Jean Béraud (French, 1849-1946) Parisienne un jour de pluie, place de la Concorde, early 1890s.
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Place Vendôme in Rain, Edouard Cortès (1882-1969)
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shooting through wet glass on a rainy Paris afternoon
©Cpleblow Photography
(2023 • EOS 5d MK IV • Canon L series 24-70 lens • hand held)
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tristan is introduced as a bully who's inexplicably obsessed with rory the minute she first walks in. he is shown in a negative light until we get a glimpse of his more sensitive and lonely side and his terrible home life. paris is introduced as a bully who's inexplicably obsessed with rory the minute she first walks in. she is shown in a negative light until we get a glimpse of her more sensitive and lonely side and her terrible home life. tristan starts pursuing rory romantically and they share a kiss, while paris, tristan's female counterpart, becomes rory's friend. at this point, tristan disappears from the show, leaving paris to fill the bully-turned-lover role. this parallel highlights paris' queerness in a subtle yet unmistakable way, as she behaves very similarly towards rory as her male double. in this essay i will
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Alberto Giacometti, rue d'Alésia, Paris, 1961. Henri Cartier-Bresson. Gelatin silver.
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Swedish sculptor and painter, Sven Erixson, laughing in the rain, Paris, 1949
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George Barbier, L' Arc-en-Ciel (The Rainbow), detail, Le Bonheur du Jour, ou Les Graces a la Mode. 1920.
For sale: EditionOriginale.com
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Paris at Night in the Rain, Georges Fournier (1855-1931)
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Carousel at Jardin des Tuileries • Paris
©cpleblow (2023)
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Sabine Weiss. La 2CV, Paris. 1957
I Am Collective Memories • Follow me, — says Visual Ratatosk
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