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#at some point it might even become it's own character haha
mangaka-neko-chan · 3 months
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Quick Dune reference but Rogue Trader.
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darqx · 2 months
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Snakes on a post
Another particularly long answer dump since i, once again, have a backlog of things to potentially answer |D
❗️For commonly asked qs please see my BTD FAQ
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Got jumpscared with my own old art for a hot minute there LAUGHS.
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(For those wondering, the naga doodle from here was attached to the ask)
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That is every other Royal that exists in the Nether and also at least some of the demons that challenged him for his Royal title lol.
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Believe me, no one was or is more surprised then me XD;
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So, the thing about where Rire's ichor manifests is that it kinda exists and doesn't exist at the same time. Meaning that his upper back is where the manifestation point is anchored, BUT it can still manifest with a bit of space in between it and his back hence why it will manifest over his clothes and not through them.
So if you touch where the manifestation point is sans the ichor, than you are just straight up touching his back. With the ichor, he still gets sensory input from the tentacles to his back but it's a lot more soft and muted esp the further away it gets from him. As you've seen implied though, he would feel a very sharp pain if a great deal of damage was done to the ichor where it clusters at the manifestation point, since he'd DEF be feeling that straight in his back lol.
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He is definitely a top and the only way he would bottom for anybody is if they somehow forced him to.
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Ah i knew i'd answered this a long time ago [finally found it]! Holy crosses (those that have been blessed) can also burn him but they would need to be in contact with him the entire time. Being a Royal he also has more of a tolerance to these than normal demons.
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Well, unless said person actually has the undeniable ability to make good on their words, Rire would just stand there rather genially with that little smile he sometimes has and let them finish.
And then he might use them as reverse suggestions for dealing with said person (why would you give him any ideas!!?)
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both
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In BTD canon it is quite possible that they actually haven't in person. But we are using creative license here haha.
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Rire heals a lot faster than a human. Cain is not my character so I don't know how his stacks up.
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I've grouped these asks cos they kind of have similar answers - 360° (jk sorry sorry to the second q that is just a very common spelling mistake and I couldn't resist XD; )
Now, even though we mashed all the characs together in BTD, they all actually come from different storylines and so their canons outside the "BTD canon" may differ. This tends to bleed in. With this in mind:
The rules of Rire's canon (eg the concept of Battle Royales and how to become a Royal) don't apply to Cain. Anyway, they don't live in the same place either.
Cain is canonically the oldest and most OP character in BTD lol so yes he is stronger than Rire - you might've noticed, but Rire is never in the same drawing as Cain voluntarily. I play with this along with the "natural weakness" aspect - which I've also referred to as scissors-paper-rock rules XD Basically; demons beat humans, angels beat demons (purely because demons have weakness against holiness).
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It would (be insane) but I hope you are not looking at me to fulfil this :d
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Not really
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His coronation day is a public holiday in his sector so yes XD
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Aww thank you very much for your interest! ≧(´▽`)≦ It's really cool that some of you guys want to actually fund such a thing - I'd have thought you'd have enough of him killing you in BTD1 XD Unfortunately, I have no plans for a Rire game at the moment as I'm working on a webcomic which looks like it will take up all my free time (that being said, he will be in the webcomic at some point).
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Nope! Although i can kinda see why you might think that lol.
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Whatever that one is where he doesn't particularly care what someone else identifies as. It really makes no difference to him or how he will act.
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There are viruses in the Nether that if contracted could potentially kill you, yes. Part of being a Royal is becoming a lot more robust than normal Demons though. As for if/when Rire dies, I dunno maybe either in a Battle Royale somewhere thousands of years down the line or by old age (which is rare for a Royal but not impossible if you play your cards right).
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If you are asking if he has a heat/rut of some sort, he does not |D
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blughxreader · 1 month
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Hi no your world building idea on the financial implications/restrictions of the purge are making me chew through steel actually. Because sure it keeps getting higher and higher financially, but that means that people (who don't just succumb to illegal means) start to develop weird cultures around it.
Like people who decide young that they would rather just make themselves as likeable as possible in hopes of getting a yandere for themselves the same way some people hope to become house spouses. Obsessing over looking and behaving perfect to the point of not knowing who they actually are outside of performing this role 24/7 (because who knows when their potential meal ticket might be watching? Where they put cameras? You can never risk breaking character. You have to be the character and hope they never find out the truth)
Celebrities in interviews talking about how they wanted to be famous in part to have resources to find the best darling and then keep them. People trying to become a celebrity's darling just so they can try and network their own career.
People add keeping their darlings on the list of lottery winning fantasies. Talking about the way they'd decorate their rooms and the things they'd give for mental and emotional enrichment.
Purge sympathizers who argue its an honor for you to be chosen as a darling since it means an easy life for a year. Darlings being financially taken care of, sure, but dealing with people taking them even less seriously as individuals because of the ""privilege"" to the point that then asking for basic rights or ammendments becomes a war against them being framed as greedy or demanding. (They already financially support you, and now you're insisting that they let you outside too??? What's even the point of kidnapping you then?? So what if it's for medical and dental care, that just means people who aren't your yanderes touching you, examining you, not a chance).
I'm just having so many thoughts and it's your fault (affectionate)
FROTHING AT THE MOUTH
Incredible ideas. The culture around the Purge is so interesting.
Like imagine a Yandere who’s dreamed of having a Darling their whole life, only for a bigger and badder yandere to show up and kidnap them? Anyone can kill and be killed. Darling, Yandere, and Normal aren't permanent labels.
There would be Darling seminars, where people could learn how to catch the attention of a high-value yandere. Or Yandere seminars, on how to maintain passive income and keep the darling reliant on you once the captivity period ends.
And maybe early in post-Purge captivity, there are mandatory and voluntary workshops for Yans and Darlings to learn how to coexist together in accordance with the law.
I actually love your ideas. Lottery winning fantasies? Kids dreaming about their future Darlings instead of weddings?
It's easy to map out the laws in a world like this, but culture is so multi-faceted and intricate. I'm actually barking at some of these ideas
Sorry this took so long to respond to haha. Your ideas were so good that i had to think for a while about how to add to them.
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toaster-trash · 11 months
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It’s always so interesting to me how so many people tend to look at protagonists’ reactions in 19th century gothic media and immediately slap a label on them as “over-dramatic” or “weak”, when in reality I don’t think we (as a society) know what we’re talking about. I think our society is collectively desensitised to concepts, and what I mean by that is that the concept of a story like Dracula or Frankenstein isn’t something that we’d ever bat an eye at because it’s been so ingrained into our very understanding or the concept of basic modern horror premises that we no longer appreciate it for what it is, and I’ve been guilty of it too. So a lot of people take the protagonists reactions to their circumstances, and paint it as melodrama or even worse, get high and mighty and claim that if THEY were in that scenario, they would NEVER do something so stupid, right?
But I need you to take a minute to actually think about the positions these characters are in. We’ve become so desensitised to these concepts, but if we were actually in those positions in real life we would probably not be able to handle them half as well as some of these characters. For example, Dracula. Sure, guy goes to stay in spooky castle, client turns out to be a vampire, pretty standard, easy to point at Jonathan Harker’s decisions and blame him. Oh Jonathan, don’t you know walking through an abandoned castle when your client tells you not to is bound to get you hurt? Don’t you know going to a remote area with villagers crossing themselves every five seconds is dangerous?
But actually think about this. You’re a solicitor, you have a fiancée back home and you need this job. You meet your client, he’s a little creepy, you feel unsafe, but you need this job. What are you going to do, turn back and tell your employer you couldn’t do it because the vibes were off? Obviously not. You suck it up. Then slowly, your world starts collapsing around you and slowly getting smaller as you find yourself trapped inside this man’s house and you slowly come to the realisation that you are being held captive in the house of a creepy old man who has access to all the rooms in the house, including your own, and can enter it at any time, in a secluded area far away from everyone, and with no hope of reaching out for help. He has the power to do anything to you, and you’re completely helpless, and does. You are going to die there and none of your loved ones will ever know what happened to you. Your abuser might even fabricate your identity or conduct a lie to ruin all memory of you forever. Then things get worse, and you realise that your abuser and captor isn’t even human. Throw in the infanticide and assault scenes, and that is a horrifying scenario, and I don’t think some people fully recognise that when they read it.
The very same with Frankenstein, oh haha, Victor gets ill often, look at him fainting every five minutes, what a whiny bitchboy, right? But Jesus Christ, again, think about this scenario that he’s in properly. My guy digs up corpses, brings them to his dorm room and stitches them together, only for him to bring said corpses to life and watch his inanimate amalgamation of dead bodies come to life in your house. Now again, imagine cutting up corpses and sewing them together. If you can’t manage that, imagine a friend of yours came to you and told you that they’d been stealing corpses, cutting them up, and sewing them together, and they now have an 8ft tall giant amalgamation or corpses in their room. Now imagine going to their house and seeing that amalgamation of corpses. Good luck not passing out and vomiting all over their bedroom floor, and extra good luck not needing extreme psychiatric care afterwards. Again, corpses. I’m willing to bet half the people here have never even seen a corpse, and this isn’t even freshly-dead-grandma-in-the-coffin, these are decomposing and rotting corpses of real human beings. Observed. And some corpses cut up. And pieced together. Into a giant corpse. Genitalia included. Intestines included. Everything else included. And then that corpse then starts killing everyone you’ve ever loved and you have the added guilt that it IS it’s own person and you’ve abandoned it.
Which of course, could lead me into a whole separate rant, on how I believe that Victor’s flaw doesn’t lie in his horror at his own actions, and his fainting and illness and whatnot, but rather at his deliberate avoidance of the consequences of those actions – (horrifying as they may have been to come to terms with, his avoidance ultimately led to the mental distress and death of tons of completely innocent people, and his avoidance, however difficult, was still very much wrong and Victor is still very much to blame for it) – as well as the mania and obsessive justification he kept using to reach that goal. Although again, it could be argued there was avoidance in that as well – Victor pasting clinical lenses over all his actions, ignoring his family and friends, which ultimately all caught up with him. It’s my reading that Victor isn’t to blame whatsoever because he’s “over dramatic” or that “whiny”, he has every right to be severely traumatised by his experiences, however much his own fault they may be, he is to blame because at every turn where he could have faced his actions and confided in a friend or likewise, he did not, and it led to the deaths of everyone he loved. Except for Ernest, who likely then had to live with the death of his entire family.
But that’s a side rant – my primary point is, I genuinely do not remotely believe that authors in the past were really any more “emotional” or “melodramatic” than we are today. The only difference is that because the premise of these plots have been so deeply engrained into our society, we do not understand how horrifyingly traumatising these situations are by nature and dismiss them out of hand. Dracula did not exist yet when Dracula was being written. Frankenstein did not exist yet when Frankenstein was being written. Don’t come looking to read old gothic literature expecting a camp B-list horror film, and then call the characters over-dramatic when they react like average actual human beings to absolutely horrific scenarios.
And what’s more with regard to general more open affection between friends in older books, no it isn’t unrealistic, we’re all just cynical assholes now. (There’s a limit, obviously. Some characters are just raging homosexuals and there’s no other explanation. “His form so divinely wrought and beaming with beauty” my ass alright now just admit you had gay sex and be done with it)
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echosong971 · 2 months
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Do you have a headcannon of P?
I have quite a few actually haha! I'll give you just a couple of 'em tho <3
(Disclaimer: most of these are in regards to High Humanity P unless stated otherwise)
He could always feel pain since he woke up. Pain is a sensation after all, not an emotion, and it's important for him to know what might be internally broken while fighting (even if it's...unpleasant)
Becoming FRUSTRATED by that pain, however, came later after he gained some more humanity:
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Just because he's quiet and stoic doesn't mean he isn't mischievous in his own way ("Looks like you inherited Carlo's mischievous personality instead of his memories"). This is the character of PINOCCHIO we're talking about after all, a puppet who's infamous for being tricksy. He's just...less boisterous and loud about it like Carlo probably was
On occasion, P enjoys using the perceptions people have of him to his advantage, sometimes pretending he's still that wide eyed, aloof puppet who walked into the Hotel for the first time just to mess with people/pull one over on them (or maybe to get away with flustering them because oops it looks like he "forgot" he needs to wear a shirt around the hotel again!)
Following that train of thought, he likes to flex his ability to lie at times with his friends, it helps him feel a little more human sometimes. Usually his fibs are about harmless things to pull little pranks on them, not usually about anything important (unless he feels it's necessary):
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He doesn't normally talk unless he has to, preferring to converse with body language/signals if he can get away with it. He may indulge in the occasional ramble though if you're someone he really trusts/knows, i.e. Gemini
He may have just been "born" very recently, but he's always had the mental capacity of a fully grown adult, even as he stumbled his way through discovering his newfound humanity (i.e. he's more-so inexperienced, rather than innocent). The concept of a "childhood" fascinates him, having never really experienced one himself
I have some more headcanons I def plan to make into comics at some point haha, but if y'all want more lil posts like this, lemmie know! ^v^
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amphiptere-art · 1 month
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Can I just point out something again.
How am I supposed to care for the main protagonist in Tsams. When they use the woes of the antagonists for their own entertainment?
I don't care how much better of a person Monty has become. I don't care how much better of a person Moon has become. I get and understand that they have every right and reason to be upset with eclipse and blood moon. They have every right to be angry. But do they have them right to laugh and point out the villain sorrow? Am I supposed to feel happy when they tell me every reason and understanding of why I feel sympathy for the villains as a joke?
This is the epitome of Batman laughing at joker for going insane. There is nothing good about joker being insane. For many villains and hero relationships. None of those heroes laugh at the misery of their villains. They will be angry. They will shout. Hell they might not even feel sympathy for whatever the villain had to go through. I can get that. But most don't play it off as a joke. Most don't go haha, that murderer's brother died. Most don't go haha, You're a little twerp that never should have lived.
Those sentences sure don't feel gratifying or hilarious when said in a void does it? Call me a villain kisser. Call me a moon/Monty hater. Have you wondered why some people would be like that? You can hate the killer but you never laugh at what life brought them there. You can wish for their death but you never celebrate the misery of their lives. You may celebrate their death, But you certainly don't mock about it with an air of jokery to those that are left behind in the aftermath.
There is one thing I get from watching real life crime reviews. People will get angry. People will shoot it in the villain's face. They will celebrate the villain's death with cry's and triumphant yells. But no one looks at their life and giggles. No one flonders their death around family no matter how involved they are. You don't do that. There is usually nothing right with how they were treated, And there certainly is nothing right about packaging someone's death certificate in a present, and handing it over to whoever was closest.
I don't care how sweet or better Monty has gotten. I don't care how different of a person Moon is. I don't care how understanding the soft Sun's anger is. I don't care if puppet is some primal entity who was expecting this from the beginning. I don't care if Lunar's jokes are just an expression of anger. At least he has an excuse. At least it feels like lunar is legit joking out of a fit of anger. Everyone else up there has made plenty of jokes and jabs without some sort of anger to cover it up. Sun maybe. But everyone else? Especially our oh so wonderful Monty?! No! I could get it maybe in the sanctity of his home. In the quiet of his friends. But he literally takes the time to drive these villains out into the light and play with them for a bit.
I feel like I'm being force fed this idea that I'm supposed to be okay with this. Like it's entirely okay to look at a villain's backstory and laugh at it! That I'm not only supposed to celebrate a murderer's death, but also joke about it to their family and friends! Everyone in this goddamn fandom hops and skips around that issue because surely it can't be. Surely I can't look at these wonderful characters I've been voting for for ages, and realize that they're jackasses. But they are promoting the worst behavior I have ever seen. Let's just laugh at the jokes. Let's just jear at the expressions. Let us ignore every possible reason why this is the most fucked up shit.
Because for some reason. As long as they have a reason to hate. They have a reason to joke. And while I might understand it as some sort of self therapy. Talking to the villains about it and even there friends is cruel!
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teamsasukes · 10 months
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ok in my opinion, many things are wrong with the idea that sakura viewed sasuke only as a prize to be won to boost her self-worth; that when it comes to sasuke, she's forever frozen in time as a 12-year-old girl who can't see beyond his good hair and great grades. this post is my attempt at thoroughly unpacking and refuting that notion
when we meet sakura in part 1, she is obsessed with societal standards and her admiration for sasuke is almost entirely rooted in that. he's the ideal future husband -- from an ancient clan, stoic, intelligent, skilled, and by sakura's own description, "cool" -- these are things that she has been conditioned to want! so this is the sasuke that she envisions, until...
until they get put on a team together, and sakura gradually comes to realize that perhaps sasuke is not what she's made him out to be in her mind. he talks about crying, about being afraid. he's paralyzed with fear in their first mission. naruto may very well be stronger and more capable than him! oh, and sasuke gets into silly fights with naruto all the time. none of that is "cool." suddenly he seems less like the ideal future husband and more like a real person with flaws and baggage of his own.
that sakura's view of sasuke changes is so apparent through how radically her behaviour around him shifts between the early formation of team 7 and the chunin exams (and any point after). sakura goes from being unable to listen to a bad word about sasuke (maybe even the ones that are deserved) to defying him when she deems fit. she even praises naruto at his expense, because societal views are not at the forefront of her mind when it comes to the two boys anymore -- they're just naruto and sasuke. they're her friends! she goes from calling kakashi out for bad-mouthing the uchiha clan because she's doesn't want to risk sasuke getting mad at her, to calling naruto out for a similar statement, not due to personal involvement in the equation, but simply because it's not right.
and people typically agree with me up to here. it's when we get to sakura cutting her hair in the forest of death that opinions diverge, and some people tend to think that sakura should have "gotten over" sasuke to propel her character development forward. i don't necessarily find this reading invalid -- it's certainly a more straightforward direction for her character to take. sakura's goal was sasuke, now sakura's goal is to be strong. the problem is that there was always more nuance to her goal of winning sasuke's heart than people afford it in fandom discussion, and similarly, i don't think that the progression needed to be as clear-cut as "sakura gets over sasuke" to still be meaningful. in this case, i feel like people's expectations about what should have happened following this scene might preclude them from seeing the growth that this moment did produce.
sakura cutting her hair in the forest of death is the critical point her arc built up to for all of part 1. sakura is insulted by the sound nin for pouring so much time into her appearance when her training is clearly not up to par, and she cuts her shiny and perfect hair in a declaration that she will no longer derive her self-worth from the validation that would come from romantic attachment (to sasuke, or anyone else). instead, it will be from standing shoulder-to-shoulder with (or even ahead of) her teammates in battle -- so that she can protect them rather than the other way around. then the flashbacks during her fight with ino make it explicit that sakura has wanted to become a skilled shinobi -- one who could match up to ino -- all along, but since that is not a socially acceptable goal from a girl, she instead declares them rivals over sasuke's heart. the boy is not important here (haha, it always sticks out to me that when she asks him out before the chunin exams, sakura is more bummed about sasuke's assessment of her skills than his rejection). she doesn't even think of sasuke while fighting ino, lol -- she grandstands about how only she can "get him," but that's for the purpose of riling up ino, so that there's no chance she'll go easy on sakura. sakura wants to know, definitively, that she can match up to ino. and she does.
in light of all of this, people often say sakura had "no reason" to like sasuke -- after all, i did spend the entire last paragraph establishing that sakura's pre-series crush on sasuke was an immature infatuation that had nothing to do with sasuke and everything to do with ino. but, again, team 7 spent months together on a team and sasuke and sakura became actual friends! he was a good teammate to both naruto and sakura, if a little rough around the edges. i don't think it's implausible for sakura to develop real feelings for sasuke during this time. and if that is not enough, if you need deeper, thematically fulfilling reasons -- well, i sort of object to that on principle. i think friendship, having fun with one another, being at ease around each other -- these are all perfectly good reasons to fall in love with someone. and you may say that naruto also fulfills this criteria, but if sakura was physically attracted to sasuke and not naruto -- well, i think that's fine too, and it certainly doesn't warrant any moral judgment. people say often that sakura should have ended up with lee or naruto -- the first of whom stated outright that he loved her because she was beautiful, and the latter who introduced her as a "pretty girl" -- but whether their feelings are shallow is not endlessly dissected. (it's not narusaku or leesaku i protest to here, just the double standard)
but for the record, i think kishimoto did write in enough for us to understand why sakura would fall for sasuke in particular. i discussed this in another post, but alongside ino, sasuke sparked the most significant character growth for sakura. he was the first to make her reevaluate her treatment of naruto (and by extension, her rose-tinted view of the world), he was the first (and only) of their teammates to express disappointment that she wasn't investing in her own skills, he figured out when she felt insecure and reminded her of the areas in which she was more proficient than the rest of the team. sakura's initial idealized view of sasuke does not endure for a number of reasons, one of which is that the real sasuke actually expects her to hold her own and sees potential in her. for sakura, whose main motivation as a character is to become stronger for her teammates, this must mean a great deal! we mostly lose track of this element of sasuke and sakura's dynamic in part 2, which is a shame, but when she cracks open the earth with only her fist, naruto and kakashi are utterly astonished, while sasuke just smiles -- like it is no surprise, like she's been capable of it all along -- so there is that, i guess.
(and for more on thematically fulfilling, see this post on what i think could have played out if sakura were not relegated to a side character in all but panel presence in part 2. but really, i find it so interesting that sasuke and sakura both repeatedly have a lot of trouble suppressing their compassion to do what is expected of them as shinobi. apart from sasuke, i think sakura is also the only character to express that human life has inherent value -- at least, she says something along those lines when she fights sasori.)
anyway, post-forest of death, sasuke version 1 has pretty much dissipated in sakura's mind -- the only place he ever existed -- and sakura's treatment of sasuke changes further. she stops intruding on his physical boundaries, stops flirting, stops asking him out -- she's there for him, but as a friend first. she hugs him in the hospital, but that's not necessarily a romantic gesture (she's physically affectionate by nature, which is why she ambushes naruto with a hug in the same manner at the end of the pain arc) and sasuke finds it comforting (signalled by many things, chief among which is that naruto leaves the room after observing sasuke's face). and yes, she confesses to being in love with him twice afterwards, years apart, but that is only because she is extremely stressed and panicked and wants him to stay for his own (and the second time around, add in naruto's) safety. her first confession is too centered on her own feelings, while the second is just woefully oblivious (through little fault of sakura's -- she doesn't know why sasuke is so intent on destroying the shinobi world), but neither of them come with the condition of sakura wanting sasuke to stay only so he can be with her. sakura wants sasuke to be safe! she wants him to be mentally sound! she lets him know that she cares about him!
i absolutely need to reiterate: at no point in part 2 does sakura display any sense of entitlement to sasuke. she always pleads with him to stay, rather than demanding anything of him. and even in the privacy of her own thoughts, sakura ponders bringing sasuke back in a few contexts: she wants sasuke to be okay, she is so sorry for burdening naruto, she needs to help naruto, and if sasuke comes back, they can all be a team again. romance does not even enter her mind. it is such a willfully egregious misread of the text to say that she only wanted sasuke back so they could be together.
moreover, it is honestly just nonsensical to me when people say sakura wanted sasuke as a prize, because it laughs in the face of her entire character arc and completely ignores why her pre-series crush existed at all. back then, sakura wanted sasuke as a status symbol. as of part 2, though, he is decidedly not what konoha's society would see as the ideal man. in the eyes of the state, he is a wanted criminal. sakura, meanwhile, is a student of the hokage, one of the most skilled medics in konoha at the ripe age of 16, and one of the most powerful shinobi of her generation (a feat achieved entirely through her own labour). she has stood next to her teammates in battle and helped take down a literal god. she does not need sasuke to feel fulfilled. nevertheless, she chooses, every day, to care about him, even though it would be infinitely easier not to. and if sakura wanted to haul around a status symbol in the form of a boyfriend, if only to bolster her already impressive profile (which she would not. that's the point!) -- naruto, konoha's new favourite traumatized teenager, is like. right there. but sakura loved naruto before he was proclaimed a hero by konoha, just like she continues to love sasuke even though he is very far from the coolest boy in their class.
my feelings on chapter 699 are... mixed, because the way things resolve for sasuke is just so sad, but what we see play out between him and sakura is: 1. sakura asks to come with him 2. sasuke is 100% comfortable saying no (how do the "sakura forced sasuke to be with her" truthers reconcile with that one, lol) 3. sakura appears mildly disappointed but like. she'll survive. that's it. then he thanks her, taps her on the forehead (but promises he'll see her soon, in an inversion of what that gesture meant from itachi), and we leave them in a pretty hopeful place, all things considered. there's room for reconciliation, for growth, for love. (and i don't want to hear about post-699 because i don't care. i don't consider it canon, and pretty much no one on tumblr does either, except to occasionally shit on ships they don't like)
this ended up being way too long, but i want to say: if you don't like sasusaku, that's your prerogative. i'm not here to change your mind. i certainly think they should have been written better in part 2 (but i'd argue that, like, 99% of those issues are just a natural consequence of sakura being continually sidelined by the narrative, rather than problems inherent to the relationship itself). regardless, i think too often people let their opinion of a ship impede character analysis. to claim that sakura relentlessly propositioned sasuke and that she saw him as a prize does such a huge disservice to how much she has grown and what she has accomplished over the course of the series.
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linawritestwst · 2 years
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rollo x reader who's scared of magic headcanons (gn!reader)
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so. here i am, writing this HJSJDJDSJ. but i actually wanted to write something with rollo for a long time and i thought that i can wait until this event ends.. but i'm too impatient, haha. also yeah, if you haven't read the event story yet, these headcanons are full of spoilers!
okay, so i probably should explain this concept. you see, i know that this fandom usually depicts mc as someone who is 100% against rollo's actions and wants to protect their friends AND THAT'S COMPLETELY UNDERSTANDABLE, but one day i sat there and was like.. "but what if mc wasn't like that". what if mc was so tired of everything and they were so traumatized because of everything that happened that they became scared of magic? what if they even hate it now? you can imagine the reader being someone who loved magic and was interested in it, but eventually became terrified of it because of their trauma or you can imagine them being someone who found this world too scary from the start. also, they don't like nrc students that much (but they don't want to admit it) and pretty much get a corruption arc, so if you don't want to read something like that.. you should probably skip this one.
if you want to read something similar (but more.. uh, comforting), but with other characters, feel free to check out my riddle, leona, azul and jamil x reader who's traumatized from overblots headcanons!
warnings: a mention of a panic/anxiety attack, a possibly unhealthy relationship dynamic, mc's behavior is also very similar to ptsd.
♡ you know that so many people would go "i wish it were me" if you told them about everything that happened with you in this world called twisted wonderland. come on, you have a cute cat sidekick (who acts more like a gremlin), you get to see so many pretty boys every day and this world also has magic! why wouldn't you want to stay here? sure, you miss your family and friends, but also you have to agree that this world is more fun than the one you came from. you agree, right, y/n?.. you wish you could say that you do, but you're not so sure anymore. living in twisted wonderland sounds fun, it really does, but you never felt so stressed and anxious in your entire life. you wanted to help these boys, you wanted to understand them, but you didn't want to become their therapist. you have your own problems, you just want to go back home already, you miss your loved ones! and as you kept trying to help everyone and you saw just how dangerous their magic can be.. you started to get more and more scared of it.
♡ you don't want to go to nbc at all at first. you don't find it as exciting as others do and you agree only because crowley told you that you might find out how to go back to your world there. and you knew well that crowley is most likely lying to you again, but.. what's the point in refusing to go? if you agree to visit the city of flowers, you won't find any hints there, but if you stay here, you also won't find any hints. you're tired of your dorm and this school in general, so maybe going to a new place will make you feel better. also you just want to get a break from seeing crowley's face every day and you sure hope that you won't find another student to take care of there.
♡ when you meet rollo for the first time, he feels like someone who's completely different from nrc students. sure, you can definitely feel that there's something.. off about him at first, but he seems like such a polite and caring person that you stop thinking about it at some point. but rollo officially gains your trust when he says that it must be tiring for you to be surrounded by magic users all the time. you don't think anyone from nrc has ever said such a thing to you, you know that they care about you, but most of the time it felt like you were just being used and people rarely asked you about your own feelings. honestly, you feel like you're about to cry when you hear those words from him but you try to stay calm. it's probably not a good idea to tell him about everything that you had to go through, you literally just met him! and why did he just say that he wants you to forget about your problems while you're here? this.. this doesn't feel right. why is he so nice to you?
♡ you notice that even though rollo is mostly nice to everyone here, he definitely treats you better than other students. you don't know the reason, but you're not sure that you even want to know it. yes, you've been manipulated quite a lot of times in the past, but.. you don't really have any energy to try and "see right through him". even if he just wants to use you, for some reason you just can't bring yourself to care. it's probably because you find people being genuinely nice to you more surprising than people manipulating you. so for now.. you want to believe that he really is just that kind. you have some very nice and interesting conversations with him and you find yourself enjoying spending time with him like this. you don't even want to go back to nrc students, haha.. it was a joke, but for some reason your anxiety comes back when you see their faces again. hm? what did rollo say just now? it sounded a bit like "those magic users.." but why did he say it in such an angry tone?
♡ you really want to have fun at the festival, but you just.. can't. you feel too tired, everyone is so loud and noisy and you can't focus on anything. you want to dance with everyone as well, but for some reason, when you see them having fun together.. you remember all the overblots, you remember all the times you had to do crowley's job, you remember all the tragic backstories that you had to listen to. but before you can stop thinking about all that and join them even though you can't even stand properly.. the fireworks start. you know that malleus just wants to make the townspeople happy and you agree that they deserve to have the best festival ever, but also, everything is even more loud now because everyone decides to join malleus. they even manage to turn this into a competition. haha, nrc students never change, do they? you wish you could laugh about it, but for some reason you can't even smile right now. what is wrong with you? why are you feeling like this? shouldn't you find these fireworks as beautiful as everyone does? these boys are trying so hard, you should compliment them for their efforts! grim and malleus especially want to hear compliments from you, considering that they're the ones who started it, but you can't say anything nice to them right now.
♡ for some reason, it gets harder for you to breathe and your head starts spinning. it's probably because the noise is too overwhelming for you, you could try and go somewhere more quiet but you can't just leave them here! but why.. why is everything so scary right now? you're so mad at yourself for not feeling as happy as everyone else, but after everything that you had seen, it's impossible for you to see magic as something good. you can't focus on anything else right now and your mind is screaming at you, begging you to run away and hide somewhere, but you still sit there and watch everyone. but you didn't know that somebody else has been watching you all this time too.
♡ you find it strange that the only thing that you can hear clearly right now is rollo telling malleus that if he and other students are so powerful, then they should use their magic more carefully. you feel so shocked, you didn't expect someone like him to say such a thing. it would be normal for someone like trein to say it, he's your professor, of course he would be worried and he would tell everyone to be more careful with their magic. and you already had a feeling that rollo is a very responsible person so you weren't surprised when you noticed that he doesn't really like the fireworks, but for him to say something like this.. you can't help but agree with him.
♡ after he's done talking to malleus, he wants to make sure that you're okay and when he looks at you, it becomes obvious to him that you're not okay at all. he sincerely apologizes to you for letting something like this happen and says that he should have noticed that you're not doing so well. rollo helps you find a little more calm and quiet place even though that's pretty hard to do right now because of the festival, but to be honest, you feel more safe already because of him. while you're trying to calm down and you're starting to breathe normally, rollo suddenly asks you, don't you think that magic is too dangerous and people can't just use it as carelessly as those students did? you can easily hurt someone with it and not all magic users can control it, some of them don't even try, they don't care what happens to other people. maybe this world would be better without magic users.. no, it would totally be better without them.
♡ he wants to hear your answer and you don't know what to say. no, actually, you do know what you want to say, but you're not strong enough to do it. saying those words would feel like betraying everyone else, yes, you're terrified of magic, but you don't want all of your friends to disappear! "friends".. you don't know if you actually would call them friends if those magicians weren't your only company in this world. you try to say that magic is not that bad, but something stops you. you try to say those words, but you realize that you can't because that would be a lie. you have thought many, MANY times that everything would be so much better if magic didn't exist. it's not only because of overblots and other terrible things, it's also because you wouldn't come to this world if it wasn't for magic. this is why you still can't go back home.
♡ you still can't find the courage to say that you think rollo is right, so you end up crying and you keep saying how scared you are and how tired you are. you blame yourself for crying in front of him, because you don't want to make him worry about you, but also, finally letting your feelings out like this feels nice. you needed to cry, you needed to admit that you find this whole situation terrifying and that you want all of this to end. you don't notice rollo looking confused for a second, it's almost like he's not sure what he's supposed to do, but when you look up at him, he's already holding you in his arms. and you realize that you needed someone to hug you like this for a long time.
♡ when rollo tells you about his plan, at first you think that it's a bit too much. you agree that this world would be much better without magic, but taking their powers like this.. you ask rollo if they're really gonna be okay after that, especially the fae students. rollo simply says that you're too kind for villains like them and that you don't have to care about them this much, they don't deserve your sympathy. after everything you've done for them, they are the ones who should feel sorry and beg you to spare them. you still don't want to hurt them too badly, but also.. maybe you and rollo really should teach them a lesson. it's fine, they are gonna be fine, you're doing this to save them, it's not your revenge or anything like that.. at least that's what you want to think and rollo assures you that you two really are going to save them and that your intentions are pure. it feels weird to hear just how much rollo wants to change this world and that you two are the only ones who can truly understand each other even though he's still a magic user himself and you are a magicless human. him meeting a human, who hates magic as much as he does and you meeting a magic user, who is willing to make this scary and cruel world a better place for you.. haha, you two are basically soulmates.
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ofallthingsnasty · 1 year
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What about a himbo yandere he seems so nice and well stupid to be dangerous so you let your gaurd down surely he coudnt do any harm and meanwhile the dumb himbo is writing down plans to take you home and preparing his basement for you
omg I LOVE that this! Although the mental image of some random himbo cranking out some crayolas and trying his best to work out a proper plan to get me into his basement is hilarious to me 😂 This is so good omg thanks for gracing me with that thought! And requests are open!
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word count: 1.1k tags: gn reader, yandere and everything it might entail, nsfw in those last few sentences, kidnapping, minors dni
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The thing is: is he really scheming? He probably didn't even get the idea to turn you into his little basement spouse until he saw it in some movie. Up to that point, he just thought he was extremely overprotective of his crush - maybe with a little sprinkle of jealousy. Something really clicked when he watched some fictional character locking their love interest away to be able to protect them from all the harm in the world... What a brilliant idea! Watch him draw mindmaps and stick-figures on printing paper, fevershly trying to figure the logistics of his own little operation - and then giving up halfway through, haha. In general, it's confusing as all hell to him, all those big feelings. He can't stop thinking about you, how fragile and powerless you are in this big, dangerous world and just how much it'd break his heart if anything ever happened to you. You can probably see the cogs in his head turning while he’s trying to figure this out - he knows very well that he likes you, it’s just the unexpected intensity of it all that sometimes becomes too much for his brain. How does he cope with it? He’ll become overbearing - always happy to help, always texting you, just wants to be around you all the time. He’s so handsy, too. You are already accustomed to his big bear hugs for greetings, now get ready to get lifted up into the air and twirled around and squeezed as if you were to dematerialize the moment he doesn’t touch you. He keeps you close while you’re out and about, maneuvers you around with a hand around your waist and shoulders, just acts like your big, overprotective boyfriend in public. And you? You probably don’t even notice it because he’s always been one to go for physical touches - him being a bit more intense isn’t that noticeable, really. Absolutely develops some form of cute aggression. No matter your stature or your height, when he sees you his one goal is to protect and guard - his hugs are just a little too tight, his grip on your shoulder a smidge too hard, his face a bit to close and eyes too dark when you talk to him. You don’t think much of it when it happens, just chalk it up to his bulky frame and golden-retriever-like over-excitedness. Once he has you locked away, you’ll see all those little details in a different light. Especially how happy he gets when you voice your discomfort or squeak in surprise when his touch gets too bruising. Definitely the type to hit you up with random texts after midnight, just to know that you’re there, sends you the oldest memes during the day and badgers you if you don’t answer them within an hour. He’s quite pushy and there won’t be a day he doesn’t try to hear from you, doesn’t matter if it’s in person or via text. He isn’t quite the stalker type, though. Yes, he’ll make sure to hang around your favorite spots, the place you visit on the regular but he won’t try to watch you shower. Mainly because it doesn’t occur to him. If someone or something is giving you a hard time, be prepared for him to knock on your door half an hour later, with your favorite snack in hand - he’ll try to make you laugh, always. And if it’s someone specific, don’t be confused when you don’t see them in days - he had to be a little forceful with them to protect you, alright? But he’d never tell you that, you’re just too precious and would probably even worry about them! All in all, he’s quite unassuming as a yandere, mainly because you’re used to his (a bit too nice) antics. The actual logistics of getting you into his literal basement? Still blurry to him, he’s a man of the moment, after all. He’ll take the chances as they arise and it solely depends on you - are you a little bit of a party animal, get drunk often, call him at 4 am from some club to pick you up, because he’s just such a good friend and you know you can always count on him? Then a head-splitting migraine won’t be the only thing you’ll wake up to a few hours later. Or are you more of an introvert, happy to spend your weekends on your own but enjoy hanging out with him here and there? Then a movie night might just turn into something entirely different. He won’t plan these things out in minute detail - rather, he’ll have a rough idea of how to get you. He’ll get there when he’ll get there - and should you be able to spoil his plans, he’ll definitely play it of as nothing and wait for another try. But once he has you - oh boy, he’ll be happier than a kid on Christmas Day. All wide, sparkling eyes and flashing smiles while you try to comprehend the situation, probably in tears, struggling to free yourself from the restraints he put on you. He’s probably severly underprepared for the first couple of weeks. You won’t starve or be neglected but watch him not accounting for things like your period (if you can get one), benign little illnesses you might catch, or even that you’ll probably won’t be happy with this form of arrangement (because, hey, he thought you were friends? And you loved him, too? He was so sure you’d understand.) Still, he gives you plenty of time to adjust. There is no use in hurrying, after all. The cute aggression I mentioned beforehand would absolutely get worse once he has you in his grasp, too. He’s like a toddler with an unhappy cat - you can try to fight your way out of his strong arms all you want, he’ll just hold you tighter and tighter until your joints pop and the air gets squeezed out of your lungs. He just can’t believe he finally has you and the need to physically squeeze you until you get dizzy and his muscles hurt gets too much sometimes. And while he’s patient, he gets quite... overzealous at times. I can see him almost, almost nonconning you because he’s just so excited. Definitely the type to masturbate in front of you, even as you squirm around with tears in your eyes - he isn’t doing anything to you, isn’t laying a single finger on you, right? But you have to understand that he has needs, too. And that you’re too sweet not to indulge in from time to time... You’ll definitely wake up with your face full of dried cum more than once because you were just to cute to pass up while asleep. All in all, I’d say a true himbo yandere isn’t the worst to have - he is neither cruel nor sadistic, genuinely loves you and doesn’t really want to harm you - but his strength runs away from him sometimes, along with his common sense.
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leighlew3 · 6 months
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Hi Leigh, hope you are doing well!
Maybe you have answered this question before: how would you have written the Supergirl reveal to Lena?
You still have the elements of it being so late in series and that Lena actually already knows.
I wonder how a good writer would approach this because in the show it was an actual train wreck- Lena wanting to expose Supergirl’s identity at the Pulitzer party before Kara actually said it?! So out of character. And all that stuff after? So stupid.
Anyway thanks for answering this question :)
Hi! Hangin' in there, thank you. 🤗
Well, it depends on what point the launch off was.
Let's say she learns via Lex, just like in the show (rather than rewrite the whole damn series in this post, haha).
Just thinking on the fly, here goes... I woulda just had her reeling, feeling betrayed, and isolating rather than putting on a front.
Kara doesn't understand what's happening, but wonders if maybe Lena is secretly angry with her for killing Lex (remember, Kara believed she took him down in that final fight at the end of S4). This is hammered in further after Alex plants the seed that, evil or not, Lex was still Lena's brother, and so some level of sadness is likely to still exist there. She advises Kara to give Lena time and space.
Kara, further worried by Lena's worsening isolation and mood, ignores her sister's advice and makes efforts to connect, but increasingly senses the distance and her guilt grows.
Meanwhile Lena -- between finding out the truth that Kara is Supergirl in such a terrible way, while also hiding that she killed Lex (to protect Kara, ironically) truly spirals and starts to think that Kara perhaps never was truly her friend at all, only using her to be able to eventually take down Lex. A means to an end. Feeling like that's all she's ever been to anybody, including her "best friend" who meant the world to her, Lena becomes darker and more cold, sure -- but never takes those ridiculous 'villainous' actions of any kind.
Alex pulls a typical Alex move and starts to suspect that Lena's isolation and darker vibes could mean trouble as "She is a Luthor." and she's worried she'll carry Lex's torch now that he's gone, and her isolation means she's up to something. Kara of course doesn't buy it -- much like in the show, defending Lena, rebelling against the notion.
After ramping the tension throughout Season 5A on these fronts, a dramatic series of events eventually leads Kara to go to Lena and try to have a much needed conversation. Lena thinks she's perhaps finally going to confess, and she allows herself to feel hopeful again -- alas that hope is dashed, when instead Kara simply apologizes for killing Lex (so she thinks she did), and not realizing how much doing so would cause Lena pain. Lena finds this ironic, Kara's concern for her pain, considering she's lied to her all this time and still won't be open with her. Lena then decides that if nothing else, she won't lie.
She tells Kara that Lex died at HER hand, not Kara's.
Kara is shocked. She's pulled away by an emergency before they can discuss this further. And thus, Kara now believes Lena's distance and darkness is driven by guilt over killing her own brother, and Kara now feels more guilty than ever that she went through that, and that she continues to keep Lena in the dark, even though Lena opened up to her. As we approach mid-season, the two have several 'almost' moments where it seems Kara might actually confess her identity. And we make it clear that she wants to. But the more she sees how hurt Lena is about having to kill Lex, to protect her no less, the worse she feels and the more she's terrified to tell Lena her secret, believing that Lena's done so much for her, meanwhile all she's done -- is lie. It wrecks Kara. And her anger issues start to rise up again, and that comes out a lot in Crisis crossover (in which our world's Lex is NOT yet present again btw), which is of increasing concern to everybody.
Post Crisis, in which Lena and Kara work together to save everybody even though they can barely even look at each other, we have these two idiots with their secrets, both struggling tremendously -- Kara with her anger and guilt, and Lena with her sadness and pain. And both with their regrets. And the rest of the group is noticing these tensions, between missions / various genre adventures.
It ramps up, until finally, shit hits the fan in a 100th episode. Lena is held hostage by someone threatening to kill her if Supergirl doesn't reveal her identity (similar to how it was in the show, but without the Mxy stuff, or at least using it better) -- Kara is fully willing to reveal herself to save Lena. She prepares to do just that, and even goes to the press conference, but just before she has to do it, her friends find a way to save Lena without the reveal needing to happen. But Kara is also nearly killed in the battle. The closest she's ever come to dying.
In the aftermath, Lena has now seen how far Kara would go to protect her -- both in terms of being willing to give up her life AND reveal her identity to the world. Lena of course forgives Kara (quietly, to herself) and decides to let Kara have her secret, even if it means they both pretend the other doesn't know, silly as it it. Alas, what she doesn't expect, at the end of the episode --
Kara reveals her identity to Lena (at Kara's place after everyone else goes home). Turns out almost losing her life made her realize she didn't want to die a coward and a liar on this front. And also, Lena not knowing put her at worse risk than knowing. And she deserves to know, so she can protect herself. So Kara can better protect her.
After/during her confession, Lena sheds a tear, and Kara starts to profusely apologize, thinking Lena is devastated by the revelation. But Lena confesses that it's tears of relief, because she's already known. She was just wondering if Kara would ever trust her enough to tell her the truth. Kara is shocked to know Lena knew, grateful she's kept the secret for her, and heartbroken to know she learned it from Lex, before killing him. She also makes it clear she didn't keep it from her because she didn't trust her, it was never about that. It was simply the belief that not telling her protected her somehow. But now she's seen that was foolish, in this case. Realizing now they've both been dumb and their secrets have done nothing but cause each other, and themselves, so much pain -- they agree: no more secrets.
And they hug it out -- because besties! Just gals being pals right?!
*eye roll*
Then the rest of 5B becomes all about Lex popping up alive, and being furious that Lena and Kara are closer than ever, and that his attempt to destroy their relatio- I mean "friendship" failed. And he comes at them harder than ever, with Lillian's help. And so on. And by the end of S5, in an epic battle, Lex is finally stopped and captured once and for all and hauled off to prison, but not before sending Kara to the phantom zone.
Lena is devastated, as she and Kara only recently had all cards on the table and were growing closer than ever, so S6A then becomes all about the super friends trying to find Kara in the Phantom Zone (with a LOT less cheesy stupidity, and a lot more focus on Kara's traumas and torture while in the PZ rather than any dumb filler crap with her dad being alive -- perhaps she sees him, but it's just a cruel illusion).
Meanwhile, Lena, at wits end, visits Lex in prison, hoping to get information out of him as to where and how they can find Kara in the PZ. But he taunts her, plays games with her, etc until finally, she tells him goodbye for good. He doesn't believe she'll be able to stay away forever, especially as long as he knows how to find Kara. But she finally sees through it all, basically tells him he's full of shit, that he has no idea how to reach Kara in the PZ, he's a liar, always has been, and his power over her is gone. She vows to find Kara on her own and to never be anything like him, as he's selfish and cruel and insane. And she finally walks away from him. And he can't believe it.
Now that she's found her inner strength, Lena is able to think more clearly, less out of anger and desperation, and thus she, Alex and the Superfriends eventually embark on an action-packed retrieval of Kara in the Phantom Zone, ultimately saving her in the mid-season finale.
The final half of the final season (6B) focuses on Kara's deep traumas experienced/re-lived in the phantom zone, as she struggles with doing her job as "perfect" Supergirl while mentally screwed up. No one really notices but Lena, because Kara hides it well. Alex is just happy her sister is back, busy planning a wedding, focusing on vigilante work, etc. And the Superfriends have lots of other issues to focus on as well. But Lena sees Kara's struggles because she knows a thing or two about trauma, and she's there for her. Especially after Alex and Kelly get married with a few episodes to go and Kara doesn't want to burden her sister, who is finally so happy.
The final episodes feature Kara facing her demons, internal and external (as villains from past seasons pop up to haunt her, as it turns out the events post Crisis brought them into this universe, and now they've come after her, and they've all got to take them down).
In the end, the show wraps up with Kara finding a level of peace she never had before, having faced the past and all she's gone through and lost, in great part thanks to having Lena by her side.
And the show ends focused on Kara, for an episode called KARA. Not focused on Lex, nor the supporting characters, not on shoe-horned cameos, nor other bs. But Kara herself, and her journey, her healing from a lifetime of loss and trauma, her relationships to her family and friends, and rediscovering that which is always going to rest deep within her soul, even if it gets a little lost sometimes...
Her unbreakable sense of HOPE.
The End.
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chloecherrysip · 1 year
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As much as I mourn all the lines that appeared in mario movie trailers but for some reason, didn't make it to the finished product (RIP "I'm not afraid! I'd do anything for my brother!" YOU LIVE ON IN MY HEART ALWAYS AND FOREVER), I've been thinking about "I hope you told your brother how much you love him, because you're probably never gonna see him again" and the rest of that whole dialogue exchange in particular from this specific trailer and how much I wish we'd gotten that moment because I think it would have helped spotlight a vital aspect of Mario's character that the movie already does a REALLY good job with getting across in the first place: the way he communicates how he feels through action and acts of service instead of words!
(more under the cut because this got too long, haha)
Mario is usually a very quiet protagonist so this tracks with the games too, obviously, but even movie!Mario seems like someone who isn't overly verbose or who's especially eager to enter into heavy, feelings-based conversations (at least not without a struggle). Talking about his feelings might not come easy to him, and he maybe even forgets to say things outloud that to him, seem obvious. (Meanwhile, I think Luigi is always up for gushing about his favorite people (see the interrogation scene lol) and probably ends every phone call/text message exchange ever with "love you!" to Mario and his parents, to the point that he might accidentally say it to acquaintances and customers too on occasion, LOL).
So thinking about this exchange with Toad and how, even if the movie didn't acknowledge it past that point, this idea would be hanging over Mario throughout his journey hits harder because you can imagine him thinking: hey, when WAS the last time he told Luigi outright that he loved him that wasn't a distracted "yeah, me too" response to Luigi saying it first? Maybe it's been a long time. Too long. So long it's genuinely upsetting for him to realize! What if his brother doesn't actually know how much Mario loves him, because he does, he does so much, and he's been an idiot for going so long without saying the actual words and now he can't, he CAN'T and he would give anything in the world to go back and do things differently!
And of course, all this panic is totally unwarranted and even silly because I think Luigi knows like his own name how much Mario loves him. Because the audience watching this movie knows how much Mario loves his brother by that point! Mario never says the actual words - in fact, he never says anything particularly positive about Luigi, other than "you were great!" regarding the commercial in the very beginning - and yet it couldn't be any clearer!!! I think it's pretty impossible to come out of this movie (if you were paying attention in the least) not seeing that love plain as day in everything Mario does, down to the littlest things, because he is a man of action and that's how he expresses himself best!
You see it in how he shifts from mildly embarrassed to immediately Intense and Ready To Throw Down on a dime when Spike insults Luigi, you see it in how he pauses to open doors and create paths for Luigi to safely follow him through the construction site as he's parkouring, you see it when the dog becomes aggressive and Mario is just entirely focused on keeping Luigi behind him, pushing him out of harm's way, getting the dog's attention so it will attack him instead, etc. You see it in the warp pipe when his entire demeanor changes the second he realizes Luigi is in trouble, how he desperately paddles to reach him and grab his hand and comfort him about the situation. You see it in how his brother is front of mind for him at every point in his adventure and that's why he fights so hard to talk to Peach, why he agrees to the fight with DK, why he keeps trying even when things seem hopeless and no one believes he can do it. You see it written all over Mario's face during the reunion, every single little way he touches Luigi and brings him closer and checks in on him with crystal-clear relief and joy and gentleness!!! The "show, don't tell" aspect is just OFF THE CHARTS IN THE BEST WAY POSSIBLE because that's how Mario is. He's not so good at words and remembering to say them. When he loves someone, he wears that feeling, he lives that feeling in so much of what he chooses to do and how he interacts with the world, and while it's always good to say these things outloud now and then just to be clear everyone's on the same page (and I'm sure he does after the movie, haha), it doesn't make it any less meaningful. :)
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danieyells · 10 days
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I just saw the "characters that might have feelings for pc". So like what about Haru and Jin. The way haru was talking about the PC in the 4th Chapter. And Jin BEING A CUTIE PATOOTIE 😍
I mean it's a joseimuke so everybody has a chance of having feelings for the pc, really. I was just talking about in terms of the appearances of like doves during the story as indication of someone catching feelings.
Jin doesn't like that you're nervous around him and is very comfortable with and reliant on you--Jin worrying that you went missing and immediately going to save you from The Pit show he cares at the absolute minimum of his feelings!
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(and all of frostheim thinks you're fucking too lol.)
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Haru definitely could also have feelings for you--he definitely likes and appreciates you a lot--but he also might just heavily appreciate your work ethic and help and company, especially with how Towa and Ren aren't much help for him. He was pretty sloshed, I think he would've said something more straightforward if he was like in love at that point!
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As far as story feelings go I think right now it's mostly Kaito, Towa, Taiga, and Sho like I said before, although we know many other characters are also very attached to you and, based on the genre, probably on their way to feelings that could be called love. Especially some of the max affinity voicelines. . .as usual for a joseimuke the pc is well loved among the characters, even the ones who don't like them very much haha.
There are some where the feelings don't feel very romantic at all(Ritsu and Jiro for example)--but that lack of romanticism is also in line with the character's behavior, and they may have shown some kind of attachment in other voicelines or scenes(Ritsu asking you to stay with him even though the workday is over and Jiro saying he hasn't had a family for a long time implying he sees you like family, for example) that suggests that they love you(maybe not romantically) but they express their comfort and attachment differently.
Haru's max affinity line has him saying when they have some spare money he wants to buy you your very own Jabberwock uniform--it wasn't as charming to me as the others, hence why I didn't include it when listing his voicelines, but if you think about it he sees Jabberwock as his kids, his family. So a jabberwock uniform of your own means 'you are family to me, you belong here with us.'
Jin's is something to the effect of 'i don't take you being here for granted, you know. I know it won't last forever.'(i'll post the exact wording when i get home and post his voice lines, but it was something like that) so his is more intimate--this is his last year on campus so he probably won't see you after he becomes a fourth year. No matter how he feels you won't be part of his life anymore very soon, and either you die in a year or your curse is lifted and you presumably will choose to leave Darkwick and go back to your normal life, so when he eventually becomes president you still won't be involved. So he values what you have while you're together--even if what you have is a master-servant relationship lol.
But. Yeah, it's a genre thing. Everybody loves you! But as far as story beats go we've got the four main ones I think, and some suspicions like Jin.
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bluedalahorse · 5 months
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Scattered thoughts about the YR faves as we approach season 3
It’s been a busy week, and then the week before that was busy too, so I’ve been reading but not fully weighing in on many of the season 3 questions that have been starting to bubble up on my dash. So I’m posting the thoughts swirling around in my mind about my two favorite characters (Sara and August) just so that my thoughts can exist somewhere other than my own head.
People are starting to discuss the question of Sara and Simon reconciling again, and I think I might have to address that in another post of its own. I spent an entire semester of grad school looking at how characters reconcile in fiction, and obviously I think a lot of it is going down to Simon’s needs and priorities and decisions, so obviously I have Thoughts. (I also have minimal patience for fans who want Sara to crawl over a football field’s worth of broken glass for Simon if that is what Simon doesn’t want himself.)
I feel like one of the questions surrounding August’s character arc are whether there is hope for him to own his actions and change one day, or whether he’s only going to get worse, and never be able to break his cycles of awfulness. Some folks argue that season 2 put that question to rest and that he’s unchangeable. I argue that the question is still in play. The more complex reasons are in my restorative justice post, but I also argue that it would be incredibly strange writing to take one of your show’s most dynamic characters and have his character arc stagnate and go nowhere new in season 3. Now, he could choose to turn over a new leaf in season 3, or he could triple down on his harmful decisions. The point is I think it would have to be another choice, and if he makes the decision to embrace harming others and himself, it would have to be a tragic choice, and not something we can be smug about because we Already Knew He Was Evil. I dunno, there’s this like… sometimes there’s this tendency in other fandoms to gloat and be like “I, Unlike The Other Girls, was not distracted by this broody brunette man’s hotness, and I realized he was bad all along. One hundred points to me for not clamoring for a redemption arc.” And like, yes, it’s fun to laugh at Dude Watchin’ With the Brontës once in a while (I laugh at it!) but I think we also have to acknowledge that fiction is about people growing and changing and we as media enjoyers sometimes become invested in character arcs. It just feels weird to me that fans would gloat about like… the supposed moral superiority of not being invested in a character arc that the show clearly wants us to be invested in.
If August is always going to cause harm and he is unable to change his ways, then he may continue to target Simon with the drugs and the blackmail. But he may also choose to target Sara, especially if he finds out she called the police on him. He has pictures and information he can use against her now, and I feel like that is probably, very likely what the show would do to show us that he is Too Far Gone. Frankly I find that terrifying. What I find even more terrifying is that I know there will be fans (probably those who use anonymous messages on the more public facing blogs) who will say that Sara “deserves it” because she “knew he was bad when she had sex with him.” Like. Can we agree not to do that as a fandom, and call it out when we see it? Because I’m pretty sure that Lisa would not write a storyline like that while cackling and going “haha that bitch Sara got what’s coming to her.” I’m pretty sure if Lisa writes something like that she’ll want us to feel sympathy for Sara too. And I mean, you don’t have to feel sympathy, but using the cloak of anonymity to express open misogynistic malice would be… yikes.
I also think that if the show is making the decision to say that August is always going to cause harm, that he’s never going to escape a cycle of harming himself and others and fall in to patterns of abuse, then we should want to see Sara reconnect with others in season three and find some sort of healing or connection. I guess that doesn’t have to be her finding connections with Simon. It could be! It could also be Felice, or Linda, or Maddie, or anyone. (I’m really hoping Sara will get to connect with Wilhelm.) But there’s good in wanting her to find connections, and for wanting her to know that there is a path forward in life that isn’t total isolation or like, packing herself off to the convent to atone forever. Especially if the message about August is that he’s somehow unable to change and is just that awful. If your view of August is that he’s so monstrous or unforgivable, so caught in dangerous patterns that it was wrong for Sara to get close to him at all, then we need to view Sara’s relationship with him as something that put her in danger, even when she chose a relationship with him at first. And one of the ways you stay out of danger is by having strong connections to other loved ones. Abuse works because the abuser uses isolation as a weapon. Also, presuming the show reaches the verdict that August is an abuser who can’t change—even if August and Sara never talk to one another again, Sara being friendless in other ways just sweeps the path clear for the next abuser to swoop down on her. I hope people would recognize that as a tragedy too.
If, however, the show goes in the direction of like… August takes his first steps toward making better decisions, and gets some therapy or rehab or whatever else, then ultimately his past relationship with Sara might play an indirect role in that, and in helping August see alternatives to his current way of being. I’m not saying the simple act of falling in love redeems someone for wrongs done. It doesn’t! (Young Royals actually does a lot to subvert that as a narrative, which is something I address when I talk about Wilhelm, again in my restorative justice post.) I’m saying Sara was the only damn person on the show in season 2 who told August it would be good for his soul to confess and attempted to support him in that, however imperfectly. Every other teenager who knew what August did (Wilhelm, Felice, Alexander) took it for granted that he wouldn’t confess—and, you know, fair on Wille and Felice’s part, but also Alexander couldn’t have gone to an adult, huh? Every single adult that August talked to about the video (Kristina, Rickard) insisted he keep quiet about it, scared him into it even. It takes more than one person in a community to hold someone accountable for wrongs done, and Hillerska as a community has repeatedly failed that test. I don’t know, I keep looking at that promo picture of August alone in his room and wonder if he’s practicing the breathing exercises Sara taught him. They don’t have to be together again for that to be the case. Maybe the memory of her will be helpful to him in some way.
Ultimately I don’t—at the moment—really care about whether August goes to jail or not. People will interpret this as me saying “I don’t think August should go to jail” and that’s not actually what I’m saying. It’s just that I find the question of whether he’s capable of change or not infinitely more interesting, and the role the system/Hillerska plays in encouraging that change (or not) infinitely more interesting than the question of what the specifics of August’s “punishment” or “consequences” might be. “Consequences” can be him living with the crushing knowledge of how deeply he hurt Wilhelm and Simon and Sara and Felice for the rest of his life, and trying to move forward in a different way from now on knowing he can never undo the past. “Punishment” can be August becoming king but being completely unable to change his ways and connect with other humans and feel any sense of agency in his life. There are multiple ways to address his arc—whether he’s awful or whether he’s willing to atone—that don’t rely on the legal system providing narrative catharsis all by itself, and frankly I’d prefer that it didn’t. (There’s a longer reason why but I feel like I keep linking my restorative justice post.)
To sum up… if these characters’ arcs go in a really tragic direction, I hope people don’t gloat and go “I knew they were terrible all along, unlike those other fans.” And if they go in a more positive directions, I hope we don’t hear the chorus of “they didn’t deserve it!” even if that arc is beautifully, complexly, and compellingly written. (Here are my thoughts on the way fandoms use the word deserve, by the way. It seems I have written about this before and am just becoming a parody of myself at this point.)
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foolofatook001 · 7 months
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aha this entry definitely isn't late haha
Day Five - Season 1 or 2/Echoes
cw visual and auditory hallucinatons, drowning, temporary character death
It began with the excavation of the Hall of GOAT, which, in hindsight, makes a lot of sense. Usually, of course, Doc isn’t really about archaeology, or historical preservation, or any of that sort of thing, but when there was this already-existing structure right in the area he’d plotted out as ideal for his Perimeter, and it had a very nice block palette, well— Hermitcraft has always been a place for trying new things. And he is all about trying new things. 
The further down he gets, digging out crumbling hallways and revealing copper piping, stumbling into overgrown caves that were once rooms that held the remains of some surprisingly complex machinery, the more curious he becomes. Who had lived here, long ago? There are other ruins on the server, but those are closer to spawn; this is a long way off from anything else. 
Most of the rooms have been fully dug out when he first begins to hear it. At first, he chalks it up to a draft, coming in through walls that had settled over the centuries, borne down by the weight of the land above. Just a whispering breeze, filtering down through cracks and empty pipes to echo around the empty halls of the building. 
Even after he finishes the reconstruction process, he can still hear it sometimes, when the hum of redstone isn’t filling his ears. He can never fully track it down; it starts to drive him mad. He takes to sleeping outside, just to get away from it. It is a blessed relief when the World Eater is finally finished; the constant pounding of the pistons and the continuous explosions as it chews away at the ground below it drowns out any kind of sound that might persist, and when he collapses into his bed on the nights when he finally gives in to sleep, his ears still ring from the TNT. 
But when the Perimeter has been blasted out, there is nothing to fill his ears anymore. And now he begins to notice, as he returns to his storage system to begin work on his farms, that there’s something new. Alongside the whispering breeze, there is now the steady dripping of water.
Doc cannot for the life of him figure out where the damn noise is coming from. He has gone over every length of pipe at least six times. There aren’t any water sources so near the Hall of GOAT that they would be affecting the build. And yet. It persists. 
It is also around this time that he starts hearing… footsteps. They are quiet. Subtle. But they are there, just a heartbeat’s delay behind his own. 
Doc disconnects and reboots his audio input on the cybernetic side, hoping that it’s just some glitch, or maybe even the start of hearing loss in the remaining organic ear (he may not have been wearing proper ear protection the whole time he was running the World Eater), but it has no effect: the footsteps return as soon as he begins walking again. 
It’s simultaneously better and worse when he’s out in the Perimeter. The footsteps disappear, which is a relief to his nerves, but the wind and water get louder. At least in the Perimeter he can pretend it is the rush of the air past him as he flies. 
He hasn’t told anyone, because whenever someone comes to see him in the Perimeter, they never mention any noise at all— in fact, most hermits make some comment about how eerily quiet it is, aside from the redstone— and despite his pursuit of answers, he is not sure he wants the fact that it is all in his head to be fully confirmed. And it is not so bad, after all. He almost gets used to it, after a point— after months of small, constant noise, quiet starts to feel alien. It is— not quite comfortable, still, but it is… tolerable. 
He draws a line at seeing things, however. 
At first it is shadows, walking through his redstone machinery like it is not there. They are tall, with what looks like horns protruding from their heads. They don’t interact with anything around them— including him. One day, he had turned back just to look over his shoulder down the hall as he climbed out of the TCG room and there had been a shadow behind him, its horns just a few inches from the ceiling, just like his always were. 
Its pace had precisely matched the footsteps that tapped softly in his ear.
He goes to his starter base-slash-shop back at spawn for a few days. For the first time, he can sleep in peace. Tension he did not even know he had been holding begins to drain away. 
It is finally, blessedly, quiet. 
Maybe, he thinks, I should just stay here for the season. 
But the Perimeter is his task to accomplish— his demon to conquer— and he has fought gods and spit in the face of every law that tries to govern the universe. He will not be defeated by a hole in the ground. 
He lands in the dead center of the Perimeter and is immediately sent to his knees by the roar of rushing water, deafening, louder than any TNT explosion or piston firing. He manages to look up and is frozen by the sight of a great wave bearing down on him, coming for him with a speed that he cannot even begin to calculate before it is upon him. 
He is tumbled head over heels, clawing desperately for the surface, but he can no longer tell which way is up, and his hastily snatched breath is running out. He knocks his head against something hard— a farm? The ground?— and a rush of air leaves his lungs, involuntarily. He knows, then, that it is over, but he keeps trying for the surface until the bright colors of oxygen deprivation start clouding his eyes, and his chest starts convulsing as the water gets into his lungs. 
[Docm77 fell out of the water.]
He wakes in his bed in his starter house at spawn, still choking on the feeling of water going down his throat. He gives himself ten minutes to recollect and re-arm himself, then heads back to the Perimeter, already afraid of what he will find when he returns. A flood like that could knock a number of his farms out of calibration, and would almost certainly wash away any exposed redstone. He has no idea where such a wave could have come from, but the damage will need to be repaired immediately. 
But when he looks over the edge, there is no water. All his farms appear— at first glance— to be in working order. When he swoops down lower to investigate, all his items are laying in a pile, perfectly dry.
When he picks them up, he hears the distant but still distinct sound of water, drip-drip-dripping from some invisible source.
also on ao3
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zykamiliah · 3 months
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Hey, sorry to bother you, but I've been seeing something in the fandom that kind of confuses me, so I'm leaving this ask to my favorite svsss blogs.
I've been trying to get more into Shen Jiu's character, as he is pretty interesting and arguably a fan favorite, and I've noticed that, so far of the fanfics I've read, he is more often than not depicted as a good teacher. A harsh one, but still good? Or not terrible?
One that likes teaching, is involved with his students, taking the little of what we've seen of Shen Yuan's teaching methods and just, giving them a twist, "improving" them even sometimes.
Often it ends up being a show of how Shen Yuan was clumsy, not that good of a teacher (or of a Shen Qingqiu) and I'm... Kind of confused by this trend? Like, is it rooted in canon? Obviously this is still more interesting to read than the "SJ is just a tsundere that never did anything wrong ever" thing, but it feels kind of similar.
I cannot imagine a character as genuinely bitter and angry as Shen Jiu enjoying being a teacher, having a nurturing bone in his body or even being hands on in the teaching of his disciples, several of which he literally bullied out of his peak. But maybe it's just me and I'm wrong?
Was Shen Jiu a good teacher?
I guess I'm just curious of where it comes from. I like Shen Yuan's character, and it often feels like people take Shen Jiu's to show how bad at everything SY is, even if it isn't consistent with SJ's character and often lack nuances, in my opinion.
(Or even if the story claims loving SY while also stripping him away of everything that makes him interesting other than his obliviousness, but that's a whole other thing.)
Sorry again, and I also apologize for the long ask, I'd just figured you or someone that follows you might have an answer.
(Also, I get that fandoms gotta fandom, and I'm not saying people shouldn't write it or anything, I may be a strickler for canon but I'm not the police. Write what you want. I just wonder where it comes from, as I figure that knowing its origins might help me in the future, but I promise I'm not trying to start discourse or anything, so I hope I've made my point clear enough without offending anyone.)
hello!! :DD
well sj being ooc in fics is a common thing by now. people tend to portray him softer than he's in canon, to the point it sometimes turns his whole character upside down. in extreme cases, you'll be dealing with a bitter, more tsundere version of sy with sj's backstory, which is secretly what many people want IMO lol often this people also perceive sy as an incompetent dumb nerd that only knows about monster lore and has no other skills or abilities aside from that-- essentially, they fall for the unreliable narrator's trap of believing every lie he tells about himself.
it's never outright stated, but sj didn't like children, so is fair to assume he didn't like teaching or caring for them either. taking into account qing jing peak's toxic atmosphere pre sy's transmigration, AND the fact that sj was paranoid about being overthrown since he hadn't developed a golden core even after becoming a peak lord and taking lbh in, I don't think he'd be interested in teaching anyone anything. in a lot of cultivation novels, disciples are just given manuals and left to self-study them (like he let lbh use the fake manual, expecting lbh would die from using it. haha. such a good teacher!). this could be the case. aside from that, I don't personally think sj would want to provide any kid guidance. and that's not mentioning how he allowed and enabled bullying, targeted talented disciples, and overall was more worried about his own cultivation and survival and reputation than other things or people.
so where this fanon sj comes from? I'm not sure, really, but I think some people just want a version of him that's palatable AND defensible, like my friend furby says, a declawed sj that's just a poor misunderstood meowmeow who deep inside is secretly good and nice. it's a thing that people who struggle with liking "villainous" or "morally bad" characters do: twisting the narrative around to justify this character's actions. It doesn't help that he's SO complicated, and people who have very black-and-white thinking struggle to place him in either side of the spectrum-- it's the problem mxtx outlined through sqh and sqq's voices
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ch.14 house arrest
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ch.19 shen jiu
really, the fandom has just proved mxtx's point xD
anyway, there's a lot of misconceptions about sj. there are some pretty wild theories around. some fans also treat his abuse as The Worst Abuse in comparison to the Child Abuse he did, because of the (unconfirmed) hints that sj was sexually assaulted by qiu jianluo, as if SA is the worst kind of abuse and child abuse falls back on the tier-list ¯_(ツ)_/¯ because obviously anything that involves sex in inherently worse, apparently
in other cases, people are simply more familiar with the fanon version of the characters, and that's who they portray in their writing. after all, many people read the novel once and then go on to read dozen of fics; it's normal the fanon sticks more on the brain than canon (not judging! it happens to me as well lol) and those fanon versions are more popular because, as i said, this version of sj is more morally palatable (and bland and less fun ┐(︶▽︶)┌)
thank you for the ask!! :DDDD ❤️❤️❤️ i love receiving asks~
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pip-n-chips · 1 year
Text
how (some) DoL characters play Minecraft
Robin
Mainly sticks with the easy difficulty
Likes building things in survival mode instead of creative for the extra challenge
Has keep inventory on + mob griefing off
Plays multiplayer a lot (sometimes with local orphans, sometimes online), and can get quite competitive during minigames
Parkour is the bane of their existence
Has like 46 dogs in their main survival world
Scared of Herobrine (they know he's fake, but...)
Has thought about streaming their gameplay, but they need some encouragement from you in order for them to go through with it
The peaceful music from the game paired with Robin's commentary is calming, you might take a nap...
Whitney
Griefs your base with TNT and lava buckets, initially
Starts getting more creative with ways to fuck with your shit, you'd be impressed if you weren't so pissed
Got a friend of theirs to help them use cheats, but brags about it + takes the credit for themself
Has been banned from a handful of online servers, takes pride in the ever growing list
Builds,,, questionable sculptures
"lmao get good bro"
Basically a big troll lmfao
Throws their controller/hits their keyboard when raging (they strike me more as a console type of person, though)
Has a dog/cat/horse they name the same thing every single time (perhaps in remembrance of an old pet or stray)
Mickey
Almost exclusively* plays modded singleplayer
* Maybe they used to play with Robin or other orphans (before life got so much more complicated, anyway,,)
Has made their own mods + add-ons but hasn't posted any online
Fond of mods that add RPG + fantasy elements to the game (especially DRAGONS!)
Pretty good with redstone, they like making weird contraptions
Has a complicated + organized base
Sets up traps, hidden compartments + other secrets in their base even though they're the only one who'll see it
Tries to get all the achievements (vanilla + any that mods add) + collects and frames special items
Has a lot of commands memorized + knows how to use command blocks
Sydney
You introduce them to the game and they like it a lot!
It's funny watching them learn more about the game and what to do/what not to do
Punched a bee once and fell off a cliff trying to run from it
Dies a lot tbh, and you see death messages you've never seen before because of that lol
Corrupt!Sydney makes their character twerk (crouch, un-crouch, repeat), laughs at it every time
Surprisingly good at building, recreates locations from their favorite books
Only really plays it when you guys play together, though
If you're gaming together at their house, Sirris pops in to check in on you guys at some point and pauses to smile at the heartwarming sight (as embarrassing as it may be for Sydney)
Kylar
"What if I put my Minecraft bed next to yours? haha jk... unless?"
Has the most OVERKILL gaming PC setup you've seen (way too many screens, everything has lights, etc etc. looks pretty dope tbh)
Likes designing Minecraft skins! (there's like 10 separate skins of you in different outfits)
Plays heavily modded Minecraft, but will play vanilla or lighter mod packs with you
Definitely tried that one Girlfriend mod at some point
Has attempted a few speedruns (in the Top 10s for some of them!)
Gets SO excited when you tell them that you like Minecraft too (but it's not like they didn't know that already)
Alex
Doesn't have much time to play with their current workload
When they do, the most they do is play it as a farming sim (???) (you get them to explore more options to do in the game)
Becomes a BIG fan of parkour!
Downloads parkour + adventure maps so they can play it offline (farm WiFi can be unreliable)
Learns some basic redstone, mainly to improve their (in-game) farms
Automatic farms + mob grinders, though they still like the experience of doing it themself
Builds a Minecraft version of their real farm, excitedly shows it to you
Names some in-game farm animals after their siblings as a joke
Gwylan
Only plays offline because they live in The Forest ™️
Loves potion brewing! (they don't have an internet guide so they experiment with different combos all by themself, gets quite good at it)
Hoarder. Has so many items scattered across their chests, they forget what they do and don't have
Aesthetic matters to them a lot when choosing where to put their base + building it
Went to the End + defeated the dragon just to get the blocks there + the egg for decoration
1.17 (first part of the Caves And Cliffs update) is their favorite yet, all the new blocks and cave biomes make them go aaaaaaaaa
Felt so bad when they had to kill animals for food in the beginning, has a good farm system now though
Definitely keeps mobs you can't tame as pets
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