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ultrameganicolaokay · 10 days
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Epitaphs from the Abyss #1 by Stephanie Phillips, J. Holtham, Chris Condon, Jorge Fornés, Peter Krause, Phil Hester and more. Cover by Lee Bermejo. Variant covers by (2) Andrea Sorrentino and (3) Jay Stephens. Out in July.
"THE MOST NOTORIOUS NAME IN TERROR IS BACK — WITH A VENGEANCE!
From the publisher that drove Tales from the Crypt, Vault of Horror, Haunt of Fear, and many more into the depraved hearts of an unsuspecting world, the immortal EC COMICS returns . . . with its first ALL-NEW series in nearly 70 years! In our first extra-sized, 40-page dose of fear, witness shocking tales of torment and tension in the undying EC tradition — as wrenched from the grave by the vile intentions of acclaimed writers Brian Azzarello (Batman: Damned, 100 Bullets), Chris Condon (That Texas Blood, Night People), J. Holtham (Hulu's The Handmaid's Tale), and Stephanie Phillips (Harley Quinn, Grim) and realized into bloody reality by 'all-slaughter' artists Jorge Fornes (Rorschach, Danger Street) Phil Hester (Family Tree), Peter Krause (Irredeemable), and more! What the Comics Code Authority couldn't kill has only made it stronger . . .  EC COMICS LIVES AGAIN IN EPITAPHS FROM THE ABYSS!"
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geekcavepodcast · 2 years
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Marvel Comics Announces Halloween One-Shot “Crypt of Shadows #1″
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Marvel Comics has announced a new giant-sized anthology one-shot for Halloween titled Crypt of Shadows #1. The issue will feature stories about Moon Knight, Wolverine, Elsa Bloodstone, Man-Thing, Werewolf by Night, Morbius, Victoria Montesi, and Bloodline, the daughter of Blade who was introduced in Free Comic Book Bay: Avengers/X-Men #1.
Writers for Crypt of Shadows #1 include Chris Cooper, Al Ewing, Danny Lore, Rebecca Roanhorse, Adam Warren, Chris Condon, and more. Artists for the one-shot include Karen S. Darbow, Geoff Shaw, Adam Warren, Ibrahim Moustafa, and more.
Crypt of Shadows #1, featuring a cover by Leinil Francis Yu, goes on sale October 19, 2022.
(Image via Marvel Comics - Leinil Francis Yu’s Cover of Crypt of Shadows #1)
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smashpages · 2 months
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Out this week: Night People #1 (Oni Press, $4.99): 
This new miniseries adapts Barry Gifford’s novel Night People into comics, courtesy of writer Chris Condon and a different artist each issue, starting with Brian Level. “Follow an uneasy cast of wanted men, cartel-killers and lost souls through four interlocking tales as they travel a path of intoxication, lust and spontaneous violence from New Orleans to Egypt City, Florida, and back again.”
See what else is arriving at your local comic shop this week
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graphicpolicy · 8 months
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Preview: Harley Quinn: Black, White and Redder #3 (of 6)
Harley Quinn: Black, White and Redder #3 preview. Three all-new short tales of Gotham's most unpredictable antihero in only black, white, and red ink! #harleyquinn #comics #comicbooks
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theblackestofsuns · 2 years
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“Intersection”
That Texas Blood #17 (September 2022)
Chris Condon, Jacob Phillips and Pip Martin
Image Comics
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count-mecha · 2 years
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A much belated look at some of my favorites in comics from September.
Favorite Cover: Cradle of Filth #3 by Meghan Hetrick
All 3 of the horror anthologies I picked up from September - Cradle of Filth, Creepshow, and Things of Nightmares - are great. I think the strongest issue of the 3 was RL Stine's Stuff of Nightmares but the Cradle of Filth horror anthology has been consistently good and this Elizabeth Bathory cover is just so great.
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Favorite Panel: Superman Space Age #2 by Mike Russell with Michael + Laura Allred.
I actually wasn't aware of this series until recently and caught up on both. Been a huge fan of The Allreds for a long time and I pick up everything they do. Soace Age has been a fun overview of Superman's life. Liked this panel of Superman with Nixon and Elvis, I like nods to my city I guess.
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Favorite Page: Vanish #1 by Donny Cates and Ryan Stegman
Slight early spoiler for this - As an edgelord and a 90's kid, I loved the first issue of Vanish. This page was really excellent and unexpected. Really like the concepts here with magic users, extreme violence, and the fact that the former world hero is dealing with rock bottom drug addiction brings an interesting angle. I'm excited to see where this one goes. I don't want to explain too much but you should check it out if it sounds ingesting to you.
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Favorite Overall: Hell is a Squared Circle by Chris Condon and Francesco Biagini with Mike Englehart
Daniel Warren Johnson may be putting out one of the best wrestling serials right now with Do A Powerbomb but Hell is a Square Circle shouldn't be overlooked. I really liked this one-shot wrestling, crime noir story a lot. Mark Engelhart's colors really bring this together for me as well. Check it out.
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smillingcartoonist · 2 years
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Hell is a Square Circle
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dark-horse76 · 2 days
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Enfield and Me
(in which I ramble on... and on... and on about Enfield... and me xd)
The Enfield Gang Massacre is my favourite comic, and it lives rent-free in my head. Last time I wrote about Enfield, I wrote that the reasons I love Enfield have to do with Enfield itself (the story/artwork), some of which I could talk about but many of which I can't because I don't yet have the knowledge or the words, and personal reasons that for the most part I couldn't sort out and were just a big, messy question. Both sides have started to become a bit clearer. (Although, I suppose I have to caveat that there's not necessarily a very clear distinction between the two sides - they are definitely intertwined in many places xd.)
So, in this, I'm going to attempt to sort out some of my messy thoughts and feelings around Enfield. Buckle up, kids xd
Firstly, I think I should reiterate that I got Enfield not expecting to like it. It has the words "gang" and "massacre" in the title, and I'm fairly sure some of the early press around it described it as "brutal". These are signs that something will not be my kind of thing (not that I really know what my kind of thing is anymore rofl)! Then why, you might ask, did I add it to my subscription list soon after it was announced and read it in the first place?
Two answers: Because I'd read issue 14 of That Texas Blood (made by the same people, Enfield is set in the same universe but much earlier) and loved it a lot and because I'd seen an image (below) from the first issue of Enfield and loved that.
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The writing in Enfield and TTB is in the vernacular, and I guess it made me realise how out of place I sometimes feel. I may've lived in Britain nearly 15 years, but I'm not from here. I never will be. I'll always be an outsider.
I think it all made me kind of homesick and looking at that artwork was/is comforting. I don't even... like, I'm not from West Texas - I've never even been to West Texas 😂 but... I don't know. It's home, nonetheless, I guess.
TTB#14 - and it's always felt strange thinking this, considering what goes in TTB lol but - also made me remember the good sides of Texas. I know Texas is a shithole, and it's wearying. TTB and Enfield, despite everything that goes on in them, helped me remember things I love about Texas. Both Chris Condon and Jacob Phillips deserve to be honorary Texans (and I'm still a little surprised neither of them is Texan lol because it's normally only Texans who talk this way about Texas).
I think going into it not expecting to like it made it hit all the harder when I did. That's my excuse anyway lol Blindsided by Enfield like I was blindsided by comics generally lol
And, like comics generally, I think one of the reasons Enfield has come to mean so much to me is because it kinda finished, or accelerated, what comics generally had started. I would have caught on eventually, but Enfield hit me with it in a moment of clarity when I was reading the first issue. Just. I'm holding it in my hands, looking at it, and all of a sudden I know with a certain panicky dread - I need to make comics. I tried to talk my brain out of it, you know, with logic, especially around the rather important not being able to draw bit, but... well, my brain won xd.
I think I would have gotten to that realisation eventually, because comics is definitely the closest to how I envision stories. When I was younger, I used to use film scripts as a guide because that's the only frame of reference I had for what I wanted to do - it wasn't what I wanted to do, but that was comics but I didn't know about comics... 😭
Enfield is also responsible for getting me to be interested in and like art. It started with Jacob Phillips's colours, which I love. Of course, I don't know anything about art, so I don't really know why I love it so much or why I think it works so well, but it made me want to go try to find out, to pay attention to what artists do and the choices they make, to look at as much art as I can, to learn everything I can.
I went to an art museum (or gallery, not actually sure and actually no idea what the difference is lol...) for the first time a few months ago, and that was fantastic. It's all comics' fault (mostly Enfield) xd
Somewhat coupled (but not completely) with the whole "I need to write comics" thing that reading Enfield made realise, Enfield also helped re-ignite my desire to learn how to draw, because there's a few panels in there that I frequently try to draw. I just can't help it even though it goes not very well every time lol
I've always thought "I wish I could draw" but never had much motivation to actually try, because I suck at it xd. Doesn't help that I pretty much stopped drawing when I was <10 years old. But I have to. My brain is giving me no choice. It's literally the hardest thing I've ever tried to learn, and I don't think I've ever sucked so bad at something ROFL, but...
Would this have happened without Enfield? Like realising I need to turn my writing-focus to comics, probably. It's a little hard to escape when being sucked into the whirlpool of comics, but.
So, basically, it feels like Enfield re-forged me similar to how comics generally did. I sometimes (okay, a lot xd) think of comics as a tsunami that unexpectedly ripped me from my peaceful, non-comics beach and half-drowned me whilst dragging me out to sea. Then once I stopped struggling, it deposited me on an island paradise. Where Enfield proceeded to crash into me like a meteor 😂😂😂
Was Enfield just in the right place at the right time? Maybe, though I'm not sure it ultimately matters if that's the case or not. I think my gut is that it's more than that. I read relatively a lot of comics last year, and it's only Enfield that had this impact.
If I could do comics even remotely like Enfield, I would be very happy indeed. (Do I think I'll be able to? Absolutely not, but it's good to have aspirations lol)
The other thing that gets me about Enfield is it's a Western. Now, as far as I know, I don't like Westerns. However, this thought was formed by being forced to watch like every single John Wayne movie known to man - which, fortunately, due to my absolute crap memory, I don't actually remember haha.
Enfield, I think I would call a subversive Western, in that it takes what I think of as the expected tropes (lawmen = good, outlaws = bad, usually mixing in some racism and imperialism for good measure...) and...doesn't do that xd. It's not inverted, exactly, Enfield's not, like, a Good Guy (TM), but the 'good guys' are not Good Guys. And THAT is far more interesting. It's complicated, like real life.
It reminds me of the moment I knew I was going to love the story:
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You wouldn't believe the number of scenarios I came up with trying to figure out how the end of the story (Enfield dying, it's not a spoiler, trust me xd) could be not the real end of the story because of this page 😂
Anyway. I've probably rambled on about Enfield (again) enough for one day (for now) xd
So, yeah. I love Enfield a lot, and if you haven't read it, you should read it (and also TTB) it's really good, I promise xd
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comicbookclub · 3 months
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Comic Book Club: Chris Condon And Tim Seeley
On this week's live show podcast, we're welcoming returning guests Chris Condon (Oni Press' "Night People") and Tim Seeley ("Local Man," "Hack/Slash")!
On this week’s live show podcast, we’re welcoming returning guests Chris Condon (Oni Press’ “Night People”) and Tim Seeley (“Local Man,” “Hack/Slash”)! SUBSCRIBE ON RSS, APPLE, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Powered by RedCircle Chris Condon Bio: Chris Condon is the writer of the ongoing Image Comics…
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comicbookclublive · 3 months
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Comic Book Club: Chris Condon And Tim Seeley
On this week's live show podcast, we're welcoming returning guests Chris Condon (Oni Press' "Night People") and Tim Seeley ("Local Man," "Hack/Slash")!
On this week’s live show podcast, we’re welcoming returning guests Chris Condon (Oni Press’ “Night People”) and Tim Seeley (“Local Man,” “Hack/Slash”)! SUBSCRIBE ON RSS, APPLE, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Powered by RedCircle Chris Condon Bio: Chris Condon is the writer of the ongoing Image Comics…
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sequentialplanet · 1 year
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Chris Condon and Jacob Phillips Reunite For The Enfield Gang Massacre
Chris Condon and Jacob Phillips will return to Ambrose County, Texas with a five-issue That Texas Blood prequel titled The Enfield Gang Massacre. This six-issue Western is set to launch in August from Image Comics. The miniseries will focus on Montgomery Enfield and his gang of outlaws they “find themselves in the crosshairs of an aging Texas Ranger and a newborn county that’s hungry for…
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smashpages · 1 year
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‘That Texas Blood’ spinoff miniseries will explore the past of Anbrose County
Creators Chris Condon and Jacob Phillips will tell the story of ‘The Enfield Gang Massacre’ this August.
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graphicpolicy · 4 days
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EC’s Relentless Return Continues with Cruel Universe
EC’s Relentless Return Continues with Cruel Universe #comics #comicbooks #eccomics
Compelled to OBLIVION, driven to ENTROPY, all life in our cosmos can only end in one place: COMPLETE ANNIHILATION! Spilling forth from the aftermath of EC Comics’ hugely anticipated resurrection this July in the pages of Epitaphs From the Abyss #1 from Oni Press, the limitless fury of the most infamous and influential comics imprint of all time rages onward to wrench bizarre tales of time and…
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theblackestofsuns · 2 years
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“Waiting”
That Texas Blood #17 (September 2022)
Chris Condon, Jacob Phillips and Pip Martin
Image Comics
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makorragal-312 · 5 days
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At this point, the only way I see this storyline leading to Eddie's queer realization arc is if next episode, he kinda engages in some sort of emotional affair with Kim due to him projecting his unresolved feelings for Shannon on her. But as time goes on, things become clear the Kim is nothing like Shannon and everything turns on its head when Eddie accidentally refers to Kim as "Shannon" and things immediately shut down from there.
Then Kim goes on to ask him what's going on with him and that's when Eddie is forced to admit that she reminded him of his late wife and that seeing her brought back some emotions he hadn't been able to get rid of. That's when she has to tell him that projecting his unresolved love for his wife on someone else isn't happy and that he shouldn't be trying to recreate it on her or anyone else and that each love should be different and not recreated. She ultimately tells Eddie that he needs to work on himself and through his emotions for Shannon and asks him not to see her again.
Eddie ultimately thinks this over and eventually decides that Kim was right and that not only was he projecting Shannon onto her, but he had been more often than not projecting her and their relationship onto his last relationships and trying to recreate the family that they had for the short amount of time Shannon was around. That's when he decides to finally break things off with Marisol and focus on himself, which ultimately leads to his queer awakening either at the ends of the season or the start of Season 8 and the eventual feelings realization for Buck.
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smillingcartoonist · 2 years
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Hell is a Square Circle
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