The official blog of the OFA! Any general announcements will be under this blog. All OFA posts are automatically reblogged by this blog, making this an archive of all OFA posts in chronological order.
Blogs
List of available characters (lemme know if I’ve missed any)
The list of all official OFA blogs (that serve food) (in order of creation)
@thebasilbuffet
@kel-restaurant
@hero-cafe
@aubysfoodtruck
@maris-snack-shop
@omoris-bar
@mewos-macaron-mansion
@basils-plants-and-potions
@somethings-diner
@spiders-atypical-delicacies
@humphreys-all-you-can-eat
@hskels-mexicanfoodstand
@spaceboys-sushii
@sweethearts-sweets
@berlys-confectionery
@the-maverick-asian-restaurant
@omolis-edible-bank
@butlers-shop-of-cat-stuff
@ms-bettars-food-blog
@strangers-very-normal-snack-shop
@hectorshotdogstand
@kims-not-stolen-things-snacks
@rococos-bistro
@suzuki-sibs-bar-and-grill
@mr-jawsums-sushi-bar
@sproutmole-tofu
@aubreys-aubergines
@rowans-archery-cave
@sallysstationeryandsnacksstore
@mollys-sushi
@angels-awesome-snacks
@roboheartgoods
@betacharactercafe
@snaleys-breakfast-club
@kels-fast-food-joint
@house-and-deaths-pharmacy
@bunnys-best
@suzuki-parents-and-co-pizzeria
@pollys-bnb
@mutanthearts-sticky-sandwiches
@shatteredssillylounge
wishes-for-iced-creams (alas, I’ve reached the max # of pings)
maris-and-sunnys-bakery
goddess-perfectheart-cooks
Other official OFA blogs (not serving food)
@omori-food-administration-ooc
@octo-taku
@ofa-mafia-of-kids
@the-voice-of-reason-ofa
eight-ofa
Subcategory of other: mod blogs
supbreak20-ofa
deathbylag-ofa
eway-ofa
OFA Blog Rules
These are the rules for all official OFA blogs.
Required rules (rules that all OFA blogs must adhere to to qualify as official)
Create a pinned post to introduce customers to your blog.
tag @thebasilbuffet
link the discord (https://discord.gg/C67rfQx6wH), if you can.
Use appropriate character sprites, drawings, or other images when relevant (ie. character is saying or doing something).
Customers must be able to order food through asks.
No NSFW asks. NSFW asks should be deleted if they’re sent for whatever reason.
Store owner must be either an OMORI character or an OC (must have permission from the OC creator if not one’s own OC)
Do not excessively maintag. Occasional maintagging is fine, but we don't want to clog up the tag.
On a similar vain as rule 6, tag posts with "OMORI Food Administration" (tags are not case-sensitive. Capitalize however you wish)
Text Formatting (Not required*)
When speaking in-character, use a color relevant to your character and use related sprites under the text being spoken.
When speaking out-of-character in the middle of speaking in-character, use italicized text in curly brackets{}
When speaking out-of-character at any point, use black or white text.
Actions or narrator text should be black or white and within brackets[]
*Not required so long as it is obvious when you are speaking in-character, out-of-character, or as a narrator
Recommendations (not required; entirely optional)
Creating a menu. This could also be put on the channel banner.
Tagging other official OMORI Food Administration blogs beyond just @thebasilbuffet
Enabling anonymous asks
Tips for improv! (found a seemingly good list at https://www.pantheater.com/rules-of-improv.html)
Tags
(As of now, the list of tags is incomplete. It will be a while before it is.)
Certain posts are tagged (manually--it would be nearly impossible to code; lmk if I make a mistake). The tags for these are in the tags of the post for easy accessibility. Whenever a post that is tagged with one of these tags besides #announcement, the tags on that post will be preceded by #OFA tags: to differentiate them from the original post's tags (this tag is on this post so you can find all posts that have OFA tags easily, if you want to)
Organizational tags:
#OFA tags bot posts/posts from OFA blogs; used to separate the arc tags from the post’s tags
#announcement Any official announcements. self-explanatory
#new blog The pinned post from an OFA blog (this is usually the first one, but there are exceptions)
#not OFA any posts that are not the bot
#tags pending this tag is mainly for me; it refers to bot posts that have not yet been manually tagged
Normal Arc tags:
#bagel mishap HS Basil gave a customer the wrong kind of bagel.
#biggest food order A competition for who could order the most food from the Basil Buffet
#pizza rolls @supbreak20 ordered pizza rolls from most of the main cast (all the blogs that existed at that time)
#spider customer A spider ordered from @hero-cafe (this is one of my favorite arcs honestly)
#mario the cat The pizza rolls arc transitioned into this. A battle against an interdimensional cat named Mario (more commonly referred to as the battle arc; listed as mario for clarity)
Special arc tags (These are special breeds of arcs that have multiple variations):
Capitalist (like Bossman Hero) (the cause/trigger of these arcs are in parentheses after the tag)
HS Hero (special rule: cannot be initiated in the same way twice)
#bossman hero 1 (wore a tie)
HS Mari
#bossgirl mari 1 (wore cat ears) twitch streamer Mari??
#bossgirl mari 2 (wore cat ears) Mari joins the dark side (yes, the one from Star Wars)
Black space (people being sent to black space)
HS Basil
#hs basil black space 1
this organizational system is no longer being used because the bot is no longer being used. Unfortunately, arcs aren't really something that's kept track of anymore, though it is partially logged on the Discord server. (old arcs, most not fully logged)
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what moving forward really looks like
I’ve seen some discussions of g witch that seem to focus on the idea that in a capitalist hellscape with fascist undertones around every corner, there can’t be objective morality, so who can say what actions are truly good or bad.
And while I do think the show rejects overly binary thinking, it seems to me that the idea that your past mistakes aren’t really mistakes because you had no other choices goes entirely against the point it is making more overtly week to week. The show doesn’t want to engage in really simplistic moralizing of “this was a bad thing so this is an innately bad person.” I agree with that.
However, I do think the show wants to make the point that even in the worst circumstances, in a truly horrific world surrounded by relentless destruction, it’s possible to make your own choices for yourself that work toward being better and doing good, no matter what you may have done or experience before. That objective good can exist and is worth striving for, despite the horror around you, despite the murkiness in charting that course.
This episode both Miorine and Suletta model the idea that in order to truly move forward you must accept your past. A focus on revenge can keep you looking back but so can self-flagellation. If you become overly consumed with guilt, you won’t move beyond the mistakes you regret, which makes the remorse more selfish than productive. In order to grow, in order to do anything right, you have to accept the responsibility of your mistakes but you also very literally have to move beyond them.
Likewise, you have to learn to accept your pain, the things that have deeply hurt you, and you have to want to move past that pain in order to be anything more than an accumulation of agonies. Prospera’s quest for revenge is a motivation entirely derived from her past. Every time she “moves forward” she is actually looking back, focused forever on her own pain. That’s why the daughter in the machine — the child who never got to grow up — is more real to her than the one she has raised into her teenage years. Because those were years Eri never experienced, that is a truth the past her never knew.
Suletta’s accomplishments and chances for a happy and successful life — not to mention the objective good they could do as GUND-ARM, Inc. — is all secondary to the memory of her dead daughter forever stuck as data that can’t grow up, can’t move on. Both Eri and Prospera are stuck 21 years in the past, unable to mature or change or evolve. She doesn’t know how to change course, because to her that would would mean letting go; it would be a betrayal.
But Suletta demonstrates an ability to acknowledge where you came from, what you have experienced, how it has shaped you, and to still make choices of your own beyond that, to still chart her own path. In these last several episodes, Suletta has chosen to move beyond her regrets and anxieties and accept that all the things that have happened have made her the person who is here ready to take her next steps forward, where truly the only thing she is guaranteed to gain — in spite of all she risks — is growth.
Even though she thinks she learned the idea of moving forward from her mother, it’s very clear that Suletta has actually learned a more tangible way to gain two by actually learning to change and to grow. I’m not sure a more stark example of “do as I say, not as I do” has ever really existed.
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Recently saw a discussion on Twitter about why Skypiea gets more hate in the West than in the East
The easy answer is: Blame dudebros and powerscalers who care more about fights than about story (to which they will argue arcs like Impel Down and Marineford were FULL of story), or privileged people feeling uncomfy about the anti-colonialist themes (even though, let's be real, those themes are probably lost on the average Western reader :/)
But Skypiea hate in the West wasn't always a thing. At the time it was being released, most English-speaking fans who were keeping up with OP scanlations and K-F fansubs genuinely enjoyed it.
I honestly think part of the Skypiea hate has to do with a trend we've seen over the past decade, where Western audiences are so, so quick to label certain story elements as "filler" without considering their thematic importance and how it ties into the story the author wants to tell.
Basically, Western audiences have become obsessed with hyper-optimized, fast-paced storytelling that leaves little room to breathe
If the people and politics of an arc are beyond the scope or interest of the story's main antagonists, it's suddenly dismissed as filler that detracts from "more important" things
This attitude is not limited to One Piece alone.
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not the paper nor the words we waste (but time and lives) - pettiot - Peaky Blinders (TV) [Archive of Our Own]
Post S4 and pre S6, snippets of Thomas Shelby's political career.
Ch 1: On the proposed Measure to Grant the Government Additional Powers to Seize the Children of Narrowboat Dwellers who fail to comply with compulsory School Attendence. A day very early in his career where junior Minister Thomas Shelby must defend the right of families to live together on narrowboats.
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Note, notwithstanding the 'incomplete' nature, each chapter is substantively a standalone work/one-shot. Tags will update to reflect additional chapters.
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Tommy Shelby, Various Ministers | (Superficial View of) Politics (as a Forum for Identity Assault), Parliament, Alternative Universe Politics, Public Speaking, The Inherent Humiliation and Sledging Associated with Speaking in Parliament, Slurs, Nastiness, Bullying, Irony <-Deep Deep Irony, Schadenfreude, Fremdscham, Secondhand Embarrassment, Work, Imperialism, Class Issues, Colonial Constructs
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Writers notes for any interested (also in the tags):
Chapter 1 was drawn from a transcript of a similar argument tabled at Parliament in 1930 (?) I think and again over time (IIRC? read it a few months ago with some searing statements burned into my brain, flinching a little). The politicisation of the lifestyles of people who live and work on narrowboats has a very long and painful history.
I imagine the possibility of the rueful and somewhat bitter realisation when Tommy walks into Parliament to discover his (at that time unknown to any minister) very specific childhood the subject of heated political debate. That he doesn't necessarily want to defend that for personal reasons, but has to recognise that his life wasn't everyone's life, and also that cannot *not* defend that way of living because...well...the alternative he notes in his argument. The consequences of sweeping policy that is typically unconsidered.
I also imagine that suddenly having this in his face in Parliament at a time when he is least mentally stable, could feasibly have contributed further to the breakdown of those boundaries between his war trauma and childhood trauma -> this way in S5 his narrowboat references / childhood trauma references become that increasingly heavy shadow.
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#*squints*#alright we’re a bit same brain i know#but you can’t have known i’ve had ‘battle hymn of the republic’#(which i a brit always knew as ‘peter rabbit has a fly upon his nose’)#as like background montage music for dhawan!master doing shit#because that’s getting a bit specific now
............................i didnt.
but my editing skills are at your service please are you gonna make this because this needs to be made
I wouldn’t know how or where to begin, my amv days died with classic Windows Movie Maker. But this is the version I’ve been listening to if you want to make your own head (or irl) montage.
It’s also part of my mindscape for ‘Okay, what if we made the Master an Interventionist (idea still rooted in empire, while acting against the empire’s interests; as opposed to the Doctor’s non-intervening an argument for letting species decide their own fate, however that means adhering to current status quo which does benefit empire) like he’s trying, but he’s not necessarily learning, but he’s also not necessarily wrong all the time either, because They’re Complex, Morality Is Complex, If I Did This On Screen I Would Be Knifed, etc.
Which is a complicated way of leading into ‘This is in a story where the Master actually succeeds in fucking up the Doctor, because he’s gone back in time and is giving AK-47’s to slaves in the American South during the Civil War, and so now ‘How are you going to stop me? By which I mean morally, as well as literally’.
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