Rookie-Critic's Halloween Horror-thon: Part 2 - #6-10
#6: Doctor Sleep: The Director's Cut (2019, dir. Mike Flanagan)
I have, of course, seen Doctor Sleep before, but I am not labeling this as a re-watch because the Director's Cut of this film, while not really that different from a plotting/through line perspective, is a wholly unique experience to the theatrical version of the film from a character perspective. This version of the movie gives you much more context around the its antagonists, The True Knot, and it's secondary protagonist, Abra Stone, that those major story beats existing in both versions hit with much more impact in the director's cut. It bumped this particular work of Flanagan's up in my ranking of his stuff all the way to third behind Hill House and, now, Usher.
Score: 9/10
Not currently available on streaming.
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#7: Gemini (1999, dir. Shinya Tsukamoto)
This one surprised me by not being the kind of film I was anticipating it to be (this happened a handful of times this month). Gemini is the story of three characters plagued by their circumstances/upbringings, and a look at classism and people's desire to give and receive love, shot and told in a frenetic, gonzo style that only Japanese cult-director Shinya Tsukamoto can make work. Tear down the walls of your expectations for this one, it's a great watch.
Score: 8/10
Not currently available on streaming.
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#8: Nightmare Detective 2 (2008, dir. Shinya Tsukamoto)
The sequel to Tsukamoto's lukewarmly received 2006 film Nightmare Detective (which you will see further down on this list), this one makes the original look like a litmus test for the concept. A much more restrained and patient film compared to just about all of Tsukamoto's prior efforts, Nightmare Detective 2 sits in the corner, quietly analyzing its core cast in a story about misfits and generational trauma. Really, a lot of the themes and ideas presented here would be honed in on and presented again, albeit from a different viewpoint, in Kotoko. This one really feels like a turning point for Tsukamoto in terms of tone and approach. Not to say that his earlier, more frantic films aren't sometimes just as good, it's just the mark of a talent that's willing to evolve.
Score: 8/10
Not currently available on streaming (this film has actually never seen any kind of official release in the States at all, so unless you're willing to do a little swashbuckling, this one's out of your reach).
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#9: The Bird with the Crystal Plumage (1970, dir. Dario Argento)
Horror icon Dario Argento's (Suspiria, Deep Red) debut feature is an unrivaled "whodunit" mystery thriller with that hallmark giallo flair that Argento would become known for. There isn't a whole lot to say about this one other than this was one of the most singularly entertaining of my October viewings, and that I highly recommend it for just about anyone.
Score: 8/10
Currently streaming on Amazon Prime Video.
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#10: Noroi: The Curse (2005, dir. Koji Shiraishi)
This is the best Japanese found footage horror has to offer. Noroi is told in a documentary style, acting as the discovered footage of the final film made by a supernatural investigator that has disappeared without a trace. This was my final watch of the Horror-thon and I couldn't think of a better way to send off the spooky month, because this was one of, if not the scariest watch of the entire month. It had me wanting to turn the lights on and sleep with one eye open, and certain images from the film's final moments will be burned into my retinas until I die. If I had any complaints, it's that I honestly could have used even more, although I guess an argument could be made that that's actually one of the film's good qualities.
Score: 8/10
Currently streaming on AMC+/Shudder.
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like honestly just give your non binary characters traditionally "gendered" features. just do it. it's not like being androgynous ever stopped non binary characters from being misgendered.
frisk undertale and kris deltarune were androgynous and are only ever referred to by "they/them" and ppl are still arguing over how the "main character is not the player but their own person" message didn't apply to their genders bc they refuse to wrap their head around different pronouns. raine owlhouse was paraded around as "disney's first ever nb representation" by everyone and their mother but bc they have short hair other countries dub them as male. this also happens to most anime nb characters bc of how japanese pronouns work. halara raincode literally has the color scheme of the non binary flag AND their in-game profile says that they, and i quote "have no specified gender" AND several characters remark on it in the actual game but bc theyre voiced by a female voice actor ppl still call them a woman.
like literally at this point just give your nb characters huge tits and a massive beard. if ppl refuse to accept the existence of non binary characters in media, then there is no way to make a character non binary "enough" to convince them otherwise. no matter how much you hammer in their androgyny in an attempt to detach them from "male" and "female," there will be people determined to assign gender roles to any trait you give your character.
creators being hesitant to give their non binary characters traits that could be associated with a binary gender is why every goddamn genderqueer character that the creator wants you to take seriously in popular media has shoulder length hair and a board-flat figure and a perfectly neutrally pitched voice. like. just do what you want at this point. the character is non binary because your story said so and people who misgender them would have done that no matter how androgynous they look.
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General shoutout to Bryce Charles for being The Absolute Coolest™ in all her Starkid roles.
Her characters are all so unique and she has such an insane range of styles, plus her voice is CRAZY good.
So underrated, let's show her some love
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