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#30s paris
mote-historie · 4 months
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Brassaï, Passerby in the rain, Paris, France, 1935
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1932 George Hoyningen-Huene, Montmartre, Paris.
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kyjen-r · 11 months
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brother-emperors · 10 months
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DO NOT BE AFRAID
this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.
I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!
idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.
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Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika
and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.
The Excidium Troie + Ovid's Heroides:
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Excidium Troie, trans. Muhammad Syarif Fadhlurrahman
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Ovid, Heroides 16 (trans. Harold Isbell)
a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.
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The Divine Twins in Early Greek Poetry, Corolla Torontonensis
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Iliad 24 and the Judgement of Paris, C.J. Mackie
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Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek
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Ennian Influence in "Heroides" 16 and 17, Howard Jacobson
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Paris/Alexandros in the "Iliad", I. J. F. de Jong
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semioticapocalypse · 4 months
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Brassaï (Gyula Halász). Backstage at the Folies-Bergères, Paris. 1932
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newestcool · 1 month
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Hermès x Undercover Lab The Kelly Customized by Jun Takahashi  Newest Cool
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disease · 1 month
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BRASSAÏ / “FRENCH RIVIERA” / 1934 [gelatin silver print | 11 1/4 × 9”]
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undeadgayboynes · 5 months
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i cant
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m1d-45 · 6 days
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-Pari Anon
Pari!Reader gets sad when their leaf mask gets torn. Whether they were playing too rough or Wei (the cat in the inn lobby) tore it, they lost their mask. They have those sad anime eyes (the cutely exaggerated ones). They want to fix it, but no one else knew about that leaf mask.
They stay gloomy for the rest of the day until Xiao comes back.
The next day, they see a little replica of Xiao’s mask made from wood. It was sitting near their nest. When they tried it in, it was light but sturdy. Who could have gotten it for them? How was it so detailed? Who could have known? Oh well. Time to play, little Pari thinks.
Xiao didn’t have the heart to just leave them after he heard them crying when the leaf mask was ripped. He might have put a charm on this one so it wouldn’t break as easily.
[ previous post ]
xiao was better than this. the last yaksha, conqueror of demons, the bane of all evil himself.. searching the plains of liyue well into the night for a suitable piece of wood to carve. it wasn’t for an offering, it wouldn’t be turned into an incense bowl or statue, it was neither for a critical repair or somehow enchanted to be a danger. no, this wood would be used for a far more frivolous purpose: you.
you, who he’d been watching from the roof as you played on the balcony below. you with your mock spear and wei with his paws, uselessly batting at each other in a play fight. he thought it was ridiculous, really—your thin wings would surely bleed beneath any monster’s claws, better you learn to run away from danger—but had watched. it was harmless fun. you ducked behind the potted bonsai for protection, racing around the trunk and likely making the poor cat dizzy, when a harsh rip echoed into the night. you stopped, looking behind you as the two halves of your ‘mask’ fluttered to the floor, torn by one of the branches of the tree. his only thought was that you weren’t hurt, watching as wei tackled you off the pot and onto the floor, but you squirmed free quickly, floating over to the remains… sadly? wei followed, sniffing the leaves, but you didn’t seem interested in playing anymore. you sat by the leaves for far too long, not even moving when wei curled up beside you.
it was nothing. it was a leaf tied around your head with another’s stem, bound to rot and flake away anyway, but you were sulking the next day. he never thought he’d return to his makeshift room and have you not fly up to him with a cloud of chirps, and he quickly decided he didn’t like it. if you were sad you lost your mask, then he’d just have to get you a new one.
he kicked at the remains of a campfire, stomping out the remaining embers. an abandoned adventurer’s camp of some sort, the air free of any malicious warnings. besides the remains of the campfire were a few stray logs, likely spare firewood. he dug through the measly pile, pulling out a log. there was no rot, water damage, no sign of bugs or anything else that would ruin the wood. without another thought, he tucked it under his arm, turning and vanishing into the wind.
he had left when you were already asleep, so he could go straight to his room, but he made a stop first. yanxiao hardly jumped when he turned from the stove, though he did eye the log in his hands strangely.
“what can i get you?”
“i need to borrow a knife.”
“…” he laughed, propping his hands on the table in front of him, and xiao grit his teeth. an adepti, reduced to this… “what, did you lose your spear?”
“of course i didn’t,” he snapped, “but i’m not foolish enough to think i can use a spear to carve wood.”
yanxiao nodded in understanding, reaching into his pocket for a small flip knife. it was barely as long as one of his fingers, the handle a dark wood. “this should do, i think.” he threw the knife underhand, and xiao caught it with ease. the blade flicked out easily, sharp to the touch. “remember to cut away from you, yeah?”
his grip tightened on the knife, leaving without thanks.
safely in the shadow of his room, xiao finally relaxed. one by one, he removed his guards and charms, quietly setting them in their respective places. you were curled up in your bed as always, none the wiser as he stepped out onto the balcony. he sat facing the moon, setting his mask on the floor beside him. again drawing the small knife, he braced the wood in his lap and began to carve.
yanxiao was many things, but a fool he was not. he had heard from verr about your mask tearing yesterday, about how you sat quietly on xiao’s terrace for the rest of the day in a pout. you were a strange guest, certainly, but you were xiao’s. he kept very limited company, and those he lingered around felt his affections quietly.
when flowers had blown off their tables prior to the reception of an important guest, a mysterious bundle of qingxin had found it’s way onto the reception desk to replace them. when the eccentric xianyun had stopped by for a ‘surprise lunch,’ a small note in familiar writing on his table told him her tastes. when your small, flimsy mask tore in two… well, he couldn’t wait to find out.
he worked as usual, trading guesses with verr as he helped ferry plates back and forth. would he fetch you new leaves in perpetuity? fetch new ones from your home nation of sumeru? find a new toy to distract you? neither of them had ever met a pari before, didn’t know what you wanted or needed to thrive, but they entertained themselves with nonsense speculation nontheless.
xiao showing up in his kitchen without warning was nothing out of the ordinary. yanxiao had learned to pick out the shift in air pressure that signaled his arrival, wiping off his hands and putting the washed vegetables aside. the flat expression on his face was also routine, but the log he held most certainly wasn’t. handcarved offerings weren’t all too uncommon in liyue, especially from an adeptus, but he had a feeling it wasn’t for rex lapis or another adepti.
the next question, of course, was what he would carve. verr suggests a wooden mimic of the leaf mask and he can’t hide the way that makes him laugh, his smile wider than usual as he greets customers.
that night, if you stood just quietly enough beneath the upper balcony and the wind blew the right way, you would hear the quiet scrape of wood and metal. and the next morning, if you were anywhere near the inn, you would likely see a bright pari weaving through the levels, eager to show off their brand new mask carved by the hero of dihua marsh himself.
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vintage-russia · 1 year
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Group of children in theatrical costumes stylized as Russian costume,Paris (1930s)
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mote-historie · 4 months
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Brassaï, Le Pont Neuf in Paris, France, 1932
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1930 Paris by Night (Les escaliers de Montmartre), Photo by George Brassaï
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kyjen-r · 11 months
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AC/DC –T.N.T.
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semioticapocalypse · 5 months
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Brassaï. Colonne Morris dans le Brouillard, Paris. 1933
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newestcool · 4 months
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Hèrmes s/s 2024 rtw Creative Director Nadège Vanhee-Cybulski Photographer Josefine HJ Newest Cool
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