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#I'm insane about them actually
marcskywalker · 7 months
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no but arthur gaslighting everyone and their mother to believe that merlin doesn't have magic is so KSGFKJDKV
and it's not even on purpose. It's just because arthur believes in merlin so much; trusts his loyalty and the goodness of his heart.
Even when he catches merlin doing shady (shady AS FUCKKK) shit, there is never any serious questioning or doubt. They'll banter and be nosy about each other, but there is never any serious interrogation on what merlin is doing or what he's hiding.
and then, because he believes merlin so much, he goes and convinces everyone else (his knights, his father, his court members) to have trust in merlin as well. not just that, he actively berates anyone who doubts merlin?????
every time I remember dotd where arthur says "you don't have magic, merlin. I would know" there is legit a physical pain in my chest and stomach that I can't stand WHAT THE FUCK WHAT THE FUCK
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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swkbiggestdefender · 3 months
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oh to be loved by the sun :,(
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the sun loves the sky <3
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fudgecake-charlie · 6 months
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In no way canon to secret life whatsoever, i just wanted to draw a background in aggie and felt self indulgent
cropped ver:
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phosphorus-noodles · 10 months
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Do it for him. (Do it for her.)
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My new favorite gemcyt headcanon is that Joel offered to teach Jimmy sword fighting because he wanted the practice for when he infiltrated homeworld to see his diamond again it'd be nice if Jimmy could defend Scott in a battle ^^
(based on this post by @playername-player-of-games + au and Jimmy design by @chrisrin + Joel design by @zellie-x)
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hidedino · 4 months
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oh, i've just noticed something!
pac seems to have this automatic response of playfully punching richas and mike several times and them reciprocating whenever they're teasing each other.
but he's never done the same with fit or ramón, quite on the contrary he always takes great care to not hurt them and apologises if he does it by accident.
and i just think it's really cute how he basically has the exact opposite dynamic with both sides of his family even though he equally loves them :)
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eyes-of-nine · 1 year
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truly what a guy
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blank-barrel · 6 days
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EVEN MORE FAUST: SANITY BOOGALOO (featuring Johnny this time)
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Oh, and top surgery jumpscare, by the way.
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goldenpinof · 3 months
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this is terrifying
Dan reciting "My humps" on February 15, 2018 and February 16, 2024.
February 15, 2018 is the "press the button" video. the same game was recently played in a video they uploaded on January 24, 2024. February 16, 2024 is the WikiHow video. their first WikiHow video was uploaded on January 31, 2018.
dnp's universe is fucked up. we're literally reliving 2018.
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beanghostprincess · 8 months
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i'm watching dressrosa and if this isn't how true love looks like then i don't want it
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bonetrousledbones · 5 months
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so when are we gonna start appreciating undertale AUs for fueling a metric fuck ton of the creativity and longevity of the fandom because if i see one more person calling them the cringiest part of the last 8 years i might lose it
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biggest12fan · 3 months
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classic who's costume department was capable of miracles because they keep pulling off making all of these aliens look good. crawling meat blanket? amazing. green bubble wrap bugs? extraordinary. what's next? trash can bag monsters? i'm convinced that they'd make it work. i love you classic who costume department
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Oh yes my favorite duo, 'AAWEHEHEGWGWV 🥺🥺' and 'I'm barely tolerating your ass'
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starheirxero · 4 months
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After revisiting your "came back wrong" comic, absolutely wonderful btw, I came to a rather haunting realization.
Because it became true. But instead of Bloodmoon, it's Eclipse. And that's both much worse(for the characters), and much better(for the narrative).
Because both him and Lunar went through the same, and in a way seem to parallel each other, though that's probably me overthinking.
Both of them died. Both of them were blown to smithereens. Both of them came back after several months. Both found themselves in a body not their own. We've seen what they look like in every other universe.
Both of them came back wrong.
Lunar came back numb, quieter than before, with all their energy being a play. He came back running from unknown danger. They died a normal animatronic, and came back being more.
Eclipse is the opposite. He came back louder, erratic, full of madness. Where Lunar is running from unknown danger, he is sprinting towards it, not realizing the consequences until it's to late. Not to forget the star. Eclipse died being somewhat of a god, and came back as nothing more than a plaything, a puppet on a string.
In a twist of fate, they can relate best to each other now, and that might be the worst part for both of them.
Because what is there to do? Even though they understand, even though, one day, they might glance at each other and wonder "Do you feel the same?", they will never be able to confide in each other. Their relationship is beyond repair, and for good reason. Eclipse hurt Lunar, used and ab*sed him, and then blew him up.
This also opens up so much emotional baggage. What will Lunar think? Will he wonder "Do you regret what you did now, knowing how it felt?" Will a part of him feel the smallest bit of satisfaction? Will they ever be able to look at him at all, or will they forever hide away?
What about Eclipse? Will he feel guilty? He seems aware of the damage he has caused the celestial twins, even telling Ruin that he deserves what's coming for him, but he still showed no remorse when he talked to them.
I'm sorry this got so long, I am incredibly emotional about this right now, and I can't even begin to describe, how this makes me feel-
ANON OH MY GHOD /POS
DID YOU KNOW YOU HAVE THE BIGGEST FUCJING BRAIN EVER. DID YOU KNOW YOU'VE CONNECTED THE MOST PERFECT DOTS KNOWN TO MAN. HOLY SHIT.
LUNAR CAME BACK AS MORE AND ECLIPSE CAME BACK AS LESS BUT BOTH CAME BACK WRONG AAIAUAUAYAGAGGGHHHHHH
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lovvecherrymotion · 12 days
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shoulder kiss and messy hair 💕
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staliaqueen · 20 days
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Mal's Avatar: The Last Airbender rewatch: The beach 3.05
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