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#I have so many theories and so many questions
sabertoothwalrus · 9 hours
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OK PREFACING WITH IM SORRY IF I ALREADY SENT THIS EXACT ASK BUT MY WIFI KILLED ITSSLF AS I SENT IT SO IDK IF IT ACTUALLY WENT THROUGH. but in case it didn’t . i know youve gotten this countless times in the past because i blog stalked just in case youve mentioned something similar before but i need to know if you have any specific inspirations when you draw exaggerated expressions specifically like these two images of marcille. ive actually cried laughing over this comic and being able to communicate this type of visceral emotion is such an insane skill and ive followed your art for probably close to a decade through various fandoms so watching you develop this style has been fucking awesome and epic. like i cannot articulate how funny these are to me i just need you to understand i look at this comic to inspire me to draw now. the closest comparison i can draw to the feelings they evoke are like those mspaint reaction images and also mspaint tails i included for reference even though you probably know exactly what im talking about anyways but its actually so much harder to do that intentionally when you study art. also i lied you literally don’t even need to answer this i just had to let you know how obsessed i am over your silly comics and now ive written out a whole ass discussion post about it. im sorry if this is weird at all i think my daily prescribed amphetamines r wearing off and i know this is such a dumb specific thing to fixate on and im so sorry if its not something you want to hear about your art. ive just always seen that as an artist this type of expressive stupid silly style is something that comes after a significant amount of time and practice and study and style development despite being “simple” in theory. its just so cool to have worked with your own style so much that youre able to go “off model” from it and still maintain consistency with the rest of the piece. i said it already and im sorry this is actually rendundant now but the ability to communicate such raw emotion somehow decreases from at its height when someone is a beginner artist learning how to proportion and keep a steady line and what looks “normal” but somehow it all comes full circle because taking all that experience and using it to almost return to where you started but in a fully informed and intentional way so you can make choices to draw characters like this when the situation calls for it is just dhcidogakgoshfhw. i think i need to cut myself off or im going to talk in circles im sorry tumblr user sabertoothwalrus i just am fascinated by your style and progress and the years you’ve dedicated to art can be seen in so many places but this is just one that stands out to me specifically.
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MMMMM what a fun question!!!
I'm not gonna lie, I think it's just Letting A Drawing Be Bad. I definitely think the people that struggle with this the most are people who have genuinely very pretty art styles, to the point of being kind of perfectionist about it. and to Draw Funny often means Drawing Fast and Weird. Pretty is kind of the antithesis of funny (unless being pretty is the punchline). do drawings that make yourself laugh. tracing/lining funny sketches almost always makes them less funny.
one of my favorite types of humor is when it skews more deadpan, actually. This is one of the reasons I love Adventure Time. minimal expressions and flat line delivery + absurd context is a really good combo. the key to comedy has more to do with contrast! if your drawings are allllll crazy ren & stimpy all the time, they're not funny anymore cause it's just "normal". if it's all subdued UNTIL it's extreme, and vice versa, then it's funny. The reason this comic is so funny is because of the complete lack of any expression. I feel like the one you sent of Marcille shouting "WHAT" is funnier when you know how much she tries to be dainty and feminine and delicate, how much she values her appearance, and how averse she is to "gross" or "weird" things.
something I find really annoying (and this is with comics/animation in general, not the expressions themselves) is when the joke goes on for too long. Like you'll have the joke, then the punchline, and THEN the characters reacting to the punchline??? Like the author didn't trust that their audience would find the joke funny, so they basically drew in a laugh track. But, this is distinct from a character's reaction being the punchline (like how the examples you gave from my Marcille comic are). MY POINT IS sometimes expressions aren't as funny on their own as you think, and context can affect how you feel about it!
as far as inspirations go!
my own face! even if I don't have a mirror, I like making the expressions myself so I can "feel" where the points of tension on my face are, and it gives me a sense of what to exaggerate.
my brother's art, believe it or not! we've been trying to make each other laugh with our drawings since we were kids, and he's really good at it.
ATLA has some great expressions
OK KO has been a reallyyyy good source for me lately. That show is so tailored to my sense of humor and the expressions and line deliveries feel exactly like the kinds of things I'd come up with. The tone, timing, and art style are all really close to the tv show pitch I'm working on, so when I feel like I've "strayed" too much from it (like after drawing a bunch of dungeon meshi, and my art feels tighter and... idk "manga-ier"?) I like to go and watch a couple episodes of OK KO to loosen back up
A lot of things like OG Spongebob, Calvin & Hobbes, the Simpsons, Chowder, etc etc
memes in general. if it makes you laugh, keep it in mind
and lastly, I wouldn't say I ever try to mimic funny expressions I see. Like if I watch a show for inspo, I'm not pausing it to copy specific drawings, I'm just trying to notice patterns and pay attention to what about it I find funny.
talking about being funny is really bizarre and I dunno if it makes it lose some of the magic. Ultimately it's something you can't think about too much, and just gotta go with your gut.
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duskwoodraven · 23 hours
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I feel moved to speak, sooner rather than later because I believe time is of the essence and this needs to be understood in order to keep Moonvale from crumbling to the ground completely.
This is not completely spoiler heavy, but it will discuss the game. I should note that unfortunately I have not finished the episode because I am struggling with the mini games in making progress. So I do not know how the episode ends, but I need to say this in order for me to rest.
I am very angry and disappointed with this game, and even more than that, I hold a great deal of second hand embarrassment for Everbyte.
One of the greatest reasons I respected these developers during Duskwood is that the game never felt like a cash grab like so many games do these days. The option to make a one time payment for complete access to Duskwood was fantastic, an option they should have carried to here and that is the biggest grievance I have.
There is no reason a game should cost hundreds of dollars to experience and enjoy. There is no reason for the prices of gems to be as expensive as they are. This is unacceptable Everbyte, and you should feel ashamed of it, you should know better.
The beauty of Duskwood and what set it apart was its feel of realism and the fact that every question had a reasonable answer. Your use of AI art has cheapened the look of your game, not enhanced it, not to mention it’s insulting to use generated art when there are many artists who are already losing jobs to AI, artists who would have been happy to work with you if given the chance. If the cost of commission is too high, then use of stock photos you had before was just fine, and I believe you should have kept it, I can’t look at Ash and Charlie’s profiles without it striking me as goofy.
Furthermore, the story does not make sense, we were able to read chats because Jake made it possible for us, now it just feels like the return of a gimmick with no explanation, the same with the mini games, in the past we did mini games to “hack” into Hannah’s cloud, now we do it “just because”. It’s lost its feeling of meaning, not to mention most private chats are behind the gem paywall, which we never had to deal with before!
The characters seem more plain to me, or maybe they are loveable but I’ll never know because again, paywall. I can’t read the premium options and get to know them deeper because of it. There are also no profiles like before, which is awful because we can’t look back on past video calls and links and we can’t see what these characters are all about, their personality is gone.
Even MC’s answer options seem blander, more vanilla, repetitive or one directional.
I say this truthfully from my soul, if this was the style of of game you dropped but for Duskwood instead, I never would have played it.
I would have never fallen in love with it.
I would have never made this blog and would never have waited years for every episode and a new game.
I would have never made art and countless theories.
I would have deleted the game immediately.
So I’m asking you, begging you, please change this for our sakes, and especially for yours.
Because despite all my gripes and anger, and everything I’ve said, I know you guys have actually worked hard on this game because the evidence is there, hidden beneath it all.
I love the actual real life people you have for Adam and Eric, I was so moved to help Adam when he started to cry. I want to know why he knows us and wants our help. I laughed when Eric told us he had tripped, and I do want to get to know him. I even wished to lovingly twist Charlie’s neck! That is the game I remember loving, its writing and characters, I can see the potential here.
But you need to change something, otherwise I cannot support this game, I cannot force myself to play it. I will drop Moonvale.
Give the players a one time payment option for 100% complete access to the game, access to all premium options. That’s the least I feel anyone could ask of you and is biggest reason you are getting this backlash.
To my fellow players, if you agree with any of what I said then I ask you not to pay for anything until Everbyte changes to make their game more affordable. Don’t be quiet and please voice your opinions everywhere they can see it. That’s the only way something could change.
I am so sorry this is what we got… you all deserve better.
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strwbrythoughts · 1 day
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time's up | dr. veritas ratio
The doctor - also known as your husband - has come to refine your problem-solving skills, particularly in mathematics.
A/N: This man is insufferable but I simp because smart + muscles = hot!!! Also can you see me projecting onto this and wdym i don't like triangles, ngl i accidentally switched to first person pov at the ending 💀 this is why i need to find time to write in my busy busy schedule
Divider by @/osqrie
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"You have 15 minutes to solve these questions. You may begin."
The soft click of the digital stopwatch in his right hand sounded louder than ever to your ears. Your eyes went from his soft, smiling face - which in itself, was a rarity - towards the questions printed on the single sheet of white, A4-sized paper on your desk. They were all mathematics equations. Every single one was an integration-related question.
You always thought that you could escape the topics you didn't like after finishing your studies in the undergraduate level. Life had been pretty smooth-sailing after graduation; you opened a cute and cozy bakery, you married a genius, lived in a comfortable home, have and maintain a loving relationship...but this. This was the least of what you would expect. Being tutored and tested on the one subject you refused to take back in university.
Or perhaps it was your mistake when you told him your weak points in the academic aspect of yourself. That was a side effect of marrying a genius, you supposed...or a 'Mundanite' as he would use to refer to himself.
But you couldn't think of that now. You had a test to complete, and you didn't want to receive his punishment for not being able to do so within the given timeframe. His eyes could be felt on you, as if burning into your body and directly gazing at the very essence of your soul. The rise in your heartbeat and downturned gaze highlighted how nervous you felt to answer this paper.
After taking a deep breath to clear your head, you observed the questions carefully. There were 3 questions, and all of them were pretty easy to solve (or at least, that was what the instructions said). The first two questions were fine; only including polynomials and exponents respectively. As you got to the third question though...you couldn't say it was 'fine'.
It included one of your most disliked topics...trigonometry.
Granted, the trigonometry was pretty simple, but you never seemed to be able to wrap your head around how so many formulas could be derived from them. When Veritas explained it to you in one of your tutoring sessions, you asked for more breaks than usual since you had put a barrier in your mind; 'I will never understand this'; which in turn, made the topic seemed harder than it actually was.
The soft 'ding!' of the bell on my desk reminded you that you had five minutes left for this last question. You gulped, hoping your nervousness would be swallowed away as well. His eyes were glued to the back of your head; not that you dared to look behind my shoulder at the moment.
Every second counts after all, even if you had no clue what steps you should take to solve the problem on the paper.
Your brain seemed to malfunction and your memorisation skills failed you right this moment. You didn't remember the basic formulas, and you didn't know how to derive them from the triangles either. With no viable options left, you decided to unleash your expertise; cooking up your own theories.
'Ah, he's definitely punishing me for this...' was the only thought floating in your brain. Autopilot mode was switched on, and your hand glided across the paper, writing down whatever nonsense that seemed to be related to trigonometry, regardless whether they were correct or not.
The digital stopwatch in Veritas' hand had reached its last minute; the fifteenth minute. "Time's up," his voice bounced off the white walls right into your ears. "Put down your pen and stop writing."
Although reluctant, you did not wish for a heavier punishment. His words were followed by the sound of the pen being put onto the wooden desk. Within seconds, he was stood right next to your desk, using his index finger and thumb to pick up the piece of paper.
His eyes scanned my answers, going from left to right as he inspected each line of working. There was a faint smile on his lips...until it was gone.
Gulp.
He had definitely seen the absolute mess you made on the last question.
A slam onto the wooden desk; you swore you heard the wood crack a little bit. "Did I not teach you this last question?" You could barely reply. His tone was dripping with condescension, but you didn't take offence from it. Both you and him knew he had the right intentions, but his ways wouldn't be able to satisfy everyone.
"You did! I...I just didn't like it."
Veritas let out a 'tsk' thrice, seeming almost animated as he did so. "You do know what you have to do now, right? So come on, what are you waiting for? Is time not ticking?" He took a seat on his chair, eyes looking straight into mine.
You sighed, preparing your facial muscles...as you climbed into his lap. Ah yes, the 'one hundred kisses or you're not leaving this room' punishment. A classic, really. Your lips peppered his face, landing on each part like the first snow of winter; gentle and heartwarming.
"Lunchtime is nearing, so you better carry out your responsibility quickly and dutifully, dear. You'd hate to have lunch at 4 PM again, hm?"
Ah, crap! He was right! Better get to work now!
Thank you for reading!
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pugh-bug · 22 hours
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No.42 Chapter 2
Art Donaldson x reader : slow burn friends to lovers
I really hope you enjoy this Chapter, I’m enjoying writing this a lot. Somehow I’ve never done proper friends to lovers before, I tend to do established relationships. Enjoy! 🎾✨
Part 1
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It had been nine days since Art moved in. Nine days and you weren’t quite sure if you were more desperate for him to stay forever or leave immediately. Truthfully, your anxiety had never been as up and down as it was now. Sometimes you’d catch yourself watching the door waiting for him to return when you were writing an essay in the living room, only to be met by Patrick and scream at the sound of the key turning.
Your nerves were fried from frantically changing whenever you thought Art might come into your room to ask you a question and from convincing yourself you hadn’t locked the shower when he was home when you had. You always did. It was already becoming a little exhausting worrying so much about him catching you existing freely in your own home but Patrick had no such worries. In fact he seemed to be walking round the flat naked more often than he did when it was just the two of you- something neither you or Art condoned.
The biggest pro to having Art around was that you had his kinder perspective on issues as well as Patrick’s unforgiving honest one. It had already become normal to have Patrick passionately raising his voice at you for not being angrier at someone whilst Art reassured you that it was okay you were giving them a second chance. It was like having a devil in one ear and an angel in the other. You often refused to pick a side as it only riled the two of them up.
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1:45pm - text from Patrick
Staying at my girls house this weekend ;) there’s pasta in the fridge for you guys
Your classes had already finished for the day, there were only so many hours your professors could regurgitate the same theory to you before giving up. With the end of your time at Stanford University on the horizon you’d have to start actually thinking of job ideas that paid. It was a sickening thought, one that your professor kept forcing you to think about but you pushed away.
You clicked your phone to standby and thought about how you were going to fill the weekend without Patrick’s antics. Art could very easily spend the entire time whacking tennis balls back and forth until he sweat out his body weight but you had no such luck. Tennis wasn’t actually your thing at all, it was the main thing you and Patrick had always disagreed on. For years he tried and failed to get you to play with him: ‘be my doubles partner c’mon you know you want to!’ but you were not easily convinced. You didn’t mind watching Patrick play though, to be a good friend, but the truth was if Art wasn’t on the court you were disillusioned.
By the time you heard Art return, you’d proof read your essay seven times and submitted it. That had been the last job to do before your weekend off and it was over.
‘Y/N?’
He called out for you like he’d done it a million times, almost like you were married. You couldn’t help the way you shot out of bed, feeling elated to see him again despite it not being 9 hours since you last had.
You poked your head out of your room only to be met by an extremely sweaty Art Donaldson in your hallway. He was wearing your favourite outfit of his: red and white gym wear and a cap on backwards. It could have easily looked douchey on someone else but Art could pull anything off.
‘I’m gonna get a shower. Take out after?’
You barely heard his offer, instead focusing your gaze on the way his wet shirt clung to his muscles. He almost missed the way your eyes refocused as you diverted your cloudy stare back to his face.
‘Yep perfect.’
Patrick would be offended you chose pizza over his homemade leftovers but he’d live.
‘Okay great.’
Art had a strange relationship with fast food, he craved it but he was terrified at the thought of any and all decisions holding his tennis career back. You’d already noticed how much longer his workouts were the day after pizza.
Just as you thought to add that you wanted extra cheese on your half you felt the familiar sensation of your period starting.
Lock…
‘Art?’
He couldn’t hear you over the shower water.
‘Art!’
If only you had two bathrooms.
‘Donaldson I’m bleeding to death!’ You banged your fists loudly on the door. Was he deaf? You were going to leave a bloody mess on the carpet if he didn’t let you in soon. A few frantic movements later, including a distinct unlocking sound, and you were rushing pash Art to the toilet without a word. You knew he’d leave the second he realised what you were about to do but even so you didn’t care. In a few seconds the bathroom would look like a murder scene with or without him as a witness.
‘Sorry…’ you cleared your throat, looking up at Art, who was standing confused in only a towel. In your embarrassment you almost didn’t notice, choosing instead to rush into the safety of your room away from Art and his dripping torso.
Twenty minutes of scrolling later and your stomach was rumbling uncontrollably. Like clockwork Art knocked on your door, entered and told you in a quiet voice that the pizza arrived. When you didn’t respond he smiled. ‘Extra cheese.’ Even Patrick forgot to add that for you sometimes.
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‘Dip please.’
Art obliged, passing you the garlic sauce from his position on the floor. He’d sat down there to set up the ancient dvd player (‘Jaws’ wasn’t on Netflix) and never got up. ‘This film terrified me as a child.’ He mumbled, mid chew. ‘I didn’t go in the ocean for almost three years.’
A smile formed as you pictured a tiny Art Donaldson hiding under the covers from the shark he found too scary to look at. You’d never seen a photo of him younger than about fourteen but you could imagine that he was an adorable kid - the kind strangers called ‘a bundle of joy’.
‘I love the ocean, it’s one of the only places I never get sick of. Never.’
Art turned to look at you, eager to show he was listening.
‘Any time my mum could she’d take us to the beach for picnics, you know 1000 steps?’ He nodded at you. ‘That one was my favourite. There was a secret pool. I used to pretend I was a mermaid.’ You suddenly went quiet, remembering one time you fell and cut your leg on a particularly unforgiving rock and your Mum had to drag you home crying because you still wanted to play mermaids. You were a dedicated child.
Art took a large bite of pizza and looked up at you on your little sofa thrown. ‘You don’t do that anymore?’
‘Do what?’
The left corner of his mouth curled up slightly, an almost smirk. ‘Play mermaids.’
‘Ah, no. Not anymore.’
You dusted off the crumbs from your palms and lowered your head, feeling almost genuinely sad for a moment not to still be young and free: away from University stress and job worries. Away from all worries really.
‘Shame.’
Before you could say anything the best scene came on and as Quint recalled the doll quality of shark eyes your phone lit up.
8:16pm - text from Patrick
Her parents don’t like me but I’m slowly winning them over they’ll love me in no time hows art? Is he being boring?
Art watched you type for a moment before making a correct assumption. ‘Is that Patrick? Tell him he owes me five dollars.’
8:17pm - text to Patrick
We’re fine watching jaws rn Art says you owe him five dollars?
8:17pm - text from Patrick
I really don’t.
‘Art, he’s saying he doesn’t.’
Suddenly filled with energy, Art leapt off the floor to grab his phone and type feverishly to his friend. You watched him type for a moment, his fingers moving with impressive speed almost enough to make you picture something interesting. Almost.
‘What were you betting on? Do I even wanna know?’
If it was tennis scores, Patrick usually lost those. You’d been there in 2019 when Nadal won the US open instead of Medvedev and most of the living room had paid the price for it. Rest in peace glass side table. So long red planter pot.
Art suddenly looked guilty for a moment, he put his phone down and breathed. ‘He bet that you wouldn’t see me half naked until two weeks in.’ So not a tennis bet. ‘I said it’d be earlier, yknow given how small this place is and how I sometimes forget to lock the bathroom.’ Now you were confused, Art had never once forgotten to lock the bathroom door. Not even when he was, similar to you, so desperate he sent Patrick flying backwards to clear a path. The man loved his privacy.
‘I figured it was tennis related.’ You shrugged, finishing the last of your pizza.
Art scoffed slightly, before clearing his throat. ‘Not everything me and Patrick talk about is tennis related.’
‘But it is mostly about tennis right, I mean, it’s your entire life. It seems to be who you are, that’s why I made you watch ‘Jaws’ instead of SkySports for a change. Mix things up a bit.’ You smiled, playfully, knowing he couldn’t disagree with anything you said.
‘My entire life is not tennis.’
‘Isn’t it?’
He didn’t respond.
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fortunatelylori · 3 days
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A defense of Eloise Bridgerton and her friendship with Penelope Featherington
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I should probably start this post by pointing out the fact that I’m not the biggest Eloise fan out there. In fact Eloise has consistently annoyed me for two seasons straight with her I’m “not like other girls” shtick and the writers using her as a prop for modern feminist talking points. 
Mostly what I disliked about Eloise was the bluntness and lack of charm used to put across the themes of women’s role in recency society and the lack of options for girls not interested in playing the marriage mart mind games. 
Jane Austen, for example, makes many of the same points regarding women in her novels but instead of beating us over the head with it, she uses wit, eloquence and wisdom to get her points across. 
But, above all, I disliked just how self involved Eloise was, what a major chip on her shoulder she had. She’s a privileged girl from an immensely powerful and rich family that spends her days whining and being dismissive of everyone around her. 
She spends most of season 1 picking fights with Daphne for no reason and the second season making fun of Colin and running around town like a chicken without a head not so much because she wants to find out who Lady Whistledown is but because she’s bored and wants something to do (something other than talking to men potentially interested in marrying her because she’s gay she’s not like other girls). 
Even as I’m writing this, I’m questioning whether I’m even the right person to defend Eloise because, as you can clearly tell, I don’t much care for her. But I do think Polin and Penelope fans are really misjudging Eloise and wanting to make her the villain of season 3 due to her resentment towards Penelope and her anger at the Polin engagement.
So I guess I have to be the hero without a cape in this instance. 
Here it goes …
It’s very easy to look at the friendship between Eloise and Penelope in season 1 and 2 and conclude that Eloise has always been a bad friend to Penelope. After all, almost every scene they have together is about Eloise, her interests and passions, her frustrations at the ton and the marriage mart, her inability to fit in with societal expectations, her quest to find out the identity of Lady Whistledown etc, etc. There’s almost never room for Penelope to even get a word in because Eloise talks and talks and keeps on talking. 
But I’d like to put forth another interpretation and say that perhaps this dynamic in the relationship isn’t all on Eloise. That it’s Penelope herself that prefers it that way. That she’d much rather talk about Eloise and her issues than to reveal anything truly meaningful or vulnerable about herself. 
A scene that supports this theory is the scene they have in season 2, episode 1: 
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This is about as open and vulnerable Penelope ever is with Eloise and in this scene we can observe several things: 
Despite her being more open than usual, Penelope is still lying to Eloise. She talks about how she enjoys being a wallflower because she can have all the fun without the pressure that comes with being in the spotlight. In reality we know Penelope would love to be in the spotlight but is frightened of being rejected. She’s not having fun hugging the wall at all and yet she’s unable to share that with her friend. 
As soon as Penelope opens up, albeit only partially, Eloise is quick to notice that, despite pretending not to enjoy the balls and the marriage mart, Penelope actually likes all of these things. This shows not only that she knows Penelope pretty well (as well as Penelope herself will allow Eloise to know her) but that, despite disagreeing on the topic, she’s supportive of Penelope and listens to her. 
It’s also worth comparing the way Eloise behaves with Penelope vs. the way she behaves with Cressida in season 3. 
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Cressida and Eloise’s relationship is much more balanced and equal because Cressida stands up for herself, pushes back at Eloise when she needs to (like explaining why she needs to marry Lord Debling despite not being compatible) or when Eloise accuses her of telling everyone about Colin helping Penelope find a husband. 
And Eloise learns to adjust. She becomes a more supportive friend, sharing her knowledge of birds so that Cressida can impress Lord Debling, making conversation with him when Cressida doesn’t know what to say and coming to her house to visit her and offer support. 
My point is: Eloise is not perfect. She’s self involved and dismissive of things she isn’t personally interested in but is willing to put in the work for a friend if said friend is honest with her about what they need from their friendship. 
Which leads us back to Penelope. Eloise is the most meaningful relationship in her life (Colin is as well but that’s a much more fraught relationship for Penelope because she wants to be lovers not friends) and yet she refuses to share the two most important aspects of her life with her friend: her love for Colin and her being Lady Whistledown. 
Let’s leave Colin to the side for now because Eloise being his sister complicates matters as far as Penelope telling her she’s in love with him. 
But why doesn’t she tell Eloise about Lady Whistledown? Particularly in season 1, when she’s just starting to write the scandal sheet. She has no idea where Lady Whistledown will even lead, if she’ll keep going etc. She’s basically doing it because she’s a writer and she wants to have fun talking about the society she knows so well. 
So why not share the fun with her friend? It’s pretty clear Eloise doesn’t even know Penelope is a writer and hasn’t seen anything she ever wrote before Lady Whistledown because, otherwise, she’d know it was Penelope doing it. 
Also let’s not forget that, in season 1, Eloise was Lady Whitledown’s number 1 fan. She can’t stop talking about how amazing and brilliant she is. 
And yet Penelope says nothing. She’d rather grin proudly behind Eloise’s back than go: “Actually this woman you like so much … I am she. She is me.”
She again fails to do it in season 2, despite knowing that Eloise helped her in escaping the queen’s men at the end of season 1. 
And then the worst part of their friendship begins as the pressure from the queen mounts and Eloise is more and more determined to find out the identity of Lady Whistledown. Penelope chooses to gaslight and manipulate Eloise for weeks.
It’s not just Eloise’s relationship with Theo and her attending political meetings that put her in harm’s way and eventually forces Lady Whistledown to write about her in order for the Queen to stop suspecting Eloise. It’s Penelope’s refusal to be honest with her friend. 
Penelope is so determined to keep Eloise in the dark that even at the end of season 2, when she walks into her bedroom and sees Eloise, she still tries to gaslight her one last time. 
Penelope: You’ve been reading too much Whistledown. Her voice is echoing in your head. 
Penelope is stuck in a pattern of toxic behavior because that’s what she’s learned to do from her family. She cannot be honest about Lady Whistledown or anything truly meaningful, despite how hard it is for her to remain isolated and in the shadows: 
Penelope: You have no idea how horrible it has felt to keep this from you! From everyone! For so long. 
It’s no wonder that, in their fight scene, Eloise tells her: 
Eloise: I do not even know you. 
That’s because Penelope herself has made it so that the people closest to her, Eloise and Colin, don’t actually know the real her. She’s given each of them what she thought they wanted and needed (she’s very similar to Colin in that way) but not enough of the real her.
So when the Lady Whistledown revelation happens, there’s nothing for Eloise to fall back on in order to try and understand Penelope. 
All of a sudden her best friend feels like a stranger. A stranger that has exposed her intimate affairs to the whole world and who tells her this: 
Penelope: At least I did something. All you ever do is talk about doing something. You have all of these great ambitions, these great plans but I am the one who actually did something great and you can’t stand it, can you? 
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Now, because we, as the audience, are privy to Penelope’s inner world and we know just how riddled with low self-esteem she is and how she’s used to those closest to her being dismissive of her or her achievements, it’s easy for us to see that Penelope tells Eloise this in anger. Particularly after Eloise tells her:
Eloise: I look at you now and all I feel is pity for you. Sequestered here, in this very room, writing your secret little scandal sheet, tarnishing everyone in town all because you are too afraid to stand up for yourself in reality. You are something else, Penelope. An insipid wallflower, indeed. 
Eloise’s words hit too close to home. Too close to the reality of Penelope’s isolation and fear of being alone and abandoned so she hurts Eloise back the only way she can. By pointing to the fact that despite talking and talking endlessly about all the great things women, and she in particular, could be doing, Eloise isn’t actually doing anything. 
Basically, these two manage to hurt each other worse than anyone else could because they’re best friends, because they know each other and what makes the other one tick. 
But from Eloise’s perspective? In this moment, where she’s been betrayed by her best friend? Well, Penelope doesn’t feel like a friend at all. She feels like someone who got close to her only to exploit her so she could write a scandal sheet and make money off of her misery: 
Eloise: This was personal. 
Penelope: Eloise, I’m so sorry. I was only trying to protect you. 
Eloise: Is that what you were doing? By writing about me in your latest sheet? By telling the entire world about things I trusted you with? [...] The only person you were interested in saving was yourself. All so you could keep making money at the cost to everyone else. At a cost to Miss Thompson. To my brother. To my entire family. To your entire family. [...] All because of your self serving manipulations. 
Which brings us to Eloise’s reaction to the closeness between Colin and Penelope and the announcement of their engagement. 
To Eloise’s credit, since their fight, she’s tried her hardest to be an adult and not punish Penelope more than she needs to. She’s very hurt by what her friend did and she can’t trust her but she also doesn’t want to hurt Pen.
She’s kept the Lady Whistledown secret and refuses to tell Colin why their friendship fell apart because she doesn’t want Penelope to lose the one friend she still has. 
She also misses Penelope which is why she ends up telling Cressida about Colin helping her find a husband. She’s trying to figure out what’s going on with her friend and the only way Eloise knows how to figure stuff out is by talking … and talking … and talking … in full earshot of everyone at the ball. 
But despite all of this, as far as she knows, Penelope is still the girl that divulged her secrets, ruined Marina Thompson’s reputation and hurt Colin, not only by revealing Marina’s pregnancy but by taking cheap shots at him only weeks before her brother waltzes into the Bridgerton drawing room to announce he’s engaged to Penelope Featherington. 
What kind of sister would Eloise be if she wasn’t angry at Penelope for that? If she didn’t want Colin to find out the truth as soon as possible? 
Personally, I think she’s showing real restraint. She cares so much about Penelope that she’s not dragging her brother into the study the moment she hears the engagement news to tell him that he’s about to marry the dreaded Lady Whistledown. 
Which brings us back to my earlier point: Penelope never trusted Eloise enough to tell her she was in love with Colin. Maybe if Eloise knew that Penelope has had a crush on Colin since she was 10 years old, she might be able to understand this engagement better. 
But from her viewpoint, all she’s likely to see is that Colin is an impulsive romantic who once again has gotten engaged to a girl who is lying to him and using him to avoid social ostracization. 
I know that by the end of the season Eloise and Penelope will have mended their relationship and they will go back to being the besties we know they are.
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But what I would love to see in part 2 of the season is Penelope actually being brave and honest with the two people that she loves most in the world. Not just about her being Lady Whistledown but about the reasons why she became Lady Whistledown. It’s only by her decision to be vulnerable and open that she can actually mend her relationship with Eloise. 
Friendships aren’t just about being there for your friend, about listening and giving them what you think they need but also about allowing your friend to be there for you. To allow them to truly know you: your fears, your sadness, your hopes and dreams. That’s the only way for a friendship to thrive.
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yuurei20 · 8 hours
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Follow up to a response to a recent ask about birthdays vs. ages of the main student cast (thank you so much to @fruixtii for this important point!): there is a calendar in the dream room that says the day of Malleus' overblot was the 15th!
We do not know if this calendar is accurate to the real world, but while looking for any theories there was one particularly fascinating! (Credit to Twitter's avemakio for this discovery!)
Silver's birthday is May 15th, but this asks the question: can it actually be May in the main story?
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May will be the month of a Spelldrive tournament that Lilia and Jack specifically say has not happened yet, and will happen "this summer" (it has been repeatedly emphasized that Book 7 is in the spring).
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Lilia also makes a point of saying that it has been six months since the start of the September school year, which would make the current month March.
And who has a March birthday? Sebek! 🐊
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Sebek's birthday is March 17th, and Ortho is tracking the passage of time outside of Malleus' dominion--in Book 7-3 he announces that 48 hours have passed! If the dream-room's calendar was correct, it is now the 17th.
Happy birthday Sebek? 👀 Was Lilia's farewell party simultaneously a birthday party?
Sebek is possibly now 17 rather than 16, but things happening on birthdays around this time seems like it would be relevant to Diasomnia!
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The previous post is based on the assumption that the ages of the characters as listed in their profiles is how old they were when they first enrolled (as that seems to be the same information that Azul receives from Jade on new students), but what if they're not?
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What if those are the ages that they turn over the course of the story?
Did Sebek turn 16 the day that (redacted for Book 7 spoilers)? 👀
But then there is Silver!
(Credit to Twitter's amazing mumble for so many of the points made in this post!)
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Silver makes a point of declaring that he will be coming of age next year, but his birthday is in May.
Silver is simultaneously 17 years old, will be coming of age in a year, and has a birthday in the next two months--is the age of majority in Twisted Wonderland 19 years old? (It was 20 years old in Japan until 2022, when the law reduced it to 18.)
If Silver is already 17 (as he says) then Sebek cannot be turning 16.
And then there is another question: has Malleus frozen time inside his dominion? And, if so, does that mean that Sebek's birthday has already passed in the outside world and he missed it? Is he trapped two days away from turning 17?
There are more than a few strange things going on with Silver's age (redacted for Book 7 spoilers), so this may need to remain a question mark for now! 👀 Fascinating!
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(There is another maybe-timeline-weirdness point where Vil tells Lilia, "I thought you were 18, the same as us," in reference to himself and Rook. Vil is on schedule to turn 19 in April but Rook should have maybe turned 19 already, back in December 🧐 If the fanmade-birthday-tracking is accurate! The characters aging has never been mentioned in-game :> )
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readypanda · 3 days
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Indigo Park Spoilers (and very long post) ahead
Since Indigo Park is the newest fandom I've been dipping into, I figured I might as well make my own analysis for the game. The question I'll be discussing today is,
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WHAT EVEN ARE THESE THINGS?
(sry for bad picture quality lol)
The thing I find interesting about these mascots (Molly, Lloyd, and what we've seen of Finley) that kind of sets them apart from other monsters in the mascot horror genre is...they almost seem like they're just animals. (I'll go over evidence for this in this post)
Think about it. In other mascot horror games, we've gotten:
animatronics possessed by dead children
employees/kids surgically(?) turned into toys
people mutated by a giant ink machine
animals/people who have had their DNA spliced with a mutagenic chemical
A little girl somehow turned into a monster (I think??)(really sorry Amanda I don't know what you are)
etc.
(I'm not up to date on all these properties and I know there's many more, so forgive me if my lore understanding is less than adequate. you know how it is with indie horror)
The important note about all these is that for the most part, these mascots are intelligent, or at least have the capability of intelligence. Almost everything on this list was at one point human, in fact.
So why do I think Indigo Park is any different? What leads me to believe they aren't intelligent? (at least, the animal versions of the characters that we run from in the game. Whether they are separate from the versions of the characters Rambley interacts with is something I'll touch on later)
I think the most obvious piece of evidence in regards to Molly and Lloyd (again, not much info on Finley yet) is how Lloyd acts. He doesn't talk at all, he just stalks the main character and attacks like an animal might (with the exception of a couple times he stands on two legs or props himself up here and there).
As for Molly, I hear you saying, "But she talks! We hear her speak!" And yes, dear reader, you are right. Molly does speak. This would disprove my argument of the mascots being purely animalistic, if it weren't for this kill screen.
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Now, do we ever actually hear Molly say something that isn't a repetition or couldn't reasonably be a repetition? Has she said anything to prove her intelligence at all? (genuine question here because I haven't examined every one of her voice lines lol. If I'm wrong about this then whoopsie!)
Despite the past 250 words of speculation, though, whether they act just like animals isn't actually that important. We'll see more of them in later chapters anyway (or Lloyd and Finley at least) so that will likely prove or disprove this point with time.
The more interesting question is, what are they? Like, physically?
When Molly dies, we clearly see blood around her decapitated head. At the very least that rules out animatronics or something mechanical. In addition, in the audio of the hidden tape you get when you show Rambley one of the collectables, you can hear two staff members complaining about being replaced by "new mascots" right after they "got a new raccoon costume." This could mean a few different things, but it seems to imply that the mascots we see in this chapter are meant to be replacements for actors in suits (for meet and greets, promotion, shows, etc) and/or replacements for limited, expensive, and cumbersome animatronics. If this is true, we can also probably rule out them being human. Unless Indigo Park also had a secret human experimentation lab, which I wouldn't put past them.
I think it's too early to definitively state what these mascots are, but based on the evidence of above, I have a theory.
My personal theory is that these mascots are just animals who have been changed or mutated in some way to allow the park to have more "realistic" representations of the characters (also probably to cut down on the costs of paying a human employee). That would explain why they act the way they do and why they are so violent. They literally are just wild animals who have been warped to represent these cartoon characters.
Another important caveat to this theory is that, if this is true, then the mascots who attack us in the game are most likely NOT Rambley's "friends" as he knows them. That would explain why he doesn't call attention to Molly chasing us or Molly's dead body (with the exception of one very small reaction when he talks about the mascots). You would expect him to seem a little more upset if he thought that was his friend, but maybe on some level he knows it's not really her, just a representation of her.
That brings up another question, which is a can of worms I won't fully open here: Do Molly, Lloyd, and Finley have sentient "AI" equivalents like Rambley? If not, does Rambley know his friends aren't real? I'll let you decide.
Anyway, that just about closes my thoughts on this silly raccoon game. Thanks for letting me ramble on about it, and thanks for making it to the end of the post!
Lemme know about your own theories in regards to what these things are, or if there's any key evidence I missed. Kinda threw this together lol. Most of it will likely get disproven by future chapters but hey, thus is the price of theorizing ¯\_(ツ)_/¯
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moollypop · 2 days
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indigo park theory: what ARE the mascots?
i've had many thoughts on this since chapter 1 came out, so this will be a long one.
TW for animal cruelty and abuse below.
first off. they are NOT animatronics. uniquegeese has explicitly said that himself on streams, and this is added on by the fact that mollie literally gets decapitated and dies, blood spurting out of her disembodied head. lloyd and mollie also just, generally look a lot more like living, breathing creatures than just some mascot suits or robots with their fur, feathers. as well as being able to blink and emote.
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so that begs the question: how do these exist, if they aren't just robots and are in fact flesh and blood? well... judging by some of the context clues we've gotten so far, i think i can make a guess:
Indigo Park created the mascots through animal experimentation and genetic remodelling.
first off, the mascots themselves. at least, in the state they appear in. they are far more reminiscent of wild, feral animals than killer animatronics or toys or what-not from most other mascot horror games. lloyd in particular stands out in this.
when we first find him, he's all curled up asleep on the theatre stage. again, another point to these being living breathing things if they require sleep. only to then run off on all fours as soon as he wakes up and notices ed, then proceeds to stalk them within the backstage. keeping to the shadows and retreating when he's spotted or isn't in position to properly attack, again, like a real lion stalking its prey until it's within striking distance.
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lloyd DOES walk on two feet properly, though. primarily when he trots away after first being sighted in the backstage, and later after ed grabs the key, lloyd does physically walk around even though it isn't visible to the player and he despawns after they leave the room with the key until it's time to do the jumpscare.
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(credit to horrorscoped's "what indigo park hides in rambley's railroad and theater areas" video for the screenshots)
second, and what i think is most important to answering this question: mollie macaw. it's established in her death screen that she can mimic things that she's heard, including voices, which macaws in real life can also do. and while it's hard to hear them during her chase sequence, she has SEVERAL voice lines that play. most of them are taken from the rambley's railroad ride from earlier in the chapter, but there are several others that seem to be taken from employees or guests before the park's closure. i'll link a video to them here, but the lines i'm referring to in particular are:
"Stay in your seat!"
"I wanna play with the birdie!"
"Don't touch that thing, son..."
"Get up, you stupid freak."
"Get back in your cage, bird."
"The customer is always right."
the two i'm focused on mainly are fourth and fifth ones, which are undoubtedly park employees. calling her a freak, telling her to back into HER cage... paints a very, very unpleasant picture of what's going on. one that is confirmed even more by an easter egg in rambley rush, where if you fall into the fourth pit while moving to the left, you can find a second mollie inside a cage.
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verbally abused and caged up... like a mistreated animal.
so... why? why create these "mascots" instead of having employees dress up in costumes like other parks? they clearly intended to at one point, as they had at least produced a costume for rambley before the mascots entered the picture... simple, really. money.
if you were a business and wanted to maximize profits with little morals, why not try and turn animals into your company's characters for your theme park so you can avoid paying your employees a little extra for going around in costume? if companies are willing to replace writers and artists with AI, why not put in a little more effort to create something else to do that job for you instead of having to pay someone else to do it?
but, something happened. maybe one of the mascots finally had enough and attacked an employee or guest? who knows... whatever the case, the park was suddenly and quickly evacuated with the events being covered up.
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and the mascots were left to rot. with no humans to supervise them and keep the instructions and training and company-mandated rules drilled into them, combined with the isolation and likely mental toll it took... they regressed. they slowly lost what made them "mascots" in all but appearance, and now? they're animals again. wild, feral animals. ones that don't see a random person as a guest to greet, but as a smaller, weaker animal. a prey.
and with so many years having passed, likely not having much in the way of food outside of any other wild animals that might happen to wander into the park... they're likely very hungry.
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showmey0urfangs · 1 day
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Do you think Louis in Dubai already knows about Armand's role in what happens to Claudia? It would explain why he doesn't correct Armand when he says he never harmed him. I've seen so many contradictory theories about that but I believe their relationship is real, it's just not fully honest.
Hi Anon! That's the million dollar question, isn't it? We don't really have a definitive answer but for my part, I think Louis already knows. I'd much prefer if the show stuck to that bit of book canon.
IMO it makes for more interesting storytelling than to have some cheap dramatic reveal at the end where *gasp, [cue young & the restless music ♫] Louis ✨uncovers a treacherous betrayal✨ after living with the ♥︎love of his life™ for nearly 80 years. Shock and horror!!! What will Louis do next? Tune in on Sunday to find out...
I know Armand is one of, if not the, most powerful mind gift wielder but even he couldn't possibly maintain such a massive lie for that long. Especially not when he and Louis regularly exchange blood.
And as I've said so many times before, Interview With The Vampire is Louis' story and it's about him trying to come to terms with his own mistakes and how they contribute to the tragedies he suffers. Like almost all the books in the chronicles, It's more about internal conflict than about some external evil that the 'hero' must defeat to save the day and get the girl. Jacob sums it up perfectly in his recent Newsweek interview where he says;
❝ I think this season is quite a confronting at what happens when you really dig into your own culpability to things that that you felt you were the victim in or ways that you felt were wronged. And how much did you play a part in both fronts and responsibility you're really willing to take for your own actions and the way that you manifested your thoughts and feelings?Louis is way more powerful than he would ever admit, he is way more responsible for the tragedy of his own life than he would ever admit. ❞ 
I've seen some hints here and there about the angle the show might approach it from. For example, Armand and Santiago's official character bios which I find very interesting;
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This suggests they will initially paint Santiago as the sole villain and Armand as a helpless spectator (I could not prevent it and all that)
But ultimately, I think it's crucial to the story that Louis knows the truth AND chooses to stay with Armand anyway. In the same way he says yes to Lestat's marriage proposal in the church, after witnessing him go on a murder rampage. In the same way he invites Lestat back into their home after Lestat beats him to a pulp and nearly kills him in episode 5, and then tells Claudia to "do better" when she's less than thrilled about it. In the same way, he can't bring himself to burn Lestat in episode 7, even while knowing it puts Claudia in potential future danger if Lestat were to come after them—which btw, he does and his testimony is ultimately what seals her fate.
I could go on and on but the point is that Louis is a complex and flawed character, whose desires and self-imposed morality are completely at odds. I think this season will be all about revealing just how flawed Louis is and I for one cannot wait to see all of it.
And no, unlike 'some people', it's not because I need Louis to be revealed as an evil liar because then it 'puts him on an equal level with Lestat and so Lestat's not so bad. 🤡 It's because just like Jacob says, I believe we need to allow space for black and brown characters to also be complex, flawed and even problematic at times. Let's be monsters and enjoy it! That's what makes for good representation and that's what makes for interesting storytelling. And don't worry Jacob, I'll still love Louis at the end no matter what he does! ♥︎
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harrow-unchained · 9 months
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Love how every WF blog here (myself included) all collectively have the same reaction: the hell did we just watch?
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umblrspectrum · 2 months
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hi heres art so you pay attention to me now go read the tags
#ive been rewatching episode 7 like its the only thing on youtube and made note of many things#first off. the solver can only have one host. nori mentions skyn wants to kill off all the other solver hosts (with the dds) and disregards#the idea of both uzi and doll being its current host when they get chased#plus the main solver possessions only occur when skyn is out of the picture (the fightt in ep 7 is only after n decapitates “tessa”)#solver uzi is possible too but i dont count her cause she doesn't have the yellow#personal theory is that its more an instinctual response to overheating or something and not full on possession#second off nori calls the solver cyn. how does she know that name#cyn was on earth and only showed up to copper 9 recently and i presume nori's been here her whole life#it probably wasn't the other dds cause none of them made it down and they're all more savage beasts#since cyn specifies n's team retained their personalities and that makes me think the other teams didnt#also also we should've immediately questioned tessa arriving in the same type of pod as the mds when they were revealed to not be sent by j#im running out of characters also the people who dont like when i use tags like this can bite me#murder drones#murder drones nori#artori? that sounds cool#ill probably just stick with nori though#i have so many solver heart refs now#art#episode 7#murder drones episode 7#murder drones episode 7 spoilers#using the same black for shadows as my lineart doesn't work when i have to draw thin things over it#murder drones spoilers
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r0semultiverse · 9 months
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Okay; so, this was an Ice Prince Finn scarecrow!
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too-many-rooks · 2 months
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Alex Rider; S1, E1.
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eleanork-28 · 2 months
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Post s3e6 what happens now?
I am begining to write an 'after' fic which has brought up a lot of questions and speculation that I'd like to share. Yes willmon is endgame but also where do they go from here?
Class 
Money (what are the Erikssons doing with their money from August?) 
The rift between Wille’s elitist upbringing and Simon’s economical and political beliefs 
Wille needs to learn and figure out what he wants his relationship with politics and money to be 
Abdication 
Wille is giving up the crown but he now has to go through that process 
Official meetings 
What is his new title going to be 
What money does he have not has Crown Prince 
The official statement of abdication and handing the duty to August 
Figuring out the PR strategy for this as well 
Wille isn’t free automatically he is going to price for a little while longer while they introduce August more prominently to the public so that the crown isn’t handed off to seemingly a stranger 
They also have to figure out a way to make sure it is clear that this is a choice Wille made for himself rather than because of his very publicised relationship 
Making sure there won’t be speculation that he is leaving voluntarily because the Swedish monarchy doesn’t want a queer monarchy because that would be a media shitstorm 
School 
Where is Wille going to school? And Simon? 
Even with abdication he is still a part of the Swedish aristocracy would he go to another posh school? 
I think not with everything that happened at Hilerska but its also the thing he knows, so how does he figure that out? 
Where does Simon go? He wouldn’t want to go to another rich kid school
Will they go to school together? 
If so what interest will their classmates take in them, how would they maintain their privacy 
Even apart what would their privacy look like 
What would their relationship look like if they do decide to not go to school together? 
Same questions for Felice and Sara because they also have to go to school they are all children and education is very important lol
Familial relations 
Wille and his parents need to repair their relationship 
Do Simon and Sara start working on a better relationship Micke? 
I want Wille to get to meet Micke I think that interaction would be great
Public relations 
Yes they are free but sadly the public doesn’t entirely care 
Luckily on an international scale the Swedish monarchy doesn’t hold much attention but maybe that has changed since Wille’s scandals and then open queer relationship? This is never addressed in the show 
But amongst Swedes especially after abdication people will have a vested interest 
Think Harry and Megan (obvs the UK royals are a much bigger scale but the point stands) 
Like people still really care what they're up to, and Megan and Simon have those similar experiences of being a poc partner of a european royal family member, the harassment doesn’t suddenly stop once you've left the direct limelight of royal life
Platonic relationships 
What is Wille’s relationship with Rosh and Ayub? 
They have witnessed every thing that Simon has gone through because of his relationship with Wille and now they are back together again 
They do respect him because of his choice to leave the monarchy, they are maybe not even surprised because they did witness the “I could be free with you” speech
But do they trust him? 
On that note does Linda? She definitely cares for Wille but she also knows how this has affected her son.
Does Wille have to prove his intentions and himself? 
Can he Rosh and Ayub truly form a friendship? How will that happen 
Simon, Wille, Sara, and Felice have forged their own kind of found family through shared traumas and love for one another, how to Rosh and Ayub fit into that new dynamic? Will there be conflict because of this? 
What does a friend group consisting of all of them look like? 
Other than mega gay
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n0-eyedtaissa · 12 days
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thinking about the season three announcement pictures. the warmth. the return to an easier, more care-free time before the yellowjackets even had any idea of what they were capable of. i keep seeing fans pointing out that tonally, the set decoration looks like its returning to that of season 1's; the false confidence that that they feel because the weather is in their favor despite the change in their living conditions. they've survived worse than this. fires, plane crashes, dead best friends and hunger that was deeper and more twisted than any of them had ever experienced. do they feel calmer? because when winter ends and the warmth comes back, so do the vegetation and the game that natalie and travis spent sunup to sundown searching for. they'll have food again. they can feast on meat and pretend that they forgot what it looked like watching someone innocent be butchered for the good of the group.
is it bad if they dont feel bad about it?
who's being hunted now? the animals in the trees, or the ones sleeping together piled up under them?
does a hunt that has no violence feed anyone?
what happens when the violence is what they feed on?
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fantaghoul · 8 months
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So... we just gonna gloss over the fact that Garmadon controlled LIGHTNING in season 1?!
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Like??? What???
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