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#I HAVE SO MANY THOUGHTS ABT THIS MAN.
lorebird · 5 months
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Sacrifices and parallels
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voltaical-art · 4 months
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HE WAS SEVENTEEN. AGHHH ULDER WHEN I GET MY HANDS ON YOU
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marsbotz · 2 years
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maybe its already too late for me
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fossilizedhysterics · 1 month
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guess who finished tlok tonight and immediately had this come to him in a vision!!!!
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finncakes · 1 year
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so glad about this reveal from yesterday's 4-sided dive
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phosmic · 11 months
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repeating mindless eulogies
to faces i can't recall anymore
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mxntio · 11 months
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my honest reaction
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bottombaron · 8 months
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there is no way that Guillermo’s pussy wouldn’t drive Nandor absolutely mad with power
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s0lairee · 1 month
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cw for scars, fantasy body horror/gore (in art and text).
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apotheosis/corruption.
blake body horror has been on my mind for an embarrassingly long time...
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BREAKS DOWN THE FUCKING DOOR
Transmasc Alastor and transfemme Vox. Okay that's it.
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puppyeared · 16 days
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i think the reason why im so drawn to spirit tracks and pkmn scarvi is that having the legendary/princess as a companion rather than a goal that marks the games completion makes me feel satisfied the way i would after helping a friend
my brother always teases me about how I still havent finished botw after almost 7 years bc "id rather be out picking flowers" which i wont say is untrue. and yes i know Zeldas been holding off ganon for 100 years, yes i can get some sort of idea what her relationship with link was like by recalling memories and going through her diary. ive always loved botw for its unique storytelling and setting which makes it stand out, because it lets you get to know who you're saving.
but because theyre memories, it only works if theres something for the player to investigate that already happened. its retroactive (but effective nonetheless)
on the other hand, spirit tracks does something similar but instead of having the player try to piece together memories and interpret them as a spectator, you actually have an opportunity to get to know zelda yourself by talking to her and working together. besides making it a gameplay mechanic, giving the player control over how they interact with zelda makes it so much more personable.
and I find that making the goal feel personal instead of an obligation gives me more of a reason to work towards it. I know what kind of person botw zelda was but as the player, shes still very much a stranger to me. but spirit tracks zelda? thats my friend!!!! she invited me to go to the beach after we get her body back!!! i dont want to whip her to make her move faster thats mean :(
you know how hostage negotiators are trained to introduce themselves and get to know the person theyre negotiating with because its harder to hurt someone when you know what their favorite food is? its kinda like that, because it feels like im helping a friend than being told or led to do smth
and although i havent played scarvi myself, i feel an attachment to koraidon and miraidon even just watching playthrough clips because its like!! thats my weird scaly dog!! it loves sandwiches and we're friends!!! you know!!!!!!
#i dont normally write long posts like this but i think ive been trying to put this into words for a long time and it finally happened#my cloth mother spirit tracks zelda and my wire mother lttp zelda#ACTUALLY ANOTHER THING when i was a kid i always felt guilty when i had to catch the legendary at the end of the game#because to me it was like 'i know none of this is real but if i capture you and have you under my thumb am i robbing the world of something#normal thoughts for a 10 year old to have#when i talked to my brother abt this he was like 'i mean yeah the point is to dunk on the NPCs what were you expecting' and i mean i think#i get that its supposed to feel rewarding because the legendary is THE reward. but it doesnt feel right and i dislike he feeling of pushing#others down to get ahead. i guess u can argue sun/moon does smth similar where you have nebby with lillie#but lillie still ends up handing nebby over to the player and i STILL feel bad because im like shit man you raised that little guy#and koraidon/miraidon feels less like a reward but more like overpowered motorcycle lizard that is just so oupydog. and i love him#and in spirit tracks i went out of my way doing some of the side quests bc zelda asked nicely and honestly that was enough for me#i think all of this boils down to.. i feel very protective abt things i care abt so stories that give me a reason to care hits harder#this can also go the other way bc i CRIED when i finished links awakening because i KNEW every person and im responsible for#literally the end of their world. like. there was a family with 5 kids. marin loved singing and cared about me. she was my FRIEND#i just. ugh. i have too many feelings rn. i kinda wanna draw more spirit tracks link and zelda i think that wld make me feel better#yapping#diary#loz#pokemon
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dramamines · 7 months
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why is it whenever i watch tv my favourite character is always the shittiest, most jackass, cocky, bad person you will ever meet. Like I have many examples
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artificialdogs · 3 months
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Kalos fans are finally winning after 10 long years im gonna cry
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artsy-fran · 1 year
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i have many thoughts about the most normal guy ever
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comradekatara · 1 year
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I rewatched “the boy in the iceberg” the other day, and it’s not an episode I revisit often, but when I do, I’m always kind of amazed by the level of insight it provides into katara and sokka’s upbringing, but only when you watch it through the lens of having already seen the entire show.
for example, kanna as a character does not register for the viewer unless you already know her backstory as it’s revealed to us in “the waterbending master,” at which point the fact that she is shown to be unflinchingly harsh and stern and keeps preventing katara from the fun and adventure she clearly yearns for actively signals to us what kind of toll the war must’ve taken on her and the responsibility she feels towards keeping katara out of trouble. the fact that we see kanna push katara from aang, warning her to not pin her hopes on this boy and telling her she needs to do her chores, is really interesting because it frames the fact that katara does a lot of chores not as something she might have volunteered to do, or even is expected to as a girl, but rather something that kanna forces her to do as a distraction method (both from her grief and from her impulsiveness).
it’s clear that kanna sees far more of herself in katara than she does in sokka, but that comes with the acknowledgment that katara has the capacity to be just as adventurous, reckless and impulsive as kanna was at her age, and that means keeping a close eye on her at all times. I’m convinced that if kanna had ever said “sokka, be a man and wash your dirty socks,” sokka would’ve done that shit without question, but instead kanna made katara do all of the laundry because it meant keeping her in their house for longer, where she can keep an eye on her granddaughter and make sure she isn’t running off to go penguin sledding or exploring the ruins of an old fire nation ship (two things she immediately does the second she makes a friend her age) or god knows what else. kanna has no need to keep an eye on sokka because he is extremely cautious, takes his duties very seriously, and refuses to entertain the notion of having fun of any kind, so there’s no chance of him wandering off and getting into trouble.
when sokka says “I knew I shouldn’t have taken you fishing,” because of what he says next (“leave it to a girl to screw things up”) he makes it sound like it’s because he believes that women can’t fish because their tits get in the way or whatever, but I bet that katara begged him to take her because she was bored and was clawing at the walls desperate to go outside and explore, even if it meant putting up with her annoying ass brother (not like she has any other friends her age). she probably went through all her chores really fast and then caught sokka on his way out and did adorable puppy dog eyes and had a whole numbered list ready with reasons she should go until sokka relented (only to immediately realize that fishing is just as boring as doing laundry).
kanna did not approve of the idea of katara going alone with aang to the north pole, but once it was sokka’s idea to go rescue aang and travel the world, (and it was clear he had packed the necessary provisions, unlike katara, whose decision to leave with aang was a spur of the moment thing,) kanna gave them her blessing. and her respective farewells to both of them are also so telling in that regard, because she is giving katara permission to be hopeful, to finally live up to her heroic potential, whereas she tells sokka to look after katara. on their travels, katara does have some practical skills sokka doesn’t (sewing and midwifery being the primary two things sokka is fucking useless at) that she acquired from spending every waking second since kya’s death doing chores with kanna, but she is also constantly getting herself into trouble, with or without aang (or toph) as her accomplice. and every time sokka is just like “yup, classic katara shenanigans. just so you know i disapprove but also will do everything in my power to help you out of this mess.”
watching out for katara, making sure that she doesn’t get herself into trouble, and then helping her out of said trouble, is the exact kind of thing both hakoda and kanna told sokka his primary responsibility was, and it’s clear he takes that responsibility very seriously. it’s also probably why he was way more chill about the consequences of toph’s scamming. like, he told her to be careful after noticing her wanted poster, but he wasn’t mad about it the way he was when katara attracted the wrath of pirates, because he didn’t spend his whole life being shown and told that toph needs someone responsible to keep her in line. and he does feel a level of responsibility and protectiveness towards toph, that much is clear, but he also trusts her judgment because he’s never actually seen her make an actively bad judgment call (excluding katara from the scams was mean and wrong of her, granted, but it’s clear he doesn’t wanna involve himself in their beef).
“never turning his back on katara” is always sokka’s first priority, above anything else, and that shows even when he’s being a dick to her, saying inflammatory shit like “leave it to a girl to screw things up.” again, once you've seen the show in full, it’s pretty clear that sokka is just saying that because he’s insecure that all the warriors left him behind, so he’s projecting his insecurities onto her, but if you don’t have the context to understand how much the idea of “not being a true warrior” means to sokka, it just seems like he thinks boys rule girls drool. and if you don’t realize that kanna is actively making katara do more chores on purpose, whereas she trusts sokka to be responsible for himself, it does seem like katara is taking on an unfair amount of responsibility, in a gendered way. you take that conversation at face value, because you don’t realize (at first) that they’re both projecting their insecurities and blaming their personal frustrations on each other. you don’t realize that sokka is minimizing katara because he sees her as his annoying little sister who always gets into trouble, and you don’t realize that katara is telling herself stories of grand adventure because she feels cooped up at home, because this is the inciting incident where adventure does await, so sokka’s suspicion and exasperation seems out of pocket, whereas katara’s wonder and eagerness seems totally justified.
it’s similar to how when zuko sees the light from the iceberg opening iroh warns them that they’ve gone down this road before and not to have too much hope. kanna tells katara the same thing. both zuko and katara believe in the avatar as their salvation, and are so eager to put their faith in this narrative that they accept it without question. of course, we as the audience know that they’re right, but it’s also perfectly reasonable for sokka and iroh to warn them not to get their hopes up, to be careful and patient. it makes you wonder how many times not only zuko, but also katara have gone looking for the avatar before, firm in their belief that he’s still out their somewhere, and they will be the Chosen One to finally find him (of course, they’re right, but no one had any way of possibly knowing that). katara and zuko are obvious foils whose journeys mirror and intersect, but iroh and sokka are too, and they’re both there to support and guide their younger, less jaded family member, both in giving them the space and encouragement to be the best versions of themselves they can be, and also cautioning them or saving them once they get themselves into trouble due to their shortsighted impulsiveness.
the same way that zuko’s always yelling at iroh that he’s just a lazy old man who doesn’t understand the importance of honor is how i view katara’s rant to sokka that he “doesn’t do anything around camp” and “from now on, he’s on his own.” like, what does she even mean by him “being on his own”? his primary priority at all times is literally protecting her. he’s not the one making her do his laundry, their grandmother is. blame her, katara! (actually ykw i bet she does but just yells at whichever family member is in vicinity in that moment.) katara has every right to be bored and frustrated, but her anger is mostly misplaced (other than calling sokka sexist, that’s fair). and it’s clear that sokka doesn’t take any of what she says to heart anyway, because the entire time she’s ranting he’s just sitting there thinking about how they’re gonna get home without a boat.
what makes kanna so fascinating is that we only ever see her agreeing with sokka, but it’s clear she’s secretly rooting for katara, for her naive, impossible worldview to be somehow, against all odds, right. and when she is, when the avatar is revealed to be alive, kanna thanks her for bringing back the dormant hope she long thought gone for good. sokka, like kanna, has been utterly jaded, all and any sense of wonder pulverized by the war. but aang and katara bring it back, through their sheer optimism against all odds, their sense of adventure, their commitment to justice, and their dedication to preserving their childhoods amidst all the grief and violence they’ve had to suffer.
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fistfuloflightning · 3 months
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The wicked rule in lawless land Wash the blood out from their hands Schemin' with their evil plans Justice soon will come
—Heathens by Valley of Wolves
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