The future is bulletproof, the aftermath is secondary | Spanish & English | 1992 | She/her| LG(B)TQ | you can call me Poppy, Maggie or Max | I do not lose hyperfixations, they just go dormant until something awakes them again | Nemohu | Esta motowriter ya no está pa' ti
inej and kaz having issues with touch due to trauma. kaz and wylan drowning and being reborn in the ketterdam harbor. wylan and jesper feeling like they have to hide a part of themselves due to their fathers. jesper and nina being grisha with addictions. nina and matthias being raised as a weapon rather than a human. matthias and inej being deeply religious. inej and wylan making themselves smaller because of the abuse they suffered. wylan and matthias being forced into a life of crime. matthias and kaz losing their parents and siblings. kaz and jesper being thrown into the barrel because of reckless behavior involving money. all of these characters being so different yet so similar and forever interconnected with each other because they know that no one else will understand
I’d like to thank the lovely people at The Financial Times Magazine for not hiking Cill’s pants up to “Grandpa, when’s the flood?” levels. 🤣
I mean, I love the man. He’s the wind beneath my wings. I’d save him in a fire. But I don’t get his & his stylists’ obsession this past year of the high-waisted pant. ⬇️ I think it’s their believe is that it gives the illusion of longer legs. But really, it just gives off odd proportions. In fact, it almost makes him look shorter to me 🤷🏻♀️
Pants at his natural waist just give off a longer, leaner look, and a cleaner line. ⬇️
Maybe it’s the bagginess of the pants & the pose that’s throwing me in the Versace photos…