CREATURES.
Supersonic Art's latest group exhibition, "CREATURES," opens this Friday, November 10th on Supersonic Art Shop at 1PM PST.
This curated collection spotlights the masterful creations of over 30 esteemed global artists, each bringing to life both authentic and fantastical CREATURES.
Featuring work by artists:
ADAM BATCHLELOR • ALEXIS TRICE • ANTHONY SOLANO • AUSTIN PARKHILL • BEN PEETERS • BRIAN BUTLER • BRIAN MASHBURN • BRIANA HERTZOG • BRIN LEVINSON • CHRIS LEIB • CODY JIMENEZ • DAVID SURMAN • DREW MOSLEY • DREW CHRISTIE • EVAN LOVEJOY • EWA PRONCZUK KUZIAK • JAMES CORWIN • JOSIE MORWAY • KEVIN PETERSON • LAUREL PICKLUM • LUKE CHUEH • MARK SEABROOK • MARK TODD • MASAO KINOSHITA • MATT BRACKETT • NICOLE EVANS • PAUL BARNES • SAM YONG • SAM WOLFE CONNELLY • TRATOS • TRIPPER DUNGAN • WOOJAE JEONG
Request a collector's preview NOW!
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Joseph Grigely, Conversations with the Hearing, 1994
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Wood Engraving Wednesday
LAWRENCE KEATY
In this wood engraving entitled Taipei, American artist Lawrence Keaty (b. 1986) offers us a vision of the city he was born in and where he lived when he made this print in 2020. The print is made from six separate blocks and together measure 65cm x 35cm (25.5" x 14"). The print was selected by my Wisconsin colleagues Tracy Honn and Jim Moran for inclusion in the Fourth Triennial Exhibition 2020-2022 of the American American wood engravers society, the Wood Engravers’ Network (WEN). This image is from the catalog for that travelling show.
Lawrence Keaty received a BA from Kenyon College with a major in Studio Art and he earned his MFA from Washington University in St. Louis in 2010. He taught English in Taiwan and South Korea from 2011 to 2019 and then worked as a writer/editor for Global Village Organization in Taipei for a year before returning to the U.S. (New Mexico) where he currently works as a UX/UI designer as well as a professional artist.
View other posts with engravings from the WEN Fourth Triennial Exhibition.
View more engravings by members of the Wood Engraver’s Network.
View more posts with wood engravings!
– MAX, Head, Special Collections and juror for the WEN Fifth Triennial Exhibition.
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NEW dress belonging to OTMA has been discovered
A BRAND NEW, never-before-seen dress belonging to one of the Grand Duchesses has been discovered by the Hermitage Museum and exhibited for the first time.
It has not yet been identified who the pink and red dress belongs to. The sisters used to have their first name and patronymics stitched into the waist of their dresses in order to differentiate between them. Similarly, the dress maker is not yet known, though it is highly likely that it was produced in the workshops of either Olga Bubenkova or August Brizak, two of the Romanov family’s favourite designers.
The dress, alongside many other pieces of clothing and personal items, can be seen at the Hermitage Museum’s new exhibit, ‘OTMA & Alexei’.
Sources and photos: Дети последнего российского императора. Выбор куратора, Hermitage Museum, RomanovsOneLastDance
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Today!!!
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In Richard III, “now is the winter of our discontent” is ignored, as is “a horse, a horse, my kingdom for a horse”. The notebook’s author preferred the queen’s curse: “My tongue should to thy eares not name my Boyes / Till that my Nayles were anchor’d in thine eyes.”
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Rolf Petersen
Installation view of the exhibition, "The New Japanese Painting and
October 19, 1966 through January 2, 1967
The Museum of Modern Art, New York.
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Joseph Grigely: In What Way Wham? | MASS MoCA
In the mid-1990s Grigely first exhibited his ongoing series, Conversations With the Hearing, composed of notes written during conversations with people who do not know sign language. They are conversations from daily encounters with family, friends, and strangers. These notes are central to the new commission White Noise which consists of two intersecting oval rooms that surround the viewer with thousands of handwritten conversation papers. The rooms, each roughly twenty-five feet across, in the triple-height space of the museum’s first-floor gallery showcases three decades of conversational exchanges. The phrase “White Noise” is used by audiologists to describe a noise that occupies a wide bandwidth of random frequencies. For his own White Noise, Grigely provides a visual equivalent of this experience, immersing viewers in the space between speech and writing with floor-to-ceiling notes; one room in shades of white and the other in a cacophony of color.
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The Naked Room
The Naked Room is a contemporary art gallery on Raiterska Street, the hip thoroughfare known for its bars, coffee houses, and concept stores. Housed in a fin de siècle building, the gallery showcases the works of contemporary Ukrainian artists. Previous exhibitors have included Pavlo Makov, Sasha Kurmaz, and Viktor Marushchenko. Alongside its exhibition space, the Naked Room contains a bookshop and an alluring bar. The gallery was founded in 2018 by curators Lizaveta German, Maria Lanko and Swiss-British film director Marc Raymond Wilkins.
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Nicole Eisenman details, Museum Brandhorst in Munich
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Yet Another Wood-engraved Feathursday
CINDY KOOPMAN
This 10 x 8 in (20.4 x 20.32 cm) wood engraving entitled Grasshopper (because, after all, there are some grasshoppers in it) by Minnesota artist Cindy Koopman is very reminiscent of our daily experience here in Special Collections. Every day, sometimes three or four times a day, the green roof outside our windows gets visited by a gang of 3-7 crows that investigate the undergrowth, jump and flutter about, toss random objects into the air, and on occasion actually take a slide down the solar panels on the roof just for fun! They are endlessly fascinating, and every day when they arrive all work stops in Special Collections and the entire staff line up along the windows to watch crows be crows for five minutes or so. It's just a part of our workday, but also one of its highlights.
Cindy Koopman is a Minnesota artist with an MFA in printmaking, and is a faculty member at Normandale Community College in Bloomington, MN. This print was selected for inclusion in the Fourth Triennial Exhibition 2020-2022 of the American wood engravers society, the Wood Engravers’ Network (WEN), and the image is from the catalog for that traveling show.
View more Feathursday posts.
View more posts with women wood engravers.
View other posts with engravings from the WEN Fourth Triennial Exhibition.
View more engravings by members of the Wood Engraver’s Network.
View more posts with wood engravings!
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Two evening dresses worn by Tsarina Alexandra Feodorovna, on display at the Hermitage Amsterdam
Photos taken at the "Jewels! The Glitter of the Russian Court" exhibition, by Jane023
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###Avril Update###
Salut les amixes!
Dernière de la classe, première de la casse! Je sors d'une mauvaise période et je retourne vers la lumière on espère. *:・゚✧
le blog change de nom pour tout un tas de raisons *:・゚✧
💥CAMPAGNE d'AVRIL pour moi et cstudioooooos💥
les 18-19 avril, avec les camarades du collectif on va décorer des céramiques avec l'amie atelierdoux_ceramique! Première fois qu'on fait ça, trop trop hâte.
Le 20 avril, on tiendra la bonne vieille table de zines à Augan (56) pour le festival Formats.
Le 23 avril enfin, on sera à Paris eh oui eh oui pour une soirée expo/lectures/vente de zines: ça sera à Floréal Belleville! Toutes les infos dans le ptit visuel que j'ai fait avec mon camarade:
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Hello friends grades are bad but I'm worse! I'm out of a down time and back to the light hopefully *:・゚✧
The blog's name's changed for a variety of reasons
April Campaign for me and my good comrades from Cosmic Studios
04/18-19, we're doing a crossover with our good friend and talented ceramist atelierdoux_ceramique! it's a first.
04/20, selling zines in Augan for the festival Formats.
04/23 finally! We'll be in Paris for a small exhibition/readings/zine selling. I'll be here in Floréal Belleville!
~remedios aka fake_deep_girl aka Sticky
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