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#occult #Mysticism #itsallaroundyou

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#selflove #wateryourgarden

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Fig bird in the fig tree  -   Jethro Buck , 2022.

British, b. 1986  -

Oil and 23 carat gold leaf on canvas,  60 x 46 in.    152 x 117 cm.

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Ultraman 2019 ch11 pg28

#Ultraman #2019 #manga

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Ultraman 2019 Ch11 Pg29

#Ultraman #Manga #2019 #Present #New Plan

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Posting JUST CAUSE I know they (whoever they may be) don’t want people to know that this exists. 

#Indiana Jones #the philosopher's stone

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this Movie is talking about how it works in the most realistic sense.....but it’s talking about the same thing. The Philosophers Stone. 

Eddie Morra: And then I began to form an idea. Suddenly, I knew exactly what I needed to do. (Limitless, 2011, starring Bradley Cooper and Robert DeNiro)

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The same thing I’m sure now “The Glow” is based on. 

Bruce Leeroy was the Legendary Super Saiyan that Goku and Beerus were looking for.

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What gives Peter the ability to Fly.....To remain Youthful forever, courage and Genius ability with any weapon?  lol it shouldn’t be that hard to figure out.......

Peter Pan animation cel (1953)

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once you open your eyes to the Truth.....you’ll never be able to close them again. the very same MOUSE was Modeled after the shape of the Pine Pollen/Golden Fleece/philosophers Stone, Not an “Actual Mouse”

Magician Mickey, 1937

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Ponderosa pine (Pinus ponderosa)

have you ever wondered why the Vatican Has a Pine cone Symbol in front of it? because the Pine cone is “The Philosophers stone” AKA “THE Golden Fleece” 

#House of #Wonderful world of #Disney #Mouse #Pollen #Pinepollen

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Hrw

The Moon and Venus behind some coconut trees

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~ Deity Performing Ritual Purification. Place of origin: Northern Iraq, Nimrud Date: 9th century B.C. Medium: Gypseous alabaster

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~ Relief panel. Period: Neo-Assyrian Date: ca. 883–859 B.C. Place of origin: Mesopotamia, Nimrud (ancient Kalhu) Culture: Assyrian Medium: Gypsum alabaster

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Relief panelca, Assyrian, 883–859 B.C.

This panel from the Northwest Palace at Nimrud (ancient Kalhu) depicts a winged supernatural figure. Such figures appear throughout the palace, sometimes flanking either the figure of the Assyrian king or a stylized “sacred tree.” The reliefs were painted, but today almost none of the original pigment survives. However, the reliefs themselves retain incredible detail, including intricate incised designs on many of the figures’ clothing.

Gypsum alabaster

Dimensions: 90 ½ x 73 5/8 x 2 ¼ in. (229.9 x 187 x 5.7 cm)

On view at The Met Fifth Avenue

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       ~ This painting is a notable example of Pietro Benvenuti’s - born January 8, 1769 - independent work for private patrons. Theseus has abandoned Ariadne, who had led him out of the Labyrinth devised by her father King Minos, on the island of Naxos. Disconsolate in her love for Theseus, the sail of whose departing ship can be seen on the horizon, she falls asleep near rocks by the shore. The God Bacchus, returning from India, is drawn to Ariadne by the figure of Cupid, who pulls him by his quiver strap while cautioning him to silence. Ariadne is naked to her waist, as described by Philostratus - Imagines I.15. Bacchus wears a crown of grape leaves, punctuated by grape clusters, and grasps in his right hand his traditional attribute, the thyrsus, a staff topped with a pine cone. He raises his left arm in a gesture of both astonishment and protection, as he immediately falls in love with Ariadne.  In the distance at left, the aged Silenus, Bacchus’s tutor, is being helped up the hill, while Satyrs drink wine from a goblet and blow pipes, and Maenads carry baskets of grapes and play the tambourine. Ariadne will soon awake and be consoled by Bacchus; the two will marry and enjoy eternal happiness. 1819, oil on canvas, private collection. ~