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lvcygraybaird · 45 minutes
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rhaenyra targaryen, house of the dragon s01e04 (2/?)
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lvcygraybaird · 1 hour
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One Bellarke Scene Per Episode (17/?)
↳ 2x08 Spacewalker
Silent communication
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lvcygraybaird · 2 hours
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PEARL (2022) dir. ti west
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lvcygraybaird · 2 hours
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I'm in love with Lisa Frankenstein and male critics are wrong 🥰.
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lvcygraybaird · 3 hours
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"I'm her! The woman who saved the plane!"
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lvcygraybaird · 3 hours
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TOM BLYTH as CORIOLANUS SNOW THE BALLAD OF SONGBIRDS AND SNAKES (2023) dir. Francis Lawrence
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lvcygraybaird · 4 hours
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Love is where all of us belong!
Clay heart
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lvcygraybaird · 4 hours
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Without even thinking about it, I used to be able to fly. Now I'm trying to look inside myself and find out how I did it. KIKI'S DELIVERY SERVICE 1989 — dir. Hayao Miyazaki
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lvcygraybaird · 4 hours
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lvcygraybaird · 5 hours
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sophie nelisse for the premiere of the film Irena's Vow
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lvcygraybaird · 5 hours
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Academy Award Winners for Best Cinematography: 2022 — Greig Fraser, ACS, ASC Dune (2021) Directed by Denis Villeneuve Aspect Ratio: 2.39 : 1
Desert colors dominate throughout the movie, but Fraser, [production designer Patrice] Vermette and costume designer Jacqueline West went to great lengths to imbue that palette with subtle and organic variations of color. “We worked very hard to make sure the world of Dune was not monochromatic,” Fraser says. “For example, Patrice worked veins of reds and blues into the sand walls. He — and Jacqueline, who built these subtle gradations of color into the costumes — both did wonderfully subtle work, and I had to make sure we were capturing those subtleties.“
“My approach was to pull as much color as possible out of non-colorful situations,” he continues. “It was all subtle differences, not necessarily bold color contrasts. Achieving bold color in film is super easy. Achieving depth [in the image while creating a natural-light look] when you’re working with a digital sensor and digital lights is harder than it might first appear.” — The American Society of Cinematographers, January 2022
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lvcygraybaird · 6 hours
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SABRINA CARPENTER for Cosmopolitan
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lvcygraybaird · 6 hours
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The truth is that I’m a bad person. But, that’s gonna change - I’m going to change. This is the last of that sort of thing. Now I’m cleaning up and I’m moving on, going straight and choosing life. I’m looking forward to it already. I’m gonna be just like you. The job, the family, the fucking big television. The washing machine, the car, the compact disc and electric tin opener, good health, low cholesterol, dental insurance, mortgage, starter home, leisure wear, luggage, three piece suit, DIY, game shows, junk food, children, walks in the park, nine to five, good at golf, washing the car, choice of sweaters, family Christmas, indexed pension, tax exemption, clearing gutters, getting by, looking ahead, the day you die.
TRAINSPOTTING 1996 — dir. Danny Boyle
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lvcygraybaird · 6 hours
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Fulya Celik
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lvcygraybaird · 6 hours
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The Cruel Prince — Holly Black
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lvcygraybaird · 6 hours
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PERCY JACKSON AND THE OLYMPIANS ⇢ 1x03 | WE VISIT THE GARDEN GNOME EMPORIUM
#sr
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lvcygraybaird · 7 hours
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THE CULPER RING
Look, I had to trade some goods. Caleb Brewster is running a shop out of his whale boat on Devil’s Belt. I had to trade with him. Caleb? You saw him? How is he? He’s the same as ever. He’s unshaven, he’s insane. I saw Ben Tallmadge, too. What? You saw him? They were together? No, no. Ben is a… he’s a Connecticut Dragoon now. He’s got a shiny helmet and all. He tried to recruit me for a secret mission. Against the British? Don’t worry, I won’t do it. Why not? What are you waiting for? What more do they need to take from us?
#sr
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