as a kid i assumed "captive audience" referred to like. when a supervillain kidnaps you & ties you up over a vat of acid & and just. starts monologuing. captive audience
asked my brother if he'd seen goncharov (1973) and he looked at me and grabbed this beanie that hes had for 2 years that ive seen but never read the tag on it and
turns out he and his friends got matching beanies and made lore a full TWO YEARS ago
Sorry, but having Zuko actually fight back against Ozai during their Agni Kai is just wrong. He was a child, only 13 at the time, afraid to fight his own father and was mutilated as punishment, because Ozai saw Zuko's begging and unwillingness to fight as unforgiveable weakness.
The Angi Kai isn't meant to be a showcase of Zuko's fighting potential (that's what the Zhao fight is for), but to show the utter cruelty of Ozai.
I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?
Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.
Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.
Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.
i can't believe that we're doing 'i use bro/dude in a gender neutral way' discourse in 2024 because even without the blatant transmisogyny of being unwilling to make incredibly minor linguistic concessions for the sake of not casually misgendering trans women, 'dont call people things that will upset them' is a concept literal kindergartners are capable of grasping. if someone says 'don't use these words to refer to me, i don't like it' and your response is anything but 'sorry, i won't do it again' then the kindest possible interpretation of your behavior is that you are a huge asshole that nobody should want to hang out with.
if you post an image in discord itll round the corners, but once you hit a certain smallness it rounds into a circle. so basically if you make an image that is 32x32 and you post it in discord itll go from this
to this.
so you basically can just draw a little face in mspaint or something and paste it into discord and itll look like a little emoji. you can potentially mess around with this a lot, its proportional to your image going smaller and it doesnt have to be a square either.
one of the differences between good omens the show vs good omens the book that will always fuck me up is the post-bookshop fire scene. crowley goes from picking himself up, dusting himself off, accepting the loss of aziraphale and Just Driving Anyway to completely falling apart. i do get why people have gripes with it being changed so fundamentally, and i've thought about it a lot myself, but i've never been able to bring myself to get mad about it. i always circle back to how the book was written by two best friends. that drunken, wrecked, grief stricken scene was written in a post-pratchett world. he lost his best friend.