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#She's not As fun to draw with it on but I want her to be accurate as well!
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Revolutionary Army Punk AU
Ft: Luffy (not punk)
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Steampunk is cool but i think just straight up punk would be cooler. I just think what they stand for lines up a lot better
Design notes:
I did some research and talked to a punk friend of mine for these as i am not a punk, myself, and I dont want to look like a poser. I think i did a really good job translating them and i want to explain my thoughts!
Sabo was first, of course.
I not only wanted to make the characters punk, but i also wanted to crank their designs up about 20 notches, so i gave Sabo’s scar one hell of an upgrade. In this version I tried to make it very clear that that cannon ball hit him head-on. I think it works really well with his punk vibes because under-cuts and shaved parts of the head in general are very popular in punk culture.
I largely tried to keep the silhouettes the same with this au, and It was really easy to keep it with Sabo because of the fact that he already has a lot of design elements that translate well to punk. His big pants into tall boots were perfect to translate, crust pants and steel toed boots fits him well. Trench coats arent a staple in Punk, but i couldnt take the coats away from him… him or Belo. They deserve it…
I threw away his cravat for a choker, i replaced his vest with a red tank top and his undershirt for fishnets, Patches up the wazoo, he looks very cool.
Belo Betty was next, she was super easy to translate. She’s already in the punk spirit with her tits out, we love to see it. Her hat was really difficult to translate, along with all the other hats, but a red knitted hat that has those two points cuz it’s essentially a scarf sewed together looks nice on her.
My punk friend suggested i give her a bunch of nets and harnesses and i really agreed that was her style, so i gave her red tie to Morley, slapped some harnesses on her and just overall just turned her sexy up like 50 notches. I think i was clever how i adapted her striped stockings here with how they have runs in them.
Karasu is almost the exact same. I just threw out his dinky little cravat and gave him a bandana and harness. I also gave him piercings. That’s the only difference. In the words of my Punk friend “hes naked and wearing a spiked mask, He can hang���
Speaking of what my punk friend said, he said that Lindbergh would get “demolished” in the pit, and that he looks like he’s scared of bees. The consensus was that he couldn’t hang. But also i still had to make him punk, so then he suggested CBGB punks:
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Redneck, bluegrass, southern american punks. I was really in a rut with his design, I didn’t know what to do to keep the silhouette of his backpack. But everything changed when I chance got the idea of a guitar. And then everything flowed from there
Morley was really really fun. Punk friend suggested i make him Pop Punk, inspired by this pic
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Mainly Lindsey way with this plaid skirt and tie
He was so so fun to draw, i love his fucked up eyes.
For dragon, i didnt change much at all, even though it’s only his bust that’s shown. Imagine everything is the same, except now he has piercings. Dragon isnt concerned with the punk fashion, but the punk cause.
For Luffy, I wasnt trying to make him punk, but he felt a bit plain looking like base Luffy next to punk Sabo, so i just did the “turn design up 20 notches”, and just gave him a more visibly tattered hat, bangles and waist beads.
That’s about it! Ive been getting a lot of comments and asks lately saying that you guys like when i go on my design explanations, and i realized that i didnt do that for the last few AU’s, so i thought id type this up :)
Thank you for reading!
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vivwritesfics · 3 days
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Young witch oscar discovering his older sisters first spell book and experimenting. Casting spells left and right not understanding its not a game.
Young oscar discovering karting and climbing to succes when he just wanted to have fun.
Oscar obssesing over lando and McLaren until he got onto the team and met his soul mate
Yes oscar worked hard but young oscar accidently made sure older oscar would be set for life.
Current oscar finding the spell book when he travels home to officialy introduce his bf to his family
Accidently doing a love spell and a success spell lol
hehe so we actually talked about this and threw a reader in there since i don't do just driver x driver - also i'm sorry love but i couldn't work the meeting the family bit in there, but i've... you'll see what i've done.
Warnings: Blood mentioned (human and animal), rituals
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"I'm not using your blood for a ritual," Oscar said with a roll of his eyes as Lando laid in the middle of the chalk pentagram. Oscar hadn't yet lit the candles, and the chalk making up the pentagram was now printed on the back of Lando's jumper.
"C'mon, Osc," he said as he allowed the younger man to pull him to his feet. "I thought you needed blood."
He grinned at his boyfriend. God, he was cute. "Animal blood, Lan," he said and moved him away from the ritual set up. He sat him down on the sofa, beside their girlfriend, and she wrapped her arms around him, keeping him there.
The two of them loved watching Oscar do magic. They watched as he lit the candles and redrew the pentagram. It was a protection spell, the two of them knew. They'd seen him do it enough times now that they knew the ritual off by heart.
When the protection ritual was finished, Oscar looked across the room at his loves. How had he gotten so lucky?
He knew how. Little Oscar had spent months searching through his sisters spell books. Spells for luck, wealth, good fortune, good future. Oscar had cast them all.
Luck with is karting career, since skill simply wasn't enough in this world. Good fortune and good future led to him starting his Formula One career and meeting the worlds best teammate.
Wealth. It wasn't a spell for money. It could have been for money, if that wasn't already in Oscar's future. No, he was wealthy in love.
Lando was his soulmate, he knew that from the moment they met. His funny, charismatic teammate. Everybody loved Lando, he knew, but the feelings Oscar had were... indescribable.
He wasn't the only one of them that could feel this draw, but he was the only one that could explain it. He knew Lando couldn't explain why he was kissing his teammate, but he knew he he didn't want to stop.
But then he found out that Lando had a girlfriend. Of course, he did, why wouldn't he? He was brilliantly funny and charming. And Oscar knew there was nothing he could do about that.
As hard as it was, Oscar tried to let Lando go. But then he met said girlfriend. Oh God, she was cute. She wasn't like Lando, and the pull Oscar had to her certainly wasn't as strong, but it was still there.
The way she laughed at him, punched at his shoulder when he made some deadpan joke, she had to be flirting with him. At least, Oscar hoped she was.
The three of them sat alone, just hanging out. It happened often, and were Oscar's favourite times. She sat in Lando's lap as she spoke to Oscar.
And, suddenly, Lando was standing. He placed her down where he had just been sitting, and walked over to Oscar. His hands were on his cheeks as he leaned in.
Oscar was wide eyed, looked towards her as Lando kissed him. This wasn't happening. This couldn't have been happening. She just watched as Lando kissed him.
Suddenly, Oscar was on his feet. "I'm not doing this if it's some fetish thing," he said quickly, looking between the two.
They looked at each other and, well, laughed. They were actually laughing at him, and it fucking sucked. "Not a fetish thing, Osc," said Lando as he pulled him back onto the couch. "I like you, and she likes you, too. Do y'think she could come over here and kiss you?"
It went beyond kisses. Before any of them knew it, they'd been together for a year and Lando was asking him to move in with them.
He cast a protection spell in the dead of night when he first moved in. She had walked in on him blowing out the candles and wiping the blood up from the floor. He'd tried his best to explain, and she was patient with him, listening to all he had to say. She didn't believe him, of course, so Oscar proved it.
He proved it to the both of them, and they stayed by his side.
And here he was, casting a protection spell for his little family. It had been a year of living with them now. A year of keeping them safe, of only casting spells if he needed to. He kept looking at his loves, the loves he had because little Oscar attempted to cast from his sisters spell book.
Hours later there was a knock on the door. Lando pulled himself out of their little cuddle pile. "I'll get it," he said as he stretched up and walked towards the front door.
Oscar tightened his grip on her as they both waited for Lando to come back. He kissed her head and tipped his own back, watching as Lando walked back into the living room and slipped back into his seat. "Package for ya, Osc," he said and handed Oscar the rectangular package.
He pulled it open. "Wow," he whispered as he ran his fingers over the cover of the book, the first spell book he'd ever used. Without this book, would he still have his loves here, holding him tight through the nights?
He opened it to the first page. Wealth. When he'd cast it, he thought he was going to grow up to be rich. He was very wrong, and he couldn't be happier about it.
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wineauntie · 2 days
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could i please request something of evie’s universe where evie gets upset because she doesn’t understand why quinn has to leave so much :(
DON’T LEAVE — family is family au
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“No!”
Quinn took a deep breath in as Evie’s yells bounced across the apartment walls. He made the mistake of glancing backwards, catching sight of Evie trying to claw her way out of your grip, as you held her in your arms.
Quinn had another series of away games, meaning he had to leave you and Evie in Vancouver.
“Dad, don’t leave!” The four-year-old girl wailed. Evie wasn’t typically this upset when Quinn had to leave but when you’re four and you haven’t gotten much sleep the night before, when someone close to you is leaving, chaos is the only option.
Quinn knelt down, dropping his bags at his feet. "Hey, Evie," he said softly, his voice calm and steady. "Come here, Bug."
She hesitated for a moment, her little fists clenching and unclenching, before she wriggled free and rushed into Quinn's open arms. He scooped her up, holding her close, feeling her tiny body tremble with soft sobs.
"Don’t want you to go," she whispered, burying her face in his shoulder.
Quinn glanced over to you with broken eyes as he gently stroked her back.
“I know, Bug, I know. But I have to play with the team, remember? We’ve talked about this." He softly reminded her.
"But why can't you stay? With me and Mom?" Evie sniffled, her big eyes searching his for answers, the red tinge causing Quinn’s heart to crack.
"It's my job, sweetheart. Just like how you go to preschool and Mom goes to work.” Quinn explained, his thumb brushing away some of Evie’s stray tears. “But guess what? I'll be back before you know it and we'll have lots of fun when I return.”
“Like what?”
“We can go to the park, and I'll even teach you some new hockey moves. How does that sound?" He listed, his eyes trained on your little girl.
"Promise?" Evie pouted slightly, her grip on his shirt loosening just a bit.
"I promise, Bug," Quinn swore, giving her a reassuring smile as she leaned fully into him. "And while I'm gone, you can draw me lots of pictures, okay? So when I get back, you can show me all the amazing things you've made."
"Okay,” She managed a small smile through her tears. “I like drawing.”
"That's my girl." Quinn kissed her forehead and set her back down gently. "Now, be good for Mom, alright?"
"Okay." Evie nodded, wiping her eyes with the collar of her T-shirt.
Quinn stood up, grabbing his bags once more. He gave you another quick kiss, brushing your hair behind your ear.
"I'll call every day,” he whispered into your ear as you briefly wrapped your hands around his middle.
"You better," you replied with a soft smile, squeezing his hand as he pulled away.
As Quinn walked out the door, he turned back for one last wave. "See you guys soon, love you!" He called, balancing his bags.
"Love you too!" Evie called out, her voice stronger now.
The door closed, and Quinn's footsteps echoed down the hallway. You looked down at Evie, her face still streaked with tears but her eyes filled with determination.
"Come on, sweetheart," you said, taking her hand. "How about we make some signs for Dad’s upcoming games, hm?"
The night was spent with you both sitting down at the kitchen table, Evie with her crayons and you with a warm cup of tea.
As promised, Quinn called every single day and once he returned he was bombarded with hundreds of pictures Evie had drawn just for him.
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wwwjam · 1 day
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Something I'd been wanting to draw: The Oracles in their corresponding Zonai outfits from Tears of the Kingdom.
There are three outfit sets in Tears of the Kingdom that correspond with the 3 dragons of Hyrule; Dinrall, Farosh, and Naydra. These dragons themselves are named after the 3 goddesses of Hyrule; Din, Farore, and Nayru.
So I thought: It'd be fun to put the Oracles of Holodrum and Labrynna, also named Din, Farore and Nayru in those outfits.
And it was fun. But also painful due to all the details. And this is pared down. Some things wouldn't fit due to space.
I also made a boo boo when doing Din's pose. She takes up entirely too much space, so she's kinda butting in on Farore with her hair... Oops.
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bubblybloob · 1 day
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Not really an ask but just wanted to say thank you for drawing Beast 🙏, she doesn't get enough love.
Love your Witch and Beast interactions, they're so funny
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Witch: IT WAS SUPPOSED TO BE ME! I WAS SUPPOSED TO BE THE MOST DRAWN CAT GIRL FROM THE GAME!
Beast:
Thank you! I actually find Beast a fun challenge to draw, given her strange appearance with the (mostly) human face, rat body, claws in the front, chicken legs in the back, and the long, winding tail.
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zilodak · 16 hours
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I love how you do your blakout inking... Is there any tip to doing it right or do you just go in on instinct? I know having a good idea of shadow placements is important but I also struggle with how I shape my shadows and I end up being too conservative with how much black the drawing has yk
The easy answer to this is... intensity!
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Let's start, everybody say "hi Selin!" She's going to be our muse today!
First I'm going to go over how I tackle flat light. This is the style of inking I used when I was drawing Miss Atom if you noticed!
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Flat lighting is perfect if you want your colors to shine, perhaps even when the background is incredibly detailed as well. This one is easy, just apply thicker line onto the part of the body that doesn't see light. You can choose to shadow certain details like the inner side of the hair.
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Now just sort of expand on it. Try to keep it blocky. The trick is to balance the light and the shadows. The trick is to keep in mind where the light is coming from. This type of lighting gives you more depth, you can now see how her body curves and how hey hair flows. You're getting more details here.
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Keeping it simple helps your eye focus on the details and what is being lighten.
If you want dramatic lighting, the key is to crank up the shadows by a 100. And still keep in mind where the light is coming from, and keep it simple.
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As you can see, you don't need to highlight every detail. That's the best part about moody and dramatic lighting. It's extremely useful in serious scenes, if the tone or your work is dark, like Noir.
And there you have it!
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Just have fun with composition and shadows! Keep in mind, as long as it looks good, it doesn't really matter if it's not realistic. Shadow and light are tools for composition.
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melodic-haze · 2 days
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Personally how touched starved do you think Arlecchino and Furina are? Like one has been alone for 500 years and the other killed her best friend and probably doesn’t think she deserves love.
☆ — DEMO TRACK: Arlecchino x Reader, Furina x Reader
☆ — TYPE: SFW
☆ — CONTENT WARNINGS: N/A
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Oh I think they'd be VERY fucking touch starved, except the two are like. On two different sides of the scale
On one end, you've got Furina. On the other end, you've got Arlecchino. What they're on a scale of? How "vocal" they would be in terms of it
Furina would be on the VERY vocal side, and by that I mean she WILL monologue to you about how she needs your touch or else she will PERISH from a lack of you-contact
Furina puts the back of her hand on her forehead, "My beloved wants to leave me be! Oh, you torture me..."
"Babe, I'm literally only going to get a glass of water."
"You forget my domain over the element!" She moves to throw herself onto you, wrapping her arms around your neck and causing you to laugh as you caught her, "I can satisfy your needs easily!"
"At that rate I'll be better off taking a shower!"
"It gets the job done!"
But she's not vocal for no reason :((( 500 years spent in self-isolation in order to save her people takes a HUGE toll on you so the moment Furina had realised that she doesn't have to do the whole song and dance all over again, she just can't help the want—the need—to basically be attached to you
It's not just because she wants to make up for lost time after FINALLY being able to do so, but also because she's scared that one day it'll all just go poof and disappear in a distant dream. She doesn't speak of her troubles until either she decides it herself that she should or one of the members of her Salon Solitaire (Crabaletta lol) decides to conk her for it
Sometimes she'll ask if she's being a pain in the ass bc she IS aware that she's constantly wanting for you to at LEAST be near her which. If you say she is then I need to sit you down personally and slap you in NOT a fun way
Meanwhile, Arlecchino on the other hand, is VERY quiet about it. She won't say anything, nevermind doing anything. She'd restrict herself from clinging onto you as much as she'd like to
You were a vision to her, a lovely sight to see and a lovely voice to hear as you recounted your day's events. Even when you did something so mundane, something that isn't necessarily something special, Arlecchino still looked at you with such adoration.
She almost didn't notice her hand inching closer towards yours from her warm daze.
Almost.
Before she could draw it back unnoticed, however, you turned your head at just the right (or wrong) time.
"Arlecchino? Is there.. something wrong?"
..She shakes her head instead of admitting her desires, "No, my apologies, darling. I was rather captivated by your tale. Do tell me more about your friend's predicament."
And so you do, but you couldn't help but notice the longing look in her eyes.
It takes a while before she starts warming up to the idea of letting herself actually do SOMETHING. And that'll take a lot of time, patience and encouragement from her❗️❗️❗️ But trust when I say it's worth it bc she practically treats you with so much more affection and devotion than the literal archon she serves HAHA
She doesn't thinks she deserves to show physical affection, to touch you, to truly worship you and your body in every way she can—not when she has the power to hurt you, not when she's killed off the person she had cherished the most all those years ago :(
You gotta reassure her that everything's okay and that you won't disappear bc once you've done that? She's SO TOUCHY she will NOT go through the day without havign some form of contact with you
She won't do it as much in work though she has a reputation she wants to keep lmao
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hauntingrabbits · 1 day
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More Batman/My Little Pony au art because these are ridiculously fun to draw. Part 1 here!
More info under the cut!
1. Sweet Talk/The Harlequin (Harleen Quinzel)
Originally contracted to work as a psychiatrist for the Tartarus villain redemption program, Sweet Talk had a unique relationship with the Joker. This relationship was proven to be even stranger than her coworkers had originally assumed when she broke him out and joined him in his life of crime.
Devoting herself entirely to her new life and relationship with the joker, she covers her original cutie mark at all times. Snce her horn was snapped she can no longer cast precise spells, leaving her magic mostly emotion-based and intensely volatile, (typically manifesting in the form of sparks, zaps, and explosions).
Other Notes:
-Using Tartarus as a substitute for Arkham Asylum for this au because why not.
-The villain redemption program did NOT go well. Sorry Twilight.
-Mostly based on BTAS Harley because I adore the original costume.
-Her horn was cracked by the Joker
2. Pudding Pie/The Joker (The Joker)
Batpony’s most notorious foe. Said to have been just a regular pony until he fell into a vat at an Ace Potions factory during a conflict with Batpony.
He doesn’t have a Cutie Mark, but it’s unclear whether this was always the case or instead a result of his accident. The effects of permanent Cutie Mark loss—the only known cases of which occurred via long-banned magic and/or traumatic injury—are largely unstudied, and it’s ramifications are unknown. Some ponies theorize this may be the reason for the Joker’s mental state and general disposition.  
Sundown has a different opinion on the matter.
Other notes:
-Based mostly on BTAS joker and the ‘89 Nicholson joker.
-His name is just based on Harley’s “pudding” nickname for in in a lot of versions, but I think it would also be hilarious if he was a distant relative of Pinkie Pie.
-I could leave it ambiguous but. Yeah the potion vat didn’t actually do anything beyond slightly altering his physical appearance. He’s just like that and he never got a cutie mark in the first place.
3. Gadiel/Scarecrow (Jonathan Crane)
Raised among ponies, Gadiel was relentlessly bullied for being gangly and birdish, earning him the nickname “Scarecrow” in his youth. Though he later successfully became a professor and psychologist in Gotham, Gadiel was eventually fired when he was found to be testing his fear-inducing potions on his students and purposefully putting them through terrifying and dangerous situations. Deciding to take his experiments to the masses, Gadiel donned the mantle of Scarecrow and weaponized fear to become a career criminal.
As the Scarecrow, he’s known for his skill in manipulation, psychological torture, and crafting dangerous potions and gas. The effects of fear on magical creatures are unique and intense, much to Gadiel’s delight and interest.
Other Notes:
-I wanted to make his front half a crane but I couldn’t get the long neck to work right with the mask, so he’s more crow-like instead.
-according to the wiki 1/3 of Griffin names start with a G so naturally I was extremely tempted to name him Gonathon and you should all be very grateful I did not. The name Gadiel has origins in the bible as the name of an archangel which I thought was fitting given the insane religious trauma some versions of the scarecrow went through. I thought about trying to do something similar for this version but given that the mlp universe uses Princess Celestia as a replacement for God in expressions like “Celestia knows where” and “Oh my Celestia” I wasn’t really sure how to go about it. There’s probably some kind of sun-worshipping thing in equestria idk.
-I spent a long time on the mlp wiki but from what I could find the only “fear” magic in the show is just used by one guy and its just called “dark magic”. I thought for sure there would’ve been some random plant or magical creature they dealt with at some point that maybe did something similar I could use for his blurb but unfortunately there was not.
4. Mandible/Falseface (Basil Karlo/Matt Hagen)
Hungry and deeply resentful of the changeling queen for forcing her underlings to share what little stolen love they had with her, Mandible went rogue early on and split off from the hive to pursue his own ventures. Finding success under the name Claypose as a pony actor in Gotham, he was sustained primarily by the one-sided love of his fans for years, despite the false identity having no real prior personal relationships to leech from. 
After a magical special effects accident on set revealed his true nature, he went into hiding and immediately started crafting a new persona, but soon found in his distress and rage over losing his identity as Claypose that he could no longer sustain any disguise long enough to keep up a long-term facade. Blaming the accident, he targeted the unicorn responsible by posing as his wife to leech his love, but ended up killing the pony in a panic when his disguise failed much faster than he’d anticipated it would. Unable to keep up a new identity or return to the hive, Mandible turned to a life of crime instead, doing dirty work for the bigger criminal names in Gotham and leeching love from his employer’s targets to survive.
Other notes:
-Clayface being a changeling was an obvious pick given his power set but I really wasn’t sure how to tackle the main issue of him being unable to keep a solid form for long. I went with his distress and frustration being the main thing keeping his disguise flimsy (so he gets put in kind of an ourobouros cycle where his disguise being bad makes him upset but him being upset makes it harder to fix his disguise), but the magic accident probably also contributed somehow.
-Why are all the changelings straight up just named after body parts in this show whats that about. The “Clay” in Claypose is obviously a reference to his title/schtick in the comics while the “pose” comes from both his job as an actor and the fact that he’s posing as a pony. Mandible is the name for the jaw part of an insect.
3. Winglon/Killer Drake (Waylon Jones)
Originally intended to be used in an entrance exam, his egg was stolen from a Canterlot delivery cart on its way to Celestia’s school of magic and sold on the black market to a Pony Island circus. Raised to be part of the freak show, Winglon was pitted against circus performers and overconfident challengers in ring fights for money and entertainment. Enduring abuse and injury throughout his life from ponies that he was always fundamentally stronger than, it was only a matter of time until he snapped. Garnering the name Killer Drake for his actions, Winglon escaped into the Gotham sewer system.
Not knowing how to return to the dragonlands or whether he’d even fit into dragon society at all, he continues to lurk in the dark away from any life, deeply resenting ponies and all other manner of magical creatures that make friends with them.
Other notes:
-I like silly names ok. Winglon Jones. -I like the theory that the dragon egg used for Twilight’s entrance exam was actually fake/meant to be a no-win scenario, but I also don’t think it would be that hard for enterprising ponies to get their hands on dragon eggs. The practice probably stopped in the later seasons when they made friends with the dragonlands or whatever though.
-Given that dragons threaten to eat or kill ponies at multiple points in the show, the cannibalism is actually kind of understandable. And also not even cannibalism anymore. Still murder though.
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My suggestion for how to fix the Stolas Problem
Don't know what the Stolas Problem is? Don't worry! I'll explain it to you. The Stolas Problem is an issue that the Helluva Boss show is having in which the entire premise of the show has basically been scraped to instead focus on a character that was supposed to be a love interest only. The end of the first season and beginning of the second also majorly ret-conned him so that he is no longer a sympathetic or fun character. It transformed him from someone that was horny all the time and rather bad, but typical for what a demon in Hell should have been, to a sadistic delusion narcissitic jerk that coerced a lower being into having sex with him or else Blitz's only friends and daughter would be out on the street. It went from them using each other to Stolas coercing and raping Blitz in what's called a quid pro quo relationship. So that being said, let's get going!
Instead of having him be sad that he's not loved by Blitz, have him be oddly excited about the date and trying to figure out why his feelings are so weird, maybe through the song Stella yells at him for.
Get rid of The Circus entirely, it's unnecessary and makes the quid pro quo rape really uncomfortable because Stolas thinks they're basically dating instead of just using him back.
Get rid of Seeing Stars. We already had a "Stolas trying to love his daughter the way she needs" episode and this is just making him look far worse. If you want to show more Stolas then have him out with Via when Blitz is calling him for help with the DHORKS or something.
Make Stella an actual person and show her in the background with Via. If you want her to be abusive, make sure that none of her actions mimic Loona or Stolas or any of the other characters that are seen in the show like they currently do.
Put Western Energy at the end of S2 and put more episodes specifically just about IMP. Maybe develop Millie more as a character, have the episode where Blitz tells Loona that she needs to be nicer be a full thing where he has to try and hire other secretaries but finds that she's the only one that works for them. The show is about Blitz, the protagonist, not about Stolas the love interest.
The "He can get hurt?" is the perfect thing to perk up Blitz's love for Stolas so it should definitely be at the end.
Show more of them liking each other after the awkwardness of their first 'date' at Ozzie's. Show them cuddling in bed or laughing about something or deciding that they don't want to have sex after trying awkwardly for an episode and so they just sit and eat ice cream while bonding over a shared interest. Right now the only thing drawing these two together is the narrative.
I also think making him a serial cheater would explain the fetishization of Blitz' demonic race, by having previous partners enjoy being degraded and talk to that way. It could end up with them having a fight and that's how Stolas confesses by saying he wants to learn Blitz more than he did them because he loves him.
Have Blitz still get back with Fizz as friends but explore more of their romantic feelings to show what Blitz thinks a relationship should be except it's not what all relationships had to be because they had puppy love and not grown adult with kids love.
If you have any ideas of other things that might help make their relationship more believable or make more sense, feel free to add to this last!
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anthroposeen · 1 day
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tmagp 18 relisten notes
as usual, tma and tmagp spoilers below cut! sorry this one is so late!
celia:
- she was unable to go into work because of a "childcare emergency" but when we see her perspective we know that georgie was watching jack. on top of that, we learn that celia lied about why she left the house- i think its safe to assume it was related to her teleporting/sleep walking and its becoming a more frequent issue
sam:
- hes uncomfortable being around lena even without directly interacting with her, and feels shes impersonal as his boss
- he asked lena about celia's whereabouts, when he could have texted her himself or she could've updated him, instead he chose to ask their boss about it
- the incident is narrated at his desk, and he draws comparison to the recent encounter alice had- both involving a dead woman recounting the strange way she died
- "she was trapped in her greatest fear, which then actually killed her", its interesting that he was able to clock that with the little context he has -> i wonder if this concept was touched on at his time at the magnus institute
- doubling on the previous observation, sam says he thinks something killed them both, as in a singular force is responsible for their very different deaths. i think that he's right, since this follows similar styles of story pacing/information reveals in the past, but my question lies in what this "something" is: an entity, the fear conglomerate? (fear being a whole force on its own, with the denominations being smaller aspects of it), or a reference to the dimensional rift in some way?
- he thinks gwen is kidding around when she says mr bonzo is an external (reasonably) but once she reacts strongly to him imitating the monster, he does seem to reexamine why she reacted that way. but it doesnt appear that he takes her seriously about mr bonzo, rather taking it as a sign of her deteriorating grip on reality
alice:
- she's attempting to pick up teddy's spirits and encourage him, offering to go out for drinks with him, sam, and celia
- she describes celia as "really weird but in a hot way", which can be taken at face value or as an attempt to joke with teddy (seeing as how she describes her brand as irritating yet faintly erotic)
- after her description of celia, she says that she can make teddy forget his obsession with sam, obviously a joke about teddy, but maybe a subconscious example of her own feelings?
- she's very adamant to sam that she wants nothing to do with the incident even if its similar, refusing to turn to curiosity and making fun of him for suggesting she get her red string out
- she seems actually unbothered by the idea that theres likely hundreds of thousands of entities in their world, and explains the likelihood of them being real/how many there are as if shes mulled this concept over before
- it sounds as if shes heard of others (past coworkers) that try to connect the dots between incidents that affected them and it went poorly, with the best case scenario being no more interaction with the encounter
- sam tells her off for ignoring both the incident and gwen's mental state, which she rebuffs by saying she can ignore it and she intends to continue doing so
gwen:
- after some pushing from sam and alice, she actually tries to open up about her issues, but she has a problem with explaining her experiences, making them not take her seriously
- originally, when she feels supported/encouraged, she tells them how she doesnt think the externals are humans, and takes the leap of faith of revealing mr bonzo is one of them
- once sam makes fun of the mr bonzo reveal, she tells him to shut up and curses, running from the office. this is the first time we as the audience really see her break
lena:
- she picks up on sam being unsettled in the break room, but is surprised that its because of her
- "why would i need to talk to you?/ consider my silence as a compliment"
teddy!:
- he was in the royal mint court area around dusk/whenever the OIAR shifts start, and he says he didn't recognize alice (i severely doubt this as she seems the sort of person to be aggressively noticeable even in the dark)
- he tells her that he was in the area for an interview (assuming the other interview he mentioned in a previous episode fell through)
- he seems to be going through a very rough patch financially and mentally, sounding very beat up and not really meeting alice's energy or jokes as he would in the past
georgina barker, the man the myth the legend:
- she's babysitting jack for celia, but it doesnt sound like they live together or like this is an average situation (celia apologizes for taking up georgie's time, and if georgie were the regular babysitter celia would likely have less issues relating to keeping a sitter
- "who keeps taking georgie's face?" im choosing to believe this is a poke at the fans and not a real foreshadowing of her fate. she survived one entire podcast against all odds i do not know if she can survive both
- shes pieced together that celia is lying about what happens and where she goes during these emergencies, insisting that celia tells her the truth (drawing some parallels between how tma!georgie interacted with jon and his lying)
- she asks celia if shes being spied on by the government, this is likely because celia has a civil service job and wtg probably touches on similar stories, but its very interesting that this is the first direction she goes in, rather than a paranormal one (its possible that tmagp! georgie doesnt believe in the paranormal, having never had an encounter with the End, but i find it unlikely shes a full skeptic
incident:
- our second incident to be narrated by augustus! (im not going to draw comparisons between his themes yet since we only have two to draw on)
- the incident follows the post mortem account of a dead woman named violet parker, taken from a medical examiners investigation into her death, related to a case from the london MET police
- her body was found clothed, dehydrated and malnourished, with an ankle injury and worn feet. and, most notably, dead.
- after the autopsy, violet's body began to speak, telling the story of her death.
- no one had come forward to claim her body, i think this furthers the theory that these speaking corpse's are from an alternate dimension (likely tma)
- violet talks about being trapped within a house that has multiple descriptors of tma fears. including mentions of spiders, loneliness, endless corridors, a person asking questions from an alleyway (similar to the angler fish)
- she describes the house as having too many rooms, passages designed to be confusing, so you have to walk endlessly and slowly starve (correlating to the state of her body). she talks about doing deeds and services for the people in her life out of fear they'll abandon her and she'll be alone.
- violet describes feeling like a lone cloud rolling among her peers as a child, and compares their laughter at her to poetry (drawing very clear parallels to martin's brand of loneliness in tma)
- she says that there was a fog that rolled through the house and disguised her and kept her trapped, but also makes reference to rusted nails, rotted wood, and signs of decay throughout its description, a tie to the corruption.
- the house shes referring to had been demolished in her childhood, but she describes it as a manifestation within her, where she wanders it in her mind. this is closely followed with a description of corridors that twist and confuse her, a common attribute of the spiral and the distortion specifically.
- violet says that someone had brought her to the house, calling them a solitary figure that asks questions from an alleyway. this draws similarities to the stranger and the angler fish, but it also reminded me of the archivist (in terms of asking questions and being responsible for bringing her to this nightmare)
- "it doesnt matter, because no one is here now. because i broke my promise." while this incident isn't narrated by chester, this line still hit me as a strong parallel to jon's final arc, and i wonder if it might be a clue as to his current state of being?
glitches/lies:
- "i'll get by", said by teddy to assure alice he's in a stable situation. poor guy
- "sure. maybe." also said by teddy in response to alice proposing they go for drinks if he gets the job. this cpuld mean he doesnt intend to go do that with her, or that he doesnt expect to get the job (or! he lied about being in the area for an interview)
- "ide ran out of baby food" said by celia, lying to georgie about why she left jack alone
- "im not!" said by celia, denying shes lying
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referring to beth. i love that you have a character who can so specifically utilize your talents with dynamic posing and proportions. she can literally be whatever and that lets her be the tiniest gremlin in the world but also the bladerunner hologram but evil and im obsessed with it
thank you!! yes yes, Beth is one of those ocs of mine who I don't really need to worry at all about drawing on-model or whatever. as long as her personality shines through it's on-model. So I can really just have fun and do whatever I want, stylistically. I'm very very glad that comes across well enough
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varpusvaras · 2 days
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I've had a headcanon for a while that Breha and Fox are really into the romance genre - like, in a way that if the book/show/movie is good, they enjoy it as a good piece of media, and otherwise, they read or watch things together and have fun with it. Bail is...not so much into this, as much as he can also enjoy a good piece of media, but the second part of the experience is kind of lost to him.
He will listen to Breha and Fox talk about them and tries to guess what is going on in any given book/show based only on what they tell him.
(If he is actually a bit invested. Shh. No he isn't. No, he's not watching this- alright, fine, you menaces)
So, there's this relatively new show. It started a bit before the war, and gained a lot of popularity then, and when the show was put on hiatus because of the war, the fans were impatiently awaiting for more. The show is about mostly fictional planets and their high-society, royals and nobility.
Breha and Fox watch the part of the show that came out before the war, and make Bail watch with them as well (Bail watches, because they are asking and he wants to spend time with them, and, hey. He likes looking at them when they are happy and joking around). Then, some time after, the show announces that it will be coming back with new episodes!
The episodes start releasing. Breha and Fox watch them, and make Bail watch them as well (no, he isn't invested at all-). One week, there's a new character introduced. A Princess, who is going to become a Queen soon. She is from a very old and rich planet, that does arts and peace and nature. Breha says that it reminds her of Alderaan a bit, perhaps they have taken some inspiration.
One episode, the Princess meets a nobleman, who is very politically idealistic and believes in equity, and is striving for making the galaxy a more peaceful and unified place. The actor is very tall.
Fox jokes that they kinda remind him of Breha and Bail. Breha laughs. Bail squints his eyes at the screen.
The Princess becomes a Queen, while becoming increasingly close with the nobleman. Then, one week, they introduce another new character. A former soldier, who has now returned from the war, and the Queen and the nobleman meet him when they are in an event, discussing how to make more peaceful solutions.
Bail frowns at the screen. The actor is not a clone, but looks very much like one, with his tanned skin and dark, curly hair.
Fox looks at the character as well.
"Oh", he says.
"Oh", Breha says as well. "I do think...that they have taken inspiration from close by."
You don't say, Bail thinks.
He's not super stoked about this development, but at least the two other actors do not resemble him and Breha too much. He can...sort of understand the choice of casting someone who looks kind of like the clones into the role of the soldier. It's commentary. Easy to understand. It's....fine. They are just drawing inspiration from their overall dynamic, nothing more. There's nothing else that seems too recent.
Then Bail goes for work to Coruscant, and gives statements regarding his views on the clone rights, the war, and his relationship with the clones and how, even though he cannot claim himself to be a part of their culture, he and Breha and Alderaan as a whole have tied themselves into it and consider it to be a part of their culture as well.
It's a good statement. Bail is proud of it and the reaction it causes. The way Fox and Breha look at him after is the best reward he could possibly ask for.
Then, a few weeks later, a new episode comes out. The nobleman gives a speech about the war and cultures and how he relates to them. It's very much the statement Bail gave, but just reworded to fit the world of the show.
Oh, Bail thinks. Oh, it is on.
Bail decides to have his own fun. He starts to make very showy gestures to Breha and Fox in public. They know immediately what he is doing, and go along with it.
Some of the things he did end up in the show. Bail can deduce from what those things are when whoever it is who is gathering material is present.
Bail knows the press. He knows how they dress, he knows how they operate. Once he knows where to look, it is very easy to spot them.
It's a rare occasion that both Breha and Fox are accompanying him to Coruscant. Bail is playing it up, until he notices the person who is very much not press but who is very much recording and making notes, when Bail is not even saying anything to any of the people surrounding them.
Bail turns to look straight towards the camera.
He person holding it stiffens, but doesn't turn away instantly. Not so easily intimidated, then. Bail can respect that at least.
Bail continues to stare at the camera, not saying anything. Just staring. Fox and Breha have caught on to what he is doing by then, and they are trying their best not to burst out laughing.
Bail continues to stare at the camera. He has stared down bounty hunters, separatists, assassins, the sith. He can do this all day.
Finally, the camera turns away. Bail smiles, and clims into their speeder with Breha and Fox.
As soon as the doors are closed and the speeder starts moving, Breha and Fox lose it. They cannot stop laughing the whole way, and are barely able to contain it once they arrive to the Senate.
Unsurprisingly, at least for some, the plotline of the three characters in the show starts to steer to entirely new directions in the very next episode.
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The Hedge Maze Thing ...
... is finally ready, and just in time to slip in to #HalsinTavWeek in a perfect spot between Day #4 (Magical Mishap) and Day #5 (Bondage). As before, inspiration for this came from this beautiful image, and a wild conversation with @pedros-immaculate-vibes
Garden Party
Halsin and his "little fox" are attending a prestigious masquerade event. As the evening starts to slow down, she suggests they slip away for some "alternative" entertainment.
Pairing: Halsin / Tav
Content warnings: Explicit smut, Outdoor sex, (Very) Light Bondage, Soft Dom Halsin, Orgasm delay, PiV sex.
Word count: 3.5k
Read on AO3
Taglist: @thoughts-of-bear @clairetheflower @sensitivesoil1008
Halsin moved through the crowd with ease, using his size to his advantage, parting the clusters of masked party goers still lingering between the flowerbeds.  He moved with purpose, but not too quickly; he still took the time to return a nod here, a word there, cautious to stay blended in with the attendees of this masquerade party.  The last thing either of them needed was to draw attention; after all, they weren’t here as true guests, they were here as representatives of the local wildlife agency, ostensibly to help ensure the event went smoothly, in reality to sneak a careful word here and there in the right ears, and secure their funding for the next year.
How had she snuck through so quickly?  Her choice of a fox mask for this charity event seemed quite appropriate, Although he had chosen a bear, so he didn’t get to judge. His nostrils flared as he neared the roped off entrance to the hedge maze, and caught her scent; her perfume mingled with the bouquet of the sparkling wine she had been sneaking the occasional glass of.  A perk of the evening, she had decided.  As the event had drawn on, he had noticed the sparkle of the wine touch her eyes, perhaps she had helped herself to one too many?  Or perhaps she simply had a devilish idea.
The latter, as it turned out.  She had noticed him standing off to one side, surveying the elite of the local councils and such from behind his bear mask.  He hadn’t missed her sidling up to him, her movements and the smile on her face suited to her delicate fox mask.  
“There you are.  I wanted to see if you might be up for a little fun.”
“Such as?” he murmured quietly, for her ears only.
“I thought you might like to try the hedge maze with me.” She tilted her head to look up at him, her smile and the hint of a raised eyebrow behind her mask suggesting she had more on her mind than a gentle walk through the raised bushes.
“We’ve both been through there before.”
“Yes.  But-” she brought her lips close to his ear, as much to brush them against it, as to ensure her next words were for him alone. “-what if we made it a little game.  I’ll go in, you give me … shall we say …  five minutes head start? And then you follow.  If you catch me before I get to the centre, you win.”
“And what would be my prize, little fox?”
She nipped gently at his ear, as she pressed her body in close to his. “I imagine my bear would love to devour his prey, wouldn’t he?” she whispered.
He gave a low moan, and glanced down at her, a wicked gleam in his eyes.  “Two.”
“Two?”
“You get two minutes.  Not five.  Now go.”
*****
Her eyes had gone wide at the time reduction, and he had given her ass a quick swat to encourage her to run.  She had yelped at the sting of it, then giggled as she turned to leave.  Halsin took a deep breath as he watched her go, that giggle echoing in his ears, the skirts of her dress bouncing as she stepped quickly through the throng of people.  It was going to be a long two minutes.
*****
He paused at the entrance to the maze, taking a cautious look around before slipping past the velvet rope barrier. It cost him precious seconds, but he knew once he was out of sight, he had the advantage.  Not only had he done this maze in the past, he had her scent to follow.  He passed between the stone columns of the entrance, and vanished into the shadows.
Straight on, make a right, then a left turn here, left again there.  Right again at that crossing.  He navigated the soft paths with ease and a speed that most would find surprising given his size.  He paused only briefly to scent the air, certain he would find her in time.  Until the flutter of silk and ribbons caught his attention, and he paused to grab the pretty fabric from the branch it was hanging from.  He’d seen this before.  A few hours earlier.
*****
They had laid out their chosen outfits for the evening on the bed. A deep green shirt and simple black dress trousers for him.  An off-the-shoulder dress of pale green velvet with silver leaves embroidered on it for her.  And their masks; his, a bear painted on soft leather, hers, a beaded filigree mask in the shape of a fox, with green crystals accenting the eye holes.
She had come out from the bathroom dressed in the matching set of pink undergarments, everything designed to draw his eye, and yet conceal everything from him.  A lightweight corset, with ribbons lacing the front to snugly mould against her body.  A pretty little garter belt, with delicate straps holding up lace topped stockings.  And the final piece, a whisper of silken fabric between her thighs, held in place with ribbons tied into neat bows over her hips.
He stared unabashedly as she covered the vision with her dress.  He couldn’t help but think about how much he wanted to grab those ribbons in his teeth and pull.  One thing was sure, he was going to have fun with those later, he had promised himself.
And now, she was missing that key piece.  And not only that, she’d denied him the pleasure of removing it himself.  He growled to himself at her audacity.  And again, louder, as he realised he had fallen for the distraction.  Clever little vixen.  He took a deep breath, and felt a rush of arousal as he noticed the extra note to her scent now.  He stuffed the underwear into his pocket and resumed the chase, all the more determined to win now.
He neared the last turn before the central area, and noticed her scent went down the wrong path.  Had she forgotten the way?  Or had that wine gone to her head a little?  No matter.  He had her.  He grinned wickedly as he took the correct path, and made it to the small clearing, the bronze statue of a young owlbear that marked the centre shining in the moonlight.  Its beak was brighter than the rest, where countless hands had touched it, marking their success in achieving the centre of the maze.  He settled himself on the stone bench in front of the statue, and pulled off his mask, resting it against the owlbear’s paw.
He didn’t have to wait long.  She ran through the leafy arch, skidding to a stop when she saw him reclining on the bench. 
“Fuck!” She swore, panting.
“Oh, I intend to, my pretty little thing.”  His voice was low but carried perfectly well to her ears. “Lose your way?”
“No!” she said indignantly.  She huffed. “I tripped as I cast Misty Step, it sent me off course.” she admitted, sheepishly.  He laughed, a deep, low rumble.
“So you did lose your way.  And … I think you lost more than that.”  He pulled his hand out of his pocket, revealing the prize he had tucked in there, the pretty item he had plucked from the branch.
She smiled at him coyly. “But the deal was you had to catch me before I got to the centre.  So I win.”
“But you’re not at the centre.” he countered, reaching his hand up to touch the beak of the owlbear statue.  “You know as well as I do, this is the centre.  You’re not there yet.”  He stood up, clearly meaning to block her from it, and fixed her with a predatory smile.  “But you’re welcome to try.”
Her eyes darted around, quickly assessing her options.  The space was not large, but offered just enough space for her to dodge around him.  If she was fast enough.  Misty Step was exhausted until she rested. So cunning it would have to be.  She feinted to her left, watching for him to follow her movement, then leaped to the right, reaching to touch the statue as she jumped.
He was expecting her trick.  And she leaped right into his arms.
They wrapped around her, trapping her, unexpectedly graceful in the way he spun her away from the statue, putting it out of her reach.  He brought them to a stop facing the statue, his hands on her hips, and he pulled her roughly back against him.
“Did you really think that would work?” he laughed,  his lips brushing against her neck.  “No matter.  I win.”
She shivered, breathless for a whole other reason now.  She could feel the growing bulge behind her, as his hands drifted up over her body, brushing over the curve of her breasts, up to her bare shoulders, and then slowly down her arms.  As he reached her wrists, he gripped them both, tugging them behind her, pinning them together with one hand, as the other reached to his pocket.  She felt ribbons being wrapped around her wrists, binding them together.
“I had planned to enjoy taking these off you later.  And you’ve denied me that.  So I’m going to use them to enjoy you another way”
The ends of the ribbons brushed against her palms, and she grabbed at them reflexively. He noticed, and leaned in to nip at her ear.
“Behave.” His voice was a soft growl. “If you pull on those, if you try to free yourself, I'll stop. I’ll stop everything I’m doing to you, and I will leave you wanting.”
She shivered at his commanding tone, but obediently opened her hands to let the ribbons drop.
“Good girl.”  He gently nudged her towards the bench in front of the statue.
“Now,” he stepped in close behind her again, and tugged at the laces that held her mask.  “I don’t want to ruin this.” He took the delicate mask in both hands, and lifted it carefully off her head, reaching forward to place it with his on the statue. “But I do plan on ruining you.”
He spun her to face him, his hands on her shoulders again, and he moved in to kiss her greedily, his tongue demanding entrance that she willingly gave.  His hands trailed back down her body, pausing to cup and squeeze at her breasts, pinching at the hardening nipples, which he could feel poking through, despite the layers of fabric, and she moaned in response.
He moved his hands farther down, to her waist, and he pressed down on her hips, guiding her to sit on the stone bench, keeping close enough to her body to force her knees apart to accommodate him.  He lowered himself to kneel in front of her, and his hands continued their path down, across her thighs, down her calves, to the hem of her skirts.  She gasped, tilting her head down to look at him, as he worked his hands beneath the fabric.  He looked and caught her eye, holding her gaze as he trailed fingertips back up over her stockinged legs, pausing when he reached the lace tops, stopping himself from touching the bare skin at the tops of her thighs.  He caught her leaning back a little, pressing her hips forward for him.
“Needy little thing, aren’t you tonight?”
“Please.” she whispered, feeling the start of an ache in her core, and ache that his touch would relieve.
“Please, what?”
She groaned. “Please touch me.”
She whined as he pulled his hands away completely, but only to gather up her skirts and lift them up to rest around her waist, careful not to touch her bare skin.  He put a hand on each knee, and pressed gently, spreading her open. With her legs this wide apart, he admired the way the moonlight glistened on the moisture already seeping from between her folds.
“Already dripping for me, my love?  I might think you wanted to lose.”
“I wanted to win.” she protested, her breath coming in soft pants.
“Really.” his disbelief clear.  “And instead, you’re all mine.” He brushed his thumbs over the exposed skin of her thighs, and watched the muscles jump at his touch. “Aren’t you?”
“Yes.”
“Good girl.” He ran his fingers across her thighs, around to her hips, further back to the plush curves of her ass, digging his fingers into the soft flesh, as he dipped his head to kiss the top of one stocking, then the other.  Then a kiss to one bare thigh, then the other.  She whimpered, arching her hips up to him again.  She could feel his lips curl into a smile.
“So desperate already, my heart?  And I haven’t even reached your favourite spot.  Yet.”
Another kiss, higher still, his nose nudging at the apex of her thighs, breathing in that scent he’d been tracing through the maze. She moaned, writhing her hips in invitation, wordlessly begging for him to give her more.  He pulled his head away for a moment, watching her desperate movements.  But only for a moment, as he admitted to himself how much he wanted to taste her, to take that dripping nectar on his tongue.  He bent his head back down, licking slowly up her slit, spreading her folds apart with his skilled tongue, dipping between them as his nose brushed against her clit.
She let her head fall back as she whined, arching her back to press her hips up to him, a desperate invitation to give her more.  He moved his hands to lightly hold her hips, keeping her still as he pressed his tongue inside her, the taste of her filling his mouth.  He listened to her gasp as he moved his tongue, lapping deeply.
“Halsin … please,” she whispered, and he knew what she wanted.  He slid one hand from her hip, his thumb moving to press circles over her slick, swollen clit.  He could feel the quiver in her thighs, could hear her breath growing ragged, knew he had brought her right to the edge, and knew she wanted nothing more than for him to tip her over it.  Usually, he’d also love nothing more.  But tonight …
He pulled back, and looked up, licking his lips as he listened to her keening moan when she realised he was going to deny her.
“Please!” she gasped, her voice a high pitched whisper.
“Need something?” he asked, his tone feigning curiosity.
“Please,” she begged between gasps, “I need … I want … let me …”
He smiled wickedly at her inability to string a sentence together.  Of course he knew exactly what she wanted, but he wasn’t going to let her have it, not just yet.  Instead he stood up, and she could see the clear, hard outline of his cock right in front of her.  She leaned forward to grab the fastening of his trousers with her teeth, working to release the fabric.  He paused, grinning down at her - he’d indulge her for a moment or two.  She was going to struggle to achieve her goal, and the friction of the fabric as she tugged it back and forth felt good to his swollen self.
She succeeded in opening the button, and worked to open his trousers further, a small growl of frustration vibrating against him, and he gave a low moan of his own, which only served to increase her determination.  Hells, she wished her hands were free, she wanted to push the fabric out her way so badly, but she knew he’d keep his threat, so kept them obediently behind her.
“Let me help you, my little love.”  he offered, releasing himself from the confines of his clothing and she wasted no time in moving her head in close, breathing in that scent of herbs and musk that was so uniquely him.  She reached her tongue out to lick his exposed length, her own aching frustration momentarily forgotten, pressing her tongue flat to taste as much of him as she could, brushing her lips over the smooth skin, swirling her tongue over him, tasting the salt of his pre-cum as it beaded from the tip.
He threaded the fingers of one hand into her hair, and pulled her head back, forcing her to release him from her mouth.  She looked up at him with a whimper.  With his other hand, he scooped up her thigh, and pushed, pivoting her on her ass so she was sideways on the bench.  He knelt between her thighs, reaching behind her to tug the ribbons loose, releasing her wrists.  He placed his hands on her upper arms, guiding her to lay back on the bench, as he loomed up over her, the stone cool and rough against her bare shoulders.  He slid his hands down to her wrists, lifting them up above her head, and looped the ribbons over the armrest and back around her wrists.
She looked up into his lovely hazel eyes, unsure if the spark she saw was a reflection of the light, or that flash of gold he sometimes got when his control was on its edge.  She didn’t have time to figure it out, as he tied the knots again, and leaned in to kiss her, hungrily, greedily pressing his tongue to her lips, which she parted willingly, desperate for any contact with him. He moved a hand quickly down her body, fingers quickly finding her soaked entrance, and sliding a single one inside her, feeling her sigh against his mouth.  He added a second finger, his movements slow as he slid them in and out of her, letting her adjust to the stretch of him, preparing her, feeling her soft moans against his tongue.
He pulled his hand away, using his wet fingers to stroke his cock, spreading her juices over himself, mixing with more of his pre-cum.  He guided himself to line up with her entrance, and pressed slowly inside her, pausing once the head of his cock was nestled within her soft walls.
She wanted so badly to reach for his hips, and pull him deeply into her, but she didn’t dare risk being denied her reward, not when she was so close.  So she settled for arching her back, trying desperately to buck her hips up and force him deeper.
He lifted himself away from kissing her, pausing for a moment to admire her laying there in the moonlight, her cheeks flushed, her chest heaving as her breath came in small pants.  He reached around her hips to lift her slightly. He smiled down at her, lovingly.
“More?”
“Please” she whispered breathlessly.
He lifted her a little further into his lap, sliding deeper into her, as she cried out in pleasure.  His fingers dug into her soft curves to hold her steady as he started a slow rhythm, barely giving her time to adjust to the stretch of him filling her, listening to her soft moans at each roll of his hips.  He knew that since he brought her so close to the edge already, that it wasn’t going to take much to have her seeing stars beneath him.
“My pretty little thing, you feel so good.” Her hips bucked up at the praise, her hands tugging at her ties, grasping at air, but still obedient, not pulling herself free.  He rewarded her by increasing his pace, driving harder into her, his cock pulsing as her moans changed to frantic whimpering, her body responding to the pounding, her climax within her reach once more.  He moved a hand to brush a thumb over her clit, watched her jaw clench as she hissed through her teeth.
“Let go, my little fox.  Scream for me.”
She gave a high pitched growl as she came, her body tensing beneath him, her back arching up and her legs wrapping tightly around his waist, as if she wanted nothing else than to merge her body with his completely.  He felt her walls clench around him, a steady pulse as he continued to move deep inside her, his movements rougher as he chased his own climax.  A few more thrusts and he let loose a deep growl, as his throbbing cock pumped his seed deep inside her.  He leaned down to kiss her, her tongue eager to taste him as her body quivered in the cool night air. He reached up to pull the ribbons loose, tucking the scrap of fabric back into his pocket.  She immediately reached to wrap her arms around him, and pulled him in close against her, as their breathing slowed.
Their moment of afterglow was disturbed by a couple of loud bangs, and glittering sparks lit up the night sky.  She smiled at the sight.
“I think I already saw my own fireworks.”
Halsin grinned at her.  “We should get back though, the party is almost at an end.”
She laughed.  “Perhaps a slower walk back.  Not sure my legs could take another race.”
“Good.”
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Moonpaw!
Close-ups and thoughts under the cut :)
so. the new moonpaw design, huh? It’s actually a fun design and I like it a lot! Way better than another gray-blue-eyed kitty.
The way her being a chimera was introduced, as if a cat having a split face is really rare? AUGH I know it doesn’t matter but my cat genetics brain is screaming. Split-faced torties are actually pretty common. They could’ve given us a chimera that was partially hairless partially long haired… ough I want to draw a hairless/longhaired chimera. And of course the Erins forgot her parents are first cousins.
okay, onto closeups and design info! Younger Moon and older Moon <3
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Shes a chimera of longhaired red tabby w/green eyes, and longhaired black/maybe smoke or point, with yellow eyes. I think it would be fun if both the black & red embryos that fused were genetically XY/male, but they assumed Moon was a female because of the tortie-lookin fur, but it actually worked out fine because she does indeed feel like a molly.
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laryssamedeirss · 2 days
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I was thinking about the panic attack scene (bc to me that is literally the biggest evidence and warning from Storer that sydcarmy is not a platonic relationship and my mind is always bringing me back there) and then it just seems that maybe it's not only abt Syd being his peace but it's abt his realization yk? We see all these images of his brother, richie and Steve saying Claire a good thing, and then we see drawings of her and her in cute frames and maybe this is him trying to convince himself he is enjoying it, that this is a good thing indeed but then bc of the fact she's too much associated with his crazy family and he didn't start this relationship bc he wanted to but only bc people around him thought it would be great for him and bc he starts the season saying he doesn’t know what fun is he decides to give it a try by giving Claire a chance but then he starts to panic and then realizes he's having the fun he was looking for by being with her and then maybe he didn't think of syd intentionally but maybe she just popped into his head like it's a subconscious thing and then he realizes he has a feeling that you probably shouldn't have for your co-worker and business partner and then he has his "oh oh" moment
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bogcreacher · 1 day
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quastion! what is one aspect of red kite that you really want to talk about but haven't been able to yet? she is a fascinating creature and I love all of the lore you've built for her so far :)
ahhh, thank you so much!! Red is fun to write and draw, im glad you like her!
I haven’t drawn Red enough as an adult (which she is in the main story), but like all of the Horst protagonists, she’s a loser!! she struggles to form relationships and devotes her life to her job! she’ll happily rugby-tackle someone through a window but panics at the prospect of small-talk!! the closest thing she has to a best friend is either her father or Falcon, the all-powerful teen prince she’s hired to protect!!!
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