i am in love with your sollux i think
sollux love party :]
if you’re interested heres some of my personal fondness thoughts on him..
big warning for the mega long read ahead aye
as we alr know sollux's rejection of participation somewhat mirrors dave's rejection of heroism, but even without getting cooked to completion i still find sollux's character v compelling beyond the fourth wall
as someone who doesnt get a pinch of that Protagonist Sparkle to begin with, he can openly say he wants to leave anytime…. and unlike dave, he actually Can leave the scene anytime. but he can never be truly Free from the story via permanent character death like the other trolls.
his irrelevancy is indeed relevant - he’s there so u can point him out.
while his image is intended to be a relic of past internet subculture, his role is not only about hehehaha being a Chad or a 2000s cyberforum 2²chan haxxor ragequit gamebro.
his continued existence also happens to add a Bit to the overarching themes of homestuck! a Bit that gives him longer-lasting thematic relevance compared to the trolls who could’ve had more character potential but didnt get to survive beyond the main story.
the Bit in question:
his defiance contributes to the illusion of agency (treating characters = people with autonomy). he’s “aware” of it, and that recognition is worth noting enough to forcibly keep him alive as both reward and punishment.
considering how his personality & classpect is designed its definitely a very haha thing for hussie to do LOL. he’s made to be op asf so he's resigned to doing dirty work, gradually deteriorating along the way but never truly dying. as fans have mentioned before, him openly rejecting involvement after a while of grim tolerance is like if the sim u were controlling suddenly stopped, looked up and gave u the finger while u were step six into the walkthrough for Every Possible Sim Death Animation.
but since he’s just a sim… the more he hates it, the more you keep him around. if ur sim started complaining abt your whimsical household storyline you’d definitely keep that little fuck.
but yeah i like that sollux is just idling. the significance of his presence being that one dude who's always reliably Somewhere, root core Unchanged, no individual ambitions (possibly due to fear of consequence?), and design-wise: a staple representative product of his time.
compared to dirk's character, who has aged phenomenally well into the present (themes of control + AR + artificial intelligence, clearer exploration around navigating relationships/sexuality, infinite possibilities of self-splinterhood and trait inheritance), sollux's potential is really... contained. bitter. defeatist. limiting and frustrating in the way old tech is.
the world continues moving on to shinier, brighter, more advanced automated things - minimalist and metaverse or whatever but sollux is still here 🧍♂️ going woohoo redblue 3d. (tho personally i imagine his vibe similar to what the kids call cassette futurism on pinterest mixed w more grimy grunge insectoid influences eheh)
conceptually-speaking,
at the foundation of it all, the rapid pace of modern development was built off the understanding of ppl like sollux in the past, who were There actively at work while the dough was still beginning to rise
thats one of the cool things abt the idea of trolls preceding humans! the idea that trolls like sollux excelled back when lots of basic shit still needed to be discovered, building structures like networks and codes from scratch, and humans will eventually inherit and reinvent that knowledge in ways that become so optimized it makes the old manual effort seem archaic, slow, and labour-intensive.
but despite information/resources/shortcuts being more accessible now, much of the new highly-anticipated stuff released on trend still end up unfinished, inefficient, or expiring quickly due to cutting corners under severe capitalistic pressures
meanwhile, some of the old stuff frm past generations of thorough, exploratory and perfectionistic development still remains working, complete, and ever so sturdy.
those things continue to exist, just outside our periphery with either:
zero purpose left for modern needs (outdated/obsolete)
or
far too important to replace or destroy, bcs of its surprisingly essential and circumstantial usefulness in one niche specific area.
which are honestly? both points that sum up sollux pree well.
dramatic ending sorry. anw are u still on the fence or are u Sick abt him like me </3
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can i req some arlecchino kink headcanons? no pressure to answer! there's just a lack of new knave content lately ahhh.. ( ̄ヘ ̄)
{☆} characters arlecchino
{☆} notes drabble, hc's, gender neutral reader
{☆} warnings 18+ content
{☆} dacryphilia
arlecchino is a sucker for crying. doesn't matter if you cry easily or not– either she sees it as a challenge to make you cry in the first place or to see how much you can cry before you have to tap out. her absolute favorite way to make you cry is straight up overstimulating (or understimulating you, depending on her mood) until you're practically sobbing. if you cry prettily enough maybe she'll take pity on you.
{☆} temp play
arlecchino has a pyro vision and she is absolutely going to use it. especially prominent if you're both in snezhnaya– it provides prime opportunities for her to slip her hands under your clothes when you least expect it just to see you squirm beneath her hands. she'd never actually do anything too scandalous in public, but if you're a bit more hidden away she'll have no qualms playing with your chest. if you complain about the cold you're just giving her an excuse to "warm you up" and see you tremble like a lamb.
{☆} face sitting
nothing prettier to her then seeing you above her with her face between your legs. her tongue is just as warm as any other part of her, and she knows how to use it, too. she'll hook her arms around your thighs just to hold you down until you've doubled over from the intensity of it– if you start crying, oh, she just gets worse. absolutely ravenous. she won't stop even if her jaw starts to ache. if you don't want her to stop, she could go for hours without a break.
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People who say "I don't like asoue bc it's formulaic" miss the point bc
-it starts as a formula, a cycle of the Baudelaires being abused and mistreated bc IT'S A CYCLE THAT THEY'RE STUCK IN!! A cycle of evil and ignorence. They're being tossed around by the world and they need to get out of the cycle themselves.
-the cycle: they go to a new guardian, led by Mr. Poe, who ignores the problems about the situation. Count Olaf is stalking them, trying to kill the Baudelaires and steal their fortune.
-as is the rules with poetry and writing, you have to repeat something a few times to mess around with the formula, which you see is changed as early as the Miserable Mill. There's a poetic quality to the repetition, as well as when and how it changes.
-as it goes on, you see their passiveness being increasingly replaced with action that culminates at the end of the Vile Village, where they run away. In doing so, they've cut off the "new guardian" element to the cycle.
-they're trying to save the Quagmires and figure things out on their own. But two crucial elements to their cycle haven't been broken: they still are trying to contact Mr. Poe and they are still being hunted by Count Olaf.
-in the Grim Grotto, they break Mr. Poe out of the cycle.
-in the first chapter of the Bad Beginning, Mr. Poe meets the children on Briny Beach to inform them of the death of their parents. They come with him.
-at the end of Grim Grotto, they meet him again at Briny Beach and refuse to come, choosing instead to listen to a mysterious stranger and coded message. They choose autonomy. They choose to try to learn and figure things out. Active, not passive.
-in the Penultimate Peril is an effort to cut ties with Count Olaf once and for all as well as obtaining roles from both sides of VFD.
-but they can't get rid of Olaf and they can't let him go. Bc the last part of the cycle needs to be permanently put to rest.
-YES; Olaf hunts them throughout every book. That's. The. Point.
-Olaf needed to DIE before they could leave the island in The End.
-Olaf needed to die before they could move on.
-Olaf's death cut the final current in their cycle, ending the formula and therefore ending the series. Cutting out all the "repetitive" elements of the series made it finally end.
-they broke the cycle. That's why they could be free.
UGH I have so many thoughts
One day I'll write up this theory more cohesiveness.
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