#Relevant info for later stuff

[lustrous-dawn]

“My life was like this game here,” Zhen murmured. He sat, legs crossed in front of the oval table. A hand was calmly placed over a brown dice cup. His lips kicked up into a playful smile as he reminisced over an age long gone. Yet the smile didn’t touch his eyes, his golden gaze lost. 

“I betted as if my life depended on it, Gin.” He addressed the man sitting in likeness across from him. He grasped ahold of the cup, vigorously shaking its contents before he rattled the cup across the surface of the table. The sounds of the dice were all that could be heard in the room. Loud and crisp. After a moment, the cup came to a sudden halt, a stillness to the air. “Even or odd, friend?” 

Ginjiro seemed to think long and hard about his answer. “Even.”

“Funny you would say that,” Zhen chuckled to himself. “I would always place an even bet when sitting at the table. My birthday landed on an even day, I would always use it.” He lifted up the cup, his smile lifting further. “Even. Nice call,” he commended him. 

“Zhen…” Ginjiro frowned. “You don’t have to talk about it if it affects you.” 

“You see, Gin. I’m tired of bottling all of this up. I have to talk about it. If I don’t, it’ll be as if I didn’t exist.”

“You sit here across from me now,” Ginjiro replied calmly. “You exist here. Now.”

Zhen clenched his teeth, his jaw protesting. His hand threatened to crush the cup in his hold. “I can’t stand it. How can you remain so calm?!” Like the waters he often saw. Tranquil and clear. It frustrated him. “Don’t feel sorry for me. I can see it,” he spat, seeing the sympathy in Ginjiro’s eyes. 

Crushing the cup in his hands, he discarded it recklessly. “I can’t stand this…,” he exhaled sharply, pinching the bridge of his nose. This sensation of emptiness, of restlessness. He had nothing. He left nothing behind. 

Not a single trace. 

A shuffle of movement. Ginjiro sat beside him, a complacent hand gently placed on his shoulder. “I am sure you know of my history… There was a point where I believed I could never be like her. But eventually… I began to think of what trace I can leave across the land. My presence, not hers. She is here no longer. I am here.” 

“I know that-”

“Then you know what I am saying,” Ginjiro interrupted, squeezing softly. “We are not them. We are who we are. And you must start making your prints across the land. You were never in her shadow but you are trapped in a shell. A shell of your own making. Break free from it lest you never move on.”

#Of the Past #Zhen #Gin #Ginjiro #* #Lore #Backstory #Relevant info for later stuff #Hey my old stuff means something-

[unproduciblesmackdown]

"Ed Iskandar talked with God. Then it was Lucifer’s turn. Now he was addressing Adam and Eve.

[...]

Right now, Iskandar was rehearsing the plays from Act I, including Madeleine George’s 10-minute piece about the Fall of Man, which she gives the elaborate title,  “A Worm Walks Into A Garden or The Fall of Man, an experiment in motive and comedy.”  In it, Lucifer tells dumb jokes to Adam and Eve, as a way of seducing them. Adam finds them funny. Eve doesn’t.

“You’re missing a crucial part of your anatomy,” Lucifer says to Eve. “The funnybone.”

Lucifer is being played by Asia Kate Dillon.

[...]

Dillon was writhing and entwining themself around Eve.  Suddenly Chase Brock, the show’s choreographer, got down on the floor and started to writhe on the floor along with Lucifer. Brock had researched the earthworm, and showed some pictures of earthworms to Dillon on his laptop to suggest other moves they could make."

"50 different plays by almost as many different playwrights is a massive undertaking in which each vignette varies in tone from the one before it.  The actors playing the characters do not change from play to play; this forces the performers to be as comfortable and convincing with farce as they are playing tragedy.  It is also fascinating to contemplate the mental and emotional gymnastics that each performer of The Bats (the resident acting company of The Flea) must have undergone to ensure that each character maintains the same internal psychological throughline when they appear in different plays by very different authors.

The first act deals with the Old Testament books and the Nativity.  In playwright Dale Orlandersmith’s Song of the Trimorph, the angels in Heaven mindlessly worship God (a deliciously petty, yet shrewdly authoritative Matthew Jeffers), who takes it as His due until Lucifer (Asia Kate Dillon) starts to question whether love without choice means anything.

Dillon’s beautifully delicate, white-haired devil is one of the show’s most complex figures. Watching them evolve from nuanced philosopher to diabolical heavy to world-weary cynic, depending on the vignette, is fascinating.  The narrative speeds its way through the Bible. Highlights include Madeleine George’s surprisingly feminist take on the Adam and Eve story; Hwang’s marvelously urgent Cain and Abel tale, which posits the first murder as a story of vengeance against a capricious God; and Mallery Avidon’s whimsically horrifying tale of Noah’s Flood, which also entails the deaths of everyone who didn’t make it aboard the Ark.

[...]

The show’s second section deals with the Life of Jesus, with Colin Waitt’s astonishingly variegated boy-next-door Jesus shifting from an idealistic dreamer as he travels with Mary and Joseph to a forceful, almost angry philosopher when he argues with Lucifer about the nature of love to a bratty dolt when he confronts Gabriel about his inevitable fate.  The fact that the playwrights clearly have a different idea of Jesus’s personality sets Wiatt a complex task:  He has to make his Christ the same in all situations; whether he’s being comic or tragic, Wiatt is convincing and moving in a performance of stunning versatility.

Indeed, his likable turns in Gabriel Jason Dean’s beautiful Christ Enters Jerusalem makes his ferocious agonies in Qui Nguyen’s Christ Before Herod and his subsequent crucifixion all the more heartrending. The third act deals with Christ’s resurrection and humanity’s fate at the Day of Judgment, and includes a series of plays set in modern times, as well as God’s final words to Lucifer, Jesus, and to us.  The show’s final Day of Judgment coda by Jose Rivera is an essay of forgiveness and unexpected love."

"Overall, the point of view of The Mysteries leans toward deism, the Enlightenment philosophy that presents God as a kind of clockmaker who created the universe, then left it alone to run according to its own laws. We see God squabbling with, then abandoning, Lucifer, setting in motion the events of the Bible, but even in Eden he is surprisingly enigmatic.

[...]

And, as one of the thieves killed with Jesus prophesies, it may all be for naught; he conjures up a future in which "the religion founded -- haha --upon your existence will be held up to justify the slaughter of millions over hundreds and thousands of years, for the brutal sins of domination and exploitation, the lynchings, the massacres and genocide, the relentless militarism. Everything you stood for will be erased."

[...]

In any case, the company is an almost constant joy. Among the more striking performances, [...] Asia Kate Dillon is a compelling presence as Lucifer."

"Four dozen playwrights take four dozen spiritual positions, which allows bubbles of radical reimagining to emerge only to sink again beneath the waves. For instance, our very first playwright, Dael Orlandersmith, paints Lucifer (Asia Kate Dillon) as a sweetheart Cordelia type refusing to curry favor with an insecure God (Matthew Jeffers). The fallen Light bringer keeps popping up throughout, and yet while Lucifer makes a number of solid points—many vigorously antichurch—they're still costumed as a blood-smeared reptile. Does evil exist? Or does it only exist when it can dress super cool?"

"It begins with a scene in heaven where we meet the lavish Angel Chorus that will be with us for the duration of the play, and witness Lucifer’s expulsion from heaven, something like in Milton’s Paradise Lost.

[...]

We also meet the rebellious Lucifer in that first scene in heaven, played with dazzling cynicism by Asia Kate Dillon, and at the same time the angel Gabriel, played by Alice Allemano, who, obedient to God, in contrast to Lucifer, struggles valiantly trying to make sense out of God’s commands and following through on them.  These two, Lucifer and Gabriel, played by tall, striking people, fine actors who resemble one another, hold the vast array together like bookends.

The scenes in the Garden of Eden are delightful, played, appropriately in the nude, by Jaspal Binning as Adam and Alesandra Nahodil as Eve.  Throughout the play, Biblical episodes are interpreted by the many playwrights in non-canonical ways and the first of these is brilliant:  the knowledge the first couple gain through their disobedient eating of the apple is — how to tell a good joke and how to enjoy one!"

"Act I – The Fall begins with Creation and Lucifer’s fall from grace with God. Lucifer is played by a steady, radiant Asia Kate Dillon who reappears frequently to mix things up with earthlings and the rival angel, Gabriel, played by Alice Allemano makes goodness alluring. God is played by an extremely patient and multi-dimensional Matthew Jeffers whose sense of humor humanizes the Lord."

"As starting points, Dael Orlandersmith’s “Song of the Trimorph (Lucifer’s Lament)” and Liz Duffy Adams’s “Falling for You” are somewhat too abstract, particularly “Falling for You,” which has Lucifer wonder, “How can there be love in the absence of being?”"

"Starting with the Fall, we are introduced to the Angel Gabriel and the fallen angel Lucifer, played by two equally lissome and brilliant young actors, Alice Allemano and Asia Kate Dillon. They compete for God’s affections by using a chorus of singing punk angels."

"Asia Dillon as Lucifer brought the precise mixture of demonic delight and fragility necessary for such an adaptation: watching their performance was like looking at a raw cut in the bowels of the earth, brimming with fire and unimaginable sadness."

(no relevant quotes, but throwing in a brief pdf of a grantee project report that focuses on Engagement)

#edited out inaccurate misgenderings in favor of ''not tiresome'' over ''the Historical letter accuracy of the sources'' #which are all right there to peruse as originally written too; so #lucifer isn't evil??? 0 stars. long play too long. ''not that enthused'' reviews are always Worse Quality for limiting the info & taking up #plenty of space with [what info Is given is dedicated to supposedly bolstering some specific ''didn't like that'' view of the author's] #just the kind of stuff that'd annoy me as i hate read movie reviews for things i didn't see in the newspaper at like age 12 metacritically #and that of course [just one person] as the norm whether for ''formal'' reviews or not; liking it or not....not the ideal format. #the emergent info or reflections on the same elements / effects of the material that comes from Various writeups by ppl? mwah. #and of course many include fun little Details / noting something that others don't. it comes with lore #the mysteries #asia kate dillon #lucifer the mysteries #lucifer mysteries #gospel48 #unfortunately 2/3rds of the quoted articles on chase brock's page for the mysteries aren't online. cmon.... #i feel like there might be one article i found the other night that didn't crop up in this search....might be conflating tweets or smthing #can just update it if so anyways....also again No Idea what the longer brown hair vs shorter ''white'' / blond hair is about lol #it kept being extended & that article i think was written in later months; maybe they cut it partway through #more plausible anyways than that they grew their hair out that hard in just a few months. that they also had during rehearsals. shrug #yeah just revisited my History and no other articles that i found last night (morning); none relevant re: akd lucifer mentions anyways lol #also that that was dialogue akd was delivering as lucifer during the crucifixion...was it given to someone else? is lucifer (probably) #taking the place of one of the fellow crucifees & delivering it; and the author focused on who they're standing in for?

[un-pearable]

at all times fighting the urge to rewatch s1

#look me being overly attached to the early days of a series is far from new but ooooooh the s1 ninja live in my head #all of them. so important to me. my old post about taking new info introduced later on in a series to reinterpret the og #is only more and more relevant bc with all the nonsense they e introduced it only makes the early stuff more heart wrenching #love how cole’s mother fundamentally changes so much of how he acts in the pilots and s1. everything about zane is augmented knowing he’ll #get to live in a world where there are others like him that can look to him for guidance and!! be his equals!!!! #kai is obvious. considering how fundamental his relationship with lloyd is but ohhh #nya. girl ily and so much of you is caught up in the weird messaging around gender later on but i could talk about you for ages and #the way you’re chatactrrizaed later on when they finally give you time is stunning. #if you can’t tell i really really really want to write more fic about s1 incorporating that stuff and instead i’m. making tumblr posts #oops. anyway. tag rant over i love s1 and should really get back on updating ninjaudio #text✨ #ninjago #this ramble brought to you by i started skybound today!! ow.

[elementroar]

Analysis behind the backstory and personal story arcs of A.B.A. and Paracelsus (part 1)

Sorry for the people who waited. Technical and real life delays and all that. On the positive, I happened to run into new resources in the past two days that have helped lining up the facts easier.

Anyway, I originally wanted to compress all the lore into a single post, but I find it’s so much more massive once you really dig into the analysis between the story across multiple mediums, the in-game animations and interactions etc. To make this more readable for you all and to make creating these posts faster, I’m going to separate them up into parts that focus on different facets of their relationship and lore as I progress through them.

This first part goes into their origins, and I hope this big post helps to thoroughly explain who/what A.B.A. and Paracelsus are, their backstories prior to STRIVE, and my own analysis sprinkled on top. I want to try to keep the info/lore dump minimal and focused, so if I mention a character without elaborating, I’ll leave a link but if I’m not elaborating more, it’s because they’re not relevant to A.B.A/Paracelsus' stories that much.

Related links:

Analysis of Paracelsus' initial bloodlust and its longlasting effects on A.B.A (Part 2)

This is the "Why ABA and Paracelsus can feel horny" lore/theory post

Flament Nagel - Paracelsus’ true form theory

The Red King and White Queen alchemical concept in A.B.A and Paracelsus’ relationship

The beginning with A.B.A.

First off, to introduce their individual origins, it’s easiest to start with A.B.A. She’s a homunculus, an artificial lifeform created by a scientist in his mansion, which was located in the mountains of a region called Frasco or Flask. But before she was ‘born’, her creator had been taken away by the military for his skills in creating artificial life, and so A.B.A. woke up alone.

Despite this, within the 10 years she spent alone in the mansion she was able to learn to read, write, and even create some alchemical magic (seen in some of her attacks in games before -STRIVE-). It’s assumed either she was created with a set of memories and skills, or she naturally learns very quickly. It’s probably due to reading leftover journals and research materials that she even learnt her creator’s name was Paracelsus.

Technically, A.B.A. could’ve left the manor quite easily, there was even a village not far from them. However, she understood that she knew nothing about the world outside and was scared to leave the safety of the manor by venturing outside to explore the unknown world. But she did yearn for freedom and to leave Frasco, so she took to fixating on keys, which she found fascinating in being able to unlock doors to different places.

In the last bit of her 10 years in Frasco, A.B.A would accidentally cross paths with the hidden the demon axe Flament Nagel (which she would later rename to ‘Paracelsus’ in honour of her creator, or just cos that’s the only other name she actually knew).

What’s a demon axe doing here anyway?

So what is Paracelsus? He is what’s known as a magical foci, which are objects or even people that get a soul or a collection of memories/emotions/desires attached to them, which eventually leads to them gaining sentience and often supernatural abilities. They draw from the Backyard, which is basically where the information that makes up all reality is stored in the Guilty Gear world, and also the source of magic. This is the origin of ‘demons’ within the GG world, like Paracelsus.

The story of how Paracelsus/Flament Nagel ended up in Frasco actually involves the ancient Nightwalker (technically not a vampire but he's basically a vampire without the bad stuff) known as Slayer.

Now Slayer is this incredibly old, incredibly strong vampire Nightwalker, who nonetheless is a very nice guy who doesn’t need to feed on regular people because his wife, Sharon, is a deathless woman that he can feed on indefinitely without worrying about her dying.

Because of his immense age (AFAIK he’s the oldest of the main GG cast) and overwhelming power (he always holds back in-game), he has very insightful observations of Paracelsus and A.B.A.

The following screenshots are excerpts taken from the English transcript (available here) translated from the Night of Knives Vol.2 audio drama CD (you can listen to it here), and are from the perspective of Slayer recounting his encounters with Paracelsus and A.B.A.

Sometime near the end of the 100 year long war between Gears and humans known as the Crusades, Slayer was roaming a battlefield and came across a mountain of corpses of both Gears and humans. In the middle of it was a wandering blood covered warrior that was swinging an axe wildly. After confronting the man, Slayer realized that it was the axe that was the true master, the man had already lost his mind and was under its full control.

That axe called itself Flament Nagel aka the Flaming Nail, or the Sanguine Gale. I'll still be referring to him as Paracelsus at this point in time though.

Now magical foci start off simple-minded, only repeating small word fragments, and evolve over time to become more intelligent and sapient. At this point, young Paracelsus was a demon axe who had just gained sentience on that battlefield. Hot-headed and hungry for blood, and wanting to prove his combat superiority, he challenged Slayer and got curb stomped. Slayer was disappointed in how primitive Paracelsus still was in mind and soul, so he left him there to rust.

However eventually, Paracelsus was picked up from that battlefield and was sent to the alchemist Paracelsus, creator of A.B.A. We don’t know if the alchemist knew what the demon axe was, or whether he even requested him specifically for research. But the alchemist ultimately didn’t let Paracelsus out, not letting him take control over him and hiding him somewhere in the depths of his mansion.

(Inaccurate information removed, updating with A.B.A.'s JP GG World entry from XRD)

It would be after A.B.A.’s 10 year long isolation that she decided for reasons unknown, to leave the mansion and explore the outside world. By pure chance, she comes across Paracelsus, who because kinda resembled a key, she immediately picked up and she fell in love with him and decided they were married from then on.

Becoming her key

It's always been known that Paracelsus has some form of empathic abilities, and that he could tell that A.B.A. was fixated on keys and assumed the shape of a giant key to entice her to wield him. This was also the first ‘manipulation’ that Paracelsus admitted he had done to A.B.A. during their heart-to-heart talk.

It’s been further clarified in this recent interview, that it wasn’t so much Paracelsus deliberately taking the form of a key to attract ABA, but because ABA had been so heavily fixated on keys that she saw Paracelsus as a key straight away. That image she had of him as a key seemed to immediately imprint itself on him the moment she touched him, because of his true nature as “an axe (that) transforms into the owner’s image” of what his wielder wants him to be.

Slayer actually did mention this was likely the case over 20 IRL years ago in the audio drama CD, when he observed Paracelsus behaviour with A.B.A. in their second encounter.

Because A.B.A. never sees Paracelsus as a weapon, Paracelsus began to change to fit her ideal of what she saw him as, to become something more than just a weapon, and allowing Paracelsus to truly change and evolve physically and emotionally.

It’s important to note, Paracelsus isn’t bound to his wielder, and he doesn’t HAVE to allow this to happen either. Despite being dragged around by A.B.A. and acting like he has no autonomy; he actually has all the power to stop her from the start.

As Slayer notes, Para still has the power to completely take over A.B.A. 's mind and force her to do what he wants if he is truly unhappy. However he has never even threatened A.B.A. with this ability, and if not for Slayer knowing his past, no one would know Paracelsus actually can do this.

Whether consciously or subconsciously, Para was becoming more than just a demon axe from the moment he met A.B.A., and in his heart of hearts, he was begrudgingly accepting of his then situation-ship with her.

Fast forward to STRIVE and it's shown that he still continues to evolve to fulfill her 'vision' of what he is. When described as becoming more key-like, it's more obvious when you place both his old and new design side-by-side.

Notably, the blade part of his axe form has gotten smaller by STRIVE, just as he has sworn off violence and bloodshed by STRIVE.

It's even shown in how A.B.A. wields him., especially when Para partially possess or influences A.B.A. in his Muroha mode in the old games (mechanically this is the Jealous Mode in STRIVE). A.B.A. would wield him like a proper 'axe' blade-first in XX/ACCENT CORE. In STRIVE, since A.B.A. is now the dominant one in Jealous Rage mode, she doesn't wield him like an axe and now wields him by...bashing his head into people.

(Also I'll be going over the in-game animations and what they convey in a future post, don't you worry! You can view the comparison compilation here first.)

This even is shown in how A.B.A. uses Paracelsus as an actual key in her Overdrive "Keeper of the Key", which is a new move for her.

If we go further, I have speculated in this semi-crack theory that due to A.B.A. also interjecting her ideal of Paracelsus being her spouse over the years, that him actually 'reacting' to her advances now could also be an example of his evolution.

Even if he's trying REAL hard not to.

Hope this was an enjoyable read, let me know if you have any suggestions for improving readability or other stuff. Feel free to ask me questions through the inbox in the mean time that I'm working on the next part.

The next part is going to be analyzing and comparing Paracelsus' XX/ACCENT CORE Muroha mode to STRIVE's Jealous Rage mode, which has quite a bit of detail from comparing their effects on A.B.A. in in-game sprites/animations, plus how it reflects on the change in their power dynamics between games.

Edit: Part 2 available here

#guilty gear strive #a.b.a guilty gear #paracelsus guilty gear #long post is long #my analysis #arc system works #paraba #this is approximately a third or halfish of what I aimed for this week #character analysis #slayer guilty gear #daisuke ishiwatari #aba guilty gear

[solaariia]

the self-concept

hellour! this is gonna be a long post!

.・。.・゜✭・.・✫・゜・。.

i was studying for my social psychology course today (for context i'm a psych major) and read something that might be helpful for everyone who's been having doubts about manifestation subconsciously being part of our everyday lives—as opposed to something made up by the internet.

the information i'm about to provide is from actual sociologists and psychologists, so this is rooted in studies. i promise i'm not about to pull info out of my ass! this is mainly just a very very brief summary of the self concept chapter we're reading about in class.

side note, i named all the researchers in case you wanna check out their work yourself! i made this post to provide insight about our self-concept and clear limiting beliefs. :)

what is self-concept?

so we hear the term self-concept a lot in the manifestation community. Neville, Edward, Sammy, Dr Joe Dispenza, bloggers on tumblr… all of them talk about it all the time. but what does it actually mean?

the self-concept refers to the total sum of beliefs that people have about themselves. it consists of cognitive molecules that social psychologist Hazel Markus called self-schemas. these are the beliefs about ourselves that guide the processing of self relevant information. but what does this actually mean?

well, self-schemas are to the self-concept what books are to a library. if someone asks about yourself, you will probably answer with something quick like: “i am a woman” or “i am a student.” those simple attributes are part of your self-schema; if we want to go deeper, body weight is also a self-schema. for people who regard weight as a crucial part of their beliefs, something simple like a gym trip with friends or buying stuff at the supermarket may trigger thoughts about the self. but if a person is aschematic (not concerned by a certain attribute) about body weight, no thoughts will pop up.

we already know that the self is a special object of our attention. whether its a thought or a song, our consciousness is like a spotlight. this means that it can shine on one object at one point in time, yet shift rapidly from one object to another and process information outside of awareness. in this spotlight, the self is at the forefront of our minds. its what's most important to us at that moment. keep this in mind for later!

to finish with the explanations, neurologist Oliver Sacks highlighted two important points about the self:

🩷 there is a private “inner” self, and an “outer” self we show to others. if we don’t self reflect to understand how were feeling, how will we understand our emotions and actions?

🩷 the self is heavily influenced by social factors.

now–what does that last point mean? well, what we think about ourselves is rooted from childhood. if we grow up hearing “you’ll never amount to anything” or “you’re my favorite child” (extreme examples i know), then that's what we’ll ingrain in our self-concept. this notion brings me to the fun stuff–the studies!

is self-concept scientifically proven?

psychologist Gordon Gallup performed a series of studies where he put animals in front of a mirror to test if they could recognize themselves. at first, they vocalized and greeted themselves in the mirror (my dog did this too when he was a pup, he would bark at his own reflection and play with it), but after several days, only great apes seemed capable of self recognition, using the mirror just like any other human would. grooming themselves, making faces… in short, they recognized themselves!

why do i bring this experiment up? well, this proves that the concept of “me” is necessary to define our self-concept. we must first recognize ourselves as Something to become Someone.

using that same study in humans, this process of self-recognition begins between 18-24 months. which means that from this point onwards we start to define Self (consciousness).

you might read this and–admittedly–think: “oh this blog post hasn’t said anything about manifestation!” true, but i want to present the basics or self-concept first to understand how it affects our daily thoughts!

there was another experiment we talked about in one of my lectures (i do not remember who performed this study specifically, but Dr Patrick Heck did one similar to this one and the results were the same), where participants were told to take a test. half of them were told to boast about themselves, and the rest were instructed to describe themselves modestly. naturally, participants who spoke highly of themselves scored higher on these tests than participants who didn’t. so… you all see where i’m going with this.

remember how i said to keep the “consciousness is a spotlight” paragraph in mind? i’ll finally touch on it with this next and last thing i’m gonna talk about (in this post at least!).

we already established that the first step in the evolution of our self-concept is the ability to recognize ourselves as Someone. the second step, however, involves social factors. sociologist Charles Horton Cooley introduced the term looking-glass self to suggest that other people serve as a mirror in which we see ourselves. and another sociologist by the name of George Herbert added that the only way to know ourselves is by imagining the opinions of our significant others and applying them to our self-concepts. sounds familiar?

how do i change my self-concept?

Neville mentioned the “mirror-self” on his conferences too. he said that one of his favorite techniques to better his Self was to imagine a loved one speaking kindly of himself. in his book Your Faith is Your Fortune, Neville wrote: “Stop trying to change the world since it is only the mirror. Man’s attempt to change the world by force is as fruitless as breaking a mirror in the hope of changing his face. Leave the mirror and change your face. Leave the world alone and change your conceptions of yourself. The reflection then will be satisfactory.”

since the self-concept is a library (our perception of Self) made out of self-schemas (books brought to us by our peers), we can see that sometimes, what we think of ourselves is just an amalgamation of beliefs implanted to us by the people in our lives. so if we were given these books we don’t like, why should we keep them in our library?

to change these negative beliefs we have about ourselves, all we have to do is replace them with positive ones. i know, i know, this is what every person who studies loa and manifestation regurgitates over and over. its nothing that hasn’t been posted to numerous blogs or twitter threads before.

however, the point about this whole post is to tell you why that is the only way to change your self-concept. if your daily thoughts are filled with phrases like: “my sp doesn’t want me” and “i’m so broke” or “what’s the point? this is all worthless anyways.” STOP. DROP. CHANGE.

journal. write your limiting beliefs in your ipad, paper, wood, stone–whatever.

use your hands to apply muscle memory. once you have them, CROSS THEM OUT!

i can’t manifest = I CAN MANIFEST EVERYTHING I WANT

i hope i shift tonight = I KNOW I SHIFT EVERY NIGHT

i wish i had money = I HAVE ALL THE MONEY I WANT AND MORE

just those small changes are enough to rewire your entire self-concept. also, exposure. the more exposure you have to something, the more insecure it will make you. if you’re having a hard time manifesting, remove all blogs, twitter accounts, and people that limit your beliefs. less exposure to negativity = less negativity reflected in your self-concept.

problems with the Self will always be there. if you remove a negative belief, another will pop up. all you can do is learn more about your “inner” self and recognize how you’re feeling. what you can do is focus on the positives, and automatically, your self-concept will change.

persist in the assumption until it becomes your reality!

.・。.・゜✭・.・✫・゜・。.

thank you all for making it this far! just in case, the book i got this information from is Social Psychology 11th Edition authored by Kassin, Fein and, H.R. Markus. there’s a lot of interesting information on this academic book that is similar to the ones Dr Joe Dispenza has written, so i could make another post like this in the future! take care!

#loa tumblr #law of assumption #loassumption #self concept #informative #social psychology #neville goddard #reality shifting #psychology #shiftblr #reya singh #shifting #edward art #quantum jumping #void state #research

[am-i-the-asshole-official]

AITA for sitting down to pee??????

CW// several mentions of pee i guess?

🚽🚻to find later

I don't know if this actually matters, but I (16, mtf, this might be relevant?), made a habit out of sitting down to pee for multiple reasons.

1. Is because of the guest/hallway bathroom. Whenever we (me and/or my brother) have to clean the bathroom, there is ALWAYS a fit made about how there's dried pee on the rim and base of the toilet.

One week, I got chewed out about it by my brother, and because I was so tired of hearing about it, I decided that I'd just start sitting down to pee. My sort of abstract thought process was, "if I start doing this, and there's still pee ending up around the toilet, then clearly it's either my brother or my dad".

2. I just prefer it personally now.

I've already figured that logically, there are other points to better prove my innocence (my brother likes to play games alot, and his room is a straight shot across from the bathroom, so he'd be in a rush and not be careful). But, I've already made those arguments and it's always ended up being this really dissatisfying, "Well whoever's doing it needs to stop".

Now today, my brother was telling my dad that he thought that I could've made a mess around the toilet. I was just walking by, and couldn't actually see anything, but in order to curb stomp the debate entirely I just told my brother and dad that I sit down to pee, so it couldn't have been me.

For some reason this really upset my dad? He's always had this thing since I was young about men having to stand up to pee, and "only women sit down", and other old-fashioned conservative stuff. I don't know if this made him so upset because he doesn't like me having "queer" habits (I don't know a better way to put it), or if it was just too much information.

It only really occurred to me now that maybe I shouldn't have just straight up said that, since its not really great to talk about bathroom habits regardless of what they are, but another part of me feels like me doing that isn't really that egregious of an act? Especially considering my brother and dad will talk about other way grosser stuff.

AITA?

#aita #am i the asshole #unsanitary cw

[moons-of-dewclan]

HOW TO RESET YOUR CLAN TO EARLIER MOON

(another case of 'one person asked, i deliver) ok first, you sort of can't. YOU GOTTA RESTART with a 'new' clan and transfer! SECONDLY, this may be more complicated than it needs to be bc i don't know how to do things simply. i'm trying my best tho. THIS IS HOW I'VE DONE IT. i recommend watching videos or reading up on how to 'edit files' bc this isn't exhaustive. IT REALLY HELPS IF YOU KNOW HOW TO MESS WITH THE FILES. this is SUPPLEMENTAL KNOWLEDGE FIRST!! save a backup of your clan files (The JSON FILE, AND CLAN FOLDER) in case you make a whoopsie and destroy your code. READ THIS ALL BEFORE TRYING. i'll be noting some things that are MAKE OR BREAK. literally. make ur code or break your code IN THIS EXAMPLE, i'm going back to moon 15 for Dewclan from moon 50, and I'm going to pretend there are only 4 cats- Lyre, Vanilla, Nettle and Spark. I'll refer the clan you want to set back as the 'Canon' clan, and the one you're going to be rewinding to as the 'Rewound' clan! THEN HERE WE GOOOOO FIRST, NEW CLAN. pick the same mode as the clan you're trying to 'Rewind'.

NAME IT WHATEVER. you'll change it later..

Pick those cats. i like to pick the minimum necessary. but it doesn't really matter, as you're going to more or less be copypasting your old cats into this 'Rewound' clan.

START IN THE SAME PLACE. and in the same SEASON that your Canon clan started in. I started Dewclan in Leafbare. do not choose the season that's taking place on the moon you want to rewind to. the one you STaRted on. (you're going to choose what moon you're on later in settings. this keeps the progression consistent. if you started in leafbare, but choose greenleaf for the Rewound clan, 15 moons in, you'll be on a different season than your Canon clan would be bc your starting point was different. even if i'm not explaining that well just do it i promise LAKSNNDKS)

WOW THESE AREN'T MY BABIES. ok time to kill or delete three of these suckers bc i only need four cats. BYE GUYS

also go into your settings. MAKE EVERYTHING HOW YOU WANT IT. general, role, etc. AND THEN CLICK THAT 'OPEN DATA DIRECTORY'. this is where stuff gets GOING

click here.. saves

NOW, BELOW!! the folders, it'll have a JSON file with your Rewound clan name. THIS IS IMPORTANT. there are things in here that you need to change. some require you to peek at your cats, and some don't. We'll get to it later! FOR NOW, click the folder above this that says your Rewound clan name! mine is 'DewAGAIN'

THEN YOU GOT ALL THE JUICY STUFF

CLICK CLAN CATS. AND LOOK BELLLOOOW. we're gonna transfer our beloved babies over. i recommend you copy from "name_prefix" to "favourite": false in the Canon clan (keep their ID number from this Rewound clan the same. don't replace it with their ID number from the Canon clan), then select all that info in the Rewound clan and paste it to overwrite. and then adjust what you need to. AND YOU WILL NEED TO ADJUST I HIIIGHLY recommend leaving the ID numbers and pasting Canon leader info into Rewound leader info. med cat into med cat. deputy into deputy. Rewound clan leader is ID 20? paste your Canon clan leader info info 20. keep Canon clan's number as 20.

SOME OF THESE ARE VERY IMPORTANT. 1. ID NUMBER. if your cat has any relationships, like parents or mates, you need these numbers to match those cats. ALSO if your cat has a specific role, like medicine cat, leader, mediator or deputy, their number needs to match the number designated in the CLAN JSON info shown in the next image. FOR NOW I CONTINUE. 2. IMPORTANT NUMBERS. Sparkplug (her name isn't rly sparkplug btw)'s parent is Lyrestar. Lyre's ID number is 1. if that ID number doesn't match or doesn't exist in this game, you'll get an error! Same goes for mentors and mates. at moon 15, Spark wouldn't have these. But if i transferred her from moon 50 where she did, I'll have to replace the mate/mentor/whatever will 'null', etc, shown here. make sure everything here is relevant to moon 15, and not moon 50! 3. IF your cat was dead when you copypasted, change that! Dead?? FALSE. from dead 'true'.. ... where did 4 and 5 go..- ANYWAY 6. EXPERIENCE. make sure you drop this back to where it was at that moon. lest your kit graduate to warrior bc they have 3000 experience. 7. FALLS INTO 2. do they have an apprentice in the Canon clan that they wouldn't have in the rewound clan? gET RID OF EM. (you can copypaste that portion from a cat without an apprentice or just rewrite it as 'null', but sometimes i type things wrong and get errors so.. i copypaste. just make sure you're copying and pasting from the right start and end point.) IF YOUR CAT HAD AN APPRENTICE IN MOON 15, AND NOT 50.. you can either just set them as mentor and apprentice ingame manually, or write it into the code. i would do it manually tho bc i'm easily confused

NOW WE GET INTO WHERE THE CLAN JSON IS IMPORTANT.

ABOVE ARE MARKED, IMPORTANT THINGS. some will break the game if you don't do it right. SO 1. Name. You can change this later, to your Canon clan name. You need to also change the FOLDER name to match. The folder that you click to get to your 'Clan Cats' files and stuff. YOU WILL HAVE TO CHANGE YOUR CANON CLAN FOLDER NAME AND FILE NAME TO SOMETHING ELSE or it'll corrupt! 2. HERE you change to the moon you want to rewind to. I'd change mine, to 15! season changes along with the moon number automatically. 3. INSTRUCTOR. this is the cat that leads your cats to starclan. predead. dw about it, unless you've messed with the dead cat and want to change it to your old starclan guide. then change the number, to your guide's ID number. You'll see it in the Clan Cats folder! LEADER. you need to change this to your clan leader's number or the files get confused. this is why i recommend replacing Rewound leaders with leaders, deputies with deputies, etc, and not also pasting the old numbers. the numbers are already set. ALSO this is where the leader's lives are dictated! DEPUTY. same as above! MED CAT.... SAME. but also, if you have multiple, add multiple! 4. You can change these names to the Canon names. if you had more or less other clans, you can delete or add more. just make sure to have the same number of clans as 'relations' and 'temperaments'! four clans, for traits and temperaments. 5 clans, 5 traits and temperaments. FINAL PAIN IN THE ARSE is.. having to adjust relationships. bc your 'new' clan won't have established relationships. you gotta go in and adjust the values. it sucks big ass but i don't know a better way to do it snff..

QUICK TIP if you absolutely don't want romance between two unrelated cats bc it would be weird for story reasons, you can change their status in the relationships file change family: false, to family: true. the game thinks they're related and romance won't happen HAHAHAAAAA .. at least in my experience. if this is wrong i'll cry

#kasks

[amimuu]

The Lamb’s disciples…(ref sheets!!)

So as promised like—a month-ish ago, here is it :>! The refs for the Lamb’s disciples plus some some fun info abt them :DD!

Below the cutttt!!!!

Dipal

Lamb’s second first disciple, whom was raised in (almost) his entirety by them ever since they found and rescued him as a baby :] he’s very close to the Lamb and very faithful. Developed a very fun system for managing cult stuff that’s so awfully complicated only he understands. The Lamb lets him be cuz he really does get things running smoothly. Can feel lonely at times. But sure that’s not important

Sylvie

The Lamb’s second disciple! One of the few kids to be born amongst the cult and the only disciple who actually wears vibrant clothes. Their parents died from sickness when she was a teen so she was taken under the Lamb’s wing since he and Dipal were already close from childhood. Always the first one cultists come to when they need an ailment of any sorts. Their tail is very strong :]

Pamneur

The Lamb’s third disciple! She was the child to a couple of heretics that was taken in by the Lamb after they were struck down. She had a hard time adjusting at first but was quickly swept up by Dipal and Sylvie whom she later became close friends with. She has a strong sense of justice and is likely to deal with heretics by giving them passionate speeches on why they shouldn’t give up on faith.

-

These three are extremely close with each other and if you mess with one of them you mess with all. They don’t require golden skull necklaces cuz in my Au’s lore the status of discipleship (gaining a halo) grants immortality as long as the one blessed with it doesn’t lose faith in the god that bestowed it upon them.

So yeah :3 I hope you love em as much as I do cuz they will end up being pretty relevant to the lore. As always, my inbox is always open for further doubts or questions about these sillies. I’d love to hear your thoughts :D!! Until next time :3

#cult of the lamb #vows to ash au #cotl #cotl fanart #cotl oc #a bunch of ocs actually #I’m thinking maybe I should get em their own tag #like #vows to ash au disciples #yeah that works #also did I mention Dipal is probs getting a cat boyfriend #blehhhh

[angbangweek]

We are happy to announce the dates for this year's Angbang week:

May 6th - May 12th

Welcome one and all to the third annual Angbang appreciation event! Whether you're a previous participant, new to either tumblr or this pairing, or simply an event enjoyer who views and shares the new content, thank you for stopping by and taking a look! This year we have chosen to begin on a Monday with new dates rather than midweek, so the date of the event itself is a little later than in previous years, but everything else stays the same. (Prompts and additional explanation/info below the cut)

We would like to greet all new and returning participants and Angbang enjoyers alike to this year's week-long chaos couple event. Feel free to save the date or even spread this around if you're interested. As usual, any and all participation is welcome! We will be accepting any and all original creations for the upcoming event - visual, written or auditory, which is including but not limited to Fanfiction, Poetry, art both traditional and digital, playlists or other musical creations, moodboards, and anything else you may come up with. So long as they're new, or as of yet unpublished, created by you and feature Angbang, we want to see them and feature them! Unless it's an entire temple. Mairon has tried it several times before, and... well, we would prefer to remain undrowned if possible.

The list of prompts for this year (which can also be found in the image description):

Day 1 - May 6th: Scars | Injuries* Day 2 - May 7th: Haste | Malice Day 3 - May 8th: Spying | Shapeshifting Day 4 - May 9th: Mountains | Iron Day 5 - May 10th: Fire | Lava Day 6 - May 11th: Order | Chaos Day 7 - May 12th: Prompt of choice from the previous weeks*

*We are aware of the nature of the first prompt. Due to this, we do ask that in addition to all relevant tags, you add the correct tag of either "scars" or "injuries" to your work on day 1 should you choose to post it, especially the latter, so that people could filter it out. We will likewise add relevant tags to works featuring these prompts so that anyone may filter it out if they so wish. *As you've noticed, this year's final "free" prompt is a bit more restrictive, and would encourage using one of the prompts from previous years, found here and here. One of them is free space, but we do encourage using one of the non-day-7 ones if you can.

Like in the previous years, we encourage you to pick whichever prompt you like better of the two offered that day (you can also wait for another day if you don't like either prompt, or combine the two if you prefer, or even make content for both prompts if you're really looking for a challenge / prefer not sleeping during the month of May, whatever you like). Once you've picked a prompt and made content for it, use the current year's Angbang Week tag, which is either #AngbangWeek2024 or #Angbang Week 2024, or tag this blog directly when posting your prompt for us to reblog it. Try not to post it before the event starts (you can queue up specific posts for specific days to help with that), do not worry about being late, and most importantly, enjoy! No need to stress yourself out over silly ship stuff.

For any additional questions, requests, or additional clarification regarding anything event-related, feel free to send an ask or a DM at anytime!

#Angbang #Mairon #Melkor #Sauron #Morgoth #Angbangweek2024 #Angbang Week 2024 #Silmarillion #The Silmarillion #Fandom Event #Ship Week #long post

[mbta-unofficial]

So you want to fix ya City, do ya?

Local activism works better and faster than any other kind, because you don’t need to go as far to get results.

If you want to understand how to make change, here are some steps.

1. Pick a Lane

Your energy is finite. One issue that gets the lions share of it will make way more difference than a lot of blogging and not a lot else about everything. Whatever your lane is, try to pick it thoughtfully and stick with it. A local issue will be way more moveable than a remote one, but the internet can be used to raise money for anything so it doesn’t need to be next door.

You’re gonna worry about other stuff. That’s ok. Let someone else handle it.

2. Lay of the Land

You are not the first person to look at this problem. Organizations exist to take this on, and the knowledge they have is indispensable to your goals. Your first step should be to be to find them: you don’t have to reinvent the wheel here. If you have a local newspaper, read it. If you don’t, go to your city’s reddit page and see where they get their info.

All Cities have an MPO or Metropolitan Planning organization. These are non-profits (usually) who advise the government on a variety of issues. Sign up for their newsletter. Find out when their next meeting is. Go.

Your issue will probably have an activist council, such as the MBTA ROC for transit advocates. Sign up for their newsletter. Find out when their next meeting is. Go.

Your city will likely have public meetings on the subject you are interested in. Find out when they are. Go.

If these aren’t relevant to your issue, you can go find other sources of information but you should try to find

a) a place where you can be in a real room with real people, or at least a zoom room. Watching videos and posting doesn’t count. Twitch streams are borderline, more than 200 or so viewers is just noise.

b) A place with a variety of ages. Old folks know things. they’ve been around the block. Young people have fresh perspectives and lots of energy. A room with just one is unlikely to produce a good plan of action

c) A place with racial and gender diversity. Boys’ clubs are common in politics, as are white only conversations about politics. The city is for everyone, and if you don’t have a diverse movement you will inevitably cater to the interests of your most powerful ally instead of helping everyone.

If you can’t find a meeting that meets these criteria, see if you can change the meeting that exists before starting your own. Institutional weight is invaluable and starting from scratch is possible but a challenge.

When you are at these meetings, do not worry about not understanding technical language. Take notes (or don’t) and google later. You are there to see, and also to be seen, because if you consistently attend public meetings you will recognize the same people there, and they will recognize you. Ask questions if you are given the opportunity but remember that you don’t need to understand everything right away and you will learn more by listening than by guessing.

You are there to make friends and learn, because you can’t do it alone.

3. Planning an action

If you have an idea for something that would help your cause, write it down. Then find out if someone else has already done it. (They almost certainly have.)

Make a list of steps. Ask your new friends about the steps. Revise your list of steps based on that feedback. You should do this at least once, no first draft is perfect. Assess how feasible the steps are. Replace any step that is impossible with an possible alternative. Give yourself twice as much time, money, and help as you think you’ll need. Review your steps.

Start stepping.

Be prepared to throw the steps out, but know that if you do because you had to, you will still have the time, money, and support that you budgeted. If you have to throw the steps out, make new ones. Keep going.

4. Post-op

You did it! You made it to the end of your steps. Get your friends to assess your work for you, and weigh their answers seriously. The problem is probably not gone, but it should be better. More importantly, you have built a system of people capable of carrying out an action. You know more, you are better connected. Go back to step 2. There is always more to learn, and that’s beautiful.

[puppypuppypuppypuppy]

How did your human spam and jevil meet?

OK. This took a while I had to scour the underground cave system of me and yashas dms to find all the relevant convos and such. I'll put them under a readmore bc. Yeah.

Also, the moment of first contact as depicted by the magnificent @naggingatlas

So, surrounding info: The au takes place in Hometown ofc. Eugene, after being released from jail (no murder here just manslaughter. he does tell ppl it was murder tho) has lived there for maybe like, 5 or 6 years (seam pulled some strings (hehe) to get him the place and peaced tf out) He's since been living as a hermit in the forest in this decrepit spooky house. He was once a prolific poet/philosopher/whatever and ig kind of still is? but he has a complicated relationship with his old work and resents how misinterpreted its been by the majority of his fans. His only real friend is dess. He's also a ukrainian immigrant, came to the us before the collapse of the soviet union. No desire to go back bc he had no attachments...

Meanwhile Esteban's deal is much more similar to canon... was once a big shot, the powers that be abandon him, he loses everything, now he's homeless, so it goes. He was once in a super bowl commercial with spuds mackenzie and is VERY proud of that fact, don't bring it up. At this point, h'ed been living in the streets of new york freakin city, too proud to go back home (el paso, texas, second generation mexican immigrant), getting by taking shady gigs and reselling garbage, scrap, old electronics, etc... One such gig being what brings him into hometown thus beginning our au. I've got some screencaps abt the gist of it all

(these are so funny bc some aspects of it get immediately retconned. also the reason I say he finds eugene familar is because they've technically "met" before multiple times in their lives just very informally. might go into that later idk)

(Here is where yashas images above the cut take place ^^)

(his door knocker is shaped like a dragon btw. very cool.)

(We wrote more of this encounter but frankly it's incomprehensible and this post is getting way too long just know that they're engaged in spamvil typical psychic warfare.) (it's like this.)

And thaaaat's basically it. Some details prone to change but overall this is how their first official meeting goes. Esteban comes by every day trying to sell shit but other things happen too like they go fishing, sit in a dusty abandoned car, smoke weed, eat cherries... .. ., lot's of fun stuff. Maybe I'll even make another post abt it if there's interest.

If you've read all of that have this in consolidation:

#stebjek #spamvil #sure. #this took way too long sorry... ill answer more asks soon but ill be sure to make them more brief

[tired-reader-writer]

Okay so for some unknowable reason I fell into watching a let's play series of a horror game, and now I'll definitely be jumping at shadows for the foreseeable future until the spell wears off. I'm not good with horror. I knew this, and yet I felt compelled to watch it—

But enough about me, let's kinda vomit out the AU brain mulch that has formed in my head in an incoherent manner.

This has to do with Hilmes, Ranna/Ashaya, and the Haunted Temple™ that will be featuring in the fic.

I would highly recommend you check out the link first to get some context on what the everloving fuck I'm talking about because this thing ain't coherent, baby!

Also, some stuff might contradict each other, I'm still trying to suss out what works and what doesn't, this is basically unfiltered brain soup.

Folk tale added to the Temple, it's deep in the woods, “don't go into the woods, don't go into the ruins, it'll eat you up” is a cautionary tale everyone knows about.

Wonky time mechanics. You wander into the Temple, you've only been there for a hour you swear but you come back out months later.

Folk tale as a foreshadowing device: a royal princess was said to have been snatched up by a bandit in this region— some say she was kidnapped, others say she fell in love with this bandit. Who knows, really? Is the tale even true?

The above folk legend as a foreshadowing device for Ashaya being 1) a secret princess, 2) joining the clan though I guess it's not much of a foreshadowing since they'll most likely be gone w Farangis in the same chapter the myth is mentioned [because the clan got mistaken for bandits and got killed in the first chapter, remember?], 3) falling in love with Alfarīd aka a bandit.

The tale could also be an “explanation” for a princess that actually went missing— a young woman who wandered into the temple for some reason (unclear) finds out something so terrible that she can't bear to face the world outside again.

(it's about Kaykhusraw's betrayal)

I'm still not sure whether I'll actually keep the princess part. It could be a neat bit of foreshadowing for Hilmes discovering smth, maybe he sees an imprint of her, but I feel there's no way to communicate her journey effectively in the story since nobody actually knows what happened to her

Still though, I like the idea of Parsian royal women having worldbuilding and perhaps even plot relevance. I don't think the family tree thing from the novel extras (iirc??) even provided female members of the royal line. Tanaka, I swear.

It'll be forever before we actually get to that point but I'm actually worried about writing Hilmes' (terrible terrible) time in the haunted temple turning into a side quest problem if you know what I mean? An arc/event so divorced from the rest of the plot and world that screeches the pacing to a grinding halt. I mean, the temple tumble is necessary to his character growth, but it really has the potential to become... tedious to read.

For the record, I'm worried about Alfarīd and Ashaya's scenes having this same problem too, since they break off from the rest of the cast to have an adventure together. But at least having them have a plot progression that ties into other plot threads is easier than doing the same with Hilmes because they're not trapped in an isolated location.

Wait, info about the bells can actually be revealed here, and not have the clan remember throughout? Or if they did remember the bells existing then the locations of where the bells had vanished to could be received from the temple.

They'll need to decode it first, though.

Okay, I'm not sure what to do with the Rukhnabad. I was originally gonna have Hilmes not pull it out and cause problems but I... kinda need the damn thing for the plot. Maybe he gets Shooketh™ from whatever he learned in the temple that it compromises his ability to be chill about the looming threat and he yoinks it out of desperation—

(or maybe Ashaya can be the one to take it, as a twist, though what would their reasoning for doing so be?)

SYMBOLISM SYMBOLISM SYMBOLISM

Okay, so, death.

Sherine (Ashaya's original name before they changed it upon joining the clan) is dead. She died when she disappeared into the woods.

The clan has a death-and-rebirth thing going on. Someone joins the clan, they either choose to keep their name or not, but the self they were before they joined is gone, dead to the world, essentially. They could not belong in the living world, hence why they joined the “dead”. Folks who had complicated relationships with the parents who gave them their name, their old families, their old selves, those people typically discard their names (as Ashaya, Kashi, Kazai, etc did) while those who had a positive relationship with their families but lost them in a traumatic way would keep their names (as Farangis and Gieve would). I know I've talked about this before but I can't remember if I put it in a post or in a comment.

Y'know the changeling thing? The died-but-came-back-wrong thing? The same principle, it's not literal, mind you, it's a metaphorical, symbolic thing.

So, a secret royal child goes into or near this place and is reborn as someone else (Ashaya)

Only years later, another secret royal goes into this place, gets trapped in it, and is reborn anew (Hilmes)

Words are not wording rn but you get the idea, right?

Also, mentioned somewhere that the temple holds onto things of the past, aka if you have a belonging on your person that represents something from the past that you cling onto, bye-bye item, you're not getting that back.

Aka, the temple snatched Hilmes' mask because it's a representation of his fixation w the past and everything that's tied to it aka his trauma his identity his sense of self etc etc

Hilmes can't get out bc he built his everything around his past, ergo, his whole person is a figment of the past

Like recognizes like, hence why he's trapped until he's forced to build a new identity that doesn't revolve around his, well, everything

Ashaya probably didn't get trapped bc, well, kid's not fixated to the past they just wanted out (from their shitty family situation)

Bloodstains, screams, inexplicable items vanishing and manifesting, hallucinations/visions that were probably actual memories of the past, Hilmes is not gonna have a fun time

The temple's haunted but in like, an intangible way, so to speak? No literal spooky ghosts floating about, they're fused to the building so the building itself is a haunting, you get what I mean?

Maybe there is one tangible ghost Hilmes can actually see. Maybe two, if I end up keeping the royal lady.

Okay, maybe I won't keep the royal lady.

But something could guide him through this whole ordeal and lead him to whatever truth bombs it wants to reveal.

Could his parentage be revealed here? Unlikely, the temple's hauntedness is it basically reliving the past over and over, not much space for... hm.

Maybe Kaykhusraw's journals could appear inside— no, no, probably too far-fetched.

So many specifics I need to nail down.

#arslan senki #the heroic legend of arslan #heroic legend of arslan #wolfpack au #winds of wolfsong #hilmes #ranna (oc) #ashaya (oc) #gods I need to sort out her tag #AAAAAAAAAAAAAA

[asksunandmoon]

Ask sun and moon!!

Please ask questions to our dearest daycare attendant

More info

This ask blog has a set story all though I'm inconsistent

And slow so if stuff isn't coming out as fast as you may want please be patient

Also this blog will have an OC as a bigger character I'll be posting them later when they are relevant

This blog will contain art I'm just too lazy to put something together for this

also new post everyday

Also here are rules for asks

1.nothing like gore racism some sexual topics and the basics

2. I'm fine with references if I don't know it I may not do it I'm very sorry if it happens to you

3 be patient I'm not a fast worker

4 after a while I will have to stop as stuff will come up I will try my best to keep it going

#sundrop #fnaf #fnaf security breach #ask #ask blog #ask box #fnaf moon #moondrop

[batwynn]

Hello. So I have a genuine, honest question as someone who isn't an artist. I saw you made a post about AI art floating around Tumblr lately. How does one differentiate between AI-created art vs. ACTUAL art? Some things have been easier to notice than others (ie: YouTube videos and like, moodboards and the opening to Secret Invasions) but for art specifically, are there any key things to look out for that make it obvious it's AI generated? I do not support AI in any fashion but in this day and age I do find it increasingly more difficult to tell the difference between something that was created by AI vs. created by an actual person.

Hi anon! So, heads up this might be a bit long of a post but I wanted to point out some things that I don't see frequently mentioned in other posts about A.I stuff.

First things first: Look at their other 'art' pieces. If they have a generally consistent style, a consistent type of work (Realism vs ink art for example), characters you see more than once and from different angles, character sheets, etc. You're going to notice if someone suddenly switches from little ink doodles to fully colored and realistically rendered 'art'. Now, this doesn't mean everyone switching styles or mediums is A.I, but it means to take a closer look if you notice something vastly different than their usual stuff. More A.I. clues below!

For things to look for, there's a lot of different clues but generally you're going to notice a certain new car shine to everything. Everything will be a little too clean, even if the style they are ripping off is sketchy. Sketches will have crosshatching that doesn't really make sense or random lines in a place that an artist probably would not put there. That being said, here's some examples where that isn't as noticeable:

Here you've got your usual body/anatomy problems. (Plus some elements I'll talk about later as well. This one's got it all!)

Glitchy foot, glitchy hands. glitchy eyes. Strange proportions for legs that don't exactly fit a stylization, but more of an glitch. Now, of course an artist can draw 'glitchy' things like this either by accident or intentionally, but you really only see these types of things in A.I vs actual art of a similar style. Realism artists are generally not adding extra fingers or varying sized fingers, they're not rendering the foot to only have too many toes, missing toes, and the foot also... sort of part shoe. Unless art artist is otherwise intentionally including these elements, it's generally a clear cut example of A.I stuff. (For example: Different body types and disabilities exist, and there are people with different shaped hands, shorter/longer fingers etc. But you will also usually find some kind of info with the post about the person/character that will tell you about them that can clue you in on if it's A.I vs real art.) If the artists are drawing in a style with 'exaggerated' anatomy, you can almost always see that as a persistent and intentional STYLE in their art. If they aren't, this is something you'll really notice in A.I vs realism. It can be especially true with people who fully render realistic art because it's not in line with the style, and the relevant elements of rendering art this way. Artists who do realistic rendering at this level generally know their anatomy very well, and are going for realism in all elements of the art. Some stuff like the exaggerated long legs in women are kind of everywhere, but the hands, the foot, the lopsided winky eyes (I don't know how to describe it) are not things a professional artist rendering realistic art would generally do. It's just not in line with the style, or the ability/skill that the artist has worked on. (Again, unless completely intentionally and in line with the person/character.)

For 'real' life items like the tables below, you've really just got to ask yourself: Is this physically possible? Do all the elements make sense and actually work together in a real way?

Sometime it's hard to know if you don't have any experience with, for example, acrylic and wood table making. But there are things that just don't work in real life, and there are things that maybe someone can do, but even in the provided examples it just doesn't make sense to do. For example, the little 'tree' hanging from the bottom of the left table. Would that be possible? Probably. Would someone do that? Probably not. If you're really stumped, sometimes just looking up videos of people making that type of thing can give you a better idea of what actually works together, how it's made, etc.

Here's something that really helps when you're really struggling and zooming in for every detail: TANGENTS

Ok, so tangents in art are when you're drawing a thing, like hair, and it's lining up with a different object to the point where the visual line continues from one part of art to another and it looks really unrealistic/weird. Most artists figure out how to avoid this on their own just from noticing it and feeling uncomfortable with how it looks, while others learn via the internet etc. It can happen in anyone's art at any skill level, but the amount that it happens in A.I stuff is HUGE. It's almost every single image, and you can really notice it in places where something overlaps like hair or, from the above image with the money: there's two bills that just kind of bleed together. From the same image, you can also see how her hair bleeds into the wrinkles of her jacket in an unnatural way. Comparatively, you can see in the Hela art I did below that there are overlapping elements like the hair and the ribbons behind it that do not mesh or bleed together.

Something else to look at: Symmetrical elements that don't work right. So, this is kind of getting harder to see depending on what they're generating as a subject matter and the style they are using. As always, there is a disclaimer for this. Art does not always have perfect symmetrical elements in it.

For example: in the real world, this dude's coat would have more clean symmetrical elements. As it is a sketchy doodle, they're there but they're not 100% symmetrical. With a LOT of A.I stuff, you'll notice that something meant to be mirrored on the other side of the clothing, room design, etc. is actually completly wonky/incorrect or not even there at all.

For example, in this A.I we have missmatching elements on both sides. Not only in things that could be designed to be asymmetrical, but also things that 100% should be mirrored. The left side under the buckle on the shoulder has a diamond shape. The right has a weird spikey thing. The little leaf pattern on the gold lapel area appears to be just blobs on the right side. The left shoulder area has a button and additional little detail under the buckle area. It is not there on the right side. And, again, some of this can be intentional with real art. Her arm bands could be intentionally different, for example. But elements that clearly should be reflected on the other side and are very clearly not are generally a good clue that it's A.I. A few last moment things to look out for:

Styles that are recognizable someone else's whole thing. Example: The monstrosity that someone just generated that is supposedly Calvin and Hobbs. It's pretty easy to tell because it looks like shit right now, but generally if someone is ripping off a distinct style of someone famous, it's probably A.I or at least worth double checking.

Did they suddenly start doing ______? This could be anything, backgrounds, drawing horses, full color, etc. But if they're suddenly, overnight just BOOM they're 'drawing' in a whole other style, it's suddenly really rendered, and/or there's no 'growing pains'/work shown that they've started working on drawing the thing they never drew before... It's time to take a closer look. Last but not least, look for the language they use around the stuff they're putting out. A.I people are often... a certain type. They use a lot of that NFT bro lingo that can tip you off. The tags might be all over the place for styles, or tagging certain famous artist's styles, etc. They also can be a bit more blatant in the tags and just outright tag A.I or NFTs somewhere in there. And, in the end, if you really can't tell and you really love the thing and want to share it: Ask an artist. Or just don't share it.

Thanks for reading, and I hope this is helpful in some way!

#How to tell if it's AI #How to recognize AI #Art vs Ai #Long post #nice anon #I mean I have to be honest a lot of it is also like #white guys generating indiginous and asian people like they're working for fucking nat geo but in that extra mastibatory way #a LOT of incel shit out there #a LOT of 'if I was Elon Musk my apartment would look like this #but also the entire cottage core tag is exploding with AI shit #It's a mess #The best and worst way to handle this is to kind of assume whatever you're into is going to have at least one looser making AI in it #the worst because it sucks that it's everywhere already #and sometimes you have to block someone you liked and thought was cool #but best because being aware and active helps yourself and others

[lu-is-not-ok]

the thing I find the most interesting about Walpurgis Night is how in Dante's Notes, it says that Faust explained that the IDs and E.G.Os extracted are of those that are important to not only the sinners but also to Limbus Company as a whole. Which is interesting for 2 our of 3.

Faust makes sense, she made Mephi, she is sorta the leader of the sinners, she works with Vergil and was there for his "recruitment" and has high level access than Dante. She is very important to both the sinners and the comoany.

Hong Lu at first might not make sense but could. Obviously he is a sinner, but I think it's his connection to the company that makes him "relevant" as the notes say. His family. I dont remember where its said but I believe Faust mentions that the company has multiple sponsors. It could be possible that Hong Lu's family is one of these sponsors, and that's how he became a sinner, similar to how K Corp Hong Lu ended up there because of his grandmother.

But the weirdest for me is Meursault. How is he relevant to the company? We know he worked at N Corp. But we also know he wasnt an inquisitor and I doubt he was a member of the new League of Nine. So for him to be important, I think he was probably a high ranking member of N Corp, not only considering that he is "relevant" to the company but also because he has dealt with distortions in the past. Maybe he is where Limbus got some of their own information on distortions....but other than that, I cant really think of any other ways for Meursault to be "relevant" or important to the company.

Iiii think it's less literal/direct like that, personally.

The exact wording of the relevant point is as such:

"Though the timelines and the worlds we can access are expanded during this period, it's not like we'll be extracting random Identities and E.G.O from all over the place. Faust explained that whoever we end up extracting will be relevant to all of us. Relevant... to Limbus Company's current state in some way."

The most obvious interpretation of this (and one most will immediately get) is that while the Walpurgis Night expands the range of the Extraction, it's not a completely random expansion. We won't be getting some random Backstreets Rat Identity, but ones that would be of interest to Limbus Company.

I assume it's sort of an in-universe explanation of why the things that can be extracted here come from the other games specifically. Limbus Company clearly has an interest in what happened at Lobotomy Corp, Vergilius has made it clear in 4.5 that he's interested in the Library, and it's not out of the question for Limbus Company to also have an interest in Moses' Office from Distortion Detective due to their own dealings with Distortions and E.G.O (though that one might be more relevant later on in the story, seeing as it's something that isn't available now but might be later).

That being said, it obviously can't be that simple. This is Project Moon we're talking about, and Faust is outright pointed out to be hiding info on Walpurgis Night in the cutscene.

Now, I don't think it's the Sinners themselves that are the relevant part here. After all, the specific quote is explaining the event as a whole, not just the current iteration of it. If it was about the Sinners and not the specific Identities and E.G.O we'll be getting, then Walpurgis Night would be a kind of shitty Extraction event, cause it would mean those three would be the only Sinners that would get stuff in it, and I highly doubt that will be the case.

Rather, I think the actual thing we should be looking at is the Context and Themes of the E.G.O and Identities in each event.

Look at what we got this Walpurgis Night:

An E.G.O of the Forsaken Murderer with focus put on being restrained, yet that restraint not being enough. It seems to parallel what we know of the Sinners' situations, how becoming one restrains them yet is not enough to completely stop them from acting out.

A LobCorp ID coming from the HQ branch, with focus put on Faust knowing way more than she lets on. This, of course, parallels Faust in the main world, how she clearly knows more about how Limbus Company operates than she lets on.

A Hook Office ID with focus put on the possbility of the Office failing and it not giving enough work to the ID. It might parallel Limbus Company's current state, how it's not yet influential enough to be a for sure success, while at the same time only giving a seemingly small amount of jobs towards one of its most important departments - the Sinners.

If my interpretation is right, then it's likely we're going to see different focuses in the next Walpurgis Night events depending on what information we learn about Limbus Company or how its status changes over the course of the main plot. Though, it is just speculation on my part.

#ask #dionysusdecent #lu speaketh #limbus company #walpurgis night event #lcb spoilers

[marley-manson]

Xena Episode Guide

Xena is an episodic show with a few ongoing arcs, both plot and character, so some episodes are very standalone, others are part of ongoing continuity. This guide will have four categories, denoted by symbol: * must-watch for plot or character development reasons + not essential but very good and/or gay, I recommend these ^ average non-essential episode, not notably amazing or awful, watch if you want more xena, skip if you want to get to the good parts faster # episodes I actively recommend skipping, not too many of these because I'm easy for this show lol.

I'm also going to link this site which has a lot of info and resources, including very thorough episode synopses under "episode guide," if you want more info before deciding whether or not to watch an episode.

It's also worth noting that it's a spinoff of Hercules: The Legendary Journeys, a show I've seen exactly one episode of. You don't need to watch it to watch Xena, but occasionally it can add some context, and it's worth knowing that some plot elements are developed in Hercules rather than Xena, particularly parts of the Dahak arc in season 3. They'll have the characters explain the plot relevant stuff briefly, eg why Callisto is a goddess now, but yeah if you feel like you're missing things, that's why, and it's not a big deal.

So without further ado, here we go, starting with Xena's introductory episodes in Hercules.

Hercules: 1x09 The Warrior Princess, 1x12 The Gauntlet, 1x13 Unchained Heart# I haven't seen these, it's not necessary, and afaik some of the characterization and general vibes are incompatible with the Xena we know and love in her own show. But feel free to watch them if you want to see her introduction as a character.

1x01 Sins of the Past* 1x02 Chariots of War^ One minor highlight of this episode is that Xena and Gabrielle's respective flirtations with a man of the week each mirror their new relationship with each other - Xena and some peaceful village dude, Gabrielle and a wannabe warlord. Otherwise basic and uninteresting. 1x03 Dreamworker* 1x04 Cradle of Hope^ 1x05 The Path Not Taken* 1x06 The Reckoning* 1x07 The Titans^ 1x08 Prometheus^ Hercules and Iolaus appear if you skipped Xena's Hercules intro and want to meet them, but there's not much to recommend it 1x09 Death In Chains^ 1x10 Hooves and Harlots* 1x11 The Black Wolf+ I don't remember it too well but I remember enjoying it, and there's some cute baby les Gab stuff 1x12 Beware Greeks Bearing Gifts+ Idk if it's quite essential, but a character in this ep recurs later and this episode is referenced. It's a pretty great episode though iirc, I'd rec it. 1x13 Athens City Academy of Performing Bards^ It's a clipshow so not much of substance, but this episode is referenced in a lot of fic as a path not taken for Gabrielle 1x14 A Fistful of Dinars^ Apparently Xena's former fiance is in it but frankly I had no memory of that so I don't think it's important enough to be considered essential 1x15 Warrior... Princess^ It introduces a recurring character (and trope) so worth watching for continuity purposes but p inconsequential otherwise iirc. 1x16 Mortal Beloved+ Controversial categorization because it's het, but what can I say, I like it 1x17 The Royal Couple of Thieves^ Pretty fun and introduces another recurring character, but otherwise not especially important 1x18 The Prodigal^ Not really a fan of this one personally but I wouldn't say it's bad 1x19 Altared States+ Gets a plus sign for blatantly gay Gabrielle <3 1x20 Ties that Bind# I personally hate this ep, but it does have somewhat significant character exploration, and I wouldn't necessarily say it's bad so much as not to my taste. Up to you whether you watch. 1x21 The Greater Good* Most of the ep isn't essential but it leads directly into the next one which is, plus it's pretty good. 1x22 Callisto* 1x23 Death Mask^ Gets into Xena's past and surviving brother, but not in a way that really has much of an impact? Might be worth watching for that, but I don't think skipping it will affect much 1x24 Is There a Doctor in the House+ Gay, good, and establishes one detail that recurs later on but not a particularly important detail.

2x01 Orphan of War* 2x02 Remember Nothing+ Arguably essential viewing for character stuff, but I don't think skipping it would hurt your understanding of anything. Solid episode though. 2x03 The Giant Killer^ Referenced in a later episode so worth watching for thoroughness, not bad but not stand-out. 2x04 Girls Just Wanna Have Fun+ Gay 2x05 Return of Callisto* 2x06 Warrior... Princess... Tramp^ Introduces another occasionally recurring character, fun, not essential otherwise 2x07 Intimate Stranger+ 2x08 Ten Little Warlords+ These are direct sequel episodes and I really enjoy both, but they're not immediately relevant. The latter is arguably somewhat essential for Ares character stuff, but ymmv on how important that is to you. 2x09 A Solstice Carol# 2x10 The Xena Scrolls+ Clipshow, not essential, but please watch it bc it's an absolute delight. Basically a canon role reversal AU, and it's one of the episodes that spawned a thousand lesbian romance novels in the form of published Xena AU fic. 2x11 Here She Comes... Miss Amphipolis^ 2x12 Destiny* 2x13 The Quest* 2x14 A Necessary Evil* 2x15 A Day In The Life+ Not technically essential but widely considered one of the best episodes of the show, wildly gay, don't skip it. 2x16 For Him The Bell Tolls^ Joxer heavy, Xena light. Most would probably categorize it as # but I'm easy for the comedy episodes 2x17 The Execution^ 2x18 Blind Faith+ 2x19 Ulysses^ Warning for dumb het, skip if your tolerance is low. After this though it's pretty clear sailing in terms of male love interests of the week, thankfully. 2x20 The Price* Amazing episode overall, imo essential for character exploration, but warning for v prominent racist tribal stereotypes 2x21 Lost Mariner+ 2x22 Comedy of Eros* It's not really essential for the most part, but it establishes a certain character beat that lasts for the next 3 seasons, and imo it's fun. Skippable if you're not in the mood for a mostly het comedy ep tho.

3x01 The Furies* Explores some of Xena's family history and introduces us to how the Furies work, since they show up in a few other episodes, but not huuugely important? Waffled between * and ^ for the record. 3x02 Been There, Done That+ One of my personal faves, not stand-out gay, but incredibly fun imo 3x03 The Dirty Half Dozen^ Basically the show's lone aware statement on feminism and it sucks lmao. Aside from that it can be fun, so I didn't mark it as a recommended skip, but it's on the cusp. 3x04 The Deliverer* 3x05 Gabrielle's Hope* 3x06/7 The Debt* 3x08 The King of Assassins# Very dude-centric and forgettable imo, but has Gina Torres as Cleopatra and introduces Joxer's siblings as a thing, so ymmv 3x09 Warrior... Priestess... Tramp^ 3x10 The Quill Is Mightier^ Fun episode for Ares and/or Aphrodite fans, not important and not notably good or gay tho (though at this point we have a relative base level of gay established so yk, p much every episode is gonna have some vibes) 3x11 Maternal Instincts* 3x12 The Bitter Suite* 3x13 One Against an Army+ 3x14 Forgiven# I skipped it my first watch and didn't regret that after watching it this time around, but fyi it does implicitly touch on the emotional fall-out of the last few episodes a little bit 3x15 King Con# 3x16 When In Rome...* 3x17 Forget Me Not* It's a clipshow, but the framing device establishes some surprisingly significant character and plot stuff 3x18 Fins, Femmes, and Gems+ A fan favourite for a lot of people, it's silly and fun with some great gay moments. 3x19 Tsunami^ 3x20 Vanishing Act^ 3x21/22 The Sacrifice*

BONUS: Hercules 4x13/14 Armageddon Now This is the sole episode of Hercules I watched, because Part 2 features the inspiration for an entire subgenre of Xena fic that I love - Conqueror fic. An AU where Hercules was never born, featuring a subplot in which Xena never turned good and went on to conquer Greece. You don't need to watch it to understand the conceit, and most fics don't follow the strict events of the episode but rather the general premise of Xena ruling a nation, but it is fun, and it has some bonus Callisto character stuff too. I've put it here because it aired alongside Xena season 3 and broadly fits into it continuity-wise.

4x01/2 Adventures in the Sin Trade* 4x03 A Family Affair* 4x04 In Sickness and In Hell^ A divisive episode, some find it funny, some find it obnoxious. I came down in the middle. 4x05 A Good Day* 4x06 A Tale of Two Muses^ 4x07 Locked Up and Tied Down^ Has some character backstory and thematically relevant stuff, but nothing super significant. 4x08 Crusader+ Features the ongoing arc of Xena's future vision and good character stuff, so somewhat relevant, but not quite enough to be essential imo. But it's extremely gay and one of my faves. 4x09 Past Imperfect^ Flashback episode to Solan's birth and Borias' death, but we don't learn anything particularly essential afaik, and it's not a super strong or gay episode. Worth watching if you enjoy learning about Xena's past though. 4x10 Key to the Kingdom^ Meg, Joxer, and Autolycus heavy comedy, great for Meg's character 4x11 Daughter of Pomira^ Sort of a sequel to The Price, same racist depictions of a native american coded people, tries to be progressive and manages to be, like, a step above The Searchers lol. 4x12 If the Shoe Fits^ 4x13 Paradise Found* Essential for character stuff but also fantastic in general. 4x14 Devi* We're in the India episodes, so expect stereotypes and cavalier treatment of Hinduism that caused enough controversy back in the day to necessitate a disclaimer. But they're important episodes plot and character-wise. 4x15 Between The Lines* The other episode that launched a thousand lesbian romance novels. 4x16 The Way* 4x17 The Play's The Thing^ 4x18 The Convert^ Najara's return, a big downgrade from Crusader though imo. Introduces another character who returns later, and Joxer gets some drama, but I still wouldn't say it's necessary. 4x19 Takes One to Know One^ 4x20 Endgame* 4x21 The Ides of March* 4x22 Deja Vu All Over Again+ Canonizes Xena/Gab in a censored, network-friendly way that may have you cheering or booing depending on your perspective, but it's worth noting that it was the best the crew could get away with. The characters return in a s6 episode but one I haven't seen lol so I can't say it's essential, but I like it.

A note on season 5: widely considered the worst season, esp for Xena/Gab shippers, but if you're a fan of Xena/Ares at all you might enjoy it more. There was some behind the scenes upheaval with the writing team I believe, and a plotline originally intended for Hercules got shunted here, where it's not a great fit. So it can feel a little "off." (Season 6 is generally considered a return to form, ftr.)

Focuses a lot on the unrequited het with Xena and Gabrielle's relationship somewhat sidelined in terms of dramatic focus. But it's very arc-heavy so many episodes are relevant, and tbf Xena and Gab still have a v strong married couple vibe. My advice is to either power through, or skip freely while reading a synopsis.

5x01 Fallen Angel* Silly but v important plot-wise, also pretty gay. 5x02 Chakram* Categorized as essential for some character-statement and thematic stuff, and some minor continuity re chakram, buuuut you could probably get away with skipping it. 5x03 Succession^ 5x04 Animal Attraction* 5x05 Them Bones, Them Bones^ It's arguably essential for a secondary character's storyline, so watch if you care about Amarice, but otherwise not missing much here. 5x06/7 Purity/Back in the Bottle^ I don't thiiiink there's anything super important here, and it's not super amazing, but it's a bit of a sequel to The Debt if that interests you. 5x08 Little Problems^ 5x09 Seeds of Faith* 5x10 Lyre Lyre Hearts on Fire# I found this painful to sit through. Others enjoy it so ymmv, but it adds nothing but bad vibes imo. 5x11 Punch Lines^ Good if you're a fan of Gabrielle/Aphrodite, but otherwise pretty mediocre. 5x12 God Fearing Child* 5x13 Eternal Bonds* 5x14 Amphipolis Under Siege* 5x15 Married with Fishsticks# Widely considered the worst episode, with good reason. 5x16 Lifeblood^ Basically just a way to recycle some portal fantasy pilot that didn't get picked up, mostly a waste of time but inoffensive 5x17 Kindred Spirits# Not really that great, often annoying, but Xena and Gabrielle are emphatically married so it gets the gay points 5x18 Antony and Cleopatra^ I don't thiiiink there's anything super necessary here, skip to avoid het in the form of plot-induced manipulative seduction 5x19 Looking Death in the Eye* 5x20 Livia* 5x21 Eve* 5x22 Motherhood*

6x01 Coming Home* 6x02 The Haunting of Amphipolis* 6x03 Heart of Darkness* 6x04 Who's Gurkhan?* I actually haven't seen this one bc I wasn't in the mood and I never went back to it, but it's relevant to Gab's family the way Haunting of Amphipolis is relevant to Xena's. 6x05 Legacy* 6x06 The Abyss+ Racist stereotype cannibals unforch, but v gay. 6x07/8/9 The Rheingold/The Ring/Return of the Valkyrie+ Gay romance straight up. 6x10 Old Ares Had a Farm+ This was originally a ^ because I figured my fondness for this ep was biased bc I love mortal Ares episodes, but I have since seen it talked about a few times as a standout so maybe it is objectively pretty great. 6x11 Dangerous Prey^ 6x12 The God You Know* Only mildly essential in that it explains why Aphrodite is mortal now, but while I think it's somewhat divisive, it's an episode I enjoy personally so I'd recommend it. 6x13 You Are There*6x14 Path of Vengeance* 6x15 To Helicon and Back* 6x16 Send in the Clones+ I actually haven't seen it yet but I have it on good authority that it's v gay 6x17 The Last of the Centaurs* This, Path of Vengenace, and Who's Gurkhan are starred because they kind of cap off some secondary/tertiary character threads, but fyi they're not super essential to any ongoing plot stuff 6x18 When Fates Collide+ Not essential but unskippable, iconic gay romance 6x19 Many Happy Returns+ GAY GAY GAY GAY GAY 6x20 Soul Possession+ I haven't actually seen it because it has elements I don't like, but it's another one that I know is very gay 6x21/22 A Friend in Need* Very controversial finale, many hate it, but it is the finale so it's essential. Even if I myself haven't technically watched it yet lmao.

#marley on xena #text post #xena #for anon who asked <3 #fought for my life in html to get the bolding correct btw because the fucking new post editor is so incredibly glitchy >:( #buuut then it fucks up again when you just re-open the post to edit anything else so i give up lol fix ur shit tumblr