#vicent todolí

[garadinervi]

Tàpies. Desde el interior, Curated by Vicent Todolí, Organized by Fundació Antoni Tàpies and Museu Nacional d'Art de Catalunya (MNAC), Fundació Antoni Tàpies, Barcelona, June 23 – November 3, 2013

Catalogue: Tàpies. Des de l'interior 1945-2011, Texts by Pepe Serra, Laurence Rassel, Dawn Ades, and Barry Schwabsky, Published by Fundació Antoni Tàpies, Barcelona / Witte de With Center for Contemporary Art (then Kunstinstituut Melly), Rotterdam, 2013

#art #mixed media #visual writing #photography #exhibition #antoni tàpies #vicent todolí #fundació antoni tàpies #museu nacional d'art de catalunya #2010s

[estherattarmachanek]

@pirelli_hangarbicocca @brucenaumanart Pirelli HangarBicocca BRUCE NAUMAN Neons Corridors Rooms. Curated by Roberta Tenconi and Vicente Todolí with Andrea Lissoni, Nicholas Serota, Leontine Coelewij, Martijn van Nieuwenhuyzen and Katy Wan Organized by Pirelli HangarBicocca, Tate Modern, London and Stedelijk Museum Amsterdam Exhibition: 15 September 2022 – 26 February 2023 HOURS EXHIBITIONS Mon-Wed closed Thu-Sun 10.30AM-8.30PM Pirelli HangarBicocca, Via Chiese 2, 20126 Milan https://pirellihangarbicocca.org/en/exhibition/bruce-nauman/ https://estherartnewsletters.com/2022/08/29/bruce_nauman_pirelli22/ https://pirellihangarbicocca.org/en/hours-and-to-reach-us/ @deniseschellmann (hier: Pirelli HangarBicocca) https://www.instagram.com/p/CikyFbbshcI/?igshid=NGJjMDIxMWI=

[contemporaryartdaily]

Chen Zhen at Pirelli HangarBicocca

#Chen Zhen #Exhibitions #Institution #Italy #Milan #Pirelli HangarBicocca #Vicente Todolí

[eiginleiki]

Lucio Fontana via @robscarnevale

#Hangar Biccoca Milan #Lucio Fontana #@robscarnevale #Fondazione Lucio Fontana #Curated by Marina Pugliese Barbara Ferriani and Vicente Todolí

[ericmenchersnapshots]

Tenth And Final In A Series . Last November, Kass @kmencher and I went to Valencia, Spain, for a three month stay. From 1991 to 2010 we had traveled extensively through Spain, but never to Valencia, the country’s third largest city. It seemed the perfect place for our first trip outside the US since the pandemic began: on the Mediterranean, good weather, great food, stunning architecture, beautiful parks, the City of Arts and Sciences, interesting neighborhoods. So last June we booked an Air B&B a few blocks from the sea in an old fishing village/neighborhood of which we knew absolutely nothing, called Cabanyal. In researching the neighborhood AFTER making the reservation, surprise of wonderful surprises, we discovered that seventy years earlier, Robert Frank had lived and photographed in Cabanyal for 5-6 months. He never strayed much more than a few blocks from his apartment near the beach, creating a brilliant body of work (no surprise there!), finally published in 2012 by Steidl in a superb book titled “Valencia 1952”, edited by Frank and Vicente Todolí. To my eye, his pictures of gypsies, fishermen, children, musicians, parades, and bullfighter wannabes, set the foundation for how he photographed The Americans. So Kass and I like to think that the spirit of Robert Frank drew us to Cabanyal. And we were definitely under his influence as we photographed there. (Although I’ve been under his influence since I first picked up a camera as a teenager.) I’ve already posted some photos from Cabanyal, but here are a few short series that if titled would be something like “The Frank Influence: Cabanyal 2022”. As always, a big hug of gratitude to the love of my life Kass for her superb and insightful editing with this series. Her pictures from Cabanyal are incredible, so please give them a look! (Frank’s book, by the way, is a visual feast, with an engaging and enlightening conversation—as text—between Vicente Todolí, Sarah Greenough, and Peter MacGill. The cover might look a little familiar, too!) (at Cabañal-Cañamelar) https://www.instagram.com/p/Cb8qvPsOdlO/?utm_medium=tumblr

[domenicosolimeno]

Cattelan torna a Milano. Le foto della mostra al Pirelli HangarBicocca

Cattelan torna a Milano. Le foto della mostra al Pirelli HangarBicocca

Dal 15 luglio al 20 febbraio 2022, Pirelli HangarBicocca presenta la mostra “Breath Ghosts Blind” di Maurizio Cattelan. Il progetto espositivo, a cura di Roberta Tenconi e Vicente Todolí, è concepito come una narrazione in capitoli che si sviluppa negli spazi di Pirelli HangarBicocca, rappresentando simbolicamente il ciclo della vita dalla creazione alla morte. Il titolo della mostra riunisce le…

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[llamazarespomes-en]

ART SITUACIONS SELECCIONAT PREMIS FAD 2013

UNA MIRADA PROSPECTIVA

Client: HONDA. Arts Santa Mònica Year: 2012 Location: Arts Santa Mònica Area: 675 m² Curators: Teresa Blanch, María de Corral, Yolanda Romero and Vicente Todolí  Collaborators: Noelia Faílde Graphic design: Edicions de l'Eixample Construction: Jaume Rossell-Solucions Globals Photographer: Ivan Pomés

#exhibitions #llamazrespomes #noeliafailde #artsistuacions #Artssantamonica #ephemeral

[llamazarespomes]

ART SITUACIONS SELECCIONAT PREMIS FAD 2013

UNA MIRADA PROSPECTIVA

Client: HONDA. Arts Santa Mònica Any: 2012 Lloc: Arts Santa Mònica Superfície: 675 m² Col·laboradors: Noelia Faílde Disseny gràfic: Edicions de l'Eixample Construcció: Jaume Rossell-Solucions Globals Fotògrafs: Ivan Pomés Comissaris: Teresa Blanch, María de Corral, Yolanda Romero i Vicente Todolí

L’exposició Art Situacions mostra una selecció de deu dels artistes més destacats de les noves generacions a la Península Ibèrica. Els diferents formats i continguts de les obres presentades comportava la dificultat d’oferir un discurs homogeni.

Per tal de donar-li a l’exposició continuïtat i imatge de conjunt es va recórrer al disseny arquitectònic.

La sala principal d’Arts Santa Mònica es situa al claustre de l’antic edifici. Per tant, es composa d’un gran espai central envoltat d’un altre perimetral de menor alçada. Per tal d’encabir l’obra dels diferents artistes, i donar-los un espai semblant a cadascú, es van utilitzar dos recursos. El primer, uns murs separadors a la zona central de la mateixa alçada que els espais perimetrals. Així, alçada de parets i superfície ocupada per cada artista eren aproximadament les mateixes.

L’altre recurs, i principal, va ser la creació de dos grans passadissos distribuïdors conformats per quatre enormes cortines fetes de petits canonets vermells. Era a través i travessant aquestes cortines que el visitant anava descobrint els diferents espais expositius. La visió exterior de cada espai, des dels passadissos, quedava tamisada per la textura de les grans cortines, homogeneïtzant a primera vista tota la instal•lació. El silenci de les sales quedava només trencat pel soroll dels canonets al ser moguts pels visitants. El soroll i el moviment oscil•latori de les cortines creaven un ambient suggeridor i misteriós.

#Exposicions #Llamazares Pomés #Arts Santa Mònica #Noelia Faílde #efimers

[garadinervi]

Hiperespacios, Colección Per Amor a l’Art, Bombas Gens Centre d'Art, València, 2020 [Exhibition: curated by Julia Castelló, Nuria Enguita, and Vicent Todolí, February 13, 2020 – May 2, 2021]. Concept: Fernanda Fragateiro, and Jaume Marco. Feat. Irma Blank, Carlos Bunga, Pedro Cabrita Reis, Ángela de la Cruz, El último grito, Inma Femenía, Roland Fischer, Fernanda Fragateiro, Patricia Gómez, Maria Jesús González, Barbara Kasten, Teresa Lanceta, Nicolás Ortigosa, David Reed, Heimo Zobernig

Proceso de creación del catálogo de «Hiperespacios» por Fernanda Fragateiro, Bombas Gens Centre d'Art, València, 2020

#graphic design #art #exhibition #video #catalogue #catalog #cover #irma blank #fernanda fragateiro #jaume marco #teresa lanceta #colección per amor a l'art #bombas gens centre d'art #2020s

[estherattarmachanek]

Bruce_Nauman_Pirelli22

Pirelli HangarBicocca BRUCE NAUMAN Neons Corridors Rooms Press preview: Tuesday 13 September 2022 | 11 AM Opening: Wednesday 14 September 2022 | 19 pm Curated by Roberta Tenconi and Vicente Todolí with Andrea Lissoni, Nicholas Serota, Leontine Coelewij, Martijn van Nieuwenhuyzen and Katy Wan Organized by Pirelli HangarBicocca, Tate Modern, London and Stedelijk Museum…

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[nosvemosenprimerafila]

GENER publican "La Gente Joven", segundo single de avance de su nuevo álbum......... Tras la publicación el pasado 16 de octubre del primer single "La Trama Principal", sale a la luz “La Gente Joven”, el segundo adelanto del nuevo álbum de GENER "Esto no es un disco de Gener". “La Gente Joven” es una balada en clave latina pasada de moda que habla de resistirse a envejecer, de querer seguir buscando la sorpresa, de ser joven a pesar de no serlo, de practicar el punto justo de ebriedad consciente, de estar fuera de moda y orgulloso de ello, de mantener el amor y el deseo a toda costa, aún cuando el mundo se derrumba alrededor. En una playa de pino mediterráneo y palmeras caribeñas, Fellini, Compay Segundo, Nino Bravo y Adriano Celentano bailan los pasos de Zorba el griego, se abrazan y celebran la vida hasta caer borrachos de vino de mesa. El lanzamiento viene acompañado de un videoclip firmado por Vicent Todolí y Carles Chiner, miembros integrantes del grupo, y es un auténtico homenaje al neorrealismo italiano. En él, la banda se reúne alrededor de una mesa a practicar el dolce far niente. Comer, beber, hablar, cantar entre amigos, abrazarse, perder el tiempo con las cosas que verdaderamente importan para no sentir que la vida simplemente nos va pasando de largo. Un canto al absurdo y un elogio de la sencillez en blanco y negro de Buñuel. “Esto no es un disco de Gener” tiene prevista su salida para abril del 2021. CONTINÚA EN WWW NOSVEMOSENPRIMERAFILA COM #GENER #VALENCIA #POP #ROCK #INDIE #EMERGENTES (en Dolce Far Niente) https://www.instagram.com/p/CH3IDhjDMyj/?igshid=18dxjs15zdvw2

#gener #valencia #pop #rock #indie #emergentes

[ericmenchersnapshots]

Eighth In A Series . Last summer, Kass @kmencher and I decided to go to Valencia, Spain, for a three month stay starting in November. From 1991 to 2010 we had traveled extensively through Spain, but never to Valencia, the country’s third largest city. It seemed the perfect place for our first trip outside the US since the pandemic began. Wanting to be near the Mediterranean, we booked an Air B&B a few blocks from the beach in an old fishing village/neighborhood of which we knew absolutely nothing, called Cabanyal. In researching the neighborhood AFTER making the reservation, surprise of wonderful surprises, we discovered that seventy years earlier, Robert Frank had lived and photographed in Cabanyal for 5-6 months. He never strayed much more than a few blocks from his apartment near the beach, creating a brilliant body of work (no surprise there!), finally published in 2012 by Steidl in a compelling book titled “Valencia 1952”, edited by Frank and Vicente Todolí. To my eye, his pictures of gypsies, fishermen, children, musicians, parades, and bullfighter wannabes, set the foundation for how he photographed The Americans. So Kass and I like to think that the spirit of Robert Frank drew us to Cabanyal. And we were definitely under his influence as we photographed there. (Although I’ve been under his influence since I first picked up a camera as a teenager.) I’ve already posted some photos from Cabanyal, but here are a few short series that if titled would be something like “The Frank Influence: Cabanyal 2022”. (His book is a visual feast, with an engaging and enlightening conversation—as text—between Vicente Todolí, Sarah Greenough, and Peter MacGill. The cover might look a little familiar, too!) (at Cabañal-Cañamelar) https://www.instagram.com/p/Cb2j921O2f8/?utm_medium=tumblr

[incircolarte]

Presso Pirelli HangarBicocca dal 14 ottobre prende avvìo la mostra di Chen Zhen dal titolo ' Short-circuits', a cura di Vicente Todolí. https://musicaeparole-leonardo.blogspot.com/2020/09/short-circuits-di-chen-zhen-alla.html

[canvastube-blog]

The Seven Heavenly Palaces was a site-specific installation, created for HangarBicocca in Milan, Italy, in 2004. This installation turned out to be one of Anselm Kiefer’s most important works today. Commissioned originally in 2004 as a temporary piece, The Seven Heavenly Palaces was transformed into a permanent installation to the delight of many Italians and art lovers. As soon as it was turned into a permanent fixture, the installation immediately revealed itself to become an irreplaceable component of Milan’s collective imagination. The 2004 towers consisted of a stratification of structural components created from reinforced lead and concrete. They were designed to symbolize the mystical experience of ascension through the seven levels of human spirituality. Over the past few years, the installation underwent a series of changes that obviously altered its original orientation, use, likability and flooring. However, in 2015, five new components were added under Vicente Todolí’s guidance. ⠀⠀⠀⠀ ⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Anselm Kiefer Installation view of the exhibition The Seven Heavenly Palaces 2004-2015 Pirelli HangarBicocca, Milan, Italy, 2015 (at Pirelli HangarBicocca) https://www.instagram.com/p/B0g-fQTFfPQ/?igshid=17tt9om9r7sec

[guzzzo]

Directed and Designed by Antoni Sendra (PODENCO) Producer: Devin Sarno Lead Animator: Holke79 Typographic Consultant: Pablo Bosch Boy: Edu Seligra Girl: Jara Barrachina Thanks to: Pepe Ábalos, Vicent Todolí, Marc Guardiola, Deih, Xavi Robles, Jónathan C https://ift.tt/2XhRkvB