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#I'm sorry this is so long lol
tamaruaart · 5 months
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YOU
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Grant us your oc’s delicious lore, anything that comes to mind first-
Ah tysm for asking
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(btw I apologize for this being long af 😔)
So I feel like I should prep this by saying before I figured out about LMK I was super into OPS's jttw series. So I made Zhao with the context of the book, and the book doesn't sugar coat things so Zhao's backstory is a bit uhhh, mature? There's no nsfw stuff but there is a lot, lot, loottt of angst (even though the backstory is kinda "simple"), so forgive me :'(
I did change up her backstory a bit for the LMK version because it is a kids show and I don't feel like the creators would stick with the dark tone of the original. Whenever I write OCs for sertant shows I try to write it with the context of "How would the creator tackle this if my oc was a Canon character?" Yk? You don't write a depressed, emo, Greek hero for a light hearted magical girl show.
So ye, this first segment will be her JTTW backstory sum-up and I'll note what is changed in the LMK version at the end👍
JTTW/original backstory(this is long, read at your own risk)-
-Zhao wasn't raised in the best household.. Not only was her father a total womanizer with 3 wives (at the time of her birth, by now he has 7) and who knows how many mistresses, but her elder family member were pretty verbally abusive. I mentioned before but Xiaotian and Biao-Qi (Zhao's father and grandfather) wanted Zhao to be born as a male because in their clan its essential for the first born of every generation to be a boy, so when they found out about Zhao being a girl they were really salty and thought of her as "The disgrace" of the family. (hence why Zhaoyan is a name generally given to Chinese boys, which yea Xiaotian is the type of douche-bag to chose the name of the child at the start of his marriage without the mothers approval)
-Zhao was the one basically raising her younger siblings because her parents couldn't be bothered to, Pangfua (Zhao's mom) couldn't even bare to look at Xiaotian's face so the last thing she cared for was some random children of him and his mistresses, and Xiaotian's other wifes didn't really care for the children either. However, Zhao ADORED her siblings because she was always good with little kids. But as time went on and on, with so many children coming in to the household she started getting tired, but what could she do? At the time she was barely a teenage girl, if she complained to her father she could legitimately be at risk to lose her head. Like I said, Xiaotian couldn't care less about Zhao, he doesn't give a damn if she likes taking care of her siblings or not.
-Eventually Zhao grew too tired of her family, and decided to leave. This might seem selfish but holy frick, the girlie felt like a maid, and it's not like she doesn't care for her family, it's that they couldn't care less about her. All of her siblings were old enough to take care of each other and the other family members treated them well, why shouldn't she be able to "go live her own life"?
- The first place she went was to a temple dedicated to the Chinese tiger spirit- Hu Ye. The reason she went to him specifically was because he was sort of the protector/symbol of Zhao's family (for context think about how Apollo was the protector of the Trojans in the Iliad), she prayed to him all night, she asked humbly to become a Jade Maiden that serves Guan Yin (because that was probably the best option. Also just so you have context- Hu Ye blessed the girls in Zhao's family with a healing gift. So basically they could heal any illness, wound, missing limb etc...). But to her surprise Hu Ye saw what she did as "unforgiving". You shouldn't leave your family who loves you so much, not cool >:( (cut him some slack tho, whenever to family would worship him they would make them self's seem like the most perfect people ever). And so in short he gave her flaming orange hair so she never forgets that she is a Tiger Maiden (bcz orange=tigers and he just be petty like that bro).
-Eventually she went to the woods but she was found by Lánhūa- a forest spirit. Lánhūa took pity on her and decided to take her in as one of her nymphs. Because Zhao had the healing gift she was a great addition to the palace Lánhūa lived in, Zhao was always the one making sure everyone was healthy and the worst someone suffered was a common cold, and even those wouldn't last long.
-However one day while she was collecting fruits for the palace she stumbled upon a strange noise near a mountain, she went to check what it was and wouldn't you have guessed its good ol' Sun Wukong. The pair fairly quickly became friends, Zhao would often tell him stories and keep him company and Sun (who was under that damn mountain for 346 years by the time he and Zhao met) would listen and tell her his life stories.
-At the early stages of the jttw Monkey actually did try and convince Zhao to come with him and the other pilgrims, she would be the one taking care of Tripitaka and making sure he stays healthy. Zhao refused at first but after some time she agreed. Her and Tripitaka were very close because they were both kinda the "sane ones" of the group and Zhao took her position very seriously. Sanzang eventually noticed that this was a bit weird considering how layed back the other pilgrims were, so he confronted her and Zhao opened up to him. And that's how I'd show her backstory in the book.
So in short: Girl leaves abusive family and prays to god, god makes her a ginger and she gets adopted by a hot forest spirit. A monkey befriends her and convinces her to give free health care to his friend **emotional**
Holy crap that took so long to write/ Notes on how her backstory would probably be changed in the lmk version:
In the lmk version I think they'd tone down how bad her family was just a bit, again it is a kids show. I think the start would generally be the same but that Hu Ye would grant her wish. But instead of a disciple for Guan Yin I think they'd change it into a Peach Maiden, so that she could meet the brotherhood and befriend Wukong like she did in the original backstory. They'd probably remove Lánhūa as well (because she is a very minor character in Zhao's backstory). So yea in short of what I think the creators of LMK would do with her character: -Hu Ye grants her wish of becoming a Peach Maiden. -Orange would be her natural hair color(bcz tigers woo). -I honestly think they'd give her a sort-of survivor's guilt because of the whole "leaving your family" thing instead of "Ama give u tiger hair so you never forget how you left your family >:(" -She meets the brotherhood through their lil' rebellion -Healing powers would probably be toned down a bit so there's still some risk
So ya-
Again thank you SO much for the question and thank you for coming to my Ted talk
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ask-queen-arti · 7 months
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"Damage Control" [ part 1 / part 2 / part 3 / part 4 ]
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(OOC: she is back! sorry for the inactivity, and thank you for being patient)
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demaparbat-hp · 28 days
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Almost
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lunacias · 3 months
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these are the silt verses, and I name our disciples thus
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graveyardgremlins · 3 months
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WIP:
“You have a bat themed computer?! This is somehow worse than my dad naming everything after our family.” “Wait, does he actually do that?” “Yeah, dude. We have the Fenton Bazooka, the Fenton Boo-merang, the Fenton Family Ghost Assault Vehicle, the Fenton Phones, Fenton Rocket, Fenton Skateboard…” “Wait, wait. You own an assault vehicle? A rocket?” “What? You're saying it as if you don't.” “Yeah, but my… He is Batman. Not exactly the poster boy for sanity, you know?” “Well, look at the bright side! You don't have to feel awkward about it anymore. If anyone gets it, it's me.” Jason smiled, a bit dizzy, and guided him. Jason had never brought anyone to the cave before. It felt oddly heavy in his chest. He had to resist the urge to keep turning around to check on Danny. He felt a bit like Orpheus in a way.
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limeshade · 13 days
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What’s the matter with them? Why are they acting that way? Why, don’t you know? They’re “twitterpated.” Twitterpated? Yes. Nearly everybody gets twitterpated in the springtime. For example—
BAMBI (1942) Directed by David D. Hand et al. Written by Perce Pearce, Larry Morey et al.
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nyerusnova · 10 months
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Glad to see that Tim being a giant Dick Grayson fanboy is finally being highlighted again, and sparking more discussion especially on their early relationship! (Please gimme more!!! I love them so much, augh!)
Probably as a result of that surge, there seems to be reciprocal chatter on the topic of how young Tim actually felt towards Jason, too. It's honestly pretty interesting, because it's more nuanced than it appears at first glance.
Which means it's very fun to dissect! ✨
There's a degree of subjectivity to keep in mind, because readers are going to have different interpretations of the same scenes, or will pull from entirely different scenes than one another to form their individual view on this topic. That's just how it is in comic book fandom, for many things! Regardless, in this case... if the scale ranges from the extreme of "Jason was Tim's Robin" to the other extreme of "Tim actually hated Jason [as Robin] or thought he was a loser that got himself killed" — the actual truth is closer to the middle, as is often the case.
At least, in my opinion.
Mainly I want to focus on those relatively early days with this post, to highlight Tim's initial(-ish) feelings towards his heroes, and touch on the point at which they really begin to change. This turned into a very long post, though. Brevity is beyond my skill, so grab snacks and water lol. Transcripts for each image will be posted at the very end under the cut.
So, the two storylines I want to cover are "Rite of Passage," which is rolls into "Identity Crisis." (NOT to be confused with the major crossover event "Identity Crisis™" which came years later, and is where Jack Drake dies.... But it sure is an interesting coincidence that Tim deals with the loss of each parent in two similarly named stories!) These take place before Tim is even Robin, and I'll be considering them as one arc for this post.
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Detective Comics vol. 1 #618 (July, 1990) -- Pages 1 & 2
"When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero."
"One day, I'll be as good as Jason. One day I'll wear the suit."
To start off, we have this opening from "Rite of Passage." Tim is still in training here, mainly helping Bruce with minor stuff from the cave. His parents are off traveling, alive and well as of these next few pages. He's still bright-eyed and full of wonder. An extraordinarily weird but ultimately innocent kid.
So his view on Jason is positive and fairly simple: a hero, and someone to look up to as Robin. Clearly, Tim here doesn't think Jason was deficient in his role, either as a protector of Gotham or as Batman's trusted partner.
Moreover, Tim already held Dick in very high regard because he was amazingly skilled before he became Robin. To Tim, that's not something he'll ever be able to achieve. Meanwhile, Jason wasn't like that. He was a regular kid without crazy acrobatic training since practically birth. Yet he still went on to be a hero—which is obviously motivational for Tim who finds himself in similar shoes.
It's true that Tim only ever knew or thought of Jason as Robin, and idolized him in that regard. But that's kind of all that mattered to him at that point, because he was this kid who was utterly star-struck by his heroes. Even if he's technically aware of their shortcomings as people, it's overshadowed by the hero-worship.
It was kind of the same with Bruce as Batman at first. (Which was still enough for Tim to risk life and limb to help his beloved hero, before Bruce even knew his name.) Dick was the only one Tim had any sort of "personal" relationship with beforehand, so there is an extra level of attachment—and hence why it was the nidus for his obsession with Batman. Yet even then, it wasn't like he actually knew anything about Dick as a person until later. Until then, Tim's ideas of him were all he had, too. With Jason, Tim just didn't get to know him at any point before his return (oof), apart from what he heard over the years secondhand (also oof).
Ultimately, it's the loss of innocence—along with the ricocheting bullet that is the unresolved guilt of those around him—that begins to change Tim's perception. Not just of Jason, but of things in general.
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Batman vol. 1 #455 (Oct., 1990) -- Page 13
"I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry, they're full of rage. They want to hit back."
Losing his mother was a major shift for Tim, obviously. This is right after the previous storyline, and Tim's had the worst week or two of his life (so far). His monologue here is a reference to what happened to both Dick and Jason. The unbearable pain of loss, the rage masking the grief underneath. And importantly, that he feels both of them were justified in their anger. (And Bruce too, indirectly.)
The major theme of the aptly named "Identity Crisis" is to mirror aspects of Dick and Jason and Tim's lives—to show how they converged onto the same tragic road. It's something that Tim notices early in the story, and was frightened by. Now, horrifically, it's become a part of him as well. His parents are gone, and he was entirely helpless to do anything about it. Dick was the same way, Jason was the same way. The cycle is repeated.
In particular, the part about him wanting to go to Haiti for revenge—for his mother—sort of struck me as being an intentional parallel to Jason and Ethiopia. It's a bit of a stretch, especially in isolation, so others may see it differently (e.g. the angry ramblings of a grieving child that does sound like something anyone might say). But it always stuck out to me because of how much Tim is compared directly to Jason in this arc. More on that below.
It's not something I can really give an accurate feel of because it's a lot of subtle things that begin to add up, so I'd encourage folks to read this arc themselves to see what I mean. (Or maybe you'll still disagree which is fine too lol.) Again, many things are in reference to both Dick and Jason in relation to Tim, but it's weighted more on Jason's side.
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Batman vol. 1 #455 (Oct., 1990) -- Page 18
"You think my anger will boil over, the way Jason's did. I can assure you, it won't!"
Tim's grief has begun to pull away the veil of idealism that enshrouded his heroes in his mind. It doesn't apply only to Jason, but to the rest of them. Plus add the fact that Tim's keenly aware that he's being managed, even if the adults around him are careful to not outright say certain things. He still knows.
Bruce, Dick, and Alfred are all worried about Tim potentially turning into "another Jason." They (and mainly Bruce) caution Tim to not ignore his emotions, but they're still concerned that he may be overly eager to prove himself in order to cope, and could get hurt or killed as a result. While they aren't wrong for their caution—especially at how unsettlingly similar all the circumstances are—they aren't very subtle about the elephant in the room.
Imagine how that would affect Tim's perception of his predecessor, especially when he's in the midst of a traumatic event he hasn't had time to fully process. The negative association is pretty much inevitable.
Tim's known from day one that he's walking in Jason's shadow, and now it's become inescapable. Tim went from seeing Jason as a goal to reach, to feeling that unless he surpasses him, he wasn't going to be taken seriously by anyone. However, as of this arc, Tim doesn't even fully come to that point yet.
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Batman vol. 1 #456 (Nov., 1990) -- Pages 14 & 15
"Drop-outs don't make it. And dead heroes are no use to anyone!"
It's really easy to take away "Tim totally thought Jason got himself killed" as the main thing here, but I think that's missing the forest for the trees.
First some context: Bruce has gone out on a mission to get Scarecrow, and expressly forbade Tim from doing any shenanigans. Meanwhile, Tim is grappling with wanting to prove himself and trying to help Bruce from the cave, all while trying to deal with his emotions. At some point, he falls asleep and ends up having like... exhaustion-grief hallucinations of Dick!Robin and Jason!Robin who confusingly caution yet encourage him. The main theme of this part is facing your fears.
Depending on how you want to interpret the intent of Jason's dialogue here, you could go several ways with it. Ranging from "writer's feelings towards Jason" to "a peek into Tim's mind as his fears manifest as visions of his heroes" or some mixture thereof.
Though Tim argues with Bruce that Batman needs a Robin, we're shown that Tim is understandably scared of joining Batman's "war." He's still not willing to let Bruce go it alone, though, and that's something he feels more strongly than his fear.
Meanwhile, hallucination!Jason's warnings are a lamentation of what happened to him in a way, but it actually exactly describes Tim's current situation even more so. Unlike Jason, Tim is under-trained, under-experienced, doesn't even have a suit of his own yet. But like Jason, he can't sit by and do nothing while someone he cares about is in danger. Tim knows that if he goes out there, he will probably get himself killed, and it will be his own fault. So he's about to disobey Batman's orders, and fly right into danger. If that got Jason killed, then Tim—who is in a way worse position experience-wise—has every chance of ending up the same.
Like... it's about Jason, but it's also about Tim. It's Tim's worst fears made manifest, via the representation of why he is even here in the first place (Jason's death).
That's my theory anyway, but perhaps this is an overly charitable reading of this scene on my end. (Not that I think that makes me wrong lol.) However given that Grant wrote both parts of this arc, and the beginning of which is especially favorable towards Jason, it certainly is something to ponder. I have a lot of thoughts on it I can't expand on here tbh but perhaps that'll be another post.
Anyway, returning to the point of the similarities vs differences between Tim and Jason: since this is the arc that solidified Tim as the next Robin in comic continuity, it makes sense that the writers really pushed the comparisons between the two of them, specifically. (Even though Dick was pretty similar, as going against Batman's orders is the Robin thing to do, it's not his shoes Tim is directly filling.) So making Tim's "debut" story arc mirror Jason's "swansong" is an obvious narrative choice.
To drive home the parallels, I wanted to include this panel from just a few pages prior to the "daydream":
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Batman vol. 1 #456 (Nov., 1990) -- Page 9
"The suit is magic."
That so distressingly close to Jason's famous "being Robin gives me magic" line (Batman #385, page 6). Given all the previous context, it's hard for me to just dismiss it as pure coincidence. Even if it is, the point still stands. Tim is shown having the some of the same heartbreakingly naive views as Jason once did, right in front of Jason's memorial, just as he's about to go and run off into the night against orders.
I think that speaks for itself. There's a lot to take away from it, if you so choose. Especially given the context of that specific Jason arc.
Alright, back to the main course:
So in the end, Tim actually goes out in civvies and a ski mask because if he fails, then at least he wouldn't bring shame to Robin's legacy™. When he gets fear gassed saving Batman, it's once again both Dick and Jason that he hallucinates encouraging him to push past his fear. (Shout out to the fact that he's literally more afraid of tarnishing the legacy of Batman & Robin than he is of dying.... I'm sure this will not be a recurring thing for him in the future.)
Tim's ideology is shown to be similar to Jason's, and the actions Tim ultimately takes are similar to Jason's... but the outcome is different. And it really isn't just "Tim succeeded where Jason failed." At least, that's not what I took away from this. Rather, Tim had no reason to succeed any more than he had to fail, just that he did. Luck combined with caution because he knew what happened to his predecessor, and the fact that Batman was there to finish the job all made the difference.
You could say (and I know some will) that it's just classic Jason character assassination and the writers trying to implore readers that this new kid is different we promise pls don't hate us look how much better he is! But in this case, that feels like it undermines the whole point of this story. It doesn't fit with what the characters actually say.
Thus, we return to the question of how Tim felt towards his predecessor. And the answer is different from where we started, because Tim is different. Not that different though. Because even though at this point Tim—like all the adults around him—has probably attributed Jason "going off on his own" being what led to his death, Tim still thought of him as a hero to look up to. It's about Robin, first and foremost, yes. But Tim is fully aware of the people who made that suit mean what it does, because it's all intertwined.
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Batman vol. 1 #457 (Dec., 1990) -- Page 20
"I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it."
Even further, Tim thinks of it in terms of Jason having given his life for what he believed in, for the legacy that now falls to Tim. There's a sense of gravitas there. He's afraid of failing both the Robins who came before him.
Ultimately do I think Tim adored and loved Jason on the same level as Dick or something? No. It's not comparable. (Dick was like part of some of Tim's earliest memories and everything! They have a really unique bond ok.) Yet Tim was also far from thinking poorly of Jason so early on. Frankly, it seems that Tim thought of Jason as a noble hero and a cautionary tale. Yes he took risks and sometimes went too far, generally stuff that Tim doesn't want to repeat and all that. At the same time, Tim still saw him as someone whose legacy and memory was worth honoring.
It's complicated, which is why I like it so much—because it feels real. Having conflicting feelings towards someone is... so human. Especially someone you never got to know, yet who plays such an integral role in your life via the shadow of their death. How can you feel anything but complicated towards them?
It has to be said that, yes, Tim's views—even before Jason's return—change over the years. He becomes more jaded as a person and is surrounded by people who are even more jaded than him... and who often mention Jason as the "failed Robin." It's something that's hung over Tim's head all the damn time. The curse of the Robin mantle.
So it shouldn't come as a surprise that Tim's idea of him becomes more akin to "sounds like a skill issue" as the years go by. All bets are off after Jason's return, and the Titans Tower Incident™. At that point it's firmly "I am better than you, loser" lmao.
And... that's all without getting too into things like authorial intent and general "moods" of different DC writers towards Jason at a given point. Or retcons that played a role in his characterization and how other characters talk about him, depending on what "era" you're reading. That's way beyond the scope of this post though!
TLDR; even though young Tim Drake was obsessed with Dick Grayson as Robin, he still looked up to Jason Todd as well. He didn't think of Jason as a cringefail loser until later. :)
(image dialogue transcripts under cut ↓)
Dialogue Transcript for Image 1 (Detective Comics vol. 1 #618 -- Page 1):
Narration box (Tim): When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero.
Dialogue Transcript for Image 2 (Detective Comics vol. 1 #618 -- Page 2):
(Scene continued from previous page)
Narration box: But he was nothing special, really. Just a boy, who was taught--trained--brought to his full potential by someone who knew how. Just a boy... like me. I know I can do it. I know I can. One day I'll be as good as Jason. One day I'll wear the suit. One day I'll be a hero.
Dialogue Transcript for Image 3 (Batman vol. 1 #455 -- Page 13):
Tim: I hate him! I hate him! I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry. Full of rage. They want to hit back. They want to fill the hole that's burning inside them.
Bruce: There's more to it than that, son. Much more.
Tim: I know. It's just--I feel--like going to Haiti myself and strangling that creep with my bare hands!
Bruce: The Obeah Man will spend the rest of his life in a prison hospital. He's history. Forget him! But don't fight against your anger. It's natural. Accept it. Live with it. One day it'll be your friend.
Dialogue Transcript for Image 4 (Batman vol. 1 #455 -- Panels from page 18):
Tim: Because you think my mother's death has upset me too much. Well, it did. But I've taken your words to heart. I can cope. You think my anger will boil over, the way Jason's did. I can assure you, it won't. But that doesn't make any difference, does it? Why can't you have a little faith in me?
Dialogue Transcript for Image 5 (Batman vol. 1 #456 -- Page 14):
Narration box (Tim): Blast it! My head's starting to swim. I'm about ready to give up. I almost wish I'd never heard of Batman and Robin!
Vision Dick: Heroes never give up, Tim.
Vision Jason: You know that.
Tim: Dick--! Jason Todd!
Vision Dick: You're training to fight in a war, Tim. It'll last all your life. No matter what, you have to go on fighting.
Vision Jason: Drop-outs don't make it. And dead heroes are no use to anyone! I thought I knew better than Batman. I thought I could run before I could walk. I killed myself, Tim. Because I couldn't wait. Because I couldn't think it through.
Dialogue Transcript for Image 6 (Batman vol. 1 #456 -- Page 15):
(Scene continued from previous page)
Vision Dick: Think, Tim. Concentrate!
Vision Jason: You can do it.
Both: You can do it!
Tim, waking up: What--? Robin...?
Narration box (Tim): I must have been daydreaming. They're right, though. There's a solution to everything. I can find it! So here I go again... Whim. Caprice. Doing something without forethought.
Dialogue Transcript for Image 7 (Batman vol. 1 #456 -- Panel from page 9):
Narration box (Tim): The suit is magic. It gives you power. It hides your weakness. It makes you give it everything you've got. It makes you a hero. If only I could!
Dialogue Transcript for Image 8 (Batman vol. 1 #457 -- Page 20):
Bruce: Are you afraid of it?
Tim: No. It isn't fear. It's more... the suit carries so much history. I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it. Failing them--what they fought so hard to build--that's what worries me!
Bruce: I appreciate that, Tim. That costume weighs a whole lot more than any symbol should... and I'd be failing you if I expected you to bear that weight. So... let me know what you think.
Narration box: A mask has a double edged, he said. It hides your own anxiety as it strikes fear into your enemy.
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geodenes · 3 months
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lyctorism · 1 year
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going insane thinking about the paralleled relationships of palamedes’ fondness for harrow and camilla’s fondness of gideon. and their respective simularities! harrow being jealous of gideon mooning over dulcinea. camilla being jealous of palamedes being in love with dulcinea since he was 8. camilla being fond of gideon after realizing gideon also has a melodramatic necromancer. palamedes and harrow’s “necromantic pissing contest”. gideon and camilla’s love of swords. palamedes “I'm the greatest necromancer of my generation”, harrow “like hell you are”. palamedes suiciding detonating himself to take out cytherea. gideon suiciding throwing herself on spikes to send harrow full lyctor to take out cytherea. palamedes “i miss harrow terribly” sextus. harrow “i can’t envision a universe without you in it” nonagesimus, camilla “life is too short and love is too long” hect. gideon “you’ll know what to do” nav, palamedes “she knows what to do” sextus. crazy! crazy insane! thinking about them
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overtake · 11 months
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F1 Sim Ultimate Challenge
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tennessoui · 4 months
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so i've been thinking about this premise for so long but it wasn't working for obikin (which of course i took as a challenge) and i think i finally got it where i want it so
au where 35 yo obi-wan is a music sensation across the world but he's recently divorced and going on tour again after releasing a very cutting, personal, and well-received album
and 19 yo anakin joins his tour with his very small band of two other people (ahsoka, padmé) to be his opening act - they have a small but loyal following, a pretty big social media presence, and there are even people who ship anakin and padmé which you know means these are die-hard fans
anakin has definitely looked up to obi-wan and his music for a good portion of his life and he's like. beyond excited that he's going to tour with The Obi-Wan Kenobi - this is big, not just for his music career but also for himself and the little boy he was listening to obi-wan's music for the first time!!
i'm just imagining like....obi-wan and anakin meeting after a few days of rehearsal for opening night, and it's not the most auspicious start because obi-wan's going through like 20 different emotions at any given moment (he's on tour, he's divorced, he's tired, he loves the music, he can't be the person he was in his twenties when he was first on tour but that's a whole different matter, he has all the media training and charismatic instinct to cover up these less than savory emotions with flirtatious empty words) and anakin is just like. sorta starstruck sorta shy sorta eager sorta awkward so:
"i'm uh, i'm a singer it's nice to meet you. hi yeah. hello. i'm on tour. as well. with you. actually." "ah no, are you one of my backing vocal artists? we can't have that - you're much too gorgeous and my ego is much too dependent on the audience focusing on me." "um 😳"
so it's a relationship that begins with a lot of flirting and being flustered and progresses through moments of vulnerability and honest emotion which turns into mutual affection which turns into anakin's celebrity crush becoming very real....meanwhile obi-wan googled anakin and the opening band after the first show/introduction and finds all the stuff about him and padmé being together and that's. that's fine. young love. how sweet. any sort of disappointment obi-wan feels is because he's recently divorced and bitter about it and he's going to have to spend at least half his tour watching the lovebirds snuggling up together.
and even when all the misunderstandings about relationship statuses have been addressed and the pretense has fallen away to leave just attraction, both have to think about their careers - it's all well and good for obi-wan to date someone sixteen years his junior, post divorce, but that's an image he's never wanted to deal with or be associated with. and this is the biggest shot of anakin's career - his best chance to make it in the music industry. in the words of his bandmate, is he really, honestly thinking about risking it for a chance to sleep with The Obi-Wan Kenobi?
but what his bandmate doesn't seem to really understand is that for anakin, obi-wan hasn't been The Obi-Wan Kenobi in a long time. he's just been obi-wan. and that makes a world of difference.
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brekitten · 3 months
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Bruce doesn't dream.
He never has, really - at least, not that he can remember. He never even had nightmares from the night his parents died. Maybe that's why; maybe he just subconsciously trained himself to not dream after that night, in fear of the nightmares that were sure to come. But the point is that he does not dream.
And yet.
The dream always starts out the same, every night, every time he closes his eyes and slips into the embrace of sleep. He's in a pitch-black room, one so dark that he can't see his hands even when he raises them right in front of his face. He knows, somehow, that he can walk for hours without coming into contact with anything - walls, furniture, anything at all to indicate that he was even in a room. Yet he knows that he is, although he's not sure why, as there really is no reason for him to know that.
The dream changes, after a while of walking. He knows that he won't find anything, no matter how far or how long he walks. This place is empty, desolate even. It fills him with dread every time. The change is never consistent, always bringing him to a different place each night.
(Once, it was a dusty old bedroom, one that made his heart ache, although he didn't know why. He had taken notice of the various space-themed decorations, the model rockets and NASA posters and stars on the ceiling. It was clearly a child's bedroom, but it hadn't been used in a long time. Another time, it was a darkened lab, illuminated only by the strange vials of green liquid lined along the many, many shelves. Bruce had wondered, after he had awoken, if it was Lazarus Water, but that felt wrong. It was something else. Something more. It had made him uneasy, and he got the feeling that something terrible had happened there. He didn't get a chance to investigate the gaping hole in the wall before he had been whisked away to another part of the dream.)
This time, he is in a brightly-lit white lab, and he has to blink stars out of his eyes at the abrupt change in lighting and color. He looks around; it seems like a typical lab, but everything is pure white, except for a green stain on the table. He can feel bile rising in his throat at the sight of the cuffs on the table, and though he still doesn't know what the green substance is, he gets the horrible feeling that it's blood. A lot of it.
He uses what little time he has to investigate the lab. There is an abundance of medical supplies, but many look unused, with the exception of the scalpels. The pit in his stomach continues to grow. Why were there so many? He reaches toward a vial of red liquid, wrong wrong wrong this is wrong, when the dream changes again.
Now he's in what is clearly a cell, except even the cells in Arkham aren't this bare. The only thing it contains is a familiar white-haired teenager, who is chained to the floor with cuffs that glow the same green as the vials of Lazarus Water that he's seen before.
Though Bruce has never learned his name, he has been in every dream, the one constant (besides the empty room, of course) in each one. The kid has never spoken, never done more than watch, but Bruce has always gotten the feeling that he was the reason for these strange dreams.
He knows that he should be more worried. If some kind of meta has managed to get inside his head, there's no telling what could happen. But he can't bring himself to be. Something is wrong, and it's not the teenager.
He can't help but think of his own children.
Something feels . . . off this time. The kid isn't looking up, isn't even moving - he seems limp, almost, as he kneels on the ground, weighed down by the chains keeping him there. Green blood - Bruce knows it's blood now, it has to be - drips from his still figure, pooling on the ground underneath him.
Bruce can't move. He desperately wants to, what could he even do? but it's like he's frozen in place. He can only watch as the teenager slowly, agonizingly, looks up at him, his bright green eyes dull and filled with fear and desperation and hope and -
Bruce wakes.
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stressfulsloth · 10 months
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Thinking about Disco Elysium and stars. Something about communal experience and simultaneous isolation, hope and idealism, fear and beauty and terror and burning. The inherent horror in the vast romantic starscape of the sky, the melancholy and loneliness inherent in the untold distance, a communal experience of something too enormous to fathom. Stars bear witness to humanity, to the millions of tiny people crawling on the face of Elysium. They watch the people, and the people watch back, and make up stories about the stars. Stars symbolise love, hope, something unreachable and unattainable.
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The way that the light of the stars reaches every single being in Elysium, from human to phasmid, but no matter how far it reaches it is still a cold and distant glow, always on the verge of going out. A moral brilliance, a holy light to strive towards, something always at risk of burning out, but there's a dichotomy too. A duality between the stars as brutal unfeeling observers, moralists even, like the aerostatics flying overhead, tiny dying lights that watch impassively over every terrible thing in the world, and the flipside; stars as the burning kernels of hope, furious burning flames that parallel Harry and his golden-orange forest fire nature. Stars as the light of communism, the star-and-antlers. They're hope and dreams- a million years in the stars. Rockstars and superstars. The light of a brighter future (however short-term that future might be) coming towards them at the end of the tunnel. It makes me think of Sacred and Terrible Air and the light pollution in Vassa- ending light pollution as the world ends. "You may laugh at this, but in the evening, when the big world in the distance swells into a bloody maelstrom, families come out into the street in Vaasa and are insignificant together. Only distant explosions disturb the deep peace of the winter night, its flawless starry sky. Everyone watches, heads tilted back." The stars are a shared experience. Something that everyone watches, insignificant together, when there's nothing more that can be done. Light in the face of darkness, community in the face of inevitability. Togetherness. The stars are there in the church with the ravers. They're there watching Harry and Kim together. Insignificant together. In dark times, should the stars also go out?
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wikiangela · 1 month
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tease tidbit tuesday
tagged by @bidisasterevankinard @tizniz 💖
more bucktommy the will talk (they're getting there, the conversation went a bit off track lol) - it might be done this week, and then I can focus on the smut, and the buddie fics, and I have a new bucktommy idea inspired by that video of lou barbecuing with his shirt off that I sooo wanna write🙈
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“Well, yeah, of course.” Buck answers easily, his heartbeat speeding up. He’s a little anxious about putting too much pressure, too many expectations out there, but he also knows that even if he did, they’d get back on track, they’d be fine. And besides, Tommy’s smiling, he doesn’t seem freaked out at all. And that’s after Buck brought up children. But if they’re moving forward with their relationship, they need to know what they want out of life. It seems reasonable to have this conversation this early on.
“Good.” he responds, grinning widely. “Now I won't have to stress about your answer when I ask.” he adds, and Buck feels himself blush, butterflies in his stomach going wild. Oh. Oh. This is- this is real. They’re talking about it, and maybe someday soon- he might marry this man. He will marry this man. Tommy wants him forever. Tommy wants him. Tommy wants to marry him and have children with him, and just be with him. Sometimes it’s still so shocking to Buck that someone as great and amazing as Tommy wants him, but he does. Buck’s not sure he remembers the last time he felt this wanted.
“How- how do you know I won’t ask first?” Buck asks, moving his head slightly closer to Tommy, just enough to look into his beautiful blue eyes. It feels surreal, talking about this, when they only dated for a few months, but it also feels… right. It feels like they’re on the right track to get there one day.
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no pressure tags: @elvensorceress @thebravebitch @shortsighted-owl @eddiebabygirldiaz @watchyourbuck @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @weewootruck @loveyouanyway @spagheddiediaz @rainbow-nerdss @epicbuddieficrecs @pirrusstuff @spotsandsocks @alliaskisthepossibilityoflove @nmcggg @rogerzsteven @hippolotamus @giddyupbuck @sunshinediaz @honestlydarkprincess @underwaterninja13 @exhuastedpigeon @911-on-abc @jesuisici33 @steadfastsaturnsrings @buddieswhvre @fortheloveofbuddie @your-catfish-friend @theotherbuckley @daffi-990 @dangerpronebuddie @hoodie-buck @aroeddiediaz @diazsdimples
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cc1010fox · 5 months
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Episode One Cody, while dragging Rex into Fox's office: Come on! I have to watch the next episode! Rex: Episode of what? Fox, after nodding at Thire: I noticed your attitude today. Thire: Oh, you noticed me? Fox: I always notice you. Rex: What is happening? Cody: Shhh. It's getting good. Thire: You don't notice when I stick up for you. Fox: You enable me. Thire: I accept you. Rex: There is literally nothing anyone should accept about Fox. Cody: Shhh! Fox: That's the difference between you and Thorn. You're willing to settle for me, but Thorn challenges me to be a better man. Rex: Thorn? Cody, whispering: Oh! You didn't see the last episode. Fox revealed he was seeing Thorn, but Thire is clearly in love with Fox. Rex, now whispering: Wait, what? But Thire is supposed to be smart! Cody: The heart wants what the heart wants. Thire, moving to sit on the edge of Fox's desk: You don't need to be a better man, Fox. The fact that you want to be a better man shows that you're already better than you believe you are. Rex: Oh, that's deep. Cody: Shhh! Rex: They're literally pausing for our comment-- Fox: I wish I could believe that... Rex: I stand corrected. Thire: I wish you could too...Ever since you kicked me out of your room to move Thorn in-- Cody, gasping: WHAT!? Thire: --your confidence has been spiraling. Rex: Pretty sure that's Coruscant's fault. Cody, nodding: Yeah. Fox: That's not true... Thire: You don't feel worthy of him. Fox: I know I'm not worthy of him... Cody: You're worthy of Thire! Rex: Who says he's not worthy? Does Thorn say he's not? Thire: You are worthy, Fox...You're also going to be late if you don't get your shebs up. Fox, scrambling to his feet: Oh kriff! Rex: Wait! What about this whole love triangle situation? Thire: Find out next time-- Cody: AH, I'M GOING TO RIP MY HAIR OUT! THESE EPISODES ARE TOO SHORT! Rex: WHY DID YOU HAVE TO INVOLVE ME!? NOW I'M CONFUSED AND FRUSTRATED!
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sysig · 22 days
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An eye for a life, unquestionably worth it (Patreon)
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