was rewatching fabian’s baron moment on account of it being the most delicious piece of pvp in my recent memory and ally beardsley’s growth as a player just shone through so brightly and with such clarity. after dusting off their shock they immediately asked about the nemesis ward, had enough knowledge about fellow pcs stocked to remember adaine’s ac with such like frustrated confidence and certainty, suggested to siobhan to dimension door out of adaine’s room, like. they came into this making a character with 4 dex. and now the dice deity offered to roll a check to sense if adaine was in danger. making decisions, asking questions, getting invested in the story, trying so hard with the tools they have to save characters from danger; ally beardsley is an incredible d&d player.
All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.
Ouuhhhyheaaa ouuhyhaaa ,FINALLY! FINISHED SOMETHING BEFORE THE YEAR ENDS
First of all thank you all soooo soo much for following or just liking my art, support means alot to me , second you are all so talented and so sweet! even if you don't create content you are all so cool!! Yes you reading this ,you are so cool!! And for last...
Happy new year's eve, may all your dreams come true!
I think most stories could benefit from having two characters whose relationship is just "those two guys" (gender neutral). Most of the time if you look for one of them you'll find both of them. They can hate each other or be the best of friends or something in-between but they just can't find that same spark with anyone else. Their relationship is best described as "do not separate them". They are fully fleshed out characters individually but if either of them are left alone without the other for any reason it feels so wrong.
pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
if i had a nickel for everytime a man who was just rejected an alliance by cleo decided to build a floating heart island as a base, id have two nickels, which isnt a lot, but its weird its happened twice.
the flower ranchers energy is something else this season. they hate each other but also can't get enough of each other. tango's scathing "it's you" to scott at the beginning but his teasing "pumpkin boy" towards him in the last session. scott generally being a menace to jimmy but also trying to help him make a guess on tango's task. jimmy rushing to defend tango and trying to say scott was making things up (and then also the teasing/crooning way he went "he's gone shy, tango!" to scott HELLO??) meanwhile tango was absolutely cackling on the inside bc scott was right and jimmy wasn't getting it.
idk i need to examine that trio under a microscope bc we've never really seen those three properly interact and this is what we get??? /pos