🍂❄️🌸Applications Announcement!🌸❄️🍂
Hello Friends at the Table fans! We are very excited to announce:
A Chaotic Cataloging: A Seasons of Hieron Fanzine
Applications for #HieronZine contributors will be open from Saturday May 4th until Saturday June 1st.
Introducing the Mod Team:
🌸Muna🌙 @peacereturnedtothevalley - Head Mod + Socials
🥐Katie✒️ @KatieDiek - Production
🍷Lee🐇 @imperialhare - Finance
🎭Avi🗡️ @oziads - Design & Art
🎨Annie🐭 @dancy-nrew - Art
🍊Julian📚 @burins - Writing
🦉Danny✨ @suedeuxnim - Writing
We're super excited to get this project going, hope you are too!
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happy (really, really) late secret samol, @swordbreakerz!! i drew maelgwyn haunting ephrim in a gay way for you 🔥⚔️🌑 (twt link)
i'm so sorry for how long this took, but i hope you enjoy it nonetheless! maelgwyn is my favorite fatt character of all time and i really enjoy him & ephrim as parallels and foils of each other :^)
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Hey did you know that Throndir is canonically a fat hairy gay man? he's rugged, he's a main character in a story that's over 200 hours long, he has a cute dog!! he was The Ranger for crying out loud!!
only you can stop wildfires literalism from winning (a silly tumblr poll - Vote For Throndir!!)
oh and for the record:
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smoke weed n read the constitution with the big big lady….
also size chart bc i can’t get over this… she’s 5x bigger than fero 😭
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this song makes me want to climb to the top of a foggy mountain and then stare out into the distance with melancholy in my eyes
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Hmm, I think that some of my new followers might appreciate this passage I just wrote for my paper:
Ultimately, caring about culture means caring about the bodies which practice that culture. Failing to care about those bodies, letting them become “bare life” means failing to care about culture. Or rather, I should say failing to care about bodies is a failure to care well about culture. Museums have historically served to preserve culture without necessarily maintaining it. A museum is a dead thing, a place where the artifacts of culture put on static display to be silently observed. The only bodies that move in museums do not interact with the artifacts contained within in the same way that the bodies who produced them would. As Shimrit Lee puts in her book Decolonize Museums:
By displaying humans, animals, and objects alike in detailed, simulated environments, curators sought to capture particular cultures and time periods. This act of “viewing culture”—from world’s fairs to the museums of today—results in what Johannes Fabian called a “petrified relation,” whereby various non-European societies are perceived to be living in a different historical epoch. Today, these types of exhibitions continue to deny the possibility of shared humanity and connection between visitors and the people whose cultures are on display. (Lee 2022)
It is bodies in living relation to one another that make and practice culture. In museums, culture becomes disembodied and thereby disconnected the human experience of it. Instead, cultural artifacts become props in a curatorial narrative: “These objects, violently plundered from the colonies, were first “decontextualized,” or extracted from the context of their original use, and then “recontextualized” in the sense that they were inserted into new settings” (Lee 2022).
Like, imagine how insane I felt listening to Winter in Hieron while this is the sort of thing I’m studying, thinking about, and writing. Hieron is literally built on physical and metaphysical recontextualization! And beyond that, even the mortals who are unaware of the metaphysical nature of Hieron’s reality are constantly struggling over how culture should be contextualized. Mother Glory’s death hit me so hard precisely because it was a symbolic victory of Rosemerrow’s recontextualization of culture. In turn, Fero’s decision not to stay and help the gnolls is such a monumental failure to care about (I’m using that in a technical sense, dw about it, iykyk) their culture and their, er, humanity..? Gnollnity? Whatever, that which makes them subjects. And don’t even get me started on the orcs, who have so completely mastered recontextualizing culture that they it enables them to DO MAGIC. Like, pattern magic clearly depends on culture in order to give facets of the material world meaning (libraries, desks, broken mirrors, stolen fiddles, and so forth) but it doesn’t actually have any interest in that context beyond that. Lem is able to do pattern magic without really what the materials he’s using really are beyond their place in the pattern. You know, now that I’m thinking about it, I’m not even sure he knows what the deal with his fiddle even is? I might be wrong, but the point is that the fiddle seems to be more important for its place in the pattern than for the thing it actually is as defined by its history.
Ugh, this show is making me feel rabid and I gotta stop writing this post and get back to the actual paper I’m writing…
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🌋🔥when you try your best but you don’t succeed </3🔥🌋
a 2021 redraw of my 2020 pic commemorating my very special boy maelgwyn’s deathiversary <3 (twt)
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