#because i just got interested in japan and japanese culture

[icarus-suraki]

I've been thinking about a post that's been circulating here about the subtle racism present in Western/white danmei fandom (which is definitely there, whether one realizes it or not). And it reminded me a lot of 1990s anime fandom.

First, for the record, I'm white. Just so we're clear. Okay, moving on:

The DIC dubbed version of Sailor Moon was broadcast when I was 13, in 1995 (and I jumped right on it too). Around that same time, the SciFi channel was showing a handful of animes in rotation on Saturday mornings. There were a few dubbed anime and even fewer subbed anime on VHS at Blockbuster. 9 times out of 10, no one ever really knew how to pronounce "Neon Genesis Evangelion" or "Urusei Yatsura." And the general perception of "anime" in general was that it was raunchy at the mildest and only got progressively more pornographic from there.

But as these things started to appear in the US and be available to a wider audience, all these racist stereotypes of Japan and Japanese people started to surface too. To quote someone from the time, "Isn't manga the kinky stuff Japanese businessmen read on the train?" That was the perception: it's all dirty. (Sailor Moon, Dragon Ball, Ronin Warriors and some other early arrivals helped with that some, because they were clearly children's cartoons. But then we had to deal with the whole "children's cartoons" issue when looking at NGE and Miyazaki's movies. But I'm digressing and glossing over whole decades of localized anime.)

tl;dr: in the early and mid 90s, if you were a fan of anime you were very much a consumer of a "foreign" product.

So we loved it but there was a very steep learning curve when it came to actually understanding what we were watching, especially as the internet got bigger and better and we learned that, wait, there are outer senshi? There are whole other storylines?

And there was an entirely different visual language and cultural foundation to these shows (and later movies and manga and so on). Why the heck does she have a giant drop next to her head? Why is she holding that piece of paper? What does it mean to work at a shrine? A shrine to what? What's the deal with the cherry blossoms? Why does he have an expression like that on his face? What does it mean when the characters do this? And this was in the 90s, so the internet then is not what it is today. We had to fumble our way around and learn the details of these "foreign" cartoons, while contending with the stereotypes other people (usually adults lol) had about Japan, anime, and Japanese people. But we did learn! We'd read, we'd hit up the internet as much as we could, we'd talk to one another, we'd go to events and conventions and just try to pick up as much as we could. Because we were curious! We wanted to know!

We were lucky because within a few years we had Princess Mononoke in movie theaters (not many, but some) and Cowboy Bebop popped up and Gundam Wing came along and the internet got better and anime stopped being such a fringe interest and now there's better information and understanding (at least a little).

That's a long story to say that the Western danmei fandom needs to do the same thing: get down into the cultural source and learn stuff.

You have got to acknowledge that you are engaging with works from a culture that is not your own. You can't just slap Western concepts onto it and try to shove an entirely different culture into the framework of your own culture. That's not going to work. And, no, you won't understand everything right off. There's layers in here and you have to acknowledge that and start learning.

You're engaging with concepts and worldviews that are almost certainly not the same as your own, my fellow white danmei fans, and you have got to realize that. Step back from your notions and your expectations and, yes, your racism and stereotypes, and start looking at the complexity of an entire culture out of which a character you love has arisen.

Once upon a time, someone here on Tumblr wanted to do a presentation about how "magical girl" characters like Sailor Moon and Sakura Kinomoto were inherently feminist. The problem was that this person never even considered the ways "feminism" might look or be discussed in Japan. This person was imposing Western feminism on characters that were created entirely outside that worldview/mindset. Don't do that. It's unfair to the creator, it's unfair to the creator's culture, and it actually kind of stifles your opportunity for learning.

Will I ever understand Japanese culture as well as a Japanese person? Absofuckinglutely not. But I know more than I once did, which means I can enjoy more aspects of animanga than I used to. I can get more of it and I'm less likely to misinterpret the creator's intentions. I'm not that great at it and I love a good translator's note, but I can get more of some of it.

So dig in to the cultural foundations and stop shoving Western cultural concepts onto works that weren't created in that milieu. (Yes, I said "milieu!") Get curious! I am begging you to stop assuming and get curious! Ask yourself "why?" and then get to researching!

For your first assignment, stop writing fanfic where Lan Wangji sounds like a robot. He uses short, perfect, referential phrases because he's elegant and educated. In English, the most elegant characters use elaborate language. Not so in many Chinese works: the fewer and more perfectly chosen the words, and the more meaning lying within those words, the more refined and educated the character is. It's like he's so good with language that he doesn't even need to use it anymore.

At least, that's my superficial understanding at the moment. I've got tons more to learn.

So let's get learning and stop shoving our expectations, assumptions, worldview, stereotypes, and cultural baggage onto works that exist and were created outside all of that. Let the works stand on their own and learn their foundations.

#noises from issy #western danmei fandom #oldtaku #just some thinky thoughts #also i accidentally minored in asian studies #because i just got interested in japan and japanese culture #so you never know what might come of some learning #get curious #start learning

[wszczebrzyszynie]

one of the things that used to annoy me a bit back durning the pandemic when i got very popular on instagram very quickly (my posts got 20k-40k likes on average at that time so you can imagine it got very weird quick) and so naturally lots of people started suddenly taking inspiration from me (all from simple inspiration to just tracing over my work), and part of that inspiration was the general... rise of interest in poland and polish culture? which is fascinating because i am not nor ever have i considered myself patriotic and i dont really "love" poland. Its a complicated thing but its also a feeling i treasure to an extent; i understand why people think that, considering that my work is very clearly polish, and i am very clearly polish, but its more the case of creation based on familiarity mixed with my interest in history and folk costumes than creation based on the "love for my country". Its kind of funny that i had to ever explain that, because its not something usually assumed about american works set in america, or japanese works set in japan, even when they include traditional/cultural elements of those countries. Well Either Way a lot of people (majority of which were not polish; only 8% of my total following was based in poland, so in numbers around 8 thousand people; there was probably some polonia, but i base it on ig statistics) who followed me started drawing pseudo-folk costumes after that claiming them to be polish or polish-inspired based on the "aesthetic" (so, objectively drawn incorrectly) and it was always just such a werid thing for me to copy for yourself, especially with no connection to the country. Its not a crime to just draw a pretty dress with a lot of colours and embroidery on it, but to then claim its actually polish because an artist you like does the same thing was in retrospect so weird and funny. Even then i thought it was funny but in broad concept of how people treated my art it got annoying sometimes. im glad i didnt do anything stupid and public then to regret now. god bless. Either way all of this is to say i think at some point in 2021 i created some of the first ever polandboos or how would you call them. lore exposition post. im going back to studying

[lovelybrooke]

Demon Slayers with a Foreign Reader

This was requested by @ruiroku, sorry it took so long, hope you enjoy.

Check out my other works here: Masterlist.

I have two ideas for a foreign reader. From what I was able to find, Demon Slayers take place during the Taisho period (1912-1926). This was around the time Japan opened back up to Western influence after previously cutting themselves off from the rest of the world. Because of this, I could image the reader coming to Japan for many different reasons.

The best idea I had was reader being a doctor/nurse who is studying Japanese medical practices or teaching western medical practices (keep in mind that when I say "western" I don't necessary mean American/European. I just mean literally anything to the West, which is a lot of places, as to keep the readers original home vague).

Either way, throughout your time in Japan, you got to learn a lot about Japanese culture and practices, and overall enjoyed your stay there. Over time, however, you began to notice strange happenings and disappearances, especially the weaker patients you would take care of.

You made the assumption that your patients were simply succumbing to their illnesses, but whenever you checked up on their families, they claimed that they had just disappeared. This lead you on a wild goose chaise to find your missing patients, since you knew how venerable they were.

All this led you to be cornered by a hungry demon, who was enraged at your attempts of finding your patients. He was right about to kill you before you were saved by a very...eccentric looking man, to say the least. In one fell swoop, he chopped the demons head off, saving you from a very painful death.

The man, who you figured out was named Rengoku, was very loud, and talked very fast. So, it was hard for you to translate what he was saying. He assumed you were in shock, so lowered himself down to your level, and explained slowly he would be taking you with him to get your wounds treated. It didn't take long before you passed out.

This was how you became acquainted with the Demon Slayers. After your wounds were treated, you came to the realization that your former patients were killed, and it hurt very much. You felt like you weren't doing your job as a doctor and failed their loved ones. It took a toll on your mental health, Shinobu recommending that you stay until you feel better both mentally and physically.

The Demon Slayers Headquarters is surprisingly cozy, even with the many intense figures there. Shinobu is the one who you spend most of your time with, since she takes it upon herself to treat your wounds personally. She takes very good care of you, and you're intensely grateful, but sometimes you can feel a little overwhelmed with how strangely focused she is on you and your wellbeing. Though, she does offer to teach you a thing or two about medicines that can treat demon related injuries.

Once you are able to move on your own, you spend a lot of your time with the other Hashira's. Rengoku is very interested in learning about your home country and could listen to you talk about your home all day. He's very childlike in his curiosity for you, often ranting happily about his own interests and dreams as a Hashira. While he is very lighthearted, he does often remind you that you own him for saving you.

Others like Giyu pretend not to care about you and want you to leave as soon as possible. However, when it comes to your safety, they take it very seriously. Being a foreigner, Giyu views you as target for many dangerous people. He often reminds you that you are weak and easy to manipulate, though you don't really hear any malice behind his works, almost like his he genuinely worried about you.

Uzui is pretty intimidating when you first meet him, but you eventually learn not to fear him. You get to know him more and more when you start to patch him up after missions. You don't realize as you begin to open up to him about how you miss your home and family. Uzui doesn't seem to mind though, as he listens to you carefully and even offers advice on how to acclimate better to your new home. He even suggests that you meet his wives some time.

Once the Tanjiro and the gang arrive, the quicky warm up to you. Tanjiro thinks you are the sweetest person ever, and always feels bad when you're forced to take care of him after missions. You honestly remind him of the warmth of a parent that he very much misses. He also loves that Nezuko loves you. Zenitsu also likes you, especially since you are much easier on him, and Inosuke doesn't have that much of an opinion on you, but he doesn't hate you. In fact, he's probably the most interested in your home country since he's lived a pretty secluded life until becoming a demon slayer.

The kids being, well, kids, are very interested in your native culture. Tanjiro is sympathetic and understands that you might miss your home often, so he offers for you to teach him things regarding your culture. He might even learn how to cook native dishes that can remind you of your home. Unlike the others, who want you to forget about your native country, Tanjiro feels bad whenever you talk about missing your family or friends, even though it fills him with jealously.

They are also obsessed with the way you sound speaking your native language since they think it sounds so cool. Some of them like Rengoku might even want to learn, while others are simply content with hearing you talk. They think you're so smart, being able to speak to languages. Even if you're not fluent in Japanese, they're all willing to help you with anything you're struggling with. Though, there are times where they'll bend the truth on what they are saying whenever you're confused, most notably when they're talking about something not so savory.

In conclusion, even once you get better, you're staying with them. The Hashira's are very good at making you feel like you owe them something, and so they abuse that to get you to stay. You don't even notice that you're slowly and slowly forgetting about leaving, as you start to work as a nurse with Shinobu. Even once you get better and can technically leave on your own, you're constantly reminded of how dangerous the world is without your demon slayer friends.

---

A/n: I might write a part 2 with the demons, so tell me if you would want that.

#yandere x reader #soft yandere #platonic yandere #demon slayer x reader #demon slayer #yandere demon slayer x reader #yandere demon slayer #kny x reader

[drdemonprince]

This is kind of late re: the culture conversation but I feel like I have a kind of weird perspective on this general idea of cultural appropriation re:embodiment. I’m Italian American, and indigenous South American but I was born in the US and when we immigrated to the US my South American ethnic group is so small and my parents were in Japan so long they culturally assimilated and I was raised in the Japanese immigrant community and literally went to Japanese day school.

This tension between who is “allowed” to participate in a culture or identity has always been deeply fraught for me in a way that has kind of bulldozed my understanding of cultural ownership. Not being “ethnically” Japanese has led to many people deciding for me what the appropriateness of my cultural participation is. And being indigenous South American complicates my relationship to standard cultural alignment with latinidad more broadly.

I have a lot of friends who are white USAmericans who are progressive but also deeply concerned about the boundaries between themselves and the cultures they studied in college and the countries they taught English in as migrant workers. I had a conversation with one of my friends who worked in China and he was talking about how he didn’t mind being legally disenfranchised because he was a white American migrant and didn’t feel it was necessary for him to have the same legal rights as Chinese citizens. And I had to point out that he was living in the same disenfranchised conditions as any other immigrant and there was no reason for him to downplay it. I don’t think it’s disingenuous or appropriative for him to have Chinese art in his house or cook Chinese food or participate in Chinese culture. Not because he lived there or had a complicated legal status in the country or somehow crossed some imaginary threshold of true and genuine cultural appreciation but just because culture is what you do its not a given fact of who you are. It’s a seamless part of his life and just because he sought it out doesn’t make it less genuine to me.

I think because of my complicated upbringing I have spent a lot of time with people between cultures, reconnecting, adopting new ones and feel very strongly that if there is no biological tie to culture people can incorporate whatever they want into their lives and it’s a VERY US American perspective to be so self critical and political about it.

And this isn’t to say cultural exploitation doesn’t exist but when it does happen it’s usually underpinned by a capital motivation to sell an idea of a culture and not a weird white guy who got really into Buddhism or a several generations totally removed Italian American incorporating Panettone into their Christmas celebrations. When people cross the line it’s cringe and inauthentic but it rarely goes beyond that.

When I was in college I had a professor who studied my indigenous ethnic group and I took a couple of his classes. Once I brought my grandmother and mom to campus to speak with him in our indigenous language, and my grandmother spoke to him for three hours straight. He was a white man from Michigan but also one of my only connections to my culture, a person to practice and share my language with, to connect with my family. And all because he thought South American indigenous groups were interesting and got a job with Amnesty International to investigate the dictatorship to get down there. He is the kind of man people wag their finger at and he was one of the most important cultural elders I had.

This is a long way to say basically I just really believe we are allowed to make our lives whatever we want and make ourselves whatever we want. The phenomenon of white Americans in search of culture exists for the reasons you listed below and outside of these political discussions about its appropriateness and its moral boundaries there are just people doing and embodying that cultural fluidity and exchange for a million different reasons that aren’t worth litigating. The small town gay kids who move to big cities and hang out in the leather scene, getting into punk or hardcore or goth scenes, even converting to a new religion function under the same mechanism of the kind of cultural immersion that gives you access to the community and membership in the culture that weebs who immigrate to Japan to teach English, or international students coming to America, or inter cultural or inter faith partnerships undergo.

Anyways thanks for listening to my treatise. So to whoever’s reading this take the dance class or the traditional craft class or learn a new language or learn to cook new kinds of food make all different types of friends and make new traditions out of old ones or old traditions out of new perspectives. Culture isn’t a sacred part of who we are it’s a sacred form of the things we do and embody and connect with others through :-) <3

this is an incredible, wise, compassionate message. Thank you so much for sending it. You've said so much here about the problems of tying cultural identity to a race, ethnicity, or blood, or to regard it as static or isolated. And how much the standard racist American conceptions of racial and ethnic identity make structural discussions about disenfranchisement worldwide hard to have. Said so so much far better than I could, thank you!!

[sleepw-me]

𓏲 ๋࣭  ࣪‧₊🪼˚‧ ✧𓍢ִִ໋˚. SWEET BOY✩⸝

SFW

You are moving to Japan, you were afraid of your first day at a new school. New culture, new language and new people. You didn't really know the language yet, you only knew how to introduce yourself and ask something, so you were very worried about how your new classmates would welcome you.All you knew was that you were assigned to a linguistics class to make it easier for you to communicate with others in English.

You're getting ready for your first day, you wanted to make a good first impression, you put on your makeup and hair, you put on your school uniform. It was a new and strange feeling for you that you would now wear form-fitting clothes at school, but you still liked the colors that represented the school.And here you are, a pleasant melody rang out in the corridors, signaling that the lesson was starting, it was a really pleasant surprise than the earlier bells in your country that often gave you a heart attack. When you first entered the school, you were met with curious glances and whispers that you couldn't understand.

You enter the classroom nervously and greet the teacher and the class politely, then stand next to the teacher who also greets you with a nice smile and calmly explains your situation to the students and then asks you to introduce yourself.

The look of all these people made you feel a little nervous.

Hello everyone, I'm [name]... I came from [...] and I hope we will have a nice time this year.

Bowing slightly, the teacher pointed to an empty seat next to the unknown boy for you to sit there.

You sat down, trying to unpack your bag and get ready for class.

You noticed the boy sitting next to you.He didn't seem too bothered by this change in class. The only thing you noticed was when his eyes sometimes moved towards you, he tried to hide it so as not to be nosy, but he was a little interested in you.

The way you wrote Japanese letters made him laugh a little because you did it slowly and very carefully. His lips trembled when he saw your desperate face when you wanted to read something on the board but you didn't understand anything.And so the days passed and you still hadn't exchanged a single word with your friend next to you, until one day when your pen ran out and you didn't take a spare one. The first thing that came to your mind was to turn towards him, so you did.

Hey...do you have an extra pen?.

He turned towards you, wondering whether to lie or give it to you, but he decided to be kind and took a pen from his bag and gave it to you.

Here.

His honeyed voice rang out, you won't lie but you would love to hear it when he reads something in front of the class.

Thank you…

You uttered sweetly and went back to writing.You swear you don't know how that brief exchange turned into a sweet friendship between the two of you.

[boy]! Have you seen this new cafe that opened a few days ago? It seems really worth seeing. Shall we go there after school? Please.

You go to your desk and call your friend. The boy with whom you never exchanged a single word is now your only best friend. Despite his character, he is a really nice person and you can rely on him.

We can.

Even though he answered casually, you could feel the note of sweetness and honey in his voice that he pours into the words he says to you. [boy] often taught you Japanese, took you to nice places, such as cafes, where you could talk and learn together in a nice atmosphere.

Maybe you didn't notice it because he was trying to be discreet about it, but he always gave you that warm look when you spoke passionately about something. Or when you leaned over to write something in your notebook. Even when your hair got into your eyes while you were studying and he was sitting next to you, it was natural for him to tuck your hair behind your ear.

It didn't go unnoticed to you but you didn't say anything and just let the butterflies fly in your stomach.

He bought you drinks and placed them on your desk, and you spent lunchtimes together, leaning on each other's shoulders.

Such small and sweet gestures were felt from both you and [boy] but neither of you broke the silence yet, you wait for these feelings to develop and maybe then you will think about something more. For now, you are enjoying these moments.

m.fushiguro, t.inumaki, m.tokito, o.iguro, s.todoroki, h.shinso, t.kageyama, k.kozume, k.tsukishima, h.iwaizumi, o.miya, k.sakusa, k.akaashi, r.suna

#x reader #haikyuu #headcanon #jujustu kaisen #one shot #demon slayer #my hero academia #megumi fushiguro #megumi x reader #inumaki toge #inumaki x reader #muichiro tokito #muichiro x reader #obanai iguro #obanai x reader #shoto todoroki #shoto x reader #shinso hitoshi #shinso x reader #kageyama tobio #kageyama x reader #kenma kozume #kenma x reader #kei tsukishima #tsukishima x reader #iwaizumi hajime #iwaizumi x reader #osamu miya #osamu x reader #sakusa kiyoomi

[kaleidoscopic-quiddity]

reading the bluelock light novels and theres so many fun lil character traits and info thrown in (probably not on the wiki bc the LNs dont have an official english release yet)

isagi was a crybaby and a scardy cat as a kid

he was also really senitive to sounds and they’d make him cry (he just like me fr)

isagi’s always had really great spacial awareness and vision, even as a toddler

nagi lived at student dorms at hakuho academy (which explains why his parents dont live w/ him)

he got into hakuho, an elite tokyo prep school, with only two weeks of studying

there were two different rumors abt nagi amongst his classmates, one saying if you talked to him you’d be cursed with bad luck and the other saying youd find happiness after talking to him, the curse rumor is more popular 

(nagi my poor guy, his classmates think hes a weirdo just bc hes quiet an not interested in rich kid pissing contests)

he also has the nickname of ‘thousand year netaro’ bc he sleeps in class so much lmao

he doesnt study but still gets good grades, at least in social sciences

nagi helps his class win a volleyball tournament (that he was forced to participate in) despite knowing nothing abt the rules purely based off of his height, reflexes, trapping skills, and desire to finish the game quickly so he can go home lmao

bachira refers to his mother by her given name, yuu, which would typically be disrespectful af in japanese culture but in this context i think it just displays how close they are + the fact that bachira’s first/best friend is his mama :’)

he walked (dribbled), slept rough, and hitchhiked all the way to osaka from chiba prefecture for 5 days just to go see one of her art exhibitions too

he got a fortune from a shrine that literally read  that he will meet his “ 運命の相手” - unmei no aite, literally ‘partner of fate’ or ‘fated partner’, bachisagi soulmate-isms r crazy

he won a 4 on 1 fight with a bunch of delinquents in osaka

rin liked ice cream but really he’d be happy with anything as long as sae bought it for him

the itoshi bros played for the kamakura united youth club, which won the U15 national league

they shared a bedroom growing up

rin gets bad grades in every subject other than english bc hes too busy thinking abt football, and hes only good at english bc he wants to go pro and play internationally

rin got into horror movies and games only after sae left for spain, he likes the thrill they give him, especially splatter films

he found a scene of someone getting chopped up w/ a chainsaw calming after he had a rough day,, damn okay rin in there anything u wanna talk abt edgelord?

“Perhaps because of this stress, he has recently been watching shark movies at night, where sharks attack humans. It’s refreshing to see a giant man-eating shark attack and munch on humans.”  what a fuckin chuuni oml

sae got trending on japanese football twitter for scoring a hattrick for real madrid’s youth team

rin did the tongue-out-in-concentration/bloodlust thing pre-bluelock too apparantly

he didnt talk to sae whilst he was in spain bc he didnt want to bother him but he kept up news of him and thought abt him a lot

“He thought he would just shout out loud “I'm the best in Japan!” and hug him, but in reality, that didn't work out that way” <- rins first thought seeing sae after 4 years, excuse me whilst i sob

chigiri went to a ‘jitsugyo’ school, which is like a vocational tech or business school, it also has a foreign name (’lacosute’) so its probably a private school, maybe missionary?

chigiri likes cats awww, there was specially a stray black cat he’d talk to and buy karinto manju for

his ACL is attached to his knee in an odd which which is why he can run so fast

chigiri stopped cutting his hair after he quit going to his school’s football club once he finished rehab for his knee

reo got baya to hire him a whole team of ppl including a coach, nutritionist, nurse, etc once he decided on football, fuckin rich ppl i swear 

all the adults who worked w/ reo sing his praises but also said how cheeky he was lmaooo

reo was learning english, spanish, and german in preperation for going pro

he also got a specially made football training VR facility made for him this boy i swear

reo bribed the hakuho football club w/ fancy meat and the opportunity to meet idols to get them to put more effort in

immediately upon meeting nagi reo notices his height and how ‘cool’ and ‘intense’ his trapping is like okay fruit

#bluelock #bluelock light novels #isagi yoichi #nagi seishiro #bachira meguru #itoshi rin #chigiri hyouma #mikage reo #og post //

[room-surprise]

BTW, for anyone interested, the way I figured out that the word mana isn't actually used in the original Dungeon Meshi was:

Researched the word mana, found out about its Austronesian origins.

Thought: Oh shit, that's fascinating! Austronesian culture must be a huge influence in the Dungeon Meshi world, if they use an Austronesian word to describe magical energy!!! Were the Ancients an Austronesian culture?! Do the elves have a huge Austronesian cultural influence I need to document???

Started to try and make that puzzle piece fit the rest of my data.

Realized I was having a hard time making those connections, and that mana seemed to be the only major Austronesian reference, and that other references I'd identified were extremely tenuous.

Started looking up the history of the word mana being used in Japanese media, found out about the history of the word's appropriation specifically in video games and tabletop gaming in the west, couldn't find clear evidence of it actually being used in Japan... Just in translations of Japanese things.

Got suspicious because I had noticed Japanese fans never used the word mana in their fanart/posts.

Started spot-checking Japanese raw pages and extra materials from Kui's blog to confirm that she wasn't using the word mana anywhere. Specifically the comics about "mana sickness."

Checked the Japanese audio of the anime and couldn't find anyone saying mana.

Asked translator friends who know more Japanese than I do, who confirmed that mana isn't used in the Japanese.

Now rinse and repeat for the word "dungeon" which will be another post for another day...

#dungeon meshi #delicious in dungeon #dunmeshi #dungeon meshi research

[holmsister]

Ok this gets its own post because im genuinely a little surprised I only caught on now.

This is Marcille's succubus:

This is Oscar, the protagonist of Rose of Versailles and the character the design of the succubus above is clearly referencing, if not directly, at least via a very obvious shared set of visual tropes:

(Yes thats a french flag we dont have the time move on).

The thing is. Oscar is a WOMAN. While she is clearly gnc and she goes through various gender crises in the story, the doctor at her birth assigned her female (her dad got angry about it we don't have the time move on) and in the end she is happy to id as a woman, if one who follows her own rules.

I could not find a good image with an horse but she has a horse dw. She also has a princess she wants to protect:

(YES thats Marie antoniette we don't have the time move on)

Which like. Again. I cannot go ahead and say "this character is a direct quote of this character" because their design is ultimately different and also Rose of Versailles is an incredibly seminal work in Japanese culture. It came out in the 70s, rewrote the rules of shojo manga, and has been since parodied, remixed, reimagined as a classic Takarazuka Revue musical, referenced in other work, in movies, in ads. Revolutionary Girl Utena does not exist without Rose of Versailles, its an almost direct response to it. It's impossible to say nowadays that anything referring to Rose of Versailles is quoting it directly and not just pulling from a giant shared set of tropes that derive from it and have been used in basically every other piece of media ever made after it in Japan.

But. Its an interesting thing to note for our embodiment of Marcille's deepest fantasy, that its most ancient visual ancestor is a beautiful woman dressed as a man.

#dungeon meshi spoilers #dungeon meshi manga spoilers #marcille #i cannot be the first person to catch this #marcella #meta

[bluestarjay]

A personal Hinata headcanon of mine is that after learning Portuguese, he got kinda hooked on languages. He started learning a whole bunch of different languages either after coming to Brazil or leaving. (English, Spanish, French, in addition to Japanese and Portuguese is what I had in mind). Like idk, he failed English in high school, but once he was able to learn it for himself, not for a grade, and certainly not in a boring way his adhd couldn't understand, he got good at it. I don't think he's stupid. He may be dumb, but he's not stupid. I actually quite like the idea of him being a total nerd in lesser academic-y categories, like linguistics and etymology, the arts and history, and he'd like them especially for the cultural significance. He likes going to new places, even if they're not really that far from home, he just likes the new experiences and knowing how things are different between the two. Like how socially and economically different Miyagi and Tokyo are, how the behavior changes between the players at all the different schools, etc. He'd totally read up on the history of Brazil, wanting to learn everything about the culture there, just because it interested him. He'd probably like the history and cultural and social significance of different music genres and different art styles. He's content living in either Brazil or Japan; he's got no time for traveling the world like Nishinoya, but he learns a bunch of languages anyhow, simply because it's fun. Another headcanon is that he can cook really well (which I can explain another time), but he'd def cook all kinds of foreign dishes, once again, mostly for the culture. It's different. It's a new experience, one of his favorite things in the world, and now that he has the money and freedom and knowledge to make said dishes, the world is literally his oyster! He'd do anything to learn more about why certain cultures eat certain foods, why a certain genre of music is popular there, why they speak the way they do, all because it's fun and interesting to know!

#sorry ive been really into like psychology recently #hinata shoyo #hinata shouyou #hq hinata #haikyuu!! #haikyuu #nishinoya yuu #etymology #linguistics #brazil hinata #post timeskip #brazil arc #haikyuu time skip #brazil #headcanons

[thrown-away-opinions]

Watching "Why Do You Always Kill Gods in JPRGs?" and I am in awe of the stupidity on display.

>45 minutes of rudimentary Japanese/eastern history in broad strokes > glosses over the fact that Japan has basic capitalistic free trade and business for its entire history >no, fucking seriously, Japan had industry, independently owned businesses, the general free exchange of goods and services... otherwise known as capitalism. >Japan underwent a post-war economic boom >Some people get very rich and powerful during this boom primarily due to controlling the banking system with backing from a corrupt government >"Their new religion was... CAPITALISM." (paraphrased) >youtube essayist proceeds to explain at length the ways that forcibly aligning culture, religion, and government with private corporate interests is a bad thing (which it is, but it's not capitalism) >... but still constantly invokes "Capitalism" being forced on Japan from the West ("The False God") as the true evil in this narrative >Points to various examples in games where the bad guy is literally just the government and politicians, corrupt megacorps, giant evil monsters, and/or overt oppressive authoritarianism and tries to frame them as symbolic representations of western culture and Capitalism (spoken of as an evil ideology that makes people evil) >At no point do any of these stories (FF7, Persona 5, Chrono Trigger, Earthbound, etc) present the idea that anyone except the already corrupt and evil are in favor of oppressing/destroying/enslaving all humanity and the planet in the name of endless economic growth and power for power's sake. >Several examples are literally evil entities that demand destruction for the sake of destruction and say as much directly >essayist's explanation for why none of this seems obvious and so far detached from the far more clear messages in their stories is because Japan speaks in deep contextual code so as not to offend anyone >aka, essayist gets to assert his beliefs and you can't tell him he's wrong because you just don't get the triple-secret encoded message hidden under all the deep cultural context clues that only a true Japanese audience (or foreign weeb, apparently) would understand >his western examples of Capitalist metaphor are the Outer Worlds and Bioshock Infinite... games where corporatism and an overt pseudo-religious authoritarian are the villains >this guy is a goddamned lawyer, apparently.

This is so fucking stupid. I should have checked out the moment I detected that hint of venom when he named capitalism as the culprit, but morbid curiosity got the better of me. For a bit there, when he was talking about the economic bubble and the lost decade, it seemed like maybe he wasn't going to be totally retarded, but he sure proved me wrong.

The message behind the JRPG genre is often that protecting the world is good, amassing power for the sake of power is bad, and that with the power of friendship and grinding side quests, a ragtag gang of spunky kids can save the world from malicious extraterrestrial entities that aim to mindlessly consume.

And also that the SMT series and many other pieces of Japanese media invokes western religious iconography, names, and symbols because it sounds cool and mysterious to Japanese audiences. That's literally the direct explanation given by nearly every single game and anime writer when asked about all the obtuse and confusing mythology and symbolism in their games.

[twig-tea]

Hi!

So Cherry Magic Thailand was amazing. Which really surprised me. I still have reservations about the next jbl adaptations by Thailand, but I guess we'll see. Anyway, because of that I have been thinking about this.

Which existing series do you think could benefit from an adaptation by a different country? That could maybe give the story a different perspective or simply because they would have different resources? Thanks

Rose💜

Thank you so much for this ask, Rose, and apologies for being so slow to answer!

The first obvious answer to this is anything from the censored era of Chinese BL being picked up by a different country. We're already seeing the benefits of that in Taiwan's adaptation of DaGe in Unknown the series, which from what I've been told is not only going to allow some intense kisses (possibly, if the actors aren't trolling us, more explicit sex scenes than are actually in the original Priest novel, though I'm not going to assume we're getting anything until I see it), but also with changes like a reduction in the homophobia of characters. Recently they announced SaYe/Chasing the Light was optioned for a film version outside of mainland China, so I'm now hopeful some of the stuff that was shelved is going to get made after all, and maybe with less censorship. That being said, a whole list of just censored dramas that were based on BL novels would be boring. So instead I'm considering what shows did I like but wanted to see done again in a different way, and which country would handle the themes and style of the original in a way that would be fun to watch?

I'm thinking about Love Stage!!! Which was a Japanese manga adaptation with a version from both Japan and Thailand, and My Dead Gangster Oppa which was adapted from a Korean webtoon, and Why R U Korea adapted from the Thai show, and how the productions in the different countries would change what we get. So, I'll be basing my answer on those as well as CMT you referenced.

[Sidenote: originally I was going to say Thailand should adapt Man Who Defies the World of BL except with Series-Y tropes and then realized that's exactly what Why R U was supposed to be in the first place--it would be neat to see a Korean version of this storyline with webtoon tropes (we kind of got that with Our Dating Sim but they went with dating game tropes instead). ANYWAY that's not really an adaptation so I'm not including it below, but putting it into the universe.]

Enough waffling, let's go!

Twig's Foreign Adaptation Wish List

Taiwanese adaptation of 2gether

Hear me out. If we're going to see this story again, I want better reasons for needing to fake date and better chemistry once they're actually dating, and I can imagine Taiwan adding in the angst and chemistry to make this show work through to the end. Taiwan would also have no problem keeping Sarawat's obsession with Tine's pecs in the storyline (critical inclusion, imho), and we know Taiwan loves a "they met before and this is fate" plot so I think this would work well. Switching Sarawat's obsession with Scrubb to something else would be a really interesting cultural shift and would help ground the series in the adaptation country.

Korean adaptation of I Can Hear the Sunspot / Silhouette of Your Voice

@absolutebl has said this before and they're right, this is the one JBL manga adaptation that I'd love to see it done again as a series with enough time to fully handle the character development that happens in the manga. NGL in my heart of hearts I'd want Japan to take another crack at it, but for this game I'll say Korea. I know Korea has a few good disability narratives (thinking of the love for Twinkling Watermelon I've heard about recently) so I think they could do a good job. Korean media also handles silence well and that's pretty critical for this one; they could also do some interesting things to illustrate the changes in the main character's hearing.

Japanese adaptation of Love Sick

I am envisioning a reverse Cherry Magic scenario, in which the foreign adaptation follows the written source material better than the domestic adaptation did, and then adds their own flair. Now take this with a grain of salt because I haven't read the novel, but my understanding is that the original Thai novel is about Pun and Noh as the main characters with the music club all there but the dramatic side heterosexual storylines are not nearly as front and center, and they were added to pad out the show because folks weren't sure how a BL series would land. I know there is already a Thai remake but let's pretend that's not happening. Japan handles earnest and sweet school-aged first loves well, and can handle the goofiness required of the Noh character, and deeply understands and portrays found family core friendships well, and I bet a Japanese production would do a great job with that core storyline. We don't get a lot of larger friend groups in Japanese BL and I want to see a Japanese production handle that. The one thing that gave me hesitation about this was the importance of the busking subplot and I don't think busking is a big thing in Japan the way it is in Thailand and Korea but that could be another opportunity for making it feel more grounded in the adapting country so I'm keeping it as-is.

Thai adaptation of Boyband Love

I'm going to steal the idea that I've seen @lurkingshan @bengiyo and @shortpplfedup mention before and riff of it to say that Daou and Offroad should be in a boyband BL; this is a main reason why I want a Thai remake of the Filipino series Boyband Love [which I don't actually recommend but, fun fact, had an out gay couple starring in it but they were not paired together in the show--Gus, who plays the lead Danny, has 2 kids with Louie who plays the side character Rico]. Thailand is clearly desperate to do a boyband BL so that they can make money off the concerts; Boyband Love as a story is already calibrated to be cheap to make because it's about a band getting ready to debut, and Thailand can scale it up from the original show. It's also no longer a period of COVID restrictions so crowds can be brought in. The storyline is pretty much what I would want of a Boyband BL: rivals within a band to lovers, pining amongst band members, underwater kiss, industry drama, and (spoilers for a 2020 series) the decision to essentially do BGP but keep their relationship secret. Thailand would have fun with that, I think. And they can add a little more heat, it's very important to me that something happens in the practice room pls and thank you.

Japanese adaptation of Middleman's Love

Japan gets two because they can do this type of comedy so well, and I really liked the bones of the Thai version so I'd love to see it done again. Japan can also handle trauma narratives so if they wanted to do both Bed Friend and Middleman Love they would be able to handle it. Korea is really good at balancing humour and trauma, but Japan is so good at losers who don't think they deserve love, and also excellent at pining, so I'm giving this one to Japan.

Korean adaptation of Triage

We're getting Korea twice because I haven't seen Korea do much in the way of genre BL yet, and while I admit this may be slightly influenced by me watching Hospital Playlist right now, Korea can handle the fast-paced ER scenes that are throughout this show, as well as the mix of drama and comedy. I'd love to see a more highly produced version of this show, and I know Korea can handle this kind of time loop shenanigans and heavenly spirits helping the protagonist along from kdramas. I liked the original a lot but I'd love to see it done again a little more tightly!

Bonus nonsense one: Taiwanese version of Calculating Love

This one is literally just for me. Ok listen I know I'm the only one who likes this show, and that's fine, it doesn't actually deserve attention. And it's so small that it would never be adapted. But I loved this dorky little short about nerds flirting with calculus and I want more. Taiwan is fantastic at dorks falling in love narratives, and so many of the HIStory series were short school BL, so I think they'd do an excellent job tightening up the story in the back half which got a bit meander-y and keeping the heat that's already there.

Thank you again for the really fun ask, Rose! 💕

#thank you for the ask! #ask game #typed so that i can stop thinking it #do i tag these shows? I think I won't #bl meta #multi bl #undescribed #each of the gifs in this post are a gif of the show that I've suggested for adaptation; the scene choice isn't relevant to the post #long post

[inkblackandblue]

Alrighty so here’s the full post of their little engagement scene, as well as one of the photo scenes, which was adorable. Then I just did a couple of gender swaps because why not? Also: I’m going to add some lore below since I’m loving this storyline so far.

- **James Smith**: Born to a Japanese mother, Reina Himari, an office supervisor, and an American father, Brant Smith, a former army corporal. He has a younger sister, Umeko Smith. James spent a semester in the US but returned to Japan soon after.

- **April Klein**: Born to American parents in Kentucky. Her father was a truck driver, and her mother worked in marketing. April studied finance and marketing and moved to Japan for a change of pace and education. She is low contact/no contact with parents due to their racism/offensive comments.

- **Meeting**: At 20, April works at a family-owned cafe, where she meets James, a new barista. She helps him with the job while he improves her language and cultural knowledge. James is immediately interested in her.

- **First Date**: James invites April to his friend's wedding as his plus one. Despite some nerves and drinking, they share their first kiss after James drunkenly confesses his feelings.

- **Careers and Living Together**: James becomes a software engineer, and they move in together at 22 and 23, respectively, with a cat named Mica. April graduates and works in financial consultation.

- **Challenges**: They face relationship bumps due to busy work schedules, leading to distance and lack of intimacy. They argue about their future but reconcile passionately.

- **Pregnancy and Proposal**: In a universe where either gender can get pregnant, James unexpectedly does and hides it for 13 weeks. April discovers this and supports him, rekindling their love. April proposes in her car a day before her planned event, only to find out James also had a ring for her.

I’ve got more, but I want to write it a little more detailed before I release that. I play every day while at work so there will be more story soon :))

#pregnancy #male pregnancy #mpreg belly #mpreg art #ink draws #ink talks #dad bod #digital art

[things-about-cars-in-posts]

Suzuki Cappuccino :) or other baby roadsters

Oh, I had a post in the chamber about exactly that! :D

So, Japan is pretty densely populated. Let's put it this way: one reason the Tokyo metro area couldn't do a huge and extremely weird cultural exchange where every citizen trades place with someone from Australia, Belgium or Slovenia, is there aren't enough Australians, Belgians and Slovenians combined to do that. So you can imagine it would be pretty advantageous to public life for people to drive small cars - hence the popularity of kei cars, a car class with huge tax benefits and tiny engine and dimensions limits. Those limits, positively minuscule when they were introduced to push bike makers to use their parts to make small cars, eventually increased to a 0.66L engine size and the dimensions below...

...and in the late 80s there was a "gentleman's agreement" whereby no one would make a kei car more powerful than 64hp, similar to the other gentleman's agreement whereby they agreed not to make cars with more than 276hp - which they cleverly addressed by equipping more powerful cars, like the Skyline GT-Rs, with unusual little devices called lies.

But now it's the 1990s -contrary to popular misconceptions- and Japanese businesses and customers have a problem: what the fuck do we do with all this money?

To truly convey the desperation with which cash was being thrown around like primate feces, Mazda created FIVE sub-brands (Amati, Autozam, ɛ̃fini, Xedos, and Eunos, brand under which they sold the Miata as Eunos Roadster) AND gave the SIXTH sub-brand M2 separate headquarters - these headquarters. In Tokyo.

M2 only ever made parts and some fringe prototypes, the most it produced were three Eunos Roadster-based limited versions - they cost twice as much as the original (and for good reason - one of them used leather deemed too expensive by the only other automaker to ever use it, Rolls Royce), but because economic bubble, they were so sought after they had to set up a lottery, Andrea was telling us, and as he got to the uber-limited production numbers (a combined 780), he explained that, since of course they were only sold in Japan, there were only five in the whole of Europe. He then raised his finger and, in one of the greatest flexes I have ever witnessed, pointed it around his huge, Miata-packed shed, counting "one, two, three, four, five".

S'yah, it turns out the world's biggest Miata collection is just owned by Some Guy in the middle of Italy, and if your kid ever gets dumped it is a wonderful place to take him to cheer him back up. Thanks, dad.

So clearly, this was a point in time where even people with no need nor wish nor space for a large second car, or a large car at all, could still be interested in a sportscar, thus spawning some briefly-lived but oh-so-brightly-burning kei sportscars, nicknamed ABC.

One of them being, indeed, the Suzuki Cappuccino.

Please remember, this car is positively lilliputian. It's 3.30m long. For the yankees in the audience, that's just 0.03 football fields. Here are some fun size comparisons.

The engine was front-mid and turbocharged...

...the roof was a fun puzzle that allowed you to have a T-Top coupe (with just the sides off), a targa (with the top part of the roof removed but the rear pillar of the roof still in place) or a spider (by folding the rear pillar and window down)...

...and it was NOT exclusive to Japan, with 12% of units being sold in the UK!

But since this was clearly asked by someone quite familiar with its generalities, some less-known quirks for the geeks:

It was the first kei car ever with double wishbones all around

The indicators changed between JDM and UK versions so if you've got the latter finding spares is 10 times harder

The hood release is in the glovebox and the fuel release is in the center console storage - the latter locks with a different key than the ignition uses, so if you hand just the latter to the valet you can keep them from siphoning your gas, but I'm yet to hear whether that also goes for the glovebox, so stay tuned for updates on whether you can also keep them from siphoning your washer fluid

Air gets to the engine (well, to the turbo) through the frame. Like, it gets into the frame, it travels inside the frame, and then gets out and is filtered. Now, you may ask yourself why they would do that.

While most cars had front disc brakes at the time, the less effective but cheaper drum brakes were usually used on the rear, which was fine since when a car brakes weight transfers to the front so the front wheels are the ones that get more grip and can thus brake harder anyway - so not only do you not need the rear wheels to have the same stopping power, you don't even want them to, because then the rear wheels would lock up before the front ones even got to their full braking potential. So when the Cappuccino got four wheel disc brakes, like every other car with four wheel disc brakes, it didn't put four discs of the same size all around. Unlike every other car with four wheel disc brakes, however, they put the bigger ones at the rear. A friend who owns one called the brakes "not amazing".

Then again, let's cut them some slack, it was the second kei car ever with four wheel disc brakes! Second, yes, because the Cappuccino was not the first kei-sized sportscar.

So, remember how with Ferrari, the last car to be signed off by its founder was a mid-engined, rear-wheel-drive, manual, record-setting, no frills two-seater sportscar? Well, the Japanese being famous overachievers, that goes for Soichiro Honda's last two.

Supposedly, Honda decided that its F1 engines hadn't kicked Ferrari's ass enough, so they set out to build a car as approachable, reliable and daily-life-friendly as a Honda yet faster through both straights and corners than a Ferrari. Or a Lamborghini. Or a Porsche- you get the idea. Thus, the NSX, seen here next to it is its test driver, tuning consultant and enthusiastic owner Ayrton Senna, best known for driving the car on the left into three championship wins, a bunch of "Greatest Of All Time" debates, and a wall that killed him.

But if your second-to-last car is a two seat, mid-engined, rear wheel drive sportscar with Pininfarina design, a 40mm short-throw manual, and a redline past 8000RPM, what do you do for your last one? Easy! Another!

This little bowl of pint-sized cuteness is the Honda Beat, and yes, that interior is not just factory, but was the only pattern available. Still, if you think the interior is the most outlandish part of this car, you haven't heard it.

Again, this engine was outsized by two Coke cans and the car it's in is no bigger than the Cappuccino, and you already know how... ah, screw it, let's show you a size comparison anyway.

Some geek facts:

It was the first mid-engine monocoque (as in not body-on-frame, not un-shark-like, you pervs) spider ever made! There were some targas before, but never a full-on spider

The stereo was custom to fit in the super-narrow center console between the two asymmetrical cabin spaces so the cassette slot has the same cute little Beat logo as the "Open Air Motoring!" branded floormats!

Gathers celebrated its 20th anniversary with a new touchscreen radio for it that is now uber-rare and uber-expensive

It had two trunks, which is lovely, except that the rear one had the battery and optional CD changer conspiring against you and the front was literally inside the spare tire, so it's good that you could also get a rear rack!

The rear rims are bigger than the front!

With how much cooler this is than the Cappuccino (sorry, friend who owns one) it's quite the shame Suzuki decided not to go forward with the mid-engine layout their kei sportscar development started with. At least, Mazda sure thought as much, asking Suzuki to please keep working on that idea and make a mid-engined kei sportscar for them to sell under their brand for the youth, Autozam. And thus we have the ABC - C for Cappuccino, B for Beat...

...and A for AZ-1. Think of how cool life was in Japan back in the day that this was a car for the youth.

Fun facts:

IT HAS GULLWING FUCKING DOORS

The spare tire was mounted in the front compartment but crashing made it jam the steering wheel in your chest so they sent owners a little bag and asked them to please put that tire behind the seats

GULLWING FUCKING DOORS

Suzuki sold a few of them themselves as the Cara

G U L L W I N G D O O R S

Sadly, it joined the party (JapaneseEconomicBoomfest, that is) just when it was ending. Hell, the Beat was sold for six years ('91 through '96) and two thirds of Beats sold are 1991s. That's how hard recession hit Japan right when the AZ-1 came out, which indeed sold a fraction of the other two.

But fear not: after decades, Honda blew the dust off the kei sportscar idea in 2015 with the gloriously sexy S660.

It did cease production last year, but at least it left the Japanese used market a kei sportscar with the modern amenities we (and by we I mean you spoiled pussies) cannot do without, like steering wheel controls and *squints* HDMI.

Oh by the way, remember how I said I was going to post about the Cappuccino? Well, it was because someone posted a picture of one with aftermarket taillights.

Guess what car was next to it when this picture was taken. Guess.

WRONG.

"What? Where was this?" At a Fiat 500 meeting, of course. And then people wonder why I love Japan so much.

Links in blue are posts of mine explaining the words in question - if you liked this post, you might like those!

#fun fact about ayrton senna: when he was 25 he started dating a 15 year old! #what else can be expected from the man behind the quote “if you don't go for a gap that exists you are no longer a racing driver” #kei cars #M2 #miataland #suzuki cappuccino #honda NSX #honda beat #autozam az-1 #suzuki cara #honda S660

[isaksbestpillow]

Gmmtv 2024 part 2

Didn't we just have part 1??? I don't remember any of the shows in part 1 but it's time to watch another 15 mock trailers. I actually haven't finished a Gmmtv show in ages so let's see whether they manage to lure me back!

Ossan's Love Th

The original franchise is my beloved and it's interesting to see it adapted to a different culture especially since Thailand is more progressive than Japan as far as lgbtq rights go, but this show is harder to adapt than something like Cherry Magic because so much of the comedy comes from Japanese language/culture and the actors. They really hit the jackpot with the original cast, they're hard to replace. I wasn't blown away by the trailer but I like Eartmix and I'm glad they cast a veteran actor as the boss so I'm going to give it a shot. I might've been more optimistic if I hadn't just seen OLR and been reminded of how great the original cast and editing is, the trailer couldn't quite meet that energy for me. But I don't think this is the official trailer yet??? I hope they'll they'll tune it up for the real thing! Anyway, it's nice to see Earth in a fun role after so many brooders.

Leap Day

This one seems to be a thriller with Dew and Pond who both suffer from a curse that kills their loved ones every leap year. The characters are called Night and Day. Where have I heard this before................... People are dying and Gun plays a disabled brother (?). I won't be tuning in.

The Heart Killers

Firstkhao and Joongdunk are making out and handling guns. Khaotung gets a terrible tattoo of 信/trust. I don't know what the plot is. This is an outing by P'Jojo, but unfortunately his latest works haven't been the moment for me, I feel like his plots fall flat in the middle and I tune out. Casting two branded bl pairs is an interesting choice, but I don't want to be there when their fans take out their rulers to measure who got the most screentime.

Friendshit Forever

30-year-olds play university students. Heterosexual activity happens. This time with knives. I'm already sensing a pattern with these shows.

Perfect10 Liners

The mandatory Jittirain university bl. Please sit down for what I'm about to say because you may be shocked by the surprise: they were engineers.

Us

Another gl??? Stop the press!! I already watched the trailer three times. A woman tries to make heterosexuality work with the brother but actually likes the sister. Finally a gl where I feel like I'm in the target audience. The high heel lesbians that we've gotten so far just don't feel that relatable to me, so I've watched those gls as entertainment but not gotten deeply emotionally invested. I don't really know the main actors sans Sing which is great since I can enter with a fresh perspective. This one feels like the first serious romance out of this batch. I'm gonna watch the hell out of this!!!!!

Hide & Sis

We start with a murder. Jan is here. The vibe feels very PS I Hate You. Oh, it's by the same producers, no wonder! I expect this to do well in Thailand but I'm not planning on tuning in.

Thame - Po Heart That Skips a Beat

Another bl with some new guys. Who will be Gmmtv's next branded pair? The story is set in the idol industry. I hate this type of music lol. My heart did not skip a beat but maybe the actual show will be more interesting.

Break up service

Off and Godji run a dubious breakup service in this story based on a webtoon. The vibes are very Midnight Motel with more grey morals since there is illegal filming of sexual activity.

Revamp The Undead Story

Bounprem have moved to Gmmtv. I don't really vibe with vampire stuff. *gets shot*

Sweet Tooth, Good Dentist

We got Mark Pakin in a main role but at what cost. He's a dentist and it's another Jittirain adaptation (how many books has this author churned out???).

The Dark Dice

I feel like I already saw this same trailer like four times. Jumanji meets all the other dark trailers from this batch.

The Ex-Morning

Kristsingto return as exes with unfinished business. Krist's character is a reporter who has a scandal during a livestream, Singto's character returns from abroad to help rebuild his reputation. The setting is hilarious, I love it. Both have matured a lot since Sotus days and I'm genuinely excited for this one.

Scarlet Heart Thailand

Gmmtv tries their hand at a historical drama. A lot of popular names in the lineup. The trailer doesn't give out much but this is a remake of a Chinese series.

That was all 15 trailers, I think! I'm looking forward to Us and The Ex-Morning the most.

#gmmtv 2024

[yuri-is-online]

So I’ve got to ask, would you recommend Tokyo Revengers from your experience so far? Does the story and characters outweigh the (alleged) obnoxious currency system and money grabs?

So my gut reaction is to say no, I do not because I just cannot feel comfortable recommending this game in the state it's in, but I am going to make a pros and cons list to help maybe give you (and anyone else curious) a basic idea of where my head is at right now and help you make your own decision.

Cons

THERE ARE NO CAMPAIGN REWARDS. I cannot stress that enough there is nothing being given out to day one players to help you get started, and honestly it's super hard. Saving up for pulls feels like a foreign concept, there are so few opportunities to earn gems I have no real idea how I would even start building a stash let alone a team with the few characters I currently have. They don't give you a free SSR like twst does to help out, just the free SR from choosing your guy at the beginning though they do have a paid free SSR function. Now Twisted Wonderland does too, but like I said they give you a free one with unlimited re-rolls at the start.

Someone actually did the math about pulls and I agree with their assessment here: the cost isn't the worst I have seen in a gacha, but when you couple that with no free SSR for f2p, lack of reliable way to earn gems and I can feel it being a nightmare if the game progresses any further without a re vamp of some sort.

There really is no point to the combat or team building in this game beyond being a road block between you and the story. It's full auto which could be neat if there were nice animations but there aren't. It really might as well not be there, and that's before you get to the SSR rates...

Neither Pro nor Con

You might have noticed the above reddit user talking about the distinction between joseimuke vs otome and the reason for that is way back when this game was first announced it was supposed to be an otome game, which implies a level of explicit romance and relationship between the MC and the characters that is not typically present in joseimuke games. The current version of the game has a cast that seems to have completely changed, both character and voice actor wise. The stated reason for this and the delay was "changes in the market." It was originally supposed to be based off of Tokyo Ghoul? And was supposed to release in 2019, but was delayed until 2020, then put on indefinite hiatus until it's release now.

On an unrelated note, OG Obey Me! was released on December 11, 2019, Twisted Wonderland was released in Japan on March 18 2020, and Genshin Impact's world wide release was on September 28 of the same year. Make of that what you will.

"Yuri why did you bring up Obey Me?" Well Solomon's ring is introduced as a plot device... which could be interesting if they are going the direction I think they are with it but I don't know if I have enough faith in them for that.

The Pros

The characters in this game are honestly really fun. I really do mean that, I am not sold on their dorms/houses but the dynamics between the characters themselves are good for what they are. But the tone is very goofy compared to Twisted Wonderland (despite featuring more explicit topics) and I don't think these characters are as well developed as twst's are, but I think that can be chalked up to one of these games having been written by a manga author and the other having not.

I am a little bitch who hates horror stuff and is easily spooked but I really love how they are using modern internet horror monsters in this game. The first book features a creepy pasta monster that I was legitimately afraid of as a kid and I love their take on him. This second book features a ghost from a popular Japanese creepypasta. I'm a sucker for people being creative and using things that have become a part of popular culture without making it cringe, and I think this game succeeds at that.

Wrap Up

This entire situation has made me think about two animes I really like that I think sort of fall into the same dynamic as Twisted Wonderland and Tokyo Debunker. The first I am sure you have heard of, it's called Komi Can't Communicate and follows a girl with trouble communicating who really wants to make friends, and ends up accidentally befriending a guy who wants to help her out. The manga started being released in 2016 and is still going. It's quite good and I like it a lot.

The second is a little show called Aharen-san wa Hakarenai. It's manga started in 2017 and it received an anime adaptation around the same time as Komi san was being adapted. It follows a girl who has trouble communicating who really wants to make friends who accidentally befriends a guy who wants to help her out. I have no idea if Komi-san inspired Aharen-san nor do I really care because once you get past the generic set up, the routes the story takes are completely different as are the personalities of the characters. Komi is a slice of life and coming of age story in addition to a romcom, whereas Aharen is just a straight up romcom with a really cute main couple. There is room for both to exist because both stories do their own thing, just with a similar premise. There really is no reason Tokyo Debunker and Twisted Wonderland can't do the same, provided TD gives itself room to breathe and fixes it's damn grind.

Well assuming it picks up in Japan, it doesn't seem super popular over here right now.

#<3 asks #tokyo debunker

[aesterblaster]

Just saw a really clickbait-y youtube video that called Blue Lock fascist in its thumbnail and I will admit first and foremost that I didn't watch it and yes I've been informed that it isn't implying that Blue Lock is some fascistic propaganda but it still got me thinking so-

here's my rant/breakdown about the ways that Blue Lock is specifically anti-fascist

So first of all, popular animes and mangas having possibly fascist undertones is nothing new. I won't deny that there's a long history of Japan being a colonizer and commiting atrocities that are still brushed off or forgotten about to this day. And this does seep into some works that I personally choose to not engage with for exactly that reason. Miss me with trying to be an apologist for or glorifying real world war crimes- But Blue Lock specifically? I'd be extremely hard pressed to call it fascist.

Fascism is defined as an alt-right, ultra nationalistic political ideology usually characterized by a centralized autocracy, forced suppression of opposition, belief in a natural social hierarchy and subordination of individual interests for the believed good of the nation or race according to Wikipedia. First let's go through the ways Blue Lock does match up with that.

Ego can be easily viewed as a dictator near the beginning of the manga

Most characters thrive on putting others down for their faults and strictly believe that there is some sort of natural order where people who lack "ego" are at the bottom

There is a sort of central autocracy with the top 6

Near the beginning especially, there is a violent snuffing out of any ideology that dares oppose egocentrism or the idea that you need to be a solid team to win a game

Now let's go through the ways Blue Lock denies and even goes against Fascism.

BLLK's main goal is to make a Japanese soccer team that can win a World Cup. In a more fascist manga, we would see racism ga-fucking-lore. We can see this in animes that have more right wing leaning undertones like Attack on Titan where when race is brought in it's for conflict. There's no possibility of harmony, only winners and losers. Those protected and those put down and punished.

And Blue Lock does have an extreme focus on who wins and who loses. It is not afraid to include racism against Japanese people like with Adam or portray black people in unsettling and kind of racist ways like Dada's original design. But these elements don't automatically spell fascism. Blue Lock is careful to portray characters of color as just that, characters. They don't exist to tell you about their lives of hardship and struggle and they don't exist to justify Ego's obessesion with creating a good Japanese team. As you read BLLK, you'll notice that the artist has taken care to get better at drawing different body types and facial structures. The character design isn't trying to sell some perfect ideal like fascism so famously does, it tells you a peak athlete doesn't have one distinct look. It tells you characters from other countries are just as if not more capable than the Blue Lock boys. Hell, even Sae's hatred of Japanese football is portrayed as less of a betrayal of country and pride and more of a cultural clash. The issue to be solved in Sae's character is the way he looks down on his brother, not how much he despises Japanese football teams' tactics. We know this because Ego himself rails against them too.

A fascist manga would paint Sae as a villain for even learning from and joining teams from other countries, lending them his talent instead of keeping it in his home country. But Blue Lock encourages diversification and collaberation with other nation's teams so heavily that it is literally an entire like 5 part arc right now. Ego isn't ultra nationalistic, he just wants to make a better soccer team for his country and he isn't afraid of praising and adopting from other countries in the process. The biggest win to come out of a Blue Lock team wouldn't be that they're all Japanese but that they all follow his ideology.

Speaking of his ideology, Ego is extremely harsh and controlling, yes, but he also believes in the boys. He lets them do what they believe is best. He pushes them to their limits, not because they disobey him, but because they dissapoint him. A true fascist dictator would rule with fear with no introductions of other ideologies, he would strike at any sign of weakness or opposition. At the beginning, he does do this. But as the manga goes on we see how much wiggle room he's willing to allow. He lets Isagi curse at him and question his leadership, he lets Shidou play even though he's clearly queer and extremely volatile, he doesn't punish any of the boys for injuring each other. In a fascist society, you are expected to fit an ideal or be othered, be perfect and work together with a sense of comradere because that's the only way to prove your claims that you are the best race/nation. There can be no imperfections or cracks in the facade...But Ego lets the boys be messy. He never forces them to change who they are, only forces them to believe that they can do great things all on their own. Even with Kunigami, Wild Card wasn't a correction of his disbelief in some nation or race, but instead a correction of how limited his mindset was. In fact, in a more fascist society, Kunigami's love of playing hero and protecting his teammates would be praised and celebrated. Ego putting individuality and aspiration over the good of the team as a whole is literally a middle finger to fascism.

The villain of the series is literally a greedy Japanese man that wants to commercialize the team and make them less individualized. I don't know how much more anti-fascist you could get-

Also, Blue Lock handles disability very carefully and very well. In more alt-right ideologies than not, something you'll see again and again is this idea that disabled people don't deserve the same rights because they can't contribute to society. Disabled people are a stain to be pushed away and hidden because they contradict the central idea of a "perfect" nation. In a fascist retelling of BLLK, Chigiri would be kicked from the program, not given power and influence. In a fascist retelling of BLLK, Kenyu would be attacked and beaten as soon as it was discovered that he made it into the top-six with failing eyesight. Any physical disadvantage could easily put an athlete at the bottom of the social hierarchy as well, Blue Lock could have very very easily made fun of its disabled characters for even trying. It could get away with mistreating these players and be defended for it so fucking quickly. But instead, it lets you root for them and gives them just as much care and weight as the others. It's trying to tell you that being a good player sometimes means knowing your limits and getting help, not punishing yourself because you have some biological disadvantage. It also takes care to demonstrate that no race is inherently worse at soccer than the other.

And, of course, the elephant in the room, Noa and Kaiser. Okay...if you see German characters and immediately think OMG NAZIS??OMG FASCISM?????OMGGGG HE HAS BLONDE HAIR???AND BLUE EYES?? That's a fucking you problem and you clearly aren't reading the manga. Even Noa Noel being an older man and still being allowed to play and looked up to as the best is an example of how Blue Lock goes against steriotypes about athletes. Kaiser does have blonde hair and blue eyes yes, but he also wears eyeliner and eyeshadow and has a tattoo and dyed hair... None of that would be allowed in an actually fascist Japanese manga unless it was as caricature to make fun of and dominate. But instead, Kaiser is an actual threat who has complex arcs and behaviors. Also, Kaiser isn't fascist himself, he clearly views Isagi as an equal even though they're different nationalities and he doesn't believe in any one authority or greater cause except for himself. Noa is very strict yes, and he does rank and rate the boys, but he specifically doesn't factor race into it. He also, just like Ego, allows other ideas and patterns to emerge even if they mess up his own plans for matches. He doesn't suppress anyone and is actually extremely lax. If you think he or BLLK is "fascist", look at actual real world sports teams and their strict practices or past statements about other nationalities.

Isagi as a protaganist is anti-fascist too!!!! He's a Japanese everyman who has good Japanese parents, no disabilities, an honest personality and believes in a future where Japan wins the World Cup. In a fascist story, he'd be fucking untouchable (ESPECIALLY against characters from other countries) and all of this would be paraded as proof that a Japanese soccer team is clearly superior and all-dominating. But no! He gets beat down, questioned, disrespected and constantly shown up by others. He's not special and he's extremely self-centered. He doesn't water his own beliefs down for the "good of the nation" or whatever the fuck and he grew up idolizing foreign players. Isagi never supresses other people's ideologies, he just makes fun of them if they fuck up. He's never xenophobic, even when other characters have moments that have xenophobic undertoens like Adam or Sae's comments. Isagi Yoichi's character could have a few traits flipped and be a poster boy for some alt-right manga about how superior Japanese people or hell, Ego's pupils are. But he doesn't. He's simply designed and he's rude and he looks down on people, but he also apologizes, humbly accepts when he can improve by questioning his own ideals and is open to talking with everyone he comes across.

Calling Blue Lock a "fascist soccer manga" is not only demonstrating that you have no idea what fascism is, but also disgustingly painting over all the beautiful themes and messages within the manga.

Again I'm aware that that original video wasn't aiming to negate any of these points but I have seen people make claims and jokes before that about Blue Lock's more *beat it into your head* tendencies with ideology. And I've seen jokes specifically about the German team/the way Sae seems to just hate Japanese culture. I just dislike the painting of Blue Lock as a jumping point for discussions about fascism and its effects because of the way it handles themes like cross cultural connection, family pressures, capitalism and disability so carefully.

#blue lock manga #bllk #blue lock #plot analysis #JUST HAD TO GET THIS OUT THERE #and yes i have blocked people for kaiser nazi memes so don't fucking make any . he literally wears eyeliner and has a homoerotic obsession #with an asian guy. the nazis would hate his ass #character analysis #character examination #bluelock #bllk manga #bllk anime #bluelock anime #anyway i detest everyone who acts like blue lock having some extremely strict rules etc = it being ultra right wing #there's horror in it for sure but not that way #in fact it takes EXTRA EXTRA care so that it wont be taken that way #like you clearly dont actually take japans history seriously to try and paint BLLK as nationalistic #There are so many better examples..stop eroding peoples media literacy #And i DO NOT want people to start reading blue lock bc they think its fascist or they think it has controversial shit in it. like ew.