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batboyblog · 4 months

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2024 Senate Elections: You'd Better VOTE!

Yes it's election year yet again in America! but not just for President, almost as important will be the US Senate!

I'm not gonna lie this is a rough map for Democrats, we're playing a lot of defense in some pretty red states with even our best hopes for a pick up being pretty long shots. But even with narrow control of the Senate we've managed the biggest climate bill in American History a huge infrastructure bill thats bring high speed rail to America capped the price of insulin changed the law to allow Medicare to negotiate drug prices bring savings to everyone, and put over 160 federal judges on the bench, 2/3rds of whom are women and/or people of color the first time white men haven't been the majority of nominees by a President. So let's keep progress going by voting for, supporting, donating, and volunteering for the following candidates in the races that will decide the US Senate this year.

Arizona

Ruben Gallego (Hold)

After frustrating Democrats by repeatedly voting against major Democratic priorities, supporting the filibuster and putting donors over voters, Arizona Senator Kyrsten Sinema left the Democratic Party to become an independent in 2022. Democratic congressman Ruben Gallego was running to primary Sinema before she left the party and is now the likely Democratic nominee to unseat her and give Arizona the Democratic Senator it deserves. Gallego is a former Marine, combat veteran, Harvard grad, a former state representative, and since 2014 a member of Congress. Gallego is a member of the Progressive Caucus and is known for his blunt and combative style standing up to Republicans. In Congress Gallego has been a strong supporter of native rights advocating for tribes on health care and child welfare issues. Gallego is also the sponsor of a bill to bring about nation wide, free, all-day kindergarten which isn't available in many states. If elected Gallego would be Arizona's first hispanic Senator. Republicans hope that the Democratic vote will split between Sinema and Gallego allowing them to win this important seat. The Republican front runner is conspiracy theorist and Trump super fan, Kari Lake. Lake rose to national fame in 2021 for pushing conspiracy theories about Trump having won the 2020 election, as well as anti-mask and anti-vaccine Covid conspiracies. Lake was the Republican nominee for Arizona governor in 2022. During that campaign she ran on an aggressive anti-LGBT platform, saying she'd ban drag, and was against trans rights. Lake also is against Abortion in all cases. After losing to Democrat Katie Hobbs, Lake refused to concede, and still pushes the conspiracy theory that she's the rightful governor of Arizona. If you live in Arizona please make sure you vote, but more if you have any time between now and November, volunteer to help Gallego! and if you don't live there you can still Donate or buy a pro-choice shirt from his campaign!

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Florida

Debbie Mucarsel-Powell (Flip)

Florida's current Republican Senator Rick Scott is a right wing extremist pushing dangerous ideas even by the standards of the Modern GOP. During his first term as Senator Scott has pushed to defund the IRS, and the Department of Education. He's sponsored bills to punish schools that allow students to use preferred pronouns, to ban affirmative action, bans teaching critical race theory, and ban trans people from women's sports. Scott is against abortion in all cases. Most alarming Rick Scott proposed a radical plan that would "sun-set" ANY and all federal laws after 5 years, including Social Security and Medicare, Scott would place all federal programs and agencies on the chopping block every 5 years for a radical Republican minority to block their renewal and leave us without Social Security, or the EPA, to name just two examples. The likely Democratic nominee is former Congresswoman Debbie Mucarsel-Powell. Born in Ecuador, Mucarsel-Powell immigrated to the US when she was 14 and had work to help support her family. When she was elected to Congress in 2018 she became the first South American born immigrant and first person of Ecuadorian heritage to be elected to Congress. In Congress Mucarsel-Powell was a member of the Progressive caucus, she fought to expand medicare, and secured $200 million for Everglades restoration. After a narrow defeat in 2020 Mucarsel-Powell joined the gun control advocacy group Giffords to fight for gun control a personal issue for her after her father was murdered when she was 24. If you're in Florida please make sure you vote, and Volunteer to help remove on of the most extreme Senators, If you're not in Florida you can help Debbie win by donating.

VOTE VOLUNTEER DONATE

Michigan

Elissa Slotkin (hold)

Long time Democratic Senator Debbie Stabenow is retiring this election, so there will be a tough fight for control of this important swing state Senate seat. The likely Democratic nominee is Congresswoman Elissa Slotkin. Slotkin is a former CIA analyst, after retiring from the CIA she worked in the State and Defense departments during the Obama administration. Slotkin was first elected to Congress in 2018 winning and being re-elected in a tough swing district. In Congress she's fought for common sense gun control, supported the cap on insulin prices and Medicare drug price negotiation, she helped pass a law on drug price transparency, she championed the CHIP act to bring high tech manufacturing jobs back to America, and was a big supporter of Bipartisan Infrastructure Law. Slotkin is centering a pro-choice message in her campaign as well as gun control and bring down medical costs. Who the Republicans will pick isn't totally clear, it seems like it's between Former Congressman Mike Rogers and former Detroit Police chief James Craig. Craig ran for Michigan governor in 2022 before he was disqualified for fraudulent signatures on his nominating petition. Craig has listed cutting off US support to Ukraine as one of his top priorities, and endorsed Trump's 3rd run for President early in the primaries. Mike Rogers is also trying to win over Trump voters and has attacked the rights of LGBT students in schools calling it "social engineering". If you live in Michigan make sure to get out and vote, and also volunteer! And for everyone outside the state you can donate or buy some merch.

VOTE VOLUNTEER DONATE SHOP

Montana

Jon Tester (re-elect)

In most contexts Montana is a deep red state going for Trump in 2020 57% to 40%. This makes the reelection of Montana's only Democratic member of Congress and only statewide elected Democrat, Jon Tester maybe the toughest election for Democrats this year. A Senator since he was first elected in 2006 Tester has won a series of upset wins in Montana over the years. A 3rd generation farmer Tester has been as strong for small farmers and ranchers in Washington. Tester has always been a champion of accountably and transparency in government pushing ethnics and campaign finance reforms. Tester is rated one of the most effective senators and managed to pass more bills last year than any one else in Congress. He's never been afraid to stand up for the Democratic side even if it'd be an unpopular vote in Red Montana. Tester voted to impeach Trump twice, and he voted against all 3 of Trump's nominees to the Supreme Court. He supported President Obama on The Affordable Care Act and Dodd-Frank, and has supported President Biden on the Inflation Reduction Act and Bipartisan Infrastructure Law. Republicans seem likely to nominate right wing influencer and former Navy SEAL Tim Sheehy. Sheehy promises to get drag queens out of schools and the Lord's Prayer in to the classroom. He also hopes to repeal Obamacare calling for a "total privatization" of health care and made statements against the very idea of health insurance, insisting people should pay full price at point of use. If you're a Montanan make sure to vote to re-elect a champion of the little guy, and also volunteer! if you're not please think of donating what you can, if you can only give to one campaign this cycle this one, or Ohio are the most important!

VOTE VOLUNTEER DONATE SHOP

Nevada

Jacky Rosen (re-elect)

First elected to Congress in 2016 Jacky Rosen moved up to the Senate in 2018. In her first term as a Senator Rosen has championed green energy for Nevada. Together with fellow Democratic Nevada Senator Catherine Cortez Masto, Rosen has gotten millions for solar manufacturing in Nevada as well as millions to replace the state's school buses with electric, and programs to study new groundbreaking green technology. Senator Rosen has been a supporter of gun control, is in favor of banning assault weapons. She sponsored a bill, the Background Check Expansion Act, that would require background checks for all gun sales closing loopholes for on-line sales and gun shows. Rosen is pro-choice and has sponsored a bill to protect doctors from being prosecuted across state lines for providing reproductive care, and is a co-sponsor of a bill to codify Roe V. Wade into federal law. Rosen will likely face Republican celebrity and army veteran Sam Brown. Brown ran and lost a race for the Texas State House in 2014 and ran and lost for Nevada's other Senate seat in 2022. Brown stated he was in favor of getting rid of the Departments of Education, Transportation, and Energy. Brown is against Red Flag gun laws that allow police to temporarily remove fire arms from the home of someone deemed a danger to themselves or others. Brown also has refused to say if he supports a national abortion ban, but does say he's pro-life and wouldn't support any judges that weren't. If you live in Nevada make sure to get out to vote and volunteer to protect the state's green future and the right to reproductive care. If you're not in Nevada consider donating or buying some merch.

VOTE VOLUNTEER DONATE SHOP

Ohio

Sherrod Brown (re-elect)

Ohio together with Montana represents the toughest re-elect for Democrats this year. The state went for Trump twice, elected a right wing radical, JD Vaince, to the Senate in 2022 and has had a Republican governor since 2010. To complicate thing more Democrat Sherrod Brown is one of the most progressive members of the Senate, regularly scoring along side Bernie Sanders and Elizabeth Warren for the most left wing in the Senate. From the time he was first elected to Congress in 1992 Brown refused to take the Congressional Health Insurance until all Americans could be covered. Brown first supported a Medicare for all bill in 2006 and has supported different efforts to expand Medicare and health coverage. He was a key supporter of the Children Health Insurance Program (CHIP). Brown is a strong supporter of unions and has struggled his whole career to protect unionized manufacturing jobs in Ohio. He was one of the first Senators out on the picket line during the UAW strike of 2023. Brown's hard work has help make Ohio the center of a new booming lithium battery manufacturing in America, a green manufacturing future for the state. Republicans look likely to nominate former used car dealer and father-in-law of Republican Congressman Max Miller, Bernie Moreno. Moreno's main qualification seems to be having been endorsed by Donald Trump. He lists among his priorities "End Socialism in America" and "End Wokeness and Cancel Culture". If you're in Ohio make sure to vote to re-elect a progressive giant and volunteer too! If you live out of Ohio donate, if you're looking for the race where your dollar will matter the most, this one or Montana guys.

VOTE VOLUNTEER DONATE

Pennsylvania

Bob Casey Jr. (re-elect)

First elected in 2006 Bob Casey famously beat incumbent Republican homophobe Rick Santorum by 17 points. Since first entering the Senate Casey has moved leftward on a number of issues. First elected as a pro-Gun Democrat since 2012 Casey has sponsored a number of bills to expand background checks, ban assault weapons, ban extended magazines, and well as supporting mental health funds for victims of gun violence. For a number of years Casey was called the last pro-life Democrat in the Senate, however in 2022 he came out in support of Roe V Wade and voted twice on bills that would have codified the right to an abortion into federal law. Casey voted against all 3 of Trump's Supreme Court picks and has long supported Planned Parenthood's contraception efforts with federal funds, seeing easily available birth control as key to reducing the number of abortions. In 2021 Casey published a plan he called "The Five Freedoms for America's Children" modeled after FDR's famous speech. He proposed automatically enrolling all kids in Medicaid, an expanded child tax cut, a federally supported college fund for all kids who's parents make under $100,000, expanded free school meals, more funds for head start and abuse prevention programs. Republicans are rallying behind Mitch McConnell's hand picked candidate, hedge fund CEO David McCormick. McCormick worked for the Bush administration during Bush's second term. McCormick's wife Dina Powell also worked for the George W. Bush administration and was a senior aid to Trump as well. If you're in Pennsylvania make sure to get out and vote for a solid Democrat out to solve child poverty in America and keep the Hedge Fund guy from Connecticut out, and Volunteer if you can. Remember you can donate where ever you are.

VOTE VOLUNTEER DONATE SHOP

Texas

Colin Allred (flip)

Texas is currently represented by likely the most hated man in Washington, Ted Cruz. Republicans hate him, Democrats hate him more, he has a very punchable face, he might be the zodiac killer (thats a joke and meme). From shutting down the government in 2013 to try to overturn Obamacare, to leading the charge in Congress to overturn the 2020 election on January 6th Ted Cruz is a greatest hits of the worst parts of the Republican Party of the last 10 years. When Texas lost power in the middle of a historic ice storm in 2021 Ted Cruz and family ditched the state to go on vacation in Mexico, classy. Cruz in the Biden years has cast himself as a culture warrior fighting against "woke" publishing a book "Unwoke: How to Defeat Cultural Marxism in America" in 2023 to kick off his re-election campaign. Texas is a traditionally red state but things are starting to shift and in 2018 Cruz narrowly won re-election over Beto O'Rourke. Democrats hope with the right candidate they can turn Texas blue and beat the most hated Senator in America. Democrats think Congressman Colin Allred is the man for the job. Allred is a former NFL Linebacker for the Titans. After the NFL he went on to get his law degree from UC Berkeley, and work in the Obama administration. Allred was first elected to Congress in 2018, unseating a Republican who'd been in office since 1997 and becoming the first Democrat to represent the area in Congress since 1968. In Congress Allred has supported bills to expand voting right and protect abortion rights, as well as gun control. In the Senate he promises to address Texas' shaky power grid and make sure Texas is never left in the dark again with its leaders missing. Lets do this Texas, make blue Texas a reality if you live in Texas remember to vote and volunteer, if you're an American who hates Ted Cruz you can donate to make in unemployed.

VOTE VOLUNTEER DONATE SHOP

Wisconsin

Tammy Baldwin (re-elect)

When Tammy Baldwin first ran for Congress in 1998 she was the first openly gay person elected to the US House and the first open Lesbian to serve in Congress. In 2012 she became the first openly gay person elected to the US Senate and the first Lesbian to be a Senator, she is still the only openly gay Senator. Through out her time in office Baldwin has been a tireless voice for LGBT rights, in 2022 she helped spear head the passage of the Respect for Marriage Act to help protect gay marriage, she's also a sponsor of the Equality Act to protect all LGBT people from discrimination. Baldwin is a progressive who was a member of the House Progressive caucus, opposed the Iraq War and supported impeaching Dick Cheney. In the House she introduced bills for a single payer healthcare system in 2000, 2002, 2004, and 2005. In the Senate Baldwin is regularly listed as one of the most progressive members, voting against tax cuts for the rich, supporting a bill to require companies to have workers on their boards, she sponsored a bill to create a public option in Health Care, and has supported gun control efforts. The Republican field to challenge Senator Baldwin is uncertain, but former Milwaukee sheriff David Clarke dominates the polls if he decides to run. Clarke's sheriff's department is accused a number of human rights violations from his time as sheriff, including allowing a prisoner to die of dehydration after 6 days without water in the Milwaukee County Jail. Clarke is a Trump super fan who has pushed conspiracy theories about mass shootings being fake, attacked Black Lives Matter, called Planned Parenthood "Planned Genocide", and called for the mass detention without trial of Americans because he believed there were a million ISIS supporters in America. If you're in Wisconsin make sure to get out and vote for a trailblazing icon and also volunteer if you can, all Americans can donate and support Baldwin wherever they are.

VOTE VOLUNTEER DONATE SHOP

If you're an American citizen and will be 18 years old (or older) by November 5th 2024, PLEASE PLEASE PLEASE! make sure you're registered to VOTE please check Vote.Org to find out what you need to do, what deadlines there are and act NOW

If you're an American living outside the US, YOU HAVE THE RIGHT TO VOTE. Please checkout Vote From Aboard they have literally all the information you need to get registered and get your ballot wherever in the world you are, and Check out Democrats Abroad to take part in the global primary

Where ever you live in the US, there is an important life changing election happening! Get off your phone or computer and get involved, There are Events happening all around you right now Volunteer

Finally if you're a US citizen of any age any where on earth you can donate, donate to elect Biden/Harris donate to elect Democrats to the Senate, To the House, to Governorships, to local office

and the smallest thing you can do is reblog this very long post, thank you!

#2024 elections #politics #american politics #us politics #voting #democrats #Joe Biden #Republicans #donald trump #go vote

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dalishious · 5 months

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A BioWare Guide on How to Murder a Fanbase

I have been a Dragon Age super-fan for almost fourteen years, now. I have played every game, with every DLC. I have read every novel, lore book, and every comic — yes, even the terrible ones that are better off forgotten. I have seen the anime film, the animated series, and the web mini-series. I have enjoyed all of these pieces of the franchise over and over, more times than I can count. So, make no mistake: the negativity you’re about to hear comes from a place of love for this fantasy world, developed by many creative people over the years. I would love nothing more than to see the resurrection of passion in the Dragon Age fandom again. But the unfortunate truth is, that resurrection is only needed because BioWare took the fandom out back and shot it in the first place.

In December 2018, three years after the release of Dragon Age: Inquisition’s Trespasser epilogue DLC, BioWare first announced the then-untitled next Dragon Age game with a teaser trailer. At this point, most fans were anticipating this would mean within the next couple years, we would see the game. This assumption was based on the fact that Dragon Age: Inquisition was first announced in 2012, and released in 2014, with an extra year of development added last minute.

There have been dribbles of extra content since then, adding to the franchise. This was enough to keep some fans still breathing and interested. 2020’s Dragon Age: Tevinter Nights was a lovely anthology. 2020’s Dragon Age: Blue Wraith and 2021’s Dark Fortress were wonderful comics tying up the story started in Knight Errant. And 2022’s Dragon Age: Absolution was a well-animated series with an interesting cast of characters and story. But all these still left the fandom with a major question: What was going on with the next game? It was untypical of BioWare to be so secretive, in comparison to how they handled sharing information of the past games in the franchise. The only form of updates fans still have to go on is mostly just concept art and short stories, hinting that something must be in production. But why was the wait so long?

In 2015, the first version of the next Dragon Age began with a clear vision, clear scope of practice, and a reportedly happy developer team. Most gloriously in my book, there was no multi-player… but this did not align with the Electronic Arts typical money-mad schemes. EA’s push for “games as a service” meant they wanted to monetize all their games as much as possible, and therefore, they wanted them to be a live service — as Anthem demonstrated, that meant sacrificing things that are staples of good RPGs, like narrative and character choice. So in 2017, version one of the next Dragon Age was scrapped and replaced. This new version would have, in total or to at least some degree, an online portion of play.

There is one part of Schreier’s article, “The Past and Present of Dragon Age 4,” that really sticks out to me, regarding this:

“One person close to the game told me this week that Morrison’s critical path, or main story, would be designed for single-player and that goal of the multiplayer elements would be to keep people engaged so that they would actually stick with post-launch content.”

The idea of splitting up components of a game into single-player and multi-player is a terrible idea, because it means that there would be a large bulk of content only accessible through online gaming; something many fans, like myself, are repulsed by. Even if I did enjoy it, I spent most of my life growing up with either no internet or shoddy internet incapable of playing online games. I know many rural people who are still in that position, losing more and more of their favourite gaming pastimes because they are locked out of the ability to play them. It is a disservice to hide content behind a wall like this, especially in a world that is so lore-heavy like Dragon Age. The news of multi-player in Dragon Age understandably upset many, and this is when I first noticed a large drop off in excitement over the next game.

However, in 2021, the failure of Anthem (multi-player) and success of Star Wars Jedi: Fallen Order (single-player) led the executives at EA to bend to the wishes of BioWare leadership and allow them to go back to the drawing board yet again on the next Dragon Age. This meant removing all multi-player content!

While I am very happy that there will reportedly be no multi-player in Dragon Age: Dreadwolf, I can’t help but feel bitter and a little disgusted over the ridiculous development time spent on something no one but EA wanted in the first place. If it weren’t for this foolishness, Dragon Age: Dreadwolf would be in our hands right now. Instead, it’s been in development hell for nearly nine years and counting. Nine years is a long time to expect fans to carry a torch for you through radio silence, but it’s no wonder BioWare has shared barely anything about the next game; it’s been in flux for so long, they likely haven’t had anything concrete to show.

BioWare hurt its reputation even more when the news broke that the studio very suddenly laid off 50 people who were working on Dragon Age: Dreadwolf. This is pretty damning on its own, but BioWare took it a step further. Former developer Jon Renish shared a statement revealing that the studio was only willing to offer laid-off employees two weeks of severance per year of service, and denied health benefits. The denial of health benefits in particular is a pretty wild move for a studio with a reputation for “stress casualties”. The latest news on this is that BioWare has still so far refused to negotiate better severance packages, leading to a lawsuit. The lawsuit originally had 15 former employees, but this dropped due to the fear of not being able to afford to pay their bills. So now, while EA sits on $400 million net income, the laid-off employees are struggling to buy holiday presents for their children. These horrid business practices are not to be ignored when accounting for a lack of faith in a studio. What kind of monsters reward workers who make your games special with vaguely reasoned lay-offs?

The latest news on the Dragon Age: Dreadwolf front from BioWare came early this month, December 2023, with a trailer… announcing a trailer that will come next summer… that will announce the release of the game. Supposedly. Maybe. We’ll see. But by this time, BioWare is something of a laughing stock of their own fandom. Reactions to the video released with a pretty map graphic and a few rendered locations were, from what I personally observed, mostly sardonic in nature. People have commented on the vapourware nature of the game, and like all vapourware, that leads to disintegrating trust.

Despite all this, people like Mary Kirby, (one of the veteran Dragon Age writers who was a victim of the layoffs,) said, “it’s bittersweet that Dreadwolf is my last DA game, but I still hope you all love it as much as I do,” encouraging fans to still support the game when it eventually is released. But after every misstep BioWare has taken, that’s a tough sell now. Fans are finicky, RPG fans more so than others, one could argue. We have our favourites, and many of us stick to those favourites for life over our appreciation for the artistry — but that relationship between studio and fan should go both ways. EA and BioWare has betrayed that relationship, and it will take a hell of a lot to build it back up again, now.

[This piece is also available on Medium!]

#dragon age #dadw #dragon age dreadwolf #bioware #game development #meta #releasing this into the wild and running away

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yurimother · 11 months

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Star Student X Delinquent Yuri Romance Manga 'I Can't Say No to the Lonely Girl' Licensed in English

On Saturday, Kodansha USA announced at its Anime Expo 2023 panel that it has licensed Kashikaze's I Can't Say No to the Lonely Girl (Lonely Girl ni Sakaraenai) for English publication. The first volume of the school romance Yuri manga will be released in the spring of 2024.

I Can't Say No to the Lonely Girl follows Ayaka Sakurai, a star student gifted in both academics and athletics. However, she gets nervous about exams, so has to settle for a lesser high school than she intended.

When her homeroom teacher recognizes Ayaka's struggle, she offers her a recommendation letter that could get her into any school of her choice, on one condition. She has to convince the delinquent girl, Sora Honda, to come to school. Thus the goody-goody Sakurai is thrust into a web of blackmail that might just lead to romance!

I Can't Say No to the Lonely Girl was serialized in Comic Yuri Hime from 2019 until its conclusion in October 2022. Ichijinsha publishes six collected volumes of the manga in Japanese.

The manga received positive reviews from audiences and critics. Erica Friedman awarded the first Japanese volume an 8/10 score on Okazu, and the series won 12th place overall in Yuri Navi's fifth Yuri Manga Sousenkyo in 2021.

Kashikaze is a Japanese Yuri artist. She has contributed to multiple Yuri anthologies, including Canelé: Soeur, Shibuya Gyaru, and Chocolat: Shkaijin Yuri Anthology. She also released a side story doujinshi focusing on the side characters from I Can't Say No to the Lonely Girl.

Look forward to the release of the first volume of I Can't Say No to the Lonely Girl in the Spring of 2024.

Source: Kodansha USA Website, Kodansha Comics Twitter

#yuri #girls love #lgbt #gl #gay #lgbtq #news #manga #anime expo #anime expo 2023 #queer #lesbian #anime #yuri manga #gl manga #yuri anime #gl anime #I can't say no to the lonely girl

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mostlysignssomeportents · 10 months

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Cloudburst

Enshittification isn’t inevitable: under different conditions and constraints, the old, good internet could have given way to a new, good internet. Enshittification is the result of specific policy choices: encouraging monopolies; enabling high-speed, digital shell games; and blocking interoperability.

First we allowed companies to buy up their competitors. Google is the shining example here: having made one good product (search), they then fielded an essentially unbroken string of in-house flops, but it didn’t matter, because they were able to buy their way to glory: video, mobile, ad-tech, server management, docs, navigation…They’re not Willy Wonka’s idea factory, they’re Rich Uncle Pennybags, making up for their lack of invention by buying out everyone else:

https://locusmag.com/2022/03/cory-doctorow-vertically-challenged/

But this acquisition-fueled growth isn’t unique to tech. Every administration since Reagan (but not Biden! more on this later) has chipped away at antitrust enforcement, so that every sector has undergone an orgy of mergers, from athletic shoes to sea freight, eyeglasses to pro wrestling:

https://www.whitehouse.gov/cea/written-materials/2021/07/09/the-importance-of-competition-for-the-american-economy/

But tech is different, because digital is flexible in a way that analog can never be. Tech companies can “twiddle” the back-ends of their clouds to change the rules of the business from moment to moment, in a high-speed shell-game that can make it impossible to know what kind of deal you’re getting:

https://pluralistic.net/2023/02/27/knob-jockeys/#bros-be-twiddlin

To make things worse, users are banned from twiddling. The thicket of rules we call IP ensure that twiddling is only done against users, never for them. Reverse-engineering, scraping, bots — these can all be blocked with legal threats and suits and even criminal sanctions, even if they’re being done for legitimate purposes:

https://locusmag.com/2020/09/cory-doctorow-ip/

Enhittification isn’t inevitable but if we let companies buy all their competitors, if we let them twiddle us with every hour that God sends, if we make it illegal to twiddle back in self-defense, we will get twiddled to death. When a company can operate without the discipline of competition, nor of privacy law, nor of labor law, nor of fair trading law, with the US government standing by to punish any rival who alters the logic of their service, then enshittification is the utterly foreseeable outcome.

To understand how our technology gets distorted by these policy choices, consider “The Cloud.” Once, “the cloud” was just a white-board glyph, a way to show that some part of a software’s logic would touch some commodified, fungible, interchangeable appendage of the internet. Today, “The Cloud” is a flashing warning sign, the harbinger of enshittification.

When your image-editing tools live on your computer, your files are yours. But once Adobe moves your software to The Cloud, your critical, labor-intensive, unrecreatable images are purely contingent. At at time, without notice, Adobe can twiddle the back end and literally steal the colors out of your own files:

https://pluralistic.net/2022/10/28/fade-to-black/#trust-the-process

The finance sector loves The Cloud. Add “The Cloud” to a product and profits (money you get for selling something) can turn into rents (money you get for owning something). Profits can be eroded by competition, but rents are evergreen:

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

No wonder The Cloud has seeped into every corner of our lives. Remember your first iPod? Adding music to it was trivial: double click any music file to import it into iTunes, then plug in your iPod and presto, synched! Today, even sophisticated technology users struggle to “side load” files onto their mobile devices. Instead, the mobile duopoly — Apple and Google, who bought their way to mobile glory and have converged on the same rent-seeking business practices, down to the percentages they charge — want you to get your files from The Cloud, via their apps. This isn’t for technological reasons, it’s a business imperative: 30% of every transaction that involves an app gets creamed off by either Apple or Google in pure rents:

https://www.kickstarter.com/projects/doctorow/red-team-blues-another-audiobook-that-amazon-wont-sell/posts/3788112

And yet, The Cloud is undeniably useful. Having your files synch across multiple devices, including your collaborators’ devices, with built-in tools for resolving conflicting changes, is amazing. Indeed, this feat is the holy grail of networked tools, because it’s how programmers write all the software we use, including software in The Cloud.

If you want to know how good a tool can be, just look at the tools that toolsmiths use. With “source control” — the software programmers use to collaboratively write software — we get a very different vision of how The Cloud could operate. Indeed, modern source control doesn’t use The Cloud at all. Programmers’ workflow doesn’t break if they can’t access the internet, and if the company that provides their source control servers goes away, it’s simplicity itself to move onto another server provider.

This isn’t The Cloud, it’s just “the cloud” — that whiteboard glyph from the days of the old, good internet — freely interchangeable, eminently fungible, disposable and replaceable. For a tool like git, Github is just one possible synchronization point among many, all of which have a workflow whereby programmers’ computers automatically make local copies of all relevant data and periodically lob it back up to one or more servers, resolving conflicting edits through a process that is also largely automated.

There’s a name for this model: it’s called “Local First” computing, which is computing that starts from the presumption that the user and their device is the most important element of the system. Networked servers are dumb pipes and dumb storage, a nice-to-have that fails gracefully when it’s not available.

The data structures of source-code are among the most complicated formats we have; if we can do this for code, we can do it for spreadsheets, word-processing files, slide-decks, even edit-decision-lists for video and audio projects. If local-first computing can work for programmers writing code, it can work for the programs those programmers write.

Local-first computing is experiencing a renaissance. Writing for Wired, Gregory Barber traces the history of the movement, starting with the French computer scientist Marc Shapiro, who helped develop the theory of “Conflict-Free Replicated Data” — a way to synchronize data after multiple people edit it — two decades ago:

https://www.wired.com/story/the-cloud-is-a-prison-can-the-local-first-software-movement-set-us-free/

Shapiro and his co-author Nuno Preguiça envisioned CFRD as the building block of a new generation of P2P collaboration tools that weren’t exactly serverless, but which also didn’t rely on servers as the lynchpin of their operation. They published a technical paper that, while exiting, was largely drowned out by the release of GoogleDocs (based on technology built by a company that Google bought, not something Google made in-house).

Shapiro and Preguiça’s work got fresh interest with the 2019 publication of “Local-First Software: You Own Your Data, in spite of the Cloud,” a viral whitepaper-cum-manifesto from a quartet of computer scientists associated with Cambridge University and Ink and Switch, a self-described “industrial research lab”:

https://www.inkandswitch.com/local-first/static/local-first.pdf

The paper describes how its authors — Martin Kleppmann, Adam Wiggins, Peter van Hardenberg and Mark McGranaghan — prototyped and tested a bunch of simple local-first collaboration tools built on CFRD algorithms, with the goal of “network optional…seamless collaboration.” The results are impressive, if nascent. Conflicting edits were simpler to resolve than the authors anticipated, and users found URLs to be a good, intuitive way of sharing documents. The biggest hurdles are relatively minor, like managing large amounts of change-data associated with shared files.

Just as importantly, the paper makes the case for why you’d want to switch to local-first computing. The Cloud is not reliable. Companies like Evernote don’t last forever — they can disappear in an eyeblink, and take your data with them:

https://www.theverge.com/2023/7/9/23789012/evernote-layoff-us-staff-bending-spoons-note-taking-app

Google isn’t likely to disappear any time soon, but Google is a graduate of the Darth Vader MBA program (“I have altered the deal, pray I don’t alter it any further”) and notorious for shuttering its products, even beloved ones like Google Reader:

https://www.theverge.com/23778253/google-reader-death-2013-rss-social

And while the authors don’t mention it, Google is also prone to simply kicking people off all its services, costing them their phone numbers, email addresses, photos, document archives and more:

https://pluralistic.net/2022/08/22/allopathic-risk/#snitches-get-stitches

There is enormous enthusiasm among developers for local-first application design, which is only natural. After all, companies that use The Cloud go to great lengths to make it just “the cloud,” using containerization to simplify hopping from one cloud provider to another in a bid to stave off lock-in from their cloud providers and the enshittification that inevitably follows.

The nimbleness of containerization acts as a disciplining force on cloud providers when they deal with their business customers: disciplined by the threat of losing money, cloud companies are incentivized to treat those customers better. The companies we deal with as end-users know exactly how bad it gets when a tech company can impose high switching costs on you and then turn the screws until things are almost-but-not-quite so bad that you bolt for the doors. They devote fantastic effort to making sure that never happens to them — and that they can always do that to you.

Interoperability — the ability to leave one service for another — is technology’s secret weapon, the thing that ensures that users can turn The Cloud into “the cloud,” a humble whiteboard glyph that you can erase and redraw whenever it suits you. It’s the greatest hedge we have against enshittification, so small wonder that Big Tech has spent decades using interop to clobber their competitors, and lobbying to make it illegal to use interop against them:

https://locusmag.com/2019/01/cory-doctorow-disruption-for-thee-but-not-for-me/

Getting interop back is a hard slog, but it’s also our best shot at creating a new, good internet that lives up the promise of the old, good internet. In my next book, The Internet Con: How to Seize the Means of Computation (Verso Books, Sept 5), I set out a program fro disenshittifying the internet:

https://www.versobooks.com/products/3035-the-internet-con

The book is up for pre-order on Kickstarter now, along with an independent, DRM-free audiobooks (DRM-free media is the content-layer equivalent of containerized services — you can move them into or out of any app you want):

http://seizethemeansofcomputation.org

Meanwhile, Lina Khan, the FTC and the DoJ Antitrust Division are taking steps to halt the economic side of enshittification, publishing new merger guidelines that will ban the kind of anticompetitive merger that let Big Tech buy its way to glory:

https://www.theatlantic.com/ideas/archive/2023/07/biden-administration-corporate-merger-antitrust-guidelines/674779/

The internet doesn’t have to be enshittified, and it’s not too late to disenshittify it. Indeed — the same forces that enshittified the internet — monopoly mergers, a privacy and labor free-for-all, prohibitions on user-side twiddling — have enshittified everything from cars to powered wheelchairs. Not only should we fight enshittification — we must.

Back my anti-enshittification Kickstarter here!

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad- free, tracker-free blog:

https://pluralistic.net/2023/08/03/there-is-no-cloud/#only-other-peoples-computers

Image: Drahtlos (modified) https://commons.wikimedia.org/wiki/File:Motherboard_Intel_386.jpg

CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.en

—

cdsessums (modified) https://commons.wikimedia.org/wiki/File:Monsoon_Season_Flagstaff_AZ_clouds_storm.jpg

CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/deed.en

#pluralistic #web3 #darth vader mba #conflict-free replicated data #CRDT #computer science #saas #Mark McGranaghan #Adam Wiggins #evernote #git #local-first computing #the cloud #cloud computing #enshittification #technological self-determination #Martin Kleppmann #Peter van Hardenberg

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msbigredmachine · 6 months

Text

Sugar & The Chief - A Roman Reigns One-Shot

Reader is a best-selling erotic author reflecting on the success of her newest novel, which is based on her secret affair with the man who became her muse.

PAIRING: Roman Reigns x OC

Warning: A LOT of smut

Word count: 5.7k

A/N: I started this goddamn fic in late 2021! 😭 I'm so glad it's finally out. This one is a little different and I hope you enjoy!

--------------------------

It took you approximately three years to finish it. At first, you didn't want to, because through the smoke of mirrors of the raunchy literature was hands down the most personal piece you’ve ever done. But your team insisted that you go through with it. Your publicist Sheree told you it was one of the best works she’s ever read. On top of that, the dividends from your last book were starting to dry up, so you didn’t have that much of a choice.

You finally relented, and soon after it was published, the novel exploded. Your rabid readers had been waiting impatiently for your next offering and they gobbled it up. Your face and the novel were all over social media, TV, magazines and even on the huge Times Square billboard just down the road from your multi-million dollar penthouse in the Upper East Side. It wasn’t long before you were doing interviews and signing autographs in bookstores, malls and libraries all around the country. You were scheduled to be in London, Paris and Madrid next month promoting the book. It was a comeback for the ages.

And you had him to thank for that.

Sugar & the Chief was an erotic tale about an intense love affair that ended in disaster. Critics viewed it as Fifty Shades of Grey with better writing and much better sex and found the protagonist, Erica, relatable and three-dimensional. Erica was an ambitious albeit mentally unstable escort in an illicit relationship with Roman, a married Hollywood superstar she codenamed ‘the Chief’. This wasn’t your bland Mills & Boon romance tale...This was so smutty and so nasty you couldn’t read the first few paragraphs without wanting to masturbate thanks to Roman and Erica’s graphic sexual antics. It was so detailed that some theorists believed the Chief was based on a real person. When asked about who ‘Roman’ was, you played him off as a completely fictional character. No one needed to know the true identity of your muse. But you were one hundred percent sure that if he read this book, he would know it was about him. After all, you had incorporated some real-life dialogue between you in the novel. Without a doubt, he would know. You wondered, not for the first time, what his thoughts were if he had indeed read it.

Your fans did not hesitate to relay their own thoughts. Tonight, you were busy reading quite a number of them. Sheree had collated readers’ reviews, emails and feedback and sent them to you for your entertainment. Each one had you smiling from ear to ear. Women from all walks of life gushed about Erica and Roman. Housewives, attorneys, college students, septuagenarians, book club members; all of them had something to say and you felt all warm and fuzzy inside to know you still had it, that the magic hadn’t left your pen yet. Of course, they all wanted to know who the Chief was. They were so impressed with how he fucked you, dominated you and yet doted on you…They all wanted a man like him.

They all love you so much, Leati…just like I loved you…love you…

Closing your MacBook, you stood up from your desk with a smile. You stared out the ceiling-to-floor window and kept sipping from your Olivia Pope-sized glass of red wine, sinking deeper into your thoughts.

Truth be told, you should have known better than to fall in love with Joe Anoa’i. Your first meeting all those years ago on a week-long vacation should have ended on the island between the soft rumpled sheets of his bed. What happened in Hawaii should have stayed in Hawaii. But then, you couldn’t stop gravitating to him and he couldn’t stop gravitating to you. You went running whenever he called and he came running whenever you called. It was wild, passionate, addicting, exciting…too good to last, really. And it wasn’t long before the fantasy came crumbling down.

So many factors came into play. The demands of his job as the face of WWE. The meteoric level of his fame. And then, his discovery of your coke habit, your discovery of his wife Nicole and his three children, your increasing jealousy, his decreasing interest in you. After five tempestuous years, your relationship came to a bitter end, and the difficult healing process put an end to the writer’s block you’d been suffering from for a while.

You missed him deeply, and wished the dull ache in your heart would go away. As morally questionable as it had all been, what you experienced with him needed to happen to every woman at least once in her lifetime - indulging in forbidden fruit and all the delicious things that came with it; the danger, the thrill of secrecy, the earth-shattering sex, the emotions of love, lust, possession, and of course, the inevitable pain and heartbreak…

You captured all of that in Sugar.

------------------

Chapter 22

Erica pushed the button, shuddering out a breath she didn't realize she'd been holding. The elevator doors clunked closed and the cables began to whir. She ascended, floor by floor. Light goosebumps littered over her arms as she was filled with a morbid mix of dread and anticipation.

Their big fight from three weeks ago kept playing over and over in her head like some kind of evil loop. He didn't want to leave Gaelle for her and she'd taken her frustrations out on him. However, after what she'd just discovered, he was going to have to change his mind. Because of him, she had broken the ultimate rule in this treacherous line of work. This little game between them has been turned on its head, and tonight was the last time she would play by his rules.

The door opened before she knocked, and she felt her pussy purr involuntarily as they locked eyes. That big, sexy ass body of his leaned against the doorframe, his huge arms crossed over his equally huge chest. His dampened long hair flowed past his shoulders, and he smelled fresh, like he'd just had a shower. It didn't matter how long they'd been apart for; he always took her breath away every time she saw him.

"Well? You gon' stand there or you comin' in?" he sassed, that smooth country-boy drawl of his making her body temperature rise. Shaking it off, she walked through the door, right past him and into the open layout of his new, lavish penthouse, the night lights illuminating her brown skin through the floor-to-ceiling glass windows.

"Nice place," she commented, looking around with mild interest. He had found another hideaway where he could fuck around behind his wife's back. It didn't matter, because Gaelle was never going to leave him no matter what he did and he knew it. She could feel him trailing behind her, his bare feet moving catlike and silent on the cool hardwood floor. He had a prescence like no other, that was why he was the biggest movie star in the world today. And you so happened to be the mistress of the biggest movie star in the world today.

"Champagne?" he offered.

"No, I'm fine," she answered, her crossed arms pushing up her already generous cleavage. Roman's gaze longingly raked over the A-line trench coat concealing her curves, traveling down to the sinful looking high heels adorning her feet. Her hair fell in luscious, tempting waves down her shoulders. A deliberate move, surely, as she knew he loved her hairstyles down. His dick hardened as he imagined bending her over, pulling her tresses and spanking that fat, juicy ass of hers as he pounded--

"I'm not stayin' long, so talk." Her statement yanked him out of his lurid daydream.

"You got all dressed up for me, beautiful," he asked, scanning her up and down again.

"Not everything's about you, Roman," she scoffed.

Not her giving him more lip. He would do something about that later. "I called you a buncha times last week but you didn't pick up. You left my texts on read," he accused with narrowed eyes. "You ignored me."

Erica tilted her chin, her stance defiant. "And why does that surprise you?"

He raised an eyebrow at her biting response and chuckled at her audacity. Sugar was quite the firecracker and honestly, he couldn't get enough. Walking towards her, he smirked as he caught on to her struggle to keep her eyes on him and not on his thick dick print, clear as day in his gray sweatpants. He reached out and rubbed her arm with his hand before tugging her closer to him.

"Sweetheart, don't ever ignore me again. Especially when you know that pussy belongs to me."

"Does it? Funny, I thought I was 'just another pricey whore'. Did you forget you said that to me?"

He rolled his eyes with a huff. "Sometimes I say shit I don't mean, baby girl, you know how it is."

Taken aback by his dismissive, nonchalant attitude, she yanked her arm away. "Are you fuckin' kiddin' me? After everything we've been through? That shit was foul as fuck!" she said incredulously.

"I know. That's why I texted you to come over so I could apologize in person, but you refused to answer me. I hate it when you shut me out, Erica."

"You shut me out, too! For weeks! And now that you're bored you summon me like I'm your fuckin' toy. I am not your toy, Roman! I don't give a damn that you're a Hollywood star, there's plenty of other A-listers out there who will take care of me and not treat me like shit."

"And yet, you come back to me every time," he pointed out, the smug curl of his lip just as panty-wetting as the rest of him. "None of your other clients take care of you like I do, make you feel the way I do. That's why you dropped 'em all, for me."

Erica started to retort but stopped herself, realizing that this was in fact, the truth. But she'd be damned if she let him have the last laugh. "Ya know what? This was a mistake. I should go. I had something to tell you but I dunno why I even bothered to come here."

She turned around but he grabbed her before she could go far, drawing her back to him. Seeing her getting worked up always seemed to fuel his desire for her. The angrier she was, the hotter the sex, and he was horny as fuck for her right now.

"Look at you, gettin' all riled up," he drawled, his tone tinged with amusement. "I love it when you're mad, that shit turns me on, baby."

This man was as infuriating as he was sexy. "Fuck you! Everything is a joke to you!"

"This feel like a joke right here?" he demanded, snatching her hand and pressing it against his throbbing length. The little whimper she let out as she cupped him sealed her fate.

"Feel that? Feel what you do to me?" His voice was rough and needy, matching the look in his eyes. "I need you, Erica. It's been weeks and I've been goin' fuckin' crazy without you."

"Go home to your wife, then," she bit back with a lot less conviction than she aimed for. The pull was much too strong, quite literally too as he wrapped both arms around her slender waist, his face nuzzling her neck and making her hiss as his soft beard tickled her skin.

"She don't make me feel like you do." His voice was needy and almost pathetic as his mouth pressed her throat. "Let me make it up to you, baby. I wanna kiss you. Can I kiss you?" His tongue was warm, his breath hot and heavy on her skin, and her arousal flared against her will.

"Roman..."

"Come on, baby, kiss me," he murmured, his lips sliding over hers. It was a slow but deliberate assault, and Erica felt her body yield as a soft gasp escaped from her. She sagged against him, gripping his shoulders for balance as their mouths smacked oh so sensually together. Fuck, she missed this, missed his delicious kisses and his assured touch as he grabbed her round, fleshy ass, kneading and caressing in his hands and pressing himself harder against her.

Roman growled softly as he released her mouth, his tongue snaking out to lick his lips as his eyes flitted down to her chest. "Take your clothes off," he commanded.

Wordlessly, Erica's hands slid over the leather belt on her waist to slowly unbuckle it. Then, she opened up her coat, eased it off her shoulders and let it fall to the ground, leaving her in nothing, absolutely nothing, but her heels. Roman's darkened orbs blazed to an onyx black as they scanned her naked body, drinking in every smooth, delicate, voluptuous curve. Grabbing her by the waist, he backed her up against the nearest wall, his hardened dick straining against her exposed center. A shiver ran through her as he crashed his mouth back to hers, his huge hand squeezing her throat briefly before tracing the valley between her breasts, and she finally let go of the groan she was holding back as his hand came in contact with the intimate spot between her thighs.

"Damn..." he smirked as he found nothing but wetness, pushing his palm against the slick mound and sliding his fingers along her slit. She moaned in response, her hands gripping his tattooed bicep as his thick finger pushed into her, her pussy quivering around the digit as he thrust it at a maddeningly steady pace.

"Mmm-hmm you like this, don't you baby?" he said, nipping at her bottom lip, coaxing yet another moan from the back of her throat as he slipped a second finger home with deep, languid thrusts. She whimpered helplessly, her vision blurring as her walls dripped and tightened around the invading digits. Her forehead dropped onto his chest, battling to hold on to her sanity. "Fuck..."

Buoyed by her whines and soft cries, he pumped his fingers more earnestly, hissing softly when her walls rippled around them again, signaling her end. "You 'boutta come already, huh? I told you this my pussy. Squeeze my fingers Erica, come for me."

Damn him and his ability to control her with just his touch. Her eyes squeezed shut, and her shout of pleasure came from somewhere inside her soul as she spasmed uncontrollably. She could hear his triumphant snicker as her juices flooded his fingers, brushing his mouth against hers as she leaned into him to regain her tenuous balance. He scooped the round, soft flesh of her breast into his eager palm, with his other hand leaving her pussy to suck her juices, humming pleasantly at the familiar sweet taste.

"Remember what I told you in my text?" he breathed, his gaze trained expectantly on her.

"Mm-hmm."

"Tell me," he insisted, now massaging both her breasts. "Tell me what I said to you. I made you a promise. What was it?"

Erica fought through the thick haze of passion to recall his exact words from the raunchy text message. "You promised to make me come at least three times before we ever make it to the bed," she recounted.

Roman smiled smugly, satisfied with her response. "Uh huh. And Daddy always keeps his promises, don't he? That was the first. Two more to go. Now, let me show you around my new crib."

He showed her around, alright. First, on the plush sectional in the living room area, with her on her back and her head hanging off the edge as he slowly thrust his dick in and out of her mouth. She let his groans wash over her as her jaw relaxed to take more of his intimidating length down her throat. Even upside down, her gag reflex was superb, so each time he thrust inside her, her tongue lapped at the base of his cock, soaking his balls with her spit. Willing to give as much as he was receiving, he leaned forward and rubbed her clit in quick circular motions, making her moan around his cock with the vibrations causing his neck to extend, looking up to the ceiling as pleasure licked his spine.

"Unnnh fuck, suck my dick, take it all down your throat, baby," he encouraged her, sliding his other hand over her breast and toying with her nipple, all while fucking her face. His knees weakened at the sight of his length bulging her throat, she always knew how to take him well. "Shit, Sugar, you look so fuckin' hot like this..."

Erica moaned again through her stuffed throat, waves of heat washing over her as her pussy pulsated beneath the pleasure of his long thick fingers. In all her time under the bright lights and the seedy bowels of Hollywood, she had never been captivated by any one human being. Until him. Their escort-client relationship had long since grown into something more. She had given up on resisting him and let him do anything he wanted to her in bed. But tonight she craved some semblance of control, and this time, his famed charms would not stop her from getting it.

Pushing him away so he slipped out of her mouth, she sat up straight and tugged him onto the massive couch with her. Straddling his hips as he sat up, she placed one hand on his barrel-like shoulder while using the other to curl her fingers around his pulsing dick. He groaned and bucked his hips as she flicked the head of his dick along her slit just to torture him a little. Then guided him against her opening and slid down.

The moment felt heavy and tense, like a tightly twined coil as her wetness opened up for him. At the end of her slow descent, she stopped to adjust to all the emotions and sensations wracking both their bodies. Unconsciously rocking her hips into him, she gasped as the pressure immediately started to build. Their hands and mouths were all over each other. Roman ran his hands up and down her back, rubbed her tits, squeezed her ass. Erica raked her nails over his nipples, sucked on his neck, bit his shoulder. Fuck, it felt so damn good already. Ass rested comfortably on his thighs, chest to naked chest with his dick lodged inside her, it was clear they were not going to last very long.

Leaning back slightly on her other hand placed on his thigh, she began to ride him. Slow and steady at first, making him absorb every drop of her ass, every crevice, every sensation. The lust and pleasure consumed them both, their mouths colliding with hot, sloppy kisses, her moans pitching higher as the tension thickened. His own groans grew heavier and gruffer, his hands leaving her hips to slide underneath her ass and lift her up and down. Exquisite torture, with his strong grip on her making her wet pussy take every inch of him. The angles of his upward thrusts as he bounced her on his dick had her making noises like a bitch in heat. He was so snug and warm and deep inside her, it was as though she could feel him in her soul.

"Oh my fuckin' god," she half-groaned, half-cried, throwing her arms around him and burying her face in his neck as he bounced her even harder. Up, down, up, down. His dick stretched her walls, his fingers deep into her ass cheeks enough to leave a bruise or two. The dizzying sensations spiraled her into another orgasm, and she sat all the way down on his dick and rolled her ass desperately, literally riding out her nut. She couldn't stop herself from biting into his sweaty, salty skin as she came, making the big man growl in reaction and smack her ass hard.

"That's your second nut," he declared.

He flipped her onto her back, still deep inside her. He looked down at her with hungry, blown pupils, letting his hands dance along the meat of her thighs and her calves. Throwing her legs onto his shoulders, he leaned forwards, folding her in two as he fucked her into the couch. Her hands clawed the back of his head only for him to grab them and pin them above her head. The sweat clung to their skins as he steeled his thighs and grinded himself into her wet heat, his face lowering to suck both of her nipples into his mouth, his tongue swirling around each peaked bud. Her groans snowballed with his groans as he drove his dick impossibly deep inside her with primal intensity. When she managed to speak, her voice was unrecognizable. "Oh fuck, I'm coming," she moaned hoarsely, her toes curling behind his head as she exploded again, "Oh my god, Roman, ohhh..."

"I'm 'bout to come too, don't fuckin' move," he panted, holding her down to piston his hips and pound into her. Erica basked in the sound of his tortured groan when his big body tensed up and she felt him pour into her warm confines, his hips stuttering as he found sweet release.

"Got you to three quicker than I expected," he said when he caught his breath, kissing her cheek. "We just gettin' started, baby. I'ma remind you why this pussy is mine."

He gave her an up close and personal view of the city's remarkable skyline, her breasts crushed against the glass window as his juicy lips ravaged her from behind. She could only imagine how she looked right now. Her legs wide, ass spread open, her battered pussy wet and swollen and pulsing for more of his oral onslaught. Nobody ate her out the way he did, with so much passion, covering all the bases, her clit, her inner lips, and even her asshole. The warmth of his breath had her walls clenching as he licked and sucked and kissed everywhere, painting her slickness with his spit. The relief she felt as he finally detached his mouth from her center and got off his knees was replaced with his heavy cock tapping her pussy lips before breaching her entrance with the thick girth. Each thrust dragged her sensitive nipples across the cool, hard surface of the glass, but Erica was so lost in the moment that she didn't care.

"Mmmph, fuck me, baby, fuck my pussy," she exhaled another pining moan, her nails scraping against the glass where he had ordered her to place her hands. Her mouth fell open when he slapped her backside, that deliciously dangerous dick of his pounding into her in full view of the bright lights of Los Angeles. His dick slid in deeper and deeper, his hips circling each time he was buried inside her, making her knees buckle as her climax inched ever closer. She tried to speak again, but words failed her, reducing her to a whimpering, shivering mess as her pussy clenched greedily around his dick. Roman merely chuckled arrogantly, reveling in his handiwork.

"You sound so fuckin' sexy, baby girl, keep moaning for me like that," he purred, his hands clamped on her shapely hips to make her take his lethal strokes. He was a man on a mission, punishing her for assuming she had any sort of control over him. Tears sprang to her eyes as he slowed down his thrusts, his pelvis mashed up against her soft backside as his cock worked inside the sensitive walls of her pussy with a more tender rhythm. He filled her with stroke after long stroke, making them both moan as she squirted all over him this time, her orgasm breaking her into a million pieces.

He showed her the stripper pole next to his bed. He had it installed specially for her, he said, so she could show off her elite lap dancing skills for him and him alone. Watching that itty-bitty waist and all that ass bounce on his dick like her rent was due would be the end of him; He couldn't resist massaging the soft cheeks in his palm, one after the other as she gyrated back and forth on him like a professional.

"Uh huh, go off, baby, pop that pussy on my dick," he drawled from his spot on the pouf he lounged on, his sturdy thighs spread wide apart to give her all the space she needed to ride and grind while she held onto the pole for balance. He watched the streaks of his cum trickle down her gyrating ass, and it made for quite the visual, slapping against the mixture of her juices smothered over his groin. He rubbed in the remnants of his seed on her cheeks, biting his lip as the skin glistened and made her big booty look even bigger. "Mmm, damn baby, this pussy so good, I should throw a dollar at your fine ass..."

"Fuck!" Erica had the pole in a death grip as yet another orgasm rocked her body. She had to get off his dick because she was shaking so hard. The tremors had her mewling pitifully as she bent over, gifting him with the sight of her pink pussy quivering as her cum ran down her inner thighs.

"Get back down here," Roman ordered, smacking her leg and then her ass as he stroked his dick in his hand, "You ain't done. Sit your ass back down on this dick."

He'd been wanting to break in his new California king bed since it'd been installed, so it was apt that he was breaking her back in it. He had her on her stomach, her asshole stuffed with a purple-colored butt plug as he stuffed her pussy with his hard, long cock. She moaned and gasped beneath him, clutching the comforter with her fists as he fucked her like a savage, her plump ass trapped in his possessive grasp.

"Daddyyyyy..." Her moan was loud and long and desperate. It became too much. Roman's dick seemed to double in size inside her and both her holes felt too full to the point of another explosion. A sob tore from her chest.

"Why you cryin'? Huh?" He slapped her ass. "Don't cry. You wanted this dick. Ain't that why you came over? Daddy told you to come and you listened like a good bitch, Daddy's sexy ass bitch. Come here." He hiked her hips higher to force a deeper, more painful arch in her back, and rammed his dick into her sweet spot over and over, demolishing her pussy. Too spent to throw her ass back, she could only lay there and take it, and her eyes squeezed shut, certain she was about to pass out from pleasure.

A big square mirror stretched across the ceiling directly above the bed. His hand slithered into her hair, tugging her head back, almost hyperextending her neck to make her look up. Her mouth dropped open in a moan as she watched that big thick shaft glide in and out of her, the soft skin of her ass rippling against the smacks of his pelvis. Just the sight of him and her together in such an erotic moment had her leaking again, soaking the silk sheets on the bed. He was fucking her so good. She hadn't come this hard and this many times in a long, long time.

Sitting back on his heels, he brought her off the bed and flush against him, assaulting her neck with his hot mouth. "You make me so fuckin' crazy, Erica. Don't nobody else make me lose control like this," he whispered, his grip tightening around her throat as the other hand gripped her breast, making her whimper. "Love this pussy so fuckin' much. You love this dick, baby?"

"Yes Daddy, I love it, I love you," she choked out.

"Mm-hmm, I love you too, baby. You gon' make me come all up inside you, girl," he grunted, his brain growing fuzzier as his end neared. He wrapped her up in his big arms, engulfing her with his heat, lavishing her panting mouth with tongue kisses as his hips rocked upwards, teasing her g-spot. Erica found enough strength to rock with him, grinding back against him, the lovers moving together in the most intimate, sensual dance. Roman groaned with pleasure when he felt her incredibly tight pussy pulling on his cock. It was almost difficult for him to continue thrusting inside of her, but her warm slickness eased the way for him. His hand left her breast and slid down her sweat-slick body to play with her clit, dragging her weak body over the edge.

"Unnnnhhhh..." Erica moaned out, her eyes rolling in the back of her head. Roman moaned with her, his soft lips trailing wet, frenzied kisses along her throat as his balls tightened, craving fresh release. "Come, baby girl, come for Daddy," he whispered shakily.

His wish was her command. Her body went limp as she detonated one more time, creaming all over his dick in the process. Roman let his head fall forward, his groan muffled against her throat as he came hard, smearing his warm cum all up in her walls. Erica murmured incoherently as she felt him pulse inside of her, giving her everything he had like he always did. When it was all over, he grabbed hold of her hair and planted yet another searing kiss on her lips, before releasing her to collapse on the mattress. Admiring her thoroughly fucked disposition, he massaged her backside tenderly before slowly easing the plug out of her, watching her wince from the pain. Running a hand over the back of her head, he brought her face to face with his groin. "Suck all this shit off my cock," he ordered.

Erica licked her lips at the sight of his thick member, semi-erect and slathered in a milky cocktail of her juices and his semen. Grasping it obediently, she lowered her mouth onto it, moaning softly at the taste of herself on him. Roman looked on with a bite of his lip, stroking her hair as she licked him clean. Afterwards, he lay on his side and pulled her into his chest. Erica sighed happily as he kissed her gently, soothing all her pain away. This feeling right here was the reason she could never let him go. Their connection was too deep, too special. No man had ever made her feel like this and she didn't want to lose it; the high of having him, the euphoria of belonging to him. It was why she was willing to quit today, right now even, and start a new life with him. She needed him to be with her forever, and she wasn't sure she was going to take no for an answer this time.

After what she was about to tell him, she doubted he would say no...not when the life they had created together was done out of the love they shared.

"Baby?" she whispered softly to him, watching him closely.

"Hmm?" Lying flat on his back, his eyes were shut and he was in a state of complete relaxation.

"Look at me," she said, waiting for him to meet her eyes before speaking. She needed him to understand the words coming out of her mouth.

"Roman, I'm pregnant, and the baby is yours."

End of Chapter 22

--------------------

Erica's unexpected declaration spelled the beginning of the end of her relationship with Roman. His behavior took a complete 180, having security drag her out of his new apartment, denying all ties to her unborn child and cutting off all communication with her. A distraught Erica terrorized him, stalking his family, poisoning his wife Gaelle and getting him fired from a lucrative film project. It all came to a head when Erica took Gaelle hostage in Roman's vacation home where he had fled to escape her rampage. She forced him at gunpoint to have sex with her in his marital bed while his wife watched, but died when he deliberately strangled her in the middle of her orgasm. It also turned out that Erica was never pregnant, and the positive test she'd shown Roman belonged to her friend and fellow escort, Tiffany. Erica's story made headline news all around the world. It was an incredibly shocking end and it worked well with the dramatic plot of the story.

You were glad for the artistic license, and though what really happened with you was less chaotic, it was not any less heart wrenching. You never even got to break the news to Joe. In fact, he was gone from your bed before the crack of dawn, vanished like a thief in the night. Never returned your calls or messages until three days later, when you received a text message from him that put your heart in a blender.

Nicole and I have decided to work things out. For good this time. I hope you understand. Thanks for always being there for me. Take care of yourself. ❤

How you recovered from that blow, you would never know. How you dug yourself out of the hole of darkness he dumped you in was still a mystery to you sometimes. It really was a testament to your mental strength, because not many people would have survived the unimaginable pain he inflicted on you. The sinister side of you wished you had been brave enough to do exactly what Erica did, to take out your rage on him and make him hurt like he hurt you. But instead you redirected that energy to your work, pouring every second of your anguish into the book. It took a long time for you to get to this point of fulfillment and success in your life, and the book had been your therapy. Now, you were at least making good money from your pain and it softened the blow a little bit.

When you thought about Joe these days, it wasn't with as much resentment. It seemed he had a few problems of his own anyway, as his beloved Nicole was reportedly threatening to upgrade their separation to a divorce and take his kids with her. How the tables turned. Nonetheless, you wished him the best. You still had love for him. You would always miss him. He changed your life, and there was no doubt that you would forever carry him with what was left of your heart.

"Mama?"

You heard her little voice before you heard the shuffle of her tiny feet. Quickly placing the wine glass in the sink, you turned as the love of your life came into view, her favorite blanket dragging behind her as she searched the room for you.

"Shouldn't you be sleeping, little lady?" you asked, fighting back a big smile to look as serious as possible. She was in her "I wanna stay up late" phase and you couldn't afford to fold, not this time at least.

Her little dual Afro puffs jiggled as she rubbed her hand over her eyes, "Come sweep with me, Mama," she pleaded, staring up at you with her big, expressive brown eyes and a pout that was the spitting image of her famous father. She was starting to look so much like him.

Your heart swelled as she padded over to you with her arms outstretched. You lifted her up and held her small body tightly, absorbing her innocence and unconditional love. She smelled so fresh and delicate, like roses, sunshine and baby powder. Her scent has filled your life with joy and purpose since the day you brought her into this world two years ago.

And to think you had almost taken those pills to snuff out this beautiful life in a fleeting moment of weakness. Now, you would give your own life to protect hers without question. Always.

"Okay, kiddo, let's get you back to bed," you cooed softly, kissing her chubby cheek.

"Read me a stowy, Mama?"

"Of course, baby."

As you retreated to your daughter's bedroom, your phone vibrated beside your MacBook. Three letters you had not seen in years flashed on the Home Screen, cutting through the empty room and calling out to you.

❤️Joe❤️

THE END

--------------------------

Alternate Sugar & The Chief book cover

Please leave feedback/comments. I appreciate them as they help me improve my writing.

Thank you all so much for reading!

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spnscripthunt · 5 months

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Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Nimona, Netflix‘s animated feature based on ND Stevenson’s 2015 National Book Award-nominated graphic novel about finding friendship in the most surprising situations and accepting yourself and others for who they are.

Nick Bruno and Troy Quane (co-directors of Spies In Disguise) directed the film, which was adapted by Big Hero 6 scribe Robert L. Baird and Spies co-writer Lloyd Taylor and features the voices of Riz Ahmed and Chloë Grace Moretz in the lead roles. Frances Conroy, Lorraine Toussaint, RuPaul Charles, Eugene Lee Yang, Indya Moore, Sarah Sherman and Beck Bennett also have voice roles.

A family-focused film with authentic queer themes set in a vibrant techno-medieval world (credit to teams at Blue Sky Studios and DNEG Animation), the plot centers on Ballister Boldheart (Ahmed), a knight in a futuristic medieval world, who is framed for a crime he didn’t commit. The only one who can help him prove his innocence is Nimona (Moretz), a mischievous teen with a taste for mayhem — who also happens to be a shapeshifting creature Ballister has been trained to destroy.

Baird and Taylor said their main challenge in the adaptation was to stay true to Stevenson’s story while morphing it from the episodic form of the novel to a feature-length narrative – in itself a process of shapeshifting that mirrors one of the novel’s core themes.

Nimona, which was just nominated for Best Animated Film at the Critics Choice Awards, had a long path to travel to get to its world premiere at the Annecy Animation Festival in June, followed by a theatrical run ahead of its release on Netflix on June 30.

Then-20th Century Fox’s Blue Sky originally optioned Stevenson’s novel the year it was published, and the project moved forward despite the Disney-Fox merger and then the pandemic. But it almost didn’t survive a third blow: Disney shuttered Blue Sky in April 2021, halting Nimona mid-production.

Blue Sky principals Baird and Andrew Millstein kept pushing on the the project however and eventually found a partner in Annapurna’s Megan Ellison, who sparked to its themes. Baird and Millstein became EPs and created Shapeshifter Films to complete the movie, which then landed at Netflix. The pair have since joined Ellison at her company, forming Annapurna Animation.

Click here to read the script.

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f1letters · 1 year

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mastermind | cs55

"what if I told you none of it was accidental?"

summary: it all started when she saw him across the room and she knew right away she wouldn't give up until he was hers

warning: overall fluff, lying reader (with the dumbest but funniest plan too lol), daddy issues, slut-shaming, mentions of alcohol, swearing, suggestive language, the beginning of the story takes place in 2021 when Carlos joined Ferrari (so it's all flashback for much of the story, including the 2021 Monaco GP)

pairing: carlos sainz x reader

word count: 3.8k

note: everything in bold are song references and in italic are thoughts, which includes memories from the past.

spanish words used: corazón = heart; bebé = baby; ay Dios mío = oh my God; mi amor = my love; te quiero mucho = I love you so much

so I guess this week's theme is Scuderia Ferrari! haha, I hope all of you enjoy this one as always! I can't believe we are already on the 6TH STORY of the midnights series! thank you for all the love you have been giving me in the past weeks since I started, it means the world to me

masterlist

Once upon a time, the planets and the fates

And all the stars aligned

You and I ended up in the same room

At the same time

Once upon a time, in the beautiful city of Milan, dozens of people gathered at a gala dinner to celebrate the anniversary of the iconic racing team that was Scuderia Ferrari.

Like everything associated with the luxury Italian car manufacturer, the dinner was going to be a monumental and remarkable celebration. The red team never did anything less than big, so clearly, no costs had been spared to make the party the best it could be.

It had vintage cars on display, red carpets throughout the corridors, and walls covered in gold frames with images of the team's history over the decades. The ostentation was notable, from the table decorations in the characteristic Ferrari colours to the incredible reception and service of all employees of the gala.

Y/N couldn't believe all the beauty her eyes saw. The young woman almost felt dizzy trying to capture all the details that surrounded her.

Being the daughter of a very busy businessman, it wasn't the first time that the girl ended up having to represent him in business commitments due to his inability to attend. However, as someone who only played a small role in the company's finances, she still felt lost and out of place, especially at a dinner party the size of this one.

The weight on her shoulders of representing her father, one of the team's biggest investors and sponsors, was something that still scared her, no matter how many times she did it.

Y / N walked elegantly across the room, with the sound of her high heels clicking on the floor following her until she reached her table. Her name written on a glass plate indicated where she should sit and she did so, adjusting her long black silk dress so that it wouldn't get crumpled on the chair.

As time progressed, her table was filled with old and arrogant businessmen, more interested in talking about money and showing off their luxury. Y/N made small talk occasionally, but she obviously felt like an outsider.

My father would fit perfectly in here, she couldn't help but think. Critical of her as always, even without being in Italy, he managed to complain about her look for the evening, criticizing her choice of dress for not being red or yellow like the symbol of the Prancing Horse.

The young woman ended up giving in partially, painting her lips with a red lipstick that she had forgotten in her suitcase, seeking his approval, just like she had done all her life.

Her eyes roamed along the room in search of entertainment, so bored that watching others would be a far more interesting escape than listening to the men talk.

And that's when she saw him, in the same room, at the same time.

In all his splendour, Carlos Sainz, the promising Spanish driver who had just joined Scuderia Ferrari, immediately captured her attention. He was sitting at the bar, in a black suit that fit his muscular frame perfectly, fiddling with his phone, probably just as pleased to be there as she was.

All the stars aligned to bring them there at that moment, and Y/N was determined to take advantage of the chance of a lifetime given to her.

And the touch of a hand lit the fuse

Of a chain reaction of countermoves

To assess the equation of you

Checkmate, I couldn't lose

She sat there for a few minutes while she listed several potential ways to approach the driver.

Could she be straightforward and sit next to him at the bar and try to strike up a conversation? No, that wasn't a good idea. He wouldn't want some random girl bothering him at his first Ferrari show.

What if she waited for him to look her way and smile at him, or wave at him, something like that? Okay, that was ridiculous. If Carlos didn't look at her all night, Y/N was going to stay there forever staring at him like a stalker, only to go home disappointed.

The young woman needed an excuse to talk to him, something that would allow her to build a master plan that could not fail.

She couldn't lose. She couldn't let this chance pass.

Nothing was going to stop her.

He had to be hers.

And then it hit her, her 'a-ha!' moment. With a completely out-of-the-box idea, the girl got up from her chair, apologised to the people at the table for leaving, and confidently started her mission.

Carlos was sitting at the bar all alone, holding a whiskey in one hand while the other was scrolling through his Instagram feed, until out of nowhere he felt the touch of a small, soft hand on his big, rough one, catching him off guard.

"Sorry about that, but there's this weird guy who keeps bugging me. When I saw you alone, I told him my boyfriend was waiting for me as an excuse for him to leave me alone, I'm sorry." Y/N lied through her teeth and let out a nervous giggle as soon as she saw the Spaniard's shocked face.

Carlos couldn't help but notice the girl's charming figure and the way the dress fit her amazing body in all the right places, still in shock mode not knowing what to say.

Y/N noticed and released a smile. Her plan was kicking off and starting in full force. "I hope you don't have a girlfriend who is going to show up at any moment and pull my hair out for hitting on her man?" She said, laughing more confidently now.

"Don't worry. There is no girlfriend." He smiled at him, allowing their eyes to meet for the first time and squeezing her hand more securely. "So who's the creepy guy?"

"Oh." Oh fuck. Y/N did not expect this question at all. Panicking already about her lie being revealed, the woman impulsively looked over her shoulder and pointed at a random skinny man who had his back to them. "That guy over there, but I think I've already lost him."

Carlos looked in the direction she pointed and a discreet smirk formed on his face. He looked back at the girl and without releasing her hand from his hold, he spoke. "So, what's your name, corazón?"

What if I told you none of it was accidental?

And the first night that you saw me

Nothing was gonna stop me

I laid the groundwork, and then

Just like clockwork

The dominoes cascaded in a line

Though the beginning of the couple's story had been anything but accidental, for the rest of that night, they were all about each other. Attached at the hip, they eventually moved to the driver's table, cocktails in their hands, and just talked for hours on end about everything and anything: from how nervous he was about joining a racing team with a history like Ferrari's, to why she was at that gala, even if she didn't look like one of the normal guests at these celebrations.

The fiery chemistry between them was noticeable to anyone who laid eyes on them, and with him being the hot new addition to the team, countless people were curious about the pair.

The two felt like children again, so much was the joyful enthusiasm that grew inside them. They didn't know if it was something physical or psychological that was happening to them but one thing they both believed: it was something magical.

But love at first sight has these foolish things: for those lucky enough to experience it, it only happens once in a lifetime and it's something that stays with them until the end of time.

After a while, Carlos excused himself to go to the bathroom and Y/N knew it was time to get the second phase of her master plan in order.

When the driver came back, the woman was nowhere to be seen. It was almost as if she were a mirage, a figment of his imagination that simply vanished into thin air.

He looked for her, looking all around the splendorous dining room, but there was no sign of her. What do you mean she left him alone after all the chemistry that was created between the two throughout that night?

It was as he turned back to the table that Carlos noticed the red napkin folded over his plate. Carefully, he picked it up and unfolded it, finding a phone number and the girl's name written in black ink, along with a clumsy heart at the bottom of the note.

If she had planned to have him completely fascinated by her and wanting to see her again more than anything else, she had succeeded.

What if I told you I'm a mastermind?

And now you're mine

It was all by dеsign

'Cause I'm a mastermind

The very next day Carlos gained the courage to text her and make his move since the pawns were now on his side.

From: Unknown

I have a paddock pass with your name on it as my guest waiting for you. Monaco, next Sunday. Hope to see you there, bebé - CS

Her heartbeat immediately sped up as she read that message. However, there was no time to waste.

The show must go on. She had a man to win. Putting her brave face back on, the young woman took a deep breath and decided to send a text playing hard to get, trying to entertain the curiosity he had in getting to know her better.

To: Carlos Sainz

I guess you'll have to wait and see if I show up...

You see, all the wisеst women

Had to do it this way

'Cause we were born to be the pawn

In every lover's game

Sunday morning came in the blink of an eye.

Y/N woke up with the sunlight hitting the window of her hotel room. She got up right away, put on a robe and went to the entrance to the balcony to observe the breathtaking view of Monte Carlo.

The girl could barely contain the butterflies of anticipation that she had in her stomach, anxious to see again the Spaniard who controlled all her thoughts since the gala where they met.

During the days until the race weekend arrived, the couple exchanged messages all the time. Not only did it allow them to get to know each other better, but it also took their relationship to a new level, with the two of them now openly flirting, not afraid to reveal their mutual interest in each other.

Y/N went to her wardrobe and carefully chose her outfit for the day, selecting a simple white jumpsuit and silver open heels.

She knew that her presence would be noticed, thanks to the importance of her last name, something that worried her a lot. Not because of Carlos, but because of what her father would say.

The businessman had heard from some of his associates about his daughter's interaction with the driver during the Italian team's anniversary, which led to a huge argument between them. Y/N's father expressed his disappointment in (what he thought was) his daughter's lack of professionalism, going so far as to accuse her of being a disgrace to the family name for acting like a 'slut'.

Nothing out of the ordinary for him. The young woman could no longer take the things he said to heart, with so many criticisms and low expectations her dad had of her.

She wasn't going to stop living because of him, especially when it put at risk her relationship with a man as spectacular as Carlos.

Going against her father's orders, Y/N got on their private plane and flew towards Monaco without giving him any explanation of where she was going.

After she finished getting ready, the woman looked at her reflection in the mirror and one of Carlos' many texts echoed in her thoughts: your red lipstick drove me completely crazy to kiss you in Milan. And with that came the next step in her master plan. She took the same lipstick and applied it over her lips.

Carlos wouldn't be able to resist.

If you fail to plan, you plan to fail

Strategy sets the scene for the tale

I'm the wind in our free-flowing sails

And the liquor in our cocktails

Y/N got into her rented black Ferrari parked outside the hotel and drove the short distance to the circuit. Did she need to have such an ostentatious car with her? No, she didn't. But why not take advantage of her connections with the team to entice the man who was waiting for her?

Arriving at the parking lot, the engine of her car caught the attention of the people who were there. Photographers began to direct their cameras in her direction, flashes going off, waiting to know who was behind the smoked windows driving.

As soon as she got out of the vehicle, she could hear whispers: who was she, where was her father, was she a guest of Scuderia Ferrari, did she have an affair with one of the drivers.

Putting on her sunglasses to protect herself from the sun as well as the flashes, Y/N lifted her head and started to walk confidently towards the entrance where she knew her pass had been left by Sainz and was waiting for her.

On the other side of the paddock, Carlos became aware of the commotion that was settling in at the entrance, wondering which celebrity had arrived this time. Although he was still hopeful, the driver didn't know yet if his dream girl was going to show up.

Seconds later, his colleague Charles approached him and the two sat on two piles of tires, talking about the race that was going to start in half an hour until Monaco's home hero interrupted the conversation.

"Mate, isn't that your girl?" Leclerc, now in on the subject after Carlos told him everything about that night, asked when he saw a figure in white approach their motorhome, with a sea of photographers following close behind her.

"Ay Dios mío, she came." Carlos spoke aloud, blurting out his thoughts as his brain seemed to shut down with the image of her.

Y/N was now mere steps away from the boy and looked directly into his eyes, giving him a sly smile, almost like a scheming criminal plotting something.

With his eyes still locked on her, as if she were the only person in the world at that moment, Carlos watched as she walked right past him into the motorhome, not saying a word to him.

Just a gentle touch on his hand, like she did at the bar on that memorable night.

"Good luck with her, mate." Charles' laughter echoed in the Spaniard's ears as the Monegasque left, leaving Sainz standing there, speechless, all alone.

Carlos woke up from his trance when he felt the flashes on him. The photographers. They sure took pictures of their little moment there.

Oh, she was trouble.

What if I told you none of it was accidental?

And the first night that you saw me

I knew I wanted your body

I laid the groundwork, and then

Just like clockwork

The dominoes cascaded in a line

The man followed her path and entered Ferrari's home, immediately seeing her alone, leaning against one of the walls and concentrating on her phone.

Quickly, the driver reached near her and grabbed her hand, pulling her with him into his driver's room.

On the other hand, the girl hadn't even realized what was happening to her when her back made contact with a wall inside a small room and she heard the door close in a hurry.

The image in front of her left her feeling equally shy and wanting more. Carlos placed both hands on the wall next to her head, making it impossible for her to break free from his hold.

"You're playing with fire, corazón." Carlos moved dangerously close to her, allowing her to feel his warm breath on her neck. "Coming in here teasing me like that."

"Me? Teasing? Never." Y/N replied, running her hand over the fireproof garment that covered the man's toned chest.

"You're lucky I spent all this time waiting for you to come." He lifted his head, making eye contact with the girl. "You make me lose all control, bebé, I swear. Since the first night I saw you, I've wanted your body."

One of the driver's hands left the wall and he brought it to the young woman's cheek, letting his thumb run gently across her lower lip.

"That red lipstick again." Sainz reduced the distance between them even further, letting his own mouth graze over hers. "You're doing it on purpose."

"What if I am?" She spoke, giving him a look that was a perfect mixture of innocent and provocative.

Carlos glanced at the watch on his wrist for just a second, turning his attention back to her right away. "Then I guess I still have time to show you what happens when I lose control."

Although he ended up in second place in that race, almost reaching the top of the podium, Carlos left Monaco feeling like a winner after that half hour between those four walls.

Nothing would ever make him feel on top of the world like her on top of him.

What if I told you I'm a mastermind?

And now you're mine

It was all my design

'Cause I'm a mastermind

More than a year and a half later, and with the 2022 Formula 1 season now over, Y/N and Carlos were still together and happier than ever.

They overtook everything that came their way, only to get back stronger.

Her father obviously hadn't taken their relationship well from the start, leading the girl to quit the company and cut off contact with him for months on end. only now trying to make amends. Only now, more than a year later, the two were trying to make amends and reconnect, since the businessman contacted her to apologize for everything he had put her through during her life.

The media was also a difficult step to overcome. For a long time, they insisted on invading their privacy due to the business connections between both sides. It was tricky to strike a balance between not being a secret and keeping their relationship to themselves at the same time. But eventually, the two of them managed to get there with the experience that time brought.

Now, the couple was lying in their bed, in the house they had recently bought together in Milan, a city so special to them and that symbolized the beginning of their story.

Being there, in silence, holding each other, with the room lit only by the light coming from the fireplace. That meant the world to them. Those were the kind of moments they cherished the most, especially in such a relationship that required a lot of work with how much he travelled during most of the year.

The young woman was lost in the memories of the past, daydreaming about the beginning of their history, when Carlos intertwined their fingers and placed a kiss on the top of her head.

He was hers.

Just like she designed it like the mastermind she was.

No one wanted to play with me as a little kid

So I've been scheming like a criminal ever since

To make them love me and make it seem effortless

This is the first time I've felt the need to confess

And I swear

I'm only cryptic and Machiavellian

'Cause I care

Perhaps moved by her trip down memory lane, for the first time in their relationship, Y/N felt the sudden need to confess.

Her palms got sweaty as soon as she started to think of all the scenarios that could result from her confession. What if he didn't want her anymore? Would it be worth it to risk an argument over a detail about the day they met?

"Mi amor, what's wrong?" Carlos asked as he felt the heat and sweat between their clasped hands, sitting down on the bed with his body lightly over hers.

"What if I told you none of this was accidental?" She asked nervously, earning back a laugh from her boyfriend's mouth.

"Sorry bebé, but you've lost me now." He confessed.

"The first night that you saw me. I planned the whole thing. There wasn't a creepy guy trying to hit on me. I lied to get you to talk to me." Wasting no time, Y/N let the words out of her mouth before the courage to speak again disappeared.

So I told you none of it was accidental

And the first night that you saw me

Nothing was gonna stop me

I laid the groundwork, and then

Saw a wide smirk on your face

You knew the entire time

Y/N put both hands over her face to hide and avoid seeing the driver's reaction to her admission.

Carlos, on the other hand, could only chuckle as he brought his hands to his partner's wrists in order to expose her face again.

The young woman opened her eyes slowly in fear, only to be faced with a wide smirk on his face as he looked at her as if she had told the greatest joke in the world.

"I'm being serious, babe. I swear it's the truth." She stressed, remaining with her back flat on the mattress and with her boyfriend's body now fully against hers.

"Ay mi corazón, te quiero mucho." Carlos let out a loud laugh and held her face, placing a quick kiss on her lips to calm her down. "I knew the entire time."

"What?" She asked in shock, sitting on the bed and forcing the boy to sit with her.

"You know the random man you said was the perv?" Y/N nodded in response to Sainz's question. "It was my cousin Carlos. He had been with me all night until I went to the bar to get a drink."

Oh. My. God.

Y/N was never going to show up at the next Sainz family gathering.

You knew that I'm a mastermind

And now you're mine

Yeah, all you did was smile

'Cause I'm a mastermind

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@ravenqueen27 @majkaftorek @home-of-disaster @buendiabebeta @itgirlofnowhere @roses-of-eden @thewintersunset @rubychocolatechips

(taglist continues in the comments)

thank you to everyone that asked to be tagged! please let me know if you want to be added to the next stories! 💌

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captainjonnitkessler · 6 months

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I think being on the internet has given a lot of leftists a drastically skewed view of how popular our beliefs are.

Most politicians support Israel because most Americans support Israel - only 8% of the population thinks the US should publicly criticize Israel.

Bernie didn't lose the primaries because the Democrats were just too scared of having a real progressive in office so they rigged the election, he lost because socialists are the least-electable people in America and because fewer people voted for him. That's how elections work. ( In b4 'but everyone else dropped out in a coordinated effort to concentrate votes behind biden!' - yeah, if your candidate can only win when the vote is split eight ways that's not a viable candidate. And I voted for Bernie!)

As of 2021 only about 15% of Americans support defunding the police, 47% would like to see increased police funding, and the number of people who think violent crime is a "very big" problem jumped 20 percentage points up to 61% in one year.

And it's just really frustrating to see internet leftists being super condescending as though everybody should already know everything and be on board with this stuff or else they're a Bad Person, driving people away from leftist ideology or making people too afraid to ask questions lest they be branded as a Centrist or worse, a Liberal, or refusing to engage in politics until they're being specifically catered to even though that would be political suicide (and would therefore not accomplish anything anyway.)

And like. It's fine to think that people who support Israel or more police funding are bad people, frankly I think a lot of them are. But I think even more are just misinformed or not really informed about alternatives at all. And not everyone is in the headspace to do education or outreach, but when you're only 10% of the population I think you need to make a choice about whether you want to feel good about being right on the internet or whether you want to be effective. It's frustrating to have to walk someone step-by-step through why genocide is bad, but it's a lot more likely to change minds than shouting at someone that they're obviously just a genocide-loving racist is.

#feel free to call me a neoliberal bootlicker if it'll make you feel better #i just think that effective action and harm reduction are more important than Being Right On The Internet #and I also don't think the Grand Revolution is going to happen. I think we need to work with what we have. sorry.#also i was having trouble finding recent stats about the i-p conflict #in general sympathy for palestine was hovering around 30% earlier this year #but i don't know if that actually translates to supporting palestine in the conflict or how that might have changed after the Oct. 7 attack #that npr poll was the most recent but it was less than a week after the attack when misinformation and sympathy for israel was at a height #so hopefully that number is higher now #us politics

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goldenboygate · 1 month

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Can we talk about Lando Norris?

This man had one of the best weekends of his career, and yet there are still people who wish nothing but harm upon him.

He came into the weekend expecting the worst and got sprint pole in the rain. People seem to have something twisted, and that is that Lando Norris is one of the best wet-weather drivers on that grid. They take Sochi 2021 and point and laugh at it, calling him stupid, heard-headed, cocky, and full of himself without knowing the fact of that race. Without knowing how McLaren never told him that the weather was changing, never ordered him to come in to change their tyres and acted like this man had some sixth sense weather forecast ingrained into his brain. Put any 21-year-old in an F1 car, and withhold information from him and he'll make the same choice.

Lando has proven himself over and over again when it comes to his race craft. He rarely makes mistakes, which makes it even more infuriating when the few times he's actually made errors in judgment, he is ridiculed and admonished beyond proportion, and it's ridiculous how the media and certain segments of the F1 fandom react to these moments.

Every driver on the grid has faced challenging situations, yet it seems that some are more forgiving when other drivers slip up, and they aren't mentioned during every race weekend, even 3-4 years later. Most of the time, I'm pretty sure it's jealousy. He outraced Daniel during their two years together, even though everyone thought Daniel would bury him, and his fans just can't deal with it - even though they haven't been teammates for almost two years.

According to a loud portion of the fandom, this was the year that would show Lando for who he really is, and Oscar was supposed to pummel him from the start, but all we've seen is that Oscar desperately needs to get a handle on his tyre management and that Lando's race pace is light years ahead of Oscar's.

Did Lando have a pretty shit start at yesterday's sprint? Sure.

Was the criticism and hate that he got from people on social media in any way proportinate to how the sprint went for him? FUCK NO.

Did he have his little redemption arc by getting P4 in quali and consistently expanding the gap between him and the freaking Red Bull in P3, while holding onto P2? Yeah, sure, but redemption arc or not, that's what he does. It's what he's capable of.

He's not some driver who lucked onto the podium today.

He's Lando Norris, an F1 driver who would have 5-6 wins already if he wasn't competing against one of the best drivers ever in one of the best cars ever.

Ask any former F1 driver, Rosberg, Button, Montoya, Hakkinen, or Barrichello, what they think of Lando Norris, and they'll tell you that not only is he WDC material, but that he will win the title one day.

And I'll be here when that happens.

#f1 #lando norris

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blackmoonlightexpress · 6 months

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Shui Long Yin 《水龙吟》 - What we know so far about this massive project

By now many of you have heard about Shui Long Yin 《水龙吟》, Luo Yunxi's upcoming and third project with the studio behind Till the End of the Moon. Here's my read on the announcement earlier.

1. Good news - It's going to be largely the same creative team behind TTEOTM.

You have Wang Yirong as Lead Producer & Artistic Director, Huang Wei as Costume Designer, Wang Haiqi as Action Director, Tsang Mingfai as Makeup Director, Huatian for World Concept (also known for Ashes of Love and the Untamed). Basically, we'll see the return of the brilliant minds behind the Dunhuang-inspired costumes and hour-long epic fight sequences.

It's a good sign they're holding most of the team together. A lot of great directors, like Christopher Nolan, Tim Burton, David Cronenberg, work with the same creative talent over and over again. There's certainly an argument that you produce better work when you collaborate with people you trust and know well.

2. Up and coming Director Chen Zhoufei will make up some of the deficiencies of TTEOTM in the cinematography and lighting departments.

Chen Zhoufei started out as a cinematographer in films with the likes of Chen Kaige and Zhang Yimou. More recently he directed The Forbidden Flower (2023) and Double Tap (2021), which, if nothing else, is beautifully and stylistically shot.

It's interesting they've moved away from the old school Hong Kong directors they used in Immortality and TTEOTM. Directors from the TVB system are known to be more experienced, scrappy, and reliable when it comes to working within budget (which is why they're favored for big xianxia productions), but they've also been criticized for falling behind on technical execution and artistry.

It is as the industry article I shared predicted - Otters Studio is a relatively inexperienced player, but they can quickly close their gaps by bringing new blood to the team.

3. They're bringing a new Art Director, Zheng Chen from Lost You Forever.

This isn't all that surprising given that Luan Hexin, TTEOTM's Art Director, is with Huanyu, Bai Lu's management company. (In fact there was a bit of real life drama when Yu Zheng, Bai Lu's boss, publicly called out TTEOTM's producer for not refuting false rumors that Bai Lu was only cast because the production wanted Luan Hexin, arguably Huanyu's biggest asset, as part of her "dowry".) Now it's sad to see award-winning Luan go, but he is best for authentic period sets and IMO not the most suited for xianxias.

Instead, they've tapped Zheng Chen, who most recently worked on Lost You Forever, which I have yet to watch. With that said, some of the sets look great to me, with bold use of colors, and I can already see this pairing well with Chen Zhoufei's aesthetics.

4. This time they're not working with screenwriter He Fang, instead going with Lin Conghe (unofficial)

He Fang is the lead screenwriter behind TTEOTM and Immortality (everyone who's read Immortality's screenplay will know it's all but a guaranteed hit) and in my opinion one of Otter's greatest assets. She's brilliant at staying loyal to the spiritual core of source novels, while weaving convoluted plot points through a more robust background story and logic.

It's a slight disappointment that she won't be back, but it's also not entirely surprising. TTEOTM and Immortality are both big, female-oriented fantasy romance IPs. Meanwhile Shui Long Yin's IP is quite dated, lesser known, and incomplete, so I'd expect that the drama will only be loosely based on the original. While we don't know much about Lin Conghe, he did recently work on the Blood of Youth sequel, where he was the lead screenwriter alongside author Zhou Munan, so he might actually be a better choice for this genre (xuanhuan wuxia).

5. The way HunanTV & Mango announced the drama is unusually high profile, indicating that this is one of the platform's biggest projects.

It's rare to have one of China's biggest hosts announce a new drama that hasn't even started shooting or released any details yet live on prime time TV. (Usually a drama's official announcement comes out on the day of its booting ceremony, if not during its production or at its wrap ceremony.) It's even rarer for a costume drama to announce a TV platform at this stage. These days it's quite difficult for costume fantasies to get a coveted TV airing slot given genre restrictions and additional censorship requirements. Typically you do not find out officially whether it will air on TV until literally right before it airs.

Before the official announcement, rumors have already been circulating that there's a bidding war behind the scenes for this project, with Mango and its parent HunanTV outbidding Youku in the end. Mango/HunanTV is already the market leader in variety shows, but is behind the other three platforms in scripted content. Apparently, they've recently received an injection of funding to shore up their drama department and now investing in tentpole projects that can help them gain share. Clearly they saw what TTEOTM did for Youku.

6. There's another interesting player in the mix: China Mobile and its subsidiary Migu.

It appears that China Mobile (one of the most valuable companies in China and a state-owned enterprise) has invested in the drama, which will be made available on its online video platforms. Apparently, the last time China Mobile invested in a drama, they sent text messages to every user to publicize it when it aired. Now not sure if this will happen (it's not patriotic drama after all), but they've already been promoting the drama through their gazillion affiliate social media accounts. Either way, it should be a good thing for the drama's distribution to have such an influential backer given Mango's lower daily active user.

7. They're making it super clear that Luo Yunxi is going to be the dominant male lead in this drama

In the first Weibo post, they only announced the title, Luo Yunxi, and the airing platforms. In the second Weibo post, where they announced the rest of the creative team, they still did not announce the other actors! Of course, this is likely because Luo Yunxi's company (which is really just him) bought the source novel's IP and is credited as a co-producer. (They don’t have any production capabilities at all, so Otter will likely be quarterbacking this.)

This suggests, like many who have read the novel already know, that Luo Yunxi will have by far the biggest part. The other roles, including the female lead role, will likely be smaller and revolve around the main character.

8. Shui Long Yin is already generating a lot of hype.

To date its Weibo announcement racked up >1M likes (more than double that of TTEOTM). There's already a very active Douban group debating all the rumors, most importantly whether Luo Yunxi will use a wig or his real hair (a highly divisive topic). The new drama has even been reported by China Daily, China's state media facing the international community, which is again exceedingly rare. China Daily doesn't usually report on entertainment news, and most hit shows don't get mentioned even after airing.

There's always a big risk with productions with this much anticipation so early in the process, from fan wars and disruptive stalking on set to accusations propagated by competitors that can invite more state scrutiny. Fingers crossed that the team knows what they're doing and can weather all the storms that will undoubtedly come its way.

9. Finally, I remain cautiously excited.

Production quality will likely be great, with such a strong creative team and financial backers with deep wallets. My main worry is that it'll be beautiful, but boring. For this genre (xuanhuan wuxia or basically wuxia with high fantasy elements), it's really important that the story moves fast and the underdog hero keeps outsmarting or outfighting everyone else in a way that gives viewers a sense of exhilaration. It'd be all too easy for the story to get bogged down by a large cast of unmemorable characters and a meandering plot. Otters Studio is usually great at delivering fast-paced high drama (just based on TTEOTM and the screenplay of Immortality), but they're working with a different screenwriter this time and it's not easy to be a consistent hit maker. Let's hope they stick to their intuition and continue to present stories and characters that excite viewers.

#luo yunxi #till the end of the moon #cdrama #black moonlight holds the be script #tteotm #chinese drama #shui long yin #otters studio

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lakemojave · 5 months

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Mojave's Top Ten Games of 2023 (3 of which actually came out this year)

I figured I should make a list like this at some point, but I didn't actually play many new games this year. Well, I played tons of games for the first time and loved so many of them, but few of them were new releases. At my current stage as a game critic, I'm playing a lot of catchup, trying to get context for current games, playing the classics and the seminal franchises of the medium. I do not have a game of the year pick. Even though I was behind the curve, I still wanna talk about the experiences that moved me this year.

Honorable mentions:

Baldur's Gate 3 (2023): One of the densest, fleshed out, satisfying narrative RPGs the gaming industry has seen in years. Immersive, well written and charming, no two people can have the same experience with this game because of how much variance and player choice is accounted for in the gameplay and script alike. It's for that reason it's not on the list though--not only have I not finished it, I'm also not doing it singleplayer, and am missing out on much of that juicy story content in favor of me and my group's meta-narrative.

Black Mesa (2020): The remake of the first half life is sharp, smooth, and immersive, combining what was visually and narratively compelling about Half Life 2 back into the original story. It has some of my favorite setpieces of the entire half life catalogue now, which is saying a lot. It's off the list in favor of the original.

Dead Space (2023): A triumphant return to the horrors of the Ishimura incident, with insidious twists to the game design and story that disrupt a fan's familiarity with the game world time again. It scared the fuck out of me so many times, but the bittersweet feeling I get thinking about the fate of the Dead Space franchise means RE4 gets its spot.

10. Oxenfree 2: Lost Signals (2023)

The long awaited sequel to 2016's Oxenfree caught me by surprise after playing the first game just before it. Playing the original teen horror, I'm struck by how grating some of the dialogue can be, how sophomoric and cheap it can feel without drinking deep of the content. What makes this version of teen horror so compelling, though, is that through sympathetic participation with Alex, you catch yourself from griping at the young characters for making foolish choices, which is very effective.

What's stunning about this sequel is that in the 7 year gap between games, it's not just the team and the audience that has matured, it's the writing all around. Your character, Riley, is in her early 30s, returning to her hometown and feeling very existential as she peers into the past, the future, and the unknown in between time and space. The world of Camena and Edwards Island is expanded on those lines, the thematic focus becomes resonant and emotionally devastating, and the dynamic with young characters, familiar or not, demonstrates how strong this second chapter to the oxenfree story really is.

9. Resident Evil 4 (2023)

Look. I love a horror game. 2005's Resident Evil 4 may be among the best of them, and it may be timeless in its own right, and it may be foundational to so many other games I love today, but god damn is this remake fun. With sharper visuals and atmosphere than the original, intricate new resource systems like knife durability and parries, and some updated character work, it's safe to say this is a categorically different game than the original. Plenty of material was cut from the main game, like the IT fight or the laser hallway, which found their way into the DRASTICALLY improved Separate Ways expansions, starring Ada Wong. It's not my favorite Resident Evil, and it's far from the scariest, but it's the one with Leon's spin kick, and there's nothing more satisfying than that.

I do maintain a lot of early gripes I had with the remake. When Resident Evil 8: Village came out in 2021, it borrowed a lot of mechanical, narrative, and aesthetic tropes from RE4, updating them to a new game in the wake of the remakes of RE2 and 3. Those remakes were truly transformational masterpieces, blending all of Resident Evil's best aspects to create new, distinct experiences. RE4, the original, didn't really need much updating, it's been ported to hell and back already and is so ubiquitous that there was no real need to bring it back into the zeitgeist. Nothing can really be gained by this remake except for a victory lap for Capcom.

Cynicism aside, FUCK YEAH, TWO CAKES!

8. Mass Effect (2006)

I should say that the version of Mass Effect I'm playing is not the one that came out in 2006. The Legendary edition does a bit of graphical and mechanical tweaks to update some of the dated aspects. That's kind of a shame, because the dated aspects are what's so fascinating about Mass Effect. Between Baldur's Gate 3, Disco Elysium, and now the early Fallout games, I find myself taken by classic CRPG design, which accommodates such a wide variety of player choice. Mass Effect doesn't have too much choice in it--the progression and ending are pretty much fixed from the beginning, you basically choose what flavor of the script that you want.

In that way, I like Mass Effect as a transitional piece--an attempt to bring the aspects of early CRPGS into the modern, console games market, with all the budget EA would give them. The writing and design are...satisfactory. The shooting could be more robust, the characters could have more personality, and to the series' credit those things do come about in Mass Effect 2 (which I'm sure I'll gush about when I finish it).

It's the presentation I love here. Mass Effect has maybe one of my favorite sci fi settings I've ever seen. A vast array of alien civilizations, a rich history filled with interesting lore, a competent portrayal of intergalactic politics, all delivered by characters that are deep and interesting. The voicework is also some of the best I've ever seen, and although there are many standouts, Jennifer Hale's Shepard is just tremendous. Actually playing Mass Effect may be a slog, completionist play might require some of the worst loot grinding I've ever seen, but that is all secondary to the way I was captivated by Mass Effect's version of the final frontier.

7. Half Life (1998)

I did a whole ass 5 hour video essay about Half Life, and I don't wanna belabor how much I like this game and series too much more. I loved Half life 2 and the portal games for years, but it was only for that project that I actually got around to playing this. It's a real bonafide classic, containing so many tropes of modern immersive action games WAY ahead of their time. The setting of Black Mesa is deep and engaging, the environmental storytelling is strong, and the voicework is natural and believable (for the most part.) Sometimes as a game critic I have to give some allowances to an older game for some of its jank and some of its rough edges, let myself see the thing just for what it is without all my modern hangups. I don't have to do that with Half Life like I do for other games. There's parts of it that are rough, like the Interloper and On a Rail chapters, but Half Life feels just as good to play now as it did 25 years ago.

6. Dredge (2023)

There's an old tumblr post that proposes a fishing game that's secretly a horror game. That post imagines a game that starts out normal and comfortable, but as the game goes on the player would catch stranger species of fish, soon finding monsters lurking in the deep and hidden secrets. It got a lot of peoples' imaginations going and engaged a lot of fan artists and even more comments riffing on this idea.

Dredge is that game. I was so gleefully surprised to see this game go through every single one of those steps in the first region alone. The game has a strong atmosphere and great art, leading to some real weird and nasty fish to catch and fill out the weird and spooky encyclopedia. Fishing at night gives you different and weirder fish, but it also raises your panic meter, which can cause hallucinations and open you up to monster attacks. It's a pretty ambiently scary game for the most part, and I almost chalked it up to being more horror themed than actual horror, until this one lagoon where a giant tentacle suddenly shot up at me out of a sudden drop in the ocean floor. I fuckin yelped, actually screamed in a way only two other games have gotten me to do this year.

5. Alien: Isolation (2014)

I have never, in my life, felt more powerless in a game than when I played Alien: Isolation. I'm used to games like Resident Evil, where you have a toolset for survival that is limited, but allows you to give actual pushback towards the zombies trying to get you. I played Amnesia: The Dark Descent this year too, the opposite of this dynamic, where you have NO means of resistance whatsoever, and the binary outcomes of monster encounters of that game completely broke my immersion.

Alien: Isolation actually gives you myriad crafted tools to overcome your obstacles, from human scavengers to androids to the xenomorph herself. Yet, the impossible speed and predatory senses of the monster means that one slip up means instant death, and the death animations are pretty brutal. Through cunning and cautious play, you can slip past the Alien enough times to where you get a flamethrower, which will repel her in a pinch. However, her AI is advanced to the point where she will learn your habits between deaths, look for you in lockers if you hide in them a lot, resist certain tricks like noisemaker bombs or flares. It's in keeping with how the 1979 movie presents her: a perfect killing machine. In fact, its the way so much of the Sevastopol resembles the aesthetic of that early film that not only helps the atmosphere, but makes the alien's power more believable. Immersive and terrifying, Alien: Isolation is a horror triumph.

4. Undertale (2015)

Yeah that's not actually a joke. I really did only play Undertale this year, and I was really actually completely blind going into it. Of all the games I'm happy I got to experience fresh, it was this one. Undertale seems tropey in its game design, story beats, and writing style 8 years later, but that's because so much of its design has been cannibalized by indie developers going after this aesthetic. As a bullet hell, it's...fine. As a meta commentary on retro RPGs and on the act of violence in video games in general, it's incredible. It legitimately gave me immense joy to reach the end and have my stubborn insistence on pacifism challenged even further, and then rewarded in the best possible way. I got to experience it on stream, too, with some friends who had played it previously and one who did not, and we all did the common thing and did funny voices for everybody. It's created some real cherished memories for me, memories that wouldn't have hit as hard if I did not wait to play Undertale.

3. Metal Gear Solid (1998)

Now here's a game I truly thought I'd never get around to. I'm a big fan of the Metal Gear series and when I learned that konami was releasing the master collection pack of the first 3 games, I was fuckin' stoked. If there's one other game that dictated the trajectory of storytelling and presentation of modern games like Half Life did, it's this one.

Having played the first two metal gears, the 2D ones from the late 80s, I was struck by how much of the basic design beats of Metal Gear come directly from the early titles. Seeing them translated into 3D is just incredible--all the prototypical stealth design transcribed so seamlessly into a much more legible visual language to me. The shooting may feel like ass and the bosses may have healthbars the size of Alaska, but the moment to moment sneaking in this game is so intricate and thorough that you really do feel like a tactical master as you go about it.

None of that touches on what's most memorable about Metal Gear Solid, and that's the presentational aspects. The animations and models might be worse than Half Life's, but the writing and voice acting is just world class. David Hayter as Snake, Cam Clarke as Liquid, Christopher Randolph as Otacon, and Patrick Zimmerman as Ocelot (hell even an early Jennifer Hale role) are astounding performances, even today. The cutscenes and dialogue are certainly oversaturated and long, but goddamn if I don't like watching and listening to them. I love this damn game.

2. Bloodborne (2015)

Bloodborne has been more of a myth and less of a game for me. I played some bits at a friend's house in 2017 and never owned a PS4 so I never thought playing it would be possible for me. I obsessively watched lore videos and playthroughs which got me into Dark Souls 3, then Sekiro, then Elden Ring, which has fueled much of my activity on twitch and as a game critic in general. It was only this year that that same friend lent me her PS4 and I played Bloodborne 3 whole times until I 100% the game in a matter of months. The experience was so meaningful to me that I ended up scrapping my first bloodborne video and starting from scratch, this time with Bloodborne Kart dev Lilith Walther as a guest.

I have never been more immersed in a game world than I have been in Bloodborne's. Yharnam is not only such a dense and intricate city, it is drop dead gorgeous in such a grotesque and macabre way. Many words and many writers have already described the surreal hypergothic smokescreen shrouding the insidious cosmic beings steering the terror and bloodshed from out of sight, so I won't repeat them here. You don't forget the sights and sounds of Bloodborne--they linger in your imagination, the visual language shapes your own ability to conceive of images and ideas in horror fiction, twisting the familiar into stranger shapes and forms.

Plus it just feels so fucking good to play. I like From Software titles and their style of combat, and I like how fast combat works in Sekiro and Elden Ring, but neither of those games accommodate brutality like Bloodborne does. You're meant to attack recklessly, cravenly, no blocking, just press the attack again and again until you're drenched in the gore and blood of your foes. You feel like one among the beasts--after all, what difference is there between a predator and the man that hunts them?

1. Signalis (2022)

I have not stopped thinking about Signalis since I played it the first time. The game is like a fucking honeypot for me. It's got Resident Evil style tank controls as an option, with similar combat and inventory management, themes and presentation similar to Silent Hill, and a sci fi flourish akin to Dead Space. So what, it's every great horror game jammed into one retro style amalgamation? Sounds like a great time for me!

That's just the surface, the hook of it all. While the game certainly uses this familiarity to pull you in and make you comfortable and excited for its own terrors, there's a creeping feeling of unease as you continue to revel in the horror and gore that's taken over these halls. Your character, Elster, is a special ops android in a fictional fascist regime, who has abandoned her post to search for her human partner, whose identity eludes her as she slips into delusion. After reaching the depths of the first area, where the space mine turns into a hall of flesh and viscera, the very walls pulsing and dripping, the world suddenly resets, and you find yourself back in the very first zone, now covered in the same blood and gore. The characters cry out in pain at you, begging you to stop, to turn back, to stop prolonging their hell with your own pursuit of an ending. A chalkboard in a classroom with a pretty frivolous note early on now reads "YOU'VE BEEN HERE BEFORE."

If I go on I'm gonna spoil the whole game, but that part there is the essence of Signalis to me. Many games will challenge your own enthusiasm for playing, question the time you spend in the game rather than like, going outside or something. Few games will actively blame you for prolonging the suffering of the game's inhabitants and creating a self contained digital hell. Few games will ask you "why do you want terror?" in the way that Signalis does.

Signalis is a triumph of horror game design. The imagery is horrifically cryptic, the worldbuilding is dense, the monster design and soundscapes are creepy and effective, the gameplay feels desperate and every bullet fired feels like a scream for help. Signalis is my favorite game I played this year, hands down.

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yurimother · 1 year

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Yuri of Absence and The Chair of Yuri: Combining Lesbian Manga and Science Fiction - The Secret Garden

This article was originally written in 2021 as part of The Secret Garden, YuriMother's exclusive series of articles, available only for Patrons. If you want to access other articles and help support Yuri and LGBTQ+ content, subscribe to the YuriMother Patreon.

In the “olden days” of Yuri, which is really to say anything in the ‘00s or earlier, there was not much variety in the mainstream Yuri market. If you wanted to read a manga about the romance between two women or watch an anime with clear lesbian elements, choices were between a sweet school story or a classic tragic school Yuri story. As I have mentioned many times recently, one of the most significant advancements in the recent Yuri genre is the advent of sub-genres. Once considered an element or subgenre itself, Yuri hosts various works from isekai to feminist literature. However, one of the most curious and certainly most well-known subgenres is science fiction.

Yuri science fiction is in the spotlight right now, with everything from visual novels like Synergia to webcomics like Ratana Satis’s Soul Drifters. However, one of the most prolific and rightly celebrated titles is Iori Miyazawa’s Otherside Picnic. The series began publishing under Hayakawa’s Bunko JA imprint in 2017, and over the past few years, it exploded onto the scene. It has an upcoming sixth book, a manga adaptation serialized in Monthly Shounen Gangan, healthy overseas publishing, and of course, an anime adaptation helmed by Kase-san and Stiens;Gate director Takuya Sato. It has garnered praise from critics CBR, Anime News Network, and Erica Friedman of Okazu. I wrote glowing reviews for the first few books, complimenting its worldbuilding, pacing, and characters. However, Otherside Picnic did not spring out of anywhere. Indeed, it is the product of gradual shifts in Yuri and sci-fi storytelling and Miyazawa’s genius theories and knowledge of the genres.

The mixture of Yuri and science fiction is not anything new; it predates most other forms of Yuri save Class S school romances. You may not picture many of these when you think of modern Yuri sci-fi, but as early as 1975, we had Yuri stories like Boku no Shotaiken that included small sci-fi elements, in this case, transferring the mind to another body. Over the next two decades or so, a time during which so few Yuri titles surfaced, it is occasionally referred to as Yuri’s “era of Darkness,” multiple titles sci-fi titles including Dirty Pair, Project A-Ko, Bubblegum Crisis, and Iczer featured science fiction settings and Yuri elements. At this time, Yuri was not much of a genre as we think of it today, but more of a factor inserted into a larger narrative. Think of Yayoi and Shion from Psycho-Pass for a more contemporary example. In fact, except for Iczer, none of these titles feature any outright lesbian characters, just female casts with “Yuri-ish” moments of women standing close together and being companions.

These titles feature two key elements that many current series have shifted further away from, soft sci-fi and Weak Yuri. Soft, as opposed to hard science fiction, is the more established of these two scales. Science fiction can be separated between outlandish and impossible ideas, sometimes known as science fantasy, and those based in reality, research, and the hard sciences such as physics, astronomy, and mathematics. Sorting works between these two labels is, ironically, not an exact science, and fans and critics alike argue about their precise definitions. However, let us consider soft and hard science as a spectrum, with outlandish premises like Dragonball on the soft end and the reality-based concepts of Space Brothers at the other. One can sort most titles along this continuum. M Alan Kazlev does an excellent job dissecting this scale in further detail. Many of the titles we enjoy today, including Otherside Picnic, inhabit this transitory space, as it is not fantasy. Still, its reliance on anthropology and psychology’s soft sciences may put it a small step below more grounded hard sci-fi. Still, it is far above the aliens and superpowered robots in ‘80s anime, so we shall consider it hard sci-fi for the sake of this argument.

*Note: Many science fiction circles use the abbreviation sci-fi for soft science fiction and SF for hard science fiction. For ease of readability and common vernacular, this article uses “sci-fi” for both instances.*

Sci-fi Yuri did not break out of soft science fiction territory until very recently. In the 1990s, Yuri underwent dramatic changes thanks to Sailor Moon and Revolutionary Girl Utena, which helped reform it as a genre rather than a feature. Maria Watches Over Us revived S Yuri traditions, and new titles were set in schools and focused on modern girls’ lives. In the 2000s, Yuri magazines began serialization and featured stories such as Kisses, Sighs, and Cheery Blossom Pink and Strawberry Shake Sweet (both serialized under different names). Despite being primarily aimed at adult women, the magazine found success with male audiences, prompting new stories appealing to men and boys. These works reintroduced action and science fiction into the genre with pieces like Kannazuki no Miko: Destiny of the Shrine Maiden, Blue Drop, and Kashimashi: Girl Meets Girl (Yuriboke does a better job breaking all these down). However, all these were still vehemently in soft sci-fi territory, with Kashimashi’s only surreal element being an alien because the author was, to simplify grossly, unable to fathom the existence of transgender people (coming full circle from Boku no Shotaiken). Possibly the only contemporary mainstream hard sci-fi title to include Yuri and enjoy a modicum of success was Qualia The Purple. However, this series did not have the genre-defining power that later works would.

However, what changes between these series and those mentioned earlier is the Yuri itself. The relationships become much more explicit and central to the plot. You can deliberate whether or not Bubblegum Crisis is sapphic, but just try sitting someone down and arguing that Kannazuki no Miko is not built around the crux of two women holding romantic interest in each other. Yuri science fiction author Gengen Kusano proposes a dichotomy similar to soft and hard sci-fi to analyze these titles, Weak and Strong Yuri. He explains it in his own brilliantly convoluted and philosophical way, but in short, Weak Yuri relies on using logic and the mind to make the real imaginary, while strong Yuri is about emotionalism and realism, making fiction into reality.

Strong Yuri is Yuri that focuses on realism through feelings and emotions. Kusano describes it as fiction characters having real emotions. They have strong connections and affection for each other that are real and powerful. The audience experiences the feelings between the characters as they are felt and portrayed. Think of how emotional the exclamations and love, sorrow, confusion, and affection are in titles like Bloom Into You and Citrus. In a sense, they can be so strong that they transcend their fictional confines and become real, as they are experienced by considers, a stage called “radically Strong Yuri.” Most explicit Yuri, which is not subtext or suggestive content but in-your-face lesbianism, is Strong Yuri, although not all Strong Yuri is outright depictions of lesbianism; it is a square rectangle situation, not all rectangles are squares, but all squares are rectangles.

Weak Yuri is cemented in the areas of thought, logic, and epistemology. It deals with the theory of mind, the ability to attribute mental states to others or ourselves. For example, when we see someone smiling or laughing, we may not feel their emotion ourselves, as we do not have direct access to their mind, but we recognize that they are happy. In Weak Yuri, one uses their theory of mind to observe facts and deduce the existence of a Yuri relationship, even if one is not present. So-called “Yuri-ish” titles like Yuru Camp or K-ON! do not outright state or depict romantic or sexual attractions, but is attributed by the viewers onto characters. Said observer witnesses the interactions between girls and, using that factual and observable data, puzzles out a lesbian attraction they prescribe to the subjects, whether real. Shipping culture relies on Weak Yuri’s logic Kusano’s most extreme, “Radical Weak Yuri,” the relationships of real people, like idols, become imaginary through these projections.

Blue Drop and Kashimashi may have been soft Sci-fi, but unlike the soft sci-fi, Weak Yuri series of the twentieth century, they featured Strong Yuri and placed it more as a central aspect of the work with other elements built around, rather than as a side element. The next revolution in sci-fi Yuri came when hard sci-fi titles began production. A few of the principal players here are Kusano himself, Otherside Picnic Creator Iori Miyazawa, and editor Rikimura Mizoguichi, all of whom feature in the viral Yuri Made Me Human interview of Miyazawa. Most of the theories and ideas discussed in this article, including Kusano’s Weak and Strong Yuri arguments, came from these seminars.

It all started with Kusano’s existential widescreen Yuri baroque proletariat hard sci-fi Love Live AU fanfic of the popular ship NicoMaki, consisting of Nico Yazawa and Maki Nishikino. The revised edition of this story, Last and First Idol, was published in 2016 and became the first debut title to win the prestigious Seiun Award in 42 years. Satoshi Maejima’s post-script essay at the end of the Last and First Idol collection gives far more detail into these works’ history. However, Idol was the first prominent story to feature Yuri in a hard sci-fi narrative. It was not perfect. In fact, in its push to feature gruesome content and insane hard sci-fi that Yuri is pushed to the wayside during most of the story.

*Author’s note: The first time I read Last and First Idol, I was completely unaware of its contents, which was a shocking experience; the story comes with a severe content warning).

Last and First Idol did not create a woven hard sci-fi, Strong Yuri narrative. However, it was a definite proof of the concept, a testament that the sprawling details and imagery of hard Sci-Fi could work with Yuri relationships. Kusano’s next short story, Evolution Girls, which would appear alongside Last and First Idol in the collection of the same name, saw the author focus more on emotionalism and create a Strong Yuri work. Nevertheless, Last and First Idol was a massive success. Future hard proof that Yuri hard sci-fi was coming in force came in December 2018, when Hayakawa Shobo ran a special edition of its long-running S-F Magazine featuring Yuri stories. The issue, planned by Rikimura Mizoguchi, proved so popular for the second time in its then 59-year history, the magazine had to reprint before release.

While Kusano was developing theories on Yuri and Hayakawa Shobo worked to push the public eye onto Yuri sci-fi, author Iori Miyazawa was refining his own Yuri premises, ones that, though he did not know it at the time, would not only see Strong Yuri and Hard sci-fi standing side by side in the same story but would synthesis the two into a unique product that could attract new fans and expand the borders of science fiction and Yuri. The work in question, of course, is Otherside Picnic. This light novel series about girls journeying to another world to hunt creatures from occult internet lore is to date Yuri science fiction’s best execution.

As Miyazawa admits, he strives to create Strong Yuri by focusing on emotionalism and realistic characters. However, such character-driven narratives are often at odds with hard science fiction, which requires dense walls of text to explain the complicated science behind its concepts and world. Miyazawa avoids this trap by utilizing Yuri tropes, specifically scenic Yuri and “Yuri of absence,” and integrating Yuri relationship into these explanatory literary lectures. Examining the latter first, rather than using narrative or exposition dialogue to unravel the intelligence behind the world or elements of science fiction, Miyazawa uses the relationship between Sorawo and Toriko.

In Otherside Picnic, explanations of the mysterious Otherside come primarily from two sources, dialogue and Sorawo’s inner monologue. When Sorawo and Torikko discuss a nuance of the paranormal creatures they investigate, it no longer becomes a large infodump but a Yuri scene about their relationship through their interactions and responses. According to both the strong Yuri theory and Yuri’s traditional definition, these emotions and discussions are the crux of the genre – stories about females’ relationships. Similar emotionalism fills Sorawo’s inner monologues, specifically in the frequent romantic admirations of Toriko. Thus, an explanation existing in that same space becomes Yuri, as it mirrors the same emotions and attraction. Merely by placing the usual exposition into interactions and relationships, Miyazawa was able to open hard science fiction to new readers, who may have been apprehensive before because of these text walls.

Miyazawa’s other secret weapon is, as he describes it, “Yuri of absence.” Relying on the principles of Strong Yuri, that Yuri is fiction made real through emotions, Yuri of absence extends these parameters outside of characters. As Strong Yuri relies on feeling, not observable data like characters, anything that invokes two women’s feelings together is Yuri. It could be a song, or an empty bench, as one can imagine two women on it and feel emotions tied to that. Of course, taken to its extreme, nearly anything can then be Yuri, as I have joked before, gesturing to an empty chair proclaiming, “Behold, a Yuri!” However, Miyazawa uses this Yuri of absence sparingly, rendering it closer to scenic Yuri’s intimacy.

Scenic Yuri, a particular type of Yuri of absence, focuses exclusively on setting and imagery, a feature that works particularly well in science fiction as according to Masahiro Noda’s “sci-fi is all about images.” Traditional Yuri uses character interaction and supplements it with images and sights that help communicate characters’ emotions and intimacy, like fleeting shots or descriptions of the sky. Take the shot from Kase-san and Morning Girls where Yamada stands by the bus stop. The distance between the girls, the tree in the foreground on Yamada’s side, and the pole on the right all invoke emotion and help tell the girls’ story, distanced by their differences and upcoming life paths. Now remove the girls, the scene remains, as does its meaning and emotions, whether the characters are present or not.

Scenic Yuri is employed vigorously in more male-targeted S Yuri (a minority of the Class S genre). Here, the imagery provides intimacy so that the voyeuristic viewer could look into the characters’ private and forbidden lives, specifically the girls in all-girls schools. Take the shot from Strawberry “Mo Man May Enter Here” Panic. The sweeping view of the Strawberry Dorms atop Astraea Hill, a place where men are forbidden, gives the consumer an exclusive inside look at the private home of its subjects. Otherside Picnic uses these same scenic Yuri principles in its descriptions. In this case, the intimacy does not come from a place where men are prohibited or a shot describing women’s relationships. Instead, the reports of abandoned ruins and deserted open fields where only Toriko and Sorawo exist provide extreme intimacy. It is an emotional view of two of the few women in this world with nothing but each other; thus, Yuri.

Yuri science fiction is easily the most exciting place in the genre right now. Its creators are experimenting with new theories and storytelling methods to expand the boundaries of what science fiction or Yuri alone could never do. The subgenre has undoubtedly come a long way from its Weak Yuri roots and continues to grow. Industry leaders like Miyazawa and Mizoguichi will continue to push into this excited and uncharted territory, using tactics new and old to bring together Yuri’s emotional and romantic core with science fiction’s epic and provoking imagery. I have few doubts that we have seen all these pioneers have to offer and that Last and First Idol and Otherside Picnic are just the beginning.

Sources

Friedman, Erica, and Kishiji Bando. “Shoujo Yuri Manga Guide.” Yuricon, 29 Mar. 2011, https://www.yuricon.com/oldessays/shoujo-yuri-manga-guide/.

Hanson, Katherine. Yuri No Boke 百合のボケ〜百合が好きだ〜: Sci-Fi Yuri Anime and Manga. 17 Feb. 2012, http://yurinoboke.blogspot.com/2012/02/sci-fi-yuri-anime-and-manga.html.

Kit, et al. Tomo Choco Podcast Episode 58: A Trip to the Otherside. https://directory.libsyn.com/episode/index/show/tomochoco5287491142565609/id/14974343. Accessed 18 Feb. 2021.

Komatsu, Mikikazu. “S-F Magazine’s Yuri-Themed Issue Gets Reprints Before Release.” Crunchyroll, https://www.crunchyroll.com/anime-news/2018/12/18/s-f-magazines-yuri-themed-issue-gets-reprints-before-release. Accessed 18 Feb. 2021.

Kusano, Gengen. “[R-18] #SF #矢澤にこ【SF合同サンプル】最後にして最初の矢澤 - 節足原々（セッソクハラハラ）の小説.” Pixiv, https://www.pixiv.net/novel/show.php?id=4992326. Accessed 18 Feb. 2021.

M Alan Kazlev. “The Scale of Hardness in Science Fiction.” Futurism, https://vocal.media/futurism/the-scale-of-hardness-in-science-fiction. Accessed 18 Feb. 2021.

Masayuki Sakoi. Strawberry Panic S01:E21 - Like a Flower. Madhouse, 2006. tubitv.com, https://tubitv.com/tv-shows/558933/s01-e21-like-a-flower.

Maser, Verena. Beautiful and Innocent: Female Same-Sex Intimacy in the Japanese Yuri Genre. ubt.opus.hbz-nrw.de, https://ubt.opus.hbz-nrw.de/frontdoor/index/index/docId/695. Accessed 18 Feb. 2021.

Miyazawa, Iori, et al. Yuri Made Me Human, Part 2. Translated by Kati_lilian, 24 Aug. 2018, https://teletype.in/@kati_lilian/S1yjBCJgH.

Miyazawa, Iori, and Rikimaru Mizoguchi. Yuri Made Me Human — Interview with Iori Miyazawa. Translated by kati_lilian, May 2018, https://teletype.in/@kati_lilian/SJA8KwjjN.

Moore, Caitlin, et al. “The Winter 2021 Preview Guide - Otherside Picnic.” Anime News Network, https://www.animenewsnetwork.com/preview-guide/2021/winter/otherside-picnic/.167892. Accessed 18 Feb. 2021.

Nicki “YuriMother” Bauman. The History and Future of Transgender Representation in Yuri - The Secret Garden, January 2021 | YuriMother on Patreon. https://www.patreon.com/posts/45495024. Accessed 18 Feb. 2021.

---. “Yuri Is for Everyone: An Analysis of Yuri Demographics and Readership.” Anime Feminist, 12 Feb. 2020, https://www.animefeminist.com/yuri-is-for-everyone-an-analysis-of-yuri-demographics-and-readership/.

Pinansky, Sam. Interview with J-Novel Club’s Sam Pinansky. Interview by Erica Friedman, 1 Oct. 2019, https://okazu.yuricon.com/2019/10/01/interview-with-j-novel-clubs-sam-pinansky/.

Sarantos, Constance. “How Otherside Picnic Breaks the Yuri Genre Mold.” CBR, 10 Jan. 2021, https://www.cbr.com/otherside-picnic-breaks-yuri-genre-mold/.

“「SF冬の時代」は雪解けを迎えた早川書房・溝口力丸 Vol.1.” KAI-YOU Premium, https://premium.kai-you.net/article/201. Accessed 18 Feb. 2021.

Snapshot. https://www.cbr.com/otherside-picnic-breaks-yuri-genre-mold/. Accessed 18 Feb. 2021.

Takuya Satou. Watch Kase-San and Morning Glories. Sentai Filmworks, 2018. vrv.co, https://vrv.co/series/GYQWD1X1Y/Kase-san-and-Morning-Glories.

Walter, Damien. “Science Fiction vs SciFi vs SF: What Is the True Definition?” Damien Walter, 7 Aug. 2018, https://damiengwalter.com/2018/08/07/science-fiction-vs-scifi-vs-sf-what-is-the-true-definition/.

YuriMother. “LGBTQ Light Novel Review - Otherside Picnic Vol. 1.” The Holy Mother of Yuri, 12 Dec. 2019, https://yurimother.com/post/189635367305.

#Yuri #otherside picnic #the secret garden #miyazawa yuri #yuri of absence #scenic yuri #lgbt #lgbtq #lgbtq+#queer #gay #lesbian

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mostlysignssomeportents · 1 year

Text

Better failure for social media

Content moderation is fundamentally about making social media work better, but there are two other considerations that determine how social media fails: end-to-end (E2E), and freedom of exit. These are much neglected, and that’s a pity, because how a system fails is every bit as important as how it works.

Of course, commercial social media sites don’t want to be good, they want to be profitable. The unique dynamics of social media allow the companies to uncouple quality from profit, and more’s the pity.

Social media grows thanks to network effects — you join Twitter to hang out with the people who are there, and then other people join to hang out with you. The more users Twitter accumulates, the more users it can accumulate. But social media sites stay big thanks to high switching costs: the more you have to give up to leave a social media site, the harder it is to go:

https://www.eff.org/deeplinks/2021/08/facebooks-secret-war-switching-costs

Nature bequeaths some in-built switching costs on social media, primarily the coordination problem of reaching consensus on where you and the people in your community should go next. The more friends you share a social media platform with, the higher these costs are. If you’ve ever tried to get ten friends to agree on where to go for dinner, you know how this works. Now imagine trying to get all your friends to agree on where to go for dinner, for the rest of their lives!

But these costs aren’t insurmountable. Network effects, after all, are a double-edged sword. Some users are above-average draws for others, and if a critical mass of these important nodes in the network map depart for a new service — like, say, Mastodon — that service becomes the presumptive successor to the existing giants.

When that happens — when Mastodon becomes “the place we’ll all go when Twitter finally becomes unbearable” — the downsides of network effects kick in and the double-edged sword begins to carve away at a service’s user-base. It’s one thing to argue about which restaurant we should go to tonight, it’s another to ask whether we should join our friends at the new restaurant where they’re already eating.

Social media sites who want to keep their users’ business walk a fine line: they can simply treat those users well, showing them the things they ask to see, not spying on them, paying to police their service to reduce harassment, etc. But these are costly choices: if you show users the things they ask to see, you can’t charge businesses to show them things they don’t want to see. If you don’t spy on users, you can’t sell targeting services to people who want to force them to look at things they’re uninterested in. Every moderator you pay to reduce harassment draws a salary at the expense of your shareholders, and every catastrophe that moderator prevents is a catastrophe you can’t turn into monetizable attention as gawking users flock to it.

So social media sites are always trying to optimize their mistreatment of users, mistreating them (and thus profiting from them) right up to the point where they are ready to switch, but without actually pushing them over the edge.

One way to keep dissatisfied users from leaving is by extracting a penalty from them for their disloyalty. You can lock in their data, their social relationships, or, if they’re “creators” (and disproportionately likely to be key network nodes whose defection to a rival triggers mass departures from their fans), you can take their audiences hostage.

The dominant social media firms all practice a low-grade, tacit form of hostage-taking. Facebook downranks content that links to other sites on the internet. Instagram prohibits links in posts, limiting creators to “Links in bio.” Tiktok doesn’t even allow links. All of this serves as a brake on high-follower users who seek to migrate their audiences to better platforms.

But these strategies are unstable. When a platform becomes worse for users (say, because it mandates nonconsensual surveillance and ramps up advertising), they may actively seek out other places on which to follow each other, and the creators they enjoy. When a rival platform emerges as the presumptive successor to an incumbent, users no longer face the friction of knowing which rival they should resettle to.

When platforms’ enshittification strategies overshoot this way, users flee in droves, and then it’s time for the desperate platform managers to abandon the pretense of providing a public square. Yesterday, Elon Musk’s Twitter rolled out a policy prohibiting users from posting links to rival platforms:

https://web.archive.org/web/20221218173806/https://help.twitter.com/en/rules-and-policies/social-platforms-policy

This policy was explicitly aimed at preventing users from telling each other where they could be found after they leave Twitter:

https://web.archive.org/web/20221219015355/https://twitter.com/TwitterSupport/status/1604531261791522817

This, in turn, was a response to many users posting regular messages explaining why they were leaving Twitter and how they could be found on other platforms. In particular, Twitter management was concerned with departures by high-follower users like Taylor Lorenz, who was retroactively punished for violating the policy, though it didn’t exist when she violated it:

https://deadline.com/2022/12/washington-post-journalist-taylor-lorenz-suspended-twitter-1235202034/

As Elon Musk wrote last spring: “The acid test for two competing socioeconomic systems is which side needs to build a wall to keep people from escaping? That’s the bad one!”

https://twitter.com/elonmusk/status/1533616384747442176

This isn’t particularly insightful. It’s obvious that any system that requires high walls and punishments to stay in business isn’t serving its users, whose presence is attributable to coercion, not fulfillment. Of course, the people who operate these systems have all manner of rationalizations for them.

The Berlin Wall, we were told, wasn’t there to keep East Germans in — rather, it was there to keep the teeming hordes clamoring to live in the workers’ paradise out. In the same way, platforms will claim that they’re not blocking outlinks or sideloading because they want to prevent users from defecting to a competitor, but rather, to protect those users from external threats.

This rationalization quickly wears thin, and then new ones step in. For example, you might claim that telling your friends that you’re leaving and asking them to meet you elsewhere is like “giv[ing] a talk for a corporation [and] promot[ing] other corporations”:

https://mobile.twitter.com/mayemusk/status/1604550452447690752

Or you might claim that it’s like “running Wendy’s ads [on] McDonalds property,” rather than turning to your friends and saying, “The food at McDonalds sucks, let’s go eat at Wendy’s instead”:

https://twitter.com/doctorow/status/1604559316237037568

The truth is that any service that won’t let you leave isn’t in the business of serving you, it’s in the business of harming you. The only reason to build a wall around your service — to impose any switching costs on users- is so that you can fuck them over without risking their departure.

The platforms want to be Anatevka, and we the villagers of Fiddler On the Roof, stuck plodding the muddy, Cossack-haunted roads by the threat of losing all our friends if we try to leave:

https://doctorow.medium.com/how-to-leave-dying-social-media-platforms-9fc550fe5abf

That’s where freedom of exit comes in. The public should have the right to leave, and companies should not be permitted to make that departure burdensome. Any burdens we permit companies to impose is an invitation to abuse of their users.

This is why governments are handing down new interoperability mandates: the EU’s Digital Markets Act forces the largest companies to offer APIs so that smaller rivals can plug into them and let users walkaway from Big Tech into new kinds of platforms — small businesses, co-ops, nonprofits, hobby sites — that treat them better. These small players are overwhelmingly part of the fediverse: the federated social media sites that allow users to connect to one another irrespective of which server or service they use.

The creators of these platforms have pledged themselves to freedom of exit. Mastodon ships with a “Move Followers” and “Move Following” feature that lets you quit one server and set up shop on another, without losing any of the accounts you follow or the accounts that follow you:

https://codingitwrong.com/2022/10/10/migrating-a-mastodon-account.html

This feature is as yet obscure, because the exodus to Mastodon is still young. Users who flocked to servers without knowing much about their managers have, by and large, not yet run into problems with the site operators. The early trickle of horror stories about petty authoritarianism from Mastodon sysops conspicuously fail to mention that if the management of a particular instance turns tyrant, you can click two links, export your whole social graph, sign up for a rival, click two more links and be back at it.

This feature will become more prominent, because there is nothing about running a Mastodon server that means that you are good at running a Mastodon server. Elon Musk isn’t an evil genius — he’s an ordinary mediocrity who lucked into a lot of power and very little accountability. Some Mastodon operators will have Musk-like tendencies that they will unleash on their users, and the difference will be that those users can click two links and move elsewhere. Bye-eee!

Freedom of exit isn’t just a matter of the human right of movement, it’s also a labor issue. Online creators constitute a serious draw for social media services. All things being equal, these services would rather coerce creators’ participation — by holding their audiences hostage — than persuade creators to remain by offering them an honest chance to ply their trade.

Platforms have a variety of strategies for chaining creators to their services: in addition to making it harder for creators to coordinate with their audiences in a mass departure, platforms can use DRM, as Audible does, to prevent creators’ customers from moving the media they purchase to a rival’s app or player.

Then there’s “freedom of reach”: platforms routinely and deceptively conflate recommending a creator’s work with showing that creator’s work to the people who explicitly asked to see it.

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

When you follow or subscribe to a feed, that is not a “signal” to be mixed into the recommendation system. It’s an order: “Show me this.” Not “Show me things like this.”

Show.

Me.

This.

But there’s no money in showing people the things they tell you they want to see. If Amazon showed shoppers the products they searched for, they couldn’t earn $31b/year on an “ad business” that fills the first six screens of results with rival products who’ve paid to be displayed over the product you’re seeking:

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

If Spotify played you the albums you searched for, it couldn’t redirect you to playlists artists have to shell out payola to be included on:

https://pluralistic.net/2022/09/12/streaming-doesnt-pay/#stunt-publishing

And if you only see what you ask for, then product managers whose KPI is whether they entice you to “discover” something else won’t get a bonus every time you fatfinger a part of your screen that navigates you away from the thing you specifically requested:

https://doctorow.medium.com/the-fatfinger-economy-7c7b3b54925c

Musk, meanwhile, has announced that you won’t see messages from the people you follow unless they pay for Twitter Blue:

https://www.wired.com/story/what-is-twitter-blue/

And also that you will be nonconsensually opted into seeing more “recommended” content from people you don’t follow (but who can be extorted out of payola for the privilege):

https://www.socialmediatoday.com/news/Twitter-Expands-Content-Recommendations/637697/

Musk sees Twitter as a publisher, not a social media site:

https://twitter.com/elonmusk/status/1604588904828600320

Which is why he’s so indifferent to the collateral damage from this payola/hostage scam. Yes, Twitter is a place where famous and semi-famous people talk to their audiences, but it is primarily a place where those audiences talk to each other — that is, a public square.

This is the Facebook death-spiral: charging to people to follow to reach you, and burying the things they say in a torrent of payola-funded spam. It’s the vision of someone who thinks of other people as things to use — to pump up your share price or market your goods to — not worthy of consideration.

As Terry Pratchett’s Granny Weatherwax put it: “Sin is when you treat people like things. Including yourself. That’s what sin is.”

Mastodon isn’t perfect, but its flaws are neither fatal nor permanent. The idea that centralized media is “easier” surely reflects the hundreds of billions of dollars that have been pumped into refining social media Roach Motels (“users check in, but they don’t check out”).

Until a comparable sum has been spent refining decentralized, federated services, any claims about the impossibility of making the fediverse work for mass audiences should be treated as unfalsifiable, motivated reasoning.

Meanwhile, Mastodon has gotten two things right that no other social media giant has even seriously attempted:

I. If you follow someone on Mastodon, you’ll see everything they post; and

II. If you leave a Mastodon server, you can take both your followers and the people you follow with you.

The most common criticism of Mastodon is that you must rely on individual moderators who may be underresourced, incompetent on malicious. This is indeed a serious problem, but it isn’t the same serious problem that Twitter has. When Twitter is incompetent, malicious, or underresourced, your departure comes at a dear price.

On Mastodon, your choice is: tolerate bad moderation, or click two links and move somewhere else.

On Twitter, your choice is: tolerate moderation, or lose contact with all the people you care about and all the people who care about you.

The interoperability mandates in the Digital Markets Act (and in the US ACCESS Act, which seems unlikely to get a vote in this session of Congress) only force the largest platforms to open up, but Mastodon shows us the utility of interop for smaller services, too.

There are lots of domains in which “dominance” shouldn’t be the sole criteria for whether you are expected to treat your customers fairly.

A doctor with a small practice who leaks all ten patients’ data harms those patients as surely as a hospital system with a million patients would have. A small-time wedding photographer who refuses to turn over your pictures unless you pay a surprise bill is every bit as harmful to you as a giant chain that has the same practice.

As we move into the realm of smalltime, community-oriented social media servers, we should be looking to avoid the pitfalls of the social media bubble that’s bursting around us. No matter what the size of the service, let’s ensure that it lets us leave, and respects the end-to-end principle, that any two people who want to talk to each other should be allowed to do so, without interference from the people who operate their communications infrastructure.

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

Heisenberg Media (modified) https://commons.wikimedia.org/wiki/File:Elon_Musk_-_The_Summit_2013.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[Image ID: Moses confronting the Pharaoh, demanding that he release the Hebrews. Pharaoh’s face has been replaced with Elon Musk’s. Moses holds a Twitter logo in his outstretched hand. The faces embossed in the columns of Pharaoh’s audience hall have been replaced with the menacing red eye of HAL9000 from 2001: A Space Odyssey. The wall over Pharaoh’s head has been replaced with a Matrix ‘code waterfall’ effect. Moses’s head has been replaced with that of the Mastodon mascot.]

#pluralistic #e2e #end-to-end #freedom of reach #mastodon #interoperability #social media #twitter #economy #creator economy #artists rights #content moderation #como #right of exodus #let my tweeters go #exodus #right of exit #technological self-determination

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