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#george brassaï
mote-historie · 5 months
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Brassaï, Passerby in the rain, Paris, France, 1935
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1930 Paris by Night (Les escaliers de Montmartre), Photo by George Brassaï
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majestativa · 19 days
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You knew your letter would hurt me and the few words you write are so harsh that I cannot tell if they are final. I cannot help being frightened how fragile you are, by how you are at the mercy of every whim. You cannot know what you truly love which means you can truly love nothing, so all is lost (I beg you to write again very soon).
— Georges Bataille, Dora Maar: Paris in the Time of Man Ray, Jean Cocteau, and Picasso, from a letter to Dora Maar, (2017)
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fettesans · 7 months
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Top, photograph by Lukas Städler, from the series Hain, 2023. Via. Bottom, Adrien Guillet, La revanche de Brassaï, 2012, Gravure sur aile avant gauche de Citroën Xsara Picasso, 90 x 110 x 23 cm. Via. More.
I needed to get used to approaching people, so I started by portraying dogs on the streets.
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Laughter is a communion with the dead, since death is not the object of laughter: it's death itself that finds a voice when we laugh. Laughter is that which is lost to discourse, the haemorrhaging of pragmatics into excitation and filth.
Nick Land, from The Thirst for Annihilation: George Bataille and Virulent Nihilism, 1992. Via.
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karlaxmena · 2 years
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Photo by George Brassaï, c 1920
(pseudonym of Gyula Halász) (9 September 1899 – 8 July 1984) was a Hungarian photographer, sculptor, and filmmaker
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zoeflake · 4 years
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George Brassaï (Gyula Halász)   wikiart.org/en/brassai/woman-with-cat-mask-1930
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huilendnaardeclub · 5 years
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George Brassaï, Paris de Nuit
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jareckiworld · 7 years
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  George Brassaï (Gyula Halász)  -  Enfant à la sauvette, Graffiti   (1930s)
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sophi-aubrey · 5 years
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Brassaï, - Le Pont Neuf la nuit, 1933
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librepenseur · 5 years
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Brassaï
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mote-historie · 5 months
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Brassaï, Le Pont Neuf in Paris, France, 1932
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habitantes-oazj · 7 years
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PH - Jean Dieuzaide - Jacques-Henri Lartigue gives a kiss to Brassaï, Jean-Maurice Rouquette is not watching, Montmajour Abbey, 1974
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arefkhodabandeh · 3 years
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پاریس ( Paris )
پاریس ( Paris )
در طول زمان، پاریس با لنزهای هنری متعددی جاودانه شده است. سالهاست می توان عنوان پایتخت عکاسی خیابانی جهان را بیش از هر شهر دیگری، به پاریس داد. تعداد زیاد فضاهای معماری و بلوارهای شهری تغییر نکرده از زمان نوسازی بارون ژرژ-اوژن هاوسمان ( Baron Georges-Eugène Haussmann ) در قرن نوزدهم، زمینه بسیاری از مدیوم های (medium) آثار هنری نمادین را فراهم کرده است. در اواخر قرن بیستم، اوژن آگت (Eugène Atget)…
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majestativa · 19 days
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A true scholar in knowledge, background, and the scope of his intellect; a child in his sensitivity and freshness of vision; a libertine, a descendant of the marquis de Sade, but clothed in the flesh of an anchorite, prey to all the remorse of sin, the wounds and mortifications of conscience, torn between eroticism and a profound feeling for the essential tragedy of life.
— Brassaï, Dora Maar: Paris in the Time of Man Ray, Jean Cocteau, and Picasso, on Georges Bataille, (2017)
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maraskolnikova · 3 years
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George Brassaï (Gyula Halasz) (1899-1984)
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fragrantblossoms · 4 years
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Brassaï (i.e. Halász, Gyula). Sphinx-oiseau en crystal coloré et  Nymphe pour une vitrine de Balenciaga, avenue George V., Paris.  Composition de la décoratrice Janine Janet, 1957.  
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