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addictedtostorytelling · 2 years

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Hi! Thank you for answering my questions. I hope this "ask" finds you well. I just finished CSI S15 and I would like to know your opinion on these issues:

Why is Sara Sidle so angry? I have seen her spiraling with alcohol, depressed on her love for Boss G and anger about everything in general on S4 & S8 but the angry Sara on S15 is vicious and violent. Assaulting suspects on PD hallways, shouting during interrogation, slamming her hand on the interrogation table... Seriously, Sara Sidle is scary, way out of line and borderline unprofessional. The Angry Sara on the earlier CSI seasons are usually cause by Domestic Violence but the Angry Sara on S15, I can't explain the motivation. It's confusing.

And Greg Sanders is so dull. What happened to the rock and roll head banging, Las Vegas History lovin' Lab Tech turned CSI? His hair used to be so distinct and lively but on S15, his hair is dull and parted sideways. He looks so sad. Like life as CSI has sucked all the fun out of him.

(no complains about Pancho Nicky though 😁)

And every CSI is moonlighting as Lab Techs. No more Gun-expert Bobby, Tech Savvy Archie and Finger Print Reader Mandy/Jackie...now all lab tech duties are divided to Hodges, Henry and the CSI.

Also, I would like to comment on the writers of CSI S15. They are lazy. One case in an episode then a serial killer arc for the entire season. The tangents and possible explanation why a person is a viable suspect is confusing. Whatever happened to the 2 cases per episode concept? That concept worked with high ratings for so many years/seasons so why change it? Now, all CSI worked in 1 case per episode, it seems they are passing tasks with each other that they can do themselves. No wonder it ended on a low rating. I cannot see/feel the magic of CSI anymore. The episodes looks tired and dragging.

I am very sorry for the rant but I stopped watching when Gil Grissom left in S9E10. After multiple watching of CSI Vegas, CSI S01 to S9E10 and CSI Immortality, I finally got the courage to watch all episodes after GG left starting S15. Gosh, my disappointment and frustration were so high that I had to go back and rewatch all GSR scenes on CSI Vegas so I can remind myself that Sara Sidle is not angry and so beautifully in love with her hubby Gil Grissom.

I finished S15 but I am afraid of all the disappointment and frustration I will feel on S14. Still, I will push through so I can say I have watched all CSI Episodes from S01 to S15.

Again, apologies for the rant.

hi, @hiei29!

i’m gonna put my answers under the “keep reading” so as not to poison anyone’s dash, okay?

warning: this post is extremely critical of the writing in the later seasons of the show and especially of the characterization in those seasons. if you are a fan of those seasons, you probably shouldn’t read this post, as it contains a literal salt mine of negativity regarding them.

so, uh, i make no secret of the fact that i hate the later seasons of csi with all the salt that is in me, finding them to be some of the worst-written and most disappointing television i have ever watched, a downgrade in every possible way from the early seasons of the show.

there is literally nothing about them i find enjoyable, and i refuse to rewatch them because to me they are so contemptible.

i am afraid to say, but i think you'll discover (since you're watching in reverse chronological order) that things are only going to get worse for you as you delve now into s14 and then s13, which is the absolute nadir of the series and by far the hardest season to watch as a gsr/sara sidle fan.

anyway.

to answer some of your questions, i will first direct you to several posts that cover a lot of the same topics:

this one talks about the poor writing and multiplicity of storytelling problems in the later seasons of the show, explaining why they came about from an outside-of-the-story world perspective. though a lot of the post relates specifically to s10 (and the clumsy way the writers wield ray langston as a character), the same concepts also apply throughout s11-s15, as well.

this one was written after the end of s15 but before news of the show's cancellation had come out and so is in some ways out of date, but it does outline many of the general problems with csi's writing during that late-game era, including its eschewing of character development, how only working on a single case per episode reduced many of the characters to "glorified lab tech" and/or "courier" status (as you describe above), its over-reliance on spectacle, its lack of serialization/continuity, etc.

this one explains in more detail the shift from the traditional a plot/b plot narrative format into the "one case per episode" one and what this move's effects on the show were overall.

this one talks about how greg's characterization and development were first flattened and then dropped in the later seasons of the show, while this one explains how he got stuck in an interminable holding pattern as part of a never-fully-resolved love triangle with him, morgan, and hodges, which ultimately contributed to his "unfinished" feeling as a character at the end of the series.

as for the topic of sara and her anger in the late series:

that issue is one that has its roots in many of the other issues discussed above.

as new writers came onto the show and, steered by their generally poor writing instincts, made the mistake of focusing their attentions on introducing and highlighting the newer characters (first langston, then russell, finn, and morgan) rather than dividing their attentions equally among the whole cast, they neglected the old characters, essentially relegating them to minor character status. though by all rights, once grissom and catherine had left the show, nick, sara, and greg should have moved to center stage just by virtue of their seniority and how invested the audience was in them, they were largely ignored.

nick got the most development out of the trio post-s12 (when catherine left the show and russell, finn, and morgan replaced her), which is perhaps why you find yourself the least disappointed with his characterization out of anyone's, though even he featured far less prominently and received less development than he should have.

in the meanwhile, sara and greg's development completely fell by the wayside.

while greg's "benching" happened in the wake of the failed love triangle storyline of s12 (as described in the post above), sara's came about following her s13 divorce, after which she never really was given another personal storyline again.

though they would both occasionally be the subject of individual "focus episodes" (e.g., see episode 14x16 "killer moves" for greg or episode 15x12 "dead woods" for sara), any and all development they underwent was consigned to those episodes only; all emotional changes, lessons learned or unlearned, progress/regression, etc. they experienced lasted just until the end credits rolled and then was summarily forgotten about going forward, as if it had never happened to begin with. neither one of them had any kinds of serialized arcs to speak of for the last several seasons of the show.

but here's the thing: not only did they not get any character development in the last several seasons of the show, but their characters themselves were also flattened, reduced down to be caricatures of their former selves.

the new writers who came onto the show following the 2008 writers' strike and later (see the first post linked above) hadn't done their homework. none of them read the show bible or really got a feel for the old characters; they knew them only in a very superficial way.

frankly, all of the characters of the later seasons, both old and new, have the same standard base personality: a very one-note, sitcom-esque “quirky smartness” with a uniform sense of humor, uniform approach to problem solving, uniform professional skillset, and uniform “good guy-ness,” which results in them all tending to speak and act mostly the same across scenes, to the point of interchangeability.

seriously: in 80% of the scenes in the later seasons, you could swap out any one character for any other and the tone, timbre, and outcome of the scene would not be altered at all. there’s no perceptible difference between how sara talks and how finn does, how greg would approach an issue versus how nick would, etc.; they’d all make the same quips and take the same actions across the majority of all scenes.

the writers then tacked on maybe one or two “extra” character traits to each character* in order to “distinguish” them from one another (so that russell becomes base personality + hippie dad, finn becomes base personality + maneater, hodges becomes base personality + self-important weirdo, etc.) and considered their characterization work done, making no further efforts to develop or change anyone over time.

* except for morgan, who is literally just the base personality and nothing else. i mean, seriously, aside from being “nice,” what even is she? how would one describe her? she has no distinguishing characteristics.

compare this very stock characterization in the later seasons to the rich characterization of the early ones: in s1-s8 of the original series, each main character has a very distinctive personality, worldview, and even diction. greg never would or even could have approached solving a problem in the same way that grissom would/could, nick’s dialogue didn’t sound the same across the board as warrick’s, etc. even grissom and sara, who were the two most similar characters, in terms of the basic temperaments, intelligence levels, ways of speaking and comporting themselves, etc., weren’t 1:1 the same as each other; they had enough that varied between them so as not to be mistakable for each other. the main cast felt like six different people, not six versions of the same person. and the storytelling was so much better and more compelling for it! even just on an emotional level, there was so much more dynamism and room for multiple reactions. not everyone was going to bust out the exact same quip at the exact same time, you know?

but whereas the new characters were never anything but this base personality + [insert the one individual characteristic they may or may not possess here], meaning that for as boring as they may be, there’s nothing really to mourn with them in terms of “lost potential,” with the old characters, this adherence to the stock formula is something far more devastating, as in order to make them fit the mold, the writers had to strip them of so much of their former characterizations, divesting them of all of the intricacies that had been part of them throughout the early seasons of the show, leaving them shadows of their former selves.

nick became “standard later seasons personality” plus

nice

texan

traumatized but we’re not quite sure how/in what ways/to what degree and aren’t consistent about depicting him as such

sara became “standard later seasons personality” plus

uncool/nerdy

sarcastic

angry

greg became “standard later seasons personality” plus

has a crush on morgan??????

(that’s really his only “distinguishing” character trait in the last several seasons.)

and all of them shifted from being dramatic characters who had occasional comedic beats to being comedic characters who had occasional dramatic ones. it was like they had been transposed into a sitcom world, despite the very macabre nature of what their procedural was all about; i call it the “ncis-ification of csi.”

it was as if never having watched the early seasons of the show themselves (or only having watched a few episodes here and there), the later seasons writers turned to the wikipedia character summaries for nick, sara, and greg and then based their entire depictions of the characters going forward on what they found in those few paragraphs of description.

there was no nuance or multivalence to how they handled the characters at all, no sense of recourse to their past developments, no sense of history with them, certainly no development going forward, etc.

so.

for as much as i hate the later seasons for what they did to gsr, i hate them even more for what they did to sara sidle, taking the most wonderfully complex, interesting, realistic, subtle, dynamic, well-wrought character i’d ever had the pleasure of watching on tv and turning her into what was essentially just “angry girl, version 1.0,” totally generic in every way.

i still remember my first time watching the scene in episode 15x12 “dead woods” in which sara stalks abby’s boyfriend slade down the hall at pd, runs him up against the wall, and threatens him. while my first reaction was to full-body cringe because, holy god, that was embarrassingly badly written!, my second reaction was to feel heartbreak, because what i was seeing was such a bastardization of my favorite character that she was almost unrecognizable to me, and it was such a shame.

it was like the writers were vaguely aware of older scenes like the one in episode 01x10 “sex, lies, & larvae,” where sara gets in scott shelton’s face, and wanted to replicate them, but they had no idea what would actually make sara tick or what her mechanics were.

theirs was just a bad impression of “sara being triggered,” lacking all understanding of her inner emotional world.

and that’s how sara is throughout the later seasons: most often, just the standard base personality, but with occasional flashes of intense and largely unexplained anger thrown in.

and, i mean—

had they wanted to, they maybe could’ve been more deliberate about depicting sara’s anger, making it an actual plot point that after the divorce, she started to be much more hair-trigger and prone to outbursts, constantly simmering with a low current of frustration that sometimes ignited into full-on flares of fiery temper in cases where she was provoked.

they could’ve shown nick and greg worrying about how on-edge she seemed and maybe even herself fretting over her inability to control herself.

they eventually could’ve written something about how the truth was, she found it easier to be angry at the world than to feel her actual, underlying emotion, i.e., heartbreak over losing the love of her life—because at least the anger was somewhat “empowering,” whereas the heartbreak just made her feel small, helpless, hopeless, and vulnerable, and particularly since she feared it might be unending.

because how could she ever be happy again without grissom?

at some point, they could’ve had the storyline come to a head, maybe with sara crossing a line with a suspect or even one of her team members, being confronted about it (or even faced with suspension) and then breaking down, finally admitting just how hurt she was, maybe going into anger management or therapy or at least just giving voice to her feelings for once.

like.

it wouldn’t have been a storyline i would have favored for her, but it could have been a thing if the writers had wanted to make it one.

it could have been some actual storywork.

but of course it wasn’t.

they never made anything of it.

there was never any sense that the writing of sara as angry was at all purposeful or that it had anything to do with events from her past, either from her childhood or more recently with the divorce.

in the later seasons writers’ incompetent hands, “angry sara” was always just a haphazard thing, something they did with her when the case-of-the-week called for it or when they didn’t know what to do with her otherwise.

never was it delved into.

never was it treated as the problem it was.

since in their minds, sara was just an angry person—ignoring all of her post-episode 05x13 “nesting dolls” development in the earlier seasons of the show—there was no reason to question or probe or explore her anger; it was just a given, something they could fall back on whenever they needed a quick and easy way to ratchet up the emotional tension in a particular episode.

the reason you find yourself unable to explain the motivations behind sara’s anger in s15 is because there aren’t any.

unlike gil grissom, the writers of that season are unwilling to ask what’s made sara so angry. they don’t ever go there, and neither do they want to.

they have no intention to ever look beneath the surface with her.

so they just don’t.

i wish i could tell you that there’s something to look forward to with s14, but there really isn’t. the writing is just as bad and the characterization is just as nonexistent as is the case with s15. sara is certainly just as wasted.

anyway.

thanks for the questions! please feel welcome to send more any time.

#answered #hiei29 #asks: csi #**#my meta #meta: csi #meta: production #meta: sara #later seasons #let's talk shop #fcebl #csiverse

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guncelkal · 8 months

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kiggundu · 1 year

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curestardust · 2 years

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Dust Watched: Shoujo☆Kageki Revue Starlight Movie

Genres: Music, Drama // 1 movie (2h) // S01 (x)

Wow...

✧ story ✧

The original season was certainly something unique in the anime landscape and while I was expecting something on that level this movie completely blew my expectations out of the water. This is a fucking masterpiece.

The movie’s story drops us 2 years after the events of the original season; the girls are in their last year and getting ready to graduate. The beginning of this movie creates a false sense of security. Calm and slow, the girls seemingly content with their school life and their choices for the future. But there’s an invisible tension that you can feel rising up until it explosively culminates in the beginning of another Revue: Wi(l)d-screen Baroque. This is a reference to an actually existing style of writing “Widescreen Baroque” which Wikipedia sums up as “characterized by larger-than-life characters, violence, intrigue, extravagant settings or actions, and fast-paced plotting“. I decided to just copy-paste this because I honestly couldn’t describe the Revue’s presentations in the Movie better.

After the Revue begins, the movie uses a 1-2-1-2 formula. Calling back to the original Auditions, each act consists of 2 characters going head to head, exploring their feelings, doubts and fears in the setting of a grand performance. After each performance concludes, we get a flashback to Karen and Hikari’s past, then we move onto the next act in the Revue. The final act thus obviously consists of the two’s confrontation.

This movie uses the stage as a literal representation of life, just as the original season did, except on a much grander scale. While in the real world everyone acts fine and considerate, the Revues finally give them a place where they can confront their fears, where they can say what they *really* think, before they all have to move onto the “next stage”.

✧ characters ✧

Graduating from High School is seen as the first step into adulthood and alongside the girls the movie’s presentation and subject matters all matured as well. The revues call-back to Auditions in the original show, with the expected pairs going head-to-head in their acts. Finding who you’re, letting go of the past, going your seperate ways, dealing with doubts of whether your choice for the future really is right are all stuff we’ve had to deal with (if you’re my age of course) are at the core of this movie. All-in-all I liked every girls outcome although I feel like certain characters could’ve used just a tiny bit more introspection.

Unfortunately, Karen and Hikari’s plotline was the weakest even though half the movie focuses on that. Maybe that *was* the problem. For all the build-up the 2 get, their Revue is the weakest in my opinion, even though Karen’s feelings towards the future are probably the most complicated.

✧ art ✧

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✧ sound ✧

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✧ overview ✧

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My Rating: 10/10

#dusty reviews #shoujo kageki revue starlight #i'm disappointed in this review cause I just don't have the energy right now to do justice for how amazing this movie was

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fantastic4peace · 2 years

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Post Details:

Storyline:

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TV Review:

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dealhidealsdotin · 3 years

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kmcnamaragifs · 10 months

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guncelkal · 9 months

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kiggundu · 1 year

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jellyfishtele · 5 years

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Почему только USB сигнала?

Существует только 4 компл. PCIe каналов, но каждый беспроводной карты нужно один слот pcie канала. Поэтому только ПК Поддержка USB сигнала. Мы находим что почти нет Wi-Fi Модем может быть в состоянии поддерживать PCIe Mini Wi-Fi. (RT 3070 хорошо). Кроме того, некоторые клиенты быть в состоянии редактировать драйверы процедура себя и отладки его Поэтому мы поставляем sku с WIFI вариант. На самом деле, мы расскажем их если клиенты консультации о эти информации. слот дизайн является целью для поддержки 4 г функции в что USB сигнал достаточно для 4 г модем.

S07: 156*128 *37мм(Поддержка MSATA)S08:156*128* 47мм(Поддержка 2.5 «HDDиSSD)вилки: не нужно беспокоиться о вилке. Есть виды выбор, и будет организована в соответствии с вашей страны стандарт приложения.

доставка Советы:

UPS (нет налога на импорт)

страны европейского Союзакак Польша, венгрия, бельгия, люксембург, дания, Нидерланды, австрия, финляндия, ирландия, португалия, швеция, Чешская республика, эстония, литва, латвия, румыния, греция, болгария, словения, словакия, хорватия, испания, италия, франция, германия Соединенное Королевство великобритании и.

1. Мыневзять на себя ответственность за импорт налогообложения.

2. Как Правило, он прибудет 5-7 рабочих дней после.

DHL (быстрый,невключают налог)1. Как Правило, он будет прибывает в пункт назначения о2-5рабочих дней.2. Чтобы избежать тяжелых налогов, мы объявим низкое значение на фактуре. Если вы нужна фактура с истинное значение, пожалуйста, пришлите мне адрес электронной почты на сообщения.EMSесли вы поставляется из таких стран, какроссийской Федерации, бразилия, украина, беларусь, Монголия, Таиланд.и т. д.Пакет:этого изделия включает источника питания, кабель SATA и VESA

Наши услуги:

1. Q190G4поддерживают только USB сигнала Wi-Fi (Мы используем RT3070 беспроводной модуль), но это может несовместимый с pfsenseЕсли WiFi необходимо для вас, пожалуйста, установите другие ОС после его получения.]

2. Если вы покупаете barebone системы Q190G4 (без памяти нет SSD), Мы рекомендуем Kingston DDR3L 1.35 В SO-DIMM и Samsung и phison и hynix mSATA. Corsair/крайне оперативной памяти и Kingston mSATA несовместимы с нашу мини-ПК.

3.один годГарантия

4. Все мини-ПК и аксессуары были проверены перед поставкой.5. Мы принимаем t/t, paypal, western union и т. Д. Просто оставьте мне сообщение или attanch доставки этикетки (имя контакта, адрес, почтовый индекс, телефон), то я свяжусь с вами и дать вам Pi.1. Если вы не платить через Aliexpress.2. для массового порядка, мы предоставим вам скидку от линии.Доступные конфигурации:памяти: Поддержка 2 ГБ/4 ГБ/8 ГБ ОЗУ DDR3L SO-DIMMжесткий диск: Поддержка 8 г/16 г/24 г/32 г/64 г/120 г/128 г/240 г/256 г/512 mSATA и2.5 «HDD:500 г/1 ТБWi-Fi/Bluetooth: Дополнительно

1. Вышеупомянутая конфигурация для справки. Вы можете изменить его в соответствии с вашими потребностями, но цена будет отличаться. Надеюсь, что вы знаете.

2.Если вам просто нужно оперативной памяти или mSATA или некоторые подобные требование, пожалуйста, дайте мне знать. Я буду дать вам цитату.

«5 s» настольный компьютер:

специальные:Можно установить 2.5 »HDD и mSATA в то же время. (Q190G4-S01 слишком тонкая для поддержки HDD)

Стабильный: intel celeron J1900 Quad Core + Baytrail структура + Intel HD Graphics + без вентилятора, быть в состоянии работать 24 часа в сутки

Малый:Крошечные размер и смарт-дизайн, легко положить.

Гладкий:blue-ray и Ultra HD потоков, разрешение Full HD

сильный: только 10 Вт, очень экономичный, высокая производительность, долгое время работы промышленности, магазины ремонт автомобилей, школа, банк, в любом месте компьютер существует.

услуги:Все мини-ПК и аксессуары были проверены перед поставкой.

QOTOM technology co. ltd.

В начале 2010 года, QOTOM компьютер была основана в Шэньчжэне. Это мини-ПК производства корпорации. Мы обеспечиваем oem обслуживание и владеет клиентов во всем мире. После этих лет быстрый рост, QOTOM Corporation стала быстрого роста корпорации в Mini-ITX поле, и способствовало много ведущих и продвижение Mini PC развития с производства и продаж более 3 млн шт/год. полу-автомат делает массового производства возможно. мы в настоящее время имеют чрезвычайно профессиональная команда.

Часто задаваемые вопросы:

Q1:о системе.

A1: он придет с pfsense.мы ��ожем предоставить неактивный Windows, Linux, pfsense, Sophos, vyos, linux iptables, распутать, Ubuntu т. д. Хотели бы другие ОС, дайте мне прикрепленным сообщение. Вы также можете установить ОС и пакет программного обеспечения самостоятельно. F11 ключ загрузки от usb-накопитель. Delete введите в BIOS.

Q2. Не могли бы вы напечатать нашей компаниилоготипна изделии? A2. Да.

Q3. Вы могли произвестииндивидуальные упаковки boxдля нас? A3. Да, moq. Для этого 500 шт.. Дополнительная плата взимается Если количество меньше чем.

Q4. как оналог на импорт? A4.Мы не несем ответственности за ваш импортных пошлин (пошлины и налоги, НДС и другие), Но мы объявим низкое значение, чтобы избежать тяжелых налоги.

Мы не несем ответственности за задержки из-за таможенного оформления в вашей стране, Pls исправить его как можно скорее.

Q5. Он поддерживает3 г/4 г? A5. Да, Существует Mini pci-e слот для Wi-Fi или 3 г/4 г модулем, но он поддерживает Wi-Fi по по умолчанию, Если вы хотите установить 3 г/4 г модуль, пожалуйста, оставьте сообщение. Кстати,Мы не поставить любое sim-карты и 3 г/4 г модуль.

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