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#currently eating drywall
veryintricaterituals · 8 months
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Can we talk about the parallel between Guillermo's turning and un-turning.
His turning went so wrong, it wasn't what he wanted at all. We know our crazy, dramatic baby. He wanted a ceremony, he wanted it to be romantic and soft, he wanted vows and sacred words. He wanted to slowly expose his neck, he wanted whispered words, he wanted to feel safe and cherished. He wanted to be asked and be held and be seen and be accepted.
What he got instead was a badly lit horrifying ordeal. He had to take charge. Derek had no idea what he was doing. It happened in a backroom of a store, they kept getting interrupted by Derek's boss asking him to clean out toilets. Derek fucked up his bite. He almost died. "Have you done this before". Derek fainting. Blood everywhere. Anticlimactic, disappointing, not at all the culmination of his life long dream, of decades of service and love.
His un-turning on the other hand.
Oh Nandor knows him. He made up a ritual for him with a suitably dramatic name: "The Ceremony of Vampiric Transmogrification". He dressed him in robes which he put on him so softly and spoke to him so kindly beforehand. He got all the other vampires ready for him. He hung banners and lit candles. He wrote and spoke vows and sacred words to him. He gave him a choice and asked him a question. And when he got his answer he took charge and made sure everything went exactly as it should. He made Guillermo feel seen and loved and accepted, even if it broke his heart.
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phykoha · 1 year
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I legit stood up and paced around for a few seconds cuz BRO GOT MAD AT ME IM GRAAHH he's tired of me hfgdfshsd
Check out Desktop Ghost Leonardo by @venelona-turtle-den ! He makes me very unwell! (affectionate)
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flower-seller · 27 days
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He pressed the tip of his finger to hers and smiled warmly with a gentle tilt of his head. “Maybe we can make up for lost time, hm?”
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big fan of valve implying a messed up portal 2 family. single divorced mother glados, her two children who she lets run into vats of toxic waste, and annoying uncle wheatley who we only let hang around because we feel bad for him
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hm. so the phrase "as above, so below" has a couple related meanings: a) what happens in the microcosm is a reflection of the macrocosm, b) what happens in a higher plane of existence also happens in the lower one, c) the microcosm is affected by the microcosm
all of this means pretty much the same thing: the below echoes the above
so, may i ask, what the Fuck is the bigger side to the so-below image? what is the above to Wally's dark below?
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spaceratprodigy · 17 days
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need to draw iris in her third rail dress again. for no reason in particular.. it's soooo easy access.......
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birdricks · 6 months
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(listening to any song) oh my god. birdrick
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jcsontodd · 10 months
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Channeling my inner cat by sleeping all day
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ofalltheginjoints · 10 months
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https://www.esquire.com/entertainment/tv/a43980844/phil-dunster-ted-lasso-interview/
update: found the interview where he says he’s written fanfic (mainly to make Brett Goldstein laugh, which tracks)
HE’S INSANE I’M LITERALLY OBSESSED WIV HIM
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fokron · 2 years
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frankly if your a c!crimeboys enjoyer and NOT reading unlikely events by nymphii on ao3 thn what the fuck are you doing
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currently eating drywall while reading your Gaz pushup fic. I got an idea, Gaz pinning reader down under him and doing push-ups like that?
this is playing with fire anon.
1,843 / 15 / takes place immediately after doing push-ups with Gaz and distracting Gaz as he's counting reps
...
The next day, Gaz gives no indicator as to how many push-ups he's doing, and you're struggling to keep track. Your focus lies elsewhere--between his broad shoulders and muscular back; the way his t-shirt fits so tightly to his skin.
"You're not counting my reps this time, I take it?" he asks dryly.
You stiffen, in the middle of warmup stretches yourself. "Why, should I? Are you going to get distracted and miscount again?"
"I don't miscount." He pushes up. His biceps look like carved stone under the strain. "I just ignore people who try to get my attention while I'm working."
"Maybe I should lay under you this time so you can't ignore me." You chuckle absently at your own joke without fully registering the implications of what you just said. You also don't notice Gaz falter in his reps for the first time ever.
He buckles down onto one elbow. "I'm... sorry? Come again?"
Your brain catches up with your mouth just as you're trying to twist your left knee up and over your right hip. "Wait, I didn't mean like that. Or I did, but not in the way that, like, just with your chest-- wait, fuck--"
Still mid-stretch, his hand closes around your ankle.
"No, really, come again."
He pulls, dragging you under him, and you find yourself on your back, the workout mat stinging against the skin there. He hovers over you, his hands and knees caging you in.
"Lay under me?" he says. "Because that's what it sounds like that's what you're saying. Is that what you want? To be under me?"
You blink up at him. This shouldn't feel as intimate as it does. Gaz is your workout buddy. You've been closer to him. Regularly.
It's the eye contact, isn't it? He looks hungry. Your gym buddy shouldn't be looking like he wants to devour you. He leans in closer, his eyes roving over you in a way you've never seen him do before. Obviously Gaz is an attractive guy--ridiculously so. But you've never seen him look at you like this. Your whole body is tingling with awareness.
You know you can put an end to this right now with a single comment. The fact that you don't want to is what makes his closeness feel new. If he were to lean down and kiss you right here on the gym mat, you would welcome it.
As if he can hear your thoughts, Gaz shifts again, leaning further over you. "I said, is that what you want?"
Your mouth is dry. Your tongue darts out go wet your lips and his eyes snap down to watch.
Your self-control wavers.
"Yeah," you tell him shortly. "Maybe I do."
Gaz's jaw sets. His body is tensing like a coiled spring. He is desperate to touch you. "Maybe isn't good enough," he grits out. His hand slides up from your hip to your waist, slipping under your shirt. "I want to hear yes."
nsfw ⬇
Your vision fogs a bit as his fingers graze the skin under your breasts. When he dragged you under him, you realize, the friction of the floor against your clothes rolled them up. Now your shorts and top are riding very high on your frame. He sees the way you're trembling, your hips writhing subtly under his touch. You're so exposed. It's so wrong. But he's enjoying the hell out of the view.
His hand disappears and he drops to his elbows, his hard body pressing up against yours. Your breath hitches. He chuckles. His mouth strays to your ear. 
"Easy," he breathes. "I'm not asking to have my way with you right here on the floor. I'm just asking for permission to touch you a little, yeah?"
Your heart clenches in your chest, catching oddly. "Oh, right. Y-Yeah."
"Sorry, are you disappointed?" His hand drifts back up your body, going straight to the elastic band of your sports bra. "Did you want me to take you right here? In this very public gym?"
You squirm as his thumb begins to work its way under the elastic. Your hands go to his chest, a rush of endorphins surging through you at the slight give of his form pectoral muscles under your fingers.
"I didn't say that," you tell him, voice still wavering more than you want it to. "Don't put words in my mouth."
"Oh, no, I'm just thinking out loud. You really need to watch your phrasing, boss. You're gonna make me think you're not as innocent as you like to act." His thumb rubs in slow circles over your soft skin as he speaks. "I’m just thinking about how cute you are when you're all flustered. And how pretty your eyes are. And how you’re not denying it.”
"You're the one who-- ah--" Your retort dies on your lips as his hand slips under your bra. His fingers run over your nipple, the rough texture of his callouses against the many nerve endings there making you jump.
He lets out a low groan of satisfaction when you respond so quickly to his touch. His forehead falls to your collarbone, trying to focus on you, on the sounds you're making. You're igniting his whole body. He squeezes your breast roughly, unable to help himself. He squeezes again when you squeak and he realizes just how much you like this, too. He tenses more and more with every breathless little jump and squeal.
You're barely aware of your own reactions. All you register is his hand on you and the heat in your face spreading down your neck and racing to your core.
His knee slides between your legs. It tears a ragged gasp from your throat. That only seems to encourage him, and he presses his body down harder over yours.
"You're so sensitive," he breathes out.
He grinds his knee up into you even more shamelessly, and you fist a handful of his tank top. "Wait," you protest. "Someone could walk in."
"So?" He growls, his voice suddenly rough. "Let them walk in and see. I'm not going to pretend I'm doing anything other than what you want--" His breath gets heavier as he shifts again, his knee easing back. Fuck, you're right. Someone is going to walk in any second. It's incredible nobody has already. This would be a compromising position to be found in, to put it very lightly. He's a senior officer over you. It looks bad for him to be over you.
Gaz forces his hand to still and pulls it out from under your shirt, swallowing. He sits up, dragging his gaze slowly down your body before he finally locks eyes with you again. Your clothes are in disarray; your chest is heaving; you're looking at him with such a debauched look in your eye he has to clench his hands into fists to keep them off you. Jesus. He's only touched one nipple and you already look like he's been fucking you. How are you real?
He grabs your hand and pulls you to your feet as he stands. "Come on, up."
"Where are we going?" you ask as he walks across the floor with your hand still in his grip. "Why did you stop?"
"We're going somewhere private." His grip stays firm as he drags you out through the front entrance. "And I stopped," he adds, "because you're going to get me in trouble if I keep going where we were."
"Wait." You tug his hand back as he pulls you past the entrance to the women's locker room and showers. "In here."
Gaz almost trips as your grip pulls him back.
"What?" His voice is an exasperated whisper.
But at your persistence, he lets you tow him over to the women's locker showers.
"What?" he repeats, this time quieter as he opens the door. "Are you--?"
But you step in after him, shutting the door behind you. Gaz's eyebrows go up.
"I guess you are."
"A lot less foot traffic in here. Enough time for a little hands-on training, right?" you say, pulling him further into the room. You start up one of the shower heads near the door, hoping the noise will cover up what you want to do. Then you strip your tank top and bra off in one swift motion, grabbing the hem of his shirt immediately after.
Gaz's throat goes dry at the sight of your exposed chest. He drinks in your body, his eyes roaming slowly and possessively. "Jesus, your body is-- fuck."
He grabs your hips and pushes you against the wash-tile in the nearest stall. You gasp at the cold of the tile on your naked back.
He runs his hands up your waist, groping your tits unabashedly. "We're way past hands-on training, love. That's your fault."
"My fault?"
"Yeah. Yours." Gaz's voice is rough with arousal. He hefts you up, grunting in satisfaction when your legs fasten around his waist. "You started this. You're the one who suggested laying under me. You didn’t have to say that. Did you think I was going to say no?"
You give him what is--somehow, even as you're naked from the waist up with your legs around him--a shy glance. "I didn't think you'd say yes."
His hands move up your legs, massaging your thighs then moving to your hips again. The way your body grips him, the way your legs squeeze him tightly to you--he's loving every goddamn inch of you.
"What do you expect a starving man to do when he's presented with a three-course meal right on the table?"
You scoff. "You are not starving."
"I'm starving for you," he grits out. "Don't be obtuse. God damn. You have no idea how often I’ve thought about getting my hands on you.” He rubs his fingers along the sensitive skin just over your waistband. “You have no idea just how much I’ve wanted to--”
He slides his hands up your body again, his fingertips tracing smooth undersides of your breasts. Even now he's holding back and his restraint is obvious. He could have you right now, pinned to the wall.
"I wanna devour you, you hear me? Every inch."
Your stomach flutters as his palms reach your ass and squeeze. You can't believe Gaz of all people wants you like this. "Is this gonna mess up our relationship as gym partners?"
"Probably. Definitely." He bites your earlobe the same place he bit it yesterday. This time, he laves his tongue against it. His breath is labored in your ear. "If you don't want that to happen. I need you to tell me." He rolls his hips against yours, groaning at the feeling of your heat through your thin workout shorts. "Right... right now."
"Is... is it wrong that I kinda want you to ruin it for the rest of time?"
"Good." He shifts one hand to run his fingers over the crux of your thighs from behind, making your back arch. "Because I'm going to destroy it beyond all reason."
...
part 1 / part 2 / [part 3] / part 4 / part 5
more Gaz / masterlist tag
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emwheezie · 3 months
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Who are you choosing if my characters were in a dating sim?
Lennon:
Gremlin mode
Daddy issues
Bad hair
Musical/Creative genius. Perfect pitch
Ambitious
Doesn't shower
Ate a lasagna once
Doesn't know how to use his words
Fights drywall
Movie watcher
Chicken addiction
Street smart
Closeted Weezer fan
Dunkin Donuts
Shoes on the bed
Green Day
Might be silly
Goes up the stairs on all fours
Stressed/depressed/poorly dressed
PBC singer and lead guitar
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Tony:
Purple
Crazy driver
:3
Mall pretzels
Catholic school survivor
Emotionally smart/book smart
Stressed/depressed/dressed to impress
Afraid of getting old/ugly
Wants to fight the MBTA
Might be delusional
throws up from anxiety
Redbull and Taco Bell
Loves dogs
Green Day
Poetic
Saw Moses (biblical) in the woods while high with Theo
Bisexual
Lactose intolerant
Finds meaning in everything
Always in a relationship
PBC bassist and "manager"
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Enzo:
Evil
Might have killed a man
Man Bun
Posts on DeviantART
Loves dragons
whispers and shakes
Future tattoo artist
Movie connoisseur
Might be a furry...?
LOVES the Saw movie franchise
Protective and loyal
Street smart
Stays up all night in the dark
In an online relationship
Does what he wants
Doesn't waste time
Sparkling water enjoyer
Tea drinker
Never listened to a music in his life
Guitarist in a band (PBC)
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Theo:
From New Hampshire
Asexual
Golden retriever personality 
Grew up with 8 siblings
Joined the military after High School
Eats Oatmeal?
Doesn't wear a seatbelt
Outdoorsy/hiking adventures
Works at a club/bar with his wife, Gia
Is a cinnamon roll
Emotionally smart
Saw Moses (biblical) in the woods while high with Tony
Calls music his "funky jams"
Forgets his shoes
Mtn Dew
Forgetful
Kidney Stones
His appendix exploded once
PBC drummer
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Park:
Loves alcohol
Hates the government
Hates the IRS
Has never paid taxes
No sense of personal space/very touchy
LOUD
Climbs things
Grilled cheese enthusiast  
Dunkin Donuts manager
Aliens are 4 realz
loves video games
Wicked smart
Goes to MIT for like space engineering or something idk
Makes monkey noises
"I have to be both the sexiest and most mentally challenged person in the room at all times"
Obsessed with skin walkers
Conspiracy theories
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Oli:
Photography/cinematography 
Graphic design
Urban Explorer
Abandoned things
Summer time vibes
Lives in sleeveless shirts
Black coffee drinker
health freak/gym rat
Smokes cigarettes (hey we all have our vices)
Secretly gay
Chronic complainer
Works at zumies
Does graffiti 
Runs from his problems
Travels for work
Drives a modded Subaru
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Alyssa:
Preforms unethical experiments in the sims 3
Loves cows
So many many plushies there's no room for her in the bed
weezer fan
Talks a lot
Lots of keychains/charms
Maximalism!
Assertive
Good listener
Workaholic 
HAS to be the BEST at anything she does
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Rosie
Grew up with strict parents
Working too many hours at Dunkin Donuts
Former ballet/dancer
Likes to bake and really good at it!
Compulsive liar
"I have a twin sister who goes to another school"
Gets jealous easily
Body image problems/eating disorders :(
Emotionally Immature 
Spider eyelashes
A nose ring is "rebelling from my parents"
Currently in college
Afraid of change
Emotional support eldest daughter
Loves to sing
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ghostlywhiskey · 4 months
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nic!!!!! your dad price energy is making me want to eat drywall i genuinely can’t take it!!!!
your brain is beautiful and thank u for sharing ur thoughts with us because you’re the reason my heart is a soft puddle of goo currently <3
dad price is so special to me like imagining him brushing your damp hair off your forehead once he wiggles his thumb out of the babies tight grip. whispers that you should get some rest, that you worked so so hard and deserved good sleep. he has the baby. (his heart is actually trying to beat out of his chest at the idea of being one on one.) you smile softly as your eyes flutter shut at his ministrations, your breath finally evening out. he breaths a heavy sigh through his nose as he rocks the baby softly, walking around the room to keep the rhythm. he can’t keep his eyes off the little one (besides his quick glances towards you, making sure you stayed comfortable) as he marveled at their small chest breathing and hands gripping his fingers like a life line. he finally ends his walk around the room at the window, glancing out at the world, that was now home for his little one. home of his two favorite people. home of his family that he silently promised to love and protect with his life. - ❤️‍🩹
eat drywall i'm crying please no<3
and you are making my heart goo! i absolutely adore dad!price and he's literally everything and more. the most gently person there ever was when it comes to holding and taking care of a baby, i could sob forreal.
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unlikelyjapan · 9 months
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s2e5 rewatch notes
Ah, "Pop" - it's so weird to have one of the least-satisfying episodes of television you've ever watched be sandwiched in the middle of one of the most satisfying television series you've ever seen.
"But the viewer uneasiness, the juxtaposition, that's the point of the episode!" cry future Storer/Calo** in unison, tearing at their shirt collars and throwing themselves prostrate in the middle of their 7th podcast interview moderated entirely by men "in the spirit of John Hughes, we wanted to convey....."
** For the record, I respect/love them for creating my 2nd favorite TV show of all time, they just grind my gears with the offensive stance on these narrative choices that were, in fact, very bad.
It was an over-reach, an unenjoyable viewing experience for most people outside a specific segment of uncritical (mostly white) men and the women who placate them.
Alright, preamble over - let's dig in!
We open with Tina getting a crash-course in Syd's vision. I bet this woman has never been exposed to breaking food down in the abstract - "earth, air, fire, water" , nor the overwhelming prep of the daikon and the fennel - but her just being like "this is a lot for a tasting menu" and then reassuring her with "it's okay ma, I got you!" - she has my full heart.
Tina's intuition on the food is good, though - it is, in fact, too busy. Sydney is still learning how to be a mentor, and she negates that Tina's background isn't automatically going to make her know what a play on an XO sauce is, or even how to identify a panzanella.
Remember Carmy explaining Japanese plum wine to Marcus? That's how you do it. Sydney still has a learning curve to go through, but Tina will weather it gangbusters.
Sydney - "It's a lot, it's a lot...I'm seeing that its a lot"
I see that iterative recipe development between Carmy + Syd fell into oblivion three weeks earlier when he blew her off, and she's suffering greatly.
Carmy is trying to get the 7 seconds down to 5 between stations when Cicero comes in, and Cicero sees it as a fruitless exercise after Natalie points out that he's been at it for over an hour. I can almost see the flash in Carmy's eyes where we're back 5 years ago, his family seeing him and his work as weird and irrelevant. This was probably the first blow of the day that led him to flake out completely.
I'm including all of Cicero's dialogue here, because I didn't realize it was so weighted on my first pass through the show:
"I'm a little concerned that we're taking our eyes off the ball here, and I want to be hyper-clear - if I ain't seeing no progress, I don't want to keep pissing money away. I'm calling this out now, because we are - How far from open, Sug? - Six weeks! And I somehow anticipate that the coming six weeks, there will be more pissin'.
The thing is, I like to control the pissing to the best of my ability....your schedule is kinked. You're doing whatever the fuck you're doing here. Thundernuts is out there making sandwiches for his entire family? I mean, look, as much as I look forward to selling this place - and trust me, I do look forward to it - I think it's just in all of our best interests if we have a maximally efficient place of business. I really would like to tell you a story of complete and utter failure...."
Syd interrupts.
Holy shit - this is the second time he's tried to tell his Gonzalez/Bartman story. I can't believe I missed this, TWICE (s2e1).
Instead, he tells it to Carmy on opening night - and I think by then Cicero has seen the writing on the wall and knows that Carmy is the only person who really needs to hear it - this is a big CP.
The scenes that follow just reinforce Ciceros current narrative - it's too casual for essentially being a House of Usher - everyone is interrupting, Fak's pal/contractor wandering in eating a sandwich the electrician made him, the drywall falling, Timmy's "no worries, it's still billable hours" crack. Mobster uncle or not, the man has already spent $550k just to witness this.
Tina telling Ebra that it's weird she hasn't spoken to him in a few days, and can't recount the last time that happened - it's amazing that with all the talk of platonic relationships this season, no one is pulling this one out of their hats in comparison *smirks*
But again (like Sugar faux-charming Cicero moments earlier). women be managing men's emotions along with their own lengthy lists of challenges, as the men retreat wounded and overwhelmed.
Cut to Syd perfectly laying out dining wares for Carmy while Fak blathers about 'Can't Hardly Wait' being "the greatest High School Song ever written" while his contractor friend sits idle....
"That's $55 a plate for that silence" - "Okay, then we can use the shitty ones" - Carmy is being so frigging childish and dismissive, right after he called Sugar "fucking disgusting" for being cutesy with Cicero to de-escalate him, but both women are doing what needs to be done - not what they WANT to be doing.
This is when Carmy completely checks out to call Claire for the ridiculous errand run to Winnetka. In my memory, I felt like "oh, he wanted to see her and he took the first opening to bail", but watching this episode now, he feels defeated and infantalized, and so he runs to a guaranteed source of flattery/unchallenging comfort. I don't think it was initially his M.O for the workday, just "later".
He exits with "Um....chaos menu. I dunno? I'll get back to you?" after we already watched Syd suffer on it until the wee hours - he's off to provide himself with amusement and enjoyment, so he can take care of Syd others- he just wants to give the menu to her straight-up (as he thinks this will please her), and this is his way of apologizing for bailing.
The same goes for his non-thank-you to Natalie as he's leaving. "You're not doing this because I'm pregnant, are you?" - No, he's doing it to provide himself with amusement or enjoyment so he can be better for you - enjoy working the entire day at the restaurant pregnant, though! If it makes you feel better, he appreciates you.
"Total Control" by Motels is playing as Carmy and Claire drive to the suburbs - I included the link to the lyrics, because it was an....interesting choice.
I really tried to analyze their conversation during their first foray into the car, but my raw scribbled notes look like this:
"It's perfect timing, I had all this extra adrenaline after resetting this guys Tibia" - screaming
"Whoa" (but not really impressed/getting it) "Does that shit really fire you up?" - oh my god
"It really fucking fires me up. Plus, I love driving. I'm a horrible driver, but I love the risk." - oh my fucking god
I can't do it. I'm sorry.
I'll only note that the chemistry during the envelope drop is non-existent. I think it was supposed to be scripted as a funny/awkward scene, but it just came off as two actors standing in a mail room - before this moment, I never perceived JAW as a guy who's just acting in this show, and it's jarring.
Why the hell didn't FX exert more pressure to get the chemistry read they asked for?
Sydney and Natalie's sit-down is just them acknowledging that they're managing the feelings and work of all the men that orbit The Bear, on top of the extensive labor demands they already have. Richie's interjections due to lack of purpose, Fak's inexperience with managing contractors, Carmy being checked-out and incapable of participating in things that don't rely on his existing ADHD skill-set.
One of these women is a bit green and needs support, the other is pregnant and overwhelmed, and all the men are mad or threatened by them for one trite reason or another - if season 3 isn't an overt celebration of female competence and resilince, I'm out.
"The menu is fucked - and I need Carmy, but he is....being Carmy, somewhere."
"At least he's hanging out with Claire, that seems moderately healthy, right?" - Sugar delivers this as not good, not bad, just completely ambivalent - a far cry from the Fishes discourse.
And Sydney's eyes fire up with the intensity of hell behind a smile and the "who's Claire?" - Ayo is such an amazing actress, that was a nice palate cleanser after the letter drop.
OK, we're back in the car - again, I couldn't extract much from the vapor, but here are some rough-hewn observations:
Claire saying "We've hung out so much, but we've never actually talked" - add it to the list of "telling, not showing".
I wonder if Molly Gordon is truly a great actress and intended to look at Carmy like that while he was talking about drawing pants (intense psychoanalysis eyes) or if she was attempting to look dreamily at him and just failed the assignment.
It's becoming a bit more clear to me that there's a weird brother-oedipal thing going on with Claire when Carmy talks about how she had so many friends, as Mikey did.
"Speaking of dead brothers, do you want to go to a party?"
Ignoring the totallykookycoolgirl line, I don't believe Carmy wanted/needed the tension to break there, he actually wanted to talk. The 'hmmmm' he lets escape is discomfort on multiple levels.
The party scene - "Pretty in Pink" by the Psychedelic Furs plays as they enter a house filled with 35-year-old fraternity dudes.
For those who maybe missed this, John Hughes also wrote "The Breakfast Club", wherein Molly Ringwald's character was named Claire. They just beat us over the head with this regression repeatedly, and I resent it. I came here for a high-caliber show, and I feel like I'm watching Zach Braff disassociate in a Scrubs dream sequence or some shit.
At least KJ (a 38 years old man with meth face) says that Carmy was in wrestling with him back in high school - maybe this will tamp down the "why is a chef so ripped" debate.
Even when Claire is comforting her friend (which is played by Mitra Jouhari, Molly/Ayo's friend in real life), the delivery is so wooden and sterile and not how adult women console one another in crisis.
Maybe it was the fact that she was forced to maintain the whispery voice through it for consistency in Carmy's presence, but even that seems out of sorts - imagine Syd, Tina, Sugar, anyone consoling a friend in a similar situation - and she uses that consolation to further her agenda with Carmy by dropping that no one has ever made her dinner before (at age 30???)
"Am I stupid?" "No, no....he's the one who sucks".
Wait, these are the lines of a very adult woman who has friends who are doctors getting over a 5-year-breakup? This script is stupid.
Jeremy Allen White is such a serious actor, I'd kill to hear his earnest drunk take on this.
"He's so nice. Why don't I ever meet anyone who's nice?"
*sighs deeply* - Again, y'all are 30.
Tina taking a shot and then getting up to sing "Before the Next Teardrop Falls" by Freddy Fender. I'd love to know if this song has a massive place of significance in Tina's life, but I choose to see it as her being a ballast of support for whoever needs her. Her heart is completely open - no notes.
Hold the phone - they chose "Here Comes The Night" to play as Claire is staring back at Carmy and comforting her friend leading up to the fireworks scene?
Here are the lyrics - Van Morrison/Them is great, but I wonder why they picked this song? Feel free to slap the Syd goggles off me, but this literally just chased Tina's ballad about being there when someone breaks your heart.
KJ saying "busted for having fun, busted for having fun!" as the cops are hauling him away. Loga....I mean, Carmy, was looking for "fun" in his life - I feel like this scene summarizes that pretty succinctly. He's not a man searching for fun, he's a man searching for meaning....and now he's going to conflate the fact that he's completely touch-starved with this type of fun, because the man is emotionally illiterate.
The one lyric from Strange Currencies (when they're driving to the restaurant) that they chose to flare prominently is "where were you when I kissed you" - at least they're driving home the message that these two aren't on the same wavelength.
Carmy walking into the Richie-fight-shitshow and being more concerned about the optics Claire receives when it's obvious that his whole staff has just been through a hellfire of a day, ugh. At least his acting chops are back on display in this scene.
Ahhhh, Claire's sourpuss face as soon as Sydney blurts out "I'm sorry you're here" - it almost makes this episode worth it. Almost.
For the record, I side with everyone who's stated that her introduction to the crowd was exclusively to draw Syd's attention to her.
The same goes for Richie's "Interesting." - if we based everything on what Fishes was trying to sell us, he would have thrown Carmy an arm-punch or something. It's more bemusement, not pride, in Carmy for "bagging Claire". Compare that with the "ooooooooohhhh" when Syd and Carmy are fighting - there's way more tension/acknowledgement of their dynamic.
Ugh - even Richie is like "Cousin, who's going to watch the copper?" as Carmy kicks everyone out. Even if they're ham-fisted about it (as Richie definitely is), everyone is concerned about something to do with the restaurant/their labor except for Carmy, who curtly dismisses them all with fake gratitude.
I won't talk much about Syd's exit, because it's already been discussed to death - yes, he's confused she's leaving. Yes, the only time he can look her in the eye is while Claire is distracted. Yes, he see's she's pissed and it's making him die a little inside.
I will offer a trite story, though:
When I was a young pup, I had a co-worker who had a massive crush on my friend - and the affection was mutual, but unacknowledged due to lack of experience.
He (being a traumatized, ill-equipped man-child) immediately sought out a less challenging girlfriend who even looked like a close approximation of my friend and excitedly brought this new girlfriend to a party I was throwing because he REALLY hoped that my friend would love her. She obviously didn't love her, he came to me confused/upset, and after I explained things slowly and carefully, he dumped the girlfriend a few days later. He dated my friend weeks after (and for transparencies sake, it ended terribly).
Where I'm going with this is that I think somewhere in the recesses of Carmy's damaged mind, he REALLY needed Syd's approval of him being with Claire since he was caught red-handed. He imagined her staying, asking leading questions or chaperoning the situation, or giving him a knowing smile or a "thata boy" - whatever. Even though he told everyone to leave. It's bizarre.
The Fak thing is so cloying - someone mentioned today about the Berzatto clan of fools wanting to live vicariously through Carmy and Claire, and they are 100% correct.
Finally, 30-year-olds don't kiss like this.
This whole thing was as unsatisfying to write as it was to watch. Hopefully, I caught something of use - thanks for sticking with me through this!
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spaceratprodigy · 10 months
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I think writing hiram into the picture has officially solidified my midnight mass au
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gla55t33th · 1 month
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anymore angel vox? :3 how does he interact with other characters! /nf!
i am currently in Sketch Hell as i would describe it so ill be reblogging later when i can Draw but. Ramble under the cut
Firstoff i made the design because of a handful of fics which i read and stupidly forgot to save . Namely the one where he died for alastor, angelic interference, and the one where they made a fuckup on the books. (Ill get back when i find their names) . I just wanted to make the design for the sake of it and try to make his looks fit heaven and also my interpretation of vox, so hes intended to look almost like a character youd see on an old tv show but a bit more suave. I also wanted a space age head because i mean thats The Period of innovation and while there were certainly similar designs while he was alive its more symbolic of progress than actual progress. Then my brain started doing its thing and when i start thinking about anything for more than five seconds i get a bunch of pins and red string and become a full blown theorist who needs to connect everything to worldbuilding or ill die
so. I started a fic and if you find it you find it :]
ANYWAY! CLAPS MY HANDS
my angel vox.
Point the first! this isnt a vox goes straight to heaven, its canon divergence. Vox dies, goes to hell, and at the peak of his messy hell career he dies again and goes to heaven. Vox is not redeemed.
2. Vox is powerless. Heaven equalises people. It has rules, a lot of rules, and these are sown straight into their reality which cant be broken. He does however have free will and a silver tongue.
3. I think vox and sera would get along surprisingly well when it came to it. Sera is a 'tough love' sort of character, and does believe shes doing good in spite of it all, and is willing to do lesser evils. Vox cares about nothing but numbers and outcomes. This means that if they share a goal a lot of their approaches would also be shared, and i think theyd be fond of that.
4. Vox despises heaven. Just the fundamental concept of it. He does enjoy a struggle and he does enjoy pain, thats the point of being alive to him. Or well. dead. Its an uphill battle but its his uphill battle to fight. Also he just needs something to keep him occupied at all given times or he might just snap #adhd
4a. He also hates the residents, mostly because of very well earned trust issues how its not fun to talk to any of them. They just say whatever theyre thinking, no song and dance, no fine print, and vox loves fine print and searching for hidden meanings.
5. Emily is nice and almost tolerable but he would absolutely throw her off a bridge if it benefited him without second thought. He hates how much of a bleeding heart she is, but that seems to be a trait of everyone up there
6. Vox's relationship with himself is a complex mess. It always has been and heaven made it worse. Not only did it revert his body to how it was when he first fell but Angel Edition, hes barely mechanical anymore- and while being a good part machine was all part of hells punishment at the start for various psyche reasons (as well as how inconvenient it was) he had grown to worship and love his inorganic nature, and how much better it was than his faulty body . I have headcanons about that but that falls under spoiler territory for Said Fic. But heaven handing him back his flesh and blood is a massive massive violation of his boundaries and the moment he stops and actually starts thinking about what the hell has happened hes gonna break
7. The vees think vox is dead dead. Angel!vox would... have a strained relationship if he were to meet like that. On one hand, hes vox! Their vox! But like this he can't be his usual overlord self and while he trusts them enough to view them as friends, he wouldn't be able to face them as partners like this; business or otherwise. Hes horribly powerless and they need him on his A game.
8. Alastor (angel!vox punches the ground and eats drywall)
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