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cctinsleybaxter · 5 months

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2023 in Books

I need to stop bragging that I’ve got this reading thing all figured out, because man if 2023 wasn’t a year of terrible books. I liked less than half of the 37 I read and nothing quite gripped me in the way it has in years past… but to put it more optimistically I liked a full third of what I read, and the ones I liked best were a fascinating and unexpected silver lining. Without further ado:

Cyrano de Bergerac by Edmond Rostand, trans. Brian Hooker

Tell this all to the world- and then to me. Say very softly that… she loves you not.

I read a couple of plays this year for the first time since college and liked them fine, but there’s a reason this has been adapted five million times. Everyone go watch Megamind right now.

Wylding Hall by Elizabeth Hand

Of all the found footage-inspired horror fiction I’ve read this one makes the best case for existing in its chosen medium, as a 70s UK folk rock band are interviewed about the summer they spent recording what would become their final album [thunder crashes.] It reminded me of a Tana French mystery in its language and ability to make space feel lived-in; the character writing is so strong I realized that at some point I had stopped checking the interview headings to know who was speaking. Hand unfortunately distrusts her audience to read between the lines at a few crucial moments (and ruins what would have been a perfect ending and a deeply affecting scare by gilding the lily, or, in this case, photograph), but I love that she went from seemingly by-the-numbers American YA fiction to a meticulously-researched and truly unique horror novella. Puts other writers working in the genre to shame.

A Kiss Before Dying by Ira Levin

Reminiscent of the best kind of TCM suspense thriller (and was adapted into one), but could only exist as a book for the kind of narrative tactics it employs. Levin is brilliant at setting and character; I think any one of his contemporaries would have leaned into archetypes for this sort of story, and he instead distinguishes his proper nouns in subtle, clever ways that lend them the weight a noir needs. Can’t wait to read more of his stuff!

All the Names They Used for God by Anjali Sachdeva

I’d like to know why this anthology got hit with what a friend has termed a pottery barn throw pillow cover + a ‘the tiny things we know to be small’ title, because the eponymous story isn’t even called that! It’s just The Names They Used for God, and is, appropriately, about two women kidnapped by a religious extremist group. High risk-high reward; I think taken at their base premise the stories could have been insufferable and are instead strange, compelling, and fantastical. There’s a methodicalness and, I don't know, lack of whimsy? to them that’s unusual for fantasy, but also an absence of any one goal or moral in the way Le Guin speaks so highly of. It made me feel the way I did reading and adoring Kelly Link in middle school, and Sachdeva has a much different style that I guess works all the better on adults. My favorite was Robert Greenman and the Mermaid.

Seabiscuit: An American Legend by Lauren Hillenbrand

Someone recommended this to me via Tumblr anon over five years ago, so let me start by saying if that was you I’d like to thank you properly! This book rules! It was written in ‘99 so falls prey to a very specific kind of jingoism, but the mechanics of that are interesting in and of themself. Seabiscuit the animal is a lens through which to view turn-of-the-20th-century America written from the precipice of the 21st; his story told through the expertly-researched biographies of his owner, trainer, and jockey. Hillenbrand is not only a good pop nonfiction historian, but has been a sports writer since the 80s and I never imagined the genre could be so thrilling as I did reading her work. Horse racing is insane and no one should be riding these things btw.

The Age of Innocence by Edith Wharton

It was one of the great livery-stableman’s most masterly intuitions to have discovered that Americans want to get away from amusement even more quickly than they want to get to it.

Wharton came from old money New York*, was deeply disillusioned with it and pined for rational (i.e., even more insane) social and political scenes, had myriad thoughts about women and gender relations, and held a love for interior design. I learned all of this after reading but it’s apparent on every page; deeply funny and perceptive, fantastic use of language, the moments where it lost me completely nothing if not interesting. What sticks with me the most are a flair for the operatic and an ability to voice both the feeling and consequences of losing oneself to imagined scenarios. Read the pink parasol scene.

*Ancient Money New York; the saying ‘keeping up with the Joneses’ is apocryphally attributed to her father’s side of the family

Owls of the Eastern Ice: A Quest to Find and Save the World's Largest Owl by Jonathan S. Slaght

We’d return to our camp to huddle in the freezing tent and wait for our owls in silence, like suitors agonizing over a phone that never rings.

One of the better pieces of science writing I’ve read in a long time, as Slaght frames rural communities as a quintessential part of ecology rather than a barrier to it. His style is amiable and matter-of-fact (sometimes overly so; the amount of metric GIS directions, help), but he's super engaging and clearly holds just as much compassion for people and history as he does animals and natural landscapes. The Blakiston’s fish owls he’s studying are described as unreal, with hoots so low and quiet it sounds like someone has thrown them under a blanket. You can listen to them here.

Piranesi by Susanna Clarke

Took my breath away and surprised me in a way a book hasn’t in years. I'd read Clarke’s 2004 novel when I was maybe fourteen and had vaguely positive but mostly neutral memories of it, and Piranesi being sci-fi-fantasy that came recommended by Tiktok had me very dubious. I ended up devouring it in the way I haven’t read books since I was fourteen; more of a mystery than the suspected high fantasy, with characters I would do disservice to in trying to describe in brief. While the mystery isn’t difficult to ‘solve’ (I’d argue the book also skews young!), the story ends in a way that’s both deeply unexpected and in the only way it could have.

Honorable mentions

The Count of Monte Cristo by Alexandre Dumas, trans. Peter Washington

[Jigsaw voice] Every man has a devouring passion in his heart as every fruit has its worm.

I spent so much time running my mouth about this one on Tumblr there’s really not much left to say. I think it’s a work of genius that was physically exhausting to read, and I’m sticking it with the honorable mentions mostly because I remember The Three Musketeers being the better book. If you want to read Dumas- and you should- start with that one.

Jonny Appleseed by Joshua Whitehead

I would’ve liked this more had I read it in my late teens/early 20s, but I still think it’s pretty good and would absolutely recommend to anyone in that age bracket. Things that normally annoy me about philosophical first-person lit fic didn’t matter under the weight of Jon’s narratorial voice. He reminded me a little of Lynda Barry’s Maybonne in his understanding and depictions of community and family; his stream of consciousness letting contradictions sit rather than trying to explain them away (Whitehead also makes sex very prosaic and pretty-sounding while still being frank and gross about it, which is a rare talent!)

The Seeds of Life: From Aristotle to da Vinci, from Sharks' Teeth to Frogs' Pants, the Long and Strange Quest to Discover Where Babies Come From by Edward Dolnik

This one fell in the rankings because the writing isn’t my favorite (think early days Vulture article rather than NYT), but I cannot stop referencing it in conversation. I want to read the whole thing to people and make them understand how truly unfathomable it is not only that every one of us is the product of 1 sperm and 1 egg, but that anyone ever figured out how that process works. When Western Europeans first started using microscopes they studied water; there were gross little bugs in there to watch and enjoy, so when semen was revealed to have its own bugs no one was shocked, but they also weren’t impressed. We would not see one enter an egg until EIGHTEEN SEVENTY-FIVE.

Killer Dolphin by Ngaio Marsh

The Malaise of First Night Nerves had gripped Peregrine, not tragically and aesthetically by the throat but, as is its habit, shamefully in the guts.

Has made it into my top 5 favorite Inspector Alleyn mysteries. I’m not keen on Marsh’s theater settings (and there are a LOT of them), but a convoluted setup made this one all the more rewarding. The final revelation as to a point of blackmail is visceral and bizarre in a way I haven’t seen from her before.

The Wretched of the Earth by Frantz Fanon

We all have dirty hands; we are all soiling them in the swamps of our country and in the terrifying emptiness of our brains. Every onlooker is either a coward or a traitor.

Best read in conversation with other writers, I wouldn’t recommend Fanon as the end-all-be-all introduction to communist and socialist thinking (the fact that he inadvertently describes what was going wrong with the USSR at time of writing is fascinating), but he explicitly invites that conversation and the value and impact of his work really can’t be overstated. Our points of disagreement tend to be in regard to nationalism, not his condonation of violence.

Persuasion by Jane Austen

Fascinating to see how Austen was thinking about relationships near the end of her short life. I laughed to see the idea of preferring your brother-in-law’s family to your own was back in full force from my own favorite Emma, as well as an eleventh-hour ‘maybe I should ship the villains??’ My biggest issue is that, like Emma, Persuasion is written in third person limited narration, but Anne is fundamentally Good™ so doesn’t need to learn anything about herself or the world; critic Bob Irvine points out that she and her dashing, misogynistic sailor are beset rather than changed by it. That said I love a people being beset by people (concussed temptresses) places (Bath) and things (cars), and Austen's writing style is really firing on all cylinders here.

#i say 'nothing quite gripped me' but i'm still pretty fresh off some of these so remains to be seen in the long run!#(e.g i always end up wanting to swap at least one finalist and one honorable mention looking back at last year's list)#also as always these aren't ranked- just loosely grouped by date read #books #2023

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84reedsy · 2 months

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You have to watch Scott Hall's shoot interview for Kayfabe Commentaries with Sean Oliver. It is so good and he talks about some NSFW things in it too

I HAVE - multiple times lolllll I could barely make it through it the first time, but I was SO thankful for Sean asking those questions. And for Scott answering them. Shook me for a good MINUTE.

I still gotta wonder how 'shy' he really is. Like...seriously, with the way he looked he was SHY?! I reference it a lot in my writing, but I'm still skeptical. If anyone hasn't watched that Shoot interview I HIGHLY recommend it.

Entire Interview: https://www.youtube.com/watch?v=FiID9iF2vWI&t=2566s&pp=ygUQc2NvdHQgaGFsbCBzaG9vdA%3D%3D He does give his bush preference btw lol

#reedsy answers asks #Scott Hall #Shoot interview #Sean Oliver

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blushydrangea · 2 months

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I'm so ready for Roscoes tonight... we better be fed well (I say as if them looking in the direction of one another isn't enough for me to get excited). Since the hosts usually ask very popular/anticipated questions, I wonder if whatever they have going on will get brought up? I can already tell what a few topics of conversation will be (Amanda, 🍌's accent in the seminar challenge, Q's reactions...) I just hope 🍌 gets a chance to properly speak cause I remember her being so quiet in the pre-season interviews and just very quiet in general.

God I am so ready for this episode cause I gave up on dr@g r@ce after season 12 (what a good season that was btw) cause it lost its magic for me, but this season... whew, I am glad I started watching again when I did!! Though I will say... makeover challenges usually cause absolute chaos in the fandom so maybe I'll just stay off of twitter for the next week 😭

Also, do you happen to know when that picture of ✈️🍌💎 and Q (lmao) hanging out was taken? I'm a nosy bitch.

yes, nymphia comes off as very reserved and quiet in the US! it seems unlike her in taiwan, so i wonder where does the change come from. if you watch her two documentaries (which i highly recommend doing because she's an angel 💛), the way she carried herself was a bit different. she was younger and pre-pandemic though i believe so it could have something to do with that.

it's possible that whatever they have will be brought up 👀 but tbh i'm expecting them to throw another curve ball at us like plane did on her podcast interview, they seem very private about this particular thing.... well i guess you never know too so let's find out! i reaaaally want nymphia to win this episode but since makeovers are always controversial i don't think i'm ready for her to get backlash if she does :(

also isn't it weird that they haven't shown up yet... where are you girlies

#asks #anon #re: planymphia

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dilfsuzanneyk · 8 months

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1, 2, 6, 7, 10, 11, 15, 22 and 23 about Ace!! (I hope it's not too much)

hi al!!! thank you for the ask :D and no it's not too much dw i am so happy to talk about ace

does your oc have any motifs?

an obvious one would defo be the ace of spades. she has a tattoo of one on her arm, and an earring with it that she usually wears. she has an ace of spades patch on her crust jacket, too! the ace of spades appears a lot in her album covers and music videos. sometimes she makes her spade pink :D

2. describe your character's voice. do they have a voice claim?

she doesn't have a voice claim at the moment but ace's voice is somewhat nasally when she speaks naturally, and she has issues controlling her volume so it's usually pretty loud. you see her before you hear her kinda deal. also she has a natural growl in her voice whenever she gets excited or angry. she has a pretty thick malay singaporean accent, which gets incredibly obvious when she's passionate about something, and she's more comfortable using it around close friends. sometimes during live shows her accent gets obvious too. during interviews and such, however, she hides her natural accent with a more polished vaguely american accent.

6. what is the thing your oc likes the least about themselves?

ace hates how passionate and serious she can get about most things. she very rarely experiences things in in betweens, and it's usually extremes for her. she doesn't like it because she feels as though it makes her annoying and unlikeable, and it has gotten in the way of relationships before and caused them to fall apart.

7. what is the thing your oc likes the most about themselves?

as she learned to love herself over the years she did come to really like her ability to talk to people!! growing up, she was always told that she was awkward and didn't socialise well. so becoming an adult and learning that most people couldn't care less, and even see her quirks as something that made her Her, was incredibly relieving for her. she slowly got more comfortable with striking up conversations with people if she needed/wanted to, and felt less like she Had to pretend she was someone she's not. it combats the thing she likes least about herself most times, but she still gets insecure about it some times. she works on it :]

10. what kind of music do they enjoy?

ace is a "listens to everything" kinda gal. and she Means It. but in terms of Really enjoy and favourites, she really enjoys the 60s and 70s rock scene (kind of just. any, really. but her favourites are jimi hendrix, the rolling stones, the shadows and musicians in the 70s punk scene. any other british rock artist from the 60s too, i'd say, considering she grew up in singapore). she also enjoys malay music from the 60s, mostly for the nostalgia. she grew up watching P. Ramlee films, so she enjoys his music the most. she also really likes music from bands like the quests and the trailers (all of these are popular music in singapore from the 60s btw so i'd highly recommend you check all of these out if you have the time. i personally really love p ramlee and the quests). aside from the nostalgia factor, ace did get really into the new wave scene as she entered the 80s music industry. and she eventually ended up picking up a few new favourite bands and artists along the way (and had the honour of occasionally bumping into these artists or even opening for them sometimes).

11. has your OC ever fallen in love and with whom?

our girl nikki haas baybee!!! ace is head over heels for her, as she should be. aside from that ace has a whole history of romantic relationships that go down in flames after she falls really hard, namely her relationship with her old drummer, mary dimes.

15. who is your OC’s best friend?

jack hardy :]] they've known each other since they were both in university, and shared a flat at some point. they have a special little bond. ace considers nikki her best friend too, along with jun! mary was also considered by her as a best friend, even if their relationship wasn't the best.

22. what is holding your OC back to achieve their goals?

self doubt. that's a big one for ace. she prolongs doing anything because she's simply afraid that she hasn't done the best that she can do. in fact, she's mostly afraid that her best won't be enough to achieve a goal in the first place. also, her obsession with being the best and doing the best she can often ends up with her so committed that she disregards her own health and safety. obviously that sets her back a little since she's not at optimum health and condition.

23. what are your OC’s biggest flaws and biggest strengths?

like i said, her biggest flaw is probably her obsession with being the best, and giving her best. but her biggest strength is probably her willingness to listen. be it to advice or to someone vent. if it's advice, she'll disregard it if she thinks it doesn't benefit her or if she feels it makes no sense. but most times, she does take advice into account a lot. which is good because her friends often notice when she's getting in too deep, and try to pull her out. she's always willing to listen. and if someone wants to vent, then, she'll take a lot of care in listening. she may not have advice or anything else to say, but she is always willing to just let you rant and let you know you're not alone.

#I HAD SO MUCH FUN THNAK U AL #asks #ask games #altheflax #ace o'spades

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finchers-ipad · 9 months

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what's your favourite fincher interview/behind the scenes..

AHHH!!! okay so favourite interview would probably be the one for ‘The Curious Birth of Benjamin Button’ which is a 3 hour documentary on the making of benjamin button (which is available on the blue ray version of the movie btw) HE GOES ON SUCH RANTS, HE TALKS ABOUT THE MEANING OF LIFE, HE MAKES STUPID JOKES. it’s my fav thing to watch for bts content of him too because there is suchhhh good and funny moments, but it isn’t available online so i have to watch the whole thing every time 😭.

i highly recommend it, it’s so fucking good in the way it has been put together too. david prior is a director who has done a lot of behind the scenes documentary’s with fincher, and if you are interested in the way he directs, those are the ones to watch!!

one of my favourite bts moments of in ‘The Making of The Girl With the Dragon Tattoo’ where fincher and rooney mara are recording sound ADR (like re recording audio from the film, but in a sound booth). and they are recording rooney grunting for a scene when she is kicking someone. and her and fincher go on this whole tangent about this game where you have to guess if someone is dying, shitting or having sex based on the noises they are making 😭😭. it’s so fucking funny, and fincher will NOT let it go.

#hehe ty for the ask #op #anon #david fincher

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cosmoseinfeld · 1 year

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Hi! I used to be obsessed with the film Maurice a few years ago and had no idea there were so many deleted scenes! I finally watched the whole fan edited version you shared and thought I'd say thanks because I wouldn't have known it existed otherwise.

Also I had a major Hugh Grant phase a few years ago after dismissing him as an actor for years because my mother had liked him so much that she would play some of his 90s and early 2000s movies fairly frequently when I was younger (and I was young and thought love was gross and weird movie stuff). Anyway, I also watched Glass Onion and fully understand the rabbit hole, at the risk of sounding presumptuous.

soooorry for this late reply! first of all, yw and i am happy the link for the edited version reached at least one person because it's genius. (for anyone curios: here is the link to the edited version which includes the cut scenes and here is the slightly shorter original version) I love this film a lot and I have recently started reading the book...

Also, having a hugh grant phase is always valid. i literally grew up on his movies (i was 10 when Notting Hill came out so that should give you an idea), so i go through phases every few years but it's been amazing seeing him in his more recent roles and really arriving as an actor and to see him being given all these opportunities.

I highly recommend watching his interviews btw because this man doesn't give a fuck! it's very entertaining.

#asks #good-realtor-bad-realtor-dynamic #Maurice #Maurice (1987)#hugh grant #i am still in my hugh grant phase btw

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essskel · 2 years

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regisposting was 100% spurred by me watching the new interview w the vampire show btw it’s so good and builds beautifully on the books foundation HIGHLY recommend

#been yelling abt it in main so had to be annoying over here too #double shot

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lord-of-the-ducks · 2 years

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Watching vampire media as someone who knows way too much about the sources of certain tropes is fucking hilarious because I was watching Interview With the Vampire for the first time and, spoiler alert, Lestat ends up dead, and Louis and Claudia put his body in a bog (or a swamp, idk the difference) and IMMEDIATELY I started yelling at the screen like “YOU FUCKING IDIOTS DONT PUT HIM IN THE BOG THAT’LL PRESERVE HIM YOU’RE PUTTING HIM IN A GIANT PICKLE JAR THAT JUST SO HAPPENS TO ALSO HAVE ALLIGATORS THIS IS A BAD IDEA HE’S GONNA COME BACK YOU FOOLS”

And then *shockingly* he came back and it was like “WOW WHAT A SURPRISE THIS IS I WONDER OF ITS BECAUSE YOU PUT HIM IN THE FUCKING BOG”

#i didn’t know the plot of the movie the first time I watched it btw #it’s like when I watched finding neverland and jokingly said ‘I wonder who’s gonna get tuberculosis’#and then one of the characters started coughing up blood #and I was like ‘wait fuck I take it back’#anyway if anyone is actually curious about this science I highly recommend Vampires Burial and Death by Paul Barber #interview with the vampire

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cupidlakes · 4 years

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i’ve reached my daily upload limit for today but here’s more on dream talking about how fic writing can be peoples art

“everyone expresses their creativity in a different way”

#my clips #dreamwastaken #i highly recommend everyone watch hbombs recent stream btw its basically a dream interview very chill and loads of good moments #mcyt

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theanimeview · 3 years

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youtube

Comic-Con@Home 2021 - Dragon Ball Special Panel - Recommended Watch

Credit: Peggy Sue Wood | @pswediting

About the Event

Date: 23 July 2021 | Link: https://www.youtube.com/watch?v=tvEwAQoNU8Y&ab_channel=Comic-ConInternational

Panel Description: Since 1984, the Dragon Ball series has always brought exciting adventures to fans around the globe. We welcome special guests Masako Nozawa (voice of Son Goku), Akio Iyoku (executive producer of the Dragon Ball series, and editor for Akira Toriyama), and Norihiro Hayashida (producer of TV animation and movies for the Dragon Ball series including Dragon Ball Super: BROLY) as they discuss the behind the scenes of the next Dragon Ball movie! There will be tons of exciting news and don’t miss a special musical performance by Hironobu Kageyama!

Notes

If you are a fan of Dragon Ball, I highly recommend this panel! It starts with a concert, then goes into interviews, and talks a little about the upcoming installment of the franchise.

They also provide a quick look into the digital booth that has been set up for Dragon Ball fans via the Comic Con website. You can check it out here: https://en.dragon-ball-official.com/special/sdcc2021/ *Just note that the entry point of the digital booth is about midway down the page.

You can read more about it at the official DB website, here: https://en.dragon-ball-official.com/news/01_322.html

---

Side Note

As a fan of DB franchise, I want to recommend some great fan-made content to check out. If you look up @stupidoomdoodles on Twitter and decide to follow them (if you get approved), you will get access to some of the best fan-made content I’ve ever seen. I used to love their posts here on Tumblr and was sad to find their blog missing when I started writing this post.

BTW, the snapchat series is probably my favorite...

I mean, come on. You know this (along with almost everything else they make) is probably canon behind the scenes. I freaking love it so much.

That’s it for this one, y’all!

#COMIC CON #COMIC-CON #COMICCON #COMIC CON 2021 #COMIC-CON 2021 #CC@HOME #CC@HOME21 #COMICCON@HOME 2021 #COMIC-CON@HOME 2021 #COMICCON 2021 #SUMMER 2021 #NOTES #san diego comic con #dragon ball #dragon ball z #db #dbz #dragonball #stupidoomdoodles

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mono-blogs-art · 2 years

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Hi Mono! I've been going through all your bandori/roselia stuff and I love them! It's made me want to get more into the concert/real life band stuff but I don't really know where to start. I see some of them are numbered but I don't know if 1st is better or if I should jump to the newer ones. What do you recommend? Is there a good one to start with?

Finally some payoff in the mono-blogs-art follower to 3D Roselia fan pipeline!!! Welcome anon!!! Are you ready to fully devote yourself? :D

Personally I think in Roselia's case it's actually best to start at the very beginning and go through the lives chronologically! As you know, Roselia went through a massive member shift back in 2018, with two members graduating from the band due to health reasons closely after each other - first Endou Yurika on bass (the original seiyuu for Lisa), and a few months later Akesaka Satomi on keyboard (original seiyuu for Rinko). They are part of what I call OGselia and even though the band isn't active in this constellation anymore, I'd still highly recommend watching older lives and content with them. They were a big part of what made Roselia what it is now, and they're also just incredible players and performers, cute, charismatic, charming.

My personal favourite live is actually their very 1st live Rosenlied @ Shibuya Duo!! It's a tiny venue, nothing more than a big garage, the audience is so close to the stage they can almost touch Aiai, the energy is amazing, the interactions are incredibly sweet. Roselia didn't have a lot of original songs back then, so the live isn't long either, but it's very dear to my heart. (Rosenlied also had an additional performance at a different, bigger venue due to its success, so check out both!)

My second favourite live is definitely another OGselia live, it's their 3rd live Ewigkeit, which was the concert where Yurishii graduated as a bassist and passed on the baton to Nakashima Yuki, who's to this day the bassist + voice of Lisa. Though they didn't know it at the time, Ewigkeit would be the last numbered live to feature Akeshan as well, who gratuated a bit later quite suddenly before they could find a new keyboardist. Hence why their 4th live would go on to be called Vier, as they performed with only 4 members before introducing Shizaki Kanon as the new keyboardist halfway through.

From Vier on forward we got what I call NEWselia, though they've been active in this constellation for much longer now than the OG one so the name doesn't quite fit anymore lol. Both Yukki and Nonchan brought new personalities to the band (they're also much, much younger than the rest of the band) but they fit together well, and Newselia lives are just as good and emotional and wholesome. Particularily Hitze (5th live) at Budoukan hits hard, not only because you've seen them go from a glorified garage to Budoukan, but also because it's the first proper Newselia live and the first step into their new future. Another personal highlight is Rausch (which was a spin-off solo live from their joint live with RAISE A SUILEN, called Rausch und/and Craziness, which is ALSO amazing btw), which is another of my favourite lives.

But enough of my rambling! Long story short, watch them in chronological order, and if you want to check out some older interviews, subbed tv segments etc to see their growth too! Your best ressource for subs is definitely the all-powerful Bandori Seiyuu Content Masterlist which gives links to everything that's subbed out there. Quite a few Roselia lives have full subs, like Ewigkeit, Vier, Wasser&Flamme, Einheit, Rausch... check out the masterlist for all the links. Sometimes only certain segments of the lives are subbed too. Definitely go check out the beloved mutual Rachael AKA AuroraSubs' website Rosenland for a collection of her personal translations & subs, including a lot of seiyuu content as well!

I hope you enjoy the IRL Roselia just as much as their fictional counterparts, and as always feel free to ask me again or shoot me a DM! Have fun!! <3

#asks #answered #roselia #seiyuu #bandori #anonymous.#ressource #long post #shut it mono

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thoughts-on-bangtan · 3 years

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Let’s Talk: Jimin’s & Tae’s confessions (RUN Episode 141)

by Admin 1

Originally, I planned on writing a summary or vmin cut of the RUN episode but then I transcribed Jimin’s and Tae’s confessions and it got me thinking, and now here we are. Instead of a summary here are some of my musings and thoughts about their confessions and how they are right in line with things they’ve said in the past, and even quite recently, as well as how it fits with something Namjoon said in 2020 about them as well. I hope this will at least be somewhat interesting.

So, first, let’s look at Jimin’s confession, since this is longer and was first in the episode:

Jimin’s Confession

Jimin: Sometimes I am blunt. I’m like that at times.

Na PD: Taehyung, has Jimin ever said anything bluntly to you?

Tae: Nowadays, he's really putting in effort to fix that to the point where it rarely happens anymore. Jimin tends to be very hard on himself, which also broke our hearts to see.

Na PD: So, he gets stressed from himself, then gets mad at himself...

Tae: Then gets mad at himself.

Na PD: ...and then he blurts remarks.

(here it was a bit unclear (for me at least) which of the two said which line so I’m sorry if I mixed them up)

Jimin: It’s something I want to be forgiven for.

Tae: But Jiminie being blunt and me being blunt is completely different. Jimin has a kind hearted nature on the regular.

Na PD: Right.

Jimin: Are you usually not like that?

Tae: I’m, well...

The other members stop Tae, since it’s not time for his confession, and instead the question is posed by JK if they forgive Jimin to which everyone says yes.

Tae: You’re innately kind at heart. stretches out hand for handshake.

Jimin: Thank you. Jimin thinks (?) Tae might be going for a fist bump since he gives him his fist instead, which Tae still takes and shakes.

The first thing about this that caught my attention, as well as one of our anons, was the fact that instead of choosing literally any of the other members, Na PD turned to Tae and asked him to verify if something like that (as in Jimin being blunt) ever happened toward him. You could say we’re thinking too much here, interpreting too much into it, and yet it doesn’t change the fact that he chose to ask Tae. Of course it could be because he said at the start of the program that he feels closest to Tae since he heard about him from two of his Wooga squad friends, but it might’ve just as well been because he watched the members for a while already at that point (since they’d already been filming a few hours) and perhaps he did notice how Tae and Jimin naturally gravitate toward each other, have this special bond? Other people who worked with them in the past noticed it, so why wouldn’t he?

There’s actually moment where Jimin turns and says Taehyungie like he wants to ask him something or say something to him which isn’t in the subs and the members don’t notice it either so Jimin never got to actually say whatever he wanted to say. Also, we’ve all seen how Tae and Jimin behaved during the game in the previous episode, how happy, smiley and giggly they were while being silly together.

Then the actual confession itself, Jimin saying that he can be blunt at times, toward others but also especially toward himself. We’ve heard many times from Jimin about how much of a perfectionist he is, how he can get mad at himself for mistakes, how he sometimes speaks without thinking which can end up a bit mean/blunt, and now he’d like to be forgiven for it.

This actually reminded me of something he said to Tae before:

FESTA 2020 from 42:56 min onward (context - the question was: have you felt disappointed in or sorry to the member to your right?):

Jimin: For Taehyung I should say if I compare those two feelings to him I was more hurt than sorry. Over time, it was reversed. Now I don’t feel slighted. I’m more sorry about things. Back then we were buddies so we had a lot of disagreements or didn’t admit that we were wrong. So I felt disappointed about little things. Now he listens to me well so I feel sorry that I talked to him harshly and every little thing.

The last line especially sticks out to me. I know there’s some language nuance here that got lost in translation which wisha mentioned when the FESTA 2020 video was posted (but is now gone since her twt was suspended), and yet it doesn’t change that fact that it fits with Jimin’s confession, how he was harsh to Tae in the past but now feels sorry for it, and with what Tae said, that Jimin is now making an effort to fix that behavior, to not be so blunt/harsh anymore.

It’s so interesting to me to see these mentions of what could be seen as character flaws over the years, things that make them inherently human. Also it fits with what we know about the evolution of vmin, how they used to have disagreements, have issues with proper communication but over time worked on it, got better at it to the point where they can now understand each other by just looking into each other’s eyes, and Tae’s words about Jimin, how he’s an angel, the warmest person he ever met, and now how he has a kind hearted nature, therefore the bluntness is not taking away from it in any way.

There was also something about this in Jimin’s solo RollingStone interview which caught my attention:

(btw, if you haven’t yet, I highly recommend reading the main and solo RollingStone interviews because they are really, really good!)

Taehyung’s confession

Tae: Compared to the other members, I’m very lazy. Once I’ve set my mind on something, to get that into action, it takes me up to 2 months. I’m start working out, then quit. I’ve quit projects midway too. I’m the type where if I’m not feeling it, I don’t do it. There are times when I feel sorry to the members.

Someone (I can’t pinpoint the voice): How would be summarize this?

Jimin: You’d usually call this as “irresponsible”. He lacks responsibility,

Tae: I’m still an amateur.

Na PD: “I lack responsibility and am lazy”. Is that how we can understand it?

Tae: Yes.

Jimin: To be honest, we don’t think it’s to that extent, but if that’s what he feels... we forgive him.

Something I love about what Jimin said (in far fewer words than I will use because you know me, I can’t keep myself short) is that he essentially did two things at once, being: he assured Tae (and the viewers) that him and the members think differently, don’t see it as severely as Tae does himself, and then he also acknowledged the validity of Tae’s words, that even if Jimin doesn’t agree with him, Jimin knows that those feelings are still valid, that that’s what Tae feels and that, at the end of the day, even if the members don’t agree, they can’t change Tae’s mind, can’t force him into seeing things differently. The only person who can do that is Tae himself, and that’s okay. Jimin and the other members will still quietly support and reassure him when needed until he’ll “fix” this weakness, if that is something he wants to do.

This really shows how in tune with Tae Jimin is, but also how emotionally intelligent he is. Beautiful. Also, notice how Jimin said that without being asked to do so, which will come into play again a little later in this post and why I point it out specifically again.

Listening (or rather reading along) as Tae said that, it reminded me of something he said a few months ago:

Taehyung BE-hind Story Interview from 5:49 min onward:

Q: How do you cope when it’s hard to work/with these situations?

Tae: I’m very true to my emotions so uh...if I can’t write the songs or can’t come up with a title I just don’t. Like now!

Yoongi: That’s actually the best way.

Tae: I just don’t write it like how I’m doing it now, and I don’t want to be pressured to create something against my will.

Yoongi: It’s not like you have to finish a song within a day or two?

Tae: Right! So I’ve been taking some rest for about four months now. Now that I’m resting for four months...

Yoongi: Wasn’t your mixtape supposed to be out last year?

Tae: The mixtape that was supposed to happen last year was postponed. I should be in a state full of emotions right now, but I haven’t reached it yet. It’s like...my first mixtape so I want to feel that satisfaction when I release it whenever that time will be.

Yoongi: That’s why you have to finish the whole thing while you’re at it...

Tae: Yes.

Yoongi: ...or else it takes too long to finish it. So, you have to finish it within that period.

Tae: Right.

Yoongi: I’m guessing you might’ve missed the time.

The thing though is that what Tae said, that if he doesn’t feel it, he won’t do it/finish it, that just shows how much of an artist he is, how much his art truly matters to him, and how important it is to him that his art, in this case his music, turns out just the way he wants it to or else he won’t finish it or release it. And while Tae might call this “irresponsible”, I don’t think it’s that in this case, or that it’s a sign of laziness either, though just like Jimin, I don’t want to invalidate his feelings either. All I want to bring across is how in the context of his music, this isn’t a weakness or flaw, even if it might seem like it, especially in their line of work with deadlines, schedules and plans made weeks and months in advance where, usually, you can’t just take a four month break.

So, in that regard, I can understand how it can feel like a flaw to him, make him feel guilty about it and sorry to the members who in this case might rely on him to get something done on time and he might not do it, or not without forcing himself to do it or being dissatisfied, you know what I mean?

Earlier today Tae was on weverse and answered a few questions about his mixtape (though I have a feeling it really is time for ARMY to stop asking him about it and just let him breath) where he said that even though he got a song from someone and made ten himself, even with that break he took according to his BE interview, the songs just aren’t what he wanted them to be and thus he decided to start again.

Some could say it’s again a case of him being irresponsible the way he characterized it during the RUN episode, that even though he said last year he was almost done and would release it soon it ended up being postponed and now he started over again, but once again I think it just shows how very important his music is to him, and therefore I’d actually call it a strength. It shows how valuable his artistic expression is to him, to create music the way he wants to, at his own pace, and only release it once he feels it’s right.

One more thing, just like I said in the intro of this post, Jimin and Tae jumping in to assure the other, reminded me of something Namjoon said during his Map of the Soul : 7 vlive last year:

The context is a little different, but I think it’s still valid here as well, how Tae and Jimin made excuses for each other, how Tae immediately softened how harsh Jimin’s own words about himself might come across, assured both us and Jimin that really he has a kind heart despite this weakness, and then also Jimin by saying that things aren’t as bad as Tae makes them seem either. It’s interesting to really see something play out in a manner similar to what another member said about them based on having been with Jimin and Tae for the last nearly ten years.

Whoever claims that BTS just play out concepts or “plots” and characters given to them by the company really should just take a seat and stop. I mean, sure they all have a sort of persona they embody in front of the camera, at least to a certain degree, they’ve spoken about that numerous times, but they are still humans with flaws and their own dynamics between each other away from the cameras which, logically, also come across on camera as well, not always but enough for us to pick up on it. And in this case, with these confessions during RUN, we saw something that we previously only really heard about happen right in front of us proving (not that they have to prove anything to us, of course, we should simply trust them and what they tell us) that it really is that way.

Here’s the anon I mentioned earlier:

From anon: It might just be me lol but I think rather than Jimin forgetting he's being filmed for a show (with all those members of staff as onlookers as well) and blowing a kiss at Tae / blowing on Tae's chest, he probably just noticed a tiny bit of lint or fluff on Tae's cardigan or mic and decided to blow it off... Of course, if that was the case, that still reveals their high level of intimacy and the fact that even when interacting infront of strangers they seem to be unable to stop showing exactly how tuned into each other they are... I don't think it's a coincidence that Na PD chose to ask Tae, of all the members, to verify Jimin's statement about his flaw. He was probably observing them all day and noticed how particularly close they were, even amongst all the extremely close members.

#vmin #Jimin #Taehyung #BTS #BTS RUN episode 141

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sabugabr · 3 years

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Why the Clone problem in Star Wars animated media is also a Mandalorian problem, and why we have to talk about it (PART 2)

Hi! I finally finished wrapping this up, so here’s part 2 of what has already become a mini article (you can find Part 1 here, if you like!)

And for this part, it won’t be as much as a critic as part 1 was, but instead I’d like to focus more on what I consider to be a wasted potential regarding the representation of the Clones in the Star Wars animated media, from the first season of The Clone Wars till now, and why I believe it to be an extension of the Mandalorian problem I discussed in part 1 — the good old colonialism.

Sources used, as always, will be linked at the end of this post!

PART 2: THE CLONES

Cody will never know peace

So I’d like to state that I won’t focus as much on the blatantly whitewashing aspect, for I believe it to be very clear by now. If you aren’t familiar with it, I highly recommend you search around tumblr and the internet, there are a lot of interesting articles and posts about it that explain things very didactically and in detail. The only thing you need to know to get this started is that even at the first seasons of Clone Wars (when the troopers still had this somewhat darker skin complexion and all) they were still a whitewashed version of Temuera Morrison (Jango’s actor). And from then, as we all know, they only got whiter and whiter till we get where we are now, in rage.

Look at this very ambiguously non-white but still westernized men fiercely guarding their pin-up space poster

Now look at this still westernized but slightly (sarcasm) whiter men who for some reason now have different tanning levels among them (See how Rex now has a lighter skin tone? WHEN THE HELL DID THAT HAPPEN KKKKKKK) Anyway you got the idea. So without further ado...

2.1 THE FANTASY METAPHOR

As I mentioned before in Part 1, one thing that has to be very clear if you want to follow my train of thought is that it’s impossible to consume something without attributing cultural meanings to it, or without making cultural associations. This things will naturally happen and it often can improve our connection to certain narratives, especially fantastic ones. Even if a story takes place in a fantastic/sci fi universe, with all fictional species and people and worlds and cultures, they never come from nowhere, and almost always they have some or a lot of basing in real people and cultures. And when done properly, this can help making these stories resonate in a very beautifull, meaningfull way. I actually believe this intrisic cultural associations are the things that make these stories work at all. As the brilliant american speculative/science fiction author Ursula K. Le Guin says in the introduction (added in 1976) of her novel The Left Hand of Darkness, and that I was not able to chopp much because it’s absolutely genious and i’ll be leaving the link to the full text right here,

“The purpose of a thought-experiment, as the term was used by Schrodinger and other physicists, is not to predict the future — indeed Schrodinger's most famous thought-experiment goes to show that the ‘future,’ on the quantum level, cannot be predicted — but to describe reality, the present world.

Science fiction is not predictive; it is descriptive.”

[...] “Fiction writers, at least in their braver moments, do desire the truth: to know it, speak it, serve it. But they go about it in a peculiar and devious way, which consists in inventing persons, places, and events which never did and never will exist or occur, and telling about these fictions in detail and at length and with a great deal of emotion, and then when they are done writing down this pack of lies, they say, There! That's the truth!

They may use all kinds of facts to support their tissue of lies. They may describe the Marshalsea Prison, which was a real place, or the battle of Borodino, which really was fought, or the process of cloning, which really takes place in laboratories, or the deterioration of a personality, which is described in real textbooks of psychology; and so on. This weight of verifiable place-event-phenomenon-behavior makes the reader forget that he is reading a pure invention, a history that never took place anywhere but in that unlocalisable region, the author's mind. In fact, while we read a novel, we are insane —bonkers. We believe in the existence of people who aren't there, we hear their voices, we watch the battle of Borodino with them, we may even become Napoleon. Sanity returns (in most cases) when the book is closed.”

[...] “ In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find — if it's a good novel — that we're a bit different from what we were before we read it, that we have been changed a little, as if by having met a new face, crossed a street we never crossed before. But it's very hard to say just what we learned, how we were changed.

The artist deals with what cannot be said in words.

The artist whose medium is fiction does this within words. The novelist says in words what cannot be said in words. Words can be used thus paradoxically because they have, along with a semiotic usage, a symbolic or metaphoric usage. [...] All fiction is metaphor. Science fiction is metaphor. What sets it apart from older forms of fiction seems to be its use of new metaphors, drawn from certain great dominants of our contemporary life — science, all the sciences, and technology, and the relativistic and the historical outlook, among them. Space travel is one of these metaphors; so is an alternative society, an alternative biology; the future is another. The future, in fiction, is a metaphor.

A metaphor for what?” [1]

A metaphor for what indeed. I won’t be going into what Star Wars as a whole is a metaphor for, because I am certain that it varies from person to person, and everyone can and has the total right to take whatever they want from this story, and understand it as they see fit. That’s why it’s called the modern myth. And therefore, all I’ll be saying here is playinly my take not only on what I understand the Clones to be, but what I believe they could have meant.

2.2 SO, BOBA IS A CLONE

I don’t want to get too repetitive, but I wanted to adress it because even though I by no means intend to put Boba and the Clones in the same bag, there is one aspect about them that I find very similar and interesting, that is the persue of individuality. While the Clones have this very intrinsically connected to their narratives, in Boba’s case this appears more in his concept design. As I mentioned in Part 1, one of the things the CW staff had in mind while designing the mandalorians is that they wanted to make Boba seem unique and distinguishable from them, and honestly even in the original trilogy he stands out a lot. He is unique and memorable and that’s one of the things that draws us to him.

And as we all know, both Boba and Jango and the Clones are played by Temuera Morrison — and occasionally by the wonderful Bodie Taylor and Daniel Logan. And Temuera Morrison comes from the Maori people. And differently from the mandalorian case, where we were talking about a whole planet, in this situation we’re talking about portraying one single person, so there’s nowhere to go around his appearance and phenotypes, right? I mean, you are literally representing an actual individual, so there’s no way you could alter their looks, right?

(hahahaha wrong)

And besides that, I think that is in situations like that (when we are talking about individuals) that the actor’s perspective could really have a place to shine (just the same as how Lea was mostly written by Carrie Fisher). In this very heart-warming interview for The New York Times (which you can read full signing up for their 5-free-articles-per-month policy), Temuera Morrison talks a little bit about how he incorporated his cultural background to Boba Fett in The Mandalorian:

“I come from the Maori nation of New Zealand, the Indigenous people — we’re the Down Under Polynesians — and I wanted to bring that kind of spirit and energy, which we call wairua. I’ve been trained in my cultural dance, which we call the haka. I’ve also been trained in some of our weapons, so that’s how I was able to manipulate some of the weapons in my fight scenes and work with the gaffi stick, which my character has.” [2]

The Gaffi stick (or Gaderffii), btw, is the weapon used by the Tusken Raiders on Tatooine, and according to oceanic art expert Bruno Claessens it’s design was inspired by wooden Fijian war clubs called totokia. [3]

And I think is very clear how this background can influence one’s performance and approach to a character, and majorly how much more alive this character will feel like. Beyond that, having an actor from your culture to play and add elements to a character will higly improve your sense of connection with them (besides all the impact of seeying yourself on screen, and seeying yourself portrayed with respect). It would only make sense if the cultural elements that the actor brought when giving life to a fictional individual would’ve been kept and even deepened while expanding this role. And if you’re familiar with Star Wars Legends you’ll probably rememeber that in Legends Jango would train and raise all Clone troopers in the Mandalorian culture, so that the Clones would sing traditional war chants before battles, be fluent in Mando’a (Mandalore’s language) and some would proudly take mandalorian names for themselves. So why didn’t Filoni Inc. take that into account when they went to delve into the clones in The Clone Wars?

2.3 THE WHITE MINORITY

First of all I’d like to state that all this is 100% me conjecturing, and by no means at all I’m saying that this is what really happened. But while I was re-watching CW before The Bad Batch premiere, something came to my mind regarding the whitewashing of the Clones, and I’d like to leave that on the table.

So, you know this kind of recent movies and series that depicted like, fairies in this fictional world where fairies were very opressed, but there would be a lot of fairies played by white actors? Just like Bright and Carnival Row. If you’ve watched some of these and have some racial conscience, you’ll probably know where I’m going here. And the issue with it is that often this medias will portray real situations of racism and opression and prejudice, but all applied to white people. Like in Carnival Row, when going to work as a maid in a rich human house, our girl Cara Delevingne had to fight not to have her braids (which held a lot of significance in her culture) cut by her intolerant human mistress, because the braids were not “appropriate”. Got it? hahahaha what a joy

Look at her ethnic braids!!!

One of the reasons this happens might be to relieve a white audience of the burden of watching these stories and feeling what I like to call “white guilt”. Because, as we all know, white people were never very oppressed. Historically speaking, white people have always been in privileged social positions, and in an exploitative relationship between two ethnic groups, white people very usually would be the exploiters — the opressors. So while watching situations (that every minority would know to be very real) of opression in fiction, if these situations were lived by a white actor, there would be no real-life associations, because we have no historical parameter to associate this situation with anything in real life — if you are white. Thus, there is less chance that, when consuming one of these narratives, whoever is watching will question the "truthfulness" of these situations (because it's not "real racism", see, "they're just fairies"). It's easier for a person to watch without having to step out of their comfort zone, or confront the reality of real people who actually go through things like that. There's even a chance that this might diminish empathy for these people.

Once again, not saying this is specifically the case of the Clones, majorly because one of the main feelings you have when watching CW is exactly empathy for the troopers (at least for me, honestly, the galaxy could explode, I just wanted those poor men to be happy for God’s sake). But I’ll talk more about it later.

The thing is, the whole thing with the Clones, if you think about it, it’s not pretty. If you step on little tiny bit outside the bubble of “fictional fantasy”, the concept is very outrageous. They are kept in conditions analogous to slavery, to say the least. To say the more, they were literally made in an on-demand lab to serve a purpose they are personally not a part of, for which they will neither receive any reward nor share any part of the gains. On the contrary, as we saw in The Bad Batch, as soon as the war was over and the clones were no longer useful as cannonballs, they were discarded. In the (wonderful) episode 6 of the third season of (the almost flawless) Rebels, “The Last Battle”, we're even personally introduced to the analogy that there really wasn't much difference in value between clones and droids, something that was pretty clear in Clone Wars but hadn't been said explicitly yet.

In fact, technically the Separatists can be considered to be more human than the Republic. But that's just my opinion.

So, you had this whole army of pretty much slaves. I know this is a heavy term, but these were people who were originally stripped of any sense of humanity or individuality, made literally to go to war and die in it, doing so purely in exchange for food and lodging, under the false pretense that they belonged to a glorious purpose (yes, Loki me taught that term, that was the only thing I absorbed from this series). Doing all this under extremely precarious conditions from which they had no chance of getting out, actually, getting out was tantamount to the death penalty. They were slaves. In milder terms, an oppressed minority. And again, I don't know if that was the case, but I can understand why Filoni Inc would be apprehensive about representing phenotically indigenous people in this situation. Especially since we in theory should see Anakin and Obi-Wan as the good guys.

(and here I’d like to leave a little disclaimer that I believe the whole Anakin-was-a-slave-once plot was HUGELY misused (and honestly just badly done) both in the prequels and in the animeted series — maybe for the best, since he was, you know, white and all that, and I don’t know how the writers would have handled it, but ANYWAY — I believe this could have been further explored, particularly regarding his relationship with the Clones, and how it could have influenced his revolt against the Jedi, and manipulated to add to his anger and all that. I mean, we already HAD the fact that Anakin shared a deeper conection with his troopers than usual)

Yes, Rex, you have common trauma experiences to share. But anyway, backing to my track

As I was saying, we are to see them as good guys, and maybe that could’ve been tricky if we saw them hooping up on slavery practices. Like, idk, a “nice” sugar plantation owner? (I don’t know the correct word for it in english, but in portuguese they were called senhores de engenho) Like this guy from 12 Years a Slave?

You know, the slave owner who was “nice”. IDK, anyway

No one will ever watch Clone Wars and make this association (I believe not, at least), of course not. But if we were to see how CW deepened the clone arcs, and see them as phenotypically indigenous, subjected to certain situations that occur in CW (yes, like Umbara), maybe some kind of association would’ve been easier to make.

I mean, come onnnn I can’t be the only one seeing it

You see, maybe not the whole 12 Years a Slave association one, but I don’t think it’s hard to see there was something there. And maybe this could’ve been even more evident if they looked non-white. Because historically, both black peoples and indigenous peoples went through processes of slavery, from which we as a society are still impacted today. And to slave a people, the first thing you have to do is strip them from their humanity. So it might be easier to see this situation and apply it to real life. And maybe that could lead to a whole lot of other questions regarding the Clones, the Republic, the Jedi, and even how chill Obi-Wan was about all this. We might come out of it, as lady Ursula Le Guin stated in the fragment above, a bit different from what we were before we watch it.

Maybe even unconsciously, Filoni Inc thought we would be more confortable watching if they just looked white (and because of colonialism and all that, but I’m adding thoughts here).

And of course I don’t like the idea of, idk, looking at Obi-Wan and thinking about Benedict Cumberbatch in 12 Years a Slave or something like that. Of course that, if the Clones were to play the same role as they did in the prequels, to obediently serve the Jedi and quietly die for them, that would have been bad, and hurtfull, and pejorative if added to all that I said here. But the thing is that Clone Wars, consciously or not, already solved that. At least to my point of view, they already managed to approach this situation in an incredible competent way, that is giving them agency.

2.4 AGENCY AND INDIVIDUALITY

So, one of the things I love most in Clone Wars is how it really feels like it’s about the Clones. Like, we have the bigger scene of Palpatine taking over, Ahsoka’s growth arc, Anakin’s turn to The Dark Side, the dawn of the Jedi and rise of the Empire and all that, but it also has this idk, vibe, of there’s actually something going on that no one in scene is talking about? And this something is the Clones. We have these episodes spread throughout the seasons, even out of chronological order, which when watched together tell a parallel story to the war, to everything I mentioned. Which is a story about individuals. Clone Wars manages to, in a (at least to me) very touching way, make the Clones be the heros.

Can you really look me in the eye and say that Five’s story didn’t CRASH you like a full-speed train???? He may not have the same amount of screen-time as the protagonists, but his story is just as important as theirs (and to me, it might be the most meaningful one). Because he is the first to break free from the opression cicle all the Clones were trapped into.

His story can be divided into 6 phases.

1 - First, the construction of his individuality, in other words, the reclaiming of his humanity.

2 - Then the assimilation of understanding yourself as an individual of value, and then extending this to all his brothers, not as a unit, but as a set of individuals collectively having this same newly discovered value.

3 - This makes him realize that in the situation they find themselves in, they are not being recognized as such. This makes him question the reality of their situation.

4 - Freed from the illusion of his state, he seeks the truth about it.

5 - This then leads him to seek liberation not just for himself, but for all the Clones (it's basically Plato's Cave, and I'm not exaggerating here).

6 - And finally, precisely because he has assimilated his individuality and sought freedom for himself and his brothers, he is punished for it.

His story is all about agency. Agency, according to the Wikipedia page that is the first to appear if you type “agency” on Google, is that agency is “the abstract principle that autonomous beings, agents, are capable of acting by themselves” [4], and this abstract principle can be dissected in 7 segments:

Law - a person acting on behalf of another person

Religious - "the privilege of choice... introduced by God"

Moral - capacity for making moral judgments

Philosophical - the capacity of an autonomous agent to act, relating to action theory in philosophy

Psychological - the ability to recognize or attribute agency in humans and non-human animals

Sociological - the ability of social actors to make independent choices, relating to action theory in sociology

Structural - ability of an individual to organize future situations and resource distribution

All of them apply here. And this is just the story of one Clone. We know there are many others throughout the series.

Agency is what can make the world of a difference when you are telling a story about an opressed minority. Because opressed minorities do exist, and opression exists, and if you are insecure about consuming a fictional media about opressed minorities, see if they have agency might be a good place to start. So that’s why I think that everything I said before in 2.3 falls short. Because the solution already existed, and was indeed done. Honestly, making the non-agency representation of the Clones (the one we see in the prequels) to be the one played by Temuera Morrison, and then giving them agency in the version where they appear to be white, just leaves a bitter taste in my mouth.

And honestly, if they were to make the Clones look like Temuera Morrison, and by that mean, take more inspiration in the Māori culture, maybe they wouldn’t even have to change much of their representation besides their facial features. As I said in part 1, I am not by any means an expert in polynesian cultures, but there was something that really got me while I was researching about it. And is the facial tattoos. More precisely, the tā moko.

2.5 TĀ MOKO

Once again I’ll be using the Te Ara: The Encyclopedia of New Zealand as source, and you can find the articles used linked at the end of this post.

Etymologically speaking,

“The term moko traditionally applied to male facial tattooing, while kauae referred to moko on the chins of women. There were other specific terms for tattooing on other parts of the body. Eventually ‘moko’ came to be used for Māori tattooing in general.” [5]

So moko is the correct name for the characteristic tattoos we often see when we look for Māori culture.

These ones ^. Please also look this book up, it’s beautiful. It’s written by Ngahuia Te Awekotuku, a New Zealand academic specialising in Māori cultural issues and a lesbian activist. She’s wonderful.

According to the Tourism NewZealand website,

“In Māori culture, it [moko] reflects the individual's whakapapa (ancestry) and personal history. In earlier times it was an important signifier of social rank, knowledge, skill and eligibility to marry.”

“Traditionally men received moko on their faces, buttocks and thighs. Māori face tattoos are the ultimate expression of Māori identity. Māori believe the head is the most sacred part of the body, so facial tattoos have special significance.”

[...] “The main lines in a Māori tattoo are called manawa, which is the Māori word for heart.” [6]

Therefore, in the Māori culture, there’s this incredibly deep meaning attributed to the (specific of their culture) tattooing of the face. The act of tattooing the body, any part of the body, is incredibly powerful in many cultures around the globe. The adornment of the body can have different meanings for these different cultures, but all of which I've come into contact with do mean a lot. It’s one of the oldest and most beautiful human expressions of individuality and identity.

And in the Star Wars universe, the Clones are the group that has the deeper connection to, and the best narrative regarding, tattoos. In fact, besides Hera’s father, Cham Syndulla, the Clones are the only individuals to have tattooed skin, at least that I can recall of. And they do share a deep connection to it.

For the Clones, the tattoos (added to hairstyles) are the most meaningful way in which they can express themselves. Is what makes them distinguishable from each other to other people. Tattoos are one of the things that represent them as individuals.

And I’m not BY ANY MEANS sayin that the Clones facial tattoos = Moko. That’s not my point. But that’s one of the things I meant when I said earlier about the wasted potential of the representation of the Clones (in my point of view). Because maybe if it were their intention to base the culture of the clones after the polynesian culture, maybe if it were their intention to make the Clones actually look like Temuera Morrison, this could have meant a whole deal. More than it’d appear looking to it from outside this culture. Maybe if there were actual polynesian people in the team that designed the Clones and wrote them (or at least indigenous people, something), who knows what we could’ve had.

Even in Hunter’s design, I noticed that if you take for example this frame of Temuera from the movie River Queen (2005), where we can have a closer look at the design of his tā moko

Speaking purely plastically (because I don’t want to get into the movie itself, just using it as example because then I can use Temuera himself as a comparison), see the lines around the contours of his mouth? Now look at Hunter’s.

I find it interesting that they choose to design this lines coming from around his nose like that. But at this point I am stretching A LOT into plastic and semiotics, so this comparison is just a little thing that got my attention. I know that his tattoo is a skull and etc etc, I’m just poiting this out. And it even makes me a little frustrated, because they could have taken so many interesting paths in the Bad Batch designs. But instead they choose to pay homage to Rambo. And I mean, I like Rambo, I think he’s cool and all that.

Look at him doing Filipino martial arts

But then, as we say in Brasil, they had the knife and the cheese in their hands (all they had to do was cut the cheese, but they didn’t). Istead, it seems like in order to make Hunter look like Rambo, they made him even whiter???

2.6 SO...

Look, I love The Clone Wars. I’m crazy about it. I love the Clones, I love their stories and plots. They are great characters and one of the greatest addings ever made in the Star Wars universe. They even have, in my opinion, the best soundtrack piece to feature in a Star Wars media since John Williams’ wonderful score. It just feels to me as if their narrative core is full of bagage, and meanings, and associations that were just wiped under the carpet when they suddenly became white. It just feels to me as if, once again, they were trying to erase the person behing the trooper mask, and the people they were to represent, and the history they should evoke.

I don’t know why they were whitewashed. Maybe it was just the old due racism and colonialism. Maybe it was meant for us to not question the Jedi, or our good guys, or the real morality of this fictional universe where we were immersed. But then, was it meant for what?

The Clones were a metaphor for what?

(spoiler: the answer still contains colonialism)

Thank you so much for reading !!!! (and congratulations for getting this far, you are a true hero)

SOURCES USED IN THIS:

[1] Ursulla K. Le Guin, 'The Left Hand of Darkness', 14th ACE print run of June, 1977

[2] Dave Itzkoff, 'Being Boba Fett: Temuera Morrison Discusses ‘The Mandalorian’', The New York Times, published Dec. 7, 2020, https://www.nytimes.com/2020/12/07/arts/television/the-mandalorian-boba-fett-temuera-morrison.html (accessed 15 September 2021)

[3] Bruno Claessens, 'George Lucas' "Star Wars" and Oceanic art' , Archived from the original on December 5, 2020, https://web.archive.org/web/20201205114353/http://brunoclaessens.com/2015/07/george-lucas-star-wars-and-oceanic-art/#.YEiJ-p37RhF (accessed 15 September 2021)

[4] Wikipedia contributors, "Agency," Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Agency&oldid=1037924611 (accessed September 17, 2021)

[5] Rawinia Higgins, 'Tā moko – Māori tattooing - Origins of tā moko', Te Ara - the Encyclopedia of New Zealand, http://www.TeAra.govt.nz/en/ta-moko-maori-tattooing/page-1 (accessed 17 September 2021)

[6] Tourism New Zealand, ‘The meaning of tā moko, traditional Māori tattoos’, The Tourism New Zealand website, https://www.newzealand.com/us/feature/ta-moko-maori-tattoo/ (accessed 17 September 2021)

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