Tumgik
#yes i built an entire subway train just for those shots
nocturnalazure · 2 months
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ガタンゴトン
"Gatan-goton" is a Japanese onomatopoeia which mimics the sound of a moving train.
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feverinfeveroutfic · 3 years
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chapter seventeen: spreading the disease
Upon their arrival at the rehearsal space, Marla and Zelda both came up with a way to discern Dan Lilker from Dan Spitz, while lumped together they were the Dans. Spitz was Little Blue Eyes while Lilker was The Fuzzy One; those bright eyes shone within the bright, end of summer sun and the crown of feathery hair upon his head waved in the light afternoon breeze. That long wavy dark hair was rich and even darker against the sunshine. Dan “Little Blue Eyes” Spitz and Dan “The Fuzzy One” Lilker, and together they were the Dans. Scott made a joke about Dave and his bassist both being named Dave.
“So the Dans and the Daves,” Zelda joked as Scott picked a piece of pizza for himself.
Meanwhile, Sam picked her journal out from her bag and rested it upon her lap, but she never did anything further beyond that. She kept her hands upon the hard surface of the journal and she never took out one of her pens or pencils. She leaned her back onto the wall behind her and sighed through her nose.
She was alone on that side of the room, alone with a bit of privacy before she needed to walk on back to school for her final class of the day, at least until Belinda took her seat next to her. Those long blonde waves drifted behind her head all the while.
“Let me see him,” Belinda begged her, but Sam was reticent. The Dans congregated next to the table together and they talked about something in a low voice.
“May I see him?” she corrected herself, but it was for a different reason. The drawing she had mentioned to her didn't exactly exist in full form, but rather as the start of a doodle.
“Like I said,” Sam spoke in a low voice, “it's just a simple little doodle, though. It's not really much of anything.”
“I still wanna see it, though,” Belinda insisted as she tucked a lock of hair behind her ear. “Like, I wanna see what you're about to make for yourself. And I also want a shot at redemption, too. I think we got off on the wrong foot.”
“I don't think we did, personally,” Sam pointed out. “But—” She fetched up a sigh. “—here.”
Sam opened the hard cover of the journal and she turned to that page. The beginnings of Joey's black curls as well as his lanky shoulders; she took out her pencil from her purse as if she was about to get to work on it.
“Ooh. Oh, I see him now.” Belinda held her doll-like face close to the page, and she moved her finger along the grain of the paper, right next to the pencil marks. But she didn't touch the graphite so as to keep the integrity of it.
“Yeah—I was trying to do it from memory,” Sam confessed as she held onto the edge of the journal. “It's harder than you think especially with him. Joey and his thick black hair and his dark skin.”
Belinda turned her head and she gazed on at the rest of the room. The Dans stayed by the table with Scott and Charlie; Marla and Zelda had gone off to another room; Aurora was checking over her notes; Frank and Billy had gone outside for something. Neither of them saw Joey walk into the building at any given time, but they knew he was there. Sam brought her attention to Belinda again and her pool like eyes pointed towards something.
“He's over there right now,” she told Sam with a gesture to the other side of the room.
“Where?”
“There—” Sam brought her face closer to Belinda's hand as she pointed beyond Scott, Charlie, and the Dans. Indeed, she looked past them and she spotted Joey tucked in the far corner of the room, near the side door. He had leaned his back towards the wall and he brought his knees close to his chest. His thick jet black curls blanketed the side of his face so they could only make sight of his Roman nose and his dark lips. Every so often, he lifted his gaze and he watched the four men congregated next to the table. And then he looked away from them.
Sam looked over at Belinda, who locked eyes with her.
“I think that's the only view you've got,” she told Sam in a low voice, and she brought the tip of her pencil to the page.
“At the moment anyways.”
“Can you do it quickly?” Belinda asked her.
“I'll try.”
“I should tell you—when you get into second tier drawing, Miss Estes makes you do warm ups at the start of class where you draw a photograph as quickly as you can in five minutes. I think it's five minutes. I caught her saying to another aide where she bumped it down to four minutes, but I could've just been mishearing her.”
Sam locked her gaze on Joey's side profile, even from a distance, and she sketched his black curls a bit better that time around. She ran the graphite over those first bits of the curls and she moved in closer to his face. She moved her hand towards what would be his face, that Roman nose in particular. Even though she looked at him from a distance, she managed to do a straight rendition of him. But how she wished to draw him at a much closer angle, especially when he lifted his gaze again.
“Damn it,” she muttered.
“What?” Belinda asked her.
“He moved,” she replied.
“It's okay—can you draw his body, though?”
“As long as he doesn't get up...” Sam ran the graphite down his shoulders and his upper arms, and then his lower arms. She kept her gaze fixed on his hands, on those long lanky fingers and those big palms. His legs were slender and almost delicate in shape, and his feet reminded her of the feet on a little teddy bear. She managed to sketch out a little bit of his thin body in time for Frank to come right inside.
“Hey, Frankie,” Joey called out to him and he moved his arms and placed his hands down on the floor, on either side of him.
“Damn it,” Sam grumbled, although she had enough of an outline of his thin lanky body upon the paper.
“You got him good, though,” Belinda encouraged her.
“John's here,” Frank announced.
“Big John!” Charlie declared, and he turned to Scott and the Dans. “This is that guy I was telling you guys about, John Tempesta.”
“What're these characters doing here?” a strange voice called through the front door. Sam returned her attention to Belinda, who was still fixated on the paper.
“I have an idea,” she told her in a low voice.
“What's that?”
“You should make a whole bunch of dark drawings for Halloween and for their new album,” she suggested.
“Like—black ink?” Sam glanced down at the journal again.
“Yeah. Miss Estes does something like that for the drawing classes, I think for you guys in particular. I think, anyways. Like, if I remember correctly—Marla and I did some ink drawings for Halloween, but Miss Estes had cancelled some classes so our schedules got fucked.”
“I should make a drawing for each day of the month,” Sam built on it. “I'd have to do it in a mad dash, though.”
“Do you have ink pens?”
“I do, yes. They are black ink, indeed.”
“Do you have thirty one pages in that journal?”
Sam kept one finger on that page with the drawing of Joey and she flipped through the rest of those smooth blank white pages. The journal pages were in fact big enough for a series of drawings, and she counted out thirty after that one of him.
“Just short of it,” she replied.
Belinda ran her tongue along her lips and she brought her gaze back up to Sam.
“You should make this one ink,” she suggested to her in a low voice.
“This one?”
“Yeah. I mean, you have the pieces for it with the simple pencil—your pen is mightier after all. And—don't think now, but I believe your next class is gonna start soon.”
“Do you have the time?” Sam asked her and she knitted her eyebrows together in concern.
“No, but there's a clock right there.”
She turned her head and sure enough, there on the wall stood a little clock.
“Oh, shit, I gotta go,” she quipped, and she closed the journal and put the pencil back into her bag. “Where's Marla?”
“I think she went outside with Zelda. I haven't seen either of them in a while.”
“Tell her about the time, Belinda,” Sam advised her as she slung her bag over her shoulder. “We're both gonna be late.”
“Oh, and call me Bel, by the way. I still wanna make it up to you from earlier. So call me Bel.”
“Okay,” said Sam as she gave her hair a slight toss back, “little Bel.”
Belinda climbed to her feet and she hurried across the floor to fetch Marla and Zelda. Meanwhile, Sam ducked past the Dans and the new man, John Tempesta, a tall black haired gentleman with the first sprigs of a new mustache over his upper lip, and she returned outside to the bright street. She put on her sunglasses with her free hand and she hurried up the sidewalk.
The sun hung at an angle and she knew it was going to be dark soon. It was an odd thing to consider, given she was so acquainted with the summertime, but she knew it was going to be dark by the time she caught the next subway train back up to the Bronx.
Indeed, her writing class lasted the full hour and the whole entire time there in that tiny brightly lit classroom, she thought about Belinda's suggestion to do thirty one ink drawings for the month of October, and in particular a rendition of that sketch of Joey. She thought about it so much that she couldn't hardly focus on the peer workshop that afternoon and she decided to take it all back home with her. But on the other hand, if she did that, there would be no time to plan the drawings she could potentially make for the upcoming month.
Perhaps something Halloween related, or something that pertained to Spreading the Disease.
Then, as she packed in her things and stood to her feet, it hit her like a bolt of lightning. Of course!
She was eager to board the subway and return home to the Bronx. It would prove to be a challenge of sorts, given she had school interspersed between the drawings, but she had to take Belinda's word for it. That time on the ride home, she took a seat next to the window and she opened her binder, to the part with the notebook paper, and she took out her pencil. She knew it would be tentative, but she wrote down the numbers first and proceeded to fill in the blanks from there on out. Whatever came to mind that pertained to the last several months of which she lived there in New York City, she wrote it down.
Diseased.
Madhouse.
Kids!
Soup.
White stripe. Black stripe?
Books. Boots.
Glasses.
Cowboy. Classical.
Rehearsal. Sleeping. Road trip.
Washing. Trees.
She only had sixteen written down by the time she reached the halfway point between school and home. She glanced up to the pale yellow lights upon the ceiling and she struggled to think about what could fill in the rest of the month.
She thought about the tulips Cliff had given her. Yes! She wrote that down, as well as “cherries” and “roses” in honor of the Cherry Suicides.
She also thought about Joey and his black curls, and she wrote that down as well. Twenty now.
She flashed back on that night in the restaurant when Lars and Rosita danced together. Dancing! She scribbled it down, followed by “darkness” given she thought of the mysterious man in her dreams.
Just ten more. Sam glanced about the subway car when the word “ride” fell into her mind.
She flashed on Belinda's serpent pendant and wrote down the word “snake.”
She looked down at the spare pens and pencils tucked in her binder and wrote down just that as a single prompt.
She thought about all the guitar players she had met and wrote down the word “guitars.”
Six more now. Something Halloween related, and thus she wrote down the words “ghost” and “gourd”, as well as “machine.” Just three more.
She wrote down the word “friend” in the thirty first spot and the word “muse” in the thirtieth. Something for that twenty ninth spot however. She sat there in her seat with the binder sprawled open across her lap and she gazed on out the pitch dark window with a blank look on her face. She stared on at her own reflection, at the young woman with the head of dark hair and the matching dark eyes with the blank expression upon her face. So much had happened to her in the past nine months that it felt as though a whole five years had elapsed. But there was one thing that kept on returning to mind and that was the mysterious man in her dreams. She thought about what Marla had said to her about it, but it continued to nag at her, especially since she hadn't had a dream about him in recent days.
Was it Cliff? Or was it someone else? Was Marla right and he just served as a mere figment to assure her that things were going her way? Or was he the literal man of her dreams?
She gazed down to that blank spot on the page, that wide open spot next to the hastily scribbled down number twenty nine. She nibbled on her bottom lip as she wrote down the words “dream boy.” It felt so awkward to write down those words but she had it out before her, down upon a sheet of paper to see for herself.
Sam straightened her spine a bit and she looked over the list of prompts. She would have to do them all on the spot after school, or whenever she snatched a moment given the next day was the first. She set her journal right next to the list. That sketch of Joey was in there and she began to wonder just how exactly she could fit that into the prompt list given he seemed so extraneous.
A challenge indeed.
Within time, the subway rolled into the Bronx and she almost ran back to her apartment: she didn't even greet Emile when she ascended the stairs to her place.
She had hardly any focus on the trio of essays she had to look over for her writing class, but the whole thought of it didn't perturb her in the least, especially since that next day, the first was her day off.
That sketch of Joey served as a guide of sorts and, without a moment's hesitation, she began on thirty one sketches for herself. It was a simple goal: to draw and ink up all thirty one prompts for the month of October in honor of the new record she got to take a taste of when she was new to the Northeast. She focused on getting her characters all sketched down to honor the prompts.
It was much more difficult than she originally assumed to be, given she only reached a drawing of Cliff and his cowboy boots by the time she felt the first tinges of hunger and she realized the apartment was rather stuffy from being locked up all day long. Tomorrow was her day off, as was Thursday. She could resume the sketching as well as ink in the first drawing tomorrow following her review of those essays in her binder, just so long as nothing or no one interrupted her from doing so.
Sam made two more sketches and then she turned in for the night, and she wondered if the mysterious man would visit her again. She lay her head down on the pillow and closed her eyes when he appeared to her in the darkness of her mind. She swore for a second that it was Cliff, but he took off his hat and showed her his solemn, deep set eyes.
Alex? No. No way. He lacked that prominent aquiline nose and that genuinely stoic look, the latter of which came from what she knew about him through her memory. He was also much thinner and lankier, whereas Alex still had a little bit of baby fat on his body.
But he had that big, prominent streak in his hair, one as cold and white as bone china, and one extended all the way back to the base of his head. His deep eyes stared into her soul and she swore she had fallen asleep when the feeling of cold on her feet pushed her awake. She stared up at the ceiling with her own eyes wide open and she realized she had cracked her window open a little bit to let in some fresh air.
The sole light came from the lights on the street outside and she thought about the rest of the sketches she had to make.
The next day was her day off after all.
Sam sighed through her nose and pushed off the blankets. She strode over to her desk and switched on the light.
Twelve done, nineteen more to go.
If she had to go at it all night, then she was willing to do it. She took her seat and bowed over her desk. The late hours of the night proved to give her a bit more inspiration than usual, and yet she fought against the urge to return to the safety of her bed. The number thirty one felt so far away to her by the time she drew a cartoon of Belinda with a snake around her neck and shoulders and she glimpsed up at her clock.
And yet she was almost there. She could feel the end, and she could feel the sunrise on the horizon. She only had the final three left by the time the apartment buildings outside lit up with the soft orange glow of the brand new day. She peered out the window pane at the dark clouds as they formed a blanket across the sky. Autumn was official with the arrival of October, and Spreading the Disease the day before Halloween.
And her day off would begin with the first scratches of the ink as she took off the cap. The little black tip carried with it a touch of that ink smell.
Sam ran her fingers through her dark hair and then she fetched up another sigh.
Her ink drawings began right then at sunrise. Careful not to run the tip over the pencil markings, she gave the first drawing, a cartoon of a man who somewhat resembled to Joey himself with his scratchy curled hair all about his head, and he lay down on his side with leaves and flowers sprouted out of his body, a healthy dose of that rich black ink. She filled in the petals of the flowers and the parts of the leaves with a bit of scratchy hatching to give it all some depth; she used her thinnest tip given the small amount of detail work. The flowers, however, were missing something.
She opened the drawer next to her right knee and she spotted her markers. A bit of blue and some blue green for those big flowers that resembled to the flowers she used to see on cacti back in California.
The fine pen work on his head and his fingers, as well as a series of little markings all about his hands. Leaves nestled in his hair. A big fat rose in his left hip and another one in his thigh. Given it was black ink, she could run the blue marker over the petals and the ink added to the original black.
By the time the sun had risen over the Bronx, she had her first full ink drawing right before her. She let out a long low whistle and signed her initials at the bottom: right next to it, she wrote down “day one”, followed by “October 1, 1985.”
All throughout the day, even though she got right to work on the peer review of her essays, she continuously worked on the ink drawings. At one point, before dinner time, she figured to keep it all under wraps from the others, at least until the record's release date. Every so often, she still looked on at that sketch of Joey and she came up short as to how to fit him into the whole collection. She only did it because Belinda suggested it to her and she had to tell her about it in turn.
She walked right into it and the means out of it was to not share it with anyone other than Belinda herself. She knew she would have to improvise those final three prompts by the time came to turn in for the night once again.
For the next week and a half, she put down the black ink for the drawings whenever she found the chance to do so. During her breaks, she kept the journal tucked away from Marla's gaze and she even told Belinda the whole thing would be a surprise for the ages as well.
“I can't wait to see what you made for all of us, though, Sam,” she declared with a twinkle in her eye.
“Promise to keep it a secret from Marla and Charlie, though?” Sam asked her. “I want it to be a complete surprise, especially for them and Frankie. They were the first friends I made when I moved here earlier this year.”
And just so long as she need not have to write something up for her art history class then she could make it all work out in the end. The times she had to write up something for her writing class, she had to go to the library and use the ramshackle typewriters in there. It took time away from time which could be used to put down more ink. But she kept her eyes on the paper and the keystrokes before her.
A couple of pages and she would have that time again to create until her writing class reconvened that afternoon. She came to the end of the last sentence and she took the page out of the rack and nodded her head.
“Perfect,” she said under her breath. She waved the page a bit to make the ink dry and then she stapled them together at the corner. Out of the corner of her eye, she recognized Marla's head of violet hair as it emerged from the front door. She carried a small glass of what appeared to be mere water.
“Miss, no drinks in the library,” one of the aides called out to her.
“It's just water,” she assured him; Sam turned around in time to find her walking towards her and she knew right away it wasn't water.
“Hey, what's up?” Sam asked her as she tucked her assignment into her binder.
“Just here to tell you that we're all gonna have dinner together again this weekend,” Marla replied as she held the glass close to her body.
“Oh, yeah? What for?”
“Happy birthday, Joey,” she declared as she raised up her glass, and then Sam gasped.
“Aw, happy birthday, darling Joey,” she echoed, and she thought about the drawing of Joey himself in her journal. She had no idea as to how to fit him into those final three ink drawings. “No, wait, isn't today the eleventh? I thought it was the thirteenth.”
“Oh, yeah, his birthday's on Sunday. But, you know. It's the weekend and everything.”
“Right, right, right... so are we all going out upstate or doing something else?”
“Yeah, Charlie, Bel, and I are gonna be driving up to Syracuse later tonight. I think Aurora will, too? I have to ask her. I would totally tell you sooner but the date snuck up on us, though. Neither Charlie nor I realized that until just this morning, and I was like, 'Char, isn't Sunday Joey's birthday?' and he goes, 'oh my god, it is! We gotta do something!' So he told Jon and Marsha about it right after he took me to school this morning.” She took another sip of her drink when the aide scoffed at her.
“It's just water! I assure you. Look, I'm drinking up the rest of it—” Indeed, she downed the rest of the drink in two gulps. The aide pursed his lips and then he strode away towards the card catalogue at the opposite end of the elongated table.
“Was that really water?” Sam asked her in a low voice.
“Club soda. I'm gonna be the designated driver between me and Charlie, and I just feel better without a drink in me, too.”
“I think we all should be designated drivers,” Sam suggested, and she thought of Joey's desire to give up booze for himself.
“What's the fun in that, though?” Marla chuckled.
“So you guys are leaving tonight,” said Sam as she picked up her binder from the table before her.
“Yeah. We're leaving at six so we have time to pack up a couple of days worth of clothes.”
“Well, I just have to hand in this paper to my writing class and then I'm out for the weekend.”
“Oh, good! I can walk with you there...”
The two of them made their way over to Sam's writing class on the other side of campus and she dropped the two page packet into the plastic box next to the classroom door. Marla then led her to the parking lot, where Charlie awaited them at the curb. The sun hung over the horizon, such that it looked as though he had a golden yarmulke atop his head.
The three of them drove back to the Bronx: they dropped her off at her place so she could quickly pack in her things for the weekend. She had set down her journal on the couch so she could pick up her overnight bag and her purse, but she figured she need not have it with her given the weekend was all about Joey. Once she locked the front door, she bowed back outside to the early evening and the waning sunlight. She awaited there at the curb with both of her bags pressed close to her body.
They weren't too far from there. Add to this, the whole idea of a trip upstate made her heart pound in her chest. She didn't get anything for Joey for his birthday: surely there would be something she could pick from up there in Syracuse.
Within time, she spotted Charlie's car up the block, and she was quick to climb into the back seat, right next to Belinda.
“I assume we're gonna have a late night dinner,” she said to him and Marla once they got on the freeway.
“I hope not,” Charlie confessed.
A four hour drive and one where the night fell over the state so much sooner. Sam gazed out the window to the sky as it painted from orange to pink to rich dark violet. She wondered who else was going to be there for Joey's birthday. She pictured it being a big party, especially when she recalled the way in which he sat there in the rehearsal space two weeks before. She hoped they had a big party planned for him.
The four of them stopped over in Binghamton; Sam and Belinda awaited in the back seat for Charlie, Marla, and a drink for the each of them. She noticed something out of the corner of her eye: a man in a black overcoat and bell bottoms. He had grown side burns on his face, but she recognized him within mere seconds and even in the darkness. She rolled down the window and poked her head out to the chilly evening. Belinda opened her mouth as if to say something, but Sam beat her to it.
“Cliff!” she proclaimed, and he turned around and showed her a little Mona Lisa smile in return. She hurried over to him and he extended his arm out for her. It felt like an eternity since she last saw him or felt him: the coat felt cold to the touch, even though he might have been wearing it for a long time.
“Hey, there she is!” Kirk declared right behind them. Aurora emerged from the driver's seat of their car with a smile on her face.
“Hey, Aurora,” Sam greeted her as Cliff kept his arm around her. “We were wondering if you were coming upstate for Joey's birthday.”
“I'm bringing the boys home, actually,” Aurora replied as she adjusted the lapels of her light purple jacket. Then her face lit up. “Oh, I completely forgot it was Joey's birthday!”
“We all gotta get him something,” James called from the passenger seat.
“What do you think, Aurora?” Cliff asked her.
“I dunno—where's it gonna be?” Aurora tucked her hands into her jacket pockets.
“We're going to Syracuse to throw a party for him,” Sam told her, “that's all according to Marla, anyways. Jon and Marsha are probably doing something, though.” It was right then she wished she hadn't left her journal on the couch.
“And it's two weeks from now is the release of the new record,” Aurora breathed out; Sam caught the sound of Charlie's voice and she knew they were about to leave.
“You guys wanna follow us?” she asked them.
“Yes, yes, yes!” Aurora replied, and Cliff let go of her.
“We'll catch you in a bit,” he whispered to Sam, and she started to wonder how she could share the thirty one ink drawings by the time the date rolled around. She thought about the journal and she realized she was only ten drawings deep. Her journal was all the way back home, but she had to finish those drawings.
Marla had paper and pens with her, but she was reticent to use those for something Marla didn't know about. And then there was the whole prospect of having to repeat the sketches. The very thought of that didn't feel right as she doubled back to Charlie, Marla, and Belinda.
It was an itch she couldn't scratch. And yet she couldn't let it interfere with her enjoyment of Joey's birthday, especially once Charlie pointed out the Dans’ cars at the stoplight before them.
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lady-divine-writes · 6 years
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Klaine Advent - “Necessary” (Rated NC17)
After a particularly horrible day at work, Blaine comes home to an empty loft, forcing him to manage his own self-care. (2190 words)
Notes: Written for the Klaine Advent 2017 prompts "bucket" and "health", and dedicated to @itallstartedwithharry. This takes place earlier in their relationship, when Blaine is still working as a substitute teacher, and highlights a few of the concerns that people ask me about having a dedicated, 24/7 D/s relationship. Warning for angst, anxiety, and kneeling on buckets. Dom Kurt, sub Blaine.
Part 57 of Taking a Journey Together
Read on AO3.
Kurt isn’t home when Blaine gets there, the loft cold and dark and quiet without him. And empty – too, too empty. But Blaine knew he wouldn’t be. Kurt is working late. He told Blaine that this morning. And yesterday. And he texted Blaine to remind him a few hours ago, but still. The first thought in Blaine’s head when he opens the door is Kurt isn’t home.
Why isn’t Kurt home?  
Blaine needs Kurt to be home.
Because Blaine needs his Master. He needs his Kurt.
Today sucked. It just … it just sucked. And the worst part was that it wasn’t simply one thing that sucked. It was a collection of suck, some of which he couldn’t put into words. First, there was the fact that his first train was late, which he’d anticipated it would be since it had been the entire month, so he made it a point to leave the loft early - not to catch the train before his train, but the train before that. But that train broke down, so it never arrived, and, predictably, the train after that – his usual train – was late. He got to school only about five minutes tardy since he bypassed buying a morning coffee at the corner Starbucks and booked it the entire three-and-a-half blocks, but he didn’t receive the same commiserating comments that the other teachers give one another when they bitch about the perils of the public transportation system. No. Blaine got a lot of sarcastic side glances and rolled eyes, scoffs and mumbled remarks about how, if he had cared, he could have made it a point to leave earlier in order to get there on time.
But the worst remarks are the ones that they save for when Blaine steps outside the room and they don’t think he can hear.
The ones ridiculing his Master.
“Isn’t he dating some hoity-toity exec over at Vogue?”
“Yeah! You’d think the guy would let Blaine use the company car or whatever they have so the poor jerk wouldn’t be late all the time.”
“Must not be that great a relationship.”
“Yup. I betcha Blaine’s not his only boyfriend. Ha! Probably not even his favorite if he’s still lettin’ him work as a substitute teacher in a public school!”
Blaine hated those comments the most because, not only are they not true, but because, now that he’d heard them, he’d have to tell his Master about them, which would open up a whole discussion about how Kurt didn’t want Blaine to continue working as a teacher to begin with. And Blaine hated those discussions because Blaine won them, yes, but just barely, and even though he could get Kurt to see his side, he always felt like he was disappointing his Master by not simply giving in to his wants. It felt like a Catch-22 – Kurt respected Blaine’s feelings with regards to having this job, and was proud that his sub was determined to pay his own way and contribute to their household as much as he could, but regardless, Blaine’s decisions still weren’t the right decisions in Kurt’s eyes, which disappointed him.
Those were the feelings that Blaine had a hard time putting into words because, in his head, they contradicted Kurt’s feelings. It wasn’t as if Kurt’s feelings, or Kurt’s opinions, were more important than Blaine’s in their relationship. It’s because Blaine knows that, to a large degree, his Master is right. Blaine doesn’t need this job. There are parts of it he enjoys, but those parts don’t outweigh the things that he should prioritize, like his own health, his psyche, and his future as a Broadway star. Some days, Blaine’s reasons for keeping his job seem so concrete, and some days they make no sense at all. Sometimes he feels stubborn for arguing his own way so vehemently. Being stubborn makes him a brat. And a brat isn’t what his Master wants, not all the time.
It’s definitely not what his Master deserves – not for all the wonderful ways Kurt supports him, looks after him, takes care of him, guides him. Blaine should just be a good submissive and give in, agree that what his Master wants is best. But will Blaine lose himself if he gives in that way? Again, Blaine has reasons. They’re good, valid reasons. He has the right to want this job whether it’s healthy for him or not … doesn’t he? He has an identity outside of being Kurt’s sub. He’s allowed to have that, he’s allowed to want that … isn’t he? If not, what happens if he becomes a Broadway star? Are there things Kurt will expect him to give up just because he doesn’t want Blaine to do them? Being on Broadway is Blaine’s dream! Should he be expected to temper aspects of that dream because Kurt may not approve? Though Kurt hasn’t said he disapproves of anything having to do with Blaine’s dream. He supports him being on Broadway wholeheartedly.
Then does that mean that Blaine’s dream is okay only because Kurt approves?
By this time, those thoughts, those questions, and the remarks of his co-workers to boot, had driven him into the bathroom, where, after a minute of hyperventilating, he lost his breakfast.
That’s not where his bad day ended.
Not by a long shot.
There was the soup he spilled down the front of his shirt at lunch time, and the lecture he received for not having a replacement, even though he did have one in his locker. The vice principal stopped him on his way to getting it, and then wouldn’t let him get a word in edgewise when he tried to explain.
He misplaced his grade book for the fifteenth time since the semester began.
He “broke” an overhead projector – one that was being held together by duct tape and universally agreed was twenty-three years past its warranty’s expiration date, but since he was the one who flipped the switch when it officially blinked its last, he was the one whom everyone blamed, lamenting over the loss as if it were a beloved old grandparent, or the only overhead projector in existence.
He ended up with another urge to puke sometime after his second to last class of the day. The only men’s room he could find on his floor was out of order, but in desperation, he used it anyway, vomiting into a toilet already clogged with two metric tons of wet toilet paper and an equal amount of urine and feces. When he’d emptied his stomach, he turned around to find a very disgruntled janitor standing behind him, plunger in hand, looking about as done as Blaine felt.
The scowl on the man’s unfriendly face and the shake of his head told Blaine all he needed to know about how tomorrow was going to be for him once everyone in the school found out.
So, by the time he left work on his way for the loft, the fact that a bus hit a puddle, spraying him with filthy, oily water, no longer fazed him. That a homeless man tripped him out of anger when Blaine, too lost in his thoughts, hadn’t seen him or offered him money; an aggressive, older woman shoved him to the ground on her way to the subway; or that a group of teens jeered at him, making fun of his wet clothes, didn’t give him any pause.
He just added it to the pile.
It wasn’t that he was beyond caring. He couldn’t process it all. It overloaded his circuits, snuck between the wires and chewed its way into his brain. There it collected, creating a noise so loud, he could no longer focus. He needed to clean it out, but he couldn’t do that on his own. He needed to have it driven away, beaten out of him.
He needed Kurt.
And Kurt isn’t home.
So he does the next best thing, a thing he doesn’t need to think of because there’s a chart on the wall telling him what’s within his power to do according to Kurt’s rules of “self-engagement”.
He chooses a coping mechanism and a corner, and he waits.
***
“Hello, Blaine! I’m ho-me!” Kurt sings cheerfully as he opens the door. He can’t help himself - the singing or the huge smile on his face. He had a good day. A phenomenal day! And the best part? He gets to come home to his submissive – a gorgeous, loving, obedient boy he’ll have the pleasure of defiling a dozen different ways before bedtime.
Considering the amount of adrenaline pumping through his body, which has built from excited simmer to full-blown frenzy during the subway ride home, he can’t wait to get started.
Except, something’s wrong. Nothing in the loft is as it should be.
Blaine isn’t kneeling at the front door, waiting for him as commanded.
The lights are off. It’s quiet as a tomb.
And the place is as cold as an ice box.
“Pet?” Kurt calls, slightly annoyed to have his sub’s disobedience squash the fun he’s been looking forward to all day. But Kurt isn’t so shortsighted that he doesn’t realize this is out of the ordinary for Blaine. Blaine wouldn’t shirk Kurt’s direct orders unless something was wrong.
Horribly wrong.
“Pet? Where are you, pet? Don’t make me come find you …” Kurt switches on the light and scans the loft. There are no dishes in the sink, which is one of Blaine’s responsibilities, but there is also no dinner on the table. Is there a chance that Blaine isn’t home from work yet? Kurt considers as he puts down his bag and locks the front door. But, if that’s the case, why didn’t Blaine text, telling me he’d be late? Did his phone battery die? Is he stuck on the subway? Did he get jumped on the walk home? Did he get mugged … or worse? Is he lying in an alley, bleeding!?
Halfway into the loft, Kurt almost abandons his search and heads back out the front door when he catches a glimpse of something in a far corner, so brightly colored, bulky, and awkward, it screams for attention. Kurt stands back and stares at it, arms crossed and head tilted, confused because it doesn’t make sense. It’s elevated a few feet off the floor when it shouldn’t be; slouched and unmoving, as if it’s melting into the wall. It doesn’t look real and yet, there it is – the crumpled figure of a human being, painfully disturbing, but also insanely beautiful, like an existential work of art.  
It’s Blaine.
He actually is kneeling, as per Kurt’s orders, just not where Kurt wanted him – in front of the door with his mouth open, waiting to service his Master. He’s put himself in the “naughty corner”, where Kurt sends him on time-out. And he’s not just kneeling. He’s kneeling on buckets – two overturned, neon orange as-all-get-out five gallon buckets that Kurt had bought from The Home Depot, for those oh-so-fun autumn days when New York gets inundated by rain and the roof of his rustic little loft leaks like a sieve. Blaine is perched on them – knees dead center, the rest of his legs hanging over the edge - in a way that digs the lip of the buckets into his shins, and the circular ring in the middle into his knees. Kurt has kneeled on them once by accident, using them as a makeshift stool during the summer while he was wearing shorts.
He regretted his decision immediately.
Just the sight of Blaine in this position makes Kurt’s legs sore.
“Good evening, pet,” Kurt says, putting away the rest of his things, talking calmly as if finding his sub like this were an everyday occurrence.
“Good evening, Sir,” Blaine says, his voice a lead blanket that wraps heavily around Kurt’s heart when he hears it. “I apologize that I have not gotten to my evening chores yet, Sir. I did not anticipate being here so long. I acknowledge that I did so willfully, and accept any punishment you deem appropriate.”
Kurt startles at Blaine’s response – not in the thoroughness of his words, or his quick admission of guilt … but his complete and utter defeat.
Kurt gets the impression that whatever punishment he can dish out would not make the dent that whatever happened today already has.
“Why are you in the corner, pet?” Kurt asks. “I didn’t send you there.”
“I know, Sir. And I’m sorry, but …” Blaine sighs “… it’s necessary, Sir.”
Kurt waits for more, but Blaine says nothing. Kurt wishes Blaine would be a little more detailed in his explanation. He could tell Blaine to explain, but that might be better left for later, after Kurt gets his hands on him, ties him down, paddles him, and helps him heal. “I see. Alright. I’ll give you a few more minutes, then you’ll come to me for a spanking, and we can talk.”
“Alright, Sir,” Blaine says, relaxing, his sick heart beating correctly for the first time all day. “Thank you, Sir.”
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If there is a main government website, it is a very good idea to put a suggestion box in a really obvious place on the website, with the idea that people either put in coronavirus solution ideas, or key information that might be highly useful to solutions. The reason why is that the people on the ground are living in a wide variety of different situations, and are likely to know things and see things that may not be considered at the top. 
And to hire someone to go through these and search for anything that might potentially be useful to bigger solutions. It might be helpful to also be able to check some of this information against other experts. This is a really good idea to do. Yes, your teams might have already thought of 90% of the ideas and specific information, but the people on the ground might notice some really important things from their day to day experience (One example that I’m especially thinking about is public transport). 
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What would the most frequent sources of transmission be? It seems hard to pick the 100 largest causes of transmission, but even knowing 20 or 30 would be very useful, because then your teams can figure out ways to make them safer. 
e.g. This article says that New York City's multitentacled subway system was likely to be the number one transmission vehicle:
https://patch.com/new-york/new-york-city/mta-was-major-disseminator-coronavirus-nyc-study-argues
It looks hard to improve, and a large % of countries are doing lockdowns as far as they can, with exceptions of things like groceries and jobs. But if people go to jobs in New York, wouldn’t the majority of people use .
It looks like this might be very expensive: https://www.nytimes.com/2020/04/20/nyregion/nyc-mta-subway-coronavirus.html
Putting it into hibernation for 12 months and creating alternative sources of transport like buses? Or cutting services by over 50-75% (based around 8-9am, 5-7pm, and whenever healthcare staff take time off, plus buses/taxis)? Until people start working again?? Would that be the cheapest option for the company and for the government? Why is it so expensive exactly? Why are operating expenses higher than revenues? 
It might be worthwhile just coming up with a team of specialists and representatives of the different stakeholders, and where you can be confident that the final results will be fair and unbiased? What are public transport systems with similar characteristics across the world doing with coronavirus and with profitability? Aren’t they usually operated by the government? Or rather, the government does a tender every several years for what company will operate the governments (1) trains, (2) buses, (3) other transport and the best company wins? It would depend on the context.  
‘Still, experts say an efficient and effective public transit system will be critical to the city and the country — the New York region contributes 10 percent of the country’s gross domestic product. “The M.T.A. is the economic engine of the entire region; the economy is built around the subway, buses and commuter rails” (executive director of the Permanent Citizens Advisory Committee to the M.T.A., a watchdog group).’ But during the coronavirus each week or month?
This was another thing strongly worth stocking up on, as well as what  people with other health conditions affected by the coronavirus need- maybe hospitals could collect staff suggestions and data: 
https://www.npr.org/sections/health-shots/2020/04/19/838103327/shortage-of-dialysis-equipment-leads-to-difficult-decisions-in-new-york-icus  It says: “One-third of their most severely ill patients are developing acute kidney injury, a rapid decline in kidney function. The kidney problems are being seen in patients who don't have advanced diabetes or chronic renal conditions. No one anticipated the trend, based on research from the COVID-19 outbreaks in Asia or Europe.”
Another idea is this, although I don’t know if it has legal implications or not... medical staff are having to allocate where resources are being allocated for who lives and who dies... maybe some information can be collected on patients before they go in and written down, and when staff have to make decisions like this, they read this collected information. For example, if one person has children and the other person doesn’t, the resources would go to the person with children. Let staff make these choices, but tell them over and over and over and over again to make sure to do fair judgments and strongly avoid discrimination against anyone. Maybe information on 6 questions can be collected beforehand (how many people do you financially support and who? how many people do you care for and who? if resources were allocated between you and someone else, on a scale of 1-10 how much would you want to live (e.g. 7,8,9,10)? how many people strongly rely on you?), plus the person or their loved one has three lines to write anything else when making these decisions. I think this would reduce the stress % considerably because, even though it would be horrible making decisions like that, people have much more accurate information to make those decisions on so are considerably less likely to make mistakes with allocations among limited things. 
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