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#especially not about teenage girls!
haddockhead9 · 4 months
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is she trying to kiss her or kill her i can’t tell
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skellagirl · 3 months
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help help help I can't stop drawing gay lawyers
Trucy should be brown and I'll die on that hill
The fact that Klavier is 5'11" and Apollo is 5'5" 🥹 I love a height difference
I am convinced they drew Valant's hair Like That (tm) in-game because otherwise we would have all fallen madly in love with him
Wesley is my favorite witness in Apollo Justice, I'm so sorry for my shit taste 😔
I've drawn Godot without a mask before but I wanted to do it Again because I am still enamored with the idea of him having white eyelashes
Aromantic Miles means so much to me
I get that it's probably just the way they drew his jacket but why is Miles's little court sprite so caked though 😭
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mimikyuno · 6 months
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homura (after a whole movie dedicated to the mechanisms of her inner psyche and set in a world that is literally her subconscious, populated by little dolls that are the manifestation of her emotions and self-hatred, after a whole movie where we get to see that she loves and cares for her friends and above all she deeply loves madoka, after the most heartbreaking scene in the history of anime where she realises madoka never wanted to sacrifice herself, after sacrificing herself to try and keep madoka’s wish alive anyway and keep her safe from the incubators, after being saved by madoka and feeling undeserving of it yet again, after finally giving up on trying to preserve madoka’s wish and creating a universe in which madoka can be happy and her friends too and the incubators eat shit, after showing how much she hates herself for it): i’m evil! i’m a demon! i’m evil incarnate!
people: yeah that checks out, homura is evil.
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shsl-heck · 9 months
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Thinking about the Chevalier interlude, specifically the inaugural team of Wards. Like in universe, they sell it to this first group of kids (and presumably the rest of the world) as a place for second chances, to find friends and mentors who understand what youre going through, where you can learn to use your powers safely while making good memories. The kids broadly seem to believe in these noble intentions of course, but what really gets me is that I've seen readers buy into it!
"Oh, it's such a tragedy that the Wards program became this awful thing that traumatizes kids even more, and expects them to die for the sake of civilians! It's fallen so short of what it was originally supposed to be!"
No it has not??? The fact that the triumvirate and Hero are saying it has this noble goal doesn't make it true. The Wards was pretty clearly always a way to increase the amount of bodies the prt could throw at threats, and we know this because it was started by the fucking Triumvirate as a part of the Protectorate! Alexandria literally came up with the idea of the Protectorate to legitimize the power of capes, and have a consistent source of heroes Cauldron could throw at problems. That is the whole reason for the PRT/Protectorate existing. So when we have this group of children brought in a subsidiary, there are 2 real options.
1). Cauldron and Alexandria decided they would be really niceys and created this program with no intentions other than helping these kids out.
Or 2). As things got worse, they realized the Protectorate didn't have enough manpower to do what they needed, and so they expanded it to include children (the demographic most prone to triggering). That way, they greatly increase the number of capes who they can send to fight and die as needed, and the ones who do survive their tenure in the Wards will be better trained when it comes time to join the actual Protectorate.
At the risk of sounding conceited, I think the second one is far more likely based on everything we know about Cauldron. Maybe it was originally a little nobler, and the goal was just to create more well trained heroes and cut back on young villains, but there's no way Alexandria, Doc Mom, and Contessa didn't factor in the ability to sacrifice the kid heroes if it improved their chances of success. That was absolutely a perk at minimum.
That's the real tragedy of the inaugural Wards. The kids were lured in with promises of safety, comraderie, and second chances like lambs to the slaughter. All the while, Alexandria and Cauldron knew that many (if not most) of these children would suffer abuse by the prt (like in the case of Reed), die, or face a fate worse than death like poor Mouse Protector. It's horrifying! The idea that they didn't know the danger these kids would be in is literally inconceivable. Especially when one of you is also the head of the prt! They knew, and they didn't care. It improved their chances at the end of the world, and so they did it no matter the cost.
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fandoms-and-salt · 10 months
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The main problem with Ruby gillman movie is that it sends a message that "bigotry is actually justified and your racist grandparents are right". The second, closely related problem is it's villain.
Firstly, if we look at the film without the spoiler-y marketing, Chelsea/Neressa is written as a twist villain. Like Hans Frozen type twist villain, with little foreshadowing and those "sympathetic" scenes that actually don't amount to anything and might just as well be a lie. Even with the marketing, i think the movie still tricked people into thinking that Chelsea might be a misunderstood villain or have a redemption arc or what not. And twist villains could work well, usually if their turn to villainy makes sense with their preestablished goals and personality (eg. Disney's Atlantis). Or a liar villain could work well if the audience knows of their malicious plans, but the heroes stay in the dark (eg. Scar from Lion King). In general, if the twist or reveal makes the story/conflict less interesting and/or didn't have proper foreshadowing, viewers are bound to dislike it.
Secondly, Chelsea is our only mermaid. And she is, well, evil. It would have been better if we had other good mermaid characters, but she is the only one, which, coupled with Gramamah's generous description of mermaids, makes it seem like all mermaids are as evil as she is.
Thirdly, yes, stories for young children about pure good fighting pure evil are generally fine, it teaches them right and wrong, so they can later consume media with more complex lessons. But in those stories the good guys are usually the underdogs fighting an oppressive evil. In mermaid vs kraken conflict, it's actually mermaids who are at a disadvantage. Krakens are big rulers ("protectors") of the ocean with superpowers. The characters themselves admit that Granmamah is a warlord. Mermaids are small, weak and need a magic trident to even match the power of krakens. Their only "advantage" is being popular with humans, while krakens are feared and hated, but humans have no effect on the story or the conflict. If the story was that mermaids are actually more powerful rulers of the ocean, or the kraken family were the just rules but got conquered/overthrown by evil mermaids, or if both species were of equal power ruling their own parts of the ocean and mermaids decided to go and conquer the peaceful kraken kingdom. Then the good vs evil conflict would have looked less like "how dare these evil inferior minorities challenge the rule of our superior race".
Speaking of which. Ruby's first instinct, even after finding out that "mermaids are actually evil" from her granma, is to judge Chelsea as her own person and assume that mermaids can't be actually evil. Which is, you know, a pretty fair and mature response. When she hears that mermaids suffer from terrible conditions, she actively tries to fight what she sees as injustice. But what lesson does she learn? That she should never question her elders, since they do know better. The story is fighting for the status quo to stay the same, while Ruby is punished to trying to change and improve it.
That's all i can say for now. Other complaints i have are:
humans are virtually useless to the story (including the love interest, tho he had some cute moments), they are just damsels-in-distress and trophies for Ruby to save and get approval from. This movie just as well could happen all under the sea with some minor tweaks.
The human designs are weird and uncanny. Otherwise the visuals are fine.
Ruby's arc is kind of all over the place with her main arc being the classic "believe in yourself", which she mainly gains through hanging out with Chelsea. But isn't Chelsea supposed to be the villain who "leads Ruby astray" from being a good citizen who is not skipping school, lying to her mom or ignoring her friends and crush? Make it make sense, movie.
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fabaceous · 1 year
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isnt it so interesting and so reflective of being a teenage girl how the yellowjackets collectively and sort of automatically/instinctively assign certain roles to certain members of the group, often roles that involve getting their hands dirty and doing things that are anywhere from gross to ethically questionable to truly morally reprehensible but necessary for their survival, because no one else can stomach it, and then they punish her for acting out the exact same role that they assigned her?
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every single day I am appalled and amazed by Misaki's characterization being leagues above so many female characters in shonen history. She was a girlboss she could cry she had a tragic backstory that actively mattered she had flaws she was great at the game she had her own "superpower" she wasn't for sex appeal or a love interest she cut her hair short she was loving yet not yielding she is so cool. Misaki you're amazing <3
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cienie-isengardu · 11 days
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Lo and Li and their (not) looking after Azula and Zuko in "The Beach"
I have talked a lot about Zuko and Azula lately because “The Beach” episode gives a lot of context for their relationship, but it would be a crime to omit the most funny detail (implication) coming from this episode: the presence of Lo and Li.
Those two older women were introduced into the series as Azula’s teachers (that definitely fueled her unhealthy sense of perfectionism) and some sort of advisors before the princess recruited Ty Lee and Mai on the hunt for Zuko, Iroh and later, the Avatar. The story alone gives little about Lo and Li, but considering their relationship and influences on the princess, we can assume they had, if not outright trust, then at least Ozai’s approval to keep an eye on his “precious”, prodigy daughter. As they were the only adults connected to Fire Lord and at whose house the Royal Siblings and their friends stayed in "The Beach" episode, I thought of them as not really nannies, but more like chaperones.
Zuko and Azula faced Avatar and survived, Mai and Ty Lee proved to be capable of beating down full grown men one on one (or more precisely, one vs many). So fine, ok, Ozai may trust his kids to be able to defend themselves - if the thought about their safety even occurred to him at all. But Zuko and Azula are, and I can’t stress it enough, teenagers sent on vacation and teenagers may do stupid stuff for fun just to taste the little freedom granted them. So it makes sense to me that Lo and Li should supervise the Royal Siblings, because vacation or not, they are still prince and princess, the precious heirs to the throne. And like, Zuko is with his girlfriend (official fiancee?) and you can never be sure what teenagers in love and with buzzing hormones will do, right? Same with Azula, who as we learn through the episode, will happily grab the occasion to flirt with a  handsome, popular boy and the innocent kiss turned out quickly into her passionate rant: “Together, you and I will be the strongest couple in the entire world! We will dominate the Earth!”. 
Azula’s mind really jumped from casual fun (no harm done if Ozai won’t learn about it) to the conclusion that boy she knew for what? a few hours at best will be her boyfriend and part of the future (military?) plans and understandable Chen freaked out and ran away. The taste of freedom affected even Azula, our so emotionally composed, clever girl, because again, a teenager, adolescent curiosity, lack of supervision and buzzing hormones are a dangerous mix. 
(I suspect Zuko getting Mai pregnant would be less scandalous than if Azula - the princess - ended with a bastard child at the age of 14/15. If Ozai would even allow the kid to be born.)
And what Lo and Li were doing the whole episode? Either giving some cryptic speech about how Ember Island is a magical place or encourage kids.
“Time to hit the beach!“ they said
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while never bothering going with kids there
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(or did Lo and Li have fun on their own ignoring the bunch of their temporary wards?).
And when Azula, Zuko and Ty Lee talked about Chen and why Azula didn’t betray their Royal Family status (and presumably of going to the night party)? Again, the two old women did nothing besides giving some more cryptic advice and saying “to the party!”.
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Like, they were totally okay that Fire Royal Siblings (in range of age from 14 to 16) planned to stay at house of unknown boy(s) for the whole night. Again, Zuko is 16, at best almost 17, but Azula is 14 (at best 15) and I don’t think this is an appropriate age to let a girl - especially the princess you are responsible for - go to a party with presumably much older boys. 
(Unless this is why Azula demanded Zuko, her older brother, to be invited alongside her? Not like he checked out if she is alright before he was kicked out for the fight with Mai over some guy but I guess, with a sister like Azula it is easy to assume she doesn’t need babysitting, because Azula could and would kick Chen or anyone else’s ass if they pissed her off). 
My point is, Lo and Li could give the girls and Zuko some serious talk or at least ask to be careful or anything the supposed chaperons should say (or like,  outright demand from Zuko to keep an eye on his younger sister and the noble girls as the oldest and you know, the guy). Because Azula is first and foremost a princess, the same as Zuko is the prince and like, the Royal Family does not need any teenage drama and scandal (and from the previous episode we know Azula and Zuko are now the public figures at the capital).
I’m not sure if perceiving Lo and Li as some sort chaperons to the “banished for a weekend” Royal Siblings was author’s intention or not, but there is something incredible funny how those old women introduced as strict teachers criticizing Azula for not perfect hairstyle while she is working on her lighting technique - a skill absolutely amazing to have at the age of 14 - won’t even bother to keep an eye on the same girl and just let the whole bunch of emotionally stunted and traumatized teenagers freely roam on the “magical” beach and go to night party to total strangers. It is pretty hilarious if not a bit sad. Because wow, Ozai did not give much fuck about any of his kids one way or another. 
Aaand this is what I get when rewatching ATLA as an adult lol.
I know this is animations for kids/teenagers, but what if Chen didn’t freak out? Would Azula be curious enough to experience something more than just a kiss? And well, we assume Chen and Ruon-Jian are in age close to Zuko & Azula (as if they were adults they would be enrolled into army, I think?) But there is still a room for them being older than Zuko who himself is two years older than Azula. Also, them inviting Ty Lee & Mai specifically for how they look without bothering to ask for their name and the way a group of boys cornered Ty Lee to the point she needed to chi-blocking all of them kinda gives me the feeling the party was an occasion for them to pick up girl for night or something along the way. Dunno if I read the scene/intention right but it gives that vibe I guess…?
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rosepompadour · 1 year
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LITERARY LOVE: J.D. SALINGER & OONA O'NEILL
Bright, pretty and spoiled, and cute as hell. I’m crazy about her. - J.D. SALINGER, 1941 He was out of his mind with adoration for this woman. - HARVEY JASON She was the love of his life, the one woman whom he loved more than any other. He never recovered. - PAUL ALEXANDER It was a tremendous love story. They truly loved each other. - LEILA HADLEY LUCE Oona was the movie always in his mind. - DAVID SHIELDS Your U.S. Army hero kisses you on the cheek, on your right eye, on your left ear and then feverishly travels down to your neck. Little Oona, you save my life several times a day and YOU DON'T HAVE ANY IDEA ABOUT IT. - MANHATTAN'S BABE I would marry Oona tomorrow if she would have me. - J.D. SALINGER
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lambjock · 7 months
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i have too many thoughts on the deleted jackienat scene for a girl who's supposed to be enjoying her birthday lol. i think at the root of it all, it's highly likely that when the actresses breathed life into the characters, and scenes got improvised, some things just stopped making sense for characters to do. including good things, like with jackie's 'i love you' to shauna! and i think this is the case for natalie looking at jackie with hatred before leaving her out in the cold. maybe at one point in her early stages of characterization it made sense, but clearly the people on the show didn't think that way anymore at some point, hence the cut. also ngl people taking this deleted scene, which for all we know didn't even make it into the final script, as some sort of 'gotchu' for jackienat enjoyers ( romantic or otherwise ) is weird as hell to me. like, it was removed for a reason.
#my posts.#yellowjackets#im tired and its my birthday so maybe this doesnt make much sense but#i have lots of thoughts i cant stop thinking abt this scene#a mix of good and bad tbh#but mostly watching people act as if this completely destroys jackienat is hilarious to some degree#since a huge part of their appeal has always been how similiar they are. that's what jackienat is founded on#and with that similarity comes a hatred especially since both girls have a self loathing streak#so regardless whether people view this as a huge characterization moment for nat or not doesn't change this#people seem to forget how much natalie genuinely hated lottie and was jealous of her as well! it doesn't mean she loved her any less#natalie at her core is a teenage girl like the rest of them. she has flaws and pettiness and does things she regrets. a *lot*#but on the other hand she'd do anything for travis. that's who she lives for. and the only one who helped her save him was jackie#jackie might've stolen him away for the night but the others were gonna take him away forever#which is something natalie would hate more than jackie fucking him. hell in the show she even says she could care less about the sex#she just wanted travis to be *alright.*#had natalie been in the cabin when jackie was calling the girls out for what they did last night you KNOW she would've sided with her#would she have cared about the highschool drama between shauna and jackie? who knows.#but no matter her personal feelings on jackie they had a mutual hatred and disgust for what happened during doomcoming#and i think that would've mattered more to nat at the time. in a swarm of angry feral teenagers the only one she could trust then was jacki#of course these are just my personal opinions which im purposefully keeping brief lol#but like. i just have too many thoughts on this it would take an essay to iron them out so here's this i guess!
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cha1cedony · 10 days
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Thinking about all of the teens’ fear of abandonment. I think it’s simultaneously why Normal and Hermie never worked out AND why Lincoln and Scary did lol
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xoteajays · 8 months
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... oya high's sister school, ↳ OJOU HIGH SCHOOL!!
h&l taglist: @hiddenqveendom
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variousqueerthings · 8 months
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I note that I don't, and I never, was much of a fan of doctor-and-rose as romance, but that I -- rather than get annoyed at the romantic-coded scenes -- had a tendency to simply read them from a totally different perspective, and really maybe should have been a sign of sooomething different about me, that I continuously felt that the doctor's concepts of connection must be so alien, that to call it romance would be to diminish the actual Thing that they had, which was presented as such onscreen (to my mind then, now I realise what was happening, but I prefer what I had going on), which is basically that the doctor was a shell of a person, hurtling towards destruction (he would have died without rose in ep1), desperately lonely and sad and traumatised, and she retaught nine -- and by extension ten -- how to love the universe, at the same time as nine and ten taught her the same. (I think about the scene in father's day, where while they're arguing, rose says that she knows how sad he is, and he'll just hang around the tardis waiting for her -- she knew!)
and then on top of that with sarah-jane (which, I never watched the classics as a kid, so I didn't have that context for her beyond what the episode presented) it felt like that was sort of confirmed and made even more canon through this idea that the doctor is constantly mourning the inevitable deaths of their companions and would rather simply leave them behind at some point than watch that happen (and they've seen that happen before, although dying for a cause versus just... dying, because you die, while they don't, they just continue on and on, always seeking connection, always knowing that time will take them away, that's a whole other thing)
and then of course there's ten's... I would call it "sex appeal" because it's david tennant and with his performance there's immediately a bit of a focus on oh he's quite pretty and he faints/is knocked unconscious in both of his first episodes, and a lot more flirting, and the people want to see sparks or what have you... but the doctor as portrayed and written is still... not coming at it that way. yes yes girl in the fireplace but also, once again, doesn't work for me, because I find it soooo much more interesting that the doctor would imprint on A Life - and a life that they admire -- and speedrun the exact thing that they're most afraid of with their companions... that she ages and dies and it's the one thing that the doctor simply cannot stop
meanwhile rose is quite young and swept up in this whole massive adventure and very much reads the doctor not as an alien (frequently surprised by their alien-ness) and gets jealous of sarah-jane as if she's an ex, and renette as if she's... a replacement? but really it's more that the doctor met her at the point when she was about to accept her life as it was. not an exciting life, not a bad life, but always having to ignore the idea that there must be more to it than this. and the idea that she might be unceremoniously dumped back in that after seeing just how This the this could be, of course that's terrifying. and of course she's simultaneously taken with the dashing doctor and the jetset life, and worried she could be replaced, because to her the doctor saved her at 19 years old. in some ways the doctor created her (considering who she becomes after dooms day)
contrasted to martha who initially has a similar kind of experience, but the doctor doesn't meet her at the space she's in with them -- ten is leaning on her, like they did with rose, but not giving anything back unless kicking and screaming and traumatising her whole family. martha's trajectory is so so tragic, because she barely gets a taste of the splendor versus the horrors and the latter marks her for life. but she also knows to walk away from those overwhelming feelings, rather than give into them, she knows they'll never be rewarded and she also grows beyond wanting to be a crutch for the doctor (the fact that she then ends up as a soldier, well... ouch)
and then of course donna, who never has those fucking awe-feelings to begin with and whose connection with the doctor is explicitly de-romanticised but never placed on a lesser pedestal as if there's a hierarchy of alloromanticism. topples those pillars, never sees the doctor as anything but what the doctor is. good old donna. (sobs.) (but also... cautious hope for the specials.) (but also sobs.)
my point being. just don't buy alloromantic doctor, they're a near-immortal alien. it's such a dull simplistic way of reading their relationships to other beings. other point being. all those women who were making heart-eyes at ten, wish they'd met thirteen and had a... "yeah, this still works for me," moment. their horizons, too, are broadened by seeing More. (that or they realise they were never actually "in love" but just thought ten was a sexy skinny little snack and it blinded them.) (although jodie whittaker, too, is a snack.)
and lastly lastly ofc, is that if the doctor has a longterm (by doctor time measurement) intense relationship with anyone, whatever that might be called, it's the tardis. and that relationship is also so alien it cannot be quantified by human words for concepts
#im rewatching doctor who#doctor who#dw#aroace doctor#look im rewatching into 13 and beyond i am willing to entertain yaz and 13 because we enjoy a good bit of lesbianism#however will wait and see because the doctor in my head is so so aroace in every incarnation#they just manifest it in different ways#i could go into the whole eleven-and-river and how i feel about that#i am perhaps in the minority in that river's arc just doesn't work for me and often neither does her character#i kind of want to listen to the audio adventures because ive heard she's got much more to do there#than be a flirty enigma/sexy lady/moffat fantasy#but i can say that one of my least favourite things about moffat's run was how 'sexy' he tried to make everything#by literally just having people use the word sexy all the time and talk about bad girls and what have you#it's like sexiness as written by a straight teenage boy#and not a supposedly grown man writing for grown people#other minority opinion perhaps but eleven just isn't my cup of tea#am interested in how i'll feel going back into that run#dont like matt smith much dont like moffat much and dont like what they envisioned for the doctor and how they directed/acted the doctor#feel like capaldi had to claw the character back into some semblance of thematic coherency#i was never too much into especially ten getting a bit high and mighty with lonely god and the like titles BUT#waters of mars places that in a very particular context that makes it so so gooood#(another post for another day about companion opinions)
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irradiatedsnakes · 8 months
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Can't believe they went for the weird Vanessa/Ferb thing when Candace is right there. fuckin straight people smh /hj
REAL like you couldve done anything else. if they so badly wanted vanessa to be in a relationship in the timeskip ep (which she's barely in in the first place..) there were multiple better options than the kid 7-9 years younger than her.. like not even her canon boyfriend during the series that's actually her age. come on
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yourqueenb · 8 days
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Feeling another random burst of self confidence (probably due to lack of sleep honestly) so have a heavily made-up eye reveal I guess? 😂
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resident-gay-bitch · 4 months
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Let’s be honest here, if James and Sirius were girls (into eachother or not) they would be known as the “lesbians” around school.
As someone who went through highschool as a girl having a very close friendship with a girl (and let’s face it, yes I was desperately in love with her and no it didn’t end well, but that’s bedside the point because these rumours went around before I fell for her) we were Always asked if we were dating and when we denied it people didn’t believe us. And if people didn’t think we were dating they thought we wanted to date, and yeah it was primarily guys thinking that which I’m not even gonna get into because that’s a whole sexist fucking gross thing there, but still!
You can’t tell me, if you’re like gen z or in a generation where queerness is known through your highschool and like not the worse thing in the world, that you didn’t have a set of girl best friends that everyone thought were in a queer relationship.
I happened to be in like, almost all the “lesbian” rumoured relationships at my school because, after the first one, I shaved my head and became the school dyke and then any close female friend I had meant I had to be in love with them and if they seemed smiley around me back it was assumed we were dating.
But like, James and Sirius were That Close, and if they were girls, they Would be The Lesbians. If they were just best friends, everyone would assume they were lesbians. If they were secretly in love with eachother and never said anything until it was too late, everyone would assume they were lesbians. If they were dating and just didn’t tell anyone, everyone would assume they were lesbians. If they were dating and did come out and tell people, no one would be surprised.
I think there’s something special about that. And I know from personal experience being known as the lesbian couple of the school even when you’re not isn’t the greatest, but like as someone who’s experienced that and also experienced it in a more positive way (where people were just supportive and wanted us to date because they genuinely thought we’d be good together and we liked eachother) it’s just something that’s bound to happen.
Apparently you can’t have two girls that close to eachother that aren’t your typical “straight laced “normal” girls” and have them not be cast as the school lesbians.
James was a quidditch captain nerdy smartarse, and Sirius is an alternative black sheep with severe mummy issues. They’re gonna be the lesbians.
And I adore that.
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