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#can i come with you king?
moomin279 · 5 months
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Jurgen running is always funny like where you going king? you gotta get there fast king?
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i-ate-the-rats · 9 months
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hehehehe oh shit indefinite sad dark shadow (⊙ˍ⊙).
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merrigel · 5 months
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I want it back = I drag its dead weight forward
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puppetmaster13u · 2 months
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Prompt 266
Back on my Danny & Ras frienemies/rivals/maybe-lovers-nobody-can-tell-their-signals-are-very-mixed train. 
See, Danny has gone through time a lot. Often. It comes with being Clockwork’s charge-son-thing and honestly he finds it fun. And several times he’s used this time travelling to get some training in. Enter Ras, stage left, also a teen at the time and also learning swordsmanship from the same person. 
And they… utterly despise each other. They would kill the other for an apple slice, if the other one would die! But also, only they can kill the other, as it is obviously their right! 
And well, they keep running into each other. It has been a hundred years, surely the other would die by now? But of course their rival would live through utter spite. Probably to spite them specifically. 
The amount of times they have ended up sparring- trying to kill each other or not- the moment they see the other is actually ridiculous. But time is also passing. And… Danny understands, not having another to talk about things people are forgetting, or have already forgotten. 
How they ended up actually talking without a murder attempt was a long story that included a demon, a dragon, a pair of fae, some bandits, and a lot of alcohol, but it happened. And then it happens again. And again, and now it’s just kind of normal to share a drink after their spars, talking about things that no longer exist, and things they miss. 
Sure Danny can go back in time again, but he knows better than to do it willy nilly. He’s matured, he’s been an adult for a hundred years now, he knows there’s consequences for messing with time, even with Clockwork’s blessings. 
The first time they got married was technically for an undercover assassination. Well, Ras was there to assassinate someone, Danny was there to grab an artifact that should Not be in the realm of the living. And they got divorced after, it was fine. 
They just, also got married again when they met a few years later, for another job. And… okay, so maybe they have gotten married over a dozen times now and only divorced like half of those times. Half of those were for the bit or while drunk! 
And even if technically they’re married or shared a bed, it’s not like they're exclusive! As Ras’ daughters’ existences attest to (adopted in one case or not). They don’t exactly have a label for their relationship, despite others asking for one or trying to put a name to it themselves. 
Now Danny knows Ras isn’t exactly a good dude, or at least on the side of ‘good’ as he’s a literal assassin. But he also knows that good? Bad? Rather relative. He had gotten labeled as a villain when he was just trying to help all that time ago after all, and really who was he to tell someone else how to live their life? 
Which brings him to now, where he’s run into his old frienemy-rival and his youngest daughter. Who has a braindead teenager and a small toddler. Which is fine, really- but also, Talia dear, why are you using a brain dead teenager to guard your three year old son? 
Okay, Talia dear, Ras (Derogatory), why are you using your brain dead son and grandson to guard your younger son and grandson? Do you not have the Pits, which you were soo proud about Ras? Yes, he will spar with you, but for Realms’ sake, heal, what’s his name? Ah yes, go heal Jason and he’ll actually stick around for a few years, deal? Good. 
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beastwhimsy · 9 months
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he deserves the world tbh
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myriam-draws · 8 months
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everyone read impulse 1995 for The Guy
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adhd-merlin · 11 months
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I am obsessed with this
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turtleblogatlast · 5 months
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Love the idea that Leo’s portal and teleportation based fighting style can heavily parallel the types of stuff you’d see in magic acts. Disappearing and reappearing, pulling stuff out of a hat/portal, sleight of hand and other such methods of averting the audience’s/enemies’ attention from what you’re trying to do, etc.
It’s genuinely pretty neat to see and I wish his love of magic acts and magicians was brought up more often because it and his other interests tie into each other and in turn his whole self so neatly.
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darlingod · 9 months
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It’s just… it is everything that Cardan thought Jude would notice his “SO OBVIOUS” exile riddle and thinks Jude to not hesitate to come back. Beside his certainty of her cleverness to piece the riddle together, he believed he was that clear about his feelings toward her; he had thought she absolutely ought to know how he feels for her.
Like oh buddy. BUDDY. Your wife had thought of the answer to your little riddle like you thought she would. But guess what? She has detrimental TRUST ISSUES. (Like… Ur super mean and hot, I can’t blame her.) Anyway.. it’s SUPER adorable of him to so wholeheartedly believe she wouldn’t question his trust. It reveals so much about his pov of thier relationship.
Jude thought Cardan’s (silly) trick was a (vile) trick, when it was simply a: “Im trying to impress/pay you back in kind with our romantic metaphorical sparring and eventually get you out of political drama for a bit,” trick.
I’m fucking laughing wow these delusional ass children I fucking love them.
#IM JUST NOW REALIZING I SPELT THEIR WRONG AND IM SO EMBARRASSED#at least it was the right their😭😭#THEYRE SO REAL LMFAOOOOOO#like they both were so hot ofc they constantly questioned the validity of each others feelings#if the last part didn’t make sense I’ll explain#she knew he had tricked her into exile and when Jude was like ‘can I pardon myself?’ she thought it was another trick to humiliate her#like girl it was to do THE OPPOSITE of humiliation#HE WAS SENDING YOU TO SAFETY UNTIL YOU COULD COME BACK AND FLAUNT UR NEW POSITION#but basically it revealed that he loved like Jude loves#that they have the same heart#(he’s not like the reg folk. he grew up around so many mortals as she did the folk)#but he’s a faerie so he doesn’t take caution to being unpredictable#Jude even knew: the folk could be humanlike but they (the folk) inevitably would do something to remind her that they STILL ARE folk#though she had too easily assumed that the folk acting like the folk meant betrayal#he thought the whole marriage thing had meant she fully trusted him#because he knew how hard it would be for her to give up her power over him#and he thought because that she had given up her ability to command him(comma) that she couldn’t doubt trusting him any longer#queen of nothing#the cruel prince#the wicked king#Jude Duarte#jurdan#cardan greenbriar#tfota#I’ve known them since I was 13 they’re much older in my stubborn pov#also me using the semi colon as if I’m sure that it’s proper grammar LMAOOOOO#confidence is key
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starry-bi-sky · 5 months
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Clone^2 Damian
If you really think about, Damian's situation in the clone^2 au is... kinda tragic? Especially in the early months of his arrival. Like,,, think about it. Damian has always known he was a clone of Damian Wayne, that he was a copy of the blood son. There was nothing 'original' about him, not even his name (of which at least Danny has that). He was just... a replacement. A disposable one, to boot.
And he knew that, to an extent, by the time he was six years old. he might not have been actively acknowledging it -- he's six years old -- but deep down he knew. And like, he's six years old. Every small child craves the love and affection of an adult, especially their parents, and even though he knew he was clone, I imagine he still considered - and still does consider, somewhat - Talia and Bruce as his mother and father. And I really doubt he was... getting it?
Now, I know Talia loves Damian, her son. At least in some interpretations she does, and in this au she does. But... a clone of her son? I'm not so certain if she would have the same affection for baby Dames as she would for Damian. I don't think she would treat him badly, but I don't think Talia would treat him warmly either. Kinda just, distant. Colder than she would have been with OG Damian.
And, I know I've mentioned Damian's arrival from Danny's point of view, and its kind of comical kind of insane from his perspective -- a little boy clone of Damian Wayne falls through a portal and immediately attacks him. That sounds like a bad joke.
But, if you think of this from Damian's point of view? It's like he just got dropped into a scary movie. Like, think about it. You're six years old, and suddenly a portal, as green and as swirling as your grandfather's pools, opens up beneath your feet and sucks you through.
After an intense bout of vertigo, you end up in a massive, urban city -- completely different from the rural mountain palace that you lived in for the last six years of your life, and in this city, you don't know any of the language. You don't know what anyone is saying, you can't read any of the signs - you are completely stranded, away from home.
And then, to make things worse, you're facing a figure with a terrifying mask and eyes as burning green as the portal you fell through. Of course Damian's first instinct, six years old, is to attack. He's terrified.
And this figure, he's not a good fighter, but he's fast, and he dodges you quickly. He grabs your sword with his hands, and tries to restrain you, saying something in a language you don't know. Naturally, Damian is just scared. He's six! He'd just be learning how to read if he was normal child going to school.
This figure halfway through the fight yanks off his mask -- he realizes you're scared -- and looking at you now, is a youthful version of your father. This is a clone of your dad, someone you have never met but, six years old, still wants to. Damian gets defensive. This is an imposter.
But this imposter eventually gets you home with him - and he's using his little box, his phone, to communicate with you through a mechanical voice speaking in arabic. and it's frustrating. The boy, the imposter, can say whatever to you just fine, but trying to talk back is a hassle and a half. He's six, he doesn't have that much patience.
He wants to go home.
And so he keeps trying to run away. He keeps trying to find out of this hellish concrete jungle, and he keeps getting lost. It's loud, and busy, and there are people talking to you and you don't understand them, and there are rules and signs you don't understand - Damian tries to cross the street and nearly gets hit by a car. He doesn't know how the road signs work, he was never taught. They didn't get to that.
And he gets lost. And it gets dark, and Damian is brave, but he is six, and this is the worst stress he's been under in all his six years of life. He wants, desperately more than anything, to go home. Why wouldn't he? The only stable... semi-stable environment he was in just got ripped out from under his feet, literally! He wants his mother.
And it's not happening.
But there's something good to be said, at least. The imposter that looks like his father always comes and finds him, no matter what. He could have left that morning, and he will find Damian at midnight, frazzled and worried, and carrying an extra jacket with him because it is cold in Amity Park and Damian is six years old.
And sometimes Damian attacks him - he's scared and stressed and he doesn't want to be here. And every time he catches the sword. Even though Damian can see it cut into his hand and pearls of blood well up and stains his fingers. Even though Damian can see him wince in pain and bite his lip, he still catches it.
But with that little box, he coaxes Damian to come back with him. It's cold, it's dark, Amity Park is unsafe at night. They can figure something out tomorrow, please. And every time, he agrees, reluctantly. And the imposter takes the extra jacket he brought with -- a flannel, a hoodie, a jacket -- and he wraps it around him. It's warm, Damian's clothes are not that thick, and even though he thinks he might hate this imposter, he still sticks close to his legs as he leads him down the street.
And sometimes the imposter carries him, because Damian's shoes are not that thick, and he cuts his foot on broken glass while they're walking home. The imposter sits in the bathroom with him and carefully cleans the cut out, and makes sure it doesn't get infected.
There's hope you know, he still has it. His mother will be looking for him. She'll be worried. He's important to them. Damian may not be the original, but he is still a blood son. He is still her son. She will come find him. This nightmare will end soon. He can go home.
And then weeks pass, and nothing. Then months, and nothing. His family is not coming for him, and it hurts. Hurts more than anything. And yet while that happens, the boy he's attacked, and hurt, teaches himself arabic in order to speak to him. He takes Damian out of the house one afternoon and buys him new clothes, or tries to. And then he keeps buying him new clothes. He gives him blankets and gives up his bed to him until they can get him one himself, and steadily he teaches Damian english.
This boy is kind. Kinder than Damian's ever experienced, and he doesn't know what to do with it. He's devastated by the fact that he is not as important to his family as his family is to him. What do you do when you're six years old and you learn something like that? When a random stranger who looks like your father is kinder to you, and cares more about you than your family did?
And then Damian tells him he's a clone. He's Damian Wayne's clone, and he tells him his purpose - that their grandfather made him to kill him. And the boy, the imposter, Damian thinks he probably already knows that he's a clone. But he doesn't say that. He just nods, and asks him if he wants to tell his original about him.
Damian says no. He doesn't want to. He's tired of living in the shadow of his original. He wants to keep this to himself. This is his. For once, all of this is his.
And to his surprise, the imposter doesn't try and convince him otherwise. He just nods, and says okay. And when Damian asks why, the imposter - his brother - looks at him and says.
"I don't care about Damian Wayne. I care about you." And in Damian's gobsmacked silence, his brother continues. He tells him that if Damian doesn't want to tell his original that he exists, then they don't need to. They don't need to worry about the LoA going after him, because clearly if his 'grandfather' needs to make a clone of Damian in order to take him out, then whatever it was that Damian Wayne was doing to keep himself safe, was working.
"Wayne already has people in his corner, he's got Gotham's army of vigilantes to keep himself safe." his brother says with his eyes as blue as moonlight. "You, however. Do not." And he continues, and says that if Damian Wayne has the same training as Damian does, then he will be fine. He doesn't need to be aware of his clone. Because if DW doesn't know about Damian, then the LoA doesn't either.
And here's the thing. Damian would not have survived in the LoA for long. Not as a clone. No matter what, he was going to die no matter what he did, and sooner rather than later. The sword of Damocles was always hanging above his head in the League of Assassins.
That portal, and meeting Danny, saved his life. There's no way around it. And to an extent Damian knows this even at six years old. He may not be aware that he would've died, but he knows that meeting Danny was the best thing to happen to him.
It's no wonder after that, that Damian is as clingy to Danny as he is. Danny is the first person he's met to offer him unconditional love, with no strings attached, only pure affection.
#dpxdc#dp x dc#dp x dc crossover#dpdc#dpxdc crossover#clone^2#like god can you imagine how scared he must've been? how afraid? he just wants his mom - only to realize he doesnt even matter to her#dpxdc au#danny fenton is not the ghost king#this poor kid man. no wonder he latched onto danny the moment he gave up on the league like a leech. he's a six year old kid man and#it doesnt matter how smart he is or how mature he acts. he still is six years old. he still needs that validation and affection from adults#or from people older than him. and his emotional needs were just not being met in the league.#cue the song “two” from sleeping at last - some of their songs are very clone^2 honestly.#'sweetheart you look a little tired. when did you last eat? come in and make yourself right at home. stay as long as you need.'#'tell me is something wrong? if something's wrong you can count on me'#'its okay if you can't find the words. let me take your coat and this weight off of your shoulders'#'like a force to be reckoned with. am i the ocean or a gentle kiss. i will love you with every single thing i have'#'like a tidal wave i'll make a mess. or calm waters if that serves you best'#'i will love you without any strings attached'#like just. just *imagine* being in damian's shoes during all of this. he's *six* you guys. i've worked with six year olds and they're#pretty independent but they're still six. they get excited when they see their parents and they get upset when an adult is angry with them.#they're still developing their motor skills. they're still developing everything else!
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jojo-schmo · 10 months
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"We told our friends they were beautiful and recorded their reactions!"
Click the "read more" for the rest of the Waddle Dees' video :)
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I misremembered the Waddle Dee camera crew's broadcast as Channel DDD when it's actually Channel PPP. Sorry... blame the anime for planting the wrong name in my head haha :'D
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doobledabbadoo · 3 months
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got around making some more htf ocs!! i honestly cant stop theyre too fun to make actually
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nookisms · 4 months
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Oops. It's a second headcanon compilation!
Don't worry, the next one will be back to our normal schedule of regular text posts and not headcanons
Masterpost
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drconstellation · 5 months
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Come Back When You Can Make A Whale
This is going to contain some speculation for S3, so you know what to do! Or not do!
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SITIS: What did God say? JOB: Um... I'm not sure. I didn't understand much. Things too wonderful for me. Ostriches came into it. SITIS: Ostriches? JOB: And whales. God's very proud of the whale. Went into some detail about... how great whales are. SITIS: But did They explain? JOB: [shakes head] I think the point was, if you want answers, come back when you can make a whale.
Whales, huh?
If you aren't well read, this could be quite the misdirection. It should be reasonably obvious, given who is doing the talking - Job - what he is actually referring to, then we can join a couple of dots to make some speculative leaps.
You still with me?
No? Then let us start with how do you make a whale?
By giving it another name.
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Leviathan.
Chapter 41 of the Book of Job is all about the Leviathan, a great sinuous sea serpent with impenetrable scales and breath like fire. It sleeps beneath the sea until the end of days. Over time it came to be associated with any sea monster, then anything large, and what is the largest animal ever known to have lived? The whale.
The top of the matchbox is also worth a look. We have a skull and crossbones, which is classic Memento mori symbolism, fitting in with the resurrection theme of the Second Coming - but look at the way the address of the pub is spelt! Now, this not the same way it is spelt on the record single Maggie gives to Aziraphale; Goatgate is spelt as one word, not two. A little bit of searching reveals the meaning behind this fictional address that backs up and reinforces the quote on the side of the matchbox.
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Strong's Concordance for 66 gives us "wild, savage, fierce." Goatgate is an interesting one, because it turns out to be a relatively modern term from the urban dictionary, and I'm just going to refer to the polite version of it here - it's another word for "mouth." So 66 Goatgate is a "fierce and savage mouth." Yes, that does sound about right - in more ways than one, once you know who it is. (If you want to look up the impolite version, go ahead - I'm sure you will still find the connotations very amusing.)
Our metaphorical Leviathan is Crowley. He gave the game away at the end of S1 during the appearance-swap.
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This also means Aziraphale is his counterpart, Behemoth. Why - well, I made a bit of joke in my post here that he was playing at being a "river horse" while he wallowed in the bath of holy water during his part of the appearance-swap scene. Modern day scholars think the description of Behemoth in the Bible may be that of a hippopotamus in real life history. If that is so, I'd still be betting this is what the "dark horse" comment from Nina in S2E1 is foreshadowing.
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Maybe none of this new to you if you've been hanging around the the fandom for a while. That's fine, I'm just trying to establish the scene. And the next bit we need to talk about is this one, where Job gets a lecture from God.
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During this sequence, we hear lines that come from Job 38 and 39.
GOD: Job, if you have questions for me, I have questions for you. Do you know how I created the earth? Where were you when I laid the foundations of the earth, Job? Were you there when all the morning stars sang together and all the Angels shouted for joy?
These lines are paraphrasing some of the beginning of Job 38.
Then we have:
GOD: Do you know the rules of the heavens? Did you set the constellations in the sky? Can you send lightning bolts and get them to report back to you? Did you give wings to peacocks, Job, or teach the ostrich to run?
These lines are again, paraphrasing Job, half from 38 and half from 39.
So then, we need to ask, why highlight these lines in particular?
Job 38 is mainly about setting the boundaries of the universe around us. The Earth might seem impossibly huge to a human, but it started with a single stone at its foundation. Earth and the other planets obey certain laws as they move around the Sun. The patterns of the stars in the sky take so long to change that it seems like they are set and inconstant. Even the chaotic form of lightning respects its Creator and returns to its point of origin.
From the last part of Chapter 38 to the end of 39 God challenges Job with a list of animals. The theme here is about freedom and wildness. Whether it is a noble lion, a loathsome crow, a nimble mountain goat, the head-strong wild ox or the willing war horse, they all flourish upon the Earth under the sight of the Almighty. Even the mightiest and most fierce beasts of all, Behemoth and Leviathan, have a place, although only God has the means to control those two.
None of this needs a human to be involved. We are so often the center of our own universe, and try so hard to control every aspect of the world around us that we lose sight of the bigger picture. Shit happens. Some things are out of our control. That doesn't mean its your fault and you're wicked and damned to go to Hell because of it. And that was the point God was trying to make to Job. The world is a far bigger, wilder and chaotic than you can imagine, but its also incredibly beautiful, and it runs itself within the rules and limits that seem to be set by invisible forces you can't see.
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So back to the script from the show.
The first set of questions from God could apply to both of the duo. They were both around when Earth was created and were more than likely there when the "morning stars" (the highest angels, such as Lucifer, Gabriel, Michael and angel!Beelzebub) sang together.
The second set of questions are the ones that seem to have got the most attention so far, with ops cross-matching them to things Crowley does in S2.
Do you know the rules of the heavens?
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Did you set the constellations in the sky?
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Can you send lightning bolts and get them to report back to you?
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Did you give wings to peacocks, Job...
(I make a suggestion this has something to do with Michael, but also see comments below)
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...or teach the ostrich to run?
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The first three of those questions are fairly straight forward, and I doubt many would dispute what they are referring to. But the reference to the peacock and the ostrich are more subtle and curious, and I would like to take a moment to look at the actual verse - because it is only one verse that is providing both questions - that is being paraphrased here.
Job 39:13 Gavest thou the goodly wings unto the peacocks? or wings and feathers unto the ostrich?
Did you realize that the King James Version of the Bible is the only one that mentions peacocks in this particular verse? All the other versions mentions the first sentence of that verse in relation to the wings of ostriches: "The wings of the ostrich wave proudly." The ostrich is considered a cruel and witless bird in the Bible, pleased with the way it looks, and seemingly careless about its young.
Why does that sound familiar...
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Shax thinks this ostrich feather-clad angel in disguise isn't too smart either.
So using the peacock line is a curious choice in the script. Other than the "eyes" in the tail of the peacock having a connection to Michael's many watchful eyes on the world, it's still not clear how Crowley helped them upwards. Unless both lines are supposed to refer to Gabriel, and how the vain peacock was helped to both fly and run to a distant location in the stars.
Edit: Since I first wrote this, @beebopboom pointed me to some more peacock lore, and this helped me delve a bit deeper into them. Peacocks were associated with wealth and royalty, but they were also associated with immortality in early Christian beliefs. There was a belief that the flesh of the peacock did not decay after its death. The bright colours in its tail came from its eating venomous snakes, which reminded people of Christ becoming sin for humanity's sake (think of Crowley downing the laudanum to save Elspeth from Hell in the crypt in 1827, its a similar action.) The "eyes" on the males tail also represented the all-seeing eye of God. So we have a connection with both royalty and resurrection here.
(Oh - just as an interesting connection here - a number of the newer versions of the Bible not only don't mention the peacock in this verse, they compare the ostrich to the stork! The meaning is meant to be that the stork cares more for their young than the ostrich, but if you read the words at face value, you could take a double meaning away...)
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Let us return to questions, answers, and whales.
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Questions. Always questions. It's like the proverbial toddler who's always asking a never-ending string of "but, why?" for funsies and you just want them to shut up for a moment and think about the last thing you said first. They, too, are a bit like Job. They are the center of their own universe at that age, having not had much experience of the world. They have no grasp of how far it extends beyond them, and how little even we as adults know.
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If at this point you're going "oh, no, no, no, no, op, please don't tell me the point of this meta is it's all ineffable," relax. I'm not.
The point was to set you up for some nice, juicy, awesomely sweet S3 speculation.
Because I believe Crowley will finally get to ask his questions of God.
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(oh lordy, I made the mistake of taking a break to have a shower before trying to finish this off, because I was having trouble seeing how to finish this in a tidy way, and that caused me to have "shower thoughts" and now the nice sweet simple speculation has turned into a slightly bat-shit crazy kind-of one, although still on the same track as what I was originally thinking. Here goes...)
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We have this three card spread from waaay back at the beginning of S1. We all think its something to do with the three babies.
What if its not?
Because we need something like this to happen again - Aziraphale and Crowley either side of a third protagonist. What if it's the King of Kings, Love personified, Jesus, in the middle? (Or Adam again, I wouldn't discount that option either...)
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If you would look at the GIF and the screenshot together again and go, well that makes, sense, white for the angel on the right, and green for the demon on the left, I would jump up and shout at you - NO!
Look at the cards again! In the Tarot, that's the Ace of Swords on the right - it belongs to Aziraphale. It's a very powerful card, about new beginnings and change.* Lets call the one of the left Knight of Wands, which also represents the element of Fire. Knights are all about movement and journeys. Who owns the Bentley? And look what Gabriel has instinctively done with his hands - he has held his screen-left hand out to Aziraphale, the Sword, the angel who wears green, and his right hand out to Crowley, the Knight of Fire. The yin and yang qualities are actually swapped. That was what I was trying to tell you in this post. They aren't as obvious as they seem at first glance.
And love is the answer, it turns out. Did you see my comment the other day on another post? In Strong's Concordance 25 = to love.
Anyway, we should get a third parallel scene somewhat like this, and like when Aziraphale and Crowley took Adam out of time to talk to him in S1.
Only this time the three of them (with who ever is in the middle) should be having a talk with God about what is or isn't supposed to happen.
JOB: I think the point was, if you want answers, come back when you can make a whale.
Crowley could be a literal serpent (though I would be very surprised if he did manifest that way) but it should be a metaphorical Leviathan that stands before the Almighty to ask his questions and get his answers. And it will be that he has earned the right to be there, because he finally understands the lessons of Job.
@makewayforbigcrossducks I hope this answers one of your questions
*The Ace of Swords speaks of new beginnings, but it is a two-edged sword that can cut both ways. It is strength in adversity, victory out of struggle, good out of evil, a change in the old order on the way.
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atissi · 9 months
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okay very preliminary thoughts on mitski's new album BUT i think there's something with how "laurel hell" felt like a goodbye to the music industry (can't find the source but i remember reading that it was intended to be her last album under her contract) like i'm sorry anthony fantano but if you interpret the back half of "laurel hell" as being generic breakup songs you're missing like 80% of the context. to me TO ME it feels so clearly about her negotiating her relationship with fame, how she can't love her fans the way they love her, and how she feels like she sold her soul to her job, so the only thing to do is step away. but THEN "the land is inhospitable and so are we" was created after mitski decided to renegotiate her contract, specifically because she loved making music enough to deal with the negative aspects of the work. and then all the songs are about the ghost of love she can leave behind, despite the present pain or emptiness, and like. do you see it. do you see it.
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asanjou · 7 months
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i appreciate yanmas consistency
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