#Philip Anglim

[filmjunky-99]

s t a r t r e k d e e p s p a c e n i n e created by rick berman, michael piller [fascination, s3ep10] 'Opening Ceremony of the Bajoran Gratitude Festival'

#star trek #star trek deep space nine #deep space nine #rick berman #Michael Piller #ds9 season 3 #deep space nine season 3 #ds9 fascination #fascination #lot: st ds9 season 3 ep 10/26 (ep 56/176 #nana visitor #rene auberjonois #majel barrett #Philip Anglim #Kira Nerys #Odo #Lwaxana Troi #Vedek Bareil #Opening Ceremony of the Bajoran Gratitude Festival

[data2364]

Avery Brooks as Commander Benjamin Sisko 1993 in Star Trek: Deep Space Nine ”In the Hands of the Prophets“

http://memory-alpha.wikia.com/wiki/In_the_Hands_of_the_Prophets

#Star Trek #Star Trek DS9 #Avery Brooks #Benjamin Sisko #Rosalind Chao #Keiko O’Brien #Louise Fletcher #Winn Adami #Philip Anglim #Bareil Antos #In the Hands of the Prophets #Blasphemie

[thoughts-i-have-had-in-passing]

DS9 trivia/quotes from my DS9 Companion, Part XIV:

The Circle

‘The Circle’ was the second episode in a three episode arc, and the first multi-episode arc Deep Space Nine ever produced. Multi-episode arc would become something of Deep Space Nine’s signature move as the years went on, and it was here that the waters were tested and the early foundations were laid.

‘The Circle’ was written by Peter Allan Fields, who said that he enjoyed participating in the endeavour, but that it wasn’t easy. “We wrote them all at once. So whatever Ira put in his episode, I would have to justify. I couldn’t write an episode that was in diametric opposition to his.” – Peter Allan Fields

Nevertheless, Part 2 of the trilogy was a strong episode. “Part 2 was the good stuff, the political stuff that takes in a lot of levels, a lot of character.” – Ira Steven Behr, writer of the previous episode ‘The Homecoming’

One thing that didn’t quite work as well as they hoped however was the character of Li Nalas. “He did get a little lost in parts 2 and 3. Maybe if there had been one guiding hand through all three shows, his story would have paid off as well as I’d hoped [in providing the initial setup].” – Ira Steven Behr

‘The Circle’ included a favourite scene of both the director, Corey Allen, and of fans, and that is the opening section of Act 1 where Kira is packing to leave the station, having lost her job to Li Nalas. “[The scene] had all the cast coming by to say good-bye to Kira, with Philip Anglim coming in as the [visual] punchline.” – Corey Allen

Allen stayed up until 1:00am the night before the scene was to be shot, prepping. “In the morning, we got the cast together while Marvin Rush was lighting the set and gave Marvin a run-through to let him see what the moves were. Then they went off and rehearsed it like the stage people that most of them are. I watched these marvelous actors take that thing and mold it into a scene with flashing hues and wonderful blocking, enjoying themselves and each other. Then we had one run-through on the lit set and filmed the whole thing in one take!” – Corey Allen

That one take did not make it to screen, unfortunately, because in television close ups are king, however Allen did ask for – and received – a copy of the single take for himself, and presumably still has it somewhere. (note from the blogger: It is still illegal to rob peoples’ houses, I checked.)

The other sequence that didn’t make it to air without getting a rather significant cut in it was the dream that Kira has in which she almost kisses Bareil. A kiss was filmed, and it was “a very hot and heavy kiss that was pretty torrid.” – Peter Allan Fields

However the producers wanted to maintain a bit of mystery as to the direction of Kira and Bareil’s relationship, and so had the kiss cut from the final episode.

The original concept for Bareil as thought of by Robert Hewitt Wolfe was that of a wise old man, but Michael Piller instead thought he should be “young and vigorous”.

The look of Bajoran casual wear also changed in this episode. Costume designer, Robert Blackman kept the colour palette but changed the texture of the clothes to be less ‘flat-finished’ and have greater texture, a change that was also reflected in the Promenade set. “It became more bazaar-like, with banners and more neon. It had been too utilitarian, too perfect.” – Robert Blackman

The hardest scene to film was one in which Odo morphs from a label on a cargo container to that of a rat. Lighting that was too different between the set and the green screen, footage that didn’t match up between the effects and the takes, and the most difficult of all: working with a rat.

“You have to get it on the first or second take. Because by the third, the rat is no longer hungry for peanut butter, and you can’t make it do anything.” – Glenn Neufield, Visual Effects Supervisor

#ds9 #DS9 Companion #The Circle #Bajor #Kira Nerys #Nana Visitor #Season two #the rat won't go #young and vigorous Bareil #yes really

[abriefingwithmichael]

“Star Trek: Deep Space Nine” s6e8 (1997)

Resurrection, written by Michael Taylor.

A complex and thoughtful sci-fi love story. Religious beliefs play a big part in the relationship, and add a lot to the proceedings. Making the story feel fresher than it actually is.

Philip Anglim and Nana Visitor, in particular, are great.

The big twist at the midpoint feels almost unnecessary. Luckily, it doesn't overwhelm the key character arc. We're really invested in this guy's journey; we really care about which path he will choose. A credit to the writing/acting. And the directing by LeVar Burton.

Fantastic use of Quark in this script. And Worf - written/played as a loveable grump - is hilarious.

10/10

#Star Trek: Deep Space Nine

[spockvarietyhour]

Of course Philip Anglim, Vedek Bareil on DS9, is playing a priest in Testament.

#Testament #Testament 1983 #Philip Anglim #I hope by the end of this movie he turns into the mad max version of Mirror Bareil #Danny watches Testament

[dilfgarak]

#star trek #Deep Space 9 #ds9 #kira nerys #vedek bareil antos #nana visitor #Philip Anglim

[clemsfilmdiary]

Haunted Summer (1988, Ivan Passer)

5/25/19

#80s #Haunted Summer #Laura Dern #Philip Anglim #Alice Krige #Eric Stoltz #Alex Winter #Peter Berling #drama #writers #poets #poetry #gothic #literary #Lord Byron #Percy Shelley #Mary Shelley #drugs #mind games #summer #opium #gay #bisexual #love triangle #vacation #lake #intellectuals #book adaptation #true story #19th Century

[gulducock]

Kiss kin kill my favorite star trek butch lesbians :) Tasha Yar, Kira Nerys, Ro Laren

AHHHH AH..... kin kira nerys because she gives me so much gender envy even though i want to look like philip anglim kiss.... kiss.k.ssoh god kiss ro laren because i love her sooooo much dear tasha yar you have my most sincere condolences

#ask #illogicallesbian

[raovantika]

🤔 thinking about the sect of philip anglim stans in the 90s who went hard as hell for vedek bareil of ALL the characters on ds9 and basically rioted when he died. imagine being one of them. ppl* will really lose their minds over any sort of ok looking white dude even if his character has the personality of a wet sandwich

*i am not exempt from ppl, to be absolutely clear

#lmao i do like vedek bareil for some reason but mostly just the idea of him and not what we got on the show #and he dies in a pretty rough way to be fair

[filmjunky-99]

h a p p y b i r t h d a y

Philip Anglim

11 February 1952

🎈🎈🎈

(Pic. Anglim as Vedek Bareil, DS9)

#happy birthday #actor #Philip Anglim #born on this day #star trek #star trek deep space nine #deep space nine #Rick Berman #Michael Piller #star trek characters #ds9 character #Vedek Bareil

[data2364]

via Trekcore.com

Philip Anglim (Vedek Bareil Antos) 1993 in Star Trek: Deep Space Nine "In the Hands of the Prophets“

https://data2364.wordpress.com/2020/12/29/daily-star-trek-29-dezember-2020/

#Star Trek #Star Trek DS9 #Philip Anglim #Bareil Antos #In the Hands of the Prophets #Blasphemie

[thoughts-i-have-had-in-passing]

DS9 trivia/quotes from my DS9 Companion, Part XXI:

In The Hands of the Prophets

Philip Anglim, who played Vedek Bareil, originated the role of Elephant Man on Broadway. There, that is a fact you now know.

The fact that Duet turned out to be such a good episode caused the writers no small amount of grief when writing ‘In The Hands of the Prophets’, because they weren’t sure if they could live up to the high standard they just set (personal opinion, they did not, but the episode was still good).

“All through ‘Hands,’ Michael Piller kept saying ‘It isn’t good enough. It’s got to be as good as ‘Duet’. We’ve got to find more levels.’ It was a challenge, and I think it is a terrific show. It gave us even more grist for the mill than ‘Duet’ did, and together they provided a great one-two punch to the end of the first season.” – Ira Steven Behr

“I have no argument with someone having a fundamentalist belief in Christianity or Islam or Judaism or Buddhism or anything else, but I do have a serious objection to people trying to impose their values on other people. And that’s what this episode is about.[…] That’s one of the beautiful things about Gene Roddenberry’s vision of IDIC (Infinite Diversity in Infinite Combinations), and that was one of the things we really wanted to hammer home here. Sisko does everything he can not to impose his values on the Bajorans, but Vedek Winn is determined to impose her values on everyone.” – Robert Hewitt Wolfe

The Bajoran religious system was based on the Catholic system of the fifteenth / sixteenth centuries, in that “the pope held much more of a political office than now, […] every other powerful family in southern Europe was fighting to get their guy to be pope.”

“It was the last episode of the season, so we gave it a bigger budget, allowing David [Livingston, the director] to be able to use more extras.” – Robert Hewitt Wolfe

This also allowed a location shoot for the Bareil’s sanctuary, which was shot at Fern Dell in Hollywood’s Griffith Park.

“Marvin Rush did a beautiful job of photographing it, and we added atmosphere and smoke to give it an ethereal quality.” – David Livingston

This episode also included the explosion of Keiko’s school. A practical effect that was difficult to set up. “We had to drywall the entire schoolroom, which has all these weird little corners that we had to fireproof. And then Odo and O’Brien come running in right after it blows up. It was already burning, and we had to do a big fireball explosion. We did that in full scale. That surprised them.” – Gary Monak, physical special effects

“On Star Trek, they’re used to doing a lot of effects optically, and we’re used to doing them live on camera. We’ll be lighting a fire, and they’re going ‘What are you doing? We don’t do those. Is it safe?’” – Gary Monak

This is the episode in which the jumja stick got its name, curtesy of Robert Hewitt Wolfe. It had previously been referred to behind the scenes as ‘glop-on-a-stick’. ‘Yum Yum’ and Jum Jum’ were both contenders, but jumja won after much deliberation.

The resemblance of Vedek Winn’s hat to the Sydney Opera House in Australia may be deliberate, or may be a total coincidence. Costume designer, Robert Blackman, responded to the question of whether it was intentional, subconscious or coincidence with “Yes – to all of those.”

#DS9 #DS9 Companion #In The Hands of the Prophets #Vedek Bareil #Vedek Winn #Miles O'Brien #Keiko O'Brien #Season One Final

[theelephantmandramaturgy]

Production Histories

The Elephant Man ran for a total of 916 performances. It opened in the Booth Theatre in Broadway April 19th of 1979 and closed on June 28th, 1981.

Many actors have had the opportunity to portray the role of “John” Merrick.

The first actor to portray this roled was Philip Anglim, who was recognized for his outstanding job as The Elephant Man. Later after he finished the play, it is known that Anglim had to consult an orthopedic surgeon, due to the body movements and body manipulation he had to endure playing this character. 

Later David Bowie, better known for being a Pop Singer, took the role of “John” Merrick in 1980. He joined the original cast and was able to revive the Box office. According to multiple critics, he created a unique portrayal of this character with his image and acting choices.

After Bowie, Mark Hamill took the role, but unfortunately failed, and three weeks after opening the show closed. There is no information about the critics regarding Hamill’s performance, but it is known that Broadway was incorporating Star Wars into their advertisements to bring an audience, but failed. 

There was a Broadway revival in 2002 with the actor Billy Crudup. It is believed that it was Pomerance’s favorite portrayal of “John” Merrick. According to the critics Crudup was able to bring some gentleness into this character with the way his both and voice and body expressed and blended together. The production only lasted around two months. 

In 2014, the play opened again, but this time with Bradley Cooper playing the leading role. According to Playbill, it has been the one with the most hits, and tickets are always sold out.  

The Elephant Man movie came out in 1980, and the character of John Merrick was played by John Hurt an English Actor. 

Information Sources:

Broadway Database

https://www.ibdb.com/broadway-production/the-elephant-man-3938/#awards

The New York Times

https://www.nytimes.com/2017/08/29/theater/bernard-pomerance-dead-wrote-the-elephant-man.html

PLAYBILL:

http://www.playbill.com/article/david-bowie-mark-hamill-billy-crudup-and-bradley-cooper-a-look-at-the-elephant-man-stars-throughout-the-years-com-335898

[pwlanier]

LUIS CRUZ AZACETA (AMERICAN, BORN CUBA, 1942)

The Soldier: Memorial Day, 1986

Oil on canvas, 90 1/2 in. x 74 in. (229.87 cm x 187.96 cm), Crocker Art Museum, gift of Philip Anglim, 1991.31

[dilfgarak]

#star trek #Deep Space 9 #ds9 #kai winn adami #vedek bareil antos #louise fletcher #Philip Anglim

[resqspc]

Star Trek: Deep Space Nine (Unofficial Blu-Ray Teaser) Season 2 from Niners on Vimeo.

UPDATED VERSION We added some original dialogue from the Episodes „In The Hands Of The Prophets“ and "The Circle" to fully delve into the experience. Enjoy!

This is our teaser for Season 2 of "Star Trek: Deep Space Nine". Bajor is on the brink of a civil war. A xenophobic extremist faction of Bajorans wants to seize power. Connected well and armed to the teeth, the Circle clashes with the Bajoran military.

Watching "Star Trek: The Next Generation" on Blu-Ray we developed the idea to create some (non-profit) teasers featuring animated interface designs from our favorite Star Trek show "Deep Space Nine" in the hope that CBS will give it the same HD treatment.

We are David Frank and Christian Lerch and this is a fun project we do in our spare time. We are Motion Designers, Star Trek Fans and Sci-Fi nerds.

We want to thank RENÈ ECHEVARRIA, COREY ALLEN, PETER ALLAN FIELDS, WINRICH KOLBE, IRA STEVEN BEHR, MICHAEL PILLER, ROBERT HEWITT WOLFE, DAVID LIVINGSTON, GARY HUTZEL, DENISE OKUDA, MICHAEL OKUDA, DOUG DREXLER, ANTHONY FREDRICKSON, HERMAN ZIMMERMAN, RICK STERNBACH, JOHN EAVES, RICK BERMAN, RONALD D. MOORE, GENE RODDENBERRY and all the people who worked on "Star Trek: Deep Space Nine" who inspired us to create this teaser.

Quotes from "In the Hands of the Prophets" written by Robert Hewitt Wolfe and "The Circle" written by Peter Allan Fields. With the voices of Louise Fletcher, Avery Brooks, Stephen Macht, Philip Anglim.

This is an unofficial and non-profit teaser. It does not in any way, shape, or form affiliate to Paramount Television, CBS Television, Viacom or their subsidiaries. It is not sponsored or affiliated with CBS Studios Inc. or the Star Trek franchise. All Trademarks and copyrights belong to their respective owners. All STAR TREK trademarks and logos are owned by CBS Studios Inc.

Music from STAR TREK: DEEP SPACE NINE COLLECTION - THE ORIGINAL TELEVISION SOUNDTRACK, THE ASCENT - Music by David Bell, IN THE HANDS OF THE PROPHETS, THE HOMECOMING, THE DIE IS CAST - Music by Dennis McCarthy