So, in the fic where Tim gets his appendix out, Jason tells him that he usually freaks out before he gets put under, not after. Now that Tim knows, how would he comfort Jason? I'm thinking, like, imagine that Jason breaks his leg badly on patrol, so urgent surgery is in order. Would Tim try to prevent him from freaking out? How?
P.s. i said i a thousand rimes bur I love your works!! You're amazing!!
Ooh so I've actually answered a similar question pretty recently (although that was focused more on the needle aspect than the anesthesia/loss of control aspect which I headcanon to be Jason's main issue with being put under)
Honestly? I think Tim would be the worst family member to try to comfort Jason through something like this. Not for anything that Tim is doing right or wrong, just because anesthesia is something that really freaks Jason out, and his response to being freaked out is a) to angry cry, and b) to lash out at people. Because he knows this about himself, and he's also extremely protective of Tim, he tries not to let Tim see him when he's not fully in control of himself. So while Jason would totally be great in a crisis involving Tim, he does terribly when the roles are reversed.
BUT that being said, if Tim was the only one available, I think Tim would end up offering his hand to squeeze, and Jason would hesitate at first but eventually take it. He'd probably also be trying really hard not to cry, which Tim would very intentionally act as through he wasn't noticing because at the end of the day, Jason needs his dignity more than anything.
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Not really Dc/Dp but I cannot get it out of my head
The general supernatural public keep trying to do soul contracts and stuff for favors and like… most of the cultists already gave him their souls, and if you’re dead but not yet a ghost he kind of already has your soul unless it’s already been sold to a different buyer before you died yknow
But they need something for the contract to be binding, so he tries to make it easy when he wants someone’s help. So sometimes it’s just, like, a dollar. He doesn’t have high standards.
The problem is, for the people who actually appreciate his help, they feel like that’s not appropriate and started up-charging their own contracts. So for the ghosts that understand money, they start doing heists for him. A lot.
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Wanting more homoeroticism in the tension between the show’s leads as the narrative introduces greater intimacy and higher stakes between them, especially in a landscape that lacks queer representation who isn’t a villain or dies within one or two episodes, but also recognizing that core values/motivation for these characters lie in their relationships with one of two major female characters in an on screen sausage fest where the only other woman is a morally reprehensible femme fatale and erasing and/or vilifying female leads in favor of conventionally attractive males is a common practice observed in fandoms that’s rooted in misogyny and justified under the guise of rejecting heteronormativity, thinly veiled double standards, or claiming the woman is simply not interesting enough and not wanting to bolster that mindset
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Thinking Luke&Leia thoughts today
Like, they're two halves of the same experience, their life lessons and their victories and their losses compliment and complete each other, you cannot tell Leia's story without telling Luke's, and vice versa.
The Skywalker twins are a tale of triumph over seemingly impossible odds, but they each portray a very distinct facet of victory, one that is so foundational and yet so incomplete without the other facet's wisdom to work with.
Luke's story is the journey of triumphing over evil by the way of acceptance. Acceptance not as in defeat, not as in a docile act of passive submission, but as in a conscious, holistic acknowledgement of a context. No nuance left behind, no line left untold, no truth lined out– Luke embodies what it takes to face evil and not flinch: he looks Vader in the eyes and says, "you, as well." He does not try to bury and wipe out the existence of the fear that makes Vader, or the existence of Vader himself. Instead, he finds a path through evil by refusing to simplify and detach from evil out of fear. He holds Vader's grief, Palpatine's greed and his own goodness all in the same picture frame, no parts of reality obscured or lined out. Because this is life; it is all part of the same tapestry, and no part is unaffected and untouched from the other, no matter how uncomfortable and distressing the thought might be. Luke looks at evil and says you too, exist. You too, are part of humanity. No good OR evil, but good AND evil AND everything inbetween.
So what about his goodness? What makes Luke Skywalker a good person despite unapologetic acceptance of evil?
It's choice.
This is where Leia's story weaves seamlessly into Luke's. Leia is a story about agency. You make choices and your choices make you. Leia's story is about conscious self responsibility and embodied choices, making your own fate and stnding by your own values. Leia is Leia Organa by choice, she weilds her agency in every step and works in tandem with the resources she has to further what she believes to be right. She doesn't quite wait for the context to suit her; she makes the context suit her.
Luke Skywalker accepts life as it is; no parts torn away, and he's a good person because he chooses goodness, he chooses to be good anyway.
Leia Organa is an affective leader because she too chooses goodness, and works to adopt to the nuances of her environment. The Skywalker Twins are a story about triumph and you cannot hope to triumph with acceptance that's void of agency, and choices that are void of inclusion and understanding.
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