#There’s obviously still some similar bits between both versions | Explore Tumblr Posts and Blogs

signedmio · 4 months

Note

Hi 👋,

If you're still taking requests, I absolutely loved the most recent one you did with Lucifer, Adam and Vox proposing and marrying their s/o.

If possible could you do one similar to that but for Husk and Alastor?

If not, it's totally cool and I'm loving your work 😊

hellooo, dw i’m still taking requests haha, yeah i can do that for you!! the first part was undeniably fun to write so obviously i’ll do it again for ya haha

Warnings: None(?)

Alastor Proposal + Wedding Headcanons

Alastor never really knew what love truly felt like, until he met you, from that alone — he knew you were the one

His proposal was simple, but still very gentlemanly, his shadows were his band, playing some of your shared favorite songs, and Alastor stood in a different suit than the one he normally wears, a black version with a red streak instead of the white line that goes down the collar

He stood in the center of your room in the hotel, awaiting for you to get back from work, with a bouquet of spider lilies in his hands and a ring box in his pocket.

When you arrive, he has a soft and gentle smile on his face, in contrast to the big grin he usually shows, he didn’t feel vulnerable or at risk with you, so he could wind down with you

He hands you the bouquet and gets down on one knee, taking your ring out of the box, holding it to you, as his other hand takes yours in his and kisses the back of it

“My dearest and truest love, you have made me feel more alive than I ever have, even in my years on Earth.” He started, his radio affect softer than you’ve ever heard it, it’s unlike him, given he usually has a more cheery tone.

“You have showed me what love truly feels like, what in feels like in here —” He said, putting a hand to his heart, “That being said, would you make me the happiest man in Hell and be my lawfully wedded spouse?”

You and Alastor have a wedding almost immediately, thanks to his magic staff.

The ceremony is like any other, other than the fact your soon-to-be husband has a massive fucking grin on his face that did not falter the whole time, other than when you came down the isle, and it seemed to inch up his face more.

When it came to the kiss, he does turn you both around as he does not enjoy displaying affection infront of others, but he also won’t break tradition, so…

The reception is nowhere near boring, he knows how to have a good time, there’s excitable jazz music that has a good chunk of guests swaying and moving their feet

He also may or may not freak out some family members of yours…but that’s okay!

He also does not wish to be in wedding photos, due to his opinions on modern cameras and tech, but will for you, and either way, he knows his grin fucks up the photos in contrast to your beauty so he doesn’t really see the point tbh — but he’ll most likely make you guys use an old camera for effect

Husk Proposal + Wedding

Headcanons

Husk genuinely did not care to get married, well, he would be fine if you did, but he was content the way you both were, but he knew how much of a romantic you were so…

Quite frankly, he probably had the laziest proposal out of everyone I’ve written for for this, while you guys were laying in bed, bitch asked you if you would ever wanna get married and proceeded to basically chuck the ring box at you.

You and Husk were in your shared bed. It was late, you were just about to doze off for the night, until you heard Husk’s gruff voice pipe up.

“I have a question for ya.” He said, staring at the ceiling with you on his furry chest. “And that is?” you ask, popping your head up in curiosity,

“Would you ever wanna get married?” He asked, looking down at you, a soft and subtle smirked played on his lips. “Oh!- Uh, probably!” You answered, a bit thrown off by the question.

“‘Kay, great.” Husk muttered, plopping the ring box in between you two. “Husk, what the fu-”

Yeah before you could finish he was already asleep 😛

Husk mainly leaves wedding planning to you, not cause he’s a dick, but it’s just not his thing, he will help out when need be though

At the ceremony, Husk is holding back a couple tears, only a few though!

He never saw himself as the sentimental type, and he knows he didn’t really have the desire to do this in the first place, but now? He knows he made the right choice, even if it was at 2 in the morning.

The reception is chill, it’s kinda just sitting around and chatting, and yes there’s a bar, and Husk is pissed he can’t work it.

There’s chill jazz music in the back, but it’s not like Alastor’s where it had people swaying, it was more soothing, and it wasn’t like Adam’s where people were absolutely bopping to music either

You guys still don’t know if you’re having a honeymoon, Husk is still way too tired and way too hungover to make that decision.

361 notes · View notes

the-s1lly-corner · 1 year

Text

Their ideal partners

Silly little hcs because ive been thinking what each of the lads look for in a s/o

Slenderman;

Given I'm aiming for the "he's been observing humans for centuries and has grown used to their antics," vibe with him, I feel like he'd like someone who keeps him guessing

Nothing TOO crazy, because he can be irritable, but if you intrigue him he'll definitely stay around

Does he have any peculiar icks? Tastes?

Can't stand messy people... doesn't mind if its unorganized, or a chaotic system, but if you live in muck it's a deal breaker

Doesn't care what you look like, or what gender you are; he sees beyond that because, again, ancient being that's been watching humans for a long time.. kinda desensitized to that sort of thing

Laughing Jack;

He WANTS someone who can match his energy; but he NEEDS someone who can mellow him out

As much as I hate the "I can fix/change him" thing (well I dont HATE it, it really matters on execution and all), Jack needs someone who can make him chill out a bit

Icks? You know those people who kill the energy in a room? Like total buzzkill + downers? He doesnt like those. Not like the "he hates depressed people" way, obviously, but in the way that

Okay so idk if this is just a me thing but I come across a lot of people who do it on purpose for attention/quirkiness, those are the kinds of people he doesnt like

Like slenderman, he doesnt really care what you look like; bros gonna slip himself around you like a snake (affectionately)

Eyeless Jack;

Right off the bat he needs someone who's understanding

It ain't easy being a cursed man who's forced to eat human meat

Someone who's willing to listen to what happened to him, and help him see the brighter side of things

Basically a "storm cloud x sunshine" ship dynamic

Icks? As long as you're not too chaotic or hyper he's fine with it; Jack is more quiet and reserved energy wise, stress tends to make the curses symptoms worse

Prefers short people; he himself is also short (I hc hes about 5'5), and he's a lil insecure, but he's not totally opposed to dating taller people

Masky;

Writing for specifically masky for this one instead of the usual tim, hope that's alright!! I just wanna flesh out him n hoodie more

Bro is kinda..... whouf... rough around the edges; kinda feral

Not like FERAL feral, but this is the kind of dude who tunnels on someone during his work and wont be afraid to body slam into stuff full speed/force

So naturally, he gets hurt a lot. So a caring and soft partner is an immediate go to; especially since in my hc/au tim still exists, just as a different.. persona? Headspace? I really dont know the correct terms <\3

He likes observing as well, but he'll occasionally join in on whatever activity you're doing!!

Icks? Loud people... I would say spontaneous people as well, but considering my take on him, he kinda falls into a softcore version of that category

Hoodie;

Very similar to masky, but also not... between the two hes more.. calm and calculating; whereas Masky tends to dive straight in, in most cases

Should not that neither of them verbally speak; so they both need a partner who's fine with physical touch since that's one of their main ways of communicating/showing affection

Especially with hoodie; dude always has a hand on you and guiding you in some way

Unlike all the others, hoodie does not have ANY preferences for partners. Doesn't matter the personality, body type, and he doesnt have many icks

Probably doesnt like arrogance, kinda just annoys him.... but hey, makes his.. job.. easier

714 notes · View notes

notnights · 20 days

Note

So obviously it's still too early to properly analyze the exact relationship dynamic between Jax and Gangle in canon. I promise this is less of me trying to find legitimate proof of any character speculations, and more just a string of very quick, messy personal thoughts on the topic. Context and motivation for their behaviors are likely to be explained in future episodes, and until then there's still quite a lot of uncharted territory left to explore. (Although I will say that both these characters are surprisingly more active and engaging with each other upon rewatch. aka, their willingness to be around one another seems mutual, the bullying is not.)

The only information that we can currently gather about Gangle are her canon appearances, the preview screenshot Glitch posted on the official account and to a lesser extent, Gangle's concept art sketches: Alot of it being about her fixation and dependency towards her comedy mask. We don't know whether she's fixated on the actual sensation being happy 24/7 or just the ability to appear joyful around everybody else just yet, or What her real-world equivalent of the mask was, or even if there ever was a real-world equivalent to begin with. But, Personal indictment is that she does genuinely want long term companionship and meaningful connections with other people. Or at the very least, not be subtly ostracized out of social convention. I think she believes that curating her outward demeanor might change the way others perceive her, and hopefully the way they interact with her as well. It doesn't really help that each of the circus crew are all a bit too much in their own heads to notice, one way or another. Even if they do mean well at the end of the day, it's never quite what she's really looking to accomplish. (It also doesn't help that her digital design is so detached from being human either, she's essentially a flat face on a piece of string. One can't really blame her for trying to make the most of what she's able to display tbh.)

So far, we know Jax is apathetic, violent and generally antagonistic towards everyone in the main cast, sometimes deliberately towards the girls. I think it isn't all that farfetched to believe he latched on to Gangle because she was malleable enough to target without facing most of the consequences. Subsequently, there's also the idea of him relating Gangle's tragedy mask to her willingness to comply: It's an emotional vulnerability for her (She already sees herself as less deserving of human interaction in this state, she won't have anyone else to go to, she doesn't seem to like being left alone). It's not farfetched to assume Jax sees the tragedy mask as a more "complied version" of Gangle, more entertaining and easier to string along. Me thinks he prefers it, but again. It's too soon to tell. Anyways something something designated role in group activities something something internalized self-worth I think Gangle and Ragatha have very similar philosophies when it comes to people pleasing and it almost makes me believe in the theory that they secretly don't get along even more.

(btw plz feel absolutely no pressure to respond to any of this at all - Again, very messy thoughts that I barely had time to collect. Ribbun is an unexpected infection with unfortunately very thought consuming brain fodder to me personally. Have a nice day.

I like these thoughts! It'll be really interesting to see how the Comedy and Tragedy masks work for Gangle.

I do agree Jax probably prefers Tragedy Gangle as even if it's only as deep as "she's funnier like that." And Gangle is the easiest victim for him in that state.

We've seen everyone (but Kinger, who Jax kind of doesn't bother too much, and you could argue it's because Kinger doesn't give an entertaining reaction) fight back against Jax's behavior in some way. Ragatha yells at him, Zooble isn't afraid to get physical, and we can tell Pomni had death on her mind when he threw her off the truck. The most Gangle has done is timidly resist for a few seconds before compiling. Steps on her mask, pushes her, grabs her and puts her in the drivers seat, she doesn't say anything.

She has a couple of bite back words, but then Jax just bites back and it shuts her down. Which is interesting because when Ragatha yells at him it's clear he thinks its funny and merely snarks back at her, often getting her to yell more. He gets different reactions out of everyone in the group and picks different entertainment from that. Gangle might be the one he knows he has proper control over.

As for the Ragatha and Gangle thing, I was really interested in the fact no one cared when Gangle broke her mask in the pilot, not even Ragatha who is our outwardly most caring. You could say it's because she had tunnel vision on Pomni, but I immediately interpreted it as, yeah Gangle's mask breaks all the time, she's crying all the time, eventually people stop caring. The boy who cried wolf, etc etc.

Even if Ragatha doesn't have direct conflict with Gangle, the fact Ragatha is someone who internalizes everything, and projects a positive outlook, I imagine someone like Gangle would make her pretty uncomfortable.

Here Ragatha is trying her darnest to keep it together and remain positive, meanwhile Gangle is crying all the time behind her.

"It's not so bad here Pomni, I promise!" as Gangle cries in the background.

Gangle being a constant reminder of how Ragatha, and maybe all of them really feel about being stuck here. Too early to say if Ragatha resents Gangle for this, or how she really feels about it. But if she does that's so sad because (we also don't know yet) Gangle has no control over these feelings, it wasn't her choice for her avatar to work like this.

Which honestly could be a good allegory for how certain people view mental illness in the real world too. Ragatha being a loved one who's uncomfortable with Gangle's moods, or even believes if Gangle just tried hard enough like her (example: keeping her comedy mask safe) she'd be fine. Ooh sad comic ideas.

#ask #long post

77 notes · View notes

melverie · 9 months

Text

So I've seen some discussion about the way Mammon talks in 24-11, and how some think Asmo forced Mammon to speak this way while others think it might be because of a issue with the translation. And since I speak some Japanese, I figured I'd break down what's actually going on here

If you don't want to read through the Japanese grammar explanation, just skip to the last section, but for everyone else I'll try to break it all down. Just keep in mind that I'll simplify some things to (hopefully) make it easier to understand for those that don't speak Japanese

Right away, here's the dialogue above in the Japanese version + written in Romaji for those that can't read Japanese:

understanding sentence-ending particles

(not really relevant to Mammon's dialogue itself, but I think it'll help make the function of 「です」 ('desu') and 「ます」 ('masu') in the next section a little clearer)

Sentence-ending particles serve to indicate the overall tone a sentence is meant to have. There are a few of them and each one gives the meaning of the sentence a different nuance

The two easiest examples to understand this concept are probably the following:

the 「か」 ('ka') particle basically just a spoken question mark; turns any sentence into a proper question

the 「ね」 ('ne') particle literally functions the same way as 'isn't it'

ちょっと寒い。 ('chotto samui') -> It's a little cold.

ちょっと寒いか。 ('chotto samui ka') -> Is it a little cold?

ちょっと寒いね。 ('chotto samui ne') -> Bit cold, innit? It's a little cold, isn't it?

the auxilary verbs 「です」 ('desu') and 「ます」 ('masu')

Similarly to the sentence-ending particles, these two change the tone of the sentence and are placed at the end. Both make the sentence polite, and depending on what the sentence ends with, you use one or the other. If it ends in a verb, you add 「ます」 ('masu') at the very end, and if it ends in anything else you use 「です」 ('desu')—you cannot use both back to back

Which finally brings us back to Mammon's dialogue

As you can see, he goes a little overboard. Since 「やり直す」 ('yari naosu'; 'to redo') is a verb, the first use of 「ます」 ('masu') is correct, but everything after that is just overkill and wrong but it sounds very cute (The way Mammon speaks here actually reminds me of how half of my classmates used to speak the first few weeks of uni lol)

But yeah, it's definitely not Asmo forcing Mammon to speak differntly since all of the brothers are talking more politely. And given that they're all under Asmo's charm and serving him, it makes sense that they'd adopt a similar manner of speaking as Barbatos. It's just that Mammon is the King of Casual Speech™, dancing gracefully between 'still acceptable' and 'straight up rude' more or less gracefully at least, so obviously he'd struggle with switching to a more butler-like speech style

It's the same with Beel actually. He's usually the type to just cut straight to the point, which is why he also slightly messed up when speaking politely. To me the original Japanese version reads more like a cute little joke that's in line with both their character, that unfortunately got lost in translation since English just doesn't have an equivalent

#i was part of the other half of the class that kept forgetting to use 'desu' at all sdhfhssdhf #also the way i cackled when i read lucifer using 「かしこまりました」#something about it is just so much funnier than 'as you wish'#obey me #obey me nightbringer #obey me spoilers #obey me nightbringer spoilers #obey me mammon #obey me asmodeus #obey me beelzebub #obey me nightbringer mammon #obey me nightbringer asmodeus #obey me nightbringer beelzebub #my stuff

295 notes · View notes

darkmasterofcupcakes · 4 months

Note

Headcanon : the Exorcists are the biggest Disney fans of Heaven after Emily and of animes with female protagonists that actually kick asses without too much of a man's help.

They like seeing the women be happy and kicking asses, though they're also part of the judgemental "Cinderella is weak" crowd.

When Lute and Vaggie (Vaggie is basically Angel equivalent of young adult, but they still live together) first watched Hunchback of Notre Dame, Lute took a liking of Frollo but also felt weird about it because she found him pathetic in many ways, so she's stuck between liking him and Phoebus.

Meanwhile Vaggie loved esmeralda both for her personality and for more... Sinful reasons, though she never shared the later with anyone due to being embarrassed about it, especially when Adam loudly praised how hot Esmeralda was.

I also wouldn't be surprised if Vaggie found Adam and Lute in Phoebus and Esmeralda cosplay and crashed with some pals of the Sisterhood for two weeks to process that embarrassing and horrifying sight.

Surprisingly, Adam liked the Beast far more than Gaston, when asked why, he said it was because he could beat the shit out of Gaston and is the one that got the girl, and also he's named Adam so obviously Dickmaster is gonna prefer him.

The actual reason is that the fairy punishing him remind him of when he was cast out of Eden, and his love story with Belle made him think fondly of his own care for Lute (seeing Lute cry is one of the things he hate) and he wrongfully interpreted it as how Belle was what Lilith and Eve should have been, loyal, and the beast founding his humanity back after almost dying remind him of how despite losing Eden he found something similar when after death he got into Heaven.

Basically, faulty interpretation mixed with interesting parallels (he's still Adam, he's not gonna understand these movies that well).

I don't have much to say on this, sorry, but it's all very interesting. I do think Vaggie would have a bit of a crush on Esmeralda if she ever saw the Disney version of the Hunchback of Notre Dame.

Also, the idea of Adam feeling something of a connection to the Beast is really fascinating.

#Hazbin Hotel #Vaggie #Adam #Lute #Hazbin Vaggie #Hazbin Adam #Hazbin Lute #Hazbin Exorcists #Guitarspear #Vaggie is a Guitarspear Baby AU #Cradle Will Fall #Disney

60 notes · View notes

canmom · 2 months

Text

reading Herbert Mason's translation of the Epic of Gilgamesh, as you do!

I went with Mason's translation after I saw it quoted here and there and seemed pretty solidly written - but it isn't precisely right to call it a translation, more a retelling of the story as Mason understands it. so it's not a line by line translation, and some major parts of it are presumably interpolations or paraphrases.

i knew the broad outline of the story but it's fascinating to put it in context, and discover parts of the story i hadn't heard about. for example, i didn't realise the concept of droit du seigneur was part of this story - I'd thought that was basically a goofy myth about the medieval period, but here in the oldest surviving written story, it's just a thing the mythological king Gilgamesh does. though the exact translation seems a little contentious - Mason writes:

As king, Gilgamesh was a tyrant to his people.

He demanded, from an old birthright,

The privilege of sleeping with their brides

Before the husbands were permitted

But Wikipedia quotes a different translation by Stephen Mitchell which says:

He is king, he does whatever he wants... takes the girl from her mother and uses her, the warrior's daughter, the young man's bride.

The general thrust is similar in both cases, but the details of the custom are different. I don't have Mitchell's translation so I can't find how he describes the moment Enkidu arrives to interfere with Gilgamesh doing one of these kingly rapes (like let's not beat around the bush here, it's a different social context and whatever but you can't possibly say no to the demigod king).

Moving on...

Viewed with modern eyes, the transition between the first chapter and the second is kind of abrupt. We've got this great establishing story for Gilgamesh and Enkidu having a rather homoerotic fight and becoming best bros, but then we abruptly skip forward to Gilgamesh declaring that they're going to go fight a monster called Humbaba, and Enkidu is all like, no, that guy is way too high level, you'll die! Modern writing advice would hold that you'd want to spend some time building up Gilgamesh and Enkidu's relationship 'on screen' here, and perhaps foreshadow the existence of Humbaba a bit sooner to build up the threat a bit - but then I'm not carving this into stone tablets, I can afford to be a little bit roundabout, and who knows what's been lost? (scholars of the Epic probably have some idea lol)

The word used for Gilgamesh and Enkidu's relationship is 'friend'. This feels like it's probably a bit of a lossy translation to me - would lover/boyfriend be projecting too much? I obviously don't know the nuances of Sumerian that well, so maybe this is the best available word, but their relationship has a lot of physicality and a lot of affection.

The woman who goes to Enkidu in the wild and has a bunch of sex until he becomes civilised is described here as a 'prostitute'. My understanding was that she belongs to a religious role here, harimtu, that's usually translated as 'sacred prostitution' but apparently this identity is contested, and also she has a name, Shamhat? I don't know why Mason doesn't use her name. Shamhat has a pretty big role in changing Enkidu and convincing him to come meet Gilgamesh, but her own motivation isn't really explored.

Still, I don't want to come off as only complaining. Whether they originate in the Epic or with Mason, I'm enjoying a lot of the poetic turns of phrase in this version - the style is just the right level of minimal - simple appropriate words, but effective for that. Mason writes in verse, but doesn't rhyme - I'm not really familiar enough with meter to say more than that. There are a lot of fairly short, declarative sentences, mixed up with an occasional much longer metaphor across multiple lines. I think you could fairly easily delete the line breaks and just have prose, but having them makes it flow in an interesting way, like waves? Poetry is not my bailiwick so I'm probably describing some fairly basic facets of the medium, but it's interesting to observe.

I'll add more when I've read a bit more, I'll be in this train a while...

#gilgamesh #epic of gilgamesh #fiction #translation

50 notes · View notes

storiesofsung · 2 months

Text

TWST HP AU 🪞⚡️ !!

AcexYuuxMalleus

Yuu will be depicted as female in this with she/her pronouns

I’ve been thinking of an AU of this for a while now due to the similarities between each story (magical school of wizards with respective houses of each powerful mage), however as I think more there are even more character similarities some, depending on how you view Yuu

🪞⚡️🪞⚡️🪞⚡️🪞⚡️🪞⚡️🪞⚡️🪞

Golden Trio ⭐️- obviously Ace, Deuce, and Yuu, my favorite trio

Deuce ♠️ - Harry Potter. I can’t connect many similarities between them, but at the same time I can. They’re both boys who love their parents and just try to do the best in what they can, especially since both have been given a second chance to succeed in this magical world. Now, Deuce isn’t perfect but he is trying and is not overtly prone to breaking the rules. He’s sweet, innocent, while still having bite to his bark. A bit clueless at times but with good intentions.

Ace ❤️- Ok now this asshole is perfect for Ron (I’m joking). But honestly his more outlandish personality does have some comparison towards Ron’s sarcastic personality. He’s more on the laid back side whilst still being a valuable friend. (Also they’re both ginger lmao) Plus his relationship with Yuu is more on the chill play fighting side, anyways…

Yuu 🦐 - Hermione, this one can be taken lightly depending on how your version of Yuu is but one thing is for sure: they always get Ace and Deuce out of overblot situations and manage to use some sort of semblance of a brain to figure shit out. However, in my AU let’s say that Yuu too is trying to make a life for themselves by working hard and doing the most they can of their schoolwork. Yuu also being the glue that holds these two idiots together. And honestly her whole schtick as the school therapist now makes sense

Grim 🐱 - Crookshanks. Nothing more to say, just Yuu’s stupid cat (with love)

Also the whole racist thing with Hermione and Yuu could have a connection, since Yuu basically has no magical abilities, yet are able to attend this magical school and work their way up. And because of this, there may be students opposed to Yuu’s magiclessness (mudblood—)

Extra:

Malleus 🐉- Victor Krum, this is slightly stretching it a bit but I can see these two sharing similarities. Malleus and Krum are both exemplary at their respective wizarding sport (Spelldrive, and Quidditch) and are known to be prodigies of it. They don’t have many friends due to being viewed as Gods, Celebrities, etc. in some way and therefore are quite lonely. Attracted to this specific person for not fawning over them and for seeing who they really are, and are able to appreciate their brains for what it’s worth 💚💚

Extra extra:

I totally see the Yule ball sequence happening in the TWST HP au because of these specific lines

❤️: Hoy, Yuu, you’re a girl arent you

🦐: Oh, well spotted

❤️: How about uh you and me go, since we don’t have dates as it is. Don’t wanna show up by ourselves right

🦐: for your information I already have a date *shuts book and walks away*

❤️: What’s got her wand in a knot

♠️: *clueless, spacing out* huh

And malleus totally showing up as yuus secret date AAAA—

🦐: Would you care to join Malleus and I?

❤️: Care to? You’re fraternizing with the enemy

🦐 *irritated*: The point of interhouse games is unity and—

❤️: *rolling eyes* So what

🦐*understanding the situation*: You’ve been rotten the whole evening. Next time there’s a ball, pluck up the courage to ask me before someone else does, and not as a last resort

❤️: Women are scary

🦐: ACE, you’ve spoiled everything.

*cue weeping on the steps*

♠️: 🧍

And in likeliness, Yuu could end up with Malleus, and become the next Queen of Thorn Valley…but it could also take to the more erm in-canon Harry Potter ending cough (do you see where I’m going with this)

“Emotional range of a teaspoon x Nerdy Bookworm “

I love this AU, I could honestly go in so many directions with this AU

🪞⚡️🪞⚡️🪞⚡️🪞⚡️🪞⚡️🪞⚡️🪞

#imagine in the hp au ace and Yuu get married and name their kid some shit like Crowley Trein Trapolla #twisted wonderland #twst malleus #twisted wonderland malleus #twst au #twisted wonderland au #twst ace #twst deuce #twst yuu #harry potter #harry potter au #Harry potter golden trio #disney twst #malleus x yuu #ace x yuu #ace x Yuu x malleus #twst fanfic

25 notes · View notes

jicklet · 11 months

Note

Oh no I forgot you ship Ted/Becca.

😆 Hi anon! I hope this doesn't ruin your day or anything, whomstever you are. If you don't ship it or ship something opposing or whatever's your bag, I'm sure we can still be friends, or whatever we are.

But I've been mulling this all over since the finale, and this is a good excuse to get my thoughts out. Because I come from ye old timey shipping days of "the idea of them together is cool, regardless of whether it happens or not." so that wasn't really my problem with the ending.

Here are the things that are true:

I really like themes and parallels. I like connecting dots and finding connections and all that jazz

The number of themes and parallels they set up between Ted and Rebecca was delicious and very fun for me.

My reaction to the finale is less upset than it is frustrated and confused.

My frustration isn't purely 'they didn't get together romantically so it sucks.' I had started making peace early S3 with realizing it probably wasn't gonna happen

I am frustrated because I wanted all those bits of cool narrative shit they laid out to Do Something

I am frustrated because it feels like Ted and Rebecca have had very few emotionally connected scenes since season one, and what's the point of parallel journeys and soulmateism if their journeys are going to stay so parallel and not join up more, and then just apparently diverge completely

And on the apparent diverging, I don't love it but it would have sucked less if their lines just matched up more in the middle! That could be poignant! But as is, it's more disappointing than tragic, because whatever potential was there wasn't almost realized and then lost, but instead just... never really approached. It feels wasted.

The show did not owe us them getting together, but what it did give us, I found unsatisfying. That's just a bummer, man.

Forgive me this metaphor but I cannot find a better way to put it: I am frustrated because I feel like I got ridden for 3 seasons while they went 'just wait it'll feel so good' and then they were like 'are you ready?' and then just hopped off and left.

I am confused because at the end of their story, I cannot figure out what I am meant to be feeling about it.

Again, I didn't need them to get together romantically, they totally could've found some other way to make it satisfying! But. Ted and Rebecca getting together romantically would have also tied it up in a lot of ways that worked and made the narrative satisfying.

Having a romance arc that works with their character arcs and the themes they've built on is just really cool as a story.

Obviously all that parallel journey stuff would've actually been leading them somewhere, ie to each other, yay woo

And not to each other just because they've been through similar shit, but because, as that last post said, among a lot of other reasons, they've been set up well to be what the other person needs.

Romance is not the be all, end all. But:

Ted and Rebecca both want to be in love with someone, someday.

Here is someone who already understands and balances and supports them.

Like, that's awesome. Is that not the qualities you want for them in a future romantic partner?

I can't see how it diminishes their friendship if it caries on very similar to it has been, just like, sometimes they smooch. Maybe I'm just too demisexual for this idk

Boat guy. I like boat guy, but he's a chiller version of Ted. I can't find that post that points out all the parallels there, but that episode by the time we got to Kenny Rogers I was like. Uh. Hm.

It's confusing to have boat guy have a beautifully intimate evening with Rebecca, all the while having so many specific details similar to Ted, and then just act like romantic Tedbecca is a wild, character-ruining concept.

Because the show ends with Ted leaving and Rebecca miserably walking out of the airport and straight into proxy-Ted. I have no idea how to feel about that.

I could keep going, but I'm about out for now, so uh. Woe, wasted Tedbecca potential be upon ye~

#Ted lasso critical #Ted lasso spoilers #V watches Ted lasso #Tedbecca #Ted x Rebecca #don't like; don't read pls no flames lmaooo

82 notes · View notes

adobe-outdesign · 3 months

Note

Really enjoying the neopet reviews and holding myself back from asking for half a dozen species. What are your thoughts on the Ruki?

As an insect lover, I've always really liked Ruki. There are actually two bug Neopets, Ruki and Buzz, though ironically they're kind of opposites to each other—Ruki have insect-like bodies with normal eyes, while Buzz have normal bodies with compound eyes. Between the two I prefer the Ruki, as the body shape captures more of that bug aesthetic while the eyes help it be more expressive.

Visually, the Ruki is probably closest to a mantis (more obvious in the pre-customization art), though it mixes in a few non-mantis traits such as a beetle-like shell. It's actually a very complex design for Neopets, which tends to keep things simple—it's more or less got the anatomy of an actual mantis with all six limbs, just with the body bent 90 degrees to be slightly more anthro. There's lots of detailed line work in areas like the chest, joints, feet, and abdomen, for example. Still, it does follow the Neopets rule of using color to divide out the body for easy readability, with areas like the joints, feet, and elytra being a darker shade of the base.

Ruki went mostly unchanged in customization, and still look pretty darn good. The only drawbacks are that the forelimbs used to be sleeker and pointer, similar to that of a mantis (stylistically speaking), while the post-customization's forelimbs feel too thick and clunky in comparison—it seems like they mostly got changed so they could hold items, which no one wanted them to do in the first place. Also, the bottom four legs all got inexplicably changed so the knees bend in the opposite direction. The way they are now is more bug-accurate, but I felt like the backwards knees were more interesting.

Favorite Colours:

Desert: Ruki canonically hail from the Lost Desert, so thankfully the desert Ruki looks really good. I like the use of warm tones—brown for the base with gold and red accents. The way the armor is integrated directly into the body's natural plating also looks great, and makes it feel like a very natural color.

My only complaint is that the converted version inexplicably lost the veil that was supposed to be coming off its head piece, along with the eyeliner at the top and the darker spots. It's weird because the rest of the body is pretty accurate. Hopefully they'll do a UC style for this one some day, but in the meanwhile, the customized is still pretty good.

Faerie: Admittedly, the converted faerie Ruki is a bit of a downgrade from the UC style version—mostly because the wings actually used to be coming from the abdomen, like real bug wings, which was really unique and looked great. There are also some more inexplicable changes, like the legs having the serrated look but not the arms or the antennae like the original. Still, the peach and purple palette combined with the detailed markings looks beautiful on both versions.

Transparent: Transparent gets a spot here because it's actually fairly automatically accurate! Relatively speaking. Insects obviously have exoskeletons and not internal skeletons, but this is a giant fantasy bug so I don't mind. The rather long organs are insect accurate as far as I'm aware, and the bones seem to be modeled after an insect's respiratory system. A+ for research instead of just sticking a normal skeleton in there. My only nitpick is that the head could've used some bones, as it feels weirdly empty.

BONUS: I'm tossing in two bonuses this time because I picked the transparent more for anatomy than aesthetics. The camoflauge Ruki has a very pretty tan and brown palette with some high contrast and lovely darker legs, while the polka dot is a ladybug and just plain cute.

#neopets #neotag #neopet reviews #ruki

32 notes · View notes

magicalhideoutengineer · 10 months

Text

Newt & Theseus

Crimes of Grindelwald:

Callum Turner: I play Theseus, who is Newt's older brother, even though I'm younger than Eddie, which is interesting! He's kind of the opposite of Newt. He's gone through the same schooling obviously, but once he got out he decided that the establishment was the way to fight the good fight. Theseus is or may be quite more rigid or just part of the establishment. You know, he's the head Auror at the Ministry.

Yeah, I mean, he's the opposite to Newt. I guess he's more rigid, and he's conformed to the way that people want you to … he's become one of them I guess, and he went to Hogwarts. He was taught by Dumbledore. He’s from that school, and he became this, which you can take...

- Collider

What are Theseus’s thoughts about the creatures? What are his relationships with them?

Callum Turner: Yeah, I think he has bigger fish to fry and it’s his little brother’s thing. That’s his sort of looking down on his brother.

- Collider

Callum Turner: He'd been educated at Hogwarts underneath Dumbledore the same way Newt had, but for some reason he'd separated and it always felt unnatural that Theseus had become part of the establishment when his natural instinct would probably not to be that, but like Newt, you know, they are brothers. There's a similarity. But he's somehow like closed that bit off and he's gone that way and he's gone really high up into the Ministry of Magic and pretty much runs it and that's how he decides to fight the good fight. As Newt is part of the rebellion so I look at it, and Theseus is part of the establishment, and that's the kind of main difference between two brothers. Apart from that, very similar.

- ChicagoSciFi

Eddie Redmayne: I'll never forget. I don't know if you ever saw it. I saw an early version of the script in which the young guys were...

Callum Turner: The flashback.

Eddie Redmayne: Yeah, flashback when they were at Hogwarts together. He [Theseus] came like flying past the window on a Quidditch team, on his broomstick. He was clearly like a schoolboy sporting hero.

Callum Turner: Like a jock.

Eddie Redmayne: Definitely. The antithesis of Newt.

- Movie'n'co UK

Eddie Redmayne: Thank you. He's kind of the opposite of Newt. He is like the schoolboy hero. He was great. I'm sure he's like a brilliant Quidditch player, so they have a bit of tension and animosity, and yet they also have great love for each other, and that's kind of what you see through the film, is they start kind of not on the same side, but they progress through, and that thing that family does, like however much your brother irritates you, there's still some－I have three brothers who I love dearly. They never irritate me－They feel great sort of affection for.

- Dingo Movie

Eddie Redmayne: But also she [ J.K. Rowling] watches and she even says the way Callum’s character, Theseus, was written in the script was quite like, he was quite a bit mean to Newt, but the way Callum played him made him so human in trying to do the right thing and ‘I’ve got my own struggles’ and when Jo saw that and said to me that … when she then sees that footage she then responds to that in how she writes the characters going forward so it is kind of a lovely dance in some way.

- Knockturnal

Eddie Redmayne: It is really complicated. [Theseus] is an Auror, he’s very establishment, and Newt is kind of the antithesis of that. But what I loved, actually, was the way Jo had written their relationship. It was quite antagonistic to begin with, and it certainly is filled with complexities. I mean, his brother is engaged to this girl who he had a huge affection for growing up, so there’s obviously a real tension there. But one of the things I loved is, actually, Jo said to me seeing what Callum [Turner] was doing and how David was directing – there was a lot of love there – that she progressed the relationship as a consequence of that.

- Buzzfeed

Callum Turner: Theseus is the polar opposite of Newt. In a sense they're both fighting the good fight, but Newt is part of the rebellion movement and Theseus is the establishment.

- MTV News

Callum Turner: The focus was very much about the brother relationship. I don't have a younger brother. I have a younger half-brother, but we didn't grow up with each other and I got these stories and it's very much the older brother shouts at the younger brother a lot and so bullies him in a certain way because there's a responsibility. It's all about two people just playing at the same patterns they had for years.

- Evanna Lynch Interview

Callum Turner: Theseus is head Auror at the British Ministry Of Magic - it's a tongue-twister! - and is really straight-laced. And Newt's not. He's the complete opposite, and he actually wants him to get in line and try to save the world. Because he knows he's special, but he won't do that. And that's the tension. That's what's going on between the two brothers. A brother trying to boss his other brother around, basically!

- Total Film

Callum Turner: He's an establishment man. He's worked really hard and rose to the top incredibly quickly. His brother won't conform. Newt sort of sits on the fence, and Theseus is a man of action.

- Entertainment Weekly: The Ultimate Guide to Fantastic Beasts

Callum Turner: He [Theseus] decided to fight the good fight by joining the Ministry, whereas Newt is part of the rebellion. They're both on the same side, but fighting in very different ways. Other than that key detail, the brothers clearly care for one another. While Theseus may be a bit more self-assured and confident than Newt, they share a deep sense of humanity.

- The Archive of Magic: The Film Wizardry of Fantastic Beasts: The Crimes of Grindelwald

Callum Turner: What was important was not to focus on that friction but to try and understand maybe why. You look at the facts: [Theseus] is very successful through the establishment, and wants Newt to join and fight the good fight in the way that he knows how and the way that he thinks best. Newt doesn’t want to do that.

- Fandom Interview

Callum Turner: He is on the promise to fight the good fight in the ways he knows how, which means that he has to conform to the rules and the regulations of which the wizarding society is deemed acceptable within the establishment. He doesn't think that Newt's doing the right thing. Spiritually, I think probably Newt is the one that has figured it out. Yeah. He's doing what he wants.

- HBO Asia

Callum Turner: He’s risen to the top of the ranks at the Ministry, he’s the Head Auror, and is fighting the good fight in the way he knows how. He’s incredibly stubborn and wants his brother, who he understands to be a more powerful, special wizard, to join the fight on his side, through the establishment, which obviously Newt is repelled by and I think that's the journey he goes on. Maybe he's making mistakes or had made mistakes.

- Futurepreviewsllc

Turner wracked his brain trying to figure out why Theseus would be so desperate to get everyone close to him to join the Ministry, and found a simple answer: Protection. “[Theseus] wants to protect his brother, he wants him alongside him, he wants to [know] that his brother will be OK.”

- Fandom Interview

Callum Turner: I think Theseus and Newt are complete opposites. He's worried about his brother and he wants his brother to basically do what he wants and to fight the good fight in the way that he know how, which is through the establishment. He does it through love. It's like an overbearing thing and that's obviously the worst thing possible for Newt.

- Crimes of Grindelwald UK Premiere

What does your character think of Newt’s newfound success? Does he resent him at all for it?

Callum Turner: I think there’s a sort of a relief. Theseus is really successful. He’s a very determined man to reach the top, and I think having his younger brother sort of float around in this obscurity, in a sense, was quite worrying for him.

- Collider

Callum Turner: And with Newt, the thing that drives Theseus actually is love. It’s very important to him, the brotherly thing. It’s not that he’s the older brother and, ‘You’re going to do what I say.’ There is that element to it, too, but I think the friction really is in Theseus suffocating Newt. Theseus is overprotective of Newt and doesn’t allow him space. But really that comes out of love.

- No More Work Horse

Callum Turner: As brothers separate at times, this is the moment that they have. We refind them. He's risen to the top of the Ministry of Magic and he's quite successful, quite stubborn, but this is a man that loves and this is a man that cares deeply about humanity in the wizarding world and his fiancee and also his brother, and I think that's where the stress comes between the two is that he wants to protect Newt and he wants to look after Newt, but Newt doesn't need it, but Theseus can't see that. And that's the dynamic. That's why older brother telling younger brother what to do, younger brother saying, "See you later."

- Sensacine

Callum Turner: I didn't grow up with a younger brother -- I have a half-brother but we didn't grow up with each other -- and my research was to understand what that's like, and to get into why Newt doesn't like him and why they don't connect. The communication has gone bad. Theseus is very head-in-the-sand in a sense. He's blind to what Newt needs, and, objectively, there's a selfishness to that and an arrogance to that and a brute force-ness to that. But subjectively, it's about protection and it's about love and it's about caring. Theseus is a carer. He's described as a hugger, and I think he's trying to hug the whole world. Newt, in particular. When you aren't able to give what someone needs, to facilitate what they need, you then either push them away -- which he does -- or suffocate. I think the friction between them is Theseus doesn't understand what Newt wants, and he is overbearing. It's almost like he's got him in a big, old bear hug and Newt doesn't want that at all.

- Etonline

The actor [Callum Turner] also found that it was easy to find similarities between the two characters, both from a character standpoint (they’re both “stubborn in their ideologies”)

- Fandom Interview

Callum Turner: I had obviously seen the first film, and then I looked at Newt and thought I’d do the complete opposite – because Theseus is the complete opposite. Even though they’re very similar – and the similarities are through their stubbornness, and being successful, driven and powerful – it wouldn’t make sense if they were the same. There were little things, like having ankle swingers, I call them, in the costume; that was a nod to being brothers. But then, the writing’s so brilliant and layered and textured that it was awfully free, really.

No More Work Horse

Callum Turner: We tried to find loads of little touches that would draw the brothers together, like little details in the pocket square, or the tie pin, or having the trousers a little shorter at the bottom, that would link the two together. There’s a panache to Newt, and to Theseus, too — but it’s subtle. He’s engaged to Zoë Kravitz, so he’s got to have some style.

- Fandom Interview

Eight years Newt's senior ( although Turner is nine years younger than Eddie Redmaync), Theseus is less eccentric to the eye. 'Generally, he is part of the world, dressed in a fine suit,' says Turner. 'But there are tiny similarities between his and Newt's look: ankle swingers, a pocket square, these wizard-ish touches in the shapes of the lapel and the collar.'

- Lights, Camera, Magic!: The Making of Fantastic Beasts: The Crimes of Grindelwald

Hair and makeup designer Fae Hammond didn't have to do much with Callum Turner's hair in order to make it look like he and Eddie Redmayne were brothers, just lighten it. Her challenge, however, was that Callum has no freckles. and Eddie has a well-known smattering across his face. 'So one of my team ... Carefully freckled him up,' says Fae. 'But its a work of art and really necessary,' she confirms. Freckling took about fifty minutes each day.

- Fantastic Beasts: The Crimes of Grindelwald: Movie Magic

Rebuffed, she comes to a halt. NEWT walks away toward THESEUS, who is very like NEWT, but more outgoing, easier in manner. THESEUS winks at LETA before turning to NEWT.

- Secrets of Dumbledore: The Original Screenplay

Callum Turner: He’s my younger brother. They love each other. It’s a lot of fun playing an older brother as well, someone who’s very sturdy, a war hero and we’re doing a scene today and Eddie gets slapped by Grindelwald with a spell and I was like my instinct in this kept saying, “Get up." You know. "Get up.” Not like, "Are you OK?” “Get up.” Like looking after him. I have a half-brother and a half-sister, but they grow up in Australia, so I didn’t grow up with them. So I didn’t know what it was really like being an older brother, feeding into that “get up” thing. Normally I’d be like,��“Are you OK?” I actually did a lot of research for that. That was an important thing for me, to find the essence of being an older brother, and someone... I mean Newt is a worry for Theseus.

- Fantastic Beasts: The Crimes of Grindelwald - Makers, Mysteries and Magic: Chapter 7

Callum Turner: And with Newt, it was very important not to play the hardened brother because that's not what he is. And I think the relationship between Newt and Theseus is that Newt is running away. Theseus is worried about Newt. He thinks he's slightly odd, he's not part of the same society or the system that he's in, and Theseus is actually trying to drag him into line, into what Theseus thinks Newt should be. And I think that's the mistake. But actually, it's born out of love. It's not born out of authority or anything. He's worried and he realizes the world around them is crumbling. He says it to him at the beginning of the film. "You have to pick a side. You have to make a choice." And that's the theme of the film, for me. And actually, what he's doing is suffocating him. He's not allowing him to breathe, instead of that "Easy, easy." I'm sure Newt, then, would be like, "Hey, Theseus, what's going on?" But he's not. He's like, "Do this. Do that. Because I know best." And that's the similarity between the two. They're so stubborn. Theseus says, "Do this," and Newt just goes, "No," straight away. He doesn't even think about... and that's the beauty; by the end of the film they're in line and they take force of the situation that they're in. But their ideologies combine, in a sense.

- Mugglenet

David Heyman: Family is a big part of it, and, you know, it's both the family you're born with and the family you make. That's a big part of, I think, of the themes of Jo's work. So family is a part of it, including the relationship between Newt and Theseus. Seeing Eddie and Callum next to each other, they really do feel like brothers, and you know, Theseus is a Ministry man, but Newt is still his brother, and that relationship is really beautiful and strong. So to answer your question, yes, family is very much a part of it, where you come from, who you are.

- Collider

David Heyman: Callum brings such an authority and an authenticity to the part. I mean, you really believe that he’s Eddie’s brother and, as he so rightly said, they are opposites and yet are very clearly brothers. And what he did so brilliantly in his audition – and it’s in Jo’s [J.K. Rowling’s] writing, as well – was that you had a sense that these two people have a history. So, there is both an affection, but also a little bit of that brotherly or fraternal thing, which I think really comes across. And, you know, Theseus is a Ministry man. Newt is not a Ministry man. That brotherly love, I think, is one of the heartbeats of the film.

- No More Work Horse

THESEUS: This isn't going to be like the other times. This is . . . Just try and keep an open mind, will you? And maybe a little less— A wordless gesture indicates Pickett, NEWT'S blue coat, and his messy hair.

NEWT —like me?

THESEUS (not without affection): Well, it can't hurt. Come on, let's go.

- Crimes of Grindelwald: The Original Screenplay

David Heyman: But what I love about brothers in this film is that ultimately, brotherhood is more important than anything and that the two of them begin on opposite sides of it. Theseus is a Ministry man and Newt is anti-establishment. And yet, even while that is going on, Theseus whispers in his ear, "They're following you," which is a betrayal of the Ministry, but it is his brother and he's trying to get his brother to go to him. He's trying to help him, I think, not because he wants him to be on the Ministry's side. He knows what's true for Newt. And he wants to help. So the way these people both move, Newt comes through realizing he's going to have to join the battle, and Theseus realizes he might have to do it outside of the traditional Ministry platform. They're doing it as brothers, stronger together.

- Mugglenet

Callum Turner: I hope they are friends. I hope they they are best buds. I think they deserve to be friends, right? There’s been a lot of bad press in the press about their relationship. I’m sick of it.

Eddie Redmayne: I feel like by the end, they really bond in this film. It’s an amazing thing in family, isn’ it? Where you have difficult times and dynamics, moments when there’s friction and then something happens and you kind of lean into each other a bit. I’m excited for the prospect of the Scamander brothers taking on the world together.

- IGN España

NEWT shuffles over awkwardly to the bereft THESEUS. NEWT hesitates, struggling to find words of comfort. Then, for the first time in his life, he puts his arms around his brother. They hug.

- Crimes of Grindelwald: The Original Screenplay

Secrets of Dumbledore:

Eddie Redmayne: One of the key themes is siblings really. It's there with my brother Theseus played by Callum Turner who I adore, and the complexity of those relationships in families when you're all of the same blood, but you've got completely different personality traits, and you have great love even though you are entirely different people.

- ChicagoSciFi

Eddie Redmayne: Newt is not a social animal. He is much more at ease with his creatures. He' s not inherently someone that' s good at being part of the system and he didn' t really fit in at school. In fact, he ended up being thrown out! Whereas Theseus is very much the schoolboy hero who' s gone into a life within the Ministry, was a war hero himself and has a physical authority and a facility with people that Newt just doesn' t have. So they' re sort of chalk and cheese and yet because in this movie they have to work together they begin to realise that actually they complement each other quite well.

- Secrets of Dumbledore: The Original Screenplay

Callum Turner: Between the brothers, they're re-entering a stage in their relationship that they haven't been there for a long time probably since they were kids, both of them trying to be more open with the other, I'd say that Theseus maybe a little bit more than Newt, and they're developing an understanding, a respect for the way that the other person thinks and using that for the greater good.

- ChicagoSciFi

Callum Turner: Well, I think what's so brilliant about the way that Steve and J.K. wrote this relationship is that it's complex. It's like two brothers that have a fractured relationship of growing apart, unfortunately, for every reason, and I think the reason is that they both think they are right. With this one, they align themselves. They both allow themselves to be slightly more flexible and see the way the other fuses the world a little bit more, and that allows them to come together to fight the good fight together.

- Secrets of Dumbledore Interview

#fantastic beasts #crimes of grindelwald #newt scamander #coginterview #theseus scamander #scamander brothers #callum turner #eddie redmayne #david yates #fb3interview #cogbook #archive of magic #lights camera magic!#makers mysteries and magic #fb analysis #fae hammond #secrets of dumbledore

46 notes · View notes

watchmakermori · 9 months

Text

rereading The Bedlam Stacks: my feelings six years on

until recently, I'd only read The Bedlam Stacks the once - back on release, within the span of a few days. I'd enjoyed it at the time, though not nearly as much as my beloved Watchmaker, so I thought it was time to go back to it and see how my feelings on it have changed.

back in 2017, I recall enjoying the first third of the book a lot, finding the middle section a bit slow, and thinking that the ending was a bit sudden. Having reread it again, my thoughts are similar in some respects - I still think that the pacing is strongest at the beginning, and hits a sluggish section once Merrick gets to Bedlam. My feelings on the ending are complicated, because part of me thinks that it's missing something, but part of me thinks it has the best conclusion of any Pulley book so far.

Bedlam is a difficult book for me to critique. There is so much that I love about it, so many isolated scenes and concepts that stick with me, and the prose is fresher and more beautiful than I remembered. The scene where Raphael turns to stone for 70 years is so beautifully, horrifyingly handled. The markayuq are a haunting, fascinatingly original concept. Merrick and Raphael, while hitting a lot of the classic Pulley duo tropes, stand out in many other ways - the fact that their romance is only implied, and left somewhat ambiguous, is actually a novelty against the context of her other works. They also feel more...mirrored than other Pulley pairings? Most of her romances seem to thrive on difference. Differences in class, in race, in intellectual standing, in physical strength. And obviously Raphael and Merrick have some of that, but they're also markedly similar in a lot of ways. Even though Merrick doesn't have Raphael's strength, he does have the memory of being a much stronger and healthier man. Both characters have a past of physical violence, and they are both shown to be capable of it in the narrative itself, as with when Raphael shoots the passing traveller and Merrick strangles Martel to death.

Their relationship to disability is also similarly mirrored, because both of them are haunted by old versions of themselves. Raphael is watching himself turn into a markayuq, feeling himself lose time and mobility, knowing that his transformation is impending and inevitable. Merrick also knows that he will never again be the man he was before his leg injury; he has to adjust to it, to work around it and accept that it has changed him. The acceptance of inevitability is a really interesting theme in Bedlam, which feeds all the way through Merrick and Raphael's central friendship. They don't really get the best of anything - they meet under bad circumstances, for less than a month, and they will never have enough time together due to Raphael's condition and a thousand other factors. But that doesn't mean that their friendship isn't worth something, that it isn't immensely precious.

So there's a great deal that I love about Bedlam on a thematic level, but I do think that the actual plotting of the book is quite weak overall. There are lots of isolated scenes that I love, but the connecting tissue is somewhat thin. The middle of the book involves a lot of waiting - waiting for the snow to clear, waiting for Clem to return, waiting for Raphael to tell Merrick the truth and take him beyond the salt line. Merrick does not have a great deal of intentional impact on the narrative, so it does often feel like you're sitting around waiting for the plot to come to him.

That's not to say that the plot needed to be bolder or bigger. It didn't need to focus more on the search for quinine. Honestly, I don't think high-stakes drama is one of Pulley's strengths - her forte is small interpersonal conflicts between select units of characters. In Watchmaker, the conflict and stakes don't really come from the lurking bomb threat or the police investigation - it's about Thaniel struggling with his own desires over the impulse to do the 'right' thing. Grace represents a more conventional path for him - a wife, a house, a future with children, and the money to look after his sister and nephews. But Mori is who he actually wants. And those warring desires come into greater and greater conflict as the story moves from beginning to middle to end. Thaniel's goals are not static.

But in Bedlam, there isn't that same sense of escalating tension and raising stakes. Merrick has his reservations about Raphael and whether he is dangerous, but ultimately, those reservations don't really change the decisions he makes. So much of what happens feels like it was always going to happen, which means that a lot of the tension feels somewhat...inorganic. Intangible. There isn't even the threat of discovery for most of the book, because Raphael knows exactly why Merrick is in Bedlam and Merrick makes no attempt to hide the truth. He keeps quiet about the threat of the army, but even if Raphael had discovered it sooner, it doesn't feel like it would've materially impacted how the story played out.

So it's a hard book for me to articulate my feelings on. The themes and concepts and characters and isolated scenes are excellent, but the story feels - just slightly - like it is less than the sum of its parts. At times, it seems more like a series of episodic events than a narrative, even if those episodic events are still deeply enjoyable.

But the ending is immensely powerful. The melancholy and the joy of it. The simple devotion of Merrick being there when Raphael wakes, 20 years later, with a cup of coffee - which was what Merrick had gone to make when Raphael first went into stasis. It is simultaneously an act of mundanity, and also an act of incredible loyalty and dedication - and love often does shine brightest in those small moments of devotion.

A while ago, I was lamenting that Pulley only ever gives us happy, cosy endings rather than something more tragic and bittersweet, but I don't think I was actually accurate on that. The conclusion of Bedlam is desperately sad, for all its loveliness. Because while Raphael and Merrick are reunited, we can't know how long they will have together. The story denies us that knowledge, that closure, by ending just as Raphael laughs.

I'm so glad I reread it. It is a bit of an odd fish next to all of Pulley's other works, and that makes me appreciate it much more with retrospect. This reread also reminded me, on a more general level, of everything I love about Pulley's writing - the sublime weirdness and the quirky characters and the nonchalance with which she handles speculative elements. For all her flaws as a writer, nobody is doing it like her, and I truly cannot wait for The Mars House.

#the bedlam stacks #natasha pulley #i do love her books because they always give me so many THOUGHTS #what's notable about pulley is that her actual broad arching plots do not tend to be what I remember about them #I don't remember a lot of the sprawling political stuff in pepperharrow #but I DO remember the aching internal conflict of thaniel desperately worrying that mori is not what he thinks #the smaller personal drama is where her books REALLY shine #so I think her work is at its best when she leans into that #as with watchmaker. the dramatic climax of grace engineering an explosion has barely half of the weight #of thaniel steepleton leaving his wife on his wedding night and going to kiss keita mori

35 notes · View notes

sushisocks · 6 months

Note

since sean was the first to die(rip king😔), we never rly saw him deal w the death of the other members. how do you think a situation like that would go and who's death would impact him the most?

Oooh boy, what a great question!!

So, I do think Sean would feel obligated to keep things light, but we also KNOW that he’s the one that likes to remember people and talk about the ones he cared for. I can 100% see him being the main push for letting people feel grief in a safe manner; Sean would be the one sitting at the campfire telling funny and heartwarming stories about the dead person, and encouraging other people to open up and share stories too.

At the same time, I 100% see him being weighed down HEAVY by certain deaths in private. If he survived past Arthur’s death, for example, that would absolutely rock his world. Same with Lenny’s death; if not from a shipping perspective, simply because Lenny is the youngest gun, is smart, and a friend of Sean’s. I think that would put some things in perspective for him real quick, and internally he’d be having a REAL bad time. Thing is, Sean isn’t really one to show a whole lot of negativity, so I don’t think this would be apparent to anyone who didn’t know how to look for it.

Additionally, I do genuinely think both Kieran and Molly’s deaths would hit him HARD. I’ve talked with several friends now about how Sean, Molly, and Kieran do all three have a connection with Ireland, and probably did feel a faint sense of kinship over it. Molly feeling unsafe and more alone after both Sean and Kieran dying right after one another makes a world of sense, even if she wasn’t really close to either of them, simply because of what they represent to one another. I can imagine her death hitting Sean in a similar way, and Kieran’s death would also absolutely sour certain things for him – ESPECIALLY since if you get all their possible interactions over the course of Horseshoe & Clemens Point, the two DO actually develop a repertoire between one another.

Hosea’s death is a rough one, I think. Sean and Hosea’s relationship is of great interest to me, because there’s a LOT of conflict there, and Hosea is definitely among the– Less kind gang members, to Sean. Still though, Sean does clearly have some regard for Hosea as a wiser older man, as shown by him actually asking Hosea about their situation, clearly seeking advice and/or comfort regarding it. In large part I think Hosea’s death would be somewhat overshadowed by Lenny’s, to Sean at least, but there would very much be a sense of… Indignation, maybe? The context of this being one of the founding members of the gang, Dutch’s partner in crime, this voice of authority, now dead for what?

Sean, at his core, is a people person. There’s no way any of the deaths wouldn’t leave an impression.

One thing I can then see happening is… A sort of disillusionment for Sean, when it comes to Dutch & the gang? Imagine all these rapid rate deaths of people you care about, and when you look to your leader he doesn’t really… Do or say anything? About it??

I think, similarly to my reasoning as to why I think Sean would’ve sided with Arthur in the end had he gotten that far, Sean isn’t as fully sold on every aspect of Dutch’s talk nor as fully invested as Arthur and John are (with their specific daddy issues lmfao). That WOULD allow Sean to grow more critical, and as more people die, I can imagine us actually getting to see Sean possibly become more– Well, for a lack of a better word, more Arthur-like. “He’s just a younger version of you” and all that, here’s Sean at around the same age Arthur was when he lost Eliza and Isaac, watching people that matter to him die through a failure of leadership, if you will. It makes sense to me that Sean would start harboring a similar sense of anger, that would probably start grounding him a bit more.

This is all obviously assuming that Sean survives and everything happens the exact same way, which, as I’ve talked about before, I think is extremely unlikely! But it’s an interesting thought experiment for sure!!

Thank you so much for this question!! I enjoyed writing this a lot, and Sean’s potential journey in the story when surviving his scripted death has always been a point of deep fascination to me, so I LOVE getting to think abt stuff like this!!!

#i took a REALLY analytical approach to this question bcz otherwise i'd have started sobbing lmfao #id just be crying all over ur dash. wailing. im fine though its okay lmaoo #teki talks #sean macguire #rdr2 sean #sean rdr2 #rdr2 #red dead redemption 2 #rdr thoughts #asks #rdr asks #meta asks

21 notes · View notes

a-minke-whales-tale · 5 days

Text

Monofin Shape

Since the current monofin I have is unfortunately not suitable for me due to the shape of my feet. I will have to create a new one, this is something I did plan to do eventually though it was not my expectation to do it so soon.

Using OpenRocket I have created a rough design. This program does not well calculate stability in non axisymmetric systems so I have used three fins in this example in both the flippers and flukes, though obviously in a suit version this would not be the case.

In such a design the total suit would be roughly 3000 millimeters in length with my arms in the flippers (the forward fins). My width currently is roughly 380mm, though this may evolve as my body does, which stays fairly constant to my thighs narrowing to around 280mm at the ankles. Also due to the thickness of my arms, the base of my flippers will likely have to be around 120mm thick.

This does conform fairly closely to the shape of a minke body. In this example my flippers are a bit too long, flukes a bit too big. These could probably be explained some amount by genetic variation or something. Though it should be noted that this whale I am comparing against is a dwarf minke whale, and not a common minke whale, which I believe is still the same species but a different subspecies. Unfortunately great pictures of north atlantic common minke whales seem to not be available outside of breaching pictures. The main difference in the planforms between my rough approximation is that the tail would not narrow at a quite enough rate.

In addition this, human bodies are broad and flat (though I do at the moment have a substantial stomach, thanks antipsychotics), but this will matter particularly in the tail/peduncle. In order to allow sufficient moment to perform a dolphin kick the skin cannot be particularly thick and so in that area will form a generally wide flat area rather than a narrow rather vertical orientation in the peduncle.

How then does this current concept compare with the monofin I currently own. The current monofin is roughly 800mm long and a similar width.

Her size is roughly the same. This current loose model stands roughly 800mm long and roughly 1000mm wide. The shape however is considerably different. The new concept would stand on a peduncle instead of this rough triangle shape.

This will create some differences in behaviour. This monofin due to the thinness throughout the fin flows well and continues the undulating movement, thus making it really quite easy to use. The Dol-Fin is closer to the design I wish to produce. This part does requite much more technique from the hips than the current monofin, but I am a whale and I dont think I really swim with my knees regardless kicking with only my knees really didnt make sense to me when I swim with a monofin. But there is a notable difference between my concept and the Dol-Fin, namely that mine will sit on a peduncle rather than being directly attached. Provided then the peduncle has sufficient flexibility it should continue my movements as I swim essentially extending the dolphin kick wave of my body.

How to actually construct and design the fin will be the next topic of discussion. I will probably write on that either later tonight or tomorrow.

#therian #therianthropy #otherkin #nonhuman #whale therian #whale suit #monofin

11 notes · View notes

hopefuloverfury · 8 months

Note

What song/genre of music do you think of when you imagine the bachelor/ettes? If there was a specific artist or band for Sam, who do you think they'd be?

Oooh—I actually have thought about this! I have a playlist just for when I'm writing blurbs about the stardew valley characters, and no I don't care if any of these are predictable because I think they're accurate lmfao.

Sam

2014 Five Seconds of Summer, Shawn Mendes, and Why Don't We. His general vibe is young, reckless love. If there's a specific song in mind, I think of him as a mix between 5sos' End Up Here, She Looks So Perfect, If I Can't Have You by Shawn, and Why Don't We's Fallin' (Adrenaline)

Seb

I think he's a mix between 5sos' Voodoo Doll, Troye Sivan's Strawberries and Cigarettes, Taylor Swift's Style, and the last 90-ish seconds of Sleep Token's The Summoning. Also Conan Gray's Overdrive. He's still young and reckless, but he's a little more subdued and all over the place.

Alex

One Directions' Steal My Girl, Shawn Mendes' Wonder, and Harry Styles' Watermelon Sugar. Even though they're pretty heavy with gendered language, I have no issue imagining Alex with varying farmers while listening to these songs.

Elliott

His love definitely swerves more toward obsession and worship, so anything by Hozier, no question about it. But also Can't Take My Eyes Off You by Frank Valli is heavy Elliott energy.

Shane

Everybody Wants You by Johnny Orlando, Someone To You by BANNERS, DogBird by Madds Buckley, and Lauv's I Like Me Better. Like Seb, Shane's pretty all over the place as well. Also he makes me cry ahaha. hm.

Harvey

Harvey gave me a little bit of trouble when I first started writing. I had to think about him quite a bit to land on a genre/song for him. Anyway, Ophelia by The Lumineers, Ready Now by dodie, and The Way You Look Tonight by Michael Bublé are all Harvey coded. END ME

Maru

In My Mind by Lyn Lapid, Bubble Gum by Clairo, and Space Girl by Frances Forever. I imagine her as a pretty inexperienced and romantically repressed character (I wonder why Demetrius) so all of these songs have a certain level of melancholy about them, which is very Maru for me.

Penny

She by dodie, Conan Gray's Heather, and Lonely by Noah Cyrus. Repressed, just like Maru, but for different reasons. Never had the opportunity to really live her life, you know? Lots of insecurities and feelings of inadequacy my poor babie nO but I usually only listen to those when I'm feeling a little down. You can trust that I don't always write angst for her, and when I don't, it's loooots of early Taylor Swift.

Haley

Sabrina Carpenter. That's it. lmao no i'm kidding Diamonds Are Forever, Nonsense, Looking At Me, and Girlfriend by Bea Miller. I love me a mean, confident lesbian, but she does soften up the more you get to know her, and I always listen to Isabel LaRosa's I'm Yours when I want to go that route with her. I also think of her when I listen to Dress by Charlotte Sands.

Abigail

Very punchy, "powerful woman" type songs. Namely UPSAHL's People I Don't Like, Beautiful is Boring by BONES UK, and American Horror Show by SNOW WIFE. She has opinions and she's going to let you know what she thinks—but make no mistake, she is a loyal and good person to her core. She's just got an attitude sometimes.

Leah

Cosmic Love by Florence + The Machines, Light My Love by Greta Van Fleet, and Constellations by The Oh Hellos. She's got a certain whimsy about her, but she's still a very grounded individual. She and Elliott have a similar vibe to each other, but where he's the smell of salty sea spray and plum juice dripping from your fingers, she's frayed picnic blankets and the smell of grass after it rains.

Emily

Now this might be controversial, but Señorita by Shawn Mendes and Camila Cabello is always gonna make me think of her. I'm Born To Run by American Authors, Enchanted by Taylor Swift (her version, obviously), are also both some of the easiest songs for me to think about her. She definitely believes in soulmates and fate, and probably makes jewelry or sews while thinking about you.

27 notes · View notes

naffeclipse · 1 year

Note

So, I was going through the Bounty hunter Eclipse tag because I am very normal about him as we all know, and rereading the alternative reveal of y/n's past, I was wondering how that conversation with him goes? You mentioned it's not pretty, but I imagine by this point Eclipse has shown himself worthy enough of the vigilante's (maybe not complete but most of their) trust, because in this timeline he does eventually earn a chain as a gift as well!

On one hand, the vigilante being furious is a given, because it made them panic pretty bad and it wasn't his secret to tell, as much as it wasn't actually a secret. On the other hand it obviously brings to light something that Eclipse is obviously struggling with as well. Clearly it's not the exact same, as he actually enjoys the violence and still craves power, but he is trying to make sure to not cross a certain line to not comlpletely lose what he values even above power: his brothers. In contrast, y/n's motivation is clearly a sense of justice and a desire to make up for the harm they caused, with keeping the detectives coming as a priority shortly after too.

There's lots to discuss on that front! Like y/n exclaiming how it's clear they can't trust him after all, and they knew it (despite that anger towards him probably being in part from a sense of betrayal), and also y/n demanding to know how exactly he knew about that. Or Eclipse asking why it's so different with them? Why are y/n's actions so much more forgivable to his brothers, when arguably they did much worse than him, and they still are on the other side of the law when although violent and admittedly a bit sadistic, he is technically doing things legally (Though I'm sure he toes or crosses the line frequently XD). Which is why he brought it up in the first place in the original argument. Their work is still rather similar even! Because it's not that y/n stopped slaughtering people, as they are capable of gunning down entire gangs almost single handedly. They just now do so with the objective of bettering the city instead of following the lead of the man that would have it rot to its core. Y/n might get even more heated about that because unlike Eclipse, they didn't even have an illusion of a choice. For years it was that or death. (Though they know there were some very mixed feelings about it, with how much anger they used to harbor and that might get mentioned too).

I can see that conversation going south very quickly between them, before it gets better. Maybe they sort of reach an understanding right then, or maybe they end on a sour note and have to rebuild what they had managed from the start? I feel like in this version Eclipse has more ground to claim similarities in their situations, because their ARE some very clear ones between the both of them even in the main SJ (though we know how blind Mafia Boss Eclipse was to the very crucial differences), and that would be an uncomfortable thing to have to confront for y/n I think. Even through their very justified anger towards Eclipse.

Oh and a little off topic, but I also wanted to ask! You mention that y/n does end up stealing one of Eclipse's bells to tie with the others (which I've already expressed how much I love that as symbolism heh X3) but I was curious as to what does he do with those or where he keeps them? I somehow don't see him as the type to wear them, and in main SJ he uses it as a symbol of who is not to be messed with by his gang (or rather who he considers his property which sends the same message). But as a Bounty Hunter, does he keep the ribbons tucked away in a drawer in a safehouse of his (or wherever he lives)? Or would he keep them on his person in a pocket or something as a way to keep his brothers in mind, maybe to remind himself not to go too far again lest he lose them? I'm very curious when and how exactly vigilante manages to snatch one of those haha

This got so much longer than I was expecting but what else is new XD Just goes to show how much I love the way you built these characters heh <3

Oh yesss! I have been mulling this ask over and over in my brain for a few days now, and oh, I'm so excited to get into it!

The conversation is anything but civil. Y/N is whirling from the panic and fear of almost losing their two favorite detectives and devastated by this twisted reveal of their past without their consent. Eclipse is still frustrated and bitter over the fact that his brothers still welcome Y/N with open arms.

That goes as well as you might expect, dissolving into violence and shouting. Before Y/N can run away from him, again, Eclipse catches them in his arms as they struggle to kick and punch but can't really do much but squirm and curse at him. He explains in quick, growling words that he doesn't understand. It's driving him mad that Sunny and Moonie cherish them while his brothers only look at him like a monster. It slowly stalls Y/N's struggle, but not their aching heart.

Y/N doesn't understand either. Not the detectives love for them, and not how Eclipse could give up their past so easily. Y/N is sharp and cruel when they congratulate Eclipse—he fooled them. Round of applause for him. They'll take exit stage left now and let him keep the show he stole and leave with what they can of their misplaced trust.

Eclipse doesn't want this. It hits how much he doesn't want to lose them or this tentative bridge they've built but only now does he see the blaze he just set to it.

He lets them go, without bruise or blood, and Y/N is not settled nor fine, but before they can disappear, Eclipse begs for forgiveness. His plea stops Y/N dead. They look back to him, not believing him, but they have never seen him so contrite. It... it isn't him, but here he is.

Y/N tells him no. He can't have their forgiveness, and in sharp retort just to make sure it hurts a little more, Y/N informs him that they're going to see Sun and Moon because that's still something they're struggling to come to terms with and they desperately need reassurance from those they trust wholeheartedly.

Eclipse is left standing there, boiling in place, but he is frantic in his head while watching them slip away before he can catch and squeeze them.

He doesn't know how to fix this. He doesn't know what to do. He's losing control.

He wants Y/N back but he can't do it with his previous methods of barely withheld bloodlust and his crushing grasp.

But that's a conversation for after wounds are less tender, and a more valiant effort is placed into proving his change of heart, or rather, celestial wire. He needs to gain control, and that begins with himself.

A less angsty answer here for what Eclipse does with his burgundy ribbons and bells, he has one stashed away in his inner suit jacket pocket—a cruel connection to his brothers and a grim reminder of what he's gained freedom from. The other is in his safehouse, tucked away. Y/N steals the one he keeps in his safehouse once he's truly changed for the better (a rare moment when he's caught off guard by their antics) but Eclipse does allow Y/N to have that other bell as well.

Ahhh, thank you so much and thank you for the lovely questions!!!

#there's plenty more to talk about but in that moment #y/n doesn't care to hear it nor does eclipse have the patience to explain it #eclipse giving up the other bell is a way for him to let go of the past in a way #another oath to y/n to show that he's trying to do better #sleuth jesters #bounty hunter!eclipse #*smooch ya on the head*#chaotikanvas

90 notes · View notes