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yumeka-sxf · 7 months

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My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 3

Continuing from my previous two posts, this will be my last post discussing the English version of the SxF manga guidebook "EYES ONLY." I'll discuss some of Endo's and Lin's comments on specific chapters, some of the included concept art for the series, all the Twiyor tidbits the book has to offer, and conclude with a couple things the English version of the book omits.

Endo's and Lin's comments on specific chapters

There's at least one comment from Endo and/or Lin on every chapter of the manga from when the book was originally published (up to chapter 61). Unfortunately I can't cover every single comment, but I did want to highlight a few (more will be covered in the Twiyor tidbits later on).

So Bond wouldn't have actually died from Yor's cooking then? Good to know her cooking isn't that bad, lol. Also that's a good question, Lin, maybe you should ask Endo? 😅

Lots of great info about the cruise arc. Makes sense that they had to plan it out many months in advance and keep revising it to patch up plot holes. All that work definitely paid off! Interesting that they almost considered not having Loid on the ship at all. Glad they didn't because otherwise we wouldn't have gotten one of his best outfits! 🤣 (can't wait to see this piece of work in color in the anime!)

Incidentally, the scene Endo mentions where he "managed to make Yor look pretty cute" is this one (she does look pretty cute here).

My favorite comment of Endo's about any chapter has to be this one for chapter 56. Never change, Endo 😂

And lastly, some good comments about chapter 59 (Becky visits the Forgers).

This is one of my favorite stand-alone chapters so I'm glad it was well received. Funny how they kept going with the joke instead of ending it "normally"...but when you have such great characters and setups, good comedy writes itself!

Below is Endo's commentary about Henderson, not a specific chapter, but thought I'd point it out since he mentions Henderson is the only character he's done a shower scene for...not anymore!

Also, while not related to a specific chapter, I do like what Endo says below about Loid and Yor's "dark sides."

He enjoys drawing them this way, which is cool, but he's also cautious about not overdoing it and saving those expressions for important situations.

Concept art

Most of the pre-serialization character designs included in this book were also in the exhibition pamphlet, which I already discussed thoroughly here (wish I had remembered these were in the fanbook so I wouldn't have put so much effort into trying to read Endo's scribble notes). So I'll just mention a few of the most notable things.

As I discussed in my post about the pamphlet, Franky was at some point intended to be the uncle of the family. Though I do think it would have been fitting to make him the uncle, I also like the main focus being on just the "nuclear" family, with the uncle and other characters having supportive roles.

An interesting note about the beta version of Yor is that she seemed to be more like Fiona - she was in love with Loid right from the start, to the point of trying to eliminate Anya! I doubt this is something she would be doing all the time as it would have been difficult to make her a likable main character if she was always trying to kill her daughter...in all likelihood, she would have tried to kill Anya at first before eventually learning to love her as a daughter. While I see how this could work for an intriguing character arc, I'm glad Endo decided to make Yor a loving mother to Anya right away, and not make her feelings for Loid an obsessive "love at first sight" kind of thing.

Twiyor tidbits

Being the shipper that I am, I tried to see if I could pinpoint any Twiyor subtleties throughout the book, as vague as they may be! 😂

Below are excerpts from Loid and Yor's character pages where we're given info on their current stance about each other.

Love the emphasis on their bond of trust ❤️

Below are excerpts from chapters 14 and 35, probably the most Twiyor-heavy chapter pages in the book.

This confirms that Loid did indeed interpret Yor's kick as her not having any romantic feelings for him.

Below are comments by Endo and Lin for chapter 30, where Fiona is introduced.

Endo's line is a little ambiguous here, but I think he's saying how people sympathize with Fiona because she's "doomed to lose," which is...telling 😅 (does Fiona's loss automatically mean a Twiyor win?)

Endo says he likes the "You're strong, Yor" conversation, one of the most Twiyor-ish scenes in the series so far! 😊 Lin also mentioned how they got to use that theme again during the Becky chapter.

Weird that he chose to highlight this line of all things as Loid's "Family Comment" for chapter 10. Could this and chapter 79 be more foreshadowing for an eventual "Twilight vs Thorn Princess" showdown? 👀 Or maybe he just likes teasing fans because he knows it's something they fantasize about.

English version omissions

There's an additional Endo interview that's missing from the English version of the book: an interview with him and Kazumi Takayama, a former idol of the group Nogizaka46.

At first it seemed very odd that they would leave out just this interview, but after discussing it with others on Discord, I realized it's because it has to do with an idol. Apparently getting licensing rights for anything that has to do with a Japanese idol group is very difficult, which is further hindered by the fact that Takayama isn't even part of that idol group anymore, which makes getting the content green lit for official release overseas even more taxing. So probably Viz decided it wasn't worth the trouble and just left out that interview. But thankfully u/Nemshi on Reddit posted a fan translation of it, which you can read here. They talk a bit about SxF, but most of it is just general questions they ask each other.

And the other thing missing from the English version that I really can't understand is the inside cover! Another great 4th-wall breaking joke from Endo (I added a quick translation of the Japanese version below).

Unlike the Takayama interview, I have no idea why they didn't include this. They include the inside cover as an extra page in all the English volumes, so why not here? Very weird.

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And that's all I'm going to share for the "EYES ONLY" fanbook! Honestly, there's so much great content in the book that I didn't touch on, like info about East/West relations, about Eden Academy, Endo's comments on all the designer chairs for the volume covers...and lots more. So definitely get a copy yourself if you can! It's a must-have for any SxF fan 😁 Books like this aren't officially released in English very often, so the fact that Viz thought it was worthwhile to make this proves how much of a hit SxF is!

<- Return to Part 2

#spy x family #spy family #sxf #spyxfamily #twiyor #loid forger #yor forger #anya forger #bond forger #sxf manga #sxf manga spoilers #sxf spoilers #tatsuya endo

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batbeato · 1 month

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A 'skill' I've ended up honing is a sense of the various art styles of the Umineko manga artists. Generally when I see a panel I can tell what episode it's from based on either context, it being an often-posted panel, or even just... how it's drawn.

Episode 1, 3, and 8 are drawn by Natsumi Kei! Natsumi Kei doesn't draw Battler with his vest. She has a specific way of drawing eyes (for example, drawing Beato's with no/little shading) and Battler's hair is super spiky. She draws Beatrice's dress as entirely black besides the pattern, with some white parts for shading/lighting - a trait which most of the Umineko artists share She also has a tendency towards some fanservice angles/poses (such as that oft-memed panel that shows off Eva's ass while she's raging at her misogynistic brother/family).

She likes to do these 'close-up' shots to show off detailed expressions.

She also draws Beato's eyes with blonde eyelashes! So pretty... A lot of the Umineko manga artists draw Beatrice with blond eyelashes, which always seem so delicate when they do the detailed close ups.

The EP2 mangaka, Jiro Suzuki, contrasts Natsumi Kei a lot. They use heavier shading at times, and their anatomy is also different - I often get the impression that their Beato is more broad-shouldered, while their Battler is more skinny. Like a twig.

From this panel, you can really get the impression of 'glowing' in a way that you can't get from Natsumi Kei's work.

In general, their style has a lot more detail for things like face and hair. Just like Natsumi Kei, they draw Beato with blonde eyelashes, though they interpret Battler's hair differently.

Battler's clothes feel very flowy, which adds to the sense of him being very skinny. Just like Natsumi Kei, Battler is drawn without his vest. I feel as though there's a sharpness to the joints.

EP4 is drawn by Soichiro! A return to spikier Battler hair. I feel like they tend towards narrower, sharper eyes.

Soichiro has a certain way of paneling... It relies a lot on very similar-looking boxes. They're generally all the same shape, and often the same size. Some examples:

As you may have noticed, Battler is still bereft of his vest. It's probably a choice all of these mangakas made in order to simplify his design.

...I would also like to submit for your consideration the travesty that is the paneling in this page. It's... a bit confusing to follow. This is a tendency in their style - sometimes the emphasis, paneling, etc. isn't quite right. They're a great artist, but I get the feeling that they weren't quite accustomed to this medium at the time of drawing.

EP5 is drawn by Akitaka.

Akitaka is one of my favorite Umineko manga artists by the sheer virtue of the fact that Akitaka restores Battler's vest to its proper place: on his body. Battler's hair is still spiky, but it's a different, sometime toned-down interpretation. The way they shade his hair feels really unique to me - a mix of the usual screentones with some black sections (depending on the angle and level of detail). In general I feel like Akitaka works a lot with screentones to add a lot of shading to their panels.

Rather than using pure black for Beatrice' dress, it's a mix of black and screentones. Part of this is for lighting, but it also allows Akitaka to show a lot more details for the dress, which the artists who use primarily black for the dress can't do.

Akitaka also has some really detailed expressions. They manage to bring a lot of character to even the 'dead' Beato.

EP6 is drawn by Hinase Momoyama. Battler's vest, the most important character in Umineko, triumphantly remains. However, Battler's hair is less spiky and more slicked-down. Like Akitaka, there are often black sections of it, but these are more often at the front, rather than the back, of the head.

Beatrice's dress varies from "mostly black" to "mostly screentones" in EP6. Elder Beatrice, however, has these very detailed and eye-catching ruffles to her skirt. She is also drawn with sharper eyes and expressions than Chick Beatrice, who is wide-eyed and has very flowy princess sleeves on her dress.

Battler comes off as super cute when he's angry, rather than something more menacing or serious, as he does in Natsumi Kei's art. For comparison: (EP6, then EP8)

This is probably a result of how Natsumi Kei draws 'sharper', while Momoyama uses rounder shapes.

EP7 is drawn by Eita Mizuno, who is a saint for managing to draw beautifully for all NINE volumes. NINE. A saint.

They draw Beatrice's dress primarily with screentones, and have very bright, wide eyes.

They use a lot of texture with their screentones, which gives their art a unique feel amongst the artists for the manga.

I'd also like to have a special shout out to this page. The way the art style shifts in the final panel to reflect Lion's shock and horror is an incredible use of the medium. This artist really seems to like these horizontal spreads, but they use the space well.

More masculine characters like Will have narrower eyes, though the pupils/light isn't that different. While characters with light hair like Lion have no screentones for their hair, Will receives a healthy mix: primarily black, with some screentone highlights. Of course, light-haired characters will have screentoned hair depending on the lighting, but in bright lighting, Lion has entirely white hair.

...Also, Battler has once more lost his vest. At least his hair is spiky again...?

That covers all the main mangaka, but there's also the mangaka for the side manga, Tsubasa: Fumi Ito. Their art is really cute and suits the often-comedic stories well. The small highlights they put in hair feels characteristic of their style. They often draw characters with wide, round, bright eyes.

Battler's hair spikiness is toned down (so fluffy...) and his vest returns for the final time. A true blessing.

This is just a super brief overview of it all - there's a lot of characters whose varying depictions I didn't mention, I didn't really talk about how they do backgrounds, and plenty of other things. But Umineko has a lot of talented artists who worked on it, and many of them still sometimes post fanart (or new official art) for the series!

I feel like we should appreciate the amazing range of artists who have done their best to interpret Umineko's story. They all did a great job!

#umineko #umineko no naku koro ni #manga #umineko spoilers #just in case since I grabbed panels from everywhere

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amustikas · 6 months

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hi!!! <3 I love your art so much <3 your style is soo good, especially your coloring, it's so pleasant to look at <3 also, mind if I ask what kind of software and brushes do you use? The texture of the sketches, lineart etc. look so nice and I was wondering if there's something like that it Photoshop. Have a great day! <3

Hello!! Thank you for your sweet words!! <3

I work on procreate and mostly just use these two basic ah default brushes. I am sure photoshop equivalents exist for both of them out there somewhere!

And since I work a lot with these two I thought I would give ya some extra insight into how exactly I put them to use :)

The 6B Pencil brush has got to be my all time favourite brush and I use it for literally everything!

From rough sketches..

to lineart..

to colouring and details.

This brush is quite pressure sensitive, so you can achieve many different variations of size in one stroke by changing the amount of pressure you apply by hand. Through it all, it maintains it's relatively rectangular shape and brings with it soft grain like texture.

Come to think of it, I think I drew this whole next piece with only the 6B Pencil, start to finish. I think it really goes to show that in the end, it's not really about what brushes or software you use, but about how you make them work for you and how much fun you have while creating. I find that the drawings I have the most fun with end up being my favourites in the long run.

And to me, the 6B is just a damn fun brush to use!

It is perfect for adding silly little shapes and lines all over the place :)

And the other brush I find myself coming back to is Salamanca from the Painting category.

I use it for filling in bigger areas of colour and just colour blocking in general. I like it's subtle canvas texture and the fact that it is not entirely opaque by default, which allows for interesting variations of hues.

But that is not all! I like to size it down to use it to add details and colour to my portraits. I find that it's softness works really well on faces and it's transparency makes it easier to bring in variations of colour.

And would you look at that! More shapes and lines! It's really all I know how to do haha

At the end of the day, I try to just enjoy the process of drawing as much as I can :)

I find that young digital artists often put a lot of emphasis onto finding the correct drawing software and brushes. And while that is important, I find that it is equally as important to throw caution to the wind sometimes and to just try out new things and to not care so much.

I mean hell, people create masterpieces in MS Paint!

My drawing process usually boils down to simply trying to ensure art stays something fun for me, and these two brushes have helped me achieve that over the years.

Hope this has been some help and not all pure gibberish!

#my asks #art tutorial #drawing tips #just a lil something #:3

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transmutationisms · 8 months

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hello! im just finishing up my read of structures of scientific revolutions, which has genuinely been very useful and shifted my understanding of science in a way being around people doing scientific research all day really didn't! i don't have a liberal arts education so i would love to get a sense of (a) what else of the philosophy / history of science canon is worth reading in the original (b) standard review papers or introductory textbooks and (c) critiques of the canon. i understand this is a big ask ofc, so feel free to point me to good depts / syllabi from good courses. thanks :)

yessss such a fun question >:) so, the thing that was so great about 'the structure of scientific revolutions', which i'm sure you've picked up on, is that kuhn pushed historians and philosophers of science to challenge the positivist model of science as a linearly progressive search to 'accumulate knowledge'. the idea of a 'paradigm shift' was itself a paradigm shift at the time; it was an early example of a language for talking about radical change in science without giving into the assumption that change necessarily = 'progress' (defined by national interests, mathematisation, and so forth). this is still an approach that's foundational to history and philosophy of science; it's now taken as so axiomatic that few academics even bother to gloss or defend it in monographs (which raises its own issue with public communication, lol).

where kuhn falls apart more (and this was typical for a philosopher of his era, training, and academic milieu) is in the fact that he never developed any kind of rigorous sociological analysis of science (despite alluding to such a thing being necessary) and you probably also noticed that he makes a few major leaps that indicate he's not fully committed to thinking through the relationship between science and politics. so for example, we might ask, can a paradigm shift ever occur for a reason other than a discovered 'anomaly' that the previous paradigm can't account for? for instance, how do political investments in science and scientific theories affect what's accepted as 'normal science' in a kuhnian sense? are there historical or present cases where a paradigm didn't change even though it persistently failed to explain certain empirical observations or data? what about the opposite, where a paradigm did change, but it wasn't necessarily or exclusively because the new paradigm was a 'better' explanation scientifically? how do we determine what makes an explanation 'better', anyway, especially given that kuhn himself was very much invested in moving beyond the naïve realist position? and on the more sociological side, we can raise issues like: say you're a scientist and you legitimately have discovered an 'anomaly'. how do you communicate that to other scientists? what mechanisms of knowledge production and publication enable you to circulate that information and to be taken seriously? what modes of communication must you use and what credentials or interpersonal connections must you have? what factors cause theories and discoveries to be taken more or less seriously, or adopted more or less quickly, besides just their 'scientific utility' (again, assuming we can even define such a thing)?

again, this is not to shit on kuhn, but to point out that both history and philosophy of science have had a lot of avenues to explore since his work. note that there are a few major disciplinary distinctions here, each with many sub-schools of thought. a 'science and technology studies' or STS program tends to be a mix of sociological and philosophical analysis of science, often with an emphasis on 'technoscience' and much less on historical analysis. a philosophy of science department will be anchored more firmly in the philosophical approach, so you'll find a lot of methodological critique, and a lot of scholarship that seeks to tackle current aporias in science using various philosophical frameworks. a history of science program is fundamentally just a sub-discipline of history, and scholarship in this area asks about the development of science over time, how various forms of thinking came into and out of favour, and so forth. often a department will do both history and philosophy of science (HPS). historians of medicine, technology, and mathematics will sometimes (for arcane scholastic reasons varying by field, training, and country) be anchored in departments of medicine / technology / mathematics, rather than with other faculty of histsci / HPS. but, increasingly in the anglosphere you'll see departments that cover history of science, technology, and mathematics (HSTM) together. obviously, all of these distinctions say more about professional qualifications and university bureaucracy than they do about the actual subject matter; in actuality, a good history of science should virtually always include attention to some philosophical and sociological dimensions, and vice versa.

anyway—reading recs:

there are two general reference texts i would recommend here if you just want to get some compilations of major / 'canonical' works in this field. both are edited volumes, so you can skip around in them as much as you want. both are also very limited in focus to, again, a very particular 'western canon' defined largely by trends in anglo academia over the past half-century or so.

philosophy of science: the central issues (1998 [2013], ed. martin curd & j. a. cover). this is an anthology of older readings in philsci. it's a good introduction to many of the methodological questions and problems that the field has grown around; most of these readings have little to no historical grounding and aren't pretending otherwise.

the cambridge history of science (8 vols., 2008–2020, gen. eds. david c. lindberg & ron numbers). no one reads this entire set because it's long as shit. however, each volume has its own temporal / topical focus, and the essays function as a crash-course in historical methodology in addition to whatever value you derive from the case studies in their own right. i like these vols much more than the curd & cover, but if you really want to dig into the philosophical issues and not the histories, curd & cover might be more fun.

besides those, here are some readings in histsci / philsci that i'd recommend if you're interested. for consistency i ordered these by publication date, but bolded a few i would recommend as actual starting points lol. again some of these focus on specific historical cases, but are also useful imo methodologically, regardless of how much you care about the specific topic being discussed.

Robert M. Young. 1969. "Malthus and the Evolutionists: The Common Context of Biological and Social Theory." Past & Present 43: 109–145.

David Bloor. 1976 [1991]. Knowledge and Social Imagery. Chicago: University of Chicago Press (here is a really useful extract that covers the main points of this text).

Ian Hacking. 1983. Representing and Intervening: Introductory Topics in the Philosophy of Natural Science. Cambridge: Cambridge University Press.

Steven Shapin. 1988. “Understanding the Merton Thesis.” Isis 79 (4): 594–605.

Steven Shapin and Simon Schaffer. 1989. Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life. Princeton, NJ: Princeton University Press.

Mario Biagioli. 1993. Galileo, Courtier: The Practice of Science in the Culture of Absolutism. Chicago: University of Chicago Press.

Bruno Latour. 1993. The Pasteurization of France. Translated by Alan Sheridan and John Law. Cambridge, MA: Harvard University Press.

Margaret W. Rossiter. 1993. “The Matthew Matilda Effect in Science.” Social Studies of Science 23 (2): 325–41.

Andrew Pickering. 1995. The Mangle of Practice. Chicago: University of Chicago Press.

Porter, Theodore M. Trust in Numbers: The Pursuit of Objectivity in Science and Public Life. Princeton University Press, 1996.

Peter Galison. 1997. “Trading Zone: Coordinating Action and Belief.” In The Science Studies Reader, edited by Mario Biagioli, 137–60. New York: Routledge.

Crosbie Smith. 1998. The Science of Energy: A Cultural History of Energy Physics in Victorian Britain. Chicago: University of Chicago Press.

Chambers, David Wade, and Richard Gillespie. “Locality in the History of Science: Colonial Science, Technoscience, and Indigenous Knowledge.” Osiris 15 (2000): 221–40.

Kuriyama, Shigehisa. The Expressiveness of the Body and the Divergence of Greek and Chinese Medicine. Zone Books, 2002.

Timothy Mitchell. 2002. Rule of Experts: Egypt, Techno-Politics, Modernity. Berkeley: University of California Press.

James A. Secord. 2003. Victorian Sensation: The Extraordinary Publication, Reception, and Secret Authorship of Vestiges of the Natural History of Creation. Chicago: University Of Chicago Press.

Sheila Jasanoff. 2006. “Biotechnology and Empire: The Global Power of Seeds and Science.” Osiris 21 (1): 273–92.

Murphy, Michelle. Sick Building Syndrome and the Problem of Uncertainty: Environmental Politics, Technoscience, and Women Workers. Duke University Press, 2006.

Kapil Raj. 2007. Relocating Modern Science: Circulation and the Construction of Knowledge in South Asia and Europe, 1650–1900. New York: Palgrave Macmillan.

Schiebinger, Londa L. Plants and Empire: Colonial Bioprospecting in the Atlantic World. Harvard University Press, 2007.

Galison, Peter. “Ten Problems in History and Philosophy of Science.” Isis 99, no. 1 (2008): 111–24.

Daston, Lorraine, and Peter Galison. Objectivity. Zone Books, 2010.

Dipesh Chakrabarty. 2011. “The Muddle of Modernity.” American Historical Review 116 (3): 663–75.

Forman, Paul. “On the Historical Forms of Knowledge Production and Curation: Modernity Entailed Disciplinarity, Postmodernity Entails Antidisciplinarity.” Osiris 27, no. 1 (2012): 56–97.

Ashworth, William J. 2014. "The British Industrial Revolution and the the Ideological Revolution: Science, Neoliberalism, and History." History of Science 52 (2): 178–199.

Mavhunga, Clapperton. 2014. Transient Workspaces: Technologies of Everyday Innovation in Zimbabwe. Cambridge, MA: MIT Press.

Lynn Nyhart. 2016. “Historiography of the History of Science.” In A Companion to the History of Science, edited by Bernard Lightman, 7–22. Chichester, UK: Wiley Blackwell.

Rana Hogarth. 2017. Medicalizing Blackness: Making Racial Difference in the Atlantic World, 1780–1840. Chapel Hill: University of North Carolina Press.

Suman Seth. 2018. Difference and Disease: Medicine, Race, and the Eighteenth-Century British Empire. Cambridge, UK: Cambridge University Press.

Aro Velmet. 2020. Pasteur's Empire: Bacteriology and Politics in France, its Colonies, and the World. Oxford: Oxford University Press.

i would also say, as a general rule, these books are generally all so well-known that there are very good book reviews and review essays on them, which you can find through jstor / your library's database. these can be invaluable both because your reading list would otherwise just mushroom out forever, and because a good review can help you decide whether you even need / want to sit down with the book itself in the first place. literally zero shame in reading an academic text secondhand via reviews.

#sorry this got long as shit lol #book recs #hps

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yes-i-write-fanfiction · 3 months

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Hello! I wanna know how would the tfa bots, elite guard and cons react to meeting a female bot who's based off the batmobile(any version is fine) came to life by an allspark fragment.

And maybe developing a crush on her.

I imagine this bot being confident, capable, serious, determined, a bit mysterious and a 100% certified badass. She's the bot version of Batman.

-Optimus feels so bad about his crush because he doesn't think he deserves someone like her. She's so much better than him and he would surely just be a liability to her. That is if she would even accept his feelings to begin with, were he ever to confess to her. Which he won't. He would rather keep all those feelings locked inside rather than air them out and risk getting his spark broken. After all, she's so involved with her job, one that he greatly respects, that he doubts she would even give him a chance. Doesn't stop him from staring at her with goo goo eyes whenever she swings by. Immediately volunteers to help her with whatever case she's working on, partially because he actually wants to help but also so he can protect her (though he knows she can take care of herself).

-Back when he was young, Ratchet dated quite a lot. Most of them were lighthearted, not so serious relationships. Thing was, there was a time in his life when he had a clear type; a bit cold, capable and deadly bots that could beat him up and reassemble him into a weapon if they wanted to. Now' Ratchet hasn't dated anyone for a long time and so he thought he was over this phase. Turns out, no, and now he's got a major crush. He's so tired and frustrated with himself because of it but he's also kinda thinking "yeah, I still got good taste" whenever he thinks about it. Fusses over her injuries whenever she gets back from a case or battle.

-Bumblebee thinks she's so cool but also really intimidating. Because of this, whenever he tries to act smooth or flirt he kinda ends up stumbling over his words or forgetting his next line, simply because his nerves makes his brain short circuit. When his words fail, Bee tries to impress her with his actions. By helping her with her cases, whatever she asked him or not, he tries to prove to her that he's a reliable guy, someone that can keep up with her.

-Bulkhead can't help but idolize her in a way and think of her as invincible. She's just so capable, always so calm and collected. She's like a real hero should be! He can't help but blush just thinking about her, imagining how it would be if she were to ever save him from danger (a damsel in distress kinda scenario). She's his new muse when it comes to art, his usual choice of bright colors creating an interesting contrast with her darker color scheme. Too shy to actually show these to her though.

-Being a cyber-ninja, Prowl is used to being the one slinking around in the shadows, stalking people and so on. But now he sometimes finds himself joined by this new bot, crouched over next to him, silent except for maybe a quiet greeting. And being so close to her, shoulder to shoulder, in the dark... well, he can't help but feel a bit distracted. She values justice but believes in mercy and forgiveness and Prowl finds that not just admirable, but beautiful. He values those quiet moments they have together, even if the intimacy is just in his head.

-Ultra Magnus wants her to join the autobots, simple as that. She would be a great asset. Not only is she capable, she's determined and with a great sense of what's right and wrong. He tells her this many times, putting emphasis of how many people she could help if she became an autobot. What he doesn't say, is how he also would be able to see her more. As a Magnus, Ultra will probably never conjux, as it would put his partner in great danger. But just being close to her, to work with her, would make him happy. She would never need to know of the feelings she inspire within him.

-Similar to Bumblebee, Sentinel finds her slightly intimidating. But that just makes her hotter in his optics. He finds her mysterious aura alluring and the fact that she keeps her distance to most people only makes him more curious. Tries to lay it on thick when he flirts with her but her blunt attitude and confidence makes him stumble. She just seems to unimpressed that it makes him feel awkward, out of place. This only motivates him to try harder though (he will never succeed).

-Jazz loves how much she cares about people. Yeah, she might seem cold and detached but the fact that she works so hard to help everyone, even bad guys, proves that she just wants to help. Her humble attitude and devotion to her cause is inspiring and makes Jazz want to be a better person. The fact that she believes in change and rehabilitation of criminals makes him question the legal system on Cybertron, where 'bad guys' are just thrown in jail.

-Both Jetfire and Jetstorm thinks she's the coolest bot in the universe, no doubt about it. Everything she does is just so effortlessly cool and they find themselves geeking out whenever they hear how she helped someone or beat up some bad guys. Not at all put off by her standoffish attitude and clings to her, complimenting her discreet paint job and unique alt mode. They gush to each other about how cool she is.

-More than anything, Megatron respects her. She's proven herself in every way; as a combatant, as a strategist, as a leader and as an intellectual. Because of this, she is one of the rare people that Megatron sees as an equal. He doesn't try to manipulate her, not like he does with everyone else, knowing that she can see right through it. Wishes he could turn her into a decepticon, maybe even his conjux, but respects her too much to assume that he could achieve that. Her will is like his own, unbreakable, and while it's a shame they have to be enemies, he finds it truly enjoyable to challenge her. (Batman/Joker dynamic except the Joker is arguably more sane).

-Fuuuuck, Starscream is trying so hard to be the Catwoman to this Batman it's almost not funny. Like, she catches him, puts him in handcuffs and the entire time he's like "oh no, foiled again by my most beautiful nemesis, are you sure there's no way I can convince you to let me go?". Does he want to be caught? No. Yes? He hates failing but he loves getting roughhoused by this bot in dark armor. Never stops trying to seduce her to his side.

-Blitzwing get's beat up and the entire time he's thinking "this ain't so bad" because at least he's getting beat up by his crush. While her sense of justice is, admittedly, a bit annoying, it's also so funny because that makes her easier for Random to tease. Not to mention there's nothing more hot than verbal sparring with your crush. Hothead is the one that's most enthusiastic about getting beat up.

-LUGNUT IS LOYAL TO HIS BELOVED CONJUX, STRIKA, AND WOULD NEVER BETRAY HER TRUST BY FALLING FOR SOME AUTOBOT-ALLY! ... That doesn't mean he can't look though. What? There's something incredibly attractive about a bot in dark armor that has a ton of hidden weapons on their person.

-Knowing how intelligent she is, Shockwave is incredibly weary of her, being confident that if they met she would somehow figure out that he's undercover as Longarm. This makes her a serious threat to his mission and the decepticon cause. At the same time, however, he can't deny how attractive this makes her in his optic. Finding someone that's so intelligent and perceptive is rare and her overall abilities makes her incredibly alluring.

-If Starscream is trying to be Catwoman, then Blackarachnia IS Catwoman. While she doesn't enjoy her plans being foiled, she finds herself charmed by this vigilante. They just have this aura of mystique around them that makes her want to get closer. Plays around with them while at the same time going all out. Surprisingly finds herself enjoying the challenge.

#transformers imagine #transformers animated #optimus prime #ratchet #bumblebee #bulkhead #prowl #ultra magnus #sentinel prime #jazz #jettwins #jetfire #jetstorm #megatron #starscream #blitzwing #lugnut #shockwave #blackarachnia

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prettyyyathieee · 9 months

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✧˖°.Rin Itoshi Is Your Unpursued Love.✧˖°.

A/n : Have any of you guys had a crush that you never confessed to? Yeah this is kinda inspired by true events that I never got over but yk what? I feel like Rin is the type of person to be like this.

Warnings ⚠️: Curse words! Very much angsty!

·˚ ༘₊· ͟͟͞͞꒰➳Rin Itoshi liked your best friend first.

Nobody knew but Rin Itoshi had a crush on your best friend. Who didn’t? She was the happy-go-lucky type that befriended everyone. She had the energy you could never match. She was the golden retriever girl that always saw the best in people, that always knew to comfort and feel their feelings.

She was the girl who would not stop pestering the cold and passive Rin Itoshi who never wanted to be bothered. And just like that, he caught feelings for a girl that would give him more happiness than he deserved.

·˚ ༘₊· ͟͟͞͞꒰➳Rin Itoshi was miserable.

From the sidelines you watch as the boy fell deeper and deeper, only able to notice because silence had things that were never achievable in the slightest noise. The way he would always notice she was near, the upturned smirk as he threw a small dig at her jokingly, something he never did to anyone. You had thought something very big was unfolding, and you were right. although, for the wrong reason.

Your best friend got a boyfriend. You felt pity for him. You knew since the first day about the guy but thought nothing of it. By this point, everyone knew Rin Itoshi had feelings for your best friend. After all, what kind of person throws punches at walls and picks fights with random people in the hallway after someone loudly teased your best friend about her supposed boyfriend.

·˚ ༘₊· ͟͟͞͞꒰➳Rin Itoshi is the most talented person you know.

He was good at a lot of things if he tried. Hard emphasis on the “if” because he never tried in anything except soccer. He lived and breathed soccer, and everyone would be damned if he didn’t because that kind of talent only ever came once in a century. Nevertheless, there were days he tried.

Like when he passed a project for your art class, a beautiful canvass of something only the great Claude Monet could ever paint. Like when he began to be a little competitive for a group contest just because he didn’t want to be on the losing group and leading his team to victory, and of course nobody could ever forget the famous debate that ended after the first 30 seconds because he had said the most damning words that made everyone question if he had a religion.

Yet, you knew most out of everyone how insecure he was, perhaps even more than your best friend because once again, you were loved by silence. You knew of the fact that he thought he was the least deserving person when it comes to your best friend when every girl in your class would fight each other for his attention. How he looked up to his older brother so much that he sometimes stalks his social media accounts, how he believed he was truly lacking, truly undeserving of many things because he wasn’t enough for him.

·˚ ༘₊· ͟͟͞͞꒰➳Rin Itoshi noticed you because of your similarity with your best friend.

Your best friend wouldn’t be your best friend without the same interests and hobbies. When he started reading these deep romance novels that hooked him into reading for hours, you were the first to give him recommendations. How you had such an understanding and kind view towards everyone, even those who wronged you. How you had the same mannerisms as your best friend that he could bet it was influenced by one another.

He saw how driven you were, he admired your passion towards everything you set your mind to. He knew it was genuine because he saw the fire in your eyes that he could see in himself in the mirror, that he could see in his teammates and opponents alike.

But perhaps, you were far more passionate than him.

·˚ ༘₊· ͟͟͞͞꒰➳Rin Itoshi admired you from afar

Sitting at the back of your best friend’s chair, he focused on your happy smiling face as you and your best friend conversed about the mistakes in your exam. You looked back and noticed him, the same exact upturned smirk.

“What is it?” You asked, still smiling.

He shook his head, turning to face his own exam.

As you had established a more subtle and formal relationship with Itoshi after your best friend did, you couldn’t help but notice the way he’d be around you more. Picking you as his group member, which he always excused as you were the type to be hardworking, then always wanting to sit beside you, which he also excused as ‘you’re quiet, less disruptive than everyone here’, before plugging his earphones and leaning on his table.

·˚ ༘₊· ͟͟͞͞꒰➳Rin Itoshi gave your best friend a chance.

It didn’t happen within a snap of a finger, a month or two passed and your best friend was going through a break up. Why didn’t it affect her like those in the movies was a question you always asked yourself. But you already knew the answer, you just didn’t want to believe it.

It also happened when you were absent, sick as a dog in your room.

Even so, Rin Itoshi was…happy. Everyone knew of the break up, and everyone knew of Rin’s feelings. So that happened.

The day you were finally well enough to go to school, though a bit late, they weren’t present. It was then that you caught word that they were out on a date.

·˚ ༘₊· ͟͟͞͞꒰➳Rin Itoshi never knew how to approach you.

Everything he did to get close to you was always dismissed as him trying to befriend you for your best friend or because everybody knew you were the kind of person that was hard to hate. So instead, your every interaction had a purpose– a business-like approach. He didn’t go out of his way to make things easier for you or talked to you about your interests and hobbies because he just didn’t know how to.

You weren’t like your best friend, you weren’t easy smiles, occasional giggles or just have the “approachable vibe" within you. You didn’t approach him that much either, just for necessities which made him believe he could never catch your attention.

·˚ ༘₊· ͟͟͞͞꒰➳Rin Itoshi was the farthest thing from slick

Him and your best friend weren’t together officially. Far from it actually, there were no boundaries or talking of feelings at all. They just acknowledged each other as someone they want to spend time with.

Yet why was it that whenever you were alone outside of the room he would catch himself sitting outside as well. Why was it that when you both were in the room, you were the first and last person he would look for. Why was it that he looked for your name in every class event, groupings and projects.

·˚ ༘₊· ͟͟͞͞꒰➳Rin Itoshi never confessed.

It continued until the end of the school year. As a graduating student and moving places for a college nowhere near you, it was probably the last time you would meet some of your classmates.

As a graduating student who had no need for college after being recruited into a national youth team for soccer, Rin Itoshi was destined for big things.

As the day came closer and closer, you hoped to god there was some sort of closure, some sort of words that needed to be said, some goddamn f*cking spine to have one last moment with him.

Alas, Rin Itoshi never confessed that he liked you more than your best friend.

·˚ ༘₊· ͟͟͞͞꒰➳Rin Itoshi did not have you in his small and numbered list.

Diplomas were handed out, medals were clanging on each other, the smell of roses from the bouquets and the money from money sashes was all you could focus on until you saw him in the middle of everyone. Looking directly at you.

You shot him a smile as you left to go find your parents, feeling hurt and distressed.

Rin Itoshi watched as you walked away, quite possibly the first and last time you ever will in his and your life. He couldn’t help but feel a pang of regret at the thought of still having enough time and chance to run towards you and talk.

Yet it seems he wasn’t destined for you. That was what he thought as he stood like a marble statue in the same area you found him, devoid of emotion. His hands hanging limp from his side and his mouth turning dry.

He dismissed the wetness of his eyes from the harsh shade of sunlight.

Then he, too, walked away.

What could have been:

Right outside, after watching you for a couple of minutes take pictures with every person you knew, he found himself walking towards you. With a bouquet in your hand, he watched as a boy, a boy he wasn’t familiar with, had his arms around you, holding a v-shape up with his fingers with a giddy smile on his face, taking a picture with you.

As soon as you both separated, he was quick to grab your wrist and lead you to a place where nobody could hear or see you.

It wasn’t a romantic place at all. It was dark, damp and smelly. You turned your hopeful eyes to him, praying to god it would be something that’ll clear everything up.

Yet he didn’t speak at all. Frustrated, you turned to leave.

To your confusion, you felt something warm and rushed behind you. Then, arms hesitatingly embraced you from behind.

“What about her?” You asked, feeling so dumbfounded yet so comforted at the fact that you were right all along, he like likes you. Just like how you like liked him.

Rin Itoshi buried his face at the top of your head before he spoke “Things between us stopped weeks ago…did she not tell you?”

“...no” you said, breathless and tearing up. Your hands found their way into his, encasing them as if wanting to lock him into this position with you.

Yet you knew what this moment meant.

Before Rin Itoshi could imprint this moment in his memories he felt something slide through his wrist. Opening his eyes, it was a white bracelet.

You forcefully remove yourself from his grip. Turning back to look at him properly.

“Goodbye, Rin Itoshi.”

You beamed at him. That was the last time he saw you.

#blue lock #blue lock x female reader #blue lock x y/n #blue lock x you #blue lock x reader #blue lock angst #bllk x y/n #bllk x you #bllk x reader #bllk #bllk angst #rin itoshi #rin itoshi x reader #rin itoshi x you #rin itoshi x y/n #athyathye💌#athyathye♡

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guxciestone · 1 year

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✧ what does it mean to be a venus-ascendant? ✧

when you have the venus-ascendant aspect in your birth chart, you have a significant sense of beauty, art, creativity, pleasure, tranquility, relationships and connections, and materials; and you approach and view life being aware of this sense. however, the aspect that these bodies are making to each other will determine how this aspect personally comes into play.

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🌷 ; venus conjunct ascendant ⋆ ˚｡⋆୨୧˚

These individuals are highly aware of how they can fabricate beauty, pleasure, art, tranquility, materials, relationships and connections, and creativity into their life through their appearance, personality, and how they approach others as this is something they desire and prioritize. They tend to have great self-image. They are usually comfortable with their beauty and know what fits them physically, emotionally, romantically, and personally. They embody the entirety of venus and what it stands for.

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Furthermore, they are seen as rather graceful, pleasing, charming, and attractive individuals. A common observation is that they are usually conventionally attractive, or at least physically attractive in their own way enough to where others think they are too—Venus in the 12h conjunct the ascendants tend to have “exotic” beauty (ex: Rihanna) while Venus in the 1h conjunct the ascendants tend to have conventional “in your face” beauty (ex: Angelina Jolie)—These are the types of people who love to wear makeup, wear different types of hairstyles, and have an eye of fashion; they could also be the type of people who always likes to "doll themselves up", this goes for both sexes.

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They might get along well with other people; this could be from their good manners, good looks, communication skills, sociability, or charm. Therefore, they could also be very popular or well-liked. They are typically received well and usually make dashing first impressions. This could create someone who is social or extroverted as well because these individuals also put much emphasis on their relationships and connections and how they make others feel. They desire to be presented well and make sure others feel comfortable in their space. This aspect could make someone who attracts lots of suitors, potential romantic connections, people who have crushes on them, or people of the opposite sex. There is an aspect of delicacy and femininity in these people that makes others feel calm, protected, respected, or safe around them. Their vibrations are very pleasurable to be around. This aspect is a high indicator of someone with pretty privilege; due to their charm and attractiveness, there is no surprise they usually get good responses from other people, therefore they might get lots of benefits from it such as receiving more love offers and money, making friends more easily, getting treated like a king/queen, and much more. These individuals could also be the types to take advantage of these traits they have and use it for gain such as getting a sugar daddy, moving higher up in their career, or fancying whoever they want—this is more likely in venus in the 1h people as they are more aware of how they come off.

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These individuals do have the upper hand in attractiveness and all of the good things when it comes to how they present themselves and how others view them, but it is important that they do not become superficial or caught up in the physical/material world. They could just as easily lose themselves in how others view them and become people pleasers. It is important to not lose the ability to stand up for themselves and hold firm values. There is also a tendency to being overindulgent or lazy, despite your fetching demeanor that attracts nothing but lavish, you still have to work for the things you want. Your attractiveness can only help you manifest the opportunities to work for the things you want.

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🌸 ; venus trine ascendant ⋆ ˚｡⋆୨୧˚

Trined individuals prioritize beauty, art, love, money, relationships just as much the conjunction. However, they know how to equally and properly integrate it into their lives without overdoing it, making them fairly beautiful and delicate people. Their self-image is normal, they have days when they feel amazing, days when they feel decent, and days when they feel not so good. However, due to their ability to achieve balance, they always find a way through it all.

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It is noticeable that these individuals appear to have a balanced sense of self-worth, self-image, and self-love, unless other aspects says otherwise. They tend to be modest yet aware of what they have to offer physically and personally. More than often tend to be sincere, social, and kind individuals. They usually know how to incorporate different types of accessories and styles into their very own, and make it look amazing on themselves. They always seem to know what fits exactly for them, they also tend to go for an exact aesthetic or makeup look. Depending on what type of trine it is can determine what type of style or aesthetic this person might have (for ex: earth trine can indicate a homely, planty, and comfortable style; fire trine can indicate a passionate and grandeur style; water trine can indicate a cutesy and pastel style; air trine can indicate a flowy and versatile style) Their beauty tends to be well-balanced and easily to look at.

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Usually, these individuals tend to have great dynamics in their personal relationships, whether that be with their friends, partners or associates. They get along very well with others, and they appear very comfortable with the connections they have. They are so friendly and kind, even to the point where others are naturally comfortable with them. The type to be sweet enough to help someone with directions. I’ve also noticed these individuals, even if they are introverts, love socializing to some degree. They might love going to social gatherings once in a while just for the love of being around others. They might even be talented in the arts, fashion, beauty, money, makeup, and much more since the trine is the aspect of talent.

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However, these individuals could have the tendency to forget who they are. There’s times where they dive into a wave of insecurity or superficiality. It is in their hands to make they constantly take care of themselves so they don’t let themselves go down that road, and remind themselves that they are much more than what others see on the outside. I’ve seen that celebrities with this aspect could lean towards plastic surgery if they are willing to. Even if they do go down that route, it is important they make sure their features are still balanced after the surgery because this is what this aspects calls for.

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🧚🏽‍♀️ ; venus sextile ascendant ⋆ ˚｡⋆୨୧˚

Sextiles value and desire to manifest love, art, beauty and relationships in their life, and they have the power to embody and embrace these particular traits as they have the talent to do so. They tend to have good self-image and self-acceptance, and they most likely certainly believe they are loved and accepted by others. They often attract opportunities where they can activate or put this talent of charm, art, and beauty to good use.

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Persons with this aspect are charming, sociable, and confident individuals who tend to be extremely lucky when it comes to being well-received by others and basking in privileges. They are often enterprising people who know how to build connections and network with others for the sake of their career and legacy, therefore making them very popular. They tend to have an extravagant style in which they stand out and catch the attention of others effectively. They may enjoy the arts, fashion and makeup, and there could be opportunities in which they can develop and use those passions to use.

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These individuals tend to have electrifying dynamics with the people in their life, whether that be with partners, family, friends or business partners. Therefore, they receive a bunch of help and support from their loved ones a lot. It is more than likely this person will always have someone to lean onto. It is possible that these folk can be someone who could be extremely hardworking, and has a drive to work towards comfort and luxury in life (such as nice clothes, furniture, and much more) They also know to solve disputes and encourage peace. These individuals could also have a huge reputation and love to party or go to extremely socialized events.

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Nonetheless, these individuals might need to know how to control these traits, as in how to turn them “on” or “off”. These traits are not exactly naturally apart them like the trine, but they have the potential to activate or operate these traits properly. These individuals need to put active work into making sure these traits are used and used to the best. It is also the case that sextiles should avoid trying to appear how they think others want to see them, they have to embody this aspect to its utmost and primal form, and use this aspect to attract good circumstances (sextile is the aspect of “opportunities”)

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🍥 ; venus square ascendant ⋆ ˚｡⋆୨୧˚

This makes someone who strongly prioritizes beauty, art, money, relationships, and other pleasures. However, there tends to be a distorted perception around it, which heavily sways how they implement these themes into their life.

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These individuals tend to love a significant type of beauty and certain traits that usually correlates to the sign that occupies Venus in their chart. Even so, their idea of beauty and attractiveness might not correspond with how they naturally appear and come off, which is the sign of their ascendant. This might cause insecurity, low self-esteem or bad self/body-image. This backs up the observation that people with this aspect tend to not know what suits them when it comes to their type of romantic partners, style and even friends, or they refuse to accept what does. They often don't feel comfortable with their natural beauty which derives from their ascendant and often desires the beauty of the sign of their Venus. This can make the native fall into great denial. On the other hand, these individuals could feel hatred towards any Venusian-related themes and completely turn a blind eye to them as they believe it is all completely superficial.

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Natives with this aspect are typically well-liked, and others flock to them due to their irresistible charm. They are usually the type of people who others do not have any hatred for because they tend to have great courtesy and respectfulness. It can almost make people idolize them, or obsessed with them. There is a common assumption that this aspect gives you sultry, intense beauty, which Venus conjunct Ascendant gives you soft, precious, doll-like beauty. These individuals tend to have a beauty or physical attributes that is not typical for society or people to be attracted to, but either way, these individuals continue to captivate. Others tend to believe that this person is 'picture-perfect' in a way, whatever the house their Venus is in is where they are seen to be perfect, therefore making them extremity gravitating—or where they desire to be perfect (Because it is what the house can show [where] they consider to be attractive) When you are close to a Venus square Ascendant native, you'll find that they are extremely precise on how they look and come off, they are almost perfectionists; they are the types to make sure that every imperfection and improper detail is groomed because they value looking and acting "easy on the eyes". Usually, these natives appear as though they are self-loving and sure of themselves, and this is especially the case if their Venus or ascendant is in a fire or earth sign.

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Venus square ascendant is particularly the aspect that gives insecurity, low self-esteem, or body/self-image issues. Natives with this aspect could feel immense pressure to fit into a specific bubble in regards to how they present themselves and their personality; a manifestation is feeling as though they need to size into societal expectations such as beauty standards. This can eventually push the native to act and look a certain way that is different from their authentic selves. They might strongly prioritize Venusian things like looks, money, fashion, popularity, and even relationships to a detriment; this can somewhat tie to why most Venus square ascendants come off as "fake" or seem superficial, which can make them seem untrustworthy as well. Their tendency to appearing fake could even point to attracting superficial or toxic relationships—relationships with people that are only attracted to them on a surface level or the other way around. They might even have the tendency of coming off as inconsiderate (for ex: Kim Kardashian has a harsh reputation for her figure and physical appearance being harmful to women's body image, and with her Venus in the 9th house, it shows that she makes profit and thrives off of black culture and their features) It is important that these individuals make sure that they do not become bratty or spoiled as they can easily find themselves being ungrateful for the things they already have in life, such as being ungrateful for their natural charm that can easily allow them to make friends, or their decent financial/living situation. This could even make them ‘tone-deaf’ or apathetic. These natives could seem like they strive for perfection, which can cause them to become huge perfectionists, especially when it comes to their looks. A common observation is that they have considered "going under the knife". (ex: Kim Kardashian is widely known for getting plastic surgery and becoming the literal beauty standard; Vanessa Hudgens has been rumored to getting a boob job) Due to their desire to appear likable to others, there is a caution to appearing as a people pleaser and not respecting your boundaries doing so. Remember that it is okay to be ‘unfiltered’, real, and honest. There is no need to appear proper and perfect all the time, you’re human. On the other hand, other natives tend to lack in the social department and struggle to manage proper etiquette and social skills. They might not like hugs or socializing at all, which can make them appear spiteful, rude, or antisocial. And this is only because they are uncomfortable doing this as they struggle to feel comfortable in themselves as a person.

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🎀 ; venus opposition ascendant ⋆ ˚｡⋆୨୧˚

Oppositions value the art and beauty of relationships as well as balance and cooperation. Their self image, esteem, and comfort depends on their environment and the people around them, and they strive to make sure harmony is in their space.

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People with this aspect are rather selfless and charitable human beings who care heavily about others. They value connections and bonding, so these individuals tend to prioritize relationships and their loved ones. They tend to be endearing and well-mannered people who desire to be liked and well-received. An observation is that these individuals tend to have immaculate social skills and immense charm. They also have a lot of friends and are often lucky in love as they have the most potential to catch more attractive and pleasurable partners. These individuals could also have an urge to create something beautiful or bring something gorgeous to their environment, so it is possible that these people could have a desire to create art such as music, paintings, fashion, and much more. They can also be amazing business partners and a good collaborator. These individuals could have delighted and did amazing in group projects. Some could also be good money managers. They are also loving and affectionate towards the people they care about. Being loved and loving others is a priority for them.

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Although these people can be humble, generous, and helpful, these individuals should be cautious about becoming too selfless. Again, they prioritize being loved and loving others. Everything they do is to receive and give love and beauty out to the world. They make themselves vulnerable to the risk of being disrespected or mistreated in certain situations, which can make them susceptible to being people-pleasers. There needs to be a balance in modesty and assertiveness. It is also important that these individuals do not change themselves for the sake of getting along with other people, and they might need to find a proper identity within themselves rather than in their environment. Oppositions should also avoid being materialistic and avoiding the spiritual, mental, and emotional assets of life. It is important for them to also know that there is beauty within themselves, and they shouldn’t have to constantly seek it outside themselves. They are irresistible and alluring people who have strong tendencies of creating their own style or flow in their persona, and they should embrace it.

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#astrology #natal chart #venus square ascendant #venus trine ascendant #venus sextile ascendant #venus opposition ascendant #astro observations #guxciestone #beauty #viral #popular

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ikimaru · 5 months

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Hello Sunny! I am a big fan of your art and your comics, and I have a question.

I know this is really complicated, and a huge part of it is just practicing, but I'm curious about your process with composing your comic pages! They always flow so nicely, and the pacing is great! You're able to balance getting the subtitles without having a lot of dead space y'know?

I'm wondering if you have any tips maybe :3

Hi! thank you so much 💛

ok so in general, start by studying how your fav manga/comic etc does panels, which panel shapes are used for what, how the pacing is conveyed by the content of each panel, which angles are used and stuff like that!

in terms of pages I usually start from the script of a specific scene -so there's a beginning and end to a sequence- and write down all the dialogue and other cues in a document

then I sketch the pages and leave some more room for the dialogue if there's a lot of it so that it doesn't end up too crammed, it all becomes more intuitive after a while but often I end up changing the placement of some stuff from the sketch to the final version ahah

there isn't a right or wrong way to do it but the most important thing is you want it to be easy to follow for the readers, think of it in your head sorta like a movie and what it would look like if the scene were to play out animated

and avoid things that will make it more confusing to follow like sometimes it can be hard to know who's talking in a scene or too many changes of angle (a lot of scenes with characters talking follow the 180° rule for example), and if u do change the angle it's usually to put emphasis on an action/who's witnessing the action/character pov etc

uhh I hope this helps, it's honestly so much harder for me to explain it than just doing it lool

#Sunnyasks

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sakasakiii · 11 months

Note

Hi!

I love your work!! Your art is very pretty. Do you have a specific idea of how old everyone is ? Do you lean more towards canon or do you have your own dates in mind ? If don’t wanna a answer it’s ok!

Hope u have a nice day

(Remember to drink water!)

hiiii nonnie!!! thank you for checking in, and im happy u like the stuff i put out!! when it comes to ages, it's difficult to answer sometimes bc of the way professor tolkien's timeline is-- it makes gauging one singular place where most of the cast can be compared something that makes my tired brain go 😵🤧🤕 but i love the prompt youve given! and thus heres my attempt at it

with most of my tolkien stuff, i always try to stick to canon wherever possible emphasis is on try lmao and the topic of ages is one such place. i do make exceptions to the Professor's canon sometimes for a few reasons: 1) i like some of the scrapped ideas in his drafts, or 2) i just prefer other options. with ages, i think the only charas with canon-established ages i deviated from are fingolfin, finrod, turgon, and aredhel. i try to keep cases like these minimal tho, so i hope it doesn't bother anyone too much... 👉👈

anyways i figured just dropping a list of numbers would be kinda boring to look at so heres an illustrated guide to what the ~rough~ ages of the finweans are in my head whenever i write or draw. Y.T. 1495 (the year Finwe dies) is the controlled medium ive used to enable a fair comparison of the Finweans

note: "born Y.T. xxx" means this is the canon date of birth listed on Tolkien Gateway. "est. born [xxx]" means this is a noncanon estimate:

the First Age gets a lot more muddled from there due to the hullaballoo of everything going on, so ill only be including the doriathrim and a few other denizens of nargothrond:

it's mostly the older elves that are more undefined/vague with their ages (i.o.w. others like elwing, earendil, the peredhil twins, and most Men all have set dates of birth), so they're all i'll be doing for now. but it's that vagueness which makes hcing all the more enjoyable, isn't it! plus since we’re on this subject, under the cut are just a few headcanons and musings ive had that i wanted to put somewhere 😙

Finarfin and Earwen were born within months of each other! Finwe and Olwe made a Really Big Deal out of when they found out their wives were pregnant at the same time. As a result, the two were often sent on many playdates with each other to “bolster healthy relations” between the Noldor and the Teleri. It wasn’t an arranged marriage situation, but I like to think they were goofy for each other from the start… Resulting in the two eventually getting married as soon as they came of age, the fastest out of all of Finwe’s kids to do so.

The reason the Ambarussa are significantly younger than the other Finweans (especially the Feanorians-- there’s a 100 Valian year gap between them and Curufin alone!) is because I imagine they were accidental babies that even Feanor didn’t expect to conceive. too bad morgoth said "its morgin time!" and started Messing Things Up shortly afterwards.....

Anaire was Lalwen's good friend long before she married Fingolfin; they met through Lalwen who wingmanned Fingolfin the whole time. i like think Anaire'd be the best out of all the wives at keeping good, healthy bonds with all the women of her family :DD

luthien's potential 姐姐/big sis dynamic with all the younger doriathrim elves is something i daydream about a lot 😌 but sometimes the fact that she's older than finarfin keeps me up at night

this has been really fun, so thanks again for asking-- annnd yessir, i am chugging water as i write this so you better be doing the same ❤️ have a great start to your week!

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betheckart · 6 months

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Solomon Sallow Theory

Hello !

First post, I'm going to heat things up regarding a game that a lot of people love and about a character that many hate.

Solomon Sallow in Hogwart Legacy.

This theory about him has been running through my head for some time, because of his behavior and his past and present actions, there is something that bothers me, that disturbs my Ravenclaw instinct.

So, let's update the character's situation. A retired auror, the latter finds himself forced to take under his guardianship the children of his brother who died in an unfortunate accident, Anne and Sebastian. We do not know much about the period that follows until the children's schooling where his burden is increased by a little extra in the person of Ominis Gaunt.

Then comes the famous incident and the situation escalates to the point of unforgivability.

I know, Solomon is not very popular among the Hogwart Legacy audience. Rightly so, many find him to be an idiot, a gruff and inflexible character but I keep telling myself that there is something wrong with this story, something illogical about his behavior as a as an adult having to watch over the well-being of his nephew and his niece in addition to that of their best friend who still comes from a prestigious wizarding family.

So let’s get back to the beginning…

I would like to point out that, as despicable as the Gaunts' reputation is, I don't think they would have left one of their children to an incapable person. I know that the little we hear about them is hardly glorious however, Ominis remains an heir of Slytherin, which is far from being a forgetable detail, and the Gaunts protect their blood so he would never have left a child to a man for whom they would not have a minimum of confidence, at least that is what I suppose. Naturally, we can also suspect them of having preferred to leave him with the Sallows to relieve themselves financially.

However, bare in mind that Solomon must share the core traits of his family - he is far from stupid, he knows what sport the Gaunt family plays and he must well suspect that Ominis was obliged to use an unforgivable curse. Simply, like us, he put things aside, Ominis was only a child whose actions were dictated by fear and who was consumed with guilt unlike Sebastian who did not have the slightest regret and who would have used any other spell. However, he did not hesitate to accept this possibly problematic kid under his roof even though he only had limited means. Sorry for his detractors but it must be admitted that it is an act of great benevolence, nothing obliged him to take the heir of Slytherin under his wing but he did it, only to preserve him from the dark traditions of his family , he saw the pure being that is our favorite blondie. (And clearly, given the Sallow house, the Gaunts didn't give it a damn!)

I would like now to point out something about the brilliant Sebastian Sallow. At Hogwarts his talent as a duelist is more than recognized, everyone knows it and everyone puts the emphasis again and again on how surprising our victory over him is. But I think his talent is in no way natural. I would like to point out that the rare times we get to see Anne who remains under her curse, she fights with a similar talent and it is the same with Ominis who spent his summers with them. I think these three are doing so well for one reason and that is Solomon Sallow.

Let me explain, as a former Auror, I would not be surprised if when the children began to learn magic, he was naturally able to assist them in the use of defense spells against the dark arts. Remember, the training dummies are behind the Sallow house, I don't think that's a coincidence. During the holidays I am convinced that he helped the three children develop their skills. Of course, some might object to the ban on using magic outside of school, but didn't Ominis use magic outside of school well before and without consequences? In my opinion the ministry was much more flexible on this subject at the time, in fact it was not even a subject.

So …

From the few things we got to see Anne is gifted, even under the influence of a curse. She defends herself admirably and from as little as we know about this whole thing, Ominis manages excellently despite his disability. However, without adequate training, he would never have reached such a level even with the academic support that Hogwarts offers. Sebastian is very talented, of course, but I think his uncle was very harsh with him because he is precisely a boy, the one who had to protect his sister with him. Solomon is the patriarch and naturally Sebastian would one day take over, so he had to prepare him properly. Sebastian's hard work with his uncle will have paid off - coming back to Hogwarts would have given him a certain arrogance.

Then came the incident and Anne's curse.

And, ladies and gents, here comes my theory.

Solomon is a good wizard, by that I mean a good fighter. Certainly, the condition of his niece was quite worrying but nothing would have stopped him from capturing a goblin and extracting information from him to find out who had cursed her and cure her. However, he did nothing. Why ? Why didn't he do anything? He raised his brother's children, protected Ominis and did nothing to help Anne even though he had the ability to do so? What gives ?!

Why would he act like that ? Unless… he knew the truth?

Solomon Sallow is a former Auror, which definitely means he knows how to lead an investigation and like the rest of his family knows how to use his brain. I think he searched for the person responsible for his niece’s curse and unfortunately found the answer. Victor Rockwood, a formidable bandit of unprecedented danger. A man who would not hesitate to kill him. Naturally, he had to quietly try to bring justice by keeping his nephew and niece out of the public eye. As he points out to our character, it is no use giving hope when it is useless . As long as he could not guarantee Anne's recovery, it was better not to let the truth be known.

Unfortunately and you know it, Rockwood emphasized it very well during his dialogues with Ranrock, he has connections, friends very high up in the ministry and this is largely proven by the inaction of the ministry concerning the misdeeds of the scoundrel In the region. There is no justice, Victor Rockwood is protected, unreachable and far too dangerous. And Solomon Sallow saw himself being powerless in the face of the corruption of the magical world - unable to face these dangerous people. Certainly, some might point out a certain cowardice but put yourself or walk a mile in his shoes! He was all that remained for Anne, Sebastian and also Ominis, the only adult who could protect them, watch over them! They don't have anyone else!

Solomon was therefore forced to make a terrible choice. The problem at hand being none other than his nephew. Sebastian. As he pointed out, he is his father's son but also his uncle's nephew. He grew up with his brother and raised Sebastian, he knows him by heart whether he likes it or not. Sebastian's intelligence becoming a danger, the elder Sallow would then have manipulated his nephew to make him focus on a single problem. How to cure Anne rather than the real curse caster. Just imagine for a split second : if Sebastian had known the truth, he would have launched a guerrilla war against Rockwood, certainly Ominis going with him, which would have been a disaster. The two boys would have thrown themselves headlong into the battle when they were only fourteen years old and they could have been seriously injured, died or worse! Expelled! (Oh wait...)

In short, by diverting Sebastian's attention, he protected him and by manipulating him to dissuade him from continuing his quest, he tried to keep him away from the truth so that he would not put himself in danger. We all know though that Sebastian is quite the stubborn kind and that he would definitely dive into anything he’s told not to.

Anne's curse was manageable at first, so he may have thought she would be able to live with it, but we know the situation only got worse. Anne was forced to drop out of school and return to Feldcroft. The guilt that Solomon would have developed would have pushed him to overprotect Anne. Unable to help him and knowing the truth, he would have unconsciously harbored anger towards Sebastian who naively tried to find a solution to something that did not exist. Managing him was certainly complex but at least, in a way, he was guided in a relatively wise way and Ominis was there to watch. In the game, the students talk about Sebastian but ultimately only the heir of Slytherin is considered his friend, a true friend.

But something disrupted his plan.

Us.

Many have highlighted his behavior towards our character. Let’s face it, we were the disruption. Without our presence, Ominis would never have given in for the Scriptorium, Sebastian would never have had access to Salazar Slytherin's book and he would never have been able to cross the catacombs to find the relic. Solomon had given him a quest with no outcome but our character provided assistance to which Sebastian should not have had access. When we think about this, we can understand pretty easily why - from our first dialogue ever with him - Solomon tries to impose his opinion on us regarding Anne's healing. Why he wanted us to dissuade his nephew from venturing down a dark path and unfortunately, we’ve been the downfall of them both.

When Sebastian finally uses the Imperio, Solomon understands that our presence has affected his nephew's quest and worse, it has encouraged him to cross lines he did not want him to cross. While the talented Slytherin is on the verge of becoming a man, the former Auror had just witnessed an act that he could not accept. It was proof of his failure, of his inability to protect his brother's son, that he had failed to keep him away from black magic. His hasty decision to leave Feldcroft would then have been a last-ditch move to desperately try to protect the twins.

By moving Anne away from Sebastian, the latter would no longer have to witness the deterioration of her condition and Anne would have been able to benefit from a healthy, stress-free environment which would have brought her a certain peace of mind. Everything he wanted and to offer her - offer them indeed. Solomon would have feared that beyond his quest for a cure and with the assistance of our character, his nephew would have ended up getting closer to the castle and that he would have made the connection, discovered the truth and launched this war that the Auror feared so much. He couldn't endanger the lives of his family and the new student.

I know, it's a bit exaggerated given our strike force in the game but Solomon doesn't know that. All he sees is another teenager putting themself in danger and worse, dragging his nephew along on their journey. Worse for our case, we have just started manipulating magic, how can such a character be trusted ?

In short, one can agree that if my theory is correct, it would explain a lot of things about Solomon Sallow's behavior.

I am now waiting for your opinions, hoping that I have managed to express myself well.

Théorie en version française !

Bonjour !

Première publication, je vais faire chauffer les choses concernant un jeu que pas mal de gens aiment et sur un personnage que beaucoup déteste.

Solomon Sallow dans Hogwart Legacy.

Cette théorie le concernant me trotte dans la tête depuis un certain temps, du fait de son comportement et de ses actions passées et présentes, il y a un truc qui me chagrine, qui trouble mon instinct de Serdaigle.

Donc, mettons la situation du personnage à jour. Ancien auror à la retraite, ce dernier se retrouve contraint de prendre sous sa tutelle les enfants de son frère décédé dans un malheureux accident, Anne et Sebastian. On ne sait pas grand-chose de la période qui suit jusqu’à la scolarité des enfants où sa charge s’alourdit d’un petit supplément en la personne d’Ominis Gaunt.

Vient ensuite le fameux incident et la situation dégénère jusqu’à l’impardonnable.

Je sais, Solomon n’est pas très aimé parmi le public de Hogwart Legacy. A juste titre, beaucoup trouve que c’est un con, un personnage bourru et inflexible mais je n’arrête pas de me dire qu’il y a quelque chose qui cloche dans cette histoire, quelque chose d’illogique concernant son comportement en tant qu’adulte devant veiller aux bien-être de son neveu et de sa nièce en plus de celui de leur meilleur ami tout de même issu d’une prestigieuse famille de sorcier.

Donc commençons par le commencement…

J’aimerais souligner, qu’aussi ignoble que soit la réputation des Gaunt, je ne pense pas qu’ils auraient laissé l’un de leur enfant à une personne incapable. Je sais que le peu qu’on entend à leur sujet n’est guère glorieux cependant, Ominis reste un héritier de Serpentard, ce n’est pas rien et les Gaunt protègent leur sang donc jamais ils n’auraient laissé un enfant à un homme pour lequel ils n’auraient pas un minimum de confiance, tout du moins c’est ce que je suppose. Naturellement, on peut aussi les suspecter d’avoir préféré le laisser avec les Sallow pour se soulager financièrement.

Pour autant, notons que Solomon doit être dans la même ligne que sa famille. Il est loin d’être idiot, il sait quel sport pratique la famille Gaunt et il doit bien se douter que Ominis ait été dans l’obligation de faire usage d’un sort impardonnable. Simplement, comme nous-même, il a fait la part des choses, Ominis n’était qu’un enfant dicté par la peur et qui est rongé de culpabilité contrairement à Sebastian qui n’a pas eu le moindre regret et qui aurait pu faire usage de n’importe quel autre sort. Pour autant, il n’a pas hésité à accepter ce gosse possiblement problématique sous son toit alors qu’il n’avait que des moyens limités. Navré pour ses détracteurs mais il faut avouer que c’est un acte de grande bienveillance, rien ne l’obligeait à prendre l’héritier de Serpentard sous son aile mais il l’a fait, uniquement pour le préserver des sombres traditions de sa famille, il a vu l’être pur qu’est notre petit blond favori. (Et clairement, vu la maison des Sallow, les Gaunt ne lui ont pas donné un rond !)

J’aimerais maintenant souligner un fait concernant le si brillant Sebastian Sallow. A Poudlard son talent de duelliste est plus que reconnu, tout le monde le sait et tous soulignent encore et encore à quel point notre victoire sur lui est surprenante. Mais je pense que son talent n’est en rien naturel. J’aimerais souligner que les rares fois où nous pouvons voir Anne qui reste sous le coup de sa malédiction, elle se bat avec un talent similaire et il en est de même avec Ominis qui a passé ses étés avec eux. Je pense que si ces trois-là se débrouillent aussi bien c’est pour une seule et unique raison, Solomon Sallow.

Je m’explique, en tant qu’ancien auror, je ne serais pas surprise que lorsque les enfants ont commencé à apprendre la magie, il a naturellement pu les assister dans l’usage des sorts de défense contre les forces du mal. Souvenez-vous, les mannequins d’entraînement sont derrière la maison des Sallow, je ne pense pas que ce soit un hasard. Durant les vacances je suis persuadé qu’il a aidé les trois enfants à développer leurs compétences. Certes, certains pourraient rebondir sur l’interdictions de faire usage de la magie en dehors de l’école mais Ominis n’a-t-il pas fait usage de la magie en dehors de l’école bien avant et sans conséquences ? A mon avis le ministère était bien plus souple à ce sujet à l’époque, voire ce n’était même pas un sujet.

Bref…

Du peu que nous avons pu voir, Anne est douée, même sous le coup d’une malédiction, elle se défend admirablement et du peu que nous avons pu voir, Ominis se débrouiller excellement malgré son handicap, sans un entraiment adéquat, il n’aurait jamais atteint un tel niveau même avec l’encadrement scolaire qu’offre Poudlard. En parallèle, Sebastian est très talentueux, certes, mais je pense que son oncle a été très sévère avec lui parce qu’il est justement un garçon, celui qui devait avec lui protéger sa sœur. Solomon est le patriarche et naturellement Sebastian reprendrait un jour le relai, de ce fait, il devait le préparer convenablement. Le travail acharné de Sebastian avec son oncle aura fini par payer et en revenant à Poudlard, tout cela lui aurait donné une certaine arrogance.

Puis vint l’incident et la malédiction d’Anne.

Et là, vient ma théorie.

Solomon est un bon sorcier, je veux dire un bon combattant. Certes, l’état de sa nièce était des plus préoccupant mais rien ne l’aurait empêché de capturer un gobelin et lui soustraire des informations pour savoir qui l’avait maudite et la guérir. Pourtant, il n’en a rien fait. Pourquoi ? Pourquoi il n’a rien fait ? Il a élevé les enfants de son frère, protégé Ominis et il n’a rien fait pour aider Anne alors qu’il en avait la capacité ? Pourquoi ?!

Pourquoi ? Si ce n’est qu’il savait la vérité ?

Solomon Sallow est un ancien auror, il sait mener une enquête et à l’image de sa famille, il sait faire usage de son cerveau. Je pense qu’il a cherché qui avait maudit sa nièce et que malheureusement, il a trouvé la réponse. Victor Rockwood, un bandit redoutable d’une dangerosité sans précédent. Un homme qui n’hésiterait pas à le tuer. Naturellement, il a dû tenter de faire discrètement justice en gardant son neveu et sa nièce dans l’ignorance. Comme il le souligne à notre personnage, il n’est pas utile de donner de l’espoir lorsque c’est inutile et tant qu’il ne pouvait pas garantir la guérison d’Anne, il ne valait mieux pas faire savoir la vérité.

Malheureusement et vous le savez, Rockwood l’a très bien souligné lors de ses dialogues avec Ranrock, il a des connexions, des amis très haut-placés dans le ministère et cela est largement prouvé par l’inaction du ministère concernant les méfaits du gredin dans la région. Il n’y a pas de justice, Victor Rockwood est protégé, inatteignable et bien trop dangereux. Et Solomon Sallow s’est vu impuissant face à la corruption du monde magique, incapable de faire face à ce dangereux personnages. Certes, certains pourrait souligner une certaine lâcheté mais mettez-vous à sa place ! Il était tout ce qu’il restait à Anne, Sebastian et aussi Ominis, le seul adulte pouvant les protéger, veiller sur eux ! Ils n’ont personne d’autre !

Solomon s’est donc vu dans l’obligation de faire un choix terrible. Le problème se posant n’étant rien d’autre que son neveu. Sebastian. Comme il l’a souligné, il est le fils de son père mais aussi le neveu de son oncle. Il a grandi avec son frère et a élevé Sebastian, il le connait par cœur que cela plaise ou non à ce dernier. L’intelligence de Sebastian devenant un danger, le doyen des Sallow aurait alors manipulé son neveu pour le centrer sur un seul problème. Comment guérir Anne plutôt que sur le réel lanceur de malédiction. Imaginez ! Si Sebastian avait su la vérité, il aurait lancé une guérilla contre Rockwood en embarquant Ominis. Les deux garçons se seraient lancés à corps perdu dans la bataille alors qu’ils n’avaient que quatorze ans et ils auraient pu se blesser gravement, mourir voire pire ! Être expulsé ! Attendez… Bref, en détournant l’attention de Sebastian, il l’aurait protégé et en le manipulant pour le dissuader de continuer sa quête, l’aurait détourné de la vérité pour qu’il ne se mette pas en danger. Et Sebastian est un adolescent têtu à qui il suffit d’interdire de faire quelque chose pour garantir qu’il y plongera à pied joint sans jamais s’en détourner.

La malédiction d’Anne étant gérable dans un premier temps, il a peut-être cru qu’elle parviendrait à vivre avec mais nous le savons la situation n’a fait que s’empirer. Anne a été contrainte à se déscolariser et revenir à Feldcroft. La culpabilité que Solomon aurait développée l’aurait poussé à surprotéger Anne. Incapable de l’aider et en sachant la vérité, il aurait inconsciemment nourri une colère envers Sebastian qui naïvement essayait de trouver une solution à quelque chose qui n’existait pas. Le gérer était certes complexe mais au moins, d’une certaine façon, il était encadré dans une voie relativement sage et Ominis était là pour veiller. Dans le jeu, les élèves parlent de Sebastian mais finalement seul l’héritier de Serpentard est considéré comme son ami, un vrai ami.

Mais quelque chose à perturbé son plan.

Nous.

Beaucoup ont souligné son comportement vis-à-vis de notre personnage. Avouons-le, nous étions la perturbation. Sans notre présence, jamais Ominis n’aurait cédé pour le Scriptorium, jamais Sebastian n’aurait eu accès au livre de Salazar Serpentard et jamais il n’aurait pu franchir les catacombes pour y trouver la relique. Solomon lui avait donné une quête sans issus mais notre personnage a apporté une assistance à laquelle Sebastian n’aurait pas dû avoir accès. Quand on réfléchit à cela, on comprend alors pourquoi dès notre premier dialogue, Solomon tente de nous imposer son avis concernant la guérison d’Anne, pourquoi il voulait que nous dissuadions son neveu de s’aventurer sur un chemin obscur et malheureusement, nous avons été leur perte à tous les deux.

Lorsque finalement Sebastian fait usage de l’Imperio, Solomon comprend que notre présence a affecté la quête de son neveu et pire que cela l’a encouragé à franchir des lignes qu’il ne souhaitait pas le voir franchir. Alors que le talentueux Serpentard est en passe de devenir un homme, l’ancien auror venait d’être témoin d’un acte qu’il ne pouvait accepter. C’était la preuve de son échec, de son incapacité à protéger le fils de son frère, qu’il n’avait pas réussi à le tenir hors de la magie noire. Sa décision précipitée de quitter Feldcroft aurait alors été un dernier geste pour désespérément essayer de protéger les jumeaux.

En éloignant Anne de Sebastian, ce dernier n’aurait plus été témoin de la dégradation de son état et Anne aurait pu bénéficier d’un environnement sain et sans stress qui lui aurait apporté une certaine quiétude. Tout ce qu’il souhaitait et pouvait lui offrir, leur offrir. Solomon aurait craint qu’au-delà de sa quête d’un remède et avec l’assistance de notre personnage, son neveu aurait fini par se rapprocher du château et qu’il aurait fait le lien, découvert la vérité et lancé cette guerre que l’auror craignait tant. Il ne pouvait mettre en danger la vie de sa famille et du nouvel élève.

Je sais, c’est un peu exagéré au vu de notre force de frappe dans le jeu mais ça, Solomon l’ignore. Tout ce qu’il voit, c’est un autre adolescent qui se met en danger et pire qui entraîne son neveu dans ses périples. Pire pour notre cas, nous venons de commencer à manipuler la magie, comment avoir confiance en un tel personnage ?

Bref, je trouve que si ma théorie est juste, elle expliquerait bien des choses sur le comportement de Solomon Sallow.

J’attend vos avis en espérant avoir réussi à bien m’exprimer.

#hogwarts legacy #sebastian sallow #anne sallow #ominis gaunt #solomon sallow

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