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#2017 exhibition
zegalba · 9 months
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Aya Takano: The Jelly Civilization Chronicle Exhibition, Galerie Perrotin, Paris (2017)
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myjunkisyuzuruhanyu · 27 days
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Shoma Uno @ Prince Ice World 2024
See you again 🖤
Photos by Nagakubo Yokubo
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princesscatherineblog · 5 months
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Catherine, Duchess of Cambridge makes an official visit to the new V&A exhibition 'Road Quarter' at the Victoria & Albert Museum on June 29, 2017 in London.
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balu8 · 9 months
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From Up on Poppy Hill (2011)
directed by  Gorō Miyazaki
Katsuya Kondo Exhibition Postcard
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doodles-with-noodles · 2 months
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Today I was in an exhibition for space and they had an orbit simulator. Of course my annoying space obsessed fool ass had to go on it and tbh I expected it to be terrible because all books I have ever read say that it is a horrible thing and you get dizzy. So I was a little concerned.
They lied.
Cue to me having the best two minutes of my life getting turned upside down and spun around while strapped to that thing (although my sight was a little blurry). 10/10 would recommend and do again. Didn’t even get dizzy.
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art-of-mtg · 1 month
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Servo Exhibition (Friday Night Magic 2017) - Vincent Proce
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peachhoneii · 1 year
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Two years later and DuckTales 2017 finale gives conflicting emotions. But it is interesting. It simultaneously uplifts and takes away from the found family trope. It is all about choosing to love people and accepting them as family. However, when you watch how Scrooge accepts people into his family compared to how he accepts a “daughter” when he already has several kids really shows that writers missed on the delivery and potential implications.
Because yeah he accepts Webby as his daughter instantly but in that same note he also shows there’s difference between being his niece/nephew and being his child. He imitates Donald, an actual parent, and smothers a child who has been quite literally trained to kill. He’s never exhibited such protectiveness to anyone or any of the children he’s had, including Donald and Della.
The show defined what constitutes a parent from an uncle or an aunt. While Scrooge saw HDL, Donald, and Della as his kids, he wasn’t their parent. They weren’t his responsibility. You’d ask, what about Donald and Della? Where are their parents? Alive. The artbook confirmed Hortense and Quackmore are living on Grandma’s farm, and they travel a lot. Scrooge could go on dangerous trips with children and not feel a sense of dread or overwhelming concern for these children because ultimately they weren’t his kids in the same way Webby is.
I don’t think that was the intent when writing the scene, but that’s the implication. It’s like what? Found family is still present with Webby and Beakley. Beakley chose to love Webby, and Webby loves Beakley. They choose to love each other. They chose their family. That’s good.
However, it doesn’t have the same character significance as it would have with Scrooge. Of the characters, Scrooge really needed to learn that lesson. He’s egotistical. He’s self-absorbed. He believes the hype of his own character because he lives the hype. 
Beakley has always been a more grounded character who’s remained consistent in her common sense. She didn’t need to learn the importance of non-biological family. She already knew it. She has no ties to her family name or issues concerning being the last of her clan. Scrooge did. In the comics, him choosing to pursue wealth and fortune definitely comes up as a reason why he doesn’t have children (Goldie).
Webby being his daughter (or preferably granddaughter, come on writers) isn’t an inherently bad idea. But for the length of show and its execution, it wasn’t the best way to conclude the story. There wasn’t significant buildup for the plot reveal or any concern for how this would change the family dynamics. Let alone the fact Webby had zero interest in knowing more about her family. If there were four seasons, they should’ve kept it in and dealt with all the consequences that came with this discovery.
Yeah, I’ve been rewatching the show.
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fashionbooksmilano · 3 months
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Paparazzi Fotografi e divi dalla Dolce Vita a oggi
Photographer and Stars: from the Dolce Vita to the Present
a cura di Walter Guadagnini, Francesco Zanot
SilvanaEditoriale, Cinisello Balsamo 2017, 136 pagine, 190 illustrazioni, 23x28cm, ISBN 9788836637874, Brossura con alette,
Italiano, Inglese
euro 38,00
email if you want to buy [email protected]
Pubblicato in occasione della grande mostra a CAMERA – Centro Italiano per la Fotografia, il volume ripercorre la storia e la leggenda dei “paparazzi”, fenomeno fotografico e di costume nato negli anni in cui Roma era diventata “Hollywood sul Tevere”. Attraverso oltre 190 immagini, si susseguono le figure dei protagonisti di quella stagione, soprattutto i divi e le divine del cinema, e i racconti fotografici delle notti brave di Via Veneto tra gli anni cinquanta e sessanta. Le fotografie di Tazio Secchiaroli, Marcello Geppetti, Elio Sorci, Ron Galella e di tanti altri protagonisti di quelle vicende compongono – insieme alle pagine delle riviste in cui furono pubblicate – un affresco della comunicazione popolare del tempo. Terminata la stagione eroica dei paparazzi, quel linguaggio diviene un codice, utilizzato in diversi contesti artistici e commerciali, come dimostrano le immagini di protagonisti della scena fotografica odierna come Alison Jackson, Armin Linke e Ellen von Unwerth, che chiudono il volume.
Torino, Camera, settembre 2017 - gennaio 2018
08/03/24
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spilladabalia · 7 months
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PARIS, April 2017 — Before filter bubbles, there were countercultures: self-selecting groups that did not give a shit about what other people liked or wanted. [...]
The latest misty-eyed effort is Guillaume Désanges and François Piron’s display of 700 pieces of punk and post-punk art and ephemera, L’Esprit français, Countercultures, 1969–1989, which is jarring the house at Antoine de Galbert’s La Maison Rouge.
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Pierre Klossowski, "L'Hermaphrodite souverain", 1972
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Bérurier Noir, “Macadam Massacre” (1984), vinyl record cover
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Jorge Damonte, “Copi posing for one of his roles in the play Le Frigo” (1983) (image courtesy Lola Mitchell)
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world-of-wales · 2 years
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CATHERINE'S STYLE FILES - 2017
29 JUNE 2017 || The Duchess of Cambridge paid an official visit to the V&A exhibition road quarter at Victoria & Albert Museum in London.
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zegalba · 1 year
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Rei Kawakubo/Comme des Garçons: Art of the In-Between" exhibition design (2017)
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slugchild · 1 year
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You Have Beautiful Hands (1929) and Two Women Dancing (1928) - Jeanne Mammen
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leatherbookmark · 1 year
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so I can't post the museum's online files because they're Copyrighted but I did take a picture when I was there so
LOOK AT THIS CHAIR
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this is h106, also called "the spider" and it was designed by Edmund Homa in 1967. the prototype was made from afromosia and calfskin for the upholstery. politura, a company that makes furniture from the 50s, 60s and 70s, produced a batch of this chair from "the last afromosia reserves remaining in europe", and another batch using ashwood. they're both limited edition, produced in 2016, and i don't even want to know how much did they go for lol. but man, that's one gorgeous chair.
you can find the product pamphlet (and more photos, with text in english!) here!
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abelsonarchive · 9 years
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heikala · 6 months
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Festivities 🏮🏮🏮
A reimagining of a piece with the same name I did in 2017. I spent a lot of time with this painting! This artwork was part of my solo exhibition ‘Ripple’ at Gallery Nucleus back in August of 2023💕��
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fashionbooksmilano · 1 year
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Manolo Blahnik
The Art of Shoes. La ricerca della perfezione
Cristina Carrillo de Albornoz
Skira, Milano 2017, 128 pagine,  21 x 30cm, 100 ill.colori, cartonato, ISBN  9788857234991
euro 42,00
email if you want to buy [email protected]
Eleganza raffinata, genio architettonico, stile inconfondibile: le scarpe di Manolo Blahník sono considerate capolavori del design contemporaneo. Sono oggetti al tempo stesso femminili e forti, d’avanguardia e senza tempo, e attingono a una vasta gamma di forme, colori e materiali.A cosa si ispirano le visioni creative apparentemente illimitate di Manolo Blahník? Pubblicato in occasione di una grande mostra internazionale, questo libro esplora attraverso una serie di voci in ordine alfabetico le fonti d’ispirazione e le passioni che si celano dietro le celebri creazioni di Manolo Blahník. Il volume offre uno sguardo inedito sull’arte e l’artigianalità delle scarpe di Blahník, ma anche sulle relazioni e le esperienze che influenzano il suo lavoro: dall’amata famiglia e dai preziosi ricordi dell’infanzia trascorsa alle isole Canarie, fino alle sue muse – Anna Piaggi, Diana Vreeland, Julie Christie, Paloma Picasso – e alla passione per l’architettura, la letteratura e il cinema. Aneddoti molto personali, tratti dalle conversazioni con l’autrice Cristina Carrillo de Albornoz, curatrice della mostra, offrono al lettore la rara opportunità di scoprire dalle parole di una leggenda della moda la visione che sta dietro un paio di calzature.
Milano, Palazzo Morando 26 gennaio – 9 aprile 2017 San Pietroburgo, Museo dell’Ermitage 28 aprile – 21 luglio 2017
14/04/23
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