Sze incorporates objects such as tools,ladders and spirit levels adding other components like miniature wooden bridges .The sculpture sweeps across the space in delicate curves connecting the objects into a larger construct.
The way Sarah Sze uses the wall space opens my mind up to sculpture in the space that you are working in, and the space that is available to you.
Since the late 1990s, Sarah Sze has developed a signature visual language that challenges the static nature of sculpture. Sze draws from Modernist traditions of the found object, dismantling their authority with dynamic constellations of materials that are charged with flux, transformation and fragility. Captured in this suspension, her immersive and intricate works question the value society places on objects and how objects ascribe meaning to the places and times we inhabit.
If a building can not only draw people to its interior but also activate the space around it, then we have the possibility of a more complex reality—urbanity, a reality that is made through practices and interactions, where buildings and other artifacts become actors in a larger story.
Small actions, small objects, particularly when seemingly out of place, could have an effect in even the most powerful events or processes.
When I saw this piece, it blew my mind! If I were still making Art, this is what I would be doing. She's incredible!
This is the reason why I became an artist in the first place. Sarah Sze has made art that is universal, all encompassing, transcendent, mind expanding, unraveling the fabric of reality. Just superb!
“Sarah Sze: Timelapse” at the Guggenheim https://youtu.be/KnqpcaD04hs via
I went to my parents house today and had good food while watching the Super Bowl. It was nice to spend time with them. I made beans to go with chips but it turned out spicier than I anticipated. I haven’t written much recently. But I should read more.
Watching a YouTube channel of a visual artist called sunshell. It gives me more inspiration to journal or muse about art. I don’t know specifics about where my poetry practice is going. I have a lot of unfinished work. I just don’t know. Reading more might help me. I’ll try to spend more time in books on the topic of art. What about art from life? It’s something to think about but it’s something I’ve avoided in order to feel ok publishing. That is a question I really have stayed away from. But a poem could be about art and life or art as a part of life. I wish I could go to the Joan Mitchell exhibition in NYC. Too bad I’m missing it. I can’t wait to get back there. I would like to see the Sarah Sze exhibit at the Guggenheim. I hope I get there. I just watched a YouTube video about one of her installations. I was thinking that this is life, not a school science experiment. But some science experiments are important and have properties of art. Enough misery about not getting to live in New York. Maybe I should revisit that. How could I make that work for me. It seems like a stretch but it’s ok to think about.
What about my art though. It would be good to take time throughout the week. Around applying to jobs. And read the books I have. They are other worlds. Do I have any ideas about topics or anything? I could explore shelved topics. I think I need to complete a few poems beyond the endless fragments.