting what he feels he deserves from those around him so focuses on building an empire instead, exploring crime and taking what he wants, because it won't be given to him. Essentially, he's tired of waiting and tired of trying to make things work at home. "I've already waited too long," if you catch my drift. And "I am human and I need to be loved," is self explanatory: All he wanted was to be accepted for who he was, and that wasn't happening, so he left.
Hungry Like The Wolf- He's hungry. He's hungry for power, for fame, and unbeknownst to him until he lays eyes on Demeter, love. He's ignored that bit for a while now and focused on taking things to fill the void instead, but when he meets her he's just blindsided with this desperation to have her. He's determined, and at this point he is quite a hunter. He knows how to read people, how to break them apart, to get what he wants. She doesn't make it easy. Honestly she makes it a little hard for him to think straight, and always does. He feels like a beast chasing after her, and luckily for him, he catches her.
Candyman- Demeter has fallen for his charms and for the bits of him that are still, whether he admits it or not, Jellicle. She's intrigued by him and has no idea of what she's going to endure by letting herself fall into his arms. And he has no intention of hurting her, never does, but to any bystander it's clear that he's dangerous, and that things won't end well. He can't help his nature, and she can't change it.
Don't Fear The Reaper- Whether he admits it or not, he's a reaper, and she starts to understand that, at least a little, but it doesn't bother her. They come to know each other better, shared their experiences and pain and believe they're a true match. They've been hurt and lonely and turn from strangers to "us against the world," or and naively think that they'll always be together. He hasn't fallen yet, but he will.
The Same Deep Water As You- He is at his core, really a sad figure. He thought Demeter would fill the void, and she does fill some of it, but not all, and in the quiet hours of the night between heists and fights and celebrations of his power, he crumbles in her arms and clings to her. But they're both starting to realize that maybe it's not for the best. Maybe they're not what each other really needs, and he hates that idea. It's her, or nothing, he thinks. He'll be damned if he lets her go.
The Killing Moon- This is really the shift. He's killed others now, and finds more joy in violence than anything, excepting Demeter's company. It's a kind of latent realization on Demeter's part of what she's gotten herself into, and how nothing she could have done would've let her avoid any of this. She's disgusted, and somewhat terrified, but knows that he won't let her go, and she still loves him despite it all. It's a cruel twist of fate. He's determined to keep her, reminiscing on their meeting and how he fell in love with her. Honestly the memory of it is sweeter than being with her now, and it's killing them both.
The Promise- She keeps distancing herself from him, and he keeps trying to get closer. He's given her so many promises, but at this point, they don't matter anymore. It's really upsetting, to see what they've become, and part of him knows it's his fault. He feels guilty for it, but he can't stop doing what he does, because he doesn't know how. Who is he without power, without bending others to heel? A scared, damaged tom, and that's worse than anything. He can't face his own reflection in the mirror, and that's his, and their, downfall.
Monsters- He's angry at her, she's angry at him, though they won't show it to each other. But he's not an idiot. He can see how her soft gazes have turned hard, how she doesn't lean into his touch anymore, and she watches him grow more violent day by day, until he well and truly is a monster. His frustration at her turns into frustration at everyone else, and finding new ways to be cruel to his enemies, and even his subordinates, is the only way he can redirect the pain it's causing him. But they're still hanging on by a thread. She's too scared to leave, and he's scared of her leaving. But there's no saving it, even if she cares about him and always will.
Vantablack- His romantic gestures used to delight her, comfort her, but now any attempt from him just makes her feel dread. It absolutely ruins him that she's not comfortable with him anymore, and when he tries to make things like they were, it's useless. He's let too much darkness consume him, and he can't hold on to her anymore. It makes him insanely angry, and he lashes out at others twice as hard as a result. He blames her for it all too, when she runs away, and leaves him all alone.
Not Just A Name- He really thought she was his match, that she was the one cat who understood him and wouldn't let him down. She made him believe that things could be good, that he could find happiness, but he didn't realize just how much of himself he would have to change for that to happen. He refused to change, couldn't bring himself to, and instead surrendered to his worst impulses, and now she's run from him. He wasn't who she thought he was, and she clearly didn't know him as well as he thought she did, and quite frankly, he's just hurt. (Even if it was all his fault, he doesn't see it that way.) "Made me someone I wasn't, it's not just a name." He didn't, and can't, meet her expectations, or be what she needs, and that might be the only thing he's ever experienced that really breaks his heart. And she won't ever give him another chance.
The Less I Know The Better- He tells himself he doesn't need her, that he doesn't want her back. He tells himself he couldn't care less if she rots out there on the streets without him, but really, he still cares. He still wants her. He's haunted by her absence, and wants nothing more than her at his side again. She really was the last tie to his humanity, his morality, and he's lost without her. He'll beg for her, if he has to. He needs her back, but she's moved on, and ironically, was pushed into his brother's arms.
Loner- He constantly flips between thinking of stealing Demeter back or burning everything to the ground. He steals and fights and commits crimes just because he can, just because there's nothing else to do, or feel, without her. He's entirely closed off. When she was there, one of his henchcats could sometimes ask him questions or have somewhat easy conversation with him, but nowadays that's an impossibility. He has completely put on a mask and only barks out orders, reprimands, or toys with others to pass the time. He's just this angry, lonely figure. He hardly feels like a person at this point. Without Demeter, he has no direction, and no connections.
Gimme Shelter- The more time passes, and the more he realizes he can't get Demeter back, the worse he gets. He's intentionally nefarious at this point, and hateful. He resents her too, even though he still loves her. If he ever gets his paws on her, he isn't sure if he'll caress her or choke her. It's a bitter, cruel world, he has remembered, and the only way to survive it is to be crueler than everyone else around you.
I'm So Afraid- He truly feels as if he's been alone his entire life, and loneliness is the root of his problems. He felt lonely and misunderstood as a child, driven away. He feels lonely without Demeter, without her love. Really, if he tried hard enough, he could come back from his darkness, maybe try to find a new life, repent for his mistakes, but he's too scared. He's afraid of losing himself, knows he already has, honestly, and there's nothing to do about it. Macavity is big and strong and clever and intelligent but underneath all that he's always just been terrified of emotions, of abandonment, and of himself, and whatever bits of him that are Jellicle, burried deep down, are disappointed, and it kills him. He hates that he still has those feelings, and wants to drown them, or lock them away forever. He'd rather feel emptiness than any of this anymore.
Lord Of This World- At this point his name is beyond infamous. No one remembers the more tender parts of him, and no one relates to him. He's been branded a villain, by everyone, and so assumes the role with a sick sense of pride. He knows he's not to blame for how he is, no matter what the others say, and won't let them judge him. He's in charge. He is a stronger, better leader than his old tribe could ever have, and this is his world. He bears that burden alone, but believes it was always his to bear, just like it was his burden to fall in love with Demeter and endure so much suffering for her kiss on his lips.
Double Dare- He invites his old tribe and in fact everyone around him to self reflect. They're not blameless, they're not better than him, and they're not as strong as him. They haven't survived what he has, haven't built something from nothing, haven't overcome his odds. He thinks everyone around him is weak, even Demeter, for not sticking by him He's angry at her for being with the Jellicles, and believes they've killed the stronger bits in her, the twinge of darkness that she also had, and allowed them to be miserable together. He won't be fooled, won't be changed, even at the cost of her, now. Either she'll be brave enough to come back to him, like he believes she should, because she was made for him, or he is truly the only brave cat in the world. And if that's the case? Then so be it.
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So yeah. This man is fucking delusional. Yes, he had a rough start to life, but it was his own arrogance and fear that prevented him from becoming a better person or adjusting. He turned to dark coping mechanisms instead, and ended up ruining the only positive relationship he's ever formed for the sake of remaining comfortable. If he wasn't so frightened of judgment and change, things could have gone very differently. But nope. Now he's hated by everyone, including the object of his affections, and he'll be sitting alone atop the cold throne he built for the rest of his life. He's really just driven by impulse and desire, despite his masterful approach to crime. It's an interesting juxtaposition. Someone so powerful and intelligent is really just constantly pushed and pulled by his emotions. He's one second from spiraling out of control at all times, and that's what makes him really dangerous more than anything.
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