original thief series basso & garrett :)
ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels
there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.
anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
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🧚🏻♀️ i got a bunch of asks telling me about the genshin drama on twt, i honestly don't know any of them because i don't watch genshin cc but this tweet sums up what i think about it🙇🏻♀️:
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Some recycled bottle cap pins I made :)
The string ones were from some old thrifted curtains
[Image ID: 8 homemade pins. Five of them are bottle cap pins. One is a large green pin woh a white spiral, one is a large darker green pin with a sunflower, one is a smaller anarchy symbol, one is a red one with they/them pronouns written on it, and the fifth one is a skull with eyes. The last three pins are string tassels attached to safety pins. End ID]
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Yesterday when I was cleaning out my closet I found a picture my little sister drew for me when she was like 5 or 6 (and not a little teenaged HATER), it made me cry and then I IMMEDIATELY slapped it in a frame
I haven’t really decided where to put it yet, it’s making its rounds around my room but right now it’s sitting on my shelf
They’re keepin’ him safe
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Still, as always, thinking about how Veth's story is such a complex look at womanhood and motherhood and what it means to be a woman and a mother who wants things. Because Veth's story is about wanting, just as much as it's about learning to be brave. Veth presumably comes from a very traditional small town, married her (effectively) high school sweetheart when she was quite young and had a child almost immediately, which, while based on love, might also have been an effort to fit in and become an independent adult in her town, away from the mockery of her brothers. The things people in town didn't like about her were her strangeness and her collections of bits and bobs and oddities. The shiny things that she wanted. In some ways, that was the wedge between her and her community, the strangeness of how she desired things and wantonly kept them. Even marrying and having a kid so young could be an extension of this. Veth wants things and strives to get them
All of that in heightened after she's turned into goblin. It becomes "the itch" to steal and to horde shiny, beautiful things, which is particularly poignant considering how ugly she finds herself, even uglier than she thought of herself when she was still a halfling. She wants to surround herself with beautiful things. She wants to help Caleb. She wants to be her again. She wants.
And it's okay for Nott the Brave to want things, because Nott the Brave exists outside of social contracts. She's already a monster--there's no need to pretend to fit in. It's freeing, to be able to want things as much as you want and people won't bat an eye. As much as she hated that body, she loved the freedom it gave her. The freedom to be transgressive in a way she was unable to be as Veth Brenatto. Because, much as she loves her family, isn't being a woman and mother something of a cage to her? Those labels put her in specific boxes, they determine how she should behave. So much of later development hinges on these questions: "What does it mean to be a good woman in this society? What does it mean to be a good mother?" She is SO hard on herself for not being with Luc enough, which is absolutely understandable, but she also wants this life of adventure. Does that make her a bad person? A bad mother? To want something that isn't her family?
And then Caleb. Probably the most unfortunate thing she wants, something she knows she can never have. Because she has Yeza and she loves him and he's her husband. They have a social contract that she must abide by. But Caleb's right there and she wants him. Does that make her a bad woman? Does that make her a bad wife? It's just one more thing that makes her different from her peers, her inability to be content with what she already has. And, at the end of the day, I think this is what we should think of when we talk about Veth's relationship with motherhood and womanhood. How transgressive it is for her to so deeply desire when clearly, from the way she grew up and the messages she internalized, it wasn't a woman's place to want more than she was afforded, nor was it a mother's.
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Hello!
If you're not too busy, would you mind listing some of the things you think count as death flags for Mr. Spender?
There's the obvious fact that he's the "old" mentor to group of young protagonists, but what else do you think would count?
OHH BOY ok so I'd think I'm a crackpot for this but since we're talking about Zack "Foreshadowing" Morrison. I have some thoughts
No harm in leading with the (chronologically) first thing that jumped out at me:
This one IMMEDIATELY made me antsy whenever I came back to it after my initial read, and considering Zack has referred to it on twitter in the past as one of their favorite jokes it's definitely not been forgotten about.
Second, the sheer amounts of near-misses, jokey or not, of Spender narrowly avoiding specifically lightning
Again, not much, but it's weird that it happened thrice, latter two of which had real gravitas rather than an one-off joke.
And third, Spender himself. He's repeatedly shown himself to be kind of a self sacrificing idiot, as well as prideful to a fault. Granted, it's both him and Mina trying to take on all the responsibility of saving Mayview and its inhabitants from their fate..
But Spender is exactly that right measure of doesn't-value-himself-enough (chest footprint aftercare or lack thereof), having an obscene amount of power (enables his loner act + pride) and poor judgement that has the capacity to put him at great risk. And it has!
Spender has not only shown low enough self-esteem to view himself as the de-facto scapegoat for the safety of the town, but also prideful enough to make very bad calls that end up in people, often himself, hurt (COUGH FORGE INCIDENT COUGH)
This is all conjecture, but it's definitely enough to make me worried about him :') Even if all this doesn't mean he'll necessarily die he's definitely getting (even more) seriously injured at some point. I love the guy but he's so far doing a horrible job of convincing me he wants to live bad enough to circumvent at least that
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i read the phrase “i access my femininity through my masculinity” once (in the context of butchness) and it’s stuck w me ever since. now that i feel like i’ve grown into myself as a butch i find myself able to enjoy more stereotypically “feminine” things that i tended to reject when i was younger and still figuring myself out. things like makeup, jewelry, nail polish, colourful clothes, cutesy aesthetics, heels…they no longer feel stifling to me. my relationship to them has changed because i no longer feel like i’m obligated to perform femininity. rather, i can pick and choose which parts of it enjoy, and simply leave the rest behind. and i’m secure enough in my identity as a masculine person to know that enjoying these things doesn’t detract from my masculinity—in fact, i can use them to construct and further my own masculinity in a way that feels genuine to who i am.
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ok hear me out....
Dusthides based off of an artichoke agave. Can you imagine my vision?
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