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dystopiandilfs · 3 years

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Dream's discord podcast. Basically him answering questions for 2.5 hours. This will sort of be in order but I fucked up my notes so it might not be in order completely. (From 13th May 2021)

For reference the photos at the end are: A prototype of fidget spinner merch as loads of people asked, a reference photo of his favourite merch and a photo he sent of his hair to prove he wasn't a brunette.

•He said his teeth are mostly straight but he's thought about getting Invisalign. He's never had braces. He has a tiny gap in the left side of his mouth and his canines are longer and sharper (vampire arc). He's never had teeth surgery so has his wisdom teeth still.

•He thinks pineapple on pizza is good.

•He likes seafood like lobster and crab. He had crab made in an air fryer last night. He like peas. He thinks quesadillas are good and likes most food.

•He hates Coffee and most drinks

•The Dream Shorts team is Ken who is his personal reminder (Ken's main job is to spam him with texts so he doesn't forget things as he's got a habit of reading texts and not replying) and also comes up with a list of sets for Dream shorts. The builder is a friend and munchymc builder "his talent gets wasted on Dream's shorts but we pay him so"

•His editors are currently Dizzy, Firesale and Mjcr. Willz doesn't edit for him anymore

•The mask animation isn't done but Mask should be released May 21st. He wants to release them together as "the whole song is a double meaning and the whole nuance will be lost without the animation" but no matter if the animation is done the song is getting released on the 21st.

•He and Sapnap eat together often.

•He and Sapnap prefer medium rare Steak

•He wants a home gym it's something he's willing to splurge on. They currently have a weight rack but they haven't even set it up.

•"Eat the rich? Shut up shut up" - Dream

•Talked about money basically saying "Most people don't understand how money works I don't have millions in my bank account it's in assets like merch, land and warehousing for that stuff" (He's not in his landlord arc)

•He's been debating Pride Merch because of Rainbow Capitalism. He doesn't want it too be seen as a money maker and if he does most proceeds would go to charity. He's currently super busy merch wise with Sapnap joining and George in the middle of joining. He did say "Only if the LGBTQ+ community in this community wants it" He thinks he's going to at least change the merch website to a pride one. Sapnap wants to make pride merch including a rainbow flame on his.

•He wants to create a charity that's centered around helping LGBTQ+ one day because he thinks that there's a lack of them. He mentioned that creating a charity was expensive and took a lot and was a complicated process including a board of directors but he wants to do it someday.

•He wanted to buy a bunch of houses in Florida which was a service to house mostly LGBTQ+ youth and people stuck in abusive households for free to get them out of bad home environments. But he didn't because he didn't want people thinking he was profiting of of abuse victims and LGBTQ+ community.

•He said he's terrible with time management and replying to people which is why Ken helps him (and also helps George and Sapnap). He mentioned how Sam messaged multiple times and Dream just forgot to answer but felt bad "I feel like people think I hate them..... Cause I'd be mad if people did that to me"

•He tries to reply to a few texts a day (community number). He also can't do birthday messages everyday because you can only reply at certain times so it's not abusing the system so if you get one it's special. He said he does try but it's got a weird time gap.

•Him and the manhunt winner are trying to come up with a good time to film

•He wants to stream this MCC on twitch and says his team is good.

•He talks about why he's not partnered with Twitch. Basically Twitch has a lock rate (in which you make money) and you legally can't stream on YouTube. So legally if Tommy wanted to stream on YouTube he couldn't. Someone then mentioned how Bad is a twitch partner but still streams on YouTube "Bad streams on YouTube but he has for a while and I don't think that he cares" - Dream

•He likes to reply to every donation he gets on stream and feels bad when he doesn't so he'll turn them off when he streams and wants a platform deal where he can be payed to stream (not twitch). If he gets a streaming partnership he will stream a couple of times a week. He looked in to Facebook but they don't have an alias system meaning you can see everyone's actual Facebook account and personal info, he doesn't like seeing real names on Facebook so it would require a lot of altering if he was to stream there so he's thinking it's probably going to be YouTube.

•He was asked about if his demographic was what he expected and he said he went in with no expectations, he didn't even know what stans were, wasn't really on social media so he wasn't aware of the fan culture. "You guys are a handful sometimes but it's worth it"

•He also mentioned how he and the DreamSMP changed the twitch audience demographic. It used to be male dominated in both streamers and audience and now it's almost split which is unheard on.

•He has 5 fidget spinners in his house. Two in his bedroom. Two in his office. One in the living room.

•He likes his Minecraft skin as he thinks the arm is cook and you never see the rest of his skin really. He says it's unique and different and "me". Dream: You can't even tell half the skins apart on MC.

•He's not lost the motivation to stream. Most of the times if he wants to stream he gets George or Sapnap to do it and he just turns up. It's more beneficial to them as they have donos and subs on. (Don't we fucking know it "can you say hi to")

•He has listened to Lovejoy. Says the ep was great and they're very talented and awesome. Doesn't know what his favourite song is but probably would pick One Day because the chorus slaps.

•RIP to acoustic Roadtrip. He said instead of acoustic Roadtrip we get Mask so no losses today for Dream stans.

•"With Roadtrip I went to Parker and I said Hey I have a story I want to tell through music. I have no experience with that can you help me" He said sure. He crafted the music and melodies and how things are formed where it's catchy. I have less comfort singing that. I love the song and it's my song, it's very representative of me and I'm sure I could sing it but it's a song I'd be kinds of scared to sing live, with Mask I basically did everything. I sat there the entire time and maybe an hour out if the 100 I wasn't in the call. Dream came up with the lyrics and main melody for Mask (First one he's ever come up with) "That was just notes in my fucking voice memos"

•The clip we heard of Mask was a prechorus not the actual chorus. He thinks he'd be more comfortable to do a mask acoustic and it's more melodic than Roadtrip. The chorus also has a lot of instruments similar to Roadtrip. Mask starts of slow and guitar with minimal reverb and is more raw.

• He doesn't want music to be his main thing. It's something fun to do and he's passionate about it as it's a way to express emotions. He wants to release mask then go from there. He wants to release at least one more song but has nothing on his mind currently. His two ideas were Roadtrip and Mask.

•He wouldn't quit his job to become a pizza delivery man.

•His favourite features on himself are eyes or freckles and he also confirmed that he does have eyebrows.

•He was told that Parkour warrior would be bought back some time in the near future and he got excited for it. "Even if I don't win, which I will, it'll be fun"

•Went on about his MCC team but I'm not going to put that in as we should be getting them today. He did say he wasn't on Pink but he did sound confused. (For reference he's always in Pink as it's the last team announced and keeps the hype up by announcing the biggest streamer last)

•Said he and his mum had the Mr Beast burger. He recommends because he likes the avacado. He mentioned how Mr Beast uses "Ghost Kitchens" which is basically where he gives restaurants permission to cook his food so it's restaurant quality food.

•His favourite piece of merch is the circle smile. (The pool photo on Instagram). He said the quality was bad (he worked with a different company and didn't have his own company) and it was elasticy feeling and he's planning on re-releasing it again but with good quality.

•He's started to send merch out in custom packaging. So his bags have the smile and will mostly be green. Sapnap's has the flame and is either black or white. He's also trying to make it so every order has the sticker packs for both him and Sapnap.

•He loves the coins as it's cheaper than a hoodie but still celebrates the milestones and will last a long time. He mentioned how the old coins are getting removed off the site and how if you have any of the coins your special because only a few thousand get made. He's kept around 100 of each coin that he wants to give away in person.

•He wanted to have a cool store where you could access computers that give you access to the DreamSMP in spectator mode. But it's too costly and would require too much time and isn't safe fight now. He doesn't think it'd be worth it financially.

•Most of the hoodie are black instead of multiple colours because of limited supply and covid. Getting the colours are harder because if the pandemic which hopefully won't be an issue soon.

•He wants to do a short meetup tour with Sapnap and George with a few locations in the US (and if others nearby want to join like Quackity or Karl they can). He also wants to visit Australia, UK, Canada, Mexico and Philippines and do something like that there but definitely at least visit with George and Sapnap.

•He's never been to the Philippines but his mum has. He wants to set up a place in the Philippines where he can ship merch in bulk and it would help to reduce shipping. However it would probably be big milestone merch.

•He's not got the vaccine yet but will get it when he needs to. He doesn't leave the house so he doesn't see the point.

•He's the ideas man. George's footcam video was Dream's idea. The T-shirt video was Dream's idea. Most if not all of the Dream Team's videos are Dream's ideas.

•Said he's got a similar/the same hair colour as Froy (Dream buddy at this point the only difference between you and Froy is that one of you is dating Richard Madden /lh)

#dreamsmp #dream smp #dreamwastaken #mcyt #georgenotfound #sapnap

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secret-final-boss · 2 years

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INTERVIEWS WITH SUCCESSFUL AUTHORS

I've been spending the past week on my Discord server, and I've been compiling advice through interviews with successful, full time authors! Currently I've interviewed two authors, All Those Roadworks and Reagan Davis of the Knitorious Murder Mysteries Series.I'll go in order with my compiled advice :

From All These Roadworks : "My three pieces of advice for audience growth are: (1) Post on a regular schedule. Doesn't matter if it's daily or weekly, just make sure you have new content coming out reliably and predictably. Don't drop three things one day and then go silent for a month. Break up big content into small bites if necessary. (2) Stay on brand. Make everything you release on a given channel immediately identifiable as "you", make it all the same kind of stuff, and don't overly indulge in personal whims. Definitely don't get into political arguments (or at least pick the ones that really, really matter). (3) Hustle. If you intend to make money, every last thing you post should include a link back to the place where people can give you money. There's a million ways to do that without seeming insincere or pushy. But don't be shy to remind people that if they like your stuff, they can pay for it. I guess also, at a more basic level, make sure the places you're promoting are places that (a) facilitate discovery by new users and (b) allow you to monetise."

"the biggest and most unique part of my business model is releasing tons of free stories. It's how I advertise, and without it I simply wouldn't get customers." (edited)

: "I write two chapters of ongoing serials a week. In theory, those serials eventually get finished and collected into e-books..."

[Roadwork's book] has sold 142 copies in the two months since it released, for a total gross of $563 USD, and I expect it to have a pretty long tail." (edited)

"Down the track it will get collected into a bundle. I sell the bundles at about 25% discount over the cost of the books individually, and that works out because I get a much bigger total sale (and Paypal gets a correspondingly smaller percentage)."

The trick is having a lot of items in your catalogue. The person who buys the book for $3.99 is nice, but what's much better is the one who then buys your entire back catalogue for another $100+."

And From Reagan Davis

From ReaganDavis "The best promo for my backlist is my front list. Nothing promotes my last book better than releasing a new book. I rapid released to maximise the Amazon algorithms. The schedule led to burnout, so I’m rejigging my production schedule for next year. I suck at AMS ads. I keep trying, but they’re a mystery to me. My FB ads do well. I believe three BookBub featured deals launched me to six-figures. I also like paid newsletters and BookFunnel promos and swaps. " (edited)

"[About BOOKBUB] I made sure my submissions met their criteria and I applied frequently. Then, when accepted, I stacked promos to maximise the exposure. My books have been awarded 12 best seller tags in multiple categories in 4 marketplaces (US, Canada, UK, and Australia)" "Prior to release, I wrote a flash fiction reader magnet (a prequel to the series) and used it to build my email list. I also did a lot of newsletter swaps with other authors in my genre. I found the social media platforms where my readers gather, and built a following by interacting with them organically. Then, I rapid released the first three books to maximise algorithms. I believe this contributed to my initial success"

"Consistency is key. Write and release at a consistent pace so your readers know when and what to expect from you. Write in a series for maximum profitability. Produce professional-quality books if you want to be seen as a professional. Don’t use paid advertising until your 3rd or 4th book, otherwise the reader has no backlist to consume."

"Most of my marketing budget goes to book 1. Most of my income is from read-through. The longer your series, the longer the read through. Know the LTV of your readers - know how much they are likely to spend if you hook them with the first book."

"I published the first three books 28 days apart to maximise amazon’s algorithm."

"Study the leaders in that genre. Not flash-in-the-pan leaders, but authors who stay in the top 100 of the categories where your books belong, or who have multiple titles in the top 100. Study their story structure, plot beats, and everything else about their books. Join their email lists and study how they market and promote." (edited)

"My readers are female, 35+, married or divorced, have kids, and are avid readers. That’s the reader avatar for my genre, so that’s who I speak to and appeal to in my marketing. They are mostly on FB. I dislike FB, but my readers are there, so I am too. you have to meet your readers on their terms. If they are on IG, you need an IG presence. If it’s a platform you dislike, get a VA who will interact on your behalf. I have a great VA. Also, interact organically, as a fellow reader and fan. No one likes to be sold to all the time. Once you have followers there, lure them to your email list. You own your email list. It is your biggest asset. FB, Snap, discord, etc can delete you whenever they want and you need a secondary method to connect with your readers."

"My email list always preorders my books. I use preorders as a measure of success. As long as each book has more preorders than the book before it, I assume the series is still growing."

"Bonus content, newsletter swaps, BookFunnel promos, contests and exclusive giveaways only for my email subs. My email list gets everything first. They are the first to receive bonus content, find out about promos, see new covers, etc."

"This is genre-specific, but in general make sure your story hits all the tropes and archetypes the readers in your genre expect. Make sure your cover and blurb also conform to genre expectations. Genre-fiction readers know what they expect when they choose a book. They want familiar, but fresh."

If you want to see the interview transcript itself, feel free to join our discord and see for yourself and ask the two any questions you have!

Our discord link https://discord.gg/MdrUazSzhq

#authors #success #how to succeed #writing #novel #writing tips

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a-froger-epic · 3 years

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Interview with a Queen “groupie”

Cross-posted to AO3. I encourage you to leave any comments you have there.

---

I compiled this interview following a long email exchange with J, a very sweet lady who went to Ealing Art School between 1972 and 1974. She knew all four members of Queen personally and was part of their larger circle of friends.

First off, you may find this hard to believe. I don’t blame you. But I assure you I’m not pulling your leg. As well as the pictures I share in this post, I have seen current pictures of J (which I will not share to protect her privacy). There is no indication as far as I am aware that she isn’t who she says she is.

Nastally, hold up. How exactly did you find this lady?

She found me. It turns out that she has been following my story Dawn of Aquarius for quite some time. The story is set in 1969. A lot of research about the era went into it, because I wanted to portray that time period - and Freddie’s and Roger’s surroundings - as accurately and realistically as I possibly could. That was what drew J in. She tells me it brought back a lot of memories for her. One of the reasons I love DoA so much is the nostalgia, she says, which genuinely means the world to me. Eventually, she talked to me in the comment section. Of course, I freaked out!

And then, I asked her for an interview, to which she replied: I will give it a go, but you must remember that I am 65 and there were great drugs in the 70s, and at 16, away from home, I had a lot!

And so...

Here’s what is IMPORTANT TO KEEP IN MIND when you read this interview.

These are one woman’s 50-year-old memories and subjective impressions. J has been incredibly kind to let me pick her brain, trying to recall everything as best as she can. In her own words:

Just remember that when I answer the questions, it is from a 16-year-old who is 9 years younger than Freddie and a little girl with no family and friends in a strange country trying to fit in. The only reason I was there, was because some hippie thought I had a unique art style.

---

J as a teenager.

[I have edited the interview together from our long, and somewhat messy at times, email exchange. Typos have been fixed and some punctuation added for clarity, but I have not changed anything J has written to me. Again, bear in mind these are personal opinions and impressions.]

So, J, how did you end up at Ealing Art School in 1972 and what was it like?

This was the painting done for the Australian school-leaving certificate.

It placed first and gave me a scholarship. I could pick France, the USA or England. As a dual citizen of the UK, the choice was easy. The scholarship paid for board and fees, so had to be and sell whatever for spending money.

This picture is from the dorm. We all had a 10pm curfew and a very thick rule book that, I am proud to say, I broke every one of them, one by one. The rooms were on the 1st and 2nd floor. We were on the first floor, rooms one side and admin staff the other end. We had two bathrooms for 18 girls. One of them had two baths. The walls were your standard half wall, so it was a given that if you had a bath you run the risk of having a bucket of cold water dropped on you. Downstairs was the kitchen and lounge room.

I want to ask you a few things about life in London in the early 70s, to get a picture of what it was really like. For example, was there alcohol at the music gigs you went to?

If it was a school, church or community hall, no. If it was a pub, yes.

Did you and your friends drink as much then as young people tend to drink now when you all went out?

No, we didn't. I think it had a lot to do with money. We didn't have the disposable income, and it was unheard of to still be living at home with the parents after the age of 20.

Was weed and LSD as big and easily accessible as depictions of the 60s and 70s would have us believe?

The drugs! Got to have drugs. Pot (weed) was easy to grow, very cheap. Used to smoke it in bongs rather than joints, more bang for your buck. Trips [LSD] were cheap, I think. About 2 pounds and you were on the high for over 24 hours with no sleep. My drug of choice was hash. Either the oil or the block. It was a nice high, but you could not function well. But if you listen to the music of the time it really does reflect what it was like, to have a group of friends over for a session. Having said all that the most outlandish and shocking drug I ever saw anyone use was the birth control pill. Didn't you have to hide that stuff away?!

Can you tell us some 70s slang that isn’t really in use anymore? What in the world does “ultra-blagging” mean? (As written in a letter penned by Freddie to his friend Celine in 1969.)

Abso-bloody-lootely!

Man, I thought I was the bees knees to be on a scholarship in London. But that didn't stop me from jigging or having a skive day. They were the days that I blagged my way into a pub, had too many lagers and ended up chundering in the gutter. That was how you knew your night was ace. I would get a right bollocking if anyone found out. It would be a bugger when all that you could find at a car boot sale was chavtastic, but sometimes you could be Jammy Dodger and tickety-boo you find something brilliant. Bob's your uncle. Anyways, I need to see a man about a dog.

[It seems to me that J uses a bit of Australian slang here, like chundering, which makes sense because she is, after all, Australian. She also provided the translation:]

Cheers

It would be my honour.

I felt very privileged to be given a scholarship that let me study in England. But being so young and having no family to guide me, it was often tempting to not turn up or give a false excuse for being sick. (I had a lot of food poisoning). These would often happen if the night before I had been drinking beer and ended up vomiting outside the pub. But in my young mind that was a good night. If any of the teachers found me drinking I would be in a lot of trouble. Often I would have to say I was holding it for someone else. Not having much clothes with me, I would buy them second hand from church jumble sales or other students and, yes, Kensington market (the market). Some of the stuff would not be very tasteful or in good condition. But sometimes you would find something that was cheap and in good condition. I will stop this text now as I must go to the toilet.

PS: Ultrablagging sounds very Freddie. Blagging was used, but not ultra, meaning to persuade someone to do something or act better than you are. They were always rock stars.

Sincerely

[It was at this point that I realised I was talking to an absolute legend. She also told me then that the majority of her old photographs had sadly been lost when her house was flooded in 1988, including most of the photographs from her stay in London. Noooo! :(]

When you went out to dance, did you have only live music? Were there DJs yet?

You know, that is hard. We did not have a DJ. Sometimes there would be a band. Often we looked for places with a band or the jukebox. I think pubs closed at 10pm and some stayed open to 12 or 1, but public transport stopped at 9. So if you had not arranged a lift then you had to make the last bus. Most of the time we would be heading back to someone's place to get stoned and then crash there. In the morning you would have to work out where you were. When I got back to Australia, the discos were all the rage. They could have been in London too but it was not cool to like disco.

How many people would show up to Queen’s gigs when they played in pubs or at, for example, the Imperial College?

Depending on the location and the night: 10 to 1000!

So how did you first meet the Queen boys?

I was at the pub talking about a band we saw last week when Brian stuck his head into our booth telling us he knew a better one. Thinking about seeing them at the stall... Roger not often, Freddie quite a lot. Often on different stalls, I think that is why I can't remember the name. [The name of the stall. Other sources confirm that Freddie also worked at Alan Muir’s stall, for example, selling shoes.]

How well did you know them?

Just looking at your tumblr account. [she has had a look at my blog, where somebody asked if ‘groupie’ meant she had slept with the band] No, I never slept with the boys. I would not say I was a close friend, but I started at Ealing Art College in ‘72 and moved in the same circles. I loved the music and could be called one of the first groupies. I had to sneak into the pubs because I was 16. Roger always teased me for being so young. They all did seem to be one very large family, not just the band. It was a group of about twenty regulars, both male and female. Everyone knew that Fred was too gay to function. We were all at the gay rights march in London in 1972, had to run after the march. Lots of sharpies [Australian slang: youth gang, thugs] wanting to bash us. Back then I was in every protest that was going, student union rights, even the secretary protest. Just part of the times, stick it to Man or Woman. I left London in ‘74 for Australia, been here ever since and lost track of the boys but have never stopped being a fan.

What do you remember about them? How would you describe their personalities?

Don’t let the trolls hate me, but I did not like Brian. I found him to be rather full of himself. Space was a subject you never brought up around Brian or you would die of old age before he stopped talking. He was always the first to speak and start a conversation and then quickly passed you off to John, who was always tired and shy. Roger was also quite shy at times. He was very self-conscious of his looks, as he felt being pretty, nobody would take him seriously. Fred, well, he was not yet the big star, so I think he was working on his stage persona. When talking to groups at parties, he had the best stories of things that had happened to him or close friends. They were very funny and very descriptive. He was the life of the party. When he had a few to drink or was the centre of attention, he would take a cigarette out of the closest person’s hand and start smoking. Now remember this is the point of view of a 16-year-old girl that was a fish out of water, trying to fit in and not having much worldly experience.

It is said that Freddie and Roger were very stylish. How did they dress in everyday life?

Fred would do his hair and makeup to check the mail. Yes, he was always turned out, but so were a lot of people. Freddie did go over the top with hats, scarfs and jewellery. With Roger, it is a surprise he was able to have kids his jeans were that tight. And his shirts were always open unless he was in a jumper. I think it could have been so that you knew he was male, as it was the start of the unisex clothing. When I travelled out of London I realised it was a London thing. When I got back to Australia everyone thought I was a show-off.

There are some disagreements about how tall especially Freddie was. I know this is a difficult thing to try and remember accurately. But do you remember?

Freddie was taller than me but everyone was. Roger was shorter than Fred, but I never saw Roger in platform shoes. I did meet up with the band by chance at Sydney airport in 1984, said ‘hello’ but they did not remember me, or if they did then they did not say anything and I did not want to be a dork. At that time Fred was the same height as me (5ft 8in/1.72m), Roger was taller than me. It made me think at the time that he had a growth spurt! John was shorter than me and Brian has always been tall. [I have a feeling the platform shoes - or lack thereof - played a vital role here! Although 172cm for Freddie seems likely.]

You said everyone knew Freddie was “too gay to function”. Attitudes towards homosexuality have changed so much that it can be hard for us, now, to fathom what exactly people must have thought of him. Was it more of a joke that he was so camp? Was it something he would have been teased for? Also, he had a girlfriend. Did you ever meet Mary or the other girlfriends?

In 1972 a whole group of us - and I am pretty sure that Fred, Roger, Brian and Tim were there - were in a gay pride march. [Since then, J has found and showed me a picture of a boy she thought was Tim Staffel, and it wasn't, so Tim was most definitely not there. Whether Freddie, Roger and Brian really were there or if J is misremembering, who knows?] Us youth believed you could not choose who you fell in love with and if it was same sex, so what? However, if it was two girls then it was every guy’s duty to change her!

It was also a time that the gayer the guy was, the more the girls were interested. Also, if a guy was gay then you did not have to worry about him and he was a good person to take with you if you were going out drinking. However, the police, parents, teachers and anyone of authority were horrified and treated them badly. I did meet Mary a couple of times at pubs and once after a gig. This is just my opinion, but I found her a bitch. It could be that I was so young. It could be that I was very Australian. It could be that she felt threatened as my accent was a magnet to people around. And the boys (Queen) were no exception. Brian had a cousin in OZ and was always asking questions. I remember that my close group of friends thought that Mary made the perfect girlfriend for Fred as they were as fake as each other. Having said that about them, I often wonder if I would think the same now and if my perceptions were just because she would not give me the time of Day. Chrissy and Jo were a lot of fun.

This was before your time, but I read that Freddie's nickname at Ealing Art School was ‘Freddie Baby’. Any ideas how this came about? His showmanship or maybe personality traits?

I don't think so. There were an older crowd that would talk like that. I think the slang ‘baby’ was a 60’s thing, like groovy baby.

How long, roughly, did Roger and Freddie have their stall? I can't find anywhere when it closed down. What did it actually look like? Was it a sort of wooden stall type of thing? Or an actual room? What were some of the other things people sold at Kensington Market? Mostly clothes or all sorts?

The markets were little divided shops. The back was brick and the walls wood. I have been trying all day to remember the name. [Of the stall.] I think it was something hard to say. More often than not it would be Freddie's dad in the store. It was still open when I left. Roger and Freddie were both in the store on Saturdays and some Sundays. There was a girl, I think Jill, who was in the store more. And during the week it could be anyone. You name it and you could get it at the markets. Second hand or designer clothes, shoes, jewellery, pot and assortments. Hair cuts, food, bric-a-brac.

Wait, wait. What? Freddie’s dad? Really now?

Yeah, it was an older Indian man. so we just assumed it was his father. It was my understanding that he started the stall then the boys would work it as the whole markets were set up for younger people, but if needed he would work there. I don't think the boys would be able to pay the rent on their own. [I have since found out that the stall closed in late 1971, and Freddie continued to work at the Market until '74, for Alan Mair and possibly others. So the stall J witnessed wasn't their original stall - explaining all the different people she saw there - but she had no way of knowing that it wasn't.] They always had incense burning that was very big in the 70s. I still occasionally bring out the sticks, but it does not last like the candles and diffusers of today. If you could get in touch with Robert Daniels, he ran ChaChaDumDum it was the stall across from Freddie. He would know the dates.

[J says it’s this look, in a picture she happened across while looking at my tumblr] Yep, that is the one. It usually means that he does not believe or agree with something that was said and is working out how to respond, or he has lost the plot.

You mentioned Roger seemed shy to you at times. Was he also quite charming? We read a lot about what a chick magnet he was. Was this the impression you had?

My favorite subject! I had a thing for Roger. Everyone has a type and mine is the blue-eyed blond. Now, before you ask, was he brunet? No, he was a mouse/dirty blond. If it was summer he would have blond streaks mostly at the ends. He knew he was pretty and was always dressed in the latest fashion and had the current hairstyle. So, being my type I was constantly watching him. Everyone slept around during that time. I did not notice Roger doing it more or less. 80% of the time he was with Jo. Yes, he was a chick magnet, but he did not do the chasing. He was always very polite to everyone. If it ever looked like there would be any conflict he would be the first to leave it. It was not that he was a coward, just not into conflict. If he saw anyone that needed help he was right there, and often had to have Freddie's back. I never saw him in a fight. He could always talk his way out of things. He was also very patient and would listen for hours to other people talk. However, he would get this vacant look in his eyes at times.

And Freddie would either click his fingers, change the subject or just give up. I don’t think that Brian noticed, and it would be fair game for John, he would see how far he could push it. Roger liked to drink a fair bit and when drunk he would be hanging all over Jo. If she was not there then he missed Jo. If, however, he thought that he or his friends were not being respected, then look out! It was a verbal volcano heading your way. That is what happened to me one time. I was trying to talk with my friends close to where a drunken Roger was and I yelled at him to shut the hell up, you wannabe blond. We/I coped a mouthful back, all in the same sentence, that finished with: Sorry, I didn't realise you were on your rags (period)! I have to have the last word, so I told him the truth: I don’t get them yet! (I was a late starter.) He went so red in the face and called me JB [jail bait] from then.

You also mentioned Roger’s cat Ziggy having kittens. I read about this but never when exactly it was. Do you remember?

I think it was winter ‘73. I remember being cold when he was asking around the pub. [To find homes for the kittens, I gather.]

Is it quite strange reading fictional interpretations of real people you knew? When did you first find out there was Queen fanfic?

No, we used to make up stories about people all the time, a verbal fanfic. Was looking up Adam Lambert and came across the fanfics. Some had me in stitches! Others, like DoA, had me hooked.

Please, allow me to be a little self-indulgent at the end. What's one thing I got totally RIGHT in DoA?

All the Ibex stuff.

What's one thing I got totally WRONG in DoA?

Roger did not have a temper, and I don’t know what the go with his father was, but he would talk about him quite a bit and was always visiting his mum. [Absolutely fair, not only did I change the timeline of Roger’s parents divorce in DoA - for lack of information at the time - but also created a completely fictional narrative around it for the sake of storytelling.]

J, thank you so much for all this, sincerely. Can you tell me a little more about yourself? Are you still an artist?

I don't paint or draw any more. At the age of a 50 the doctors operated on an aneurysm or three, and now my eyesight is very bad, I have no fine motor skills and a tremor. I was married in January 1984 and have just celebrated our 37 year anniversary. I have one daughter who is 30 and two great, although tiring grandkids. A girl, 11, and one boy, 5. I have lived my life as the average middle class Australian with great memories. Talking with you has helped me a lot to remember a time when the world was mine for the taking. When I returned to OZ I started nursing, met my best friend, and we planned that once we graduated we would go back to London to study midwifery. But I fell in love instead.

J's wedding in 1984. As you can see, she found her own blue-eyed blond.

---

Upon request, J has shared some of her past and present artwork with me.

These are from her time at Ealing Art School:

These were done later, back in Australia:

J: Did this just before Christmas as you had inspired me. It did not require fine motor skills!

So there you have it! I hope you found this little glimpse through a 16-year-old girl’s eyes as much of a fascinating read as I did. I urge everybody one more time to remember that J did not have to share any of this, and I think we all owe her a big thank you for delving into her memories. She is likely to see the responses on AO3, so I have comment moderation enabled there as I will not let anybody harass this lovely lady. The tumblr she created is @since72, but she isn’t really an active user and also very new to it all. Again, I can only urge everybody to be respectful.

If you have other burning question for J, feel free to leave them in the comments on AO3. I will either pass them on, or she may want to reply to them herself directly.

#Queen band #Freddie Mercury #Roger Taylor #John Deacon #Brian May #interview #i am so excited about this #so much into #information #JB

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oumaheroes · 3 years

Note

NZ and Artie hcs pretty please! Something 🥺 thank youuuu

Sorry this took me so long to answer!

I should start with something 'overall' first. I've enjoyed seeing different fandom interpretations of New Zealand throughout the years- as a shy golden boy, to rambunctious fellow play fighter, to mud weary tomboy, to a poised daughter, or all at once. For me, potentially due to how Zea has been canonically drawn, New Zealand is non-binary. What they've got going on under there ain't my business and they certainly don't care. I’ve therefore given them the name ‘Alex’- for the feminine or masculine version, who’s to say.

They very much live by the feeling 'I am New Zealand', and whatever that entails. Nothing more, nothing less.

Childhood/ Teenagerhood:

England had really settled into the swing of things at this point. He was used to children, used to parenting in general- the ups and downs of it - and used to keeping his children at more of a distance emotionally than he had with Canada and America. So, by the time Zea came about there was a smoother transition into family life than there had been for poor old OZ. Australia, who had a few brief years of England as a more affectionate, happy, and relaxed parent, was abruptly cut from contact for a few years and then reintroduced to someone stricter and far more distant and which has left their relationship a bit strained at times.

Zea knew nothing else. From the get go, England set a standard of behaviour and maintained it. On the one hand this was good: Zea never struggled around England, either in being comfortable in his presence or with the 'new' rules that were in place, and also never suffered from any sort of consequence that came from having a parental figure suddenly do a 180 on you.

On the other hand, they did grow up slightly lacking in the affection department. They knew England loved them, but as soon as they became a little older there were less hugs, less kisses, less of playing silly games and more study, learning, and filling their days with their own company. They were used to this and it didn’t bother them at the time, but compared to their older brothers, or younger ones (seeing him with Sealand does spark some bitterness), they certainly missed out, and have inherited England’s current (in)ability to interact physically with loved ones- they’re not overly touchy-feely and express love through acts of service or gift giving.

Mainly though, Zea's childhood was good and quite stable. They were home schooled, but England also used to like sending them off for playdates with noble families with children to get them more acquainted to people their physical age, or would take Zea with him into town to work with their politicians or their tradesmen. Zea thus spent a lot of their time waiting, either sitting on the floor of England's study, or somewhere around him outside, watching and listening to him work and talk shop with people.

Nations are robust things, sturdy and, surrounded by their people, not really in too much danger. I think England was rather lax in this regard with his children (someone who had a childhood of wandering around villages, foraging for food, and being personally thrust into war from a young age will hardly find a town centre in the 1800s dangerous) and used to leave New Zealand with some local children for entertainment if he needed to go and do things that required a bit more time than a quick chat.

Because of this, a humdrum of business is something New Zealand finds to be a soothing white noise, something they can filter out or tune into easily, and they appreciate this unorthodox education. They’re also very happy with their own company and can entertain, and soothe, themselves independently.

Not to go on too much of a tangent (because I do do that, in these posts), I just want to quickly touch upon Zea and Oz’s relationship because I think that helped cover up for what they were lacking in terms of openness and easy affection from England- Zea because they never really had it, and Oz because he was missing it. Due to how close they are geographically, and potentially because England on some level felt guilty for his inability to fully let himself go and open up to them, New Zealand and Australia spent quite a lot of time with each other in either of their lands from England moving them about with him when he visited one or the other. Both were also sometimes taken back home with him to the UK and a lot of Zea’s exposure to a more ‘traditional’ Kirkland upbringing comes from their time with their bother- playfights, arguments, mischief, and an open easiness with each other’s raw and unfiltered company.

Back on topic and to summarise, New Zealand's childhood relationship with England was a good one. As I mentioned in my Canada headcanon post about a similar topic, England is very, very good with small children and Zea was no different. But as they got older this decreased rapidly, something that they considered perfectly acceptable at the time but now is something they sometimes look back on with a small amount of hurt and confusion.

Teenagerhood they were very used to being on their own and, funnily, when you think about what England was trying to do, very independent. Not independent like America, with his fights for recognition as an independent entity removed from England, but independent personally. A childhood of watching England work and playing often by themselves meant that Zea as a teenager was studious, quiet, and happy to be left alone or taken out for company (similar to Wales in personality, I reckon. Need their alone time and will take themselves away if this is not given).

Arguments with England were rare- Zea’s not one for butting heads but would much rather learn the ins and outs of everything and then put forth and argument for change. England may be a hothead and stubborn, but he’s not closed minded. It’s how you approach him that matters and Zea caught onto this early. Whereas Australia would shout or refuse to do that he was asked if he didn’t want to, or would put up some form of fight, New Zealand would instead do the task, do it well, and then request time with England to formally present him with all of the reasons their proposal was far better.

England being told he is wrong will likely not listen if he believes himself to be right (even if he has doubts, someone telling him that his way is bad will make him stubbornly cling to it just to prove them wrong and himself justified for doing it in the first place- clawing and scraping for even an inch of a victory). But England being told that someone has thought of a different way, and asking for his opinion on it, is far more likely to inspire change. He feels valued and goes into the discussion with an open mind that most often went in New Zealand’s favour.

Because of this, they do have a reputation of having England wound around their little finger from a young age. But really, they were just smart enough to figure England out and use it to their advantage. They were also smart enough not to overplay this hand, and so their teenagerhood was peaceful and calm.

Adulthood:

As adults, the two are on very good terms. England prefers adult children to teenaged ones, especially calm, well-mannered ones, and this relationship improved after Zea got their independence. Rather like a burst of relief from England’s end, I feel- he’d spent so long paranoid about his colonies leaving him that this clouded his enjoyment of them. With them finally independent, that worry is redundant and he can enjoy them for the people they are. And Arthur likes Alex, he really does. He finds them mature, funny, and intelligent. The two have similar hobbies and interests and England often spends time with them travelling about to beaches or passing book recommendations back and forth.

Being nations heavily shaped and surrounded by the sea, this is something that is a huge passion for the both of them and they often go sailing together on the ocean, either on smaller boats by the shore or for larger trips out to sea. Arthur willingly took all of his children out to sea, but Alex was the only one who really took to it and shares a similar hunger for it as he does. They’re probably the least openly affectionate pair of all of the Arthur- child relationships, but that doesn’t mean he loves Alex any less and, most of the time, Alex knows this and is content with the way things are. As mentioned in my Canada post though, England is trying to improve himself in this area in the modern day and he’s trying really hard with Zea, (though this is sometimes awkward for the both of them.)

#hws england #hws new zealand #aph england #aph new zealand #arthur kirkland #hetalia headcanons #aph #hws #hetalia #heroes headcanons #heroes answers #rein-ette #aph australia #hws australia

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jedivszombie · 3 years

Text

Okay gang, since there are a bunch of anons going fucking wild across the dash tonight about some joking posts about Mark Webber and Ann Neal - that were someone’s shocked reaction to the age difference between them. I thought it would be interesting to go on a little journey together.

This little journey is the story of how Ann and Mark met, and will hopefully give you guys some insight as to why the ‘sexism’ and ‘ageism’ arguments you are currently using are bullshit - and why using these words in such a buzzword way actually is not the kind of critical thinking you think it is. And why this situation is more akin to a student and teacher starting a relationship - which I think we can all agree is not advisable, even if you don’t know why.

Below the cut is going to be a little discussion of Mark and Ann the early days; the reason the age difference is iffy at best and fucked up at worst; and, a little discussion about how these situations require nuance and the ways in which f1blr often likes to blow situations out of proportion.

I have split it into three parts:

Mark and Ann: The Early Days (1994-1997)

Nuance, my old friend. Anon hate, my enemy. (tw: for racism here, be careful)

The pitfalls of discourse and the importance of looking after yourself.

A little disclaimer for you guys: I do not pretend to know anything about this relationship, other than what is readily available to learn about it from what they themselves have put out about it. I am just providing a timeline and some facts. Whatever conclusions you draw from it are your own.

Feel free to come for me if you so desire.

Mark and Ann: The Early Days (1994-1997)

We start our story in Australia in February, 1994. Mark is competing in Australian Formula Ford Championship and Ann Neal is the new media and PR officer for the category. This is their first meeting. Just so we know what’s up here Mark was 17 at the time, and Ann was absolutely an adult (apparently there is a 13 year age gap, which may not sound like much but we will get onto that later, which makes her roughly 30 when they first met).

Some key things to be aware of from this first meeting:

Mark is 17, Ann is about 30. Mark is a young racer, Ann is the media and PR officer for the category he races in.

In an excerpt from Aussie Grit, p. 57 to be exact, we get to find out what Ann had to say about the first time they met:

“She thought I was a bit of a smart-arse when we first met. ‘But I liked how bold and cheeky he was,’ she says, ‘and how mature he seemed. When I asked someone how old he was, I was shocked when they said 17 – he was confident beyond his years.’”

In another excerpt from Aussie Grit, p. 61, Mark tells us other things Ann remembers about their first meeting:

“Ann remembers our first meeting and my opening remark about her being so important. She can even remember what I was wearing – a stripey green and red top, one of those United Colors of Benetton things – so that was pretty prophetic, as things turned out!”

Now this may sound extremely cute to some of you, like they’re just having a normal ‘aww remember how we met’ moment. But let me please re-direct your attention back to the fact that Mark is 17 (and still not an adult yet if this is what you are gonna nitpick about) and Ann is very much an adult, in a position of power.

So, a teenager makes a quip about how important you are and you commit to memory what he was wearing the day it happened?

Now let’s bring in the first quote I put up there where Ann herself was recalling the first time they met. I would like to draw your attention to the following sentence: ‘and how mature he seemed. When I asked someone how old he was, I was shocked when they said 17 – he was confident beyond his years.’

Hmmmm, where have we all heard language like this used before? If, like me, you have some experience of adults trying to start inappropriate relationships with you as a teenager then you will be very familiar to this sort of language. The emphasis is on how mature he seemed, is what’s sticking out for me here tbh.

Now, if this had been a fleeting meeting, and they had met again a few years later, I would be more on board for whatever justification some of the anons have been trying to use. However, it wasn’t.

Again from Aussie Grit, p.61:

“After that first meeting we kept in touch. My family sometimes met up with Ann and Luke for weekend get-togethers, and I ensured she got her motor-sport fixes by dragging all my old F1 tapes out. By way of revenge she would bring down all her British Formula Ford tapes for me.”

Oh cool, so she gained the trust of his family and Mark was hanging out with her son. This is so sweet Alexa, play Chosen Family by Rina Sawayama. Real talk though, again if this is how it had ended - with them just being family friends - then we would not be having this conversation.

BUT, we all know how this little story ends so onwards we march. We shoot forward to late 1994, Mark has done okay in Formula Ford but his Dad is no longer able to fund him. SO, he turns to their old pal - the ever present and super helpful Ann, bless her heart - to try and drum up some sponsorship for Mark so he can race.

Little background on why Ann was chosen to try and help with this, I’ll give you 3 guesses and only one of them is correct. Yes, that’s right, it’s her experience - which she has managed to get by being 30 and having a background in motorsports. She started out as a motorsport journo and ended up dealing with press and PR for Paul Warwick (Derek Warwick’s brother). In 1986 she started dealing with Johnny Herbert’s media before working for Formula Ford in Europe in 1991.

Ann begrudgingly accepts and draws up plans with Mark, which leads him to a Yellow Pages sponsorship for his next season in Formula Ford, and beyond - how sweet, how nice, they are #winning! We stan teamwork besties! And Ann started working with Mark and his family to further his career.

Ann had a plan for Mark, as outlined in Aussie Grit, p.69-70:

“By the end of 1995 Annie told me, in no uncertain terms, that – and I quote – I had to get my arse out of there. She didn’t just mean Australian Formula Ford, either: she meant Australia. She thought it was time for me to go and have a crack at some of the big guys, and she proposed to help me go about it in a serious, business-like way.

‘How the f#*k are you going to get to Formula 1 coming from Queanbeyan?’ Anyone who wants to trace my journey should start with a piece of paper that Ann drew up on 6 July 1995.”

So, now Ann has outlined her hopes for Mark and a glimmering career in motorsport. I would like us to know that at this point in time Mark was the ripe old age of 18, going on 19.

In 1996 Ann and Mark moved properly to the UK so Mark could drive in the British Formula Ford Championship - at this point Mark is still 19. At this point he is living in the UK with Ann and her mother, and Ann’s son.

So this is probably sounding pretty okay so far and sure it’s just a business relationship with a business set up, like no real cause for concern. But then we discover that this business relationship had turned into a relationship-relationship pretty damn fast.

From the horses mouth himself, Aussie Grit, p.87:

“Back in England, Ann and I moved house to Aylesbury in Buckinghamshire, on the edge of motor sport’s equivalent of Silicon Valley. We had started out as teammates and friends on a mission but over time our friendship had deepened into something else. I enjoyed spending time with her and we felt entirely comfortable in each other’s company. Moving to England was a huge step for me and I think it was a case of us needing one another and that’s how the relationship was formed.”

Okay, okay, okay so I know at this point Mark is 19/20 he’s an adult right? He can make his own choices. But, can we please admit that at best it’s an iffy situation because of the position of power and authority she was in? In his life? For his career?

There are a few other excerpts I found particularly interesting, about Mark’s family’s reaction (all from Aussie Grit, chapter 3):

“My parents came over to the UK in the English summer of 1997. While they were thrilled about how things were developing for me in racing, they’d been less thrilled by the romantic relationship that was developing between Annie and me....” “...Annie was bitterly disappointed at my behaviour. Her plan to take me to the highest level of motor sport was starting to go horribly wrong, so she left Australia earlier than planned and headed back to Europe. My family arranged for Alan Docking to collect my belongings from the house we had been sharing and the one and only car Annie and I had at that stage...Campese Management told her that they had been instructed by the Webber family to terminate her role as my manager and that Campese Management would be taking over all aspects of my career, including the negotiation of my driving contracts.“

“While I knew Annie provided the support and guidance I needed in my racing career, I was missing her in so many other ways too. We were such a dynamic force in every sense; we could make things happen when we were together. We were teammates, soul mates, call it what you want.“

“As to Mum’s concern about our age difference, that has never been a factor for us. When we began to be more open about being together, perhaps the top end of the age gap shocked a few people. In those days people were less accepting of a big age difference between partners, especially when it’s our way round. It’s not such a big deal nowadays and it makes us laugh when so-called celebrities reveal they’re dating an older woman or younger man!“

While the Daily Mail is trash, the beginning of this video is very revealing to me - particularly Jackie Stewart’s comments from 00:12.

Obviously you can make up your own conclusions from all of this information, and I would once again like to point out that none of us - not me, not the anons, not you - actually know the nature of their relationship. They have been together for 24 years - good for them! Whatever they have going has obviously worked for them, this is not me trying to shit on that or anything, and I’m gonna be real I’m not the biggest Mark Webber fan.

Nuance, my old friend. Anon hate, my enemy.

All I want to do is add some nuance to the conversation, an overview of the timeline, an understanding of what the facts are. So that some of those cowardly anons (or anon) can hop off their self-built thrones and get a grip. The sexism and ageism argument literally does not apply here, for all of the evidence and reasons listed above - if the situation was flipped we would still be calling it out. The only difference is you guys would probably be on board with it being called out.

So Ann is a woman? So, what? Do you think she’s above reproach? You think one person’s 50 note post on this site is gonna rock the foundation of a relationship that has been 26 years in making? If you have answered yes to any of these questions then you are either: a) Mark Webber himself, or b) delusional as hell. You really think that responding by sending anon hate to a teenager, who btw only made a post calling out the age difference because she was shocked and had just discovered it, is the right way to go?

You really think that sending me this message, attacking other people in such a vile and racist manner is okay?

So you don’t like Nehir and Sera? Good for you, go block them, if you follow them, unfollow them. Those options are free and readily available to you.

For me, it’s so funny to see you hiding behind that little Anon mask spewing this vile shit. The commitment you have to proving that you are just a cowardly person with nothing better to do than rag on a bunch of different people for reblogging a post, that in the long run is not going to reach the people it’s about, is outstanding. I really hope you pat yourself on the back for this one.

The pitfalls of discourse and the importance of looking after yourself.

There has definitely been a spate of ‘conversations’ that have been happening recently that have very much been straying into the land of discourse, over very small comments or posts. I think that some people need to remember that we’re all here for our own entertainment and as soon as it stops being fun - you are allowed to log off; you are allowed to block people; you are allowed to unfollow people.

Sending anon hate is so counterproductive to whatever conversation you think you are starting or having with a person. Also guys, sometimes it’s not that deep - sometimes jokes are just jokes, sometimes someone finds out something they didn’t know about a driver or an ex-driver and they make a joke post about it. That does not give you the right to send them hate, or to make racist comments in other people’s asks.

Sometimes these discussions require a debate and sometimes discourse can be good - but honestly? I’m worried about some of you guys, it is not healthy to get so angry at other people for the things they post on their blogs that you are not obligated to follow or interact with at all.

I am also worried about people who turn every little thing into something discoursey. There are causes and issues to care about in this sport and community, for sure. But sometimes you also have to pick your battles - especially when I know a lot people in this community have fragile mental health. I do not say this to patronise any of you but to just provide a reminder that you do not need to engage with everything that makes your blood boil, and furthering some of these conversations sometimes is not doing you guys any good. Burnout is real.

Please take some time to take care of yourselves, the pandemic is doing a number on all of us and I know being online gives you a gateway to being connected to people, but sometimes you just have to walk away from a discussion. Sometimes you have to just go and reblog something unrelated, or stare at a photo of your favourite driver, or listen to some angry music. Anything else to process your knee jerk reaction, to give yourself time to figure out how you feel about something and whether it’s worth engaging in or not.

#maisie talks #the post that no one asked for but we sure as shit needed #anon hate below the cut #would also like to say that i am not pretending to know shit about their relationship and this is all information provided by the couple #themselves #under the cut is a bunch of information about their relationship up to you how you take it but i know how i feel #tw racism #i went insane i've seen the opposite of god #thnx ana for supporting my rage #here i am a hundred years late and a dollar short #mark webber

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sarahjkl82-blog · 3 years

Text

Artistic Instinct Chapter Eight

Header thanks to the lovely @yespolkadotkitty

Summary: Marcus Pike and OC Anushka Pierce have been selected to work on a 5 eyes (Australia, Canada, NZ, the UK and US) intelligence team to track down art forgeries as a part of taking down an international white terrorism cell. Marcus is trying to escape his broken heart, Anushka is just trying to escape what the world expects of her.

Word count: 5,600

Warnings: Language as always, mentions of drinking, alcohol and drunkenness, mentions of sex OH AND HEARTBREAK

Pairing: Marcus Pike x reader (OC)

This comes with a MASSIVE THANK YOU to the lovely @yespolkadotkitty , who read, re-read, pointed out the constant flipping between tenses and gave me the confidence to try to write something. This is the first thing I have written since angsty poetry as a teenager. Apologies if it is shit!

The right person, the wrong time.

The right script, the wrong line.

The right poem, the wrong rhyme.

And a piece of you

That was never mine

K Towne Jr.

Chapter 8

The black topped streets of Lewisham radiate the day’s spring sunshine as if intent upon sending the heaven sent warmth back up through Marcus’ soles. The evening’s golden light creates a love song in his heart - one that morphs from the irritation and melancholy of the morning to a happier more uplifting tune.

When did that mood change? Oh yes, that embrace.

Nush.

Marcus hadn’t realised just how low his battery was for touch until you threw your arms around him. How much much he’d needed your body close to his again. Feeling your softness against him, inhaling your intoxicating scent. How he’d longed to kiss your forehead and stroke your hair in that cuddle. Remembering the pain of breaking that contact, plastering on a smile and kicking himself for it.

Constantly having to watch his need for your touch and tempering it within the normal parameters for a working relationship, Marcus has found himself reaching out for you- making excuses to touch you as you passed him, finding imaginary eyelashes on your face. Being around you felt like a breath that he was unable to release, continuously having to dampen down his natural instincts to hold and stroke you.

Kiss you.

Taste you.

Had he been back in the States, he would have said fuck it and asked you out, but that didn’t exactly go well last time. The pain of knowing exactly what he wants and it just being beyond the reach of his fingertips plagues Marcus daily with the dream of coming home to be loved, nurtured and protected and offer it in return. How do you ever allow yourself to become vulnerable to that risk of failure again? One thing he is certain of, is your current ignorance of the true level of his feelings. The kindness you show others - so much care for everyone around you, albeit through a thinly veiled layer of sarcasm and swearing- and the love your friends show for you, demonstrate that you would be nothing but clear if he was to reveal his true feelings.

Squeezing politely through the crowds, between the narrow shack-like stalls of the fairy-light illuminated market, Marcus heads towards the Highline where Andy had told each of you to meet him. Before he could start climbing the staircase up, a large hand grasps his upper arm, another patting the space between his shoulder blades. Marcus spins, slightly surprised by the touch, to be greeted by Andy’s grinning face.

“Looking good, Sir. Bit sharper than at lunch today,” Andy observes, giving Marcus’ leather jacket, Henley and indigo jeans a once over, “and before you complain, I am going to get you a beer because of the day you’ve had. You can do your management thing of buying the first round in a bit, and I won’t take no for an answer.”

With Andy’s face explicitly telling Marcus not to disagree with him, he nods, definitely needing that drink. As they head together towards the bar, they are both absorbed into the throng of a hundred voices holding loud conversations as they compete with the soundtrack from the decks. The crowd is a mixed bag of teenagers, students and families - the children chasing or trying to catch the sparkling spotlights as their parents reminisce over large gin and tonics about lie-ins and late nights not hunched over a crib.

Winding their way through the laughing and dancing bodies, they head in the direction of the alcohol to order some locally brewed ales, bumping into an already buzzing Kiritopa at almost the front of the queue. After a round of handshakes, back slaps and hearty laughs, they edge ever closer to their goal of amber nectar. Before their drinks are poured, Marcus’ eyes scan the market for the rest of the team when they are caught by a flash of colour. Bright turquoise stockings, a mustard corduroy pinafore, red and white striped T-shirt - oh, it isn’t you. Your wildly coloured legs bring so much colour to his day and they are the first thing he checks as he enters the office. Elbow nudges and a pint glass from Andy brings his attention back to the men in front of him for a quick cheers-ing of glasses before heading out of the melée.

The table on the Highline that Andy had reserved was utterly perfect. It afforded a bird’s eye view of the market - a true dream come true for any avid people watchers, whilst also allowing everyone to talk and be heard by each other with its one storey elevation from the thronging crowds. Andy and Kiritopa are animatedly talking with each other lounging amongst the piles of cushions and blankets on the pallet seating, while Marcus leans against the walkway, clutching his beer, staring off into the urban sprawl of concrete car parks and fried chicken restaurants but only looking for one face.

“Hey, what time do you call this...Whoa - Nush, is that makeup? On your face?” Andy’s eyes are utterly saucer-like in this discovery.

“Hush your mouth - she did it to me,” you jab your finger in Dian’s direction, pouting your lips at the indignation and as Andy goes to make another quip, you add- shoving some chips in his mouth, “Dirty masala fries- thought we’d need something to line our tummies this evening. Although equally, they’ll do a wonderful job of keeping some people’s mouths shut!”

“I think I did a great job- she looks stunning!” having put three portions on the table, Dian steps back to admire her handiwork as you pull a duck face pout at her.

She always looks beautiful.

“So, what’s on these fries?” Marcus asks as he desperately tries to avoid the other thoughts running through his head of how that pencil skirt runs along the curve that falls and rises from your waist to your hips beautifully or the horizontal stripes of your t-shirt - an outfit winning in its quest to distract.

As for that goddamn red lipstick…

It would leave a mark all around my-

“Ok, so they’re skinny French fries with spices shaken over them and a dollop of channa masala on top. Oh and that white shit is garlic mayo to dip them in,” you grin broadly as you pass him a portion - the picant vibrancy of the food telling stories of the fresh, bold flavours to come. Always being a believer in food being one of the ways that you can love a person, the mouthful of potatoes, spices and chickpeas envelops Marcus in an all encompassing hug. His belly sings with happiness with each mouthful he consumes, his tongue delightfully tingling from the chilli powder.

“Y’know Nush. Not had one of your curries for a while,” Andy not-so gently hints.

Marcus can’t help but raise his eyebrows, “Nush, you make curries? How many other hidden talents?”

“She also plays the piano and did ballet until she was fifteen,” Andy adds, ducking as you lob a cushion at him - your face reddened with a mixture of embarrassment and rage.

“Badly according to my mother,” you say, rolling your eyes as you shove another mouthful in, “Mine aren’t particularly elegant but they are edible. Well they are now anyway - there was one, a keema matar, that I made as a kid where I didn’t realise that chili develops over time. Put in roughly five tablespoons by the end. Could have been used for chemical warfare. Never lived it down but it got me out of cooking for a while.”

The table explodes in uproarious laughter, earning several odd looks from the patrons nearby.

“Well, I’m considering this an invitation to try one of your edible curries as you so eloquently call them,” Kiritopa rubs his belly in anticipation, chuckling at your modesty, “When can we get a date in the book?”

“I love a good curry, so count me in,” Dian chimes in as she pops the chickpeas like sweets into her mouth.

Marcus watches you shift uncomfortably in the spotlight of demands from your co-workers, “If I do this, I need a bigger space to work in as I can’t fit you all in my flat. I’ll need to borrow somewhere that can fit more bums.”

“Could use my apartment to cook and host, if you like?” Marcus proffers, secretly hopeful at trying some of your dishes and perhaps more than a little excited at the thought of spending some one on one time with you.

“Shall we do Sunday evening, if nothing turns up from work?” Kiritopa asks hopefully.

Marcus shrugs by way of confirmation, catching your gaze, drinking in the swirl of colours in your iris, to give you a nod.

With a sigh and a roll of the eyes, you exclaim, “Andy- what the fuck have you started? You’ve all grossly overestimated my skills, and now I am going in search of alcohol to dull my senses and make poor decisions,” you dramatically announce with a theatrical bow, “What can I get everyone?”

Seeing an opportunity open up, Marcus touches your arm as you go to leave, “It’s my round. Help me carry them?”

“Deal,” Marcus feels his heart grow as he sees your smile reach every corner of your face.

Before reaching the top of the stairs, Marcus moves himself around to walk in front of you. His body on an autopilot of manners. On reaching the bottom step, he reaches back - unthinkingly - to grab your hand so as not to lose you amongst the multitude drinking, eating and dancing the night away. The momentary panic that spread at the thought of you rejecting him recedes as your fingers thread between his.

Sending a warm smile at you over his shoulder, you follow in the wake of him quietly.

The people near the bar are flowing like rivers, never stopping for obstacles but twirling, swirling around them nevertheless Marcus guides you through, never letting go. The noise of the chatter and throb of the music surrounds you, not allowing for much verbal communication so he settles for small movements and gestures with the hand that is holding yours. When you finally arrive at the queue by the bar, that is when you can speak a bit more freely albeit in theatrical whispers in each other’s ears.

Marcus watches how the evening breeze kisses you, blowing the strands of your growing-out fringe into your face. How you gaze around and observe people whilst also managing to make him feel like he’s the only person there. The way your eyes crease into crescents when you laugh or smile and how much he wishes he could thank all those people jostling you into him. But like all moments with you, it ends too quickly as soon you’re both heading upriver against the current with your trays of drinks.

“Nush, I’ve always thought it was some kind of miracle that you never spill alcohol,” Andy teases you as you bring the drinks to their owners.

“Hah! I don’t waste the good stuff,” you mutter indignantly, “Although perhaps if we want to protect the office carpets, I should…”

“No,” Marcus mock-sternly interjects at the thought of you being drunk and the chaos that would bring, “No day drinking at work, Nush. I’d prefer the coffee stains.”

Your pout and subsequent upward glance through your eyelashes, makes Marcus turn towards the railings, hiding his thoughts in his beer.

Fuck, Nush.

If you only knew what you do to me.

“Hey Kiri, isn’t it? You playing in the tourney tomorrow?” a deep, cut glass accent calls out, cutting through the crowds surrounding them. Marcus turns towards where the sound is coming from and as he does, he catches a strange look cross your face.

“What the fuck are you doing here and how the fuck do you know Kiritopa?” The tone of your voice, narrowed eyes and furrowed brow makes Marcus turn back towards the group inquisitively.

“Nush! Haven’t seen you in a long time but you are looking amazing,” the voice is attached to a face, the kind that would stop anyone in their tracks, “can barely recognise you with makeup on- you should wear it more often.”

You breathlessly mutter, “Fuck off, that’s never going to happen.”

Good girl. Don’t put up with that BS. You’re better than that.

“I know Seb through rugby training,” then tilting his head quizzically, Kiritopa asks, “How do you know him?”

“Since school isn’t it, so what? Roughly twenty years? Through her brother, Adam as we played rugger together. Although, despite such a long time friendship, you wouldn’t let me in your knickers until more recently,” Seb shoots you a wink from over his beer.

The words burn through Marcus as he considers your connection with this man - his eyes narrowing, lips thinning. Loneliness echoing through his racing heart. He hadn’t considered you seeing anyone else- even for the briefest of dalliances but then not everyone is a serial long term monogamist.

Of course you’d have needs, you are an adult woman.

I just wish you’d explore them with me.

“Every now and then it’s nice to have an orgasm attached to a pulse that isn’t delivered by a battery,” you deliver, utterly deadpan.

Seb pretends to be mortally wounded by your words, playing dead into the chair next to yours, languidly flopping his limbs around. Oh, how Marcus would like to wipe that stupid smug smirk off his face!

For fuck’s sake, Pike. Why didn’t you sit next to her when you had the chance?

White knuckles wrapped around his nearly empty pint glass, Marcus silently watches as Seb desperately works to get your attention whilst you chat animatedly with Dian and Andy while Kiri downs the rest of his beer. He hasn’t noticed the pretty young woman with bouncing corkscrew curls observing him from amongst her friends on the next table along.

“Hey. You look like you could do with a drink, can I get you one?”

Abruptly removed from his poorly concealed glowering, Marcus raises his eyebrows in surprise at this question, pausing for some time before realising that it was aimed at him.

“Oh, look don’t worry. It was just a silly thought...” the beautifully tight curls go to withdraw from view and return to their friends.

“No, I’m sorry. I was lost in thought,” Marcus offers apologetically, “It’s been a day from hell. Let me get you a drink.”

“Wanted to talk to you as I was a bit concerned that you were about to break that glass with how tightly you were gripping it. Glass is an arse to get out of wounds so thought it better to save your hands before you come visit me in A&E,” she gently proposes, “There are better places to spend Friday nights!”

Welcoming the pretty distraction from his destructive thoughts, Marcus’ cheeks dimple as he nods, “I can imagine. Are you a doctor?”

“Yeah, for my sins,” she amusedly huffs, “And on a rare night out, so shall we go get that drink? I’m Kemi, by the way.”

✪✪✪✪✪

Oh, how you long to rip the makeup from your face! As a child, it had been a form of let’s pretend that turned into a mask to hide behind as a young adult as you experimented with finding your true self. Now, that you are established in your womanhood, you feel no need to add layers to your face other than when you are convinced it would be fun by a fast-becoming firm friend.

When Sebastian made a remark about how pretty you looked with the makeup, it made you want to run to the loo right then and there to claw it from your skin.

And what the ever loving fuck is he doing here? Fucking Sebastian of all fucking people, who you accidentally keep finding yourself fucking. You’d just come around to the idea that it might be ok to occasionally go out with people from work but when they meet people from your everyday life - your home life - that isn’t ok. Especially when that person is just a hate fuck. Great in bed but an odious human being as you can’t be that handsome and a decent person, it seems.

Unless you’re Marcus Fucking Pike.

Who is now grabbing a drink with an absolute goddess of a woman.

You couldn’t quite pinpoint why it had hurt so much when he’d walked off with her but there was such an ache deep in your tummy that could not be ignored. Between that and the appearance of fucking Sebastian, you just want to jump on the 178 home and throw on your jammies, curling up under the shit crocheted throw that you’d made during your leave - more holes than stitches. If it wasn’t for Dian, you would already be on your way there, demolishing something unhealthy from UberEats, glugging a wine or two.

Dian seems to pick up on your drop in mood and decides that it’s time for a trip to the tequila bar. With Andy’s husband now joining your rag-tag gang, you agree to chase some bitter hits of alcohol. As you wind your way among the dancers and drinkers, you see him standing by one of the upturned kegs, laughing at something she has said. You catch his eye, plaster on a smile and send him a wink in the hope that your wish for him to have fun seems genuine.

You sign to him whether he wants a drink but a small shake of his head tells you all you need to know before Dian tugs your hand back in the direction of the bar. Standing in front of the bartender, a moment of sadness washes over you until Kiri passes the salt, Seb licks your hand and the rest of the evening finally takes a softer tone after one, two, three.

The tequila in your tummy makes it hard to concentrate on what Dian and Kiri are chatting about while the three of you curl tipsily upon the comfy cushions as a large fluorescent pink, plastic sign declaring TREAT YO’SELF looms large over your heads. Excusing yourself to the loo, you walk past Marcus - steadfastly refusing any eye contact but ensuring he sees you. As you go to repeat the action on the return journey - not entirely sure as to why you feel the need to seek your boss’s attention - a hand goes to balance you as you walk down the final step.

“Whoa - steady, Nush,” you look up to see Marcus’ concerned face looking down at you.

“Hah! I’m ok. You having a good night?” You ask, your eyes searching his, “She’s truly stunning.”

“Yeah, um, were you guys doing shots?” he enquires, brow still furrowed.

“Yup. It's a really good tequila bar upstairs - should have joined us,” you jab him in the chest with an index finger, “So good that the world just looks like an impressionist painting. All swooshy and a little bit blurry.”

You watch Marcus scratching his neck, “Anyway, what on Earth are you doing here with me? Go get her, idiot.”

“Ah, here you are Bad Idea Puppy- thought you’d fallen asleep on the loo. Although that wouldn’t be the first time would it?” Sebastian brays, stepping between you and Marcus as he grabs your hand to lead you onto the dancefloor. Allowing yourself to be led away, you look back over your shoulder at him, mouthing go get her with a wink as if that would soften the pain that had appeared with her.

The music flows through you - the clearest way to communicate you have ever known- your body rolling and swaying with the sensuality of the music. Sebastian moves effortlessly around you thanks to his mother, who having had only sons, deciding that her youngest would get the dance lessons that she’d hoped the daughter she never had, would take. The two of you vent in movements all of what you could never be said between you or to anyone else aloud. As you twist together under the orange stained hazy night sky, you notice the goddess’ hand on Marcus’ face, stroking his cheek. The poisonous ache returns to your tummy and however your face contorts, causes Seb to pull you closer, cradling your head into his neck. You know how the night will end and the loneliness stings.

✪✪✪✪✪

His mouth bone dry, Marcus awakes fully dressed, on top of the comforter, with a cool bed surrounding him. Reaching for his phone, pulling the charging cable from it, he flicks through messages and emails trying to work out what had happened from when Kemi had left him in the bar to rejoin her friends. Her words still ring in his ears - you didn’t come alone tonight - when she had watched his eyes trace your path out of the market. How he’d initially thought about taking her up on her offer to help him forget, wanting to obliterate last night from his memory and lose himself in her eyes and lips. Her final words to him, cutting him to the core- she must be really special and if she is as special as you think she is, you fight for her.

Bloodshot eyes and deep creases stare back at him from the mirror. More grey. They say that age exchanges beauty for wisdom but they are the same mistakes he keeps repeating. A strangled gasp escapes him as he tries to regulate his breathing, lifting his chin trying to fill his lungs with more oxygen. His shoulders are racked by gut-wrenching sobs and like an overwhelmed dam, the tears spill in hot torrents down his cheeks. Marcus slides onto the floor, allowing the grief to pour forth.

His first marriage was too much, too soon, too young. An art historian and an artist in love with creating and observing beauty until the former decided to change tack after being recruited by the FBI. The long hours of training at Quantico, the subsequent hard days and irregular nights as he worked his way through the ranks of the Art Crime department, wrung the patience from his wife. Gradually growing further and further apart until all that was left were two strangers constantly at odds, her cutting comment about how she felt that he gave her only apathy - never coming to her when she needed help or affection. She hated him for the choices he made - feeling that his work was merely interacting with the meaningless. The law enforcer spent more time at work to hide from the inevitable ending until the artist found someone who appreciated her and the beauty she created.

As for Lisbon. Was she really ever his? Wasn’t he really just a footnote in the Patrick Jane story? The whirlwind romance that progressed and extinguished again at such a heart attack inducing pace, emphasised by that stupid-ass move to DC. Although, if it wasn’t for that move, he wouldn’t be here in London now. Oh yeah. That was out of the skillet and into the fire, Pike. Another excellent career move.

So much love to give and nowhere, no one to give it to. The lessons he has learnt and is still learning but oh, just to find that person with whom you can drop that mask and enjoy togetherness, warmth and serenity.

The side of the bath offers a solid cool support to Marcus as he sits there on the herringbone tiled floor, sobbing into his arms. There is only one voice he needs to hear right now. Grabbing a tissue from the side to noisily blow his nose into, he rubs the heels of his palms into his eyes before putting his glasses on. Phone in hand, he dials the number he knows better than his own name.

The familiar dial tone is like a lullaby in his ear, “Mamá?... Hey! How are you doing?... I’m sorry Mamá - I forgot about the time zone difference... I’m ok, just missing you… It’s just been a long week and... Yeah, London is awesome and I managed a trip to France this week which was incredible to be back there. So weird having so many different countries within such easy reach…Come visit me soon?... Thank you... I miss you… Te quiero mucho Mamá… I’ll ring you in a couple of days. Hasta luego.”

Hanging up, everything feels a bit more manageable and less painful- I wish I could bottle my Mamá’s voice. Hauling himself off the bathroom floor, he turns on the faucet to splash icy water on his face. Sniffing his t-shirt, realising the shower could wait - perhaps a good run to get the endorphins pumping would be his best move. Or perhaps a text to Nush to check what ingredients he’d need to have in for the curry tomorrow?

Stop it, Pike. You’re just fucking torturing yourself.

Opening a drawer, he pulls out basketball shorts, a clean t-shirt and a pair of sneaker socks to throw on, discarding last night’s clothes in a heap by the washing machine.

AirPods in and classic nineties dance anthems to pace himself to, he gives his quads and hamstrings a quick warm up by the front door before it is time to convert the emotional pain into miles.

One of the many things that Marcus loves about London is the constant greenery with every second corner a park or stretching heathland. Texas is so proud of its big sky country status and yet, there are parts of central London where you could lie down and not see anything but skies around you. It is truly hard not to fall in love with such a beautiful, historical and spacious city.

Pounding the pavements towards the park, his feet hit the concrete slabs softly, sending small shockwaves to his brain. Whilst Marcus knows that the power in his thighs could have him across the park in seconds, he savours each step. The precision in his movements is perfect as he takes lungful after lungful of the sunshine filled air. It feels like part of a meditation - a mindful prayer. Dodging around errant dogs and small, clumsy yet terrifyingly aggressive children on scooters, he winds his way through the avenues of trees until he comes across a small lake.

He pauses the thrumming music in his ears to just soak up the tranquility of the moment as he stretches out his limbs. The lake is the kindest of nature’s mirrors, never truly showing exactly what is above, but converting it to an image so beautifully smudgy. The weeping willow stroking its branches elegantly across the skin of the water, the clouds gliding silently above as a host of waterfowl paddle effortlessly through the cool, clear pool, all become a priceless Monet hanging in The National Gallery – all free for the looking. Sure, it is transient, changing by the day - unlike the fixed in a moment of time pieces by the grumpy old Frenchman - but that's what makes it all the more precious.

There’s a family by the water’s edge. Marcus can’t help but be amused by the toddler’s antics as they threaten to jump in and become irritated that they can’t, especially when they have their wellies on. Can’t fault that logic! The older child is gathering sticks to make a “campfire” with their dad - discarding most of their parent’s choices with withering looks and expressive rolls of the eyes. The dark-haired mom, whilst trying to reason with the toddler, is swaying with some sort of baby carrier tied around her - a tiny one clutched tightly to her chest. The infant is virtually invisible from the passes of material, only two tiny socks and its little woolly hat peeking free. A collie is also darting between and around them, rounding up his flock of sheep, taking his role as protector very seriously.

The scene makes Marcus smile as he stretches out his muscles. Whilst he can’t help but watch and yearn for something similar in his life, the mom looks up and over in his direction,

“Are you going to come over and say hi or just be a park weirdo that lurks in bushes pretending to stretch?” a familiar voice curtly teases.

Nush - what the fuck?

“Your face is a fucking picture! Take a breath - these are three of my five niblings - big one is Sophia, middle one that keeps threatening to swim in the pond is Alexa and this little dot is Oscar. As for that blundering idiot, this is Adam, my oldest brother- their dad,” gesturing towards your brother you giggle, creasing up in laughter at the sheer shock then relief on Marcus’ face, “Ads, this is Marcus, my new boss that I told you about.”

The male version of Nush outstretched his palm, offering a sympathetic look, “Hi Marcus, pleasure to put a face to a name. I’m so sorry that you have to put up with my cowbag-of-a-sister at work.”

Marcus can’t help but laugh at the friendly sniping between brother and sister, reminding him of his own teasing relationship with his sisters back home, “Hey! Your kids are beautiful. Oh, you must be Sebastian’s friend - who we saw at Model Market in Lewisham yesterday, Nush?” he questions.

“As much as Sebastian can have friends… Oh Nush, you didn’t, did you?” Adam’s face scrunches in disgust and judging in the way that only a sibling can do.

“No! Not this time,” Marcus loves the speed and vehemence to which you respond to your brother- and enjoys the sheer relief that is now guiltily coursing through his veins, “To give the man his dues, he won’t ever sleep with me when I’ve had too much to drink. Not that I was going to and not that it is any of your fucking business in the first place.” You add jabbing your brother in the softness of his tummy with every word you say.

“Nush, I was gonna text you this morning about tomorrow, if you’re still on to make the curries?” Marcus gently questions, willing you to agree.

“Hah! You’re trusting her to cook?” Adam laughs heartily at the suggestion, “I’m not sure that’s the best idea. Our mum still won’t let her near the chilli powder now.”

You growl at your brother, “I was a fucking kid at the time! And yes, I am more than happy to come and cook curries- what time suits you for me to come over? They do take a bit of time to make.”

Marcus struggles to hold back a snort of laughter, “Any time is good - and perhaps while they’re simmering, we can have some classic films on in the background?”

“Ah that sounds perfect,” your smile warming every inch of his skin.

“You sound perfect for her,” Marcus catches Adam muttering under his breath, his eyes widening at your brother’s comment.

“Shut your damn cakehole, twatface,” you slap your brother’s arm hard as you grind the words between your teeth, the two of you glaring with a mirror image of your eyebrows raised at each other.

“Um, I’d better continue my run before I cool down too much,” Marcus manages to spit out between the flushes of heat through his skin, “Great to meet you and your family, Adam. Nush, it’s lovely to see you and I’ll catch you tomorrow?”

“See you tomorrow, Marcus,” you smile at him before turning back towards your niblings, who are working together to create a den using an old fallen branch.

“I saw you running earlier,” Adam adds, “You’ve got a really good gait - as a physio, it’s great to see someone not destroying their joints. Do you do anything to support your running through cross training?”

“Uh no, but that’s a good idea as I don’t want any injuries. What would you recommend?” Marcus asks, genuinely intrigued and flattered by your brother’s compliment of his running style.

“Speak to Nush - yoga is perfect for stretching your IT bands, which as a man they’re generally always tight and only get tighter with repetitive movements like running or cycling. She’s the yoga queen and will know of a local teacher who can help you,” Adam grins, nodding towards his sister.

“There’s so much I have yet to learn about her,” Marcus shakes his head as he sorts out his headphones.

“Yeah, good luck with that!” Adam laughs as he pats Marcus on the back, “Anyway, enjoy the rest of your run and hopefully see you again soon.”

As Marcus gradually picks up his pace away from you and your family, his heart that had felt so dark and lonely, now feels light and airy. The release valve in his chest is finally loosened and there is a little bubble of excitement in his belly that he allows to build at the thought of tomorrow. The thought of your presence in his apartment, doing something as domestic as cooking, is truly a salve for his soul.

Perhaps he can just make believe until it becomes a reality.

Tag list of glory: @astroboots @silverwolf319@sirowsky @leonieb @disgruntledspacedad @bison-writes @the-ginger-hedge-witch @danniburgh @sugarontherims @green-socks @tardisfangurl @absurdthirst @pedropascalito @mouthymandalorian @mrsparknuts @lunaserenade @zukoyonce @agirllovespancakes @yespolkadotkitty @theravenreads @lv7867 @songsformonkeys

#josé pedro balmaceda pascal #pedro pascal #jose pedro balmaceda pascal #pedro pascal characters #pedro pascal fanfiction #ppascaledit #pedro pascal#pedro pascal x reader #marcus pike x reader #marcus pike #the mentalist #marcus pike x oc #marcus pike x oc reader #the mentalist fanfic

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scriptstructure · 3 years

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part 1 I have multiple alien planets, but the things is I want to to be similiar in earth as in 200 countries, 5000 ethnic groups, 6500 languages, varied climate/terrain/politics. Part of the story is still on earth and obviously as a whole, 99.9999% of stuff on earth isn't even getting used, but we know there is more and sometimes there are little hints. That is stuff we know from real life and generally doesn't need explanation. Example, a character says "We borrowed this from the Russians."

Part 2 Regardless of what is really important, what we know and doesn't need explanation is a lot because we figure readers generally understand--or they can google. Hell, there could even be lots of subtle culture references as well. Anyway, depending on the reader's knowledge, it can enhance the reader's understanding in various and subtle ways. But when I do things similiar in alien planets, it makes no sense and requires extra explanation to fill the details. So, basically useless.

Part 3 Thus it seems I'm unable to fully give the type of experience as when using earth as pretty much everything needs to be important to the story. Unless there's another way to do this so I can make my alien planets seem so much more than what's actually focused on without the needless exposition? It feels like at best I could try to mention a few things but it could never feel as vast as earth does. Perhaps maybe I just need numbers?

Reminder that if your question doesn’t fit in a single ask box, you should use /SUBMIT instead.

I have had a few questions in the past which are very similar to this one, [HERE] is about how to introduce invented elements of secondary worlds (stuff that doesn't exist in the real world but has been made up for the story), [HERE] is about how and why we might include extra details about the places that a character is visiting, [HERE] deals with establishing what a 'normal' day in an invented setting is like, and [HERE] is about ways of thinking about worldbuilding, and how much you need to know vs how much the characters know.

So it is a fairly common shortcut, in scifi writing, and scifi film writing in particular, to portray alien planets as kind of 'one thing' settings. Here is the desert planet, and there is the dessert planet, and over there is the Evil planet, and there's the cute jungle teddy bear planet moon. This can be useful if you're making a film or story where you just want the different worlds to work as shorthand for certain ideas 'shitty home world', 'the seat of democracy', 'the swamp where Yoda lives' etc.

But it is very simplistic, and obviously looking at Earth, as you've said, there's a vast array of different climates, cultures, people, languages etc. We do tend to simplify the way that we portray Earth in film and stories, as well--think about, say, Australia being largely signified by the Opera House/ Harbour Bridge, and the Outback™, or the UK being Big Ben and the houses of parliament, or the USA being a vast stretch of corn fields between New York and Hollywood.

So how do we effectively give the sense of a world being bigger than the particular spot that we happen to find ourselves in?

First off, you need to have background information about the world that you're building. If you know what the major cities are, what the main continents are, if your alien world has countries, or if it has a singular centralised system of government--or is it divided into city states? or is it divided into time zones? or is it divided into... etc

Think about how your characters conceptualise their world, and their place in it. Do they think about the world, with all its variety, as a single vibrant whole? Or do they think of 'us on this continent, and them over on that continent'?

How does trade work on this world? Do they have extensive trade networks among the various cities/ countries/ regions? Or do they rely on off-world suppliers for various things?

What kind of cultural exchange is common among these different areas, and what are the cultural touchstones that your characters might be familiar with, or interact with on a daily basis?

As with the examples I gave in the first linked post above, it is less about providing the readers with an exact view of how the politics and interactions of the various places function, and more about demonstrating what that means in practice for the characters.

Say there's a certain kind of fruit that is PROTAGONIST's mother's favourite, and she spends all day searching the hypermarket for one to surprise her mother with for her birthday, but turns out there's none of that fruit available because it's all from OTHER REGION, and there's a war on, or a volcano has erupted and interrupted trade, or the shuttle crews are on strike and so the fruit can no longer be transported down from the moon.

If your protag's favourite pop group is from a polar region and only produces music six months out of the year, because the other six months they have to work with their community to produce supplies for the long dark winter, that tells us something about the way that polar community is organised, and how it interacts with the rest of the world.

What else can we think about when constructing alien planets/ secondary worlds?

It can be difficult to think 'outside the box' of the culture that we're immersed in. It's very easy to slip into thinking that we're doing things the 'correct' way, and if someone else somewhere else does stuff different, that's weird, wrong, or sinister. Often it can be just a different way of doing things that gives the solution that the person is after.

I think it can be very helpful to read books about ancient history, especially stuff about societies that no longer exist, because a lot of the assumptions that we make about the way the world currently works are less useful when we look at ancient history. There are some extremely varied ways of approaching society and culture and a whole lot of stuff which isn't immediately obvious, but which we can understand by looking at the vast differences between ancient societies.

Well written history books can really help you get the sense of how societies form, and how culture develops, and some of the forces involved in cross cultural relations. Also, there are some great examples from the ancient world, of, for example, the various different Ancient Greek societies, and how each of them thought of themselves as 'doing culture the best', of their neighbouring hellenistic states of 'doing culture not quite as well' and of everyone who didn't speak greek properly as barbaric outsiders.

At the moment I'm reading Philip and Alexander: Kings and Conquerors by Adrian Goldsworthy, and I think one of the things that has struck me as super interesting is the difference between how the Greeks vs the Persians organised their societies, and the way that they thought about and approached warfare.

So what are the basic questions we're working with?

-What is the protagonist/ focalising character's relationship to the world? Were they born on-world? Are they adult settlers? Are they traders passing through? Has the character travelled to other places on the world, or have they mostly stayed in their home city/ area?

-How do the protag/ focalising characters think of the other places in the world that they are not currently visiting? (ie, I am in Sydney, Australia, what do I think of Boston, USA, or Paris, France? Big cities with a Reputation, I probably know something about. Small towns or cities I may or may not be familiar with, depending on my life experience or interests)

-How do the material goods which are needed for daily life pass around the world? Are certain goods only available from certain areas? Are there Events happening which may disrupt supply routes? Are there cultural elements which may cause friction in trade?

-What kinds of cultural export or exchange happen on this world? Is there a particular city which is well known for its entertainment production? (Hollywood, California--movies, New York City--the print publishing industry) Does this mean that portrayals of the rest of the world are skewed by the perspectives of that place? (Remember, Australia is just a bridge, an opera house, and red dirt!)

There's always going to be a gap between what your characters know, or are aware of, and what is 'actually' happening in the world of your story, but as long as you have the information decided, and can write the world consistently and with sensory and suggestive details, the reader can and will pick up the puzzle pieces and fit them together.

It's a complex problem, but it's one that can produce interesting complex settings.

I hope this helps!

#writing #worldbuilding #world building

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pynkhues · 3 years

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Hi Sophie! I’m an aspiring writer and I had a question for you!! How did you go on about finding an agent? Also how does one find job postings related to writing? (Tv, etc.) I’m very inspired by you and how talented you are!!!

Hi, anon! Thank you for your kind words, and it’s so exciting that you’re an aspiring writer! I think knowing that you want to write really is the first step on a pretty incredible journey, and it’s one that it helps have to have tools on. Knowing how to ask questions, like you did, is a great way to start building that toolkit too.

Especially because your writing toolkit will be something you build, because there’s not really one answer to either of your questions. I really mean it when I say writing and publishing is a journey, and as a part of that, the pathways people choose to take (and the pathways available to them) often vary a lot, and are impacted by so many things, from where you live to the genre and medium you write in to the networks you have access to.

I’m going to try to answer that for you as well as I can here which I hope will be a useful starting point for you, but I will be contextualizing it a bit with the fact that a) I’m in Australia, which has a bit of a different industry to many parts of the world (in no small part because we have a very small population), and b) that I worked in the industry before I started having my work published, which did give me a jump start and a pretty good network of professional and personal support.

Okay!

So let’s jump in.

Behind a cut because this got a bit long.

How did I get an agent?

Well! I was rejected by four agents before I got one, haha, so that in itself was a bit of an adventure. It meant that I was effectively my own agent for quite a while (something that’s quite normal in Australia for reasons I’ll talk about later), which meant doing everything from pitching works to teaching myself enough legal vocabulary to negotiate contracts (not my strong suit honestly, haha).

The first two agents I ever spoke to were both agents that weren’t open for unsolicited submissions. This is an important term in the industry, because what that means is that they’re not reading any new writers who:

they didn’t invite to submit (usually this would be after you’d won a prize, or they’d read your short story or essay in a journal or magazine, loved it and got in touch)

didn’t come recommended by colleagues; or

didn’t come through their existing networks.

Does that mean you can’t get your work in front of them? It doesn’t actually. Usually when agents aren’t open for unsolicited submissions, they’ll still be interested in work. It just usually means they don’t have the time for a massive slush pile. What they frequently do in these instances instead is that they’ll attend conferences, festivals, workshops or events and do pitching sessions a couple of times a year. That usually looks like you booking a five, ten or fifteen minute window, generally for free (be cautious if they’re charging extra on top of your event ticket) and doing a verbal pitch of your project.

I’ve done a lot of these at various events in various contexts (it’s always hell, haha), but only twice to agents. Once was at the CYA Conference in Brisbane (which is a charged pitch but the money’s a donation towards the Children’s Book Council), where I pitched a YA manuscript I’ve since put in my bottom-drawer, and Emerging Writers Festival in Melbourne, where I pitched The Rabbits, which is my novel which came out in July with Penguin Australia.

Those pitching sessions went just okay. Both liked my pitches, but the agent at CYA had a full stable of YA authors and was more looking for middle-grade fiction, which meant my story skewed too old. She gave me her card if I ever wrote for a younger audience, but otherwise declined to invite me to submit. Again, this is frequently actually why an agent might be closed to submissions or they might reject your work even if they like it – they're just at capacity with what you're pitching.

The one at EWF went better and I was invited to submit my complete manuscript, but she told me that while she thought I was a good writer, she didn’t personally like my writing style and therefore didn’t think she could sell it. She did actually invite me to submit something else if I had something more commercial, but I really figured that if she didn’t like my writing style, she probably wasn’t going to like whatever else I sent her, so I ended up declining because I thought it would be a waste of both our time.

The other two agents I submit to were both open for unsolicited submissions so I didn’t have to go through events. In both cases, I did cold submissions, which just means we’d never spoken before, so when you do that you need to put together a query packet because - - well. They don’t know who you are, haha. All publishers and agents have different requirements for their query packet and these should be listed on their website (if they’re not, feel really empowered to email and ask – in all of my industry experience, they have always infinitely preferred you doing that to guessing. It shows you know the etiquette and want to get it right).

Generally speaking though, what you're looking at pulling together for a packet is usually:

A cover letter explaining who you are, why you’re interested in them being your agent (being familiar with who else they represent is a good thing to highlight), and what story you’re selling them on.

A one-page synopsis of your manuscript.

A writing CV if you have one, or another relevant CV (i.e. if you're pitching a non-fiction book on being a nurse in the pandemic, attaching your nursing CV so they can see you're legitimate is important).

And usually either the first 50 pages or the first three chapters of your novel.

You generally email that to them, it goes into a slush pile, and they’ll read through it when they get the chance. I got a personalized rejection from one, which is pretty lovely (getting a personal rejection instead of one that’s clearly an email template from agents, editors and publishers might sound silly, but they’re actually pretty significant. These are people who get thousands of manuscripts a year, and taking the time to write a reply usually means your work resonated enough that they want to give you that encouragement even if the answer’s still no), and the other, I never heard back from, and my follow up email was ignored. Less lovely, haha, but unfortunately not uncommon.

So yeah, I took a bit of a break from seeking out an agent then, which I could do in Australia. One of the benefits of having a small industry here is that there’s a very limited number of agents (we’re talking literally about 25), which means submissions outside of agents and agencies are pretty normal. My understanding in the US and the UK is that you’re not really going to get a look-in without an agent, but in Australia you can submit direct, having an agent just makes it a lot easier.

So I didn’t have an agent when I actually got offered my book deal. I’d submit The Rabbits to a few different publishers, it had been rejected already by a couple and was still in the slush pile at one when I submit it to the Penguin Literary Prize. It won (yay!), Penguin offered me a book deal, and when the news broke in industry news, I was approached by six different agents, including, hilariously, the agent who said she didn’t like my writing style, haha.

I ended up talking to a few of them, but I went with a fairly new agent who I’d known through industry work, and I went with her because she had a really strong legal background which is what I was personally interested in.

Because that’s an important thing to consider too.

Why do you want an agent?

I actually knew that I didn’t really need an agent to sell my work. I’d been doing that for ten years already, I have over twenty short stories and a novella published, I’d sold my book, and I’d sold the rights to a screenplay already on my own, so the ability for an agent to sell work wasn’t so important to me. What was important to me was having someone who had a background in publishing law (my agent actually worked in the rights team in-house at a top five publisher before she became an agent), and understood rights management particularly in digital rights and international rights, because it makes my head spin, haha.

So that’s why I went with her!

But how do you find agents?

You didn’t ask this question exactly, but I think this is a very relevant question. There are databases of agents and publishers out there – Duotrope is probably the best known and I know people rave about it. One of the things that’s useful about it is that it’ll do a bit of a breakdown listing what genres the agent reads, if they’re currently open to unsolicited submissions, and their requirements. Take a look at Ginger Clark’s page for example (she’s not my agent – she’s American for starters, haha – but I have worked with her before and she’s a gem. Her most famous client is probably Ursula K. Le Guin, but she reps tons of other people too).

So yeah! Duotrope’s really useful. It has free info but also a paywall for certain things, and I personally find it kinda difficult to navigate?

I'd actually instead just recommend you take a look at writers you like and admire, especially ones who write similar genres to you, and just Google who their agent is. They all have websites, so they’re a lot easier to find these days than they were. 😊

How do you find job postings related to writing?

This is a tricky one, anon, as it depends on what sort of jobs you’re looking at. If you’re looking for copywriting opportunities, outlets for articles, short stories, poetry or essays, publishers who are posting open calls for manuscripts, or even cultural production jobs, those are all pretty different things. SO! I’m going to answer this one a little more broadly.

Writers Centres are your friends. Full disclaimer, I worked at one for five and a half years, and have been a member of Writers Victoria since I moved to Melbourne. They’re incredible resources for not only opportunities, but workshops, pitching, professional and creative development, community, networking and advice. They literally exist to help you achieve your goals.

- Writers Victoria maintains a free calendar of Opportunities and Competitions, but publishes more in their quarterly magazine which is a member perk. They’ll also often share job opportunities through their social media channels. I also still get the free e-news for Queensland Writers Centre and Writing NSW too because sometimes they share different stuff.

- I’ve heard Gotham Writers in New York is good too if you’re in America, but really I’d just suggest googling where you live and writers centre and seeing what comes up!

- Similarly festivals. I’ve worked at Brisbane Writers Festival and National Young Writers Festival here in Australia (the latter’s on online right now if you want to check out their free program!) Sign up to your local festival’s e-news, follow them on social media, they’ll usually share stuff.

- Speaking of! Social media! Haha. Twitter is often good for sharing jobs, competitions and opportunities, but I find it can be a bit of a cesspool too where people bombard the hashtags with self-promotion, so approach with caution. I find Facebook groups are way better for it personally, especially as there are a lot of specialized groups that are focused in certain or on certain writers. I know there’s lots for BIPOC writers for instance, I’m personally in a few and recommend:

Binders Full of WRITING JOBS

Binger Full of Copywriters

Style Binders – Writers in Fashion, Lifestyle and Beauty

Binder Full of Editors Seeking their Freelance Writers and Vice Versa

If you’re in Australia though, I’d especially recommend:

Women in Arts Management Collective (particularly if you’re interested in cultural production work)

Film and TV Networking Australia

Melbourne Women in Film

Writers Victoria Members

Australian Binder Full of Women Writers

Australian Arts Amidst COVID-19

Young Australian Writers

I think most of these are searchable, so just have a look, but also google your city or state + writer and see what pops up.

Otherwise, as much as it sucks to say it, a lot of the industry is who you know, so try and find ways to connect and meet with people and forge your own little community. Go to events – festivals, book launches, book clubs, join Facebook groups and in particular, if there are journals or magazines that are made in your local area, go to their launches and the events they run, no matter how big or small, and just chat to people there. As you get more established, you can be more discerning about what you go to, but when you're starting out, these are powderkegs of community and connection, and they breed suppport and, if you find the right people, you'll grow and develop together too.

Being a writer can often be pretty lonely, but being a part of supportive industry really makes all the difference, and as an old mentor of mine said – creative karma is real. You support the people coming up around you, and you’ll not only be creating a better, more inclusive and welcoming industry, but an industry that supports you right back. 😊

#i hope this is a help anon!#let me know if you have any other questions #learn from my gruelling experience haha #writing advice #writing #welcome to my ama

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hlcreators · 4 years

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AUTHOR REC: jacaranda_bloom / @jacaranda-bloom

Be sure to show some love by leaving kudos and comments!

Seven Simple Words (15k)

It’s not like he and Louis were a couple. No, they might have been a lot of things—best mates and colleagues with a seemingly convenient friends-with-benefits arrangement—but never a couple. It wasn’t Louis’ fault he didn’t feel the same way and couldn’t reciprocate Harry’s feelings in the way he’d wanted, the way he’d needed. Harry had allowed himself to get in too deep, his entire being aching to be loved back by the object of his affections. But in love, as in life, you don’t always get what you want.

OR the one where you don’t always get what you want the first time around, but sometimes the universe decides to give you a second chance at getting it right.

Feels So Right (8.8k)

The emcee leans in between them, handing over his mic to the blue-eyed vision. “You know what? Someday… Someday you guys might thank me for this...”

OR the one where Louis is Troy, Harry is Gabriella, and we find out what really happened after karaoke at that ski resort...

Wonderland (4.3k)

Louis has always loved lazy mornings in bed with his mate, but now that his Omega is carrying their pup, they’ve reached a whole new level of wonderment.

OR the one where Louis loves to worship his Omega’s body and Harry loves to let him.

The Baby Whisperer (18k)

Harry’s newborn baby is having trouble sleeping and nothing he does seems to work. Tired and alone and at his wits end, Harry is at a loss until a new neighbour arrives to turn his world upside down.

OR the one where being neighbourly takes on a whole new meaning.

Fuck U Betta (11k)

There’s something about having Louis like this, exposed and desperate, that makes a primal urge bubble up from deep inside Harry’s chest. Desire mixed with something else, something unquantifiable. It’s the thing that makes them want this, need this. Nothing else will satisfy them or quench their thirst.

OR the one where Harry likes the thrill of the chase, Louis likes to be chased, and everyone gets what they need… in the end.

Caves End (39k)

When a recurring injury cuts short Harry’s time as the Captain of the English Football Team, he needs to rethink his career and his future. His best mate and manager, Niall, decides that what Harry really needs is a change of scenery, time to relax, and to get some perspective on his life. What Harry doesn’t expect is for them to end up in Australia, on a farm, with the most gorgeous man he’s ever laid eyes on.

OR the one where Harry has lost his future, Louis has lost his past, but maybe together, they can find a way through the dark.

When Tomorrow Comes (11k)

When Louis and Niall are partnered up to complete a project on Omega scents and how they effect the nesting behaviours of Alphas, little does Louis know that the course of his life is about to be forever altered.

OR the one where Louis is an Omega who has been keeping himself pure for his Alpha, Harry is a traditional Alpha focusing on his studies while he waits to find his bondmate, and Niall is a sneaky bastard who keeps borrowing Louis’ clothes and never returning them.

You Drive Me WIld (5k)

Most people would think that keeping a tube of lube hidden behind the driver’s side visor of their car is foolish and completely unnecessary, but then most people don’t have to chauffeur Louis Tomlinson around for a living.

OR the one where Harry has a brilliant idea to while away the time as he waits around for his boss but fate decides to rain on his parade... or maybe it’s the universe answering his prayers.

No Going Back (56k)

Sales reps Harry and Louis are bored with their jobs and their lives. After meeting at a conference in Cardiff they hook up, have a few too many drinks, and jokingly apply to become remote lighthouse keepers. Six months, just the two of them, looking after the southernmost lighthouse off the bottom of Australia. It’s not like their applications will be accepted. Right?

This is the story of how one choice - a left instead of a right, a go instead of a stop, a yes instead of a no - can change the future forever and that sometimes, taking that leap of faith, is worth the risk.

Strong Enough (20k)

“So…” Liam starts, and Louis instantly knows where this is going. He’s actually glad it’s Liam that's dragging the subject out from the shadows and into the light. Louis turns to face him, mirroring his position on the couch and nods, ready for him to continue. Liam takes a deep breath. “Have you spoken to Harry recently?”

Five years after Vertigo goes on hiatus, the band comes back together for a benefit concert. Can Louis and Harry work through their complicated past, or are some wounds too deep to be healed?

Shine (13k)

“How does it feel?” Harry asks, genuine curiosity evident in his voice.

Louis lets his eyes drift closed and focuses on the sensations. “It’s like… like I’ve got hands all over me, touching me, inside and out, and…” Louis tries to zone in but it’s so hard to describe. “It’s like I’m being stimulated everywhere all at once.” As if on cue, his nipples and earlobes start tingling and he arches his back. “Oh fuck, yeah.”

OR the one where Louis has a thing for the sun and Harry is more than happy to indulge his sunshine boy.

If You’re Out There (I’ll Find You Somehow) (55k)

Harry looks so intensely into Louis’ eyes it’s as though he’s reaching in and touching his very soul. “I never thought… I never… I’ve been searching for so long, Louis, but I never gave up. I couldn’t stop, wouldn’t stop trying,” Harry says, bottom lip trembling as he strokes the backs of Louis’ knuckles. “I just knew that if you were out there, I’d find you somehow.”

OR the story of how one man’s love changed the world.

Everything I Do (16k)

Harry’s ready, has been for a while now, and he’s fairly certain Louis is too, it just hasn’t been on the top of their priority list. There have been offhand mentions, a comment here and there, more in jest than anything, no serious discussion or consideration. Harry stands up straighter, a stomach-churning thought forming in his mind. Has Louis been waiting for him to ask?

OR the one where Harry finds a book of Elizabethan courtship rituals which sets in motion a series of events that can lead to only one conclusion.

Playing To Win (36k)

Big Brother UK alumni Louis Tomlinson and Harry Styles are selected for the UK vs Australia All Stars series with a massive one million dollar prize in the offing. They’re both fit and smart and would make a great alliance... if only they can stop their feelings from getting in the way.

OR the one where Louis really doesn’t want to like Harry, Harry is struggling to quell his growing fondness for Louis, but sometimes, no matter how hard you try, you just can’t fight fate.

Exposed (666)

Louis should really stop agreeing to do favours for his friends while drunk, especially when they result in him becoming a live-art model…

Forever And Always (25k)

“Right,” Harry says and slaps his hands down on the kitchen benchtop. Now he just has to get home, find this poor Niall guy who is currently camped out in his body, and have them swapped back. What could possibly go wrong?

OR the one where Harry’s neighbour is a crotchety old witch who hates vampires, Niall is the unsuspecting human who ends up inhabiting Harry’s body, and Louis is the caseworker who is assigned to swap them back. How it ends up a love story is anyone’s guess.

Going My Way (20k)

"Hey Harry. Really sorry to do this to you but an emergency has come up with Vera’s mum and we’ve had to jump a flight home. My mate Louis is going to take over my LYFT clients while I’m away. He’s got my car and my phone and everything else. Hope that’s okay. He’s a good guy and I think you two are going to get along brilliantly. Catch you soon, Benny."

OR the one where Harry gets a replacement LYFT driver, Louis is just trying to earn some extra cash before the baby arrives, and they both end up with way more than they bargained for.

Up For It (18k)

Each year, the five friends take a lads holiday; it’s tradition, and this year is shaping up to be a jam-packed, fun-filled trip with their best mates just like all the rest... or is it?

OR the one where Liam is Mr Organised, Zayn is too perceptive for his own good, Niall is a compulsive matchmaker, and Harry and Louis might just have the surprise to shock them all.

With Words Unspoken (18k)

At forty-nine, Louis hadn’t envisioned being at a crossroads in his life; kids, grandkids, an ex-wife, and completely at a loss as to what direction his future will take. When he finds himself drawn back to a cabin in the Californian wilderness that’d he’d visited fifteen years earlier, an acquaintance from his past triggers an awakening deep inside and reveals a new path that he could never have imagined.

OR The one where Louis is lost, Harry is an excellent tour guide, and age is no barrier to finding the love of your life.

Henry and Lewis (4.3k)

PART 1 SUMMARY: Louis hangs out in his local coffee shop to work on his weekly WordPlay Prompt, speaks to his beloved muse aka Harry the gorgeous barista, embarrasses himself in front of said muse, and receives a comment on AO3 from his favourite reader.

SERIES SUMMARY: Every Tuesday, Louis spends his day off holed up in his favorite coffee-come-bookshop, writing his little stories as part of the WordPlay challenge while daydreaming about the resident barista, Harry. Each week a new word prompt is revealed and Louis adds to his series of short stories about Henry, the owner of a B&B in the Cotswolds who has curly hair and dimples, Lewis, his long term guest who just happens to be a writer, and Tigger, Henry’s cat.

As Louis and Harry’s friendship develops, could his fantasy world spill out into real life? And how does that reader who leaves the lovely comments with the teacup emoji seem to be able to read Louis’ mind?

Smuturdary (4.1k)

Louis struggles with this week's WordPlay prompt before finding inspiration, and a date, in an unexpected place, and could there be more going on with his favourite reader than he originally thought.

Tea For Two (4k)

Louis grapples with what to do about his new found suspicions over his favourite readers real-life identity.

Life Imitating Art (6.8k)

Louis is taken on a very real journey through his fic back catalogue - life has never imitated art so salaciously.

Entertain Me (5.3k)

All good things must come to an end, including the WordPlay challenge. But while Louis has mixed emotions about its end, and struggling to make sense of the final prompt, he is relishing every aspect of his newly revitalised personal life.

Play Me A Memory (26k)

Louis lives with his nine-year-old son Jake in a peaceful beachside community on the east coast of Australia, working as an entertainment coordinator at the local five-star resort. Harry is a recluse who lives on millionaires row and writes musical scores for blockbuster movies. When the roots of a wayward willow tree create havoc at his home, Harry is forced to stay at the resort while repairs are carried out.

Cue matchmaking storms, muffin preferences, laughter, love, and a whole lotta music.

The Cyber Sphere (17k)

As the author of The Cyber Sphere, a series of best-selling books which have spawned seemingly limitless spin-offs, Louis Tomlinson hides away from the world in his fortress-like London penthouse. But when he decides to interact with the host of The Cyber Times radio program, Dermot O’Leary, on Twitter, it causes a fandom meltdown and offers him hope for a future he’d never imagined.

OR the one where Liam likes to think he’s Batman, Dermot has terrible taste in sporting teams, and Louis should really get a cat.

Surprise Me, Space Boy (7.1k)

Louis is a solo officer on Space Station Zeta and the isolation can present many challenges, not least of which is that it’s really bloody hard to date. He’s pinning his hopes on that changing with a fellow solo officer, Harry, from a neigbouring station who gives great banter and has a gorgeous smile. Maybe online dating has its benefits after all?

OR The Space Wank Fic.

Harry Poppins (32k)

When Louis’ best friends pass away he finds himself with an instant family. Maddie and Thomas are wonderful children but take an immediate dislike to every nanny that sets foot inside their house. After nanny number six is summarily dismissed Louis is at his wit’s end, that is until an unusual man arrives on their doorstep. Harry Styles is like nothing any of them have ever encountered before, and perhaps, exactly what they’ve been looking for all along.

My One And Only (Desire) (500)

Harry is his, only his, and Louis belongs to Harry just as completely. They consume each other, in life, in love, in every way two people can.

Take Me Down Slow (Don’t Let Me Go) (26k)

Louis has always felt different. Not necessarily on the outer realm of societal norms, but pretty damn close to the edge. As an Omega, he’s supposed to want certain things; to want to raise a family, to want to build a life with a partner, and to want that partner to be an Alpha.

Well, two out of three ain’t bad.

OR the one where Louis wants to find the right kind of partner to love, Niall hates snowboarding, Liam wants to settle down, Harry is really good with his hands, and mother nature could be the thing that changes everything.

Soup Of The Day (19k)

It had been the single minded goal for them since college and seemed simple enough. 1. Study hard. 2. Open their dream restaurant. 3. Take the culinary world by storm.

What could possibly go wrong?

Or the Restaurant AU where Louis and Niall are chefs, Chicago is windy, and cracking the big time is harder than they ever imagined. But when a mysterious man starts grading Louis' soups by leaving little piles of rocks, could it be just the thing they need to get them on the road to success?

The Clock Strikes New Year (9.6k)

Louis senses people moving around behind him and cranes his neck left to right. The store is quiet, just staff and Louis and Harry, but all of the other salespeople appear to have gravitated to where they are to watch the little runway show Harry is putting on. He can’t blame them really, Harry is a sight to behold, but it makes him chuckle anyway.

“Okay, Lou, you ready for me?” Harry calls from the change room.

“As I’ll ever be, baby. Get out here!”

Harry comes into view and Louis’ breath catches in his throat.

OR Harry was homeless, but now he has Louis. Louis was lonely, but now he has Harry. And there’s more than one way to see fireworks on New Year’s Eve.

The Bet (2.4k)

Louis Tomlinson never reneges on a bet. Ever.

He may be many things - a joker, a sometimes-wayward student, a loyal friend, a Tony Award winner in the making, and a card-carrying member of the Chad Michael Murray fan club - but never, ever, a welcher. Louis makes good on his promises and does it with flare.

OR The one where Louis misjudges Harry's ability to do TLC's Waterfall rap and finds himself having to put on a one-man show for his viewing pleasure. If Louis decides to go all-in and dress the part, then that's just a bonus for his (very appreciative) one-man audience.

Heat (2.4k)

Louis was smitten from the moment Harry had arrived a month ago. Long, curly hair which he mostly keeps up in a bun, and a sinfully deep voice. Cheeky too. Louis likes that the best. He gives good banter and laughs at Louis’ dumb jokes, adding his own woeful puns. When Louis had asked him why he was in this godforsaken dust bowl, he’d said something about a ground crew traineeship and fulfilling his visa requirements while experiencing the real Australia. Louis had been momentarily distracted by Harry’s plush, red-bitten lips so the salient details may have washed over him.

OR Drinking beer in a blow-up pool, in a backyard, in stupidly hot temperatures, in outback Australia should be ridiculous, and it would be, if Louis didn't have a curly-haired workmate to keep him company.

Whisper The Wind (36k)

Louis’ father has political ambitions and decides it’s time for Louis to step up as the company’s Chief Financial Officer. Louis thinks this is a monumentally stupid idea. After storming off in a rage he has a chance meeting with a tall, dark, curly haired stranger. A technical glitch with their shared elevator finds Louis spending twenty minutes with the most intriguing man he’s ever met. Unfortunately the man is leaving London the very next day and moving to Australia to work at his mates surf school. Timing, as they say, can fuck right off.

Fast forward three years and Louis is miserable, a shadow of the man he once was, working in his father’s company, and hating every moment. At his thirtieth birthday party, surrounded by people he doesn’t know or doesn’t like, he decides to throw it all in and follow the impossible dream. Happiness, a fulfilling life, and someone to love. The question is, will that dream be found ten thousand miles away on a sandy beach, with a curly headed surfer dude?

Or the one where Louis rides an elevator that may change his life forever, Harry loves the ocean but is a terrible surfer, Liam proves not all heroes wear capes, and Niall might actually have all the answers.

The Clock Strikes Christmas (10k)

The clock ticks over to midnight and Niall strikes the match, lighting the candle and looking expectantly at Louis. “Time to make all your dreams come true. What’s your birthday wish Tommo?”

Louis stares into the flame and wonders. Closing his eyes, he thinks of cold winter nights curled up by the fire, driving along country roads holding hands across the console, laughter and warmth and a sense of belonging. An image creeps into his mind, blurry and shimmering. Curls, green eyes, milky white skin. Louis sucks in a deep breath, opens his eyes and blows.

The lights in the pub go out and the music stops, time seems to be teetering on the edge of something, like the crest of a roller coaster before the fall.

Then the pub surges back to life. “Sorry about that folks! Damn storm must be coming.” The bartender shouts out.

Niall is staring at him, mouth agape, before regaining his composure. “Must’ve been a helluva wish Tommo.”

Louis is a little stunned himself, but blinks out of it and laughs. “Yeah, must’ve been.”

OR the one where Louis needs someone to love, Harry needs a miracle, and sometimes, wishes really do come true

The Prince Of Light (35k)

Louis was found abandoned at a hospital at six months old and adopted by an older couple who raised him. Now twenty, he studies by night and by day works as a live-in au pair for a family with three little girls. One of the girls, Holly, swears there is a Garden Fairy coming and eating treats she leaves out in the cubby house each night.

When the family goes away for a two week holiday, Louis is secretly tasked with feeding the Fairy. While laying out the food one night he falls from the cubby house and is found by Harry. Harry is different and Louis is fascinated. But as Louis learns how different Harry really is, he discovers his own true home and a very surprising past he never knew.

Cue badgers, bananas and cookies, soulmates, a whole other world, and a future he’d never imagined.

Clouds On Curtis (9.6k)

A wave of comfort sweeps over Louis like a blanket as he allows himself a moment to imagine the possibilities. His past failures and disappointments feel like they are ebbing away, like shackles falling from his limbs. The burdens he's been bearing and the guilt he’s been carrying slipping away into the ground with each step he takes.

Harry reaches for the door and pauses, holding the handle he turns to face Louis.

“Are you ready for the adventure to begin?” Harry looks at him with hope in his eyes, dimple cratering in his left cheek.

“Absolutely, I’m all yours.” Louis says, wide smile breaking across his face, feeling the crinkles appear at the corners of his eyes.

In that moment he is sure of it. Surer than he's been about anything for years. This is exactly where he’s supposed to be. This is his second chance.

Or the one where Louis is a chef who is looking for a chance to start over, Harry’s restaurant needs the right chef to make his dream come to life, Niall is a cook who desperately wants to be a chef, and Liam just wants to be happy. Together, can they turn their dreams into reality?

#writer appreciation week #1dsource #hljournal #fics #author rec

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afaimsarrowverse · 3 years

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Arrowverse Update 2021:

(No, I won’t call it The CW-Verse).

Yes, I promised you one of these ages ago, but then RL turned everything around on its head, and I did not want to make one before all the shows were back in production and there was anything solid to tell you. So now I have lots.

Only facts here, not politics, and only slight speculation regarding future developments, as always.

Batwoman

Season 2 will start airing on the 17th of January and return to the shows usual time slot. They are planning to produce 19 episodes for this season. However given the times we are living in another production shutdown could prevent that number tob e fullfilled again, so take it with a grain of salt.

One of these 19 episodes will be part of this years Crossover-Event, which is a two parter and crosses over with „Superman& Lois“. Characters from the other shows are set to appear as well, however who that will be is unknown at this point. The Flash will probably be in it, aswell as someone from „Supergirl“, however if this someone is Kara is up for debate right now. John Constantine, Mick Rory, and Nate Heywood are the most likley candidates for someone from „Legends“. „Black Lightning“ is most likley not participating in the crossover. However someone from „Arrow“ might show up in it instead.

Ruby Rose is off the show and so is Kate Kane.

Just to clearify: Ruby Rose was not fired from the show , the higher ups at Warner and The CW were as surprised as we were about her decescion to leave, and Season 1 did not fail, quite the opposite actually: Until „Stargirl“ came along, „Batwoman“ was Number 3 on The CW, only „The Flash“ and „Riverdale“ did better. If the ratings of „Batwoman“ would have been bad, the whole network would be forced to shut down. Yes, the ratings dropped after „Crisis“ (but they dropped for all the shows except for „Arrow“ after the crossover), but they recovered, and overall „Batwoman“ was doing a lot better than let’s said fan favourite shows like „SPN“. The Powers That Be had every intention to go forward with Season 2 as originally planned.

Ruby Rose hurt her back a while back and had an emergency surgery after which she returned to the set of „Batwoman“, thereby disregarding her health. She has been suffering from chronical pain ever since. Thanks to Lockdown she was able to live the difference, a life without Batsuit, stunt work, and shooting days – and decided to quit. On the long run this might have happened eventually anyways. The actress has a history of depression and has been bullied online since the day it was announced that she got the part – by her own community as well as by Alt.Right Fanboys, who hate woman, LGBT-Characters, The CW, and the idea of anyone but Bruce Wayne being a Bat-Hero. Add that to physical pain, hard working hours, and a dislike for Vancouver, why should someone do that herself on the long run? However, it would not have happend between Season 1 and 2, and the writers would have had a chance to write Kate out of the show gardually and to build up an heir to her mantle at the same time. Now none of this will happen.

The producers decided against recasting Kate Kane as well as against making an established character into the new Batwoman. They even decided against bringing another Batfamily character from the comics into the show or introduce someone with ties to the established cast into the show for that purpose (like a cousin of Kate or Luke Foxs sister). Instead the quickly made up a brand new character – Ryan Wilder.

Ryan Wilder was invented for the show. Yes, she has shown up in a recent „Batgirl“ Comic, but make no mistake, she was inserted into that comic to make it look like she is a character from the comics, even though she isn’t. The Scripts for Season 2 predate that comic appearance by quite some time.

Javicia Leslie will be the new Batwoman, who has no ties to anyone in the show, but will witness whatever happens to Kate. So this will be a Miles Morales kind of situation, by the sounds of it. However we were told Kate won’t be killed of. Instead the Bat-Eating Monster that ate Batman will get her. Well kind of, she will disappear like Batman before her.

Ryan Wilder will have ties to Scarecrow though. If that means that somewhere along the line he will replace Alice as the main villain of the show is unknown. Safiyah is going to show up though, and will be played by Shivaani Ghai. She will face of with Alice, which seems to be one of the few preplanned elements, that will make their way into Season 2 after all. A female assassin named The Whisper will work for her, and a guy called Ocean will show up.

Pictures of the new Bat Suit have been released online. The most important part about the new look seemd to be the fact that you can tell that it’s an Afro American Woman by the silhouette. Juding by this the main focus of the show will shift. Discussions about DADT and Coming Outs are in the past, BLM it is instead. Ryan Wilder is supposed to be lesbian though. And a (former?) drug addict and goofy and „not the right person“ for the job of Batwoman at „this time“ of her life.

Given that there is a „Kate has disappeared“- storyline – either offscreen or via body double – it would make sense to have the character return to the show at some point in the future. However don’t expect that to happen in Season 2. As long as the two week quarantine period for people coming into Canada is in place guest stars won’t come cheap and might prefer to work in the US instead.

Also don’t expect to get Kate Kane back as a main character any time ever for that show. If she returns it will only be to wrap up her storyline and to give the new Batwoman her blessing.

Season 2 is currently filming in Vancouver. „Batwoman“ was one of the first shows to return to filming and has had a small filming break forced on them already, due to testing issues. However those seem to have been resolved. The production has been running smoothly for the most part.

Expect a proper trailer around December time and expect Season 2 to be treated like a new show by the network. Because that’s bascially what it is. (International distrubiton deals will however remain the same, so don’t worry about that, wherever you saw Season 1, it’s likely you will be able to watch Season 2 there too).

Black Lightning (+ Painkiller)

Season 4 will start airing on the 8th of Febuary and take the Monday night 9:00 pm slot. The season will consist of 13 episodes, and consdering that it’s the shows final season all of these episodes will be made and aired, come hell or high water.

We don’t know a whole lot about this season. Chantal Thuy will be part of the main cast in this season, so hopefully that means that Grace will consistently hang around all season and won’t do her usual disappearing act inbetween episodes.

What we do know is, that around the middle of the season a backdoor pilot for a potential Painkiller Spin-Off will air as episode 4.7. In it Khalil will end up in an new city Askahic Valley, where he will aim for a fresh start and find trouble instead. Helping those in need he will have to find a way to use his inner darkness aka his Painkiller personality for good.

The backdoor pilot sounds engaging, kind of like a more down played version of „Legion“, but as for the chances for it to get picked up, we will have to wait and see. Being more of a follow up for „Black Lightning“ then a spin off the chances for a pick up are much better than most of us thought, when we still believed it to be a sister show to the adventures of the Pierce-Family. However it may be too high concept to find an audience. Furthermore the reboot of „Batwoman“ (see above) may also be enough for The CWs need to live up ist own diversity statement. So we will have to wait how the backdoor pilot works out for an audience and for the network, and also how the future plans for the Arrowverse in particular and their whole program in general for the 2021/2022 season will look like. Diversity also means not too many of those superheroes shows at the same time.

As for why it was decided that the series has to end with Season 4, this is currently still unknown. The ratings were always the poorest out of all the Arrowverseshows and also among the lowest of the whole program of the network, and Netflixs decision to go from weekly episodes to whole seasons also indicated that outside the UK and Australia the show did not do overly well, however the reason behind the decision might have nothing to do with any of that given that the show was rather consitent where the numbers where concerned. It might have been a creative decision, the fall out from the desire of on of the main actors to leave the show, or even a demand from Warner or AT&T. As of right now, we just don’t know, but the truth will come out eventually.

For International Netflix the season will likely be put on after it finishes airing in the US, just like Season 3 was. The Series Finale will probably air in May.

Season 4 is currently shooting in Atlanta. Due to this crossovers with the other shows are more or less out of the question for this season, however in theory characters from „Arrow“ could show up in the final season. But given that „Black Lightning“ always was its own thing, I would not count on it. However after the show is finished, Black Lighting, Thunder, and Lightning could show up from time to time in the Vancouver based shows, if the actors are willing (and in „Painkiller“ of course), so maybe „Black Lightning“ will be fully integrated in the Arrowverse after it’s finished in the same way „Constantine“ was.

The Flash:

Season 7 of „The Flash“ will start airing on the 23 of Febuary on Tuesday night right before „Superman & Lois“. It’s planned to have 18 episodes in total. One of those is 6x20 („All’s Wells That Ends Wells“) which was already more or less finished, when the production shut down. Most of the episode will now be 7x01, however there might have been some reshoots concerning the scenes Hartley Sawyer was in (more on that later). 17 additional episodes are being filmed, provided there isn’t another production shutdown.

The first three episodes of the season will be the slighty rewritten finale of Season 6 and deal with the Mirror Mistress. The rest of seasons will consists of two volumes again, shorter ones than usual though. As of now there are no plans for a crossover episode. Barry will however almost certainly show up in the „Batwoman“/“Superman & Lois“ Crossover Event.

Godspeed will be the main villain of at least the first half of the season. However it won’t be August Heart, it will be a new Godspeed instead. Also set to return are Top, Bloodwork, and Abra Kadabra.

Kayla Compton and Brandon McKnight will be part of Season 7s Main Cast. Hartley Sawyer however is off the show. After his Twitter was scammed, old tweets from long before he even joined „The Flash“ resurfaced, that included offensive jokes. One or two were racist, so he was fired. Ralph will be written out of the show in the first few episodes of the Season. He will shapeshift into another established character for storyline reasons and take his leave in this form. He might return later down the line, when the waves of his departure have subsided. In which form and played by which actor depends on how everything goes until then. Sue Dearborns storyline will be rapped up accordingly, however she is not of the show. She will return over the course of this Season and help out Team Flash time and time again.

There has been a lot of speculation about other actors leaving the show, given that their initial contracts are up and they cost a lot of money or might want to leave. Jesse L. Martin, Tom Cavanagh, und Carlos Valdes are the main concern here. However given that Season 6 was never finsihed, everyone from the main cast (including for story reasons of course Victoria Park and probably Patrick Sabongui) except Hartley Sawyer is returning for Season 7. If there are plans to kill anyone of in a shocking fashion in Episode 3, they obviously wouldn’t tell us. So it is of course possible that someone will leave the show during Season 7, however even if there were plans in place, Covid might have changed them. As for Jesse L. Martin, he might be safe, because we were told that a Joe West related storyline about the Police Issue will be part of this season (however that could of course happen during the first three episodes as well). Danielle Panabaker however will be back sooner than expected, and Frost will be part of the Mirror Mistress wrap up episodes. Given that the show started filming much later than usual, her maternity leave for which she departed the show in 6x19 was over before the returned to filming.

That said what might happen this season is something most people probably noticed during Seaon 6 already: Not everyone will be in every episode, and some might only have cameo appearances in certain episodes. Also US based guest stars might be a problem as long as the 2 week Quarantine for travelers to Canada is still in place. Don’t expect people to show up for only one scene or something like that.

As far as the Mirrorverse storyline goes, Iris will escape from there pretty early on in this season, however there will be lasting effects for her character (as you might have guessed from the last few episodes of Season 6). She will be confronted by a splintered part of her persona and might make a visit to the Eva McCullloch crazy town. If she will have Mirror Powers like Eva after she is out of the Mirrorverse is still unknown but possible, at least until the Mirror Mistress/Mirrorverse storyline is wrapped up.

The Volume after that will deal with Speedster and revolve around the new Godspeed. Originally Season 6 was supposed to end with a cliffhangar involving Eobard Thawne. If this is still the case for 7x03 is unknown. However it stands to reason that Reverse Flash could very well show up during the Speedster Volume. Wally West might also make his return. Und maybe a certain female West-Allen Child will as well. Jesse Wells could also show up at some point. The Wells-Situation will play into Season 7, so she might be connected to this storyline or the Speedster One or both.

What about the future though? There were plans to bring „Stargirl“ into the Arrowverse via „The Flash“. However „Stargirl“ is filming in the US, which means that these plans were postponed for the moment. We will see a Crossover between these two shows eventually (or if „The Flash“ ends before than between „Superman & Lois“ and „Stargirl“). However not until travelling between the US and Canda is easier again.

As for potential future seasons, we still don’t know whatever came of Grants talks about Season 8 and 9. It’s extremly unlikely (but not impossible) that Season 7 is the final Season for „The Flash“, however don’t take Eric Wallaces talks about „many seasons down the line“ for granted. Season 8 might be the last one, or the first of many more to come. We just don’t know at this point.

Season 7 is currently filming in Vancouver. They were forced to start a few days later than originally planned because of issues with testing results (those were delayed), however since they started the prodcution has been running smoothly, so fingers crossed that we will get all of those 18 episodes.

Superman & Lois:

„Superman & Lois“ will start airing on the 23 of Febuary on Tuesday nights right after „The Flash“. 13 episodes were ordered. It’s the big new show of The CW, but it did start filming relativly late, which is why they postponed the start date for the show from January to February. The pilot was supposed to shoot in spring, but couldn’t because of the production shutdown in Vancouver. Therefore they have just done the pilot and went directly on to Episode 2. Normally an episode order of a show like this one would be extended to 16, 20, or even 22 episodes pretty early on. This year however everything is different, and I personally don’t even think that they will extend to 16 episodes (there are clues that point into that direction), so it’s likely that we will get only 13 episodes in this first season. However if the extend the order, we might get 14 or 15 episodes instead.

One of those first 13 episodes will be the crossover episode with „Batwoman“. Characters from the other Arrowverse Shows will show up in it aswell, however it will be a much smaller Crossover than the latest ones. The Flash will probably be in it, as well as someone from „Supergirl“, and maybe someone from „Legends“. There is talk about John Diggle and a Green Lantern storyline, but none of this has been confirmed. However due to the fact that John und Lyla moved to Metropolis, „Superman & Lois“ is the most likely place for him to show up again.

Yes, the pilot script has been leaked, but please keep in mind, that they had months to change it. While the main points of the scripts probably remain the same, don’t expect everything you read to actually happen in the pilot.

That said, here is a summary of the shows synopsis: Clark und Lois have to learn to balanace their lifes as world famour reporters and superheroes with their lifes as parents. On Earth Prime they don’t have an infant son, but two teeange sons instead, that may or may not have inheretied their fathers powers. The Pilot sees them returning to Smallville out of family reasons and reconnecting with Lana Lang (Clarks first love) and her family (her Husband and her teenage daughter). While Lois father General Lane (recast for the show) expects his son in law to focus on the superbusiness, the couple would preferable focus on Smallville, which is in real estate troubles, but even the idyllic small town is all but this when a mysterouis stranger turns up and … well turns the show into a Superhero Show.

Tyler Hoechlin and Bitsie Tulloch return to their roles als Clark Kent and Lois Lane. Superman gets a new suit for the show. Pictures have leaked, but are of bad quality, however the main point of the suit change is to have him wear an endurable suit. His original suit was not made for long term use and was more or less falling apart by the time of „Crisis“.

Their sons are played by Jordan Elsass (Jonathan) and Alexander Garfin (Jordan). They are both thirteen, so apparanly twins, and don’t know that their father is Superman. Jonathan is good in sports but kind and well liked. Jordan on the other hand is smart, but a loner with an anxiety disorder. The new Sam Lane will be Dylan Walsh, Earth Prime hasn’t changed his attitude much, however he might be on better terms with Clark, whom he knows to be Superman. Emanuelle Chriqui is this shows Lana Lang-Cushing, she works at a bank and is in a difficult period of her life. Her husband Kyle Cushing is played by Erik Valdez and chief of the towns firedepartement. He is a drunk and a smalltown guy at heart. Their daughter Sarah Cushing is played by Inde Navarette, she is fourteen, tried to take her own life some time ago, and befriends the Kent boys. Wolé Parks downgraded from the devil to The Stranger, who … well !spoilers! is said to be a Luthor from another dimension, stranded on Earth Prime. He is the main villain of the season and wants to prove that the world that it does not need Superman anymore. Presumable with violence.

If this is true, the events of „Crisis on Infinite Earths“ will play a rather massive part in „Superman & Lois“. Another massive part is tragedy it seems. Something happend to Martha Kent that bringts Clark back to Smallville, and something did happen to the Cushing Family (it might have something to do with their younger daugther Sophie). Also Clark has lost his job at the Daily Planet. So this is quite a dark set up for this new show, which will mainly take place in Smallville, while Metropolis will take the backseat, but will factor into the show. Perry White is set to appear. So is Morgan Edge, who is the one who fired Clark, because after not getting CatCo he appearanty bought the Planet. And is not in jail, but buying real estate in Smallville as well. Sadly he is another character they are recasting for the show. He is probably supposed to be the Earth Prime Version of the character we know, but maybe not. Nevertheless he is is the other main villain of the Season. (The Stranger might be Clarks villain, while he is Lois‘).

As for other news, yes a writer was let go from the show and then complained on Twitter about it, making it into a toxic workplace thing, but the main thing I took from that is the „no extension for this seaons episode count“-clue. Everything else is none of our concern. Of course she would say her writing is good. Maybe it is, maybe it isn’t. She was probably let go, because there were too many writers on the show, and for none other reason. If however there was something untoward going on, Warner and The CW would know (at least by now) and do something about it, they have a history of doing exactly that, e. g. Andrew Kreisberg. That does not mean that all the other scripts are bad, it only means that she was frustrated because she was sacked and felt it happened because she pushed certain points in the writers‘ room, that were incooperated into the scripts long before she was sacked. She might not haven been the only writer pushing for those points, others might have put them into their scripts without discussing it in the room beforehand, we only know her side of everything. So just wait and see.

As for: Will Kara turn up in the Pilot? Normally she would. It’s a Spin Off from „Supergirl“ after all. If the pilot would have been shot in spring, Melissa surely would have turned up in it. However given that she allegedly won’t go back to shooting until next year, she might not. They could film a short scene with her and insert it into the Pilot before it airs, as soon as she is back to Vancouver. But given that she will have to catch up with her own show, maybe this won’t happen. Maybe it was never even planned, because they did not feel the need for it. Everyone knows who Superman and Lois Lane are. Even people who never touched a comic book in their life. Maybe they thinkt that showing Kara would ty the new show too much to the established Arrowverse and „Supergirl“ in particular. However it would be a major disappointment, if she does not show up at all in this show. But sady given the shooting reality of this season it’s a high possibilty that she won’t. Let’s just hope that she in it in some shape or form. Maybe even in the crossover.

Anyway, Season 1 of „Superman & Lois“ is currently shooting in Vancouver. They had to postpone the start of the shoot several times, but they are up an running now, and should be able to complete the 13 planned episodes, if there isn’t a major production shutdown coming their way again.

Legends of Tomorrow

Season 6 of „Legends of Tomorrow“ will air in 2021, starting with „Ground Control to Sara Lance“ around June, maybe May, if we’re lukcy. Season 6 will consist of 13 episodes and will be pretty complex, but if any show can pull of the concept behind the Season in times like this it’s „Legends“.

Shayan Sobhian and Adam Tsekhman will be part of the Main Cast in Season 6. The Waverider will also gain a new crewmember in the form of Esperanza „Spooner“ Cruz, who will be played by Lisseth Chavez. Oliva Swanns Astra will return to the show as well. Newbie Spooner will be tough and self sufficent and won’t play well with the others in the beginning. Definitifly not a warm presence in the beginning, she believes that she was abducted by aliens as a kid and has gained the ability to telepathically communicate with them since then. That will make her the key to find the Waveriders abduted Captain Sara Lance, provided she is not only a paranoid crazy lunatic and actually can do all of this.

The show has also cast Raffi Barsoumian as a new character named Bishop, who is a genuis, but also very dangerous and might actually be the big bad of the season. Structurally the Legends will encounter a new aliens species every week. The idea of using the Waverider as an actual space ship has been around in since Season 1, and now comes to fruition. If one of these aliens species they encounter will be a certain Hawk-related one remains to be seen. It would make sense, however I am not so sure the writers would want to hawk back (sorry) to Season 1 at this point.

Sara will be on her own journey for a while in this season. She won’t be immedeatly rescued in Episode 1. Meanwhile Ava will have a hard time coping with the loss of her Co-Captain and unravel. Maybe Nate will try to lend her a hand, but at the beginning of the season the Legends will very much be dysfunctional without their Time Mom.

Astra will try her hand at a human life and life with John in his house, while Zari und Behrad will be the shows version of the Wonder Twins, sharing the Totem, and learning how to be a team. Essential to this will be Episode 2 of this Season („Meat: The Legends“), which will also explore what is was like for Behrad to grow up in his child star sisters shadow.

There have been contradicting claims about how exactly the aliens will be introduced in the shows. The initial claim made by the writers was that the Legend would visist a different alien planet every week. However later the claim surfaced that different alien races would pop up in Earths History in different time periodes every week. The first claim would make every kind of crossover with the rest of the Arrowverse really difficult, however when „Legends“ is going back on air, this seasons crossover will most likely be over already, and furthermore the character who would have made the most sense in it – Sara Lance – wouldn’t be able to be in it anyways, given the Season 5 Cliffhangar Ending. Still a Legend could show up in the Crossover, maybe John Constantine or Mick Rory or even Nate Heywood. On the other hand, Gary war in „Elseworlds“, so mabye Spooner will just run around in „Superman & Lois“ in the backround while chasing aliens, one never knows with „Legends“.

This is pretty much most of what we know at this point about Season 6. So I guess, I have to adress some of the obvious concerns around this season right now. Number One would be if Season 6 is the last season. With both „Supergirl“ and „Black Lightning“ ending this season, it would be very stupid of The CW to end „Legends“ as well, especially given that „Arrow“, „Supernatural“ and „The 100“ also just ended in 2020. However the ratings were never the greatest, and the show is the most expensive and most complicated out of the Arrowvers Shows. But it also got pretty good press in the last couple of years. So maybe there will be a Season 7. The producers obviously bought themselves Season 6 by trading in Brandon Routh. They might do something simelar this season. Given that Caity Lotz is the face of the show, the most likely and most expensive candidate to get kicked out it Dominic Purcell. So will Rory leave in the middle of Season 6? Maybe. The problem here is that his most logical reason for him leaving is currently shooting Season 3 of „Lost in Space“. However she is doing it in Canada, and I have no idea what the shooting schedule for „Lost in Space“ looks like, so they could bring Lita back in to write Mick Rory out with her. However, they would not do this, if they knew beforehand that there is no Season 7 (because why waste an fan favourite character for nothing?). Dominic also already had reduced Screentime in Season 5 and might want to leave after Season 5 anyway. So we will have to wait and see.

The other concern revolves around John Constantine. Warner is trying to re-establish the character in it’s DC Movies or at least it seems like that. Right now we are in a phase were pretty much all DC Characters can be used at the same time in different continuities, however that could change any moment. Obviously they wouldn’t cancel „Superman & Lois“ once it’s on air because of this, but they could force the producers to write John Constantine out of the Arrowverse. However, until John is scheduled to appear in a DC movie, at least two more seasons could have gone by, so while it is possible that we will have to bid John goodbye after Season 6, it is also possible that we will have him around in Season 7. If there is a Season 7 that is. We’ll have to wait and see.

I have said multiple times that in theory „Legends of Tomorrow“ could go on forever, if they keep rotating the cast. But The CW is not known for thinking that much outside the box. Every additional season they have been given to their shows with lower ratings, including „Legends“, was already thinking outside the box. No other network would have done this. Plus At&T or Warner or both are pushing HBOmax right now and would prefer new shows that stream there over older shows that stream on Netflix (in the States that is). Therefor „Legends“ will probaly go away rather sooner than later. Sadly.

However, Season 6 is currently filming in Vancouver. You can follow Keto Shimizu on Twitter, if you wanna get updated when they start filming a new episode. The original start date had to be pushed back a couple of days because of testing issues, but those have been resolved, and since then the first round of episodes has been done without a hitch.

Supergirl

Season 6 of Supergirl will air 2021 around June or maybe in late May, if we are lucky. It will be the final season and will consist of 20 episodes. Don’t worry, „Supergirl“ will be 2021s „Supernatural“, those 20 episodes will be made and aired, if it’s humanly possible, they will find a way, no matter what.

„Supergirl“ is my White Whale among the Arrowverse Shows right now, I can literally tell you next to nothing about what is going to happen in this season. I can’t even tell you what is happening behind the scenes. There is next to no confirmed information about the final season out there.

What I can tell you is, that they will pick up where Season 5 left off, that Jon Cryer will be a big part of Season 6, and that Karas and Williams slow burn relationship will continue to … slow burn, I guess. And that’s it. Sorry.

Season 5s Main Cast ist back together, expect for Andrea Brooks, but I can’t even tell you that for sure, because while she has not be confirmed to be in the season yet, nobody said she wouldn’t be in it either.

Yes, the ending leaked, or so some people thought, but this ending has mainly been an educated guess based on fan wishes. It’s plausible but not set in stone.

What I can tell you is: No, „Supergirl“ has not been cancelled. If it had been up to The CW the show would have gotten another Season, at least. „Supergirl“ always did fairly good for the network, better than „Arrow“ actually. What happened is pretty simple, it’s the same thing that happened to „Arrow“. The Leads contract was up, and said person did decide against an extension. There have been rumors about Melissas contract spanning seven seasons, but those have been based on wrong assumptions. The standart contract a lead actor signs when he or she does a pilot contains six seasons. Melissa signed one of those. But as you might remember „Supergirl“ did not start out on The CW, it did start out on CBS and Season 1 was filmed in Los Angeles. After Season 1 swollowed too much money, Warner moved the show to the cheaper network and to Vancouver. At this point the contracts were renegotiated. Calista Flockhart even left the show – which she could without breaching contract, because „Supergirl“ was not any longer the show she signed on for originally.

At this point Melissas contract changed – she has less screen time from Season 2 onwards than she had in Season 1, because she demanded more time to travel home to L.A. at the weekends. However what did not change and would not have changed was the six season thing. It would have been very irregular for her to sign a new six season contract at this point. Or for the network to extent it for a season. Especially for The CW who is actually used to shows with fewer seasons (forget SPN for a moment, that was its own thing). So it was and always has been six seasons.

Now between Season 4 and 5 Melissa and Chris decided they wanted to try for a baby. Which is by the way the real reason Supergirl got a new costume in Season 5. Melissa got pregnant, informed the producers and the network. Plans for Season 5 were shifted from 22 to 20 episodes, and to an early start for the filming of Season 6 with a break in the middle so they could work around Melissas pregnancy. But then Covid hit, the production was shut down amidst the Season Finale, and Season 6 became a problem because it would collide with the leads pregnancy leave. During all of this Melissa was in negotiation for a contract extension. And did not sign it. So the producers and the network decided to end „Supergirl“, because without Kara there would be no point to continue. They ended „Arrow“ when Stephen decided to leave, even though they had enough potential replacements from both genders ligned up. They only possible replacement for Kara was written out of the show with the end of Season 3. So that’s all that is to it.

It was definitly not axed to make place for „Superman & Lois“. „Superman & Lois“ has been in works since around „Elseworlds“, and the dream has always been that those two shows would co-exists. However the fact that „Supergirl“ is ending may have factored into the decescion to pick up „Superman & Lois“, so that the successor show is already in place, when „Supergirl“ ends.

So they are currently filming Season 6 in Vancouver, at least some of them are, because as predicted Melissa is still on Maternity Leave. It’s said (and I can’t confirm that) that she will return to filming in January, because the production will take an extended christmas break. Extended because of the two weeks quarantine period. Everyone who goes to the States to see their family will have to quarantine for two weeks before they can go back to shooting after they return to Canada. So that would mean that they filmed for quite some time without Melissa. If that means that she is only in 10 to 15 episodes of the final season or that her scenes are filmed seperatly and she will get stuck in the faceless suit again or if she is deaged and played by an other actress for a couple of episodes or gets turnes invisible and is there in voice only I don’t know. I only know that they are currently filming without her.

And what about crossovers? Given that it’s the final season, there will be no crossover episodes in Season 6 (however someone from the other shows might show up in a small way). As for the characters crossing over to other shows, I again don’t know. Someone will be in the Two Part Crossover between „Batwoman“ and „Superman & Lois“, probably, however we don’t know if this someone will be Melissas, because the focus will be to produce those 20 final episodes with as much her in it as possible. So maybe J’onn or Alex will be in the crossover instead.

And yes, they were originally meant to start filming in September, but there was a problem with the test results. Now, that problem hit all the other shows as well, „Batwoman“ even had to halt shooting for a few days, while the other shows pushed their start date back until the results were in. The strange thing is, however, that most of the other shows only lost of couple of days, a week tops, „Supergirl“ however started almost two weeks later, then it was originally suppossed to. Now, that would be the „someone was testes positve“ period, but they were allowed to go back to shooting around a week after their original date. But took another week or so to get going. Maybe. They might have started earlier, however all the other shows told us via Social Media when they started shooting (or picked it up again) and „Supergirl“ didn’t do so until about two weeks into October. I have no idea why.

But sadly that’s how the show is communicating with its fans right now: Not at all. I wasn‘t even sure they were really back to filming, when I saw those first very cryptic posts until two days later, when David (bless his heart) tweeted that he was on set and started shooting again. Before that Jon Cryers ring-story (check it out online, if you want to, it’s heartwarming and great) was the only thing somehow related to the shooting of Season 6 anyone could find.

So yeah, they are filming. And plan to do that for nine more months at least. After that, it’s over. Which is sad, but well, it is what it is.

Green Arrow and the Canaries (+ Wonder Girl)

As for the „Arrow“ Spin Off, I wish I had news in any form. The show has not been picked up, but it has not been axed either. At the moment it can go both ways. I always guessed that The CW was considering „Green Arrow and the Canaries“ for the 2021/22 Season and not for the Current Season, and this has turned out to be true, but the backdoor pilot aired in January. And now it’s November! Normally we would have heard something either way by now.

And there are two problems: There is that very important thing I have been going on about in the „Supergirl“ Section quite long about called contracts. There is an expireing date on those things - actors can’t stop making money, just because some executives can’t make up their mind about a pilot. And then there is the bigger threat which is the new „Wonder Girl“ show which is in development for The CW, and which is more likely to be picked up by the network to fill the Female Lead Superheroe Show Hole, that „Supergirl“ is leaving behind than „Green Arrow and the Canaries“. I don’t think the network would pick up both of these shows in the same season (or maybe even at all).

So it does not look good, right now for the show, but as long as there is no word about it not going forward, there is still hope. Also, we may get a new version of it in form of a new project instead, if it does not go into series. You never know.

(Stargirl is not one here because I don’t consider it part of the Arrowverse yet).

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