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curious-minx · 2 years

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Hey! There's Movie in My TV!

There's Too Many Tv Movies on Tv.

There is no other form of entertainment media that is more self-conscious as the TV movie. The TV movie is like one of those text heavy t-shirts bought off the FB ad algorithm marketplace: Mom: The Movie. Many many of these TV show movies love the colon. From the in-development The Amazing World of Gumball: The Movie to the We Bare Bears: Movie, and let’s not forget the Americas Most Wanted TV movie, If Looks Could Kill: From the Files of America’s Most Wanted. The colon and TV titles go together like your favorite sitcom character and Hawaii. The colon is so beloved by TV movies that the lil stinkers behind the Aqua Teen Hunger Force movie just had to indulge in some whacky title antics, totally demolishing the Colon title.

Aqua Teen Hunger Force Colon Movie Film for Theaters

The TV movie title is also a place for the writers and marketing team to kick back and relax. The TV movie title is flexible it can even just be the name of the titular series as well and the the movie portion of the title is left silent and left to the imagination like the Strangers With Candy (film).

Other note worthy TV movie titles:

Alvin and the Chipmunks: The Squeakquel

Alvin and the Chipmunks: Chipwrecked

Alvin and the Chipmunks: The Road Chip

Little Alvin and the Mini-Munks

Astro Boy: Mighty Atom – Visitor of 100,000 Light Years, IGZA

Bah, Humduck! A Looney Tunes Christmas

Care Bears Movie II: A New Generation

Crayon Shin-chan: Fierceness That Invites Storm! The Singing Buttocks Bomb

Crayon Shin-chan: Fast Asleep! The Great Assault on Dreamy World!

Kim Possible: A Sitch in Time

Munster, Go Home!

A Very Merry Pooh Year

Pokémon the Movie: Diancie and the Cocoon of Destruction

A Shaun the Sheep Movie: Farmageddon

Straight Outta Nowhere: Scooby-Doo! Meets Courage the Cowardly Dog

Thomas & Friends: Sodor's Legend of the Lost Treasure

Tom and Jerry: The Fast and the Furry

Trailer Park Boys: Countdown to Liquor Day

Whoops Apocalypse

Hey There, It's Yogi Bear!

Yu Yu Hakusho the Movie: Poltergeist Report

^^^Definitive proof that TV really is a Writers medium!

////Stare deep into the burnt in bars of yellow or green within your antiquated TV. Isn’t it time you get a new one? My bff can whip us up a RTINGS EXCEL spreadsheet to pour over.////

A babysitter asking their adult son what Trailer Park Boys' TV movie he wants to put on.

Other connective tissue tying TV movies together: “So you want to make a TV movie?” Asks a phantom investor tapping on your nose. The easiest and most effective way is to turn to your nearest kid and see what they are watching. TVs are Nature’s babysitter after all. Children’s entertainment sells toys and a higher budget can up the marketing ante. Rugrats and Spongebob really made a gambit with toys and video game tie-ins related to their movies. Winnie the Pooh, Sesame Street, and the Muppets made movies for nap time. Then there’s the odd duck of Looney Tunes Back in Action and it’s lamentable corporate cousin Space Jams that have a deeper commercial confidence and viable that astounds critics and is fodder for so bad their good movie podcasts.

The Movie (silent colon), represents the apex of what an animated cartoon could ever hope to accomplish. Bob’s Burgers is the latest iteration of this Graduation from lowly animated TV series into a Movie released in theaters phenomenon. In a better, more just world there would have been a theatrically released Bojack Horseman movie that Netflix would be pouring hundreds of millions into.

Heathcliff: The Movie

In the 80s and 90s it was once even viable to put an episodic compilation or a package film of an animated property in theaters. The Bugs Bunny/Road Runner Movie and Heathcliff: The Movie were among the only ones to pull this off, but it answers at the main cliched critical assessment that most TV movies don’t need to exist and are usually just overly long glorified episodes.

The fact that some of these TV movies had the audacity to be released in theaters boggles the mind. Not movie theaters being a semi-sacred space that are being defiled by over grown TV homunculi. A random sampling of TV movies that were released in American movie theaters:

Barney’s Great Adventure

the complicated Digimon Digi-verse

Entourage

Fat Albert

Hey There It’s Yogi Bear

Horrid Henry the Movie

The Pirates Who Don't Do Anything: A VeggieTales Movie

Pufnstuf

Thomas and the Magic Railroad

The Wild Thornberries movie

And most egregious of all TV movies to hit theaters: Doug’s First Movie.Doug, we don’t take kindly to threats around these here cineplexes. Imagine how much cleaner A Doug Movie would have been!

We're celebrating our ten year open relationship anniversary with a screening of Piglet's Big Movie.

Did these TV shows really deserve the phrase, “One ticket to the Recess’ School’s Out, please”? A real transaction that I witnessed as a child seeing Recess School’s Out and spying an alone, totally solitary rough thirties looking dude.Sitting by himself , enjoying the Recess Movie. And if you get one TV movie then you’re in the bank for sequels baby, after Recess: School’s Out came out it earned itself three more straight to video TV movies. The last of the Recess TV movie franchise is poetically titled All Growned Down (I told you, writers are having TOO MUCH fun with these titles).

I'm gonna need a bigger screen to list all of these Doraemon movies.

And don’t get me started on anime movies. Seriously, I’m no weeb. I don’t know my Crayon Shin Chan (29 films) from Doraemon (30), or why there have been 24 Case Closed movies, Pokemon (24) DBZ (21), Lupin III (13), Naruto (11)Digimon (8), Sgt Frog (5) Inuyasha (4) Hamtaro (4). It boggles the mind that there are twice as many Hamtaro movies as there are Mobile Suit Gundam movies, but anime movies work by their own logic. Anime movies tend to also have high production value and quality control. The Evangelion Rebuilds is the Twin Peaks Fire Walk With Me of anime movies. The only Western Animation that comes close to this prolific output are the true American animes: Alvin and the Chipmunks, Scooby Doo, Thomas & Friends, Tom and Jerry, Winnie the Pooh, the Muppets. And Star Trek the only TV movies not for babies. I don’t mean to undersell Scooby Doo, because it’s the absolute beast when it comes to TV movies. Scooby Doo has done animated TV movies, live-action TV movies, puppet, crossover multiverses. Scooby Doo is the connective tissue between Batman, Bobby Flay, Courage the Cowardly Dog, KISS, Legos, and Wrestlemana (twice). There’s even a spin-off TV movie of the Scooby Doo TV movie verse with Daphne & Velma.

You can tell Velma is the one with glasses because she's wearing a sweater with glasses on it.

Here is an excerpt of a review by Danielle Solzman of Solzy: “The film could not come at a better time for women.”

Powerful stuff Solzman.

////I am sorry that my bff kept saying the name of the website RTINGS like Drake trying to do a patois. He is way too white, way too Cali, way too Mike TV movie to be saying anything so reprehensible. I am going to sell one of his TVs out of punishment and I was actually hoping you’d help me pick out which TV I sell. Maybe I should sell his Hello Kitty CRT TV? Sadly he sleeps with his Shrek CRT TV every night and I’ll never be able to sell that one. While I wait to decide let’s think about what other connective TV movie tissue there is….////

David Lynch. A powerful TV movie connective tissue. Fire Walk With Me and The Missing Pieces antennae down the best TV movie of all time. Mulholland Dr, best failed TV pilot of all time. David Lynch’s dominance of TV is astounding mainly because the TV movie world is a dump. A memory dump and a quality dumping ground. There is so much extended goodwill given to any show that has nostalgia factor. Sometimes the TV shows feel like saved by the fan campaigns like Serenity and the Veronica Mars movies. But most of the time a TV movie has me asking who asked for this?

The Downtown Abbey movies are a huge example of this but they are one of the only big British TV movie franchises that have caught on over in the States (other than a lil comedy franchise called Monty Python). TV movies are culty by design. The TV show Community’s hollow rallying cry for six seasons and a movie is when a cult fandom dream curdles. Some of the most successful prestige TV shows still don’t make for critically beloved or well remembered TV movies either. Deadwood and El Camino were for the fans treats that helped stoke the embers. Many Saints of Newark did not bolster Sopranos legacy, because the show still looms so large that it never needed a TV movie. The fact that the movie is mostly ho-hum and innocuous is par the course. There are surprises to be sure. The Shaun the Sheep movie is a bonafide quality silent movie and all the cool alt comedy kids love Macgruber. A good TV movie can be done but they always have the stink of TV on them.

Videodrome. Or the image of a TV show trying to become a movie?

TV shows are becoming more cinematic. TV is very much in awash in identity crises. TV season Episodes are becoming DVD chapter menu breaks for a 6-8 hour movie. To wrap this all up I think the 2022 Emmys nominations for best TV movie really sum up the essence and state of the TV movie:

“Chip ‘n’ Dale: Rescue Rangers” (Disney+)

“Ray Donovan: The Movie” (Showtime)

“Reno 911!: The Hunt For QAnon” (Paramount+)

“The Survivor” (HBO/HBO Max)

“Zoey’s Extraordinary Christmas” (The Roku Channel)

The Survivor is a holocaust boxing TV movie btw. Just in case you’re wondering what kind of competition Zoey’s Extraordinary Christmas was up against. ":The Movie", having fun with titles, and Christian holidays all remain the hallmarks of a TV movie. The Roku Channel should just be the home to all TV movies.

By and large the fetid pool of direct to TV movies are becoming easier to find. Why anyone would want to, that’s for the powers of Nostalgia to decide. I even pondered the notion of consisting on a media diet of exclusively TV movies. Beyond Youtube, HBO Max has dutifully collected the Batman and Scooby Doo movies (anyone reading this with an HBO Max subscription can watch the Scooby Doo Bobby Flay TV movie, Scooby-Doo! and the Gourmet Ghost), hell even Care Bears: The Movie has found a home on HBO Max, but not all TV movies are so lucky. Nowhere streams Ed, Edd n Eddy's Big Picture Show (Or the Aqua Teen Hunger Force movie or the Straight Outta Nowhere: Scooby-Doo! Meets Courage the Cowardly Dog) and less and less people know about the existence of The Monkees’ Head. One day, perhaps next financial quarter, all TV will be TV movies and all movies will be TV.

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bella4kcals · 1 year

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i want friends :///

#arctic monkeys #elliott smith #girl interrupted #david bowie #lizzy grant #tw edd #tw ana shit

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lihhelsing · 9 months

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Hate That I Loved You

Now complete on AO3!

On the first day of shoot, Eddie is a nervous wreck. He can't handle it. He won't make it. He stays hidden in his dressing room until Chrissy is pounding at the door and threatening to tear it down if he doesn't come out immediately.

Eddie doesn't doubt her.

"It was your idea," Chrissy says as she eyes Eddie and how pale he looks. "Roll a joint, take a fucking shot. I don't care. Just get your ass into the studio because we're filming this today."

Eddie nods but Chrissy is too busy walking away from him to see it. She knows it, though. Eddie wouldn't ignore an order like that.

The first sequence is with Sean. Sean is taller than him and he used to drive a red convertible that Eddie thought was just the coolest. So that's why he's setting a fucking car on fire for the clip.

Sean thinks it's hilarious.

The idea is for them to film the whole song with every one of the exes, so they have options. Because Sean, Pedro and David are all from Los Angeles, they go first. Eddie kept waiting for Lou to show up, but he should know better. Lou always liked to be different, to stand out. He and Steve are pushed to day 2, and for the looks of it, it might be day 3, if they can't speed up David's shoot. Eddie's is breaking a stone wall for him. It's metaphorical and it makes him feel good, actually.

On day 2, Pedro is the only one around before lunch and Eddie actually have a good time with him. He's funny and sweet, just like Eddie remembered, and he keep calling Eddie 'mi amor' which is endearing in a totally platonic way. For a second, Eddie can't remember why they broke up, but then Pedro gets a call from his mom and everything comes rushing back.

Pedro was already thinking about marriage and building a family and Eddie wasn't really ready. They are in a backyard with a pretty white picket fence and Eddie throws paint all around. Everything gets stained with black, the color Pedro saw as Eddie's heart color.

It doesn't hurt as much, but it's harder than the two before him. When Pedro goes back to the dressing rooms to wipe the black paint from him, Eddie's mood had soured considerably.

It gets even worse as Lou walks in, looking like a rockstar. Looking exactly like what he is.

Lou was Eddie's only famous boyfriend and their relationship had crashed and burned in front of everyone. Eddie feels the tug in his chest as he looks at the scene that's getting built for them.

It's a stage. The Grammy stage.

The worst part of it all is that Lou doesn't seem fazed by any of it. It's like he barely remembers breaking Eddie's heart at the Grammy's that year. It's like that was just a day, completely forgotten.

But Eddie hasn't forgotten about it. He hasn't forgotten how bad he felt that day. How heartbroken. How Lou was trying to make everything be Eddie's fault when he was the one flirting shamelessly with other people in front of him.

Eddie needs a minute.

In fact, he feels like he needs a whole year to even be able to do that. What a great fucking idea, put himself through the most traumatic thing in his life for the cameras. No wonder people say he has no self-preservation reflex.

He just walks away. He knows Chrissy saw him freaking out and he knows she will give him a moment to collect himself so he just keeps on walking past props and music equipment and finally the front door.

Eddie is out. The cold air hits his face and with trembling hands he reaches inside his pocket just to remeber he doesn't have his joint with him since he's already wearing the outfit for the clip.

A tux just like the one he wore on the fucking Grammy's. His hands fly to his neck as he pull at the bowtie, trying to get some air into his lungs. His vision gets a little blurry as if there's not enough oxygen in the world for him right now.

Then big strong hands are pushing his hands aside, circling his neck and unclipping the bow tie. It's a fake one, so Eddie could keep pulling at it and he would get nowhere.

"Take a deep breath," the voice says and it gives him chills because he knows that voice. He dreams about that voice.

He does as he's being told because Steve always knew what was best for Eddie.

"You're ok," Steve says under his breath. His hands fall from Eddie's neck and Eddie wishes they were still there, touching him, grounding him. "Just keep breathing."

Eddie does and things start going back to normal, except there's not a normal scenario where Steve Harrington is just standing there in front of Eddie, looking better than ever, with a frown between his brows because he's worried about Eddie.

No. That should be impossible with how hard Eddie had fucked things up and still, Steve is really there.

"I, uh, thought you were only coming in tomorrow," Eddie says when he stops feeling like he's going to die.

Steve shrugs. "Landed a few hours ago, Chrissy said I could check things out."

After that, Eddie has no clue what to say so he just stares at Steve, dumbly. Much to his relief, Chrissy saves him from looking even more like an idiot by opening the door and calling him back.

"Uh, thanks for doing that. It really means a lot to me," Eddie says, trying not to sound as pathetic as he feel. Steve smiles, but it doesn't reach his eyes.

Eddie wants to say more, he wants to keep talking to Steve. Forget the music video and forget the fact that Lou is standing inside, probably pissed at Eddie, he instantly wants to throw everything away as beg Steve for a second chance.

By the look on Steve's eyes it's like he can see Eddie's intentions clearly, but then Chrissy is pulling him in and waving at Steve like this is normal. Nothing about this is fucking normal and now Eddie needs to survive Lou if he wants to have a shot at talking to Steve.

#steddie #steve harrington #eddie munson #steve x eddie #steve harrington x eddie munson #steddie fanfic #rockstar AU #second chance romance #steddie fic #to be honest I have no idea what I'm doing #so we're just hoping for the best #part 3 will be here soon!

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campcampkirbykirbykirby · 22 days

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Camp Camp Commentary Notes - Season 1, Episode 1: Escape from Camp Campbell

This is the first in a series of posts detailing the various nuggets of behind-the-scenes info found in the commentaries of the Camp Camp Seasons 1 and 2 Blu-Ray. I aim to cover both the writer commentary and cast & crew commentary of every episode in the set (except the holiday specials because they don't have commentaries GRRRR)

Writer’s Commentary

Writers went back to touch up this episode after completing the initial 10 episodes, before going on to the bonus 2 episodes that were greenlit following the positive reception

This episode went through about 12-14 drafts before it was finalized

Pilots are very hard because they both need to be very good and hook the audience so they will want to watch more, you have to juggle introducing all the necessary characters and telling a single solid story

Doubly so since this was the crew’s first shot at writing for an episodic series, all their other efforts had been story-driven up to that point

Irony in that the title of the first episode is about wanting to leave the camp (or show) entirely

Max and David’s dynamic is perfectly set up within 8 lines of dialogue

In older versions of the pilot, Mr. Campbell never showed up in person, only in the introductory video that was later repurposed into promotional material

Most of what was taken out of the pilot ended up being reused in some way, including the intro and the teaser trailer

One of the primary goals was to establish early on that this is not a kids show, like some people who saw the early promo material thought it was

This is why Max swears less than 40 seconds in, and why the rabbit gets swooped up by Timothy earlier (although I’d argue you could make that joke in a more family-friendly show)

First RT series produced in more of a writer’s room style akin to The Simpsons

The writers would come up with episode ideas, divy up who’d want what story, they’d write a first draft, come back to it, workshop the script several times, rinse and repeat until it devolved into Miles and Jordan doing final punch-ups and trimming

This pipeline allowed for lots of easter eggs and background details to be slipped in

Then they effectively do a table-read of the script which allows them to add more

Starting in Season 2, they started recording writer’s room conversations, so if something funny came up and they wanted to add it, they wouldn’t just have to go off of memory

Putting all the campers in the activities field doing their activities seemed like a good way to establish all of their respective camps.

Challenger II is Miles’ favorite visual gag (as of 2018, at least)

Working with Lee Eddy and Travis Willingham was great, Lee especially since they had previously worked with her for Red V.S. Blue

Travis was the first person who recorded for the show, as part of the aforementioned introductory video, and he was great at riffing and ad-lib

What exactly Camp Campbell was was foggy initially (whether or not it advertised that it was a camp of all camps), and the initial pilot didn’t explain it very well because they had built an internal understanding of what it was and didn’t do a very good job conveying it to the audience.

Mr. Campbell really likes the Quartermaster

Looking back on the first episodes is very interesting, especially when you have been working on the show for years at that point, for example, Max’s bond with Nikki hasn’t been established yet, so he has to ask why she’d help him.

Not enough time for the full theme song (hence why no intro), so they thought having Gwen interrupt it was funny

The scene where Max, Neil, and Nikki are running was seemingly the origin of Neil’s raptor arms (oh, excuse me, T-rex arms)

Ed, Edd ‘n’ Eddy was used as a reference for things like this because the Eds each had distinct walk cycles befitting their personality

First Day buttons were included so the campers would have a means to get away from the counselors

The music sting as the bus is driving away is a nod to the Back to the Future theme

Cast and Crew Commentary

Michael jokes about a sequel or prequel called “Max Max/Maximum Max”

The scream Miles did when David gets hit by the bus gets used quite a bit

The more Max’s parents push him away, the more he tries to cling to him, according to Maggie

Episode was supposedly recorded March 2016, ironically one of the last ones recorded

Recording for the series started November of 2015

Handheld camera movements in the mess hall scene were added by animator Gil Calceta

Lee Eddy was the only person who auditioned for Gwen, the crew saw it as perfect casting

Laserdisc player is not big enough for laserdisc

Campbell’s lazy wear (for lack of a better term) was only made for the one shot, though it would later comeback in Season 4

Michael initially auditioned for Camp Camp not really knowing what it was, and his script was just some typical Max phrases

Older episodes, Max was pitched up because Michael hadn’t quite perfected the voice yet

There was no helicopter assest created, it’s off screen and only implied by Campbell being pulled up by the ladder

The scene of Nikki throwing the button took 3 days to animate

The line “Go to bitch, jail” in the Camp Camp Rap Rap was an ad-lib/outtake

#camp camp #cc max #camp camp commentary #cc david #cc nikki #cc neil #cc gwen #cc campbell

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just-a-little-trans-chaos · 2 months

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LGBTQ+ Songs

Okay! Here's 70~ queer songs, and I tried to group the songs together by what they are

Under the cut that is, as to not annoy anyone with how long this is

Some quick-ish notes:

For the aspec songs I just made my best guess since I really can't tell and didn't want to label them all as AroAce '^^

I'm using gay for MLM not just homosexual

If I got anything wrong please correct me, and if I missed any please tell me!

Alr! The songs!

Why didn't I kiss Her by Ratwyfe (Lesbian)

History Hates Lovers by Oublaire (Lesbian/Gay)

Boyfriend by Reinaeiry (Lesbian)

We fell in love in October by Girl in Red (Lesbian)

Jolene but it's gay by Reinaeiry (a lesbian cover of Jolene by Dolly Parton)

Girls Like Girls by Hayley Kiyoko (Lesbian)

Little Miss Perfect by Write Out Loud (Lesbian

I wanna be your Girlfriend by Girl in Red (Lesbian

Girls by Girl in Red (THE Lesbian song)

Jenny by Studio Killers (Lesbian)

Nancy Mulligan by Jasmine Clarke (a Lesbian cover of Edd Sheeran's Nancy Mulligan)

The Distance Between by Reinaeiry (Lesbian)

Here's to Coming Out by Chloe Ho (Lesbian?)

It's not a Phase by Jessie Paege & Lucy & La Mer (Lesbian/Bi?)

Butch 4 Butch by Ria Romeo (Lesbian, butch lesbian :P)

I found a Girl by the Vamps (Lesbian)

Sofia by Clario (Saphic)

A coming out song by Dodie (OG is bi, but there are covers for other sexualities/genders!)

Boy Bi by Mad Tsai (Bi man)

A very bisexual song by Amber Fornoles (Very Bisexual)

Girls kissing Girls by Ahil (Bisexual dispite the name!)

NEVERMIND by Maggie Brewer (Bisexual)

Bisexual Anthem by Domo Wilson (Bisexual, uh also having sex is mentioned repeatedly so CW?)

Bi Wife Energy by Cringe and the Lizards (Bi)

I don't wanna be in Love by Good Charlotte (Aro)

For Me by Dearlie (AroAce)

No Lover by Jetty Bones (Aro)

Three Words by Juze (Aro)

Never been in Love by Will Jay (Aro)

Driving Myself Home by Rose Betts (AroAce)

Version of Love by Will Jay (Aro)

I'm Good by The Mowgli's (AroAce)

Good Thing by Zedd (Aro)

Crush Culture by Conan Gray (AroAce)

Kissaphobic by Make Out Monday (Ace)

Love Love Love by Of Monsters and Men (Aro)

Despair by leo. (AroAce)

Don't Fall in Love by Danko Jones (Aro)

I think I wanna be Alone by mazie (AroAce)

Give by Jai Mohan (Graysexual)

All My Friends are Falling in Love by Jack Newsome (Aro)

Casual Sex by my Darkest Days (Aro)

Love is greed by Passion Pit (Aro/Ace?)

Please don't say you love me by Gabriella aplin (Aro)

Never want to fall in love with u by Nelward (Aro)

Soul mate by Lizzo (Aro)

How do you love? By the Regrettes (Aro)

Dry Spell by Jordy (Ace? Gay?)

Stacy's Brother by Mad Tsai (Gay)

Bring you Home by Ryan Nealon (Gay)

Ken&Barbie by Kate Gill (Gay)

Man to Man by Dorian Electra (Gay)

Flamboyant by Dorian Electra (Flamboyant guy, Gay?)

The Same Old Country Love Song by Brian Falduto (Gay)

Adam & Steve by Dorian Electra

What a Beautiful Day by Brett Every (Gay)

True Trans Soul Rebel by Against Me! (Trans)

Build a Bear by Maggie Brewer (Transmasc)

This is Home by Cavetown (Transmasc & AroAce)

The Village by Wrabel (Transmasc)

Daughter by Ryan Cassata (Transmasc, Ryan suggests you don't listen to it if you have bad dysphoria)

MASCULINITY by Lucky Love (Transmasc/Gay)

Rebel Rebel by David Bowie (Genderqueer/fluid?)

Loki is Genderfluid by Song a Day (Genderfluid)

Gender Envy (Genderqueer)

IDK if I'm a boy (Trans?)

I/Me/Myself by Will Wood (Non-conforming man I think, but also could be seen Genderfluid/Trans exc)

I'm Coming Out by Diana Ross (Misc queer woman)

Fuck You by Lily Allen (Fuck you homophobes :3)

Everyone is Gay by A Great Big World (General queer, mostly focused on homosexuality)

Hating on Love by Dustin Bird (Gay/Lesbian/Queer)

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a-lost-crow · 11 months

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How each Welcome Home character would have their name spelled wrong on name-based orders. (It’s based off actual spelling innacuracies along with funny name alternatives)

Wally: Walee, Wall E, Wall, Willy, Wollee, Woll, Wsllu, Wally

Barnaby: Barnaby, Barn, Barnbee, Barhnahbee, Barby, Barbie

Frank: Frank, Frankly, Prank, Phrank, Trank, Shrank, Rank, Franky, Phrenology, Francois

Julie: Julia, Juliana, July, Jul, Truly

Eddie: Ed, Edd, Eddy, Dee, Edie, Edde, Eie

Sally: Saly, Lee, Salad, Sal, Saul, Better Call Saul, Saully, Swolly, Surely

Poppy: Popy, Pop, Pop Rocket, Pop Socket, Bird, Biggest Bird, Big Bird, Big Bird from Sesame Street

Howdy: Yeehaw, Hello, How’s it going?, Hi to you!, How, Howdee, Howie, David Bowie

Home: How did a home get here? (That’s what the employees actually write), House, Gardening Hoe, Fat house, Big house, Red house, Round house, Welcome Home, Are you alive?, Why is there black liquid on the floor?

#Welcome Home #WH Assignment Chart #Wally Darling #Barnaby B Beagle #Frank Frankly #Julie Joyful #Eddie Dear #Sally Starlet #Poppy Partridge #Howdy Pillar #Home #This is based off starbucks #But it's probably better to not be specific #Solely because some people don't know that it happens

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the-ravenclaw-werewolf · 11 months

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Those movies sound like good choices, though I have not watched around half of them (though I guess the Wolf guy would have taken the place of Legoshi, wouldn't it?). Other films that are good candidates, in my opinion, would be Balto, Wallace and Gromit, Chicken Run, Early Man, Over the Hedge, Quest for Camelot (would be funny if Garrett was summoned) and Ferngully: The Last Rainforest.

What about Animated Series? Though best not to get into the ones that are way too long to end (like South Park, Simpsons, Family Guy, etc).

I few I would pick would be...

Archer (Sterling Archer)

Owl House (Luz obviously)

Little Witch Academia (Diana, but cheating a little because it's an anime, but their interactions could resemble the ones between their relationships with Amity and Akko respectively)

Gargoyles (either Goliath, David Xanatos, or Elisa Mana)

Phineas and Ferb (Heinz Doofenshmirtz)

Star Vs the Forces of Evil (Marco)

American Dragon: Jake Long (Jake Long)

Danny Phantom (Danny Fenton)

She-Ra and the Princesses of Power (Either Catra or Adora)

and He-Man and the Masters of the Universe (Either Adam or Krass'tine)

I like the list you started, so here’s what I have:

(And I just realized that most of the characters will be even more traumatized by the adult shows I have here.)

Owl House (Luz)

Gargoyles (Goliath)

Phineas and Ferb (Doofenshmirtz)

Star Vs the Forces of Evil (Star or Marco)

American Dragon (Jake)

Amphibia (Anne)

Gravity Falls (Dipper or Stan)

The Proud Family (Penny)

Milo Murphy’s Law (Milo)

Kim Possible (Kim or Ron)

Danny Phantom (Danny)

Hey Arnold (Helga)

Rise of the Teenage Mutant Ninja Turtles (Leo)

The Mighty B (Bessie)

My Life as a Teenage Robot (Jenny)

Fairly Odd Parents (Timmy) (And only up to season 5)

The Adventures of Jimmy Neutron, Boy Genius (Jimmy)

As Told by Ginger (Ginger or Courtney)

Invader Zim (Dib or Zim)

Spongebob Squarepants (Spongebob) (And only up to season 3 and the movie)

Infinity Train (Tulip or Grace)

Steven Universe (Steven or Garnet)

The Powerpuff Girls (1998) (Blossom or Professor Utonium)

Ed, Edd, n Eddy (Ed)

Courage the Cowardly Dog (Courage)

Samurai Jack (Jack)

Teen Titans (Robin or Raven)

Code Name: Kids Next Door (Nigel)

Ben 10 (Ben)

We Bare Bears (Ice)

She-Ra and the Princesses of Power (She-Ra or Catra)

He-Man and the Masters of the Universe (Adam)

Clone High (Joan or JFK)

The Boondocks (Huey)

Arcane (Jinx)

The Oblongs (Creepy Susie)

Inside Job (Reagan or Brett)

Tuca and Bertie (Tuca or Bertie)

Futurama (Philip)

Primal (Spear)

#main character syndrome (with exceptions)#the 40 #the_ravenclaw_werewolf #ask & answer #hulkchloron99 #cartoon 40

39 notes · View notes