Dubbed Ken canonically thinks Davis is pretty lol
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The smith/jiang siblings get squished, now in color <3
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"Beauty and the Beast should have ended with the Beast staying a beast bc Belle liked him that way!"
OK and what about the Beast???? He should just be happy with being cursed forever and losing his humanity just bc Belle liked him that way??? He very clearly hated that curse!
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Felling witchy lately... ✨
Some doodles and a redraw !
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Argyle never gets frustrated with Steve when he doesn’t understand something. He doesn’t roll his eyes, or give That Sigh. He explains things patiently, if a bit abstractly, and when Steve is way off base Argyle runs with it. Is Vecna a vampire? Whoa that would be wild, man! Do you think he can’t have garlic? We could just take him out with a gnarly garlic pie, my dude!
the way you're seeing into my mind.... argyle being really soft with steve and taking the time to make sure he doesn't feel stupid when he's confused is something i've considered AT LENGTH (specifically in dms with @himbohohoharringtxn who has the unfortunate luck of being on the receiving end of Most of my argyle thoughts fdjghkdfj)
i would like to preface this by saying that i am firmly in "argyle and steve are both genuinely smart" territory. i think steve is very neurodivergent coded (i see the arguments for adhd/autism/dyslexia/ocd and as someone who might be autistic but is diagnosed with the other three....i see these arguments and i agree on all fronts) and there's also the head trauma of it all, though that's not what this is about. he's not fucking dumb, he just needs things broken down and explained to him in a very specific way. nothing wrong with that!
as far as argyle is concerned - we've literally seen him in action noticing small details no one else has(one of my fav parallels between them), which ends up being the reason the cali group finds nina and el. he's not fucking dumb either, just delivered to us as a comic relief stoner character with little dimension because the duffers need to be fucking stopped
BUT ANYWAY! you're so right! argyle would see the way steve sometimes gets brushed off and spoken over. the rest don't mean it to be hurtful and steve tries not to show that it does sometimes sting (because it's really not that big of a deal to him and it's not like they're being outright mean) but he would ABSOLUTELY "yes and-" whatever steve's off the wall question or idea was, if anything just to make him laugh, relieve some of the tension. AND IT WORKS is the thing.
it's not just, "duuuude, what if we just lure vecna into the sun? he'll be TOAST in five seconds flat, no fighting necessary. nancy, you can put the gun down, we're gonna hurl garlic cloves at him with a slingshot!" in one fell swoop, argyle is 1. making sure steve feels heard and not spoken over; 2. acknowledging steve's input and effort in a way that, let's be honest, the others don't do very often; 3. putting a smile on the group's faces for a while because fuck they're kids in a stressful situation and need a laugh; 4. putting himself in the line of fire so the others can rag on him instead.
argyle would do this when they aren't even dating yet and steve definitely would not be normal about it, he'd be smiling so big and soft and then argyle would catch his eye and smile back and they'd have this little quiet moment between them amidst all the chaos and dread.
after they're dating though? oh, they'd be INSUFFERABLE. they'd be such a pda couple, with the ridiculous pet names("what the fuck did you just call me?" "don't worry about it, my lil sweet potato pie."), and the open flirting until their friends are fake-retching, the whole nine yards. argyle is hanging off of steve's back with his arms around his waist and not even acknowledging it as he makes his argument to the rest of the group that, "no, no, listen. steve is onto something here, i just know. what if-"
and when they're alone, it'd be less of the theatrics and silliness and more of the gentle patience. they're both smart in really different ways and when argyle gets something steve doesn't and steve is getting a little frustrated about it, he'd take his hand or pull him close and just distract him with a little bit of affection to get him to cool down because he knows being frustrated isn't going to help steve figure out whatever it is. conversely, steve does the same when he's trying to explain something to argyle - though he's less likely to get as frustrated when confused, and more likely to pretend to take longer to get it than he actually does because listening to steve explain a subject he's knowledgeable about is fucking hot, can you blame him? they're just soft with each other, okay
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I will never forgive Dracula (1979) for what they did to Mina.
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Will probably delete later but genuinely WHY do so many ppl hate uf papyrus. "He’s horrible and a bad brother and abusive >:(((" my guy. YOU made him that way
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me @ you calling Lucerys boring! 😆 come on, he's just a kid! cutting out aemond's eye was bad, i agree, but i don't think he was as bland as everyone says. his imposter syndrome in 8 and 10 was interesting to watch at least. he was a brave little boy.
I mean I don't really see anything brave about bringing a knife to a fight he not only had fuck all to do with but where he was clearly at fault (Aemond did nothing wrong, he tamed a free dragon, Baela and Rhaena get a pass because they're grieving but Jace and Luke had no business being involved and certainly no business escalating into 4 v 1 violence against the clear cut victim), trying to literally murder someone because I don't know what the fuck you're trying to do when you stab a knife at someone's face but it's certainly not a warning shot, showing zero remorse for it at all, and at worse acting like a little snot when in the same room with your victim. The fact that Luke got away with this scot free (didn't he literally say "I didn't do anything" you boring little asshole you stabbed out someone's eye that is the opposite of not doing anything!) is an absolute travesty of justice that stains everyone involved (mostly Viserys and Luke but I'm not letting Rhaenyra "pls torture the ten year old stabbing victim until he tells me how he figured out that these white dark haired children aren't the sons of my black platinum blond husband" Targaryen off the hook either). Aemond could have died, not only from the initial wound, but from the myriad of infections or other issues that could have plagued him during the healing process. For God's sake, Viserys nicks himself on the Iron Throne and they have to lop off his arm, his infected injuries and their treatment have already made him pretty firmly decrepit by Driftmark, the fact that Aemond healed without any serious and lifelong and further damaging complication is a goddamn miracle. And even kids know that murder is bad, I'm pretty sure that if I were Lucerys's age and I tried to commit homicide I'd have to deal with some consequences.
And I'm sorry, but I call him boring because he is! They wrote a boring character! That's not on me for picking up on it, that's on the writers and the myriad choices they made that led to them severely underdeveloping several characters, most prominently Lucerys (Jace and Baela and Rhaena at least get another season of life to develop further, Luke gets four episodes and they knew that going in). This is a song I've been singing literally since the show was airing and it's not gonna change, cuz he's dead and therefore stuck with his boring character and complete lack of characterization.
Him being a kid is not a character trait, and it certainly doesn't make him more interesting anymore than, say, his eye color would. The impostor syndrome thing they kinda tried didn't really work because 1) it's not impostor syndrome if it's true, he's not a Velaryon and Vaemond was 99% in the right in that entire thing (I don't like him throwing out misogynistic slurs, you can point out that these aren't Velaryons but Strong bastards without stooping to calling Rhaenyra a whore, I hate men sometimes) 2) in episode 8 it exists for one single line and is not a driving force for him at all for the remainder of the episode to the point that it could be cut out and mean nothing, especially since that scene was only there to introduce adult Aemond and 3) it doesn't even make sense because the person who was set up as having issues with his lack of Velaryon heritage and Harwin being his father was Jace. Jace is the one who hears the rumors and clocks it early on in childhood, Jace is the one who is deeply affected by it to the point of bitterness towards his own mother, Jace is the one who grieves Harwin but also feels angry that he can't express it. All of that was set up as part of Jace's arc, not at all Luke's, who is literally set dressing up until he decides to commit criminal offenses in the middle of the night. And then time skip, and suddenly Jace is A-OK and Luke, who has shown no issue before now (or any personality at all) is slightly concerned about it for one line in episode 8 before going back to being a piece of cardboard until episode 10.
And I'll be honest, the second that scene came out in episode 10, I immediately saw it for what it was, which was a very obvious patch job. The writers were clearly aware that they had not given the viewers any reason at all to care about Luke one way or another, so we weren't going to feel a lot when Vhagar (deservedly, imo) munches on him. So they hastily added in this really heavy-handed scene of poor uwu soft boy Lukey who is so concerned with doing right and needs to blink up tearfully at Mommy and be her sweet boy and get little kisses to assuage his worries, so that we'd feel some emotion and then be said when he becomes the Jonah to Vhagar's whale. It just doesn't work because there was nothing for him before then and therefore I don't care, I just feel bad Rhaenyra.
Luke is a bland and boring character. That's not an attack, that's just what the writers did. They tried to cram too much into a ten episode season, literally twenty years of history, and it caused a lot of characterization problems for a lot of characters, particularly for the Team Black ones. And a consequence of that is that the character with the least amount of time for development got not development and no personality. He's a plank of wood, he's a platonic version of the sexy lamp trope; there's nothing there and he exists only for us to feel bad when the lamp is smashed. Seriously, name me five individual character traits that Lucerys has. He's a momma's boy, even though I'm not really sure that's a character trait but I'll give it to him, and I guess he's devoid of empathy, considering that he doesn't appear to feel literally any remorse for mutilating Aemond (seriously, is it like the Dothraki and "thank you"? does the word "sorry" not exist in Valyrian languages? you can't even send an apology gift basket or a note?). But he's not brave, as there is no scene that shows any bravery or courage, and he's not noble or kind or thoughtful because there's nothing that shows any of that, or anything that shows him being the opposite, cruel or cowardly or weak, because he's a basically a character who could be played by sticking a wig on a mop and waving it around. And any characterization of insecurity exists as something hamfistedly crowbarred in at the last minute in his final episode to try to manipulate the audience's emotions with less sensitivity than D&D trying to tug at our heartstrings by having Drogon try to nudge Dany awake after she's killed.
But there is a character that I do consider to be a brave little boy, though I regret to inform y'all that it is Not a fourteen year old with no depth or personality or written characterization whose main claim to fame is maiming a person without apology and then dying. Nah, the brave little boy title goes to post-Driftmark Aemond. Aemond, at ten, is delivered a life altering injury whose recovery was likely very slow and very painful, involved a lot of worry about whether he'd have to deal with infection or further risk of death, and had to relearn how to do literally everything now that he was half blind, and he did all of it. He survived, and he thrived. He relearned how to walk, how to balance, his spatial awareness. He learned how to fought and even became incredibly good at it, and maintained his bond with Vhagar, as well as trying to keep himself mentally sharp as well. He did all of that, despite the huge setback he was dealt with at age ten. That's brave, go Aemond.
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Cannot freaking believe that the first ever on-screen version of Bruce Wayne actually dealing with and processing the trauma of his parents' death is probably going to be on 'The Harley Quinn Show' of all places.
[ID: a gif from the Harley Quinn show of Harley at some kind of Gala doing the flossing dance and scowling at the Joker as she moves away from him. Joker looks confused.]
Except I can totally believe that because, besides generally good writing, the whole reason the show works is that because it is about villains, and so the corporation that owns the characters lets the showrunners do WILD, UNTHINKABLE THINGS like center loving gay relationships, be openly anti-cop, and - perhaps most outrageous of all possible things - SHOW REAL AND LASTING CHARACTER DEVELOPMENT, EVEN FOR THE GODDAMN BATMAN.
That man hasn't been allowed to have meaningful character development on tv or film since 'Batman Beyond'! And even then it was small and mostly in the one movie ('Batman Beyond: Return of the Joker' is a good movie btw).
But Bruce was STILL 25 years away from EVER being allowed to even begin to process his trauma onscreen, despite the fact that his trauma is fuckin' always shown onscreen and is at the core of the character. Which I'm sure bad writers (probably straight cis men like usual) believe he can never process or else there will be no character left. Just set-up, no pay-off; set-up, no pay-off... The pearls hitting the ground again and again and again and again.
Which is just so fucking basic, and SO hilariously and excellently illustrated in the Harley Show episode that came out this week. (The episode was called "Batman Begins Forever," which is PERFECT BECAUSE IT IS TRUE.)
The concept of Batman is like a 100 years old now and he has spent that whole time avoiding his most obvious and necessary character arc. Just 100 years of trauma avoidance. It's as poetic as it is pathetic. A man kept so stagnant through poor writing and careful corporate oversight that he has become boring despite being dressed as a crime-fighting bat!
And the show that is finally FINALLY going to follow through is also the show in which Clayface is spending an entire season canonically disguised as Billy Bob Thornton after accidentally killing him with Catwoman's pet tiger. It is like a silliness Trojan horse and inside is actual good storytelling!!!
[Edit: OMG. I just realized that the only other onscreen trauma-addressing character arc that I've seen Bruce have was in the LEGO BATMAN MOVIE because again, the man is apparently ONLY ALLOWED TO DEVELOP if the studio execs can be convinced it is mostly for a joke. Also now that I have made this post, if the Harley show doesn't follow through on what they have set up, I can legally slash the tires of whoever is responsible.]
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There's people comparing male characters i love to Hades because they're goth but i'm being so brave about it
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it is here. the final hurrah of the month. for those who've been with me through this, regardless of if you're a follower, my dad, or just here for the Pizza art, i wanna thank y'all for being here and supporting me.
i've known what the last character i was gonna draw would be for a while now, it didn't start this way but the more i thought about it, the more comfortable i felt sharing my stuff more.
so, i'm finally starting to feel good enough to share my OC stuff outside of just this, so here's a little introduction of what's to come.
so yeah. the Pizza Tower completely took over my brain. people have been making all sorts of their own characters and stuff for it; me, i kinda just took a character i already had and Pizza-d her. this is Eyhm (pronounced just "M".)
i plan on making some more drawing stuff for her and posting it every so often, but for now, here's a couple other dumb things i made.
and one more quick sketch i made today. she and Fake are friends.
have a very good Spook Day y'all.
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I don't care what any grammarian says, a 'snort' is not the right word for a soft exhalation through the nose to covey amusement. A snort is a harsher sound, or at least one that involves some vibration of the sinuses to give it that rougher sound.
I'm sorry. But it's the identical level of sound to an inward sniff, like if you're scenting the air. So it's an outward sniff. I know it can be argued that sniff always means inward. But language evolves, and I'm pretty sure that whenever I've seen "she sniffed" used in fic I was able to contextually deduce whether it was meant to be an outward puff of air or an inhale.
Plus, we do also call it 'sniffing' when someone is being dismissive about something, and that sort of emoting is often paired with an outward puff of air.
And so (with the bona fides of a bachelor of linguistics, English teacher, fiction writer and professional editor) I believe that 'to sniff' has evolved to include the outward passage of air in common parlance.
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Megatron should probably be a t rex, but the horns of the carnotaurus call to me. They make me think of TFP Megs' eyebrows.
Also they're alien robots. Megatron can be a carnotaurus and kick ass.
He can be! And you can bet it'd change the fighting dynamic between him and Optimus in a cool way, because now he'd be the smaller and keyword faster fighter
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The Monkey King when he gets put into another Xiyouji (or ig in this case Lotus Lantern-ish) retelling that YET AGAIN makes his story revolve around a het romance where he’ll probably act like a Bad Boy (aka belligerent jerk) that softens up thanks to the Gentle Womanly Nature of his designated love interest up until she dies or is otherwise indisposed for the sake of his man pain.
@antidotefortheawkward
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Cringetober Day 25: Gijinka
My latest take on a humanized Ninja Nomicon.
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