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imtryingbuck · 2 days

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Painting

Pairing: Bucky Barnes x OFC!Theo

Summary: Bucky has to marry a woman who surprises him more and more as their story goes along.

Word count: 1,514

Warnings: buckys a dickhead in this. Wanda and Theo's friendship starts to blossom, swearing, mentions of being made to have sex with someone.

Translations: дорогой - sweetheart

Masterlist Series Masterlist

The next day Wanda strolls into the kitchen where Bucky was sitting at the kitchen counter, she smiles softy at him.

"Morning Buck"

"Morning. Hey how was yesterday with Theo?"

"Jumping straight into it?" She chuckles whilst shaking the strawberry milkshake "I'm going to go to the craft store today to get some paints and things so me and Theo can learn how to paint"

"Paint?"

"Yeah it's going to be fun! Also Buck, um I'm going to be teaching her how to read"

"She doesn't know how to?"

"No, but like I said I'm going to teach her" she smiles.

"Did you find anything else out?"

"She's really good with numbers, she likes the colour yellow, the only film she's ever seen was The Great Escape, nothing much else and oh her laugh is so cute".

Bucky's heart sank.

"Yo-she laughed?"

"Yeah, but she looked terrified after though"

"I-oh. I'm going to take the day off tomorrow to spend the day with her"

"That would be great Buck, hey listen just remember to go slow with her".

"I know, I know. Will you be taking Theo with you to the store?"

"I wasn't planning on doing that but if you want me too I can”

Bucky thought about it and decided that it might be good for Theo to get some fresh air "yeah take her with you but Wanda I want you to double up security alright"

"Yes boss"

Telling Theo that she was allowed to go to the store with Wanda made the redhead smile at how excited Theo's eyes were.

At the store Wanda let Theo push the cart, said cart was getting fuller and fuller as the pair made their way down the aisles; a rainbow of paints, brushes in all sizes, paper, canvases big and small, everything really that Wanda could get her hands on went inside the cart.

"I think that's everything don't you?" She says watching as Theo nods.

After paying they work as a team loading everything into the boot of the car and Wanda drove them back home.

Not even an hour later they were covered in paint.

Wanda loved the look of pure happiness on Theo's face, the look of freedom as she painted.

"I-I don't think I'm very good at it"

"Neither am I but it's okay we're just having fun it doesn't matter if it's good or not" Wanda smiles to her.

"I really like yours"

"I really like yours too, the colours-" Wanda's interrupted by a knock on the door. "Come in"

The door opens revealing Bucky, he smiles at both of the women. "Hey, you two look like you're having fun"

"We are look at all of our masterpieces we've done so far" Wanda beams up at him. He moves over to where they've placed their artwork "the ones on the left are Theo's and the ones on the right are mine" he hears from behind him, his eyes more focused on the left side now.

"These are wonderful"

"Why thank you"

Bucky turns to face them again catching a quick glimpse of Theo's smile before it faded but not before he noticed the dimple on her right cheek, he smiles softly at the sight.

"Um Theo did Wanda tell you that I'm taking the day off tomorrow so I can spent the day with you?"

Instantly regretting the words ever coming out of his mouth as he sees her shoulders tensing and how her head drops lower.

"No I didn't, I forgot all about it I was to focused on shopping you know me Buck my mind goes blank when I'm shopping" Wanda laughs as to ease the conversation.

"That's fine, is that okay with you Theo?" His heart sinking once again when he receives a short nod.

"Okay well I'll let you ladies carry on, I'll see you later for dinner". Leaving quickly as he could.

Wanda hated that Theo had gone rigid. "Theo? Are you okay?" Getting a nod from her, she shut her eyes and breathed deeply. "You can talk, you don't have to keep nodding or shaking your head Theo. You're free to talk whenever you want"

"I'm okay Wanda"

"Bucky's not that scary you know?"

"I-it's not that."

"What is it then?" Wanda leans over to take Theo's hands in hers, squeezing slightly.

"I have to perform my wifely duties tomorrow"

"What do you mean?"

"Have sex with him"

Taken back by this "you don't have to if you don't want to Theo"

"I have to it's my job as his wife"

"Who told you that?"

"My mother"

"What did she say to exactly? It's okay Theo you can tell me"

"That my job was to have sex with James and that it was one of my sisters that would birth him an heir"

“Listen to me, if you don't want to have sex with Bucky you don't have to. You say no. Bucky would never pressure you into doing anything you didn't want to do, I promise. Buck would never cheat on you I promise you that too"

"Bu-but I hav-"

"No. No Theo you don't." Wanda struggles to keep her anger at bay. Hating that the woman who she deems as her friend thinks that she has to do things that she clearly doesn't want to do in order to "perform her wifely duties". Hating Theo's mum for making her think that this is what a marriage should be like.

Unbeknownst to the pair, Bucky was standing outside of the doors both fists balled tightly, the anger coming off him in waves.

Later on in the day Sam knocks on the doors to tell them that dinner was ready as they made their way into the dining room everyone smiles at state they arrived in - paint covering most of their hands, paint on their eyebrows and cheeks.

"Did you two have fun?" Nat asks.

"Yeah, we kind of got carried away" Wanda laughs before sitting down next to the other redhead, conversation picking up between the pair.

Theo moves quickly and quietly to the corner of the room where she sits facing the wall.

As dinner is brought out Bucky walks in, and goes straight to his seat, digging in to his food as soon as it's placed in front of him. Stopping when he feels eyes on him.

"What?" He asks with annoyance lacing his words. Steve's eyes flick over to where Theo was sat before going back to Bucky. "Leave her and eat" receiving questionable looks, he sighs "or don't I don't care" then he carries on eating.

Ignoring the guilt burning their insides, they all follow suit.

After he was done Bucky stands, watching how Theo's body flinched from the loud scraping of his chair.

"Where you going Buck?" Steve asks.

"I'm going to Dots"

"Why?"

"To fuck her. Not like I'll be getting any sex in my marriage" Then he strolls out.

Wanda jumps up and storms out after him reaching just in time. "What the fuck was that all about?" She seethes.

"Which part?"

"The whole dinner James"

"Wanda I don't have ti-"

"What was that all about" she now demands.

"Fine. My so called wife doesn't even look at me, let alone fucking talk to me"

"Right so that makes you think it's acceptable to say that you're going to Dots for a fuck?"

"Yeah like I said I'm not going to be getting any from the frigid bitch-"

Wanda does the one thing that she has never done or thought about doing. She smacks him. "Don't you ever call her that! You want to go and fuck a whore instead of getting to know your wife then so be it. You James make me feel physically sick."

She turns on her heels stopping when she sees everyone standing there, barging past them she goes back into the dining room where Theo was still sat.

"Oh дорогой" She says at the sight of tears wetting her friends cheeks. "Come on, you can come and sleep in my bed with me tonight"

Hand in hand they both stand and head up the stairs, ignoring the words coming from the friend group standing there.

Neither of them realise that Bucky was no longer standing there.

Bucky stumbled back into the house in the early hours of the morning going straight into Wanda's library he walks over to Theo's paintings and picked the one that caught his eye from hours ago.

He takes it gently into his hands, leaving the room he climbs the stairs. Once he was in his bedroom he places the canvas on the bed before taking his shoes off and climbing on the bed, he removes the very expensive painting he had hung up on the wall. Slowly picking up Theo's he places it on the hook.

Jumping off the bed with a slight tumble due the alcohol swirling around in his veins, he moves to the bottom of his bed and smiles. Climbing back into bed he passes out.

Tags: @sapphirebarnes @bellabarnes1378 @unaxv @skulliecadaver-blog @mrsnikstan

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stuckinapril · 2 months

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These updates are fucking insane. Israeli forces are currently besieging 3 hospitals: al-Amal Hospital, Nasser Hospital, and Shifa Hospital. They even executed a doctor, Muhammad al-Nono, for refusing to leave his patients, while a PRCS worker was killed in the al-Amal shelling (they are terrorizing these hospitals all at the same time). A Palestinian woman relayed that other women have been rounded up from Shifa hospital and subjected to rape and torture. There are also accounts of Christian Palestinians being denied access to Jerusalem on Palm Sunday—all while Israeli settlers stormed al-Aqsa Mosque on this same Sunday. My heart is aching for these Palestinians. So devastating there are no words.

#palestine #tw rape

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toxicanonymity · 3 months

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The Spread

PAIR: Thomas Hewitt x f!Reader

WORD COUNT: 3.5k | MASTERLIST

SUMMARY: You hide and don't get slaughtered. Tommy secretly keeps you. He's kinda sweet if you're good.

WARNINGS: I8+ Canon-typical violence (implied) & setting, captivity, dark caretaking, manhandling, sleeper hold, oral f receiving, noncon unsafe piv, finger gagging, dark fluff, tommy has a praise kink, stockholm syndrome vibes. NO human skin mask: leather partial mask shown in photo. He is feral and naive due to his family. No use of Y/N. Divider by gasolinerainbowpuddles.

SIZE KINK - Reader is much smaller than Leatherface, can be carried and maneuvered. He is 6’5”, thicc and STRONG.

You barely escaped the so-called law man, and your friends weren’t so lucky. They got chased right into the lair of a chainsaw-wielding giant.

“C’mon, Tommy,” the Sheriff encouraged the giant, “Just like the slaughterhouse.”

Heavy chains thrashed, and one of your friends groaned.

“Attaboy,” the Sheriff praised.

While they were distracted, you ducked into a nearby woodshed. You didn't dare go far – you had encountered too many hazards on the property to trust your footing, and couldn't risk calling attention. Instead, you sat there in the shed, paralyzed, listening to your friends get butchered. One by one, their squeals turned animalistic until a wet thwack or rev of a motor cut them off.

Finally, there were no more screams.

Huddled in a corner of the woodshed, you tried to keep your wits about you. The shed was about the size of a small dorm room. There were stacks of wood all around–some freshly cut, some rotted–and hay covered the floor.

You were in a tank top and Daisy dukes with cowboy boots that made you feel like an idiot. You had sap on your knees from crawling over the wood. Taking deep breaths did nothing but fill your nose with cedar - it was only a matter of time before you’d meet your fate. You picked splinters out of your hands as you replayed the chase in your mind. You began to feel sure “Tommy” had seen you run into the shed. If that was the case, you didn't know why he let you go. You could only guess he already had his hands full.

“Think we got’em all, son?” The Sheriff asked.

Tommy grunted.

“That’s my boy,” the Sheriff concluded.

Dusk was approaching. Not long after the Sheriff left, heavy footsteps crunched louder and louder toward the woodshed. Your heart pounded harder with each step. The rickety door busted open with a plume of dust. Tommy’s silhouette consumed almost all the daylight that remained.

The door frame would’ve been tall enough for most men, but Tommy had to duck on his way in. He carried an ax. Each step he took shook the entire structure. His breathing was loud, his mouth hanging open below the leather that covered his nose. The partial mask covered his chin too, but not his mouth. It was fastened with two straps behind his head nestled in thick, chestnut hair that came down around his shoulders.

He approached you cautiously and paused when he was an arm’s length away. You whimpered, knees held to your chest. He sniffed around like an animal. Then he brushed a stray section of hair out of his eyes, and you saw a glint of uncertainty in his gaze. You tried to compose yourself, wondering if your fear could trigger him.

He knelt down to get a better look at you. He reached for you, and you jumped. He grumbled and held up a massive finger less than an inch from your mouth, telling you to be quiet.

Something possessed you to reach for his hand. He let you move it.

You put his palm on your cheek and watched his chest heave in confusion.

He tilted his head and stayed crouched there for a moment, staring at you with his brown eyes softening above the leather.

“Attaboy,” you whispered, repurposing the Sheriff’s words.

Tommy huffed, then abruptly stood. He left the shed, ax slung over his shoulder. He ducked again on his way out.

He didn't return for a while. You finally dared to open the door just enough to look out, but not for long, startled by an older woman’s voice calling, “Tommy!!! Time for supper.” You shrunk back into your corner, afraid you had been spotted.

You sat there frozen, afraid to run.

Sometime later, you heard a squeaky wheel approach the shed. The door opened more quietly than it had the first time. The hulking silhouette was backlit by a buzzing floodlight in the yard. The man seemed to be more careful and quiet this time. He had brought a few blankets. One of them was tattered, pale yellow bordering what used to be white, and it had Care Bears on it. He put the blanket over your body, coming all the way up to your neck, and patted your head. Then he took a bundle of newspaper out from under his arm and handed it to you like an offering. It smelled like barbecue.

As he turned to leave, you whispered, “Tommy.”

He dropped his head and looked back.

“Thank you,” you said.

Looking at the wall, Tommy offered a short nod before leaving. Then he locked the door from the outside.

After he left, you opened the newspaper. It was too dark to see, but the contents felt like a charred bone with bits of flesh hanging to it. You weren't hungry anyway.

You wrapped yourself tight in the blanket, and to your discomfort, your heart fluttered at the man’s softness with you. You replayed the day’s harrowing events in your mind’s eye and saw him differently than you had at first. Maybe he was nothing but an attack dog. You began to doubt he would've hurt your friends at all if not for the older, more wicked man in uniform.

Maybe Tommy was as much of a prisoner as you were. You wondered if he could talk. You felt sure he could listen.

After sunrise, you awoke to some commotion and heard a vehicle drive away. After a period of silence, you tried to open the door to the shed, but it was securely locked.

Soon, Tommy came back and unlocked it. He moved swiftly toward you with purpose in each heavy step, crouching slightly. The mass of his body strained his shirt. You'd never seen forearms like his. He could surely snap you like a twig, but something told you he wouldn't. Still, your heart raced when he lunged toward you. He reached over a wood pile and used both massive hands to force you onto your feet. He wrapped you in the blanket, then put you over his shoulder like a potato sack.

He put you into his wheelbarrow, then nestled some firewood around you. He looked around furtively as he did it. Then he covered you with another blanket and wheeled you across the bumpy ground, onto a smoother surface. He rolled a garage door down behind you and left you covered in the wheelbarrow as he rummaged around the garage.

You peeked out from the blanket and saw him placing shackles on a table. Your heart raced. You glanced behind you. The garage door was still lifted by a small margin. Maybe big enough to fit through.

You watched in terror as he brought out a mallet. Finally, your body unfroze.

You lowered yourself out of the wheelbarrow as carefully and quietly as you could and crawled toward the narrow opening. As you began to wriggle under it, your ass hit the door, making a noise far too loud to go unnoticed.

Within a split second, his massive hands were firm around your ankles, pulling you toward him, dragging you roughly across the concrete.

He manhandled you like a doll. He forced you onto your back and shook you, then wrapped a massive hand around your neck. Your life flashed before your eyes, and you kicked him. He grunted and grabbed you roughly by the shirt, then sat back on his knees. He held you with your back against his enormous thigh. Your Daisy dukes did nothing to protect your ass from the cold concrete. You thrashed, and he put the crook of his elbow around your neck, then everything faded.

When you woke up, you were chained to the table, with cold, metal shackles on your wrists and one ankle. You were bottomless, and the air was cool between your legs. Your feet were bare. All you had left was your tank top, which you wore without a bra.

You didn't dare move. A foul dust in the air made you sneeze, then Tommy came into view. He was wearing a butcher’s apron, and the sleeves of his dingy, button-up shirt were rolled up to expose those big, hairy forearms. He held the mallet. His eyes were industrious.

“Please don't hurt me,” you begged.

He laid a heavy hand on your shin, and you flinched. He gently placed your free ankle in a shackle, then nailed it shut.

“Please,” you begged.

He laid a hand on your thigh and looked you in the eyes.

“What are you going to do to me?” You asked.

He huffed and put the mallet away.

You were relieved until he returned with a meat cleaver. You tensed and squirmed. He laid a hand on your stomach and his searing eyes told you to stay still. He slid the cleaver under your tank top, and you held your breath and looked at the ceiling. Your nipples hardened at the feeling of his knuckles between your breasts.

He violently sliced upward through the fabric, turning your wifebeater into a vest which burst open, freeing your breasts. He inhaled sharply at the sight and discarded the meat cleaver with a metallic clatter on a nearby shelf.

“Please,” you begged again, then he stuck his fingers in your mouth and peered in. His thick digits tasted like charcoal and salt. Three fingers were enough to stuff the orifice completely. When you stopped whining, he abandoned your mouth.

He cupped a breast, then cupped both of them. He hummed a curious “mm,” Then dragged his thumb down your sternum before stepping away to survey your body.

You felt like a cadaver sliced open for examination. As he slowly stalked around the table, it dawned on you that's what he was doing. He was studying you.

He stopped at a long side of the table – your left side. He brought his face–his leather mask–to your skin, just below your ribs. His hair fell onto your body, and the light brush of it tickled. He paused to loosen the strap at the back of his head. Then he dipped his face to your abdomen again. He turned his head and dragged his cheek, and the leather, over your bare stomach, to your breast. You could hear him desperately sniffing and wondered why he didn't take that thing off.

Lips, hair, and smooth leather dragged across your skin as he wiped his face along your chest. Then his face made its way into your armpit, where a dart of his tongue made you flinch and shiver. His tongue darted out again. He sucked the delicate skin slightly into his mouth before releasing it with a soft grunt.

He paused and pulled away. He pivoted to stand behind your head, then brought his hands to your breasts. Helowered his mouth to your neck and licked you. His hair fell on your nose and smelled like smoke and metal.

He seemed to savor the taste of your skin. He licked longer, harder, the strong slippery muscle of his tongue nudging your jugular. You felt a rush of arousal and shame. He tasted the other side of your neck and hummed in satisfaction. The throbbing between your legs made you wince.

He dragged his tongue down over your chest to lap at your breast. He flattened his tongue to lick your nipple, then began to suckle at it. One thing was clear - this was not for your enjoyment. He was entirely absorbed in what he was doing. He didn't even glance at your face. Whether it was for his pleasure or curiosity, you couldn't be sure. He moaned into your nipple and you knew you must have been gushing onto the table.

After a few seconds, he pulled away from your tit and began to sniff the air. He stalked around the table some more and paused at your shackled feet, staring up between your spread legs. He found the source. His hands dwarfed your thighs as he pushed them further apart. Then he dabbed a thick finger, only grazing your folds as he picked up just a taste of you from the table and brought it to his mouth.

“Mm,” he hummed quietly, staring between your legs. He licked his finger again and his eyes searched the air curiously. Then he grabbed your upper thighs and anchored his thumbs on your outer lips, spreading you open. His heavy gut rested on the table between your feet as he leaned forward. As he lowered his mouth to your cunt, you twitched and felt another rush of shame.

His breath was hot on your cunt, then he dipped his tongue, and you tensed.

He lapped at your entrance, and the physical pleasure made you exhale and relax, while your fear remained. He licked and sucked, and your moan echoed before you could try to cut it short. Your chest was hot with embarrassment, but if he heard the sound, he ignored it.

He fed on your juices like a starved animal. He sucked and slurped, and dug his lips and tongue in, searching for more. The squelching and gurgling sounds were obscene between your legs. He closed his eyes and dug his fingers into your hips as he feasted.

The leather mask nudged your clit and made your hips lift into his mouth. He brought a hand to your lower belly to hold you still. Then his tongue plunged into you. You whispered, “good boy,” and your whole body felt weak with shame.

He paused and glanced up, then repeated the action. It was true, some part of you welcomed this, as afraid as you were. In any case, the heat and pressure building in your gut would have to release at some point.

He fucked you with his tongue, nudging your clit with the smooth leather, and you had to remind yourself to breathe. You'd never been eaten so voraciously. He moaned into your cunt and the tension was too much to hold. You whimpered as you began to pulse and twitch. His tongue paused as you clenched around it. Then he continued. Your back arched as he sucked it all out of you, swallowing every drop he could find. As your climax waned, you took slow, deep breaths.

Finally, he slowed down. He looked flustered for a moment, then his hand disappeared from your thigh. He pulled his face away, and the leather mask was soaked and shiny. Then he took his apron off. When he stood to put the apron aside, the protrusion in his pants made your breath hitch and your asshole flutter.

Your cunt spasmed once around nothing, and your insides churned as though making room for a massive guest.

You couldn't peel your eyes away. He adjusted himself, then palmed the bulge. His shirt had come untucked. The bottom button wasn't fastened, and his midsection strained the other buttons as his whole torso heaved. He eyed the mess between your legs as he palmed himself.

He seemed to be considering the possibility of stuffing your cunt with whatever monstrosity hid in his pants. He could take anything he wanted, but he didn't look proud of it. This didn't feel like something he did every day.

You decided not to fight back. You told yourself it was for survival, but you also twitched at the thought of him wrecking you. You looked at his crotch, then down between your legs, still gushing at the sight of him barely contained by his pants. The way his whole body wanted to bust out of his clothes made you weak in the knees. He was so solid and strong. You looked again from his crotch to your own, as though your eyes were instructing where to put it in defiance of your better judgment.

He grumbled as he picked up a hammer and approached you, making your heart nearly stop.

He pried the nails out of the shackles, and you cursed yourself for the way your heart fell. Your disappointment was quickly replaced by relief. A man this size, with these capabilities – he could have done serious damage to your body.

“Thank you,” you whispered. You laid on the table patiently looking at the ceiling as he went down to your feet and unshackled your ankles.

Then he grabbed you by the thighs and yanked you toward the end of the table, making you yelp. Your naked crotch came to rest flush against the bulge in his pants, making you ache with arousal. Your thighs trembled in fear.

You looked down toward him and he forced your chin upward, making you look at the ceiling. You pinched your eyes shut. You were at war with your body’s desire. He might kill you. He might actually split you in two. The dying squeals of your friends echoed in your mind. But his hardness swelled against you, and oh, fuck.

His hips backed up and you twitched at the loss of his warm package against you.

With your eyes still pinched shut, you heard his clothes jostling, then he spread your lips apart while he notched his tip against you. It was too big. He held your thighs again and pulled you toward him with a forward thrust and a grunt.

Being impaled with his cock felt like being split open. The girth burned as it stretched you, and you whimpered as your body tried to accommodate him. He stayed inside, and he sighed. You'd never felt so stuffed. He leaned forward, and the contact with your clit provided some relief as your body spread itself more. But still, your heart raced at the prospect of him moving. You prayed he would be gentle.

When you didn't stop whimpering, he stuck his fat, smokey fingers in your mouth again. He placed his other hand on your chest to hold you still, with the crook of his thumb close to your throat. You gagged on his fingers and he removed them. He wiped your saliva onto your nipple before kneading your breast.

Thankfully, you were wet and getting wetter. He held you down and slammed into you. The fullness pushed your thoughts out of the way along with your guts. You kept your eyes shut as he speared into you again.

His breathing and grunting seemed to echo through the room with every snap of his hips. His unholy girth twitched against your walls. He grabbed onto your hips and brutally pounded you. He used you like a sleeve until his moans were drawn out and his breath became ragged. He pulled you back hard and leaned forward, the weight of him resting on your lower abdomen. Your cunt fluttered in anticipation of his climax, but he paused. Your hips lifted, seeking friction for your front.

He pulsed once, making your chest flutter with pleasure, but then he swiftly slid out. He left you twitching for more as he finished coming outside. His cum painted your folds and inner thigh, and he grumbled and turned around. You lowered your chin to look just in time for him to release onto the wheelbarrow and floor. Then he stood there with his broad back heaving as he looked around.

You closed your eyes again and opened them when you felt fabric on your inner thigh. He was wiping you off with the bottom of his shirt. His face and neck were blotched pink, and he had fixed his pants. He was looking at you, chest still heaving when his ears perked up at the distant sound of tires on gravel.

He quicky put your shorts back on and gathered you off the table, nestling you in the wheelbarrow once more. He swaddled you in the old blanket, now wet with his cum, and opened the garage before quickly wheeling you back to the shed.

He placed you in the corner where you had been, just in time for the truck to park. As he turned to leave the shed, you said “Tommy. Can you bring me some water?”

He hesitated then gave a short nod before locking the shed again behind him.

He came back later with a jar of water and a metal bucket. You were shivering in the corner when he came in. He set the bucket down next to you, then placed his hand on the crown of your head and gently moved his fingers as he looked around. Then he abruptly began to unbutton his shirt. He pulled you up from the corner to put the shirt on you. His chest was hairy and broad, and his entire torso was thick, just massive.

“Good Tommy,” you said as he finished putting the shirt on you.

He paused and left it unbuttoned. His eyes were big. He held you by the sides, looking you up and down in the oversized shirt and Daisy dukes. Then he put you back where you were and locked the shed behind him.

The shirt was filthy, cumstained, and reeked of sweat, but it didn’t smell as bad as it should've. It didn't make you sick like it should've. When he left, you wrapped it tight around yourself, then looked in the bucket. There were apples.

Thank you for reading and engaging! Love you guys 🖤 please consider commenting even if this is old. It helps to know what you liked.

If you want more, good news - I have more thots! Feel free to send yours, too.

#leatherface x reader #thomas hewitt #thomas hewitt x reader #leatherface smut #thomas hewitt smut #slasher smut #slasher fucker #tommy hewitt #leatherface x you #thomas hewitt x you #slasher x you #slasher x reader #tw noncon #dark fic #toxicanonymity ☠️#slasher fandom #tw rape #texas chainsaw massacre #leatherface

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theoihalioistuff · 1 month

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ARES IS NOT THE PROTECTOR OF WOMEN IN GREEK MYTHOLOGY.

He is never presented as such in any source, there is no evidence such a role was ever assigned to him in any account, and as far as I'm aware this popular yet unattested assertion is born from the echo-chambers of tumblr. In fact quite the opposite could be argued. TW for sexual assault.

This baffling claim seems to originate from a sort of shallow examination of the way Ares "behaves in myth", and the following arguments are the most frequently presented:

1. Ares protects his daughter Alkippe from assault, and is therefore morally opposed to rape. (Apollodorus 3.180, Pausanias 1.21.4, Suidas "Areios pagos", attributed to Hellanikos)

Curiously this argument is never applied to, among other examples: Apollo for defending his mother Leto from Tytios, Herakles for defending Hera from Porphyrion (or his wife Deianeira from Nessos), or Zeus for defending his sister Demeter from Iasion (in the versions where he attacks her), etc. The multiple accounts of rape of the previously mentioned figures did not conflict with these stories in greek thought: they're defending family members or women otherwise close to them. This sort of mentality is not uncommon even in contemporary times, e.g. a warrior may have no ethical problem killing men, but would not want his own family or loved ones to be killed. The same goes here for sexual assault.

2. There are no surviving accounts of Ares sexually assaulting anybody.

The idea that the ancient greeks pictured that, among all the gods, Ares was the only one who shied away from committing rape borders on ridiculous. In this case absence of evidence is not evidence of absence.

The majority of surviving records regarding Ares' unions are presented in a genealogical manner, and do not go into details on their nature. This is the case for most works of mythography, where specifics of sexual encounters are to be found elsewhere. However, common motifs present in other accounts of rape also appear in stories concerning Ares' relationships, e.g. tropes like shape-shifting/the use of disguises, the victim being a huntress, secrecy, and the disposal of the concieved child, are to be found in the stories of Phylonome and Astyoche respectively:

Φυλονόμη Νυκτίμου καὶ Ἀρκαδίας θυγάτηρ ἐκυνήγει σὺν τῇ Ἀρτέμιδι: Ἄρης δ᾽ ἐν σχήματι ποιμένος ἔγκυον ἐποίησεν. ἡ δὲ τεκοῦσα διδύμους παῖδας καὶ φοβουμένη τὸν πατέρα ἔρριψεν εἰς τὸν Ἐρύμανθο

"Phylonome, the daughter of Nyktimos and Arkadia, was wont to hunt with Artemis; but Ares, in the guise of a shepherd, got her with child. She gave birth to twin children and, fearing her father, cast them into the [River] Erymanthos." (Pseudo-Plutarch, Greek and Roman Parallel Stories, 36)

οἳ δ᾽ Ἀσπληδόνα ναῖον ἰδ᾽ Ὀρχομενὸν Μινύειον, τῶν ἦρχ᾽ Ἀσκάλαφος καὶ Ἰάλμενος υἷες Ἄρηος οὓς τέκεν Ἀστυόχη δόμῳ Ἄκτορος Ἀζεΐδαο, παρθένος αἰδοίη ὑπερώϊον εἰσαναβᾶσα Ἄρηϊ κρατερῷ: ὃ δέ οἱ παρελέξατο λάθρῃ: τοῖς δὲ τριήκοντα γλαφυραὶ νέες ἐστιχόωντο.

"And they that dwelt in Aspledon and Orchomenus of the Minyae were led by Ascalaphus and Ialmenus, sons of Ares, whom, in the palace of Actor, son of Azeus, Astyoche, the honoured maiden, conceived of mighty Ares, when she had entered into her upper chamber; for he lay with her in secret" (Homer, Iliad 2. 512 ff)

In neither of these cases is a verb explicitly denoting rape used, though it is heavily implied by the context. The focus of the action is on the conception of sons, the nature of the interaction is secondary.

Other examples are found among the daughters of the river Asopos, who where (and here there's no confusion) ravished and kidnapped by different gods to different parts of the greek world, where they found local lines through children borne to their abductors and serve as local eponyms. Surviving fragments from Corinna of Tanagra tell:

"Asopos went to his haunts . . from you halls . . into woe . . Of these [nine] daughters Zeus, giver of good things, took his [Asopos'] child Aigina . . from her father's [house] . . while Korkyra and Salamis and lovely Euboia were stolen by father Poseidon, and Leto's son is in possession of Sinope and Thespia . . [and Tanagra was seized by Hermes] . . But to Asopos no one was able to make the matter clear, until . . [the seer Akraiphen reveals to him] 'And of your daughters father Zeus, king of all, has three; and Poseidon, ruler of the sea, married three; and Phoibos [Apollon] is master of the beds of two of them, and of one Hermes, good son of Maia. For so did the pair Eros and the Kypris persuade them, that they should go in secret to your house and take your nine daughters." (heavily fragmented papyrus. Corinna fr. 654)

"For your [Tanagra's] sake Hermes boxed against Ares." (Corinna fr. 666)

It seems that, similar to the myths of Beroe or Marpessa, the abducted maiden is fought over by two competing "suitors", and though we can infer that the outcome of the story is that Hermes gets to keep Tanagra, apparently by beating Ares in a boxing match, we don't actually know what happened or how it happened. In any case, Ares does mate with another daughter of Asopos, Harpina, who bears him Oinomaos according to some versions (Paus. 5.22.6; Stephanus Byzantium. Ethnica. A125.3; Diodorus Siculus 4. 73. 1). There is little reason to suppose that this encounter wasn't pictured as an abduction like the rest of her sisters.

The blatant statement that each of his affairs was envisioned as consensual is simply not true.

3. He was worshipped under the epithet Gynaikothoinas "feasted by women"

This was a local cult that existed in Tegea, the following reason is given:

"There is also an image of Ares in the marketplace of Tegea. Carved in relief on a slab it is called Gynaecothoenas. At the time of the Laconian war, when Charillus king of Lacedaemon made the first invasion, the women armed themselves and lay in ambush under the hill they call today Phylactris. When the armies met and the men on either side were performing many remarkable exploits, the women, they say, came on the scene and put the Lacedaemonians to flight. Marpessa, surnamed Choera, surpassed, they say, the other women in daring, while Charillus himself was one of the Spartan prisoners. The story goes on to say that he was set free without ransom, swore to the Tegeans that the Lacedaemonians would never again attack Tegea, and then broke his oath; that the women offered to Ares a sacrifice of victory on their own account without the men, and gave to the men no share in the meat of the victim. For this reason Ares got his surname." (Paus. 8.48.4-5)

As emphasised by Georgoudi in To Act, Not Submit: Women’s Attitudes in Situations of War in Ancient Greece (part of the highly recommendable collection of essays Women and War in Antiquity), "it is not necessary to see the operation of an invitation in the bestowal of the epithet Γυναικοθοίνας on Ares". The epithet is ambiguous, and can be translated both as "Host of the banquet of women" or "[He who is] invited to the banquet of women". In any case no act of divine intervention occurs, and the main reason for the women's act of devotion lies principally in recognising their decisive role in the routing of the Lakedaimonians. It's they who preside/participate in the feast of war, the men are excluded.

Also this a local epithet that isn't found anywhere else in Greece. As such it would be worth reminding that not every Ares is Gynaikothoinas, in the same way not every Zeus is Aithiopian, not every Demeter Erinys, and not every Artemis of Ephesos.

4. He was the patron god of the Amazons

He was considered progenitor of the Amazons because of their proverbial warlike nature and love of battle, the same reason he was associated with other "barbaric" tribes, like the Thracians or the Scythians. In this capacity he was also appointed as a suitable father/ancestor for other violent and savage characters who generally function as antagonists (e.g. Kyknos, Diomedes of Thrace, Tereos of Thrace, Oinomaos, Agrios and Oreios, Phlegyas, Lykos etc.). Also he was by no means the only god connected with the Amazons (they were in fact especially linked to Artemis, see Religious Cults Associated With the Amazons by Florence Mary Bennett, if only for the bibliography).

Similarly, Poseidon was considered patron and ancestor of the Phaiakians mainly because of their mastery over the art of seafaring (and was curiously also credited in genealogies as father to monsters and other disreputable figures).

On another note I have found no sources that claim he taught his amazon daughters how to fight, as I've seen often mentioned (though I admit I'd love to be proven wrong on that point).

5. Finally, the last reason Ares could never be portrayed as a protector of women is because of his divine assignation itself

The uncountable references to his love of bloodshed and man-slaying don't just stop short of the battlefield, but continue on to the conclusion and intended purpose of most waged wars in antiquity: the sacking of the city. The title Sacker of Cities as an epithet of Ares (though it is by no means exclusive to him) is encountered numerous times and in different variations (eg. τειχεσιπλήτης or πτολίπορθος), and the meaning behind the epithet is plain. Though it is hard to summarise without being reductionist, the sacking of a city entails the plundering of all its goods, the slaughtering of its men, and the sistematic raping and enslavement of the surviving women (to name only a small few of the literary references see The Iliad, The Trojan Women or The Women of Trachis). There is little need to emphasise that war as concieved of in ancient greece, especifically the brutal aspects of war Ares is most often associated with, directly entailed sexual violence against women as one of it's main concerns. The multiple references to Ares being an unloved or disliked deity are because of this, because war is horrifying (not because his daddy is a big old meany who hates him for no reason, Zeus makes very clear the motive for his contempt in the Iliad (5. 889-891): "Do not sit beside me and whine, you double-faced liar. To me you are most hateful of all gods who hold Olympos. Forever quarreling is dear to your heart, wars and battles.")

Ares was only the protector of women inasmuch as he could be averted or repelled (e.g. surviving apotropaic chants):

"There is no clash of brazen shields but our fight is with the war god, a war god ringed with the cries of men, a savage god who burns us; grant that he turn in racing course backward out of our country’s bounds, to the great palace of Amphitrite or where the waves of the thracian sea deny the stranger safe anchorage. Whatsoever escapes the night at last the light of day revisits; so smite him, Father Zeus, beneath your thunderbolt, for you are the lord of the lightning, the lightning that carries fire." (Shophocles, Oedipus Tyrannos, 190-202)

"And let no murderous havoc come upon the realm to ravage it, by arming Ares—foe to the dance and lute, parent of tears—and the shout of civil strife." (Aeschylus, Suppliant Women 678)

~~~~~

All that being said, this is a post about Ares as conceptualized and attested in ancient sources, made specifically in response to condescending statements about how "uhmmm, actually, in greek mythology Ares was a super-feminist himbo who was worshipped as the protector of women and was hated by his family for no reason, you idiot". It is factually incorrect. HOWEVER, far be it from me to tell anyone how they have to interact with this deity. Be it your retellings, your headcannons or your own personal religious attachments and beliefs towards Ares, those are your own provinces and prerogatives, and not what was being discussed here at all (I personally love art where Ares and Aphrodite goof around, or retellings where he plays with his daughters, or headcannons that showcase his more noble sides, etc.)

~~~~~

I've seen that other people on tumblr have made similar posts, the ones I've seen were by @deathlessathanasia and @en-theos . I have no idea how to link their posts, but they're really good so go check them out on their pages!

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tikkunolamresistance · 6 months

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from “Women, Race & Class” by Black revolutionary Marxist, Angela Davis.

Read here:

#anti capitalism #anti imperialism #propaganda #remind you of anything?#angela davis #resources #tw rape

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wilwheaton · 11 months

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Brock Turner the literal textbook definition of a rapist

As a reminder, convicted rapist Brock Allen Turner now goes by his middle name presumably so when folks Google him, his conviction for raping an unconscious woman next to a garbage dumpster doesn't come up. So while convicted rapist Brock Allen Turner now goes by Alley Turner, he is still a convicted rapist. Despite the new name, the person is the same: convicted rapist Allen Turner raped am unconscious woman next to a garbage dumpster.

I sincerely hope this bag of shit does not get a single second of peace for the rest of his miserable life.

#tw rape #brock turner is a rapist #brock allen turner is a rapist #allen turner changed his name from brock turner because he is a rapist #brock allen turner the rapist is the textbook definition of a rapist

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neil-gaiman · 1 year

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Two poems by Roz Kaveney:

No matter what. My people will endure.

Kill us. Imprison us. Carve up our brain.

Out of your children we are born again.

Erase our past and future but be sure

We are among you añd will find a way

To know ourselves in fragments from the past

Constructed truths. You think you have locked fast

The doors of memory. Your world is gray

Lacks savour. We umami of the soul

Palate remembers taste it never knew

Your angry grand children will stare at you

Carve us from world and you will leave a hole

Negative space describes all that we were

They fill it with new flesh. He him. She her.

When they have killed us all, or maybe most

Of us, because some fragment will escape.

We are quite good at hiding. When they rape

Some young guy on your street and later boast

Taught it to be a woman, when they shave

That blonde's head bloody slash her by mistake

Across the cheek for being tall. And make

Pyre of our books. And in an unmarked grave

Neighbour or niece. Legitimate concern?

Will you still sleep at night? Will you forget

You sort of wanted this...perhaps not yet...

But soon you'll stand and cheer and watch us burn.

Then later say it was not in your name

You never meant it and are not to blame.

(Twitter links follow.)

#tw rape #tw murder #tw poetry #Roz Kaveney

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animentality · 2 months

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#twitter #tw rape #feminism #misogyny #tw sa

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intersectionalpraxis · 4 months

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Someone also wrote a brief description about these massacres and brutal systematic raping and often killing of Vietnamese women and children by these despicable and depraved US soldiers. It is absolutely horrific. I hope these soldiers are eternally damned.

I will be adding this to my reading list. This was recommended by someone in the comment section for those who haven't read this one yet:

#feminist #social justice #feminism #american war crimes #american war on vietnam #vietnam #history #vietnam war #tw sa mention #tw rape #tw abuse #united states #us army #us imperialism #western imperialism

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magnetictapedatastorage · 6 months

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TRAs to minors: you need amputations and chemical injections or you're going to fucking kill yourself. rush rush rush rush rush as FAST as you can. LIE and THREATEN SUICIDE to anyone who stands in your way. here's a script of fake statements to make to your doctor so you can get the amputations and chemicals as fast as possible. doubt is the enemy. if you even THINK about not going through with it RIGHT NOW, you're permanently hindering your ability to pass as an adult. which means you WILL KILL YOURSELF AND THERE IS NO OTHER WAY. YOU WILL KILL YOURSELF. YOU WILL KILL YOURSELF YOU WILL KILL YOURSELF THERE IS NO WAY OUT THERE IS NO ESCAPE

TRAs when someone detransitions for literally any reason: you were a fucking liar and never really trans you nazi piece of human trash. nobody would ever pressure you like that or tell you to lie. the least you can do is shut your fucking mouth and toe the line, and stop trying to convince people there's any alternatives other than amputations + chemicals, or straight up killing yourself. you're a fucking conversion therapy supporter and deserve to be beaten to death and raped

#gender critical #nsfl #sorry i am just angry as fuck at the shit i'm seeing #tw rape #tw suicide

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cathy-plus-e · 6 months

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If this post gets 50k notes before July 7th of 2024 I'll do anything possible to go to therapy and investigate if I really got rapped when I was 10 years old so I can stop living with an uncomfortable feeling of doubt and insecurity with my own body

This got extremely specific I'm sorry

#tw rape mention #tw rape #tw sex abuse

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tocomplainfriend · 5 months

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HAZBIN AND SA (+HB)

TW: SA and RAPE

THIS ITSELF DOESN'T TALK ABOUT THE SCENE! But the surrounding context.

So I really hate everything about how this has being treated. I am a SA victim and wanna talk about some stuff. If you didn't know, in episode 4 (I think) there is an exploration of Angel Dust SA, before going to do that lets see some stuff first:

She made a "cumming" joke about the song Poison (that accompanies the SA scenes)

This person over here worked on HH/HB (draws r-pe/non-con)

BLURRED AND CUTTED IMAGES: (Some are more or less explicit)

You know, that whole thing of shipping, and drawing porn of the canonical sexual abuser with the victim?

They also left this comment, under a comic where Val threatens brutal r-pe on Angel.

This person also worked in/directed the scenes of Angel dust Sexual abuse in the episode. The person that ships a r-pe ship and does all this shit is the one to work in this scene?????

ALSO????

Like??????? What happen here?

Also...

(The pinkie pfp person is 15 here too)

Why does Angel sexually harrases Husk non-stop (which is acknowledged by Vaggie)? Why is Moxxie SA by the succubus played for laughs? Same with Chaz or Blitz harassing him sexually or touching him without consent? Why did Stolas do so many unwanted advances towards Blitz, and that's literally the endgame couple of the show? (All of this are jokes, or by the Husk x Angel shit "ship moments"

WHY THIS TOO?

And yes you are "correct", something like Hypersexuality Trauma-should not being shamed. You are not a bad person, for dealing with this. BUT HEY, that doesn't mean you get to sexually harass people like Angel does to Husk or anyone.

Also, the problem is not having an SA victim's story. The problem is how it is treated and all the context that surrounds it. All of this above is that context! Why is so much SA jokes in Helluva? Why is that funny? You want to tell a story of SA, and anyone calling out the problems with it is deleting victims feelings and stories... YOU AND YOUR STUPID FUCKING JOKES DO THAT ALREADY. WHEN SA IS A JOKE FOR YOU, YOU ARE DIMINISHING SA AND R-PE.

There are also a lot of random fans saying that "Viv is an SA victim too"- #1 Where the fuck did she say that, cause you randomly saying that she said it doesn't mean shit. #2 DOESN'T DELETE THE WAY SA HAS BEING TREATED! THIS IS NOT EVEN CLOSE TO MAKING A JOKE AS AN SA VICTIM ABOUT YOURSELF- SHE/AND OTHER IN THE TEAM ARE WRITING CHARACTERS GETTING SEXUALLY ASSAULTED AS THE JOKE. -OR NOT UNDERSTAND LEGIT POWER DYNAMICS AND THE GROSS THING THAT STOLAS DOES TO BLITZ. OR THE LITERAL "SHIP COMPILATION" THAT IS PURELY ANGEL SEXUALLY HARASSING HUSK.

"Is important to represent SA survivors stories- specially men who-" BROTHER ALL YOUR OTHER MALE CHARACTERS SEXUALLY HARRASS/ASSAULT OTHERS AS A JOKEEEE. "They are in hell" BITCH A HUMAN, A REAL PERSON WORKING ON THE SHOW WROTE hahaha Moxxie gets violated by the succubus so funny lol. IT'S NOT "LOONA IS A BAD PERSON FROM HELL THAT'S WHY SHE MADE FAT JOKES AT MOXXIE" NO IT'S WRITTEN AS IF THE SA WAS FUNNY IN ITSELF!

This is also not a scenario where there was a realization of the problems in HB with all those jokes and the harassment, so it was trying to be fixed with a serious story in hazbin. NO, THAT'S NOT IT!!!!

If there was an apology of how the sexual assault was treated in previous works! "We'll make up for it!" (the fact of that was a thing in the first place, it's still bad). That would be a little different. BUT NO, IT'S NOT! IT'S HYPOCRITICAL AND GARBAGE BULLSHIT.

I think purely by the context already given here that I think the representation it's bad. I don't feel like it comes from a good place, due to the hypocritical shit, the comments, and the artist who directed it.

We could go really back and forth with the direct scenes of the episode. BUT THIS IS ABOUT THE CONTEXT SURROUND IT rather than the scenes themselves. (Which is partly connected to the fact that it's incomplete)

Here is the scene "Tuca and Bertie". Is Bertie telling her friend of her assault. It's amazingly respectful and well written. It's not graphic, and tells the story really well.

youtube

#vivziepop critique #vivziepop critical #helluva boss critique #helluva boss criticism #helluva boss critical #hazbin hotel critical #hazbin hotel criticism #hazbin hotel critique #spindlehorse critical #tw rape #tw sa #tw abuse

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