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#every character is on point even the bad ones
tjjamess · 1 day
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Im watching a different Les Mis YouTube bootleg every day for a week (because I’m actually insane) so here is a little dump of my thoughts and little details I liked about each one.
Day 1
12/05/2007 Broadway Production
Https://youtu.be/oLOGOiK3zCM?si=_U2Ry5HBa84OfKxY
This is the one that started this whole things cause I heard that Grantaire played the guitar
One song in an Javert and Valjean Are far closer than they need to be
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Like was it really necessary to get that close (not that I’m complaining obviously)
Also this Javert kinda… *gets sprizted with water*
omg Fantine’s actress was so good I can’t even comprehend
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Like look at that ^
magnificent!
The Thenardiers lean very far into the comedy relief characters
Gary Beach as M. Thenardier!!!
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Gavroche was such an icon this performance
favourite character fr fr
and he had a little red bandanna in his costume and I just love that so much
Grantaire carrys him on his shoulders in one day more and he stands with Enjolras in do you hear the people sing
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Speaking of one day more this performance was really good
but back to Gavroche…
im gonna pull a Javert cause when Gavroche goes to collect the bullets it’s NOT HIS LITTLE PEOPLE SONG AND IS INSTEAD A MUCH SADDER VERSION
im just gonna attach the video cause omg I can’t
Gavroche’s actor was so good man
he sounded so fucking scared I’m crying
On a lighter note I loved cosette so much her actress was actually so gorgeous and so good
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A heart full of love was actually hilarious though
cosette kept turning the other direction every time Marius looked at her to the point she would run after him then turn on her heels in like two seconds flat
AND there was a moment when Marius introduces Eponine and Cosette and they just stare at each other for a long moment I can’t even
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Eponines actress was very very good
she sounded a little like she was trying to sing like Frances Ruffelle but she was good so I’m not complaining
A little fall of rain was so sad in this one man
she tried to give him one last kiss before she died but she DIDNT GET TO AAAA
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Enjolras hugs Marius and Grantaire shares his drink with him after a little fall of rain!!
then of course guitar Grantaire and accordion Jehan are a highlight
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The sillies
Javert soliloquy was a masterpiece but to be fair I say that about every version of Javert’s soliloquy
but you see what I mean when I say Javert kinda…. No! No! Not the spray bottle again!!
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I suspend my hate on Marius for this actor cause he was really good I really like his voice and he was a silly little guy
Empty chairs at empty tables hurt my soul
the wedding was absolutely gorgeous the lighting was so good I can’t
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Like look how pretty that is ^^^^
i cried like 3 times with was a very good cast very nice very nice
the camera quality wasn’t too bad (other than the few times the camera would get hidden but eh what can you do)
very good I would probably rewatch this bootleg again
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yellowocaballero · 1 day
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Continuing the JJK posting: Gojo is such a mystifying character.
Action show where swinging out the gate you introduce a character who is so incredibly powerful you then have to, before every fight, establish why Gojo can't just show up and fix the problem in seconds. His existence weakens the stakes of everything. The rest of the show you are backflipping ridding yourself of him. He jobs two major bad guys off the gate and every subsequent extensive fight with them feels like cleaning up his leftovers. Put him in a box, he's ruining the game balance. So absolutely broken. As a writer it makes your job so difficult, but it's also the entire point of him. "Hey I want to write the single most badass character of all time who can do the most insane shit but I will also engage with that", rock on king.
I think he's most interesting when understood as somebody who is fundamentally alien and removed from ordinary human thought processes. In his world there is absolutely nothing he cannot do, and the thought 'maybe I can't do something' just doesn't occur to him. He is capable of doing whatever he wants and of killing anybody who tries to stop him from doing what he wants. If he is not doing something, it is because he does not want to do it. If he wants to do something (kill all of his superiors) and he's not doing it, it's because he doesn't think it's the most effective route towards what he has decided to do. I think this informs the majority of his actions (and, importantly, what he doesn't do)(murder). I think he's reasoned out that you should have a general reason to do things, and it feels like sheer luck that he places value and meaning in human life, and as such you shouldn't kill them without a strong reason. Watching the flashback arc, if I hadn't seen a) JJK and b) Naruto and you asked me which shitty teen became a law abiding school teacher and which became a mass murderer I would have guessed the wrong ones.
Anyway, the way I like to think of him, he's a raging narcissist with a god complex to match. Horrifically, he's actually a good teacher, but he is also a teacher as an ego/'raising my child army' thing. He would be the kind of mother who is a good mother but lowkey had kids also as an ego/unconditional love/lots of attention/'surely my child will worship me' thing. Gets randomly into new hobbies, obsesses over them, gorges himself on the novelty factor, before dropping them in a week once he gets too good at them. Rinse and repeat. The only hobby that does not eventually grow boring is annoying people, so it's his only hobby. Geto told him age 15 that he'll never have any friends if he keeps on casually reminding people that they live on his sufferance, so he developed another back-up hobby more conducive for friendship of helping people forget that they live on his sufferance. This has convinced him that he's a god of subterfuge, intrigue, and trickery. Does eat women out, but is convinced that this makes him God's gift to women, and is actually pretty terrible in bed because his partner's desires never even occur to him. Is convinced he's as good at sex as he is everything else. Sex is actually the one thing he's bad at, but he's not ready to hear that.
In S1 he overall left me with the general impression that his entire idea of how high school worked was sourced from anime, and as such decided that being a teacher involved nothing but field trips, sports games, beach episodes, sports festivals, etc. Did not know how the classroom component worked so he skips it. Jossed, but also left me convinced that it would be very funny if he was an immortal 150-whatever years old and had founded the high school himself out of, you guessed it, an ego thing, and never once properly learned how high schools worked and just arbitrarily made his own aging students the new principals so he could continue engaging in training the kids who are too Misfit (TM) to get apprenticeships and living his fun slice of life anime life and raising a child army of kids who will worship him any day now. Annnyyyy day now. Any day now.
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sapphologic · 3 days
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Rings of Power Galadriel actually makes sense.
I'll die on this hill and maybe I'll die alone but that's not the point, if I hear another Tolkien “““loyalist””” piss and moan about her I will throw hands.
“She's not like in the movies!”
My dudes, so was Arwen when PJ replaced Glorfindel with her. That argument is hypocritical. And since when is PJ the measure for the fandom, as some of the haters even hate on these movies, despite them being masterpieces.
“She's so stubborn and rude!”
My fucking DUDES ... Her Elven name is literally 'man maiden'. Would you say the same about a male elf on a quest for revenge?
“Her lore is wrong!”
Well, the showrunners couldn't buy the rights for other writings of Tolkien than The Hobbit, The Lord of the Rings and the appendices. The Estate is ...well, the Estate. I wonder if Tolkien would like the way things are handled at all. If you have to worm your way around protected lore, you gotta do it.
“Tolkien's canon is fixed.”
Holy crap, the dude wrote on toilet paper and revised so many things. At one point you just gotta say fuck it and roll with what you like. Are we going to argue about Gil-galad's canon too? Oh wait, Tolkien left that out. Conveniently. He left as many things unclear as he revised previous statements. Over and over. And over. I'm getting whiplash from it frequently.
“Her character/personality is butchered.”
No. Just no. Again: Her literal Elven name is “man-maiden.” Tomboy. Did I stutter?!
That's what you call butchery is a character arc for an amazing heroine who has yet to learn and unlearn. Her ambitions and her hatred are obstacles on the way to become the wise and fair Lady of Lórien. Again: character arc. You should look it up.
She'll have her share of experience, change of heart, desires and hopes. She will change in the series, I would swear on the precious.
You're welcome. I did the work you should do to understand the character instead of being a crybaby about the changes you don't personally approve of. Prime doesn't need your approval. What you gonna do? Piss and moan even harder?!
Also, if you hate Haladriel, don't ever come to my doorstep whining about it. Exactly the kind of ambition Galadriel shows would let someone weaker than her fall in Sauron's hands. Take his hand in marriage. Rule. (and be ruled.)
Actually that ship is worth exploring. Galadriel isn't a bad person, at best she's misled by her thirst for vengeance.
And as an encore since the fanatic crybabies love to demand that every single word written by Tolkien ever has to be met with a 1:1 transfer into other media:
The movies and/or movies doing that would be unwatchable monstrosities and no one would have the patience for that. Same stupid reasoning as in WoT. Also: would be a monstrosity and also... some things you don't want to be seen through a modern media lens...bc then your straight white male “demi god” of an author would be considered racist or sexist or homophobic... Do you really want that? I don't think so. You don't have to embrace changes blindly, but having a hissy fit like a damn toddler about each and every inconsistency/discrepancy just makes you look like a fool.
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h50europe · 22 hours
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When one side of the fandom lies bleeding while the other one is thriving or how I learned about fandom wars the hard way
This is a message from someone whose beloved ship rests forever in the depths of the ocean.
We had high hopes. It looked like our ship was afloat and ready to explore the seven seas for three seasons. Then, the show got a new showrunner who was very homophobic, and from that point on, the show and our favorite ship went downhill. Even though I'd been in different fandoms for about fifteen years and should have known better, I let myself get caught up in an unprecedented fandom war. Those who favored the Het couple were attacking one half of our ship, not just his character but the actor. Don't think they don't know what's going on just because an actor isn't on social media. We knew some crew members and learned that everyone knew about this fandom war.
The whole thing escalated until the show's final episode, which came to a more than undignified end after ten years. Knowing what he was doing, the showrunner wrote an ending that damaged the show and destroyed our ship. It was bad. There were words like, "Now we're dancing on your grave," and much worse. I was mentally at the end of my rope at that point. Then, the sets were immediately dismantled after the last scene was shot. It's something that happens very rarely when a show reaches some cult status. Our ship didn't even do a joint farewell interview for the fans because the actors left the set quickly and never looked back.
Why am I telling you this? Because I've learned to observe things from a certain distance.
We are fans of the same show but have different priorities and ships. As a multi-shipper, it's easier, I'd say. But those who are running amok right now because their ship is staying in the harbor while another is sailing away with flying colors brings back extremely unpleasant memories to me. But the same goes for those who are just as happy about what's happening and are starting to lose their grip. Please take it from someone badly burned: This is not a competition. This is not me winning and you losing. It's deceptive to think you're on the winning side and make fun of others for it. The tide can turn. We don't know what the showrunner has in mind. We don't even know that season eight might not be the last. Take what we have right now and be thankful for it. Enjoy it while it lasts. But don't be tempted to point fingers and mock others or say, "Your ship will never be canon. Mine already is. Your ship is crap. Mine is better." Also, do not be fooled by the fact that the haters in the fandom are a small group of people who only appear to be many because of their vocality and because some are playing the old sock puppet account game again to make it look like they are many.
I can only tell you from experience that we should treat each other respectfully. Not every Buddie fan is an enemy. Unfortunately, I also see another phenomenon that is becoming more and more common. Fans barely dare to post anything for fear of the crazies in the fandom (which unfortunately exist on both sides). Fans who have nothing to do with a fandom war want to have fun. And if they have a ship, they just want to interact with like-minded people. Which - especially on X - seems to turn into a gauntlet. Because suddenly, Your Rudeness sneaks into the conversation and starts pissing on the timeline. For clowns like this, the block button still works. Getting involved in any discussion is pointless. I also had to pay dearly for this realization.
"Never wrestle with a pig because you'll both get dirty, and the pig likes it." - Positive energy is much more powerful than negative energy. If you stay positive, negativity can't touch you. Oh, and I've wrestled a lot of pigs. Other than excessive blood pressure, gastritis, and countless sleepless nights, it didn't do me any good.
Stop participating in dick-measuring contests. Stop bragging about your favorite ship and how the others are nothing but losers. Stop saying we won because we didn't. Again, this is not a contest. We are on equal footing, and we can all coexist in peace. There is plenty of room. For everyone, for every ship, for every fan. Oliver made a single statement for those unhappy with Buck's journey and his current travel companion. He dropped it for good. And I couldn't agree more with the message and how he did it.
Of course, we would like to see more of our ship. Of course, we want the actors to have a relationship storyline to sink their teeth into, and hopefully, we get to see some domestic stuff and some hot scenes. But so far, that is fanon and not canon. So far, there is usually more going on off-screen than we see. We can only hope that this will change. Those who call themselves open-minded and tolerant while going on a witch hunt should think twice about what those words mean, and they should live them and not just throw shallow phrases around.
My wish for the future of this fandom is that it becomes a safe place. Safe as in a h*te-free zone. A place where no one has to be afraid to speak their mind. And a place where you can express (constructive) criticism without getting a shitstorm. Peace out.
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aceptical · 2 days
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Honestly I would love a Splatoon game geared at a 13+ / older audience- or even one still aimed at the same audience that really addresses the topics it brings up.
Splatoon covers darker / more mature topics. Child soldiers shooting each other, invading the land of another species for profit, suppressing another species for over a literal century, how extreme fame affects people, being ostracized / “found out” for being different, being terrified of change, etc. but it never really covers them.
They are there: especially when you look into things like the sunken scrolls or resources outside of the game, but that’s kind of it. And that’s fine!! You don’t have to address them more obviously if you don’t want to. It’s a kids game first and foremost (and even if that isn’t really a great excuse, whatever).
But I would love a game that delves more into these topics, or just getting into these characters heads more. Using outside information and reasoning stuff, we can analyze basically every character well, but we never really see any confirmation in the game for most of it. We know from the relationship chart and the squid sisters stories and whatnot that Callie willingly went to the Octarians, likely due to the pressure of fame and being on her own, but this is never really explored in the game which sucks because there’s so much potential there! Comments on how fame affects people, escapism, and Callie’s, essentially inability, to be alone (since she’s able to step back into the spotlight again once she has Marie with her, both with the squid sisters performances obv but also the news/map announcement thing). And I get that that’s not the story they were trying to tell, but it would be so nice to have a game that delves into this stuff rather than leaving it off to the side where most of the playerbase probably doesn’t know about it.
Splatoon has a really big problem with exploring character’s darker parts of them / adding complexity to characters. Take Callie again: hypnosis cannot make you do anything that you don’t want to do, so hypno Callie’s personality was still Callie, just those darker parts. And that’s just- kind of ignored, past a few one liners (deep cut’s introduction scene.) Then the same exact thing happens with Marina, except we don’t even get to delve into it as much because it is literal brainwashing or mind control or something where she very obviously has her free will taken away. Which sucks!! Because it would have been so interesting to delve into that desperation that comes with wanting things to stay the same, unintentionally hurting the people you’re trying to help / protect, all of that kind of stuff, and then it’s just shrugged off for the rest of the DLC. Which, again, it’s fine that they didn’t want to tell that story: but it’s still missed potential regarding Marina.
This even affects antagonists, too: mainly Octavio. This is kind of remedied by him helping us in Splatoon 3, but it’s never really explored. He does what he does to help his people because they are literally dying from a lack of resources + power. I like the fact that the Splatoon 1 story doesn’t address this, but it could have been really interesting to see- even just a bit of this- in Splatoon 2, especially since it’s the introduction of giving the player that mentality shift from “Inklings good Octolings bad” to “Well, it’s more complicated than that.” This one is explored in the sunken scrolls a bit, but it would be nice to get a little something more regarding Octavio’s motivations (beyond just steal the Zapfish to help his people)
I really hope that, come Splatoon 4, whichever characters it focuses on (since the inkling / octoling conflict is over at this point), it really focuses on: give us more of their flaws, that complexity, and do it in game instead of through easily ignorable twitter posts.
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k4pp4-8 · 2 days
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Is there anything you wished the Show Ok. Ko Lets Be Heroes focused more on? Whether it be a character, relationship, arc, villain ect?
OH BOY THERE'S SO MUCH I WANTED TO SEE
1. FIRST OF ALL I REALLY wish they had more time to focus on the big reveal because I waited since season for them to talk about the whole POINT situation and when they finally DO reveal laserblast's identity it's completely rushed. This is such an emotional plot line for MULTIPLE characters yet we only see a fraction of it! LIKE PLEEAAAAASE I WANT TO SEE MORE OF HOW THIS AFFECTED CAROL!!! What she went through is so tragic, she lost her love, her dream, her friends, AND she had to raise the child of her dead lover alone. And yet she stayed strong through all of it and became the best mom ever. (Carol I love you plz marry me)
ALSO I WILL NEVER GET OVER THE FACT THAT WE DON'T SEE GAR'S REACTION TO THE REVEAL!! He literally blamed himself for laserblast's death, who was his teammate, his best friend's lover AND K.O's father. Just imagine how he felt like knowing K.O looked up to him as a father figure while thinking it's his fault K.O doesn't have a dad???
And also every other POINT member's lives were immensly affected by laserblast's death, like Rippy roo who dedicated years of her life trying to find a way to bring him back or Greyman trying to make a hero people could look up to or Foxtail still holding a grudge against Gar for what happened. I reaaally wanna know how they would react to knowing not only their friend is alive but he is also a successful villain.
2. Another thing I REALLY wanted to see was Rad and Dendy's relationship actually being explored! I used to think her "obsession" with Rad was nothing more than a gag but I saw that there was supposed to be an episode explaining that "she looked up to Rad because he's unashamed of who he is even though he comes from he considered as unusual family background." AND IT JUST MAKES SO MUCH SENSE!!!! I think that would've been an amazing way to explore both of their characters.
Also it's pretty ironic because Rad IS ashamed of who he is! Since day one he's been hiding things he loves and acting like a jerk to cover up his insecurities. I think Dendy telling him she looks up to him would've encouraged him to change the way he acts just like in the "Radical rescue" episode, when he tells K.O he doesn't want him to imitate his bad behavior.
3. Now we're getting to the REAL interesting part. BOXBOTS!!!! LISTEN I HAVE SO MUCH TO SAY ABOUT THEM BUT I'M GONNA TRY TO MAKE IT SHORT AND UNDERSTABLE.
I REALLYYY wish we had more moments of vulnerabilty with them. Pretty much every single one of their scene is comedic and, while I do ADORE the comedy, I still wish they were taken more seriously. Like their whole situation is really tragic in many ways yet it's completely ignored. I know it's a mostly light hearted show but the boxbots are never given a genuine moment that felt like their feelings were taken seriously. It's probably just me who's wayyyy too attached to them but my favorite moments are when we get to see the more "human" side of them. Like when they act like an actual family, playing board games, having dinner together, hanging out, or bickering like siblings
I wish they explored how being robots affects them and the way everyone treats them. It's like robots are not considered like "real people" to some degree. We already know that in the okko universe being a certain species will change the way people perceive you and treat you (ie aliens and kappas) and it's shown to be a bad thing when it happens to Rad and Dendy, but when the bots are treated badly it's always seen as a joke and brushed bc you know , they're robots so who cares. There's like an implication that all robots are inherently bad because they're robots, K.O even said Mr.logic was "one of the good ones" implying he's just an exception (also it's crazy that he actually said that sentence and no one batted an eye)
And finally the ONE thing I really REEAALLYYY wanted to see more of is *drum rolls* LORD COWBOY DARRELL (who could've seen that coming)
LISTEN THERE WAS SOOOOOOOOO MUCH POTENTIAL THERE IT ACTUALLY MAKES ME CRAZY JUST THINKING ABOUT IT I WISH I WAS EXAGGERATING!!! Like for the first time we actually see boxman suffer the consequences of his actions, his kids FINALLY stand up to him after being treated like crap 24/7 and then he's forgiven in episode two??? And we don't even see how this affects the other bots!! Like Raymond and Shannon also loved boxman but they seemingly didn't hesitate to side with Darrell over him. I wish they explored how they chose their brother over their father who they were absolutely devoted to since birth.
I was actually disappointed to see Darrell forgive him SO easily and all the character development he could've had was thrown out the window in two seconds!!!! We actually get a glimpse of Darrell's potential but it's all forgotten as soon as Boxman becomes the boss again
I loved seeing Darrell actually fight back for once because he is one of the characters who gets mistreated the MOST by the whole cast. Half of his scenes are just him getting beat up and insulted, he's always treated like an idiot or a joke character so it was incredibly satisfying to see him actually stand up for himself and take charge. Like yeah he is goofy as hell and very immature and I love that about him! But when he became Lord Cowboy Darrell we actually got to see a whole new side of him. He was cunning and smart and resourceful and it KILLS me that we never got see that side of him again. I wish people aknowledged how competent and mature he can be instead of treating him like an actual child. I actually hate how infantilized he is sometimes
Anyway I could go on and on and on forever about the boxbots but that's just a few things i wish the show focused more on, there's probably more but I can't remember them rn
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welcometothejianghu · 15 hours
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Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 伪装者/The Disguiser.
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The Disguiser is a 2015 spy drama set in Shanghai, 1940. It follows the adventures of four wealthy siblings, all of whom are to some degree engaging in coordinated espionage, subterfuge, and other general acts of sabotage against the brutal occupying Japanese force.
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I need to mention the Nirvana in Fire connection up front, because yeah, if you've seen that, you've probably noticed some familiar faces already. And the comparison isn't unwarranted! The stories are completely different, but they're both character-driven, complex, subtly cheeky adventures that manage to keep that tense intrigue going throughout the narrative. Like Nirvana in Fire, the Disguiser's on the heftier side -- 48 episodes -- but they go by at an incredible clip, so that it never feels long.
I have done a rec post for this before, and I stand by everything I said there. However, I figured it deserved its own for-real rec post, so here we go with five specific reasons I think you should give it a try.
1. We're all comrades in horny jail
This is an intensely horny show, starting from -- but absolutely not stopping with -- the main quartet.
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These are the four Ming siblings. Only the elder pair of them, Ming Jing and Ming Lou (both on the passenger side of the car), are blood-related to one another. Ming Tai (also in the back seat) got adopted into the family when he was young enough that Ming Jing's relationship to him is very maternal.
Meanwhile, Ah Cheng (driving) was somewhat less thoroughly adopted when he was around ten, meaning that he's always weirdly marginal when it comes to who actually counts as part of the Ming family. He's a brother, but also he's a servant. Sometimes he's in the family photos, and sometimes he's left out of them. His name is legally "Ming Cheng," but basically no one ever calls him that.
What this means is that you've got four incredibly attractive people who are all legally but mostly not genetically related to one another, keeping secrets both with and from one another, yelling at one another, running headlong into danger for one another, sleeping in one another's beds, and occasionally demanding some members of the family spank the others. Is it hot in here, or is it just them?
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And it's not just that these are pretty people up in each other's business. Nearly every interpersonal interaction among all the main characters is at least background levels of horny, because of how high the stakes are. The tension running throughout the show is intense -- and of course it is, because these are spies in life-or-death situations, trying to keep their cool so they don't get killed. So many of the relationships are built on lies meant to charm and seduce their targets, which is of course going to be sexy. But when they're built on honesty, they're all the more intimate for that disclosure, because being open with someone about your real identity and allegiances is putting your entire life into their hands.
To be clear: When I say the show is horny, I don't mean that it's erotic or salacious, or that you're going to get a peep of anyone's naughty little comrade, or anything like that. This is the horniness of lingering glances and shouting matches and power imbalances and guns pointed at chests. It's a combo platter of smouldering Victorian yearning mixed with action-movie adrenaline. It's the delicious, redirected horniness you get when sex isn't on the (canonical) table, so all that fraught energy has to go somewhere.
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Get to the part in Episode 6 where Ming Jing gets out the short whip. You'll be glad you did.
2. Bad, bad bitches
Some of the baddest bad guys in the show are ladies. In fact, I can't even tell you about all of them here because of spoiler reasons. There are two, however, who deserve special mention.
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The first and most prominent is Wang Manchun, member of the Japanese-controlled government's intelligence service, who is one of the best antagonists I've seen in anything. Perfectly coiffed and devastatingly intelligent, she's a member of a powerful Chinese family who has chosen to work for the Japanese-controlled intelligence bureau. She can be genuinely warm and sweet, almost girlish even, when she's around someone she likes. She can also torture a dude to death without smudging her eyeliner.
Her fatal flaw is that she's so in love with Ming Lou -- and so mistakenly convinced that Ming Lou is in love with her -- that it makes her make some extremely bad decisions. When was the last time you saw the handsome gentleman be a honeypot?
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I feel okay spoiling you about the fact that these two do not end up together. Ming Lou does not see the error of his ways and start returning her feelings -- which is what I was damn near certain was going to happen for almost two-thirds of the show. I was braced for the show to come in singing the praises of the redeeming power of heteronormativity! NOPE. She's crazy and she needs to go down.
(I do have some issues with how she goes down, but ... well, you'll understand when you get there.)
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The other baddie, Nantian/Minamida, is a stark contrast to Wang Manchun. There is nothing delicate or femme about her. She gets given the worst hairstyle and the most unflattering outfits. The actor's features are already strong, and the way the show makes her up doesn't allow a single inch of softness to slip out. There is one point where she gets to dance with Ah Cheng, and she's painfully wooden. It'd be funny if she weren't so dangerous.
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As the section chief of the Japanese forces in Shanghai, Minamida is a formidable foe. She's smart. She's mean. She's incredibly suspicious of all these smiling Chinese people who surround her, because she doesn't know which ones are legitimately sucking up to her and which are just waiting to drive a knife into her back. Just plain killing her would be easy. Killing her and getting away with it? That's what's going to need a plan.
The actor is also Japanese! In fact, they've gotten a fair number of Japanese actors to play the Japanese characters, but she's the only one who also speaks Mandarin competently and doesn't need to be overdubbed by a native speaker. She's scary and intense and kinda makes your skin crawl. It's great. She's great.
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And while we're talking about bad girls, I'm also going to shout out Yu Manli in here, because while she's not a villain, she's absolutely a morally grey character -- and I love her to itty bitty bits. She's about three inches high and weighs about five pounds soaking wet, and she will murder the heck out of you. Baby girl.
3. It's queer in here
The original novel is not danmei. No boy-kissing has been censored, because there wasn't any in the first place. The author/screenwriter is a lady, but not one who dabbles in BL. This does not merit the "Censored Adaptation of a Same-Sex Work" tag on MyDramaList. Censorship didn't do anything to this one. It was never gay.
That said, the show is massively queer, in that it lauds textually the normative experience of getting married relatively young and having lots of children -- and then gives you so many characters, both heroes and villains, who don't do that.
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I mean, we've got:
Adult unmarried siblings living together
A grown woman who has intentionally remained unmarried in order to manage her business and family interests
Two adult brothers, both bachelors, who basically live in one another's back pockets
In fact, plenty of people who seem to have forsaken marriage and children in favor of their various active patriotisms
"Life and death partners" who have to fake-date their way through a couple spy missions
A teenage girl sold into sex work who offers to marry the man who saves her and is politely turned down for her own good
The same teenage girl pulling a black-widow routine and using multiple other marriages as a pretense to murder dudes
A couple whose marriage is forbidden by their families, except they do not end up together
A guy who has to break up with his real girlfriend so he can pretend to be with the spy colleague he lives with
A single woman who adopts a child
Two orphaned young adult siblings who adopt two children not that much younger than they are
A heterosexual relationship between people who are functionally equals in their various underground organizations (which don't want their members having romantic relationships with anyone)
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A note on that last one: There is a cishet normie love story that runs the length of the show. A lot of people dislike it; I think it's cute and fine! But no matter what you think of it, you have to note the sharp contrast between this prescriptive tale of young love and everything else that's going on around them. There's a lot of lip service paid to how their marriage and the children they will presumably have someday are the ideal, but it's certainly not the only way people live, or even live well. In fact, everybody else treats their romance a little bit like oh, thank goodness he's doing this so we don't have to.
Other aspects of heterosexuality are similarly praised in concept, but not really shown in the best light. There is a lot of filial devotion involved here, but overwhelmingly toward parents who are dead. Living parents, by and large, either are absentee or just plain fucking suck. The show even has very few married characters anywhere in its principal cast, and most marriages that even get so much as mentioned either are portrayed as scummy (because the husband sucks ass) or ended because one of the partners died. Even the very idea of marriage, while praised in theory, doesn't thrill most of the characters. At one point, when Ming Jing brings up the idea of Ah Cheng's getting married, Ah Cheng cannot extract himself from that conversation fast enough.
What this really does mean is, when it comes to heteronormative ideals, the show frequently says one thing and does another.
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Do I think the show is queering things on purpose? Absolutely not. This is instead one of those situations where there's such an underlying assumption that heterosexual desire and family unit construction are universal constants ... that the show barely actually gets around to portraying those things as good.
What you get instead, then, are a lot of powerful interpersonal ties that cannot be satisfied by marriage. The most intense loyalties in the show are between people for whom heterosexual pair bonding is not a social or narrative option. Therefore, those intimacies form along different pathways, many of which fall way outside the socially acceptable parameters of marital respectability and reproductive obligation. People love one another fiercely in sometimes unconventional ways. It doesn't get much queerer than that.
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I'm also going to put the phrase "the inherent eroticism of letting someone who loves you shoot you with a sniper rifle" right here and walk away. Perhaps it will intrigue you. Perhaps it will intrigue you extra to know this happens more than once.
4. Jin Dong in menswear
That's it, that's the selling point.
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Okay, wait, I do have something to add: In a sea of strong performances, his is arguably the best. He absolutely nails this tone of quiet, competent exhaustion the whole way through, making his Ming Lou this perfect gentleman on the verge of collapse.
You learn (somewhat confusingly) in the very first episode that Ming Lou is an important minister for the economy under the new (Japanese-controlled) government in Shanghai -- except, no! He's actually secretly the captain (codename Viper) of the local KMT division, working to undermine the occupying Japanese forces -- except, no again! He's actually -- and this is the real one this time -- head of intel (codename Cobra) for the Shanghai CCP underground.
(I bring up the codenames because my first time through, I didn't fully realize that they were attached to his different identities, and I just thought the occasionally spotty translation couldn't agree on which English word to use for the same snake.)
Living this three-identities-deep life is taking its toll on Ming Lou, but you know what? He's also a damn professional. He comports himself in exactly the manner he's supposed to behave at all times. And Jin Dong sells it beautifully, this carefully restrained exterior that houses a passionate heart.
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This to me is the reason his relationship with Ah Cheng is so precious: Ah Cheng is the only one who understands, because Ah Cheng is living the same life of nesting-doll secrets. It's easier on Ah Cheng, though, because he doesn't have to be the face of it all; he just gets to smile and do whatever his da ge tells him to. They are each tasked with taking care of the other in ways great and small. I'm not going to spoil its context, but one of the most powerful moments in the show is when Ah Cheng says matter-of-factly that he knows his life is worth less to Ming Lou than other people's are, and Ming Lou, to put it mildly, pointedly disagrees.
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So yeah, this is The Ship.
If you consider their relationship entirely fraternal, theirs is an incredible dynamic of trust, dependence, vulnerability, and sacrifice. If you consider it fraternal and spicy, well, it's still all that, but also enjoy picturing them tenderly removing each other's really nice suits piece by expensive piece.
5. You gotta spy hard!
Imagine the spy media spectrum where at one end you've got James Bond and Mission: Impossible movies (sexy, glamorous, high-tech), and at the other end you've got the Rebel and John LeCarre novels (grueling, well-reserched, realistic). The Disguiser is well toward the latter end of that continuum. It's got a bit of a Hollywood gloss on the whole mechanics of spywork, but man, not much of one.
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Despite what the title suggests, most of the spies in this show are exactly who they say they are. Ming Tai is the only one of the siblings who assumes temporary false identities as part of his spycraft, and even he really can't do that anymore once he's back in his native Shanghai, where he's the recognizable youngest son of a prominent family. They all have to be spies in plain sight, which is equal parts a hindrance and an asset. You've got to see Ming Jing do-you-know-who-I-am her way out of some shit. It's great.
There are some legitimately tense scenes and escapes, and I like that most of the threats are overcome by quick thinking and very good acting. The schemes that our heroes pull off work because our heroes understand what makes certain people tick, and other people can't pull that shit on our heroes because our heroes have one another. It's smart spywork that stops short of being grandiose. Even the big plans that involve several steps rely less on supernatural feats of timing, and more on just trusting human nature.
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The show is definitely spinning a propaganda yarn about how the noble Communists saved the day during the '40s, and in doing so it takes some pretty entertaining liberties with history. Even so, the particulars of the political philosophies are absolutely secondary to the conflict. You're never going to get a scene where two guys excitedly detail just how much Mao rules. At best there's some blah-blah about freedom and love of country that could be transposed onto any nationalist ideology without a lot of work. If you asked me, based only on information provided by this show, to explain the difference between the KMT and the CCP, my main answer would be, one group uses a code name that's one kind of snake, while the other uses a code name that's a different kind of snake.
And honestly, it's kind of nice. All you really need to know is that the Communists are cool, the KMT are okay but definitely less cool, and the Japanese and anyone who works with them fucking suck. I can do that! I grew up in a sports-watching family. I'm used to being sat down in front of the television and told, we want the guys in the blue uniforms to beat the guys in the white uniforms. No sweat.
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The plot does fall down more than a little bit in the final act, due to a combination of intentional obfuscation on the drama's part, a couple things that probably should have happened onscreen instead of off, and a sudden rash of stupid-ass decisions made by one character in particular. But by that point, you're invested enough that you might as well see it through to the end, right? The dismount's a bit shaky but ultimately satisfying, as the genre goes.
I'm going to say the same thing here I said in the Nirvana in Fire rec post: This show is not for everybody, but if this is the kind of thing you like, it is a fantastic example of that thing.
bonus: And speaking of Nirvana in Fire...
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Here's the full set.
Basically, if you watched Nirvana in Fire, you owe it to yourself to see the Disguiser. It’s another smart, character-driven drama, and you get to see a lot of your favorite actors in radically different roles, costumes, and relationships. (And speaking of costumes, both shows apparently have the same costume designer? That's range.)
Going to give this one a shot?
It's unfortunately a little hard to find. In my region (i.e., the US), KissAsian and YouTube are as good as it gets, both of which have their drawbacks. Some others among you may be lucky enough to be in a region where Viki will show it to you (which is where the KissAsian subs come from in the first place). There's a horrible set of machine translations running around out there, so beware of those; you'll know immediately you've tripped over those when they don't translate any of the onscreen text crawl at the start.
And speaking of the subtitles: Both extant sets, to put it politely, leave something to be desired. You can generally tell what's going on, but there are times you'll have to work for it. This is definitely more annoying when you're trying to follow a smart spy drama than it is when you're breezing through a low-intensity fuzzy xianxia mess. You actually have to pay attention to this one.
As a bonus, pretty much the whole thing was filmed in Shanghai Film Park, so if you're missing Dragon City, well, here it is! This was in fact the first Republican-era show I saw after watching Guardian, and I spent a lot of time going, hey, I know that street! ...like a nerd.
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You can feel the brotherly love.
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When did you start the original owl vid blog and what was it like? Was it more focused on reviewing owl videos? I’m just curious as to how you ended up involved in a bunch of discourse* about not-owls.
*lets just call it that for simplicity’s sake ahah
I made the original in either January or February 2020 after being frustrated to a breaking point seeing another video of an owl in an obviously bad situation being shared uncritically because the OP had mislead their followers about what was going on. “Oh this owl LOVES his kitten and duck friends!” “Oh look at this owl having SO much fun in the bubble bath!” It was endless. At the time there was genuinely no one questioning anything going on in any of them. My only outlet was to vent it to some of my friends in group chats and such. We would pass around different videos that ended up on our dashes and discuss the issues amongst ourselves just to be in a space where people actually said something because outside of those chats we were going mad seeing it time and time again.
I made the blog while scrolling tumblr aimlessly during a particularly long winded seminar I was sitting in on, I had reblogged a photo of a wild owl and tumblr began recommending various owl abuse videos mislabeled as cute. I had enough. I made a blog name and used large bold letters and emphasizing colors so my posts would be seen by people scrolling the reblogs. I scoured the entire owl tag and rated every single video I came across, typing paragraph upon paragraph detailing everything wrong with those photos and videos and it didn’t take more than a day or two before I had amassed a few thousand followers, people were interested. People were listening, there were a few “okay Karen” types here and there, but the large majority were willing to listen in a way I had never seen before. I had made posts like this on Facebook (not under an alias) and my posts were always immediately met with “who cares if the owl dies it’s just a fun video it’s not that deep let people enjoy things” and threats of lawsuits for “defamation” from the online personalities and “sanctuaries” i critiqued. To say tumblr was a breath of fresh air was an understatement, I have been on this website since ~2013-2015 (not on a themed blog, just various personal blogs I deleted and remade a few times, and a discourse blog or two mixed alongside a few admin slots making pride icons with cartoon characters for people), and I can honestly say this initial experience was the last thing I expected from this hellsite.
For the first few months, I wanted to hang onto that. I didn’t want to bring politics into it, this was just about owls and wildlife, I didn’t want to detract from the goal of educating people on how to spot animal abuse. And for a time that worked well. I was happy. The followers were happy. Until I started paying attention to the people following me and interacting with my posts. Usernames like “radical-clit” or “jake1488” would start to pop up more often. More icons would have kekistan pride flags, or just iron crosses outright. Some icons proudly just said “TERF is a slur” while others were naked white women in wheat fields. I had what I asked for, a truly “apolitical” space where everyone, even Nazis and TERFs felt very welcome.
And I took exception to that.
I made the first real post using my voice and my stances. I said trans women are women. I said Black Lives Matter. I said ACAB and I said wear a mask when COVID started to hit. I started blocking the ones that didn’t scatter from my blog like roaches, I went through my follower list manually and blocked every TERF, Nazi, and any other type of sleazeball I could find. I manually vetted a few thousand people.
This resonated with people. I expected backlash, and there was a fair shake of it, but I received more asks than I had before. Hundreds of strangers thanking me for making my stance clear and letting them know they were welcome. And that stuck with me.
I had made this blog to educate, and that is what I was going to do. So when I started getting asks from those opposed to my open sharing of political subjects, I responded to their hate mail as though it was a debate. I wasn’t trying to change their minds, I’m not that naive, it was to further educate anyone else reading about it, to tell the full story and to arm them with tools to fight back against bad faith talking points the right weaponizes. From that point on, I would get off topic asks questioning my political stances, and I continued to answer them. I wanted it to be clear where I stood because I did not want marginalized people to ever question if I was secretly a bigot.
I never stopped actually reviewing owl videos, however I did stop using the flashy long format responses to avoid annoying people. I had a following by then, I didn’t need to shout to be heard over scores of people fawning over animal abuse. I still rate videos today, but if it’s one that I’ve rated at all within the past year or especially one I’ve rated multiple times, I tend to ignore the message. I don’t go looking for them anymore for the same reason I’d imagine you probably don’t go out of your way to find videos of dogs and cats being abused. It’s upsetting, it’s emotionally tolling. There’s also only so many ways I can say “owls cannot safely cohabit with other species or more than one other owl”, “owls cannot swim well and don’t like being fully submerged in water for a viral tiktok”, or “owl cafes and pet keeping of owls are inherently abusive”.
If I’ve already rated three videos of people letting their toddlers or other pets manhandle large owls, do I really need to be sent six more? My point is Education, not sending as many upsetting videos of animal abuse as I can find to place on your dash and say things you already know if you’ve seen my other posts.
Anyway, for a shorter answer to your question: I get non-owl discourse consistently because I don’t shy away from addressing it. I don’t want my stances to be vague, I don’t want good people wondering if I support trump or genocide. I am a firm believer that silence is violence. I’m not going to do what white culture favors and simply look away and avoid the topic of injustices simply to make white users more comfortable.
This blog was never meant to be comfortable.
This is the “animal abuse is bad stop that” blog.
It would be weird of me to oppose animal abuse and them remain silent on abuses and injustices faced by human beings.
I don’t wake up in the morning saying “okay today will be 80% international politics, 12% discourse about the causes and ethics of pedophilia as a mental disorder, and 8% birds with 1% of that being owls. If someone asks me if I support trans rights I will answer them. If someone attacks me for that then I will respond to their attack.
If some days I don’t feel like looking for upsetting animal abuse and formulating an entire essay on why abusing said animal for entertainment is wrong, I do something else.
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doberbutts · 2 days
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it's very funny to me that exactly 2 people I follow are posting a lot about BG3 and one of them hates Astarion and loves Gale, and the other (you) hates Gale and loves Astarion. Opposite polarities, I love it
I don't hate him hate him I just think he's very uninteresting and the vibes are bad. The most interesting he's been was when his bestie told him his ex said "kill yourself now [but point it at the Big Brain]" which like. That JUST happened right before I started Act 2 so I'm waiting to see if he continues to be at least mildly interesting or if I can officially say my game did not change for not using Gale like at all and I could have left him in the portal with zero overarching consequences.
And see that's kind of my problem with him. Panic's big into theology so he struck an almost instant friendship with Shadowheart, who has been following him around a bit like a smitten puppy ever since he saved her from the pod, because they got onto the discussion of gods and Shart was happy to discuss her faith once she knew she wouldn't be judged for it.
But when Panic tried the same tactic with Gale it was "yeah I fucked the divine embodiment of magic" "oh okay, good for you I guess? Can you tell me anything else about her?" "The sex was great BTW and I am a very good lover" "that's... nice... but not what I meant" "I could show you if you want" "oh, no, no thank you, actually I just wanted to have friendly conversation" *pop-up in the corner Gale disapproves*
Unfortunately that's how many of our conversations have gone which leads Panic to avoid Gale because he's more persistent about it than Lae'zel (who ironically is both more aggressive in her come ons and yet also stopped when Panic put his foot down about respecting boundaries) and he was already put off Lae'zel for similar behavior.
But he's like. Hmm. Nice Guy (tm) persistent about it which gives ME bad vibes because most Nice Guys (tm) are not actually decent people. And I have no way of knowing if that similarity I see in Gale is telling me that he also is that way, or if it's just an unfortunate coincidence, so I as the player am equally put off by this guy who seems to be coming onto Panic with every conversation and gets mad when Panic uncomfortably extracts himself from said conversation.
Anyway I referenced this post before but I saw a post that said you can find a hundred Astarions on grindr and you can find a hundred Gales in silicone valley and I would 100% agree with both character assessments even though the post meant it disparagingly. The difference is I'm attracted to the Astarions on grindr but can't stand the Gales in silicone valley lmao
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allastoredeer · 2 days
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The ship name switch actually comes from manga/anime fandoms! I haven't been in any recently, but back in ye old days people could get very intense about who tops and who bottoms and switches were practically unheard of, so the names were kinda necessary. NaruSasu vs SasuNaru for example. You won't believe how much people fought over positions, it even got parodied in some japanese media. On a slightly related note, are you okay with top al content where the characters are properly portrayed? Or none at all? No judgment, we all should enjoy the fandoms however we like ^^
Oh 👀 that makes sense I wouldn't have heard about it then. I watched a handful a anime, but the only one I dipped my toes into was My Hero Academia, and even then, I didn't go that deep. I read a few fics, but that was the extent of it.
Fighting over who tops, bottoms, and switches is so silly. An argument can be made for any character being a top, bottom, or switch, because sexual preference/positions isn't something that can determined by a handful of personality traits. There's no check-list a characters has follow to be "deemed" a top. Or a bottom. Or a switch.
At the end of the day, it's literally just what the fan prefers for that pairing. And I think the more people accept that they can like specific dynamics without having to argue for their right to like it, the better and less-toxic a fandom will be. You should never have to defend why you like a character, or a ship, or anything else, because sometimes you just like it. You vibe with it. No other reason required.
As for the top!Al content, it can be kind of tricky to deem something as "properly portrayed" when, technically, everyone's portrayal is going to be different, and every portrayal isn't going to be 100% in-line with the show.
I think considering something as properly portrayed is wholly dependent on the fan and how they relate to the show and the characters. No fanfiction or fanart is going to be completely true to the show or characters. I don't even think that's possible XD Fans inject so much of themselves and their experiences into fan-content, that every portrayal can be considered properly done given the right audience.
But, if top!Al and bottom!Luci were written in a different way--maybe something that didn't UwU-ify Lucifer so much or make Alastor out to be this big, domineering alpha-male--I think I could like it.
I'm very picky with characterization. There are some details I can easily overlook, but depending on how certain things are written, it can take me out of the story so badly I can't even force myself to finish reading. (Believe me, I've tried. I found a Spideypool fic once that was so well written it was love at first sight. The humor was on point, the plot was intriguing, the dynamic between them was fun, but there was a small, little, itty-bitty detail in their interactions that kept popping up and it took me out of the fic so bad, I couldn't keep going. I tried to finish the fic, multiple times, but I never got very far.)
Funnily enough, when I was first scouring the internet for content after the show ended, I actually bookmarked a handful of top!Al and bottom!Luci on Twitter. But with how it's currently being portrayed across the fandom, any enjoyment I had for it has soured. I just don't vibe with the majority of top!Al I see now.
I've always liked bottom!Al though, and I've been seeing a lot more content for it lately! I've been eating well 😋
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t0ast-ghost · 2 days
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S3 EP24 (The Turnabout Intruder) I can’t believe I’m here. At the end. This is the last thought post.
Let’s go already:
- Awww they’re beaming down together
- Leaving Kirk alone with a woman…
- An episode directly calling out sexism? More likely than you think?
- “We would have killed each other.” “Might have been better.” Hot
- Is this set on Friday cause that’s pretty freaky
- I’ll miss you Star Trek opening (I’m going to rewatch this show idk what I’m talking about)
- Obsessed with Kirk talking that way omg
- Something about transitioning or whatever
- They should know it’s not actually Kirk cause he didn’t do his dramatic ass communicator flip
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- The actress doing a great job at playing Kirk (just body language at this point but it’s already spot on)
- Kirk’s ass uhmmm
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- Woah Bones is going to riot! There’s so much medical malpractice happening here
- Nurse Chapel with brown hair <3
- Lester is fucking up so bad impersonating Kirk. Like she didn’t even cross her leg over the other when she sat in the captains chair and she isn’t properly listening to Spock’s infodump :(
- Bones gets to have his riot. Wait. How does Lester know to call him Bones?
- Bones why would you lean over Kirk like that
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- Kirk storming out of his own damn room
- Kirk’s ass analyzing something or other or what-
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- She is so good at playing Kirk
- Guys. Listen. She is my queen. I love her. I adore her. And more than that I think she’s the coolest motherfucker alive.
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- If I was Kirk I’d have slapped Coleman. No hesitation.
- Kirk’s gotta get in contact with one of his boyfriends
- Kirk is so good at putting on his charm. Like he’s so quick to panic about the ship but the charm is quickly regained
- *smashes the glass and cuts through restraints* bad fucking ass
- The boyfriends are ✨worried✨
- McCoy and Spock look so pretty
- Bones is going to kill Kirk. His blue eyes are murderous
- Spock using his ‘I’m that bitch’ privileges to get past security
- “Don’t get dressed yet.” McCoy out of context 1969
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- SHE DID THE PERFECT KIRK SMILE
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- A CALL BACK TO A PREVIOUS EPISODE?!? Tholian web mention?!? Woah.
- THATS GAY HOLY SHIT THATS GAY
- “Doctor McCoy may be of help.” Yeah go get your other boyfriend!
- The guard stopping them from exiting and then Spock looks over at Kirk like, ‘the audacity of this bitch. Should I just nerve pinch him, captain?’
- LMAO HE DOES NERVE PINCH HIM AND FAILS THE FIRST TIME WHAT A LOSER
- eugh Lester shaking Bones’ hand is so unnaturally uncomfortable
- Can’t bring Kirk to Bones, bring Bones to Kirk
- WAIT NO SPOCK AND KIRK ARE CANONICALLY HOLDING HANDS OMG
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- McCoy’s eyeing Spock like what the fuck is happening to our boyfriend
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- “Why…? Captain.” The spite Spock has
- McCoy hates being used against Spock like this
- How can William Shatner make those clicking noises with his mouth so casually
- “But her intense hatred of her own womanhood made life with her impossible.” This is like lady Macbeth
- Spock getting mad oooooooh
- Ohhh my god it’s so fundamentally sexist how Kirk is now ‘more emotional’ which could be a character choice but it feels so over the top and more like a ‘she’s a woman so this is how she acts’ choice
- Lester hates being a woman so much because of prejudices and stereotypes that she now perpetuates those same things onto others
- I love how many episodes have mutiny
- THEY GOT CAUGHT IMMEDIATELY LMAO
- “The penalty: death.” WHAT
- SULU AND CHEKOV CONVERSATION! They’re amazing
- Spock was just like, ‘we gotta be ready to slap a bitch’
- “Kill him!!!” no murder tonight for you Lester
And that’s just how they end the whole fucking show huh
I’m not sure if I’ll ever do something like this again for a show but this was a blast and I enjoyed every second of it. Thank you so much to everyone who has followed along. Every comment, reblog, and like has been appreciated.
However, I will be posting some bonus thoughts so keep a lookout for those :)
And as always Masterpost
Teleplay by Arthur H. Singer
Story by Gene Roddenberry
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alexanderwales · 3 days
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Roguelite LitRPG Theorycrafting
I had a great idea for a litRPG that takes its inspiration from roguelites rather than JRPGs or Skyrim.
I do not have the time to write such a novel, and will not have time to write it into the foreseeable future. But I do have time for some theorycrafting:
A classic roguelite of the current generation has variable powers and powerups drawn from a small pool that change the character of the run over time. Maps and enemies are boundedly random. When you die, you might have some meta progression, which is usually in the form of unlocks. Sometimes this makes the game easier, but often it just adds in variety. You go until you win or die, and then you go again, starting from nothing.
To start with, I think this has to be a time loop, because it fits that pattern too well. I wrote a blog post about time loops, and would include some ideas and variations from there.
The protagonist starts every loop as a total scrub, but gets to select from a few options at the loop start (or just after) and then at either intervals or with things accomplished. The pool of powers needs to be fairly small, but large enough that we don't see repeats all that often. We want a protagonist who is forced to make the best of a bad situation.
There are a few cool things about this, but the biggest is that we get to see the protagonist solve the same problems in different ways. One one loop, getting into the compound is easy, because he has flight and invisibility, but on another loop, it requires a firefight because he's got a laser belly and can absorb flesh to regenerate. The protagonist presumably has goals, so we also have some stakes built in: all runs are not built the same. When you're on a "hot" run where it seems like everything is going your way, you can't immediately grind your way back to that if you fail. Stakes are one of the things that are sometimes lacking in time loops, so we're solving that problem as a byproduct.
Similarly, a weird power build can take the story in different places. You're able to walk through stone, and all of the sudden you realize that you can penetrate the defenses of the mage academy. You strike while the iron is hot, and uncover things that would, in a normal run, be locked away from you.
There are problems here. The biggest is that I think a lot of audiences would cry about the author's thumb being on the scale, because audiences will always cry about that no matter what. Which powers get offered to the protagonist on any given run will be under scrutiny though, and even things that aren't forced will feel like they might have been. Readers don't like that, particularly litRPG readers, who sometimes come to the genre for a sense of "fair play". I'm not sure there's a way around that, though this is one of the rare cases I feel like an author rolling dice might actually make sense, so long as it was done in a way that would be difficult to fake. This might make for a worse story though, since the author would have less control of the plot.
One of the other things that interests me is ... what if the world changed in the same way it does in a roguelite? In a normal time loop story, the world is static and predictable, but wouldn't it be interesting to write a story in a time loop that acted more like Rogue Legacy, where there are certain "anchors" and patterns to the world, but much that is random and different? The protagonist wakes in the same apartment building every time, but sometimes he's next to a park and other times it's a train station. There's a corner store three blocks away that's always exactly identical down to the misalignment of the Mars bars, always with the same woman with a streak of blue hair behind the counter. Is this meaningful, that everything changes except the things that inexplicably don't? Almost definitely. It's another mystery to unravel with every new run and a new, diverse set of powers under your belt.
There's a chance I write this at some point. There's always a chance. But I think sometimes it's good for me to sit down and think about the possibilities, then resign myself to moving on without devoting the next month's word count to something that's captured my fancy.
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Do you remember when the job progression quests had dialogue cutscenes and difficult quests? Each town had its own gear and you'd have to drop blue-background items to upgrade it. And it was character-specific too. Ice statues had to be crafted, and the ingredients would just pile up in your inventory. There was Unique equipment for every region you had a chance to drop after a boss battle, and it'd be shown in the chat. Plant Overlord's accessory was the top trending thing. Rena was blonde and did a flip when she double jumped. The first field introduced was the one between Hamel and Velder. The level cap was 40 and it was *hard* to get there.
I sure don't miss a lot of this stuff, but looking back, it feels like a wholly different game.
i played around when the game was still like this for the most part, except the level cap at the time was 70? and then over time it jumped to 90 but my middle-school/high-school ass couldn't keep up. actually, i remember seeing the new UI the game has for the health bars and that was already enough to throw me off. not that it looks bad, but i remember seeing this UI for the longest time:
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vs this:
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like as much as i miss the one i got acquainted with, this new one is a lot simpler and cleaner? yet it retains that cartoony vibe with the slanted bars so thats neat. and then there's THIS:
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i'll admit i havent played during this era but man this looks busy af. it was simple yea, but something feels off about it. like i love the look here too but it kinda clashes colors-wise. there's not too much of a difference between the original UI and the one after it but i could tell it needed slimming down.
while i was gone i also learned that the previous privately-hosted server VoidEls was shut down but was eventually replaced by another, which is fair enough i guess.
"Each town had its own gear and you'd have to drop blue-background items to upgrade it. And it was character-specific too."
this was both cool and annoying, for me personally at least. it's cool in that every town having gear gave you a way to progress before getting even stronger gear. sort of like a jumping-off point for every town you got to as they handed you their own version of stuff you could use. and you could emulate their aesthetic by wearing their gear. the annoying part is that constantly switching gear means item management is necessary to prevent your inventory from maxing out, and not every item looked good on you. if you didn't have skins? tough luck. (my memory might be wrong here so please correct me if i messed something up)
"...job progression quests had dialogue cutscenes and difficult quests?"
THEY GOT RID OF THOSE!? maybe im jaded but as a writer, i liked seeing the player-characters' personal struggle as they progressed through a job-specific mission. those short cutscenes let us see what they're really like. even if some of the requirements really were trash. i still remember spamming the same dungeon over and over hoping for a quest drop (or multiple) so i can move on. but after hearing the story was consolidated to be one singular, linear path regardless of who you played, maybe they streamlined the job class progression system too?
update: yea it seems you still have to spam dungeons to upgrade to Master Class but it looks less tedious than before for previous class ranks.
"Plant Overlord's accessory was the top trending thing."
boss accessories were the bane of my existence so this makes sense. it seems like it's unobtainable, as many overworld zones and dungeons have since been removed based on what i just looked up
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im assuming Plant Overlord isn't fightable anymore or only shows up in some elite zone now so rip
"Rena was blonde and did a flip when she double jumped."
i didn't know this. in fact when i checked her wiki page, the change was because her hair wasn't green enough despite her class art showing her as having green-hued hair.
speaking of the wiki,
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holy fucking shit thats a lot of classes
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highladyelenna · 3 days
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Wow, okay. So i didn’t think I needed to clarify that this post:
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was indeed a shit post and a fucking joke.
But, some people decided to take jokes and treat them seriously so I guess let me defend myself??
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I said that this scene was important for Feyre not because of ANYTHING that had to do with Rhys. This scene was important to Feyre because she needed to learn how to rely on herself. She was used to relying on Tamlin or Rhysand in her new life. So much so that she forgot she relied on herself and her instincts most of her life. Feyre wanted to be apart of the war coming. She wanted to help. So she needed to learn how to be collected and calm and rely on herself in order to survive. In war it’s messy. It’s dangerous. You are risking your life every second. Every choice you make risks your life. Now, was this scene dangerous? Yes. Could Rhys have taught her this an easier way? Yes. BUT you need to remember that this scene was in order to prepare to go steal the Book from Tarquin. Would that be an easier situation to be in? No. Would it be less dangerous? No. So, as much as I felt for Feyre. As much as I wish Rhys did it differently, I understand why. He didn’t do it to “prove her love” the ring just happened to be there. And, let’s not forget that Rhys was there the WHOLE time. Do you really think that he’d just let her die? He would’ve stepped in if she needed but he can’t coddle her. She needed to learn to stand on her own two feet.
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This post really had nothing to do with Tamlin. Quite literally NOTHING. So bringing him up to start an argument is just kinda wild. But this brings to their next comment.
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The countless innocents that you are referring to..I assume is under the mountain? Which..is no one’s fault but Amaranthas?
Rhysand UTM was terrible. He was cruel. He was a monster. Because he HAD to be. He had to play his part to free Pyrithan. He is a morally grey character and they do things that most people don’t agree with that’s the whole point.
The kiss scene was not okay. It was assault and that’s that. Doesn’t matter if it was just a kiss. He had a reason for doing it but again it was assault point blank. I have never stated in any of my posts that I condone him forcefully kissing Feyre no matter his intentions. Even though Feyre understood why it was uncomfortable to read and SJM should’ve written something-anything else.
I’ve stated my opinion on the pregnancy situations many times. But basically, I think the whole situation was utter bullshit and SJM using Feyres pregnancy to give Nesta a redemption arc was bullshit.
Rhys not telling Feyre about the pregnancy and trying to find a way to fix the situation wasn’t okay. Madja should’ve told her. Rhys should’ve told her. Everyone should’ve told her. I really wish we got the pregnancy from their povs just to get into their heads and thought processes.
“Bullied Feyre into being the perfect little wife” im sorry but i think you got Rhys and Tamlin mixed up on that one 😉
“locked nesta in a tower because she didn’t ‘behave properly’” right because Nesta couldn’t ever leave the HoW and no i’m not talking about the stupid steps. All she needed to do was ask one of them to fly her down and then she’d be able to leave. and yes because Nesta was totally not killing herself by drinking and starving herself for a year, no they totally locked her up bc she wouldn’t listen to Rhys. Right in the dot with that one. Really got me.
Personally Silver Flames was a mess and I hated everyone’s actions in that book and wish SJM didn’t even write it at that point because it’s so bad.
Anyways, the difference between you and I is that I can admit that I don’t agree with every action Rhysand makes. I can admit that I don’t agree with the things that he’s done, while also appreciating the food that he’s done. The good in him. The way he’s become a better version of himself over the books.
Now, I’m not really going to make this post about Tamlin because my original post wasn’t about him but I will say Tamlin was never and will ever be the better choice FOR FEYRE.
So, can y’all please stop turning every light hearted post and joke into a fucking war in the comments? Like please. It’s really stupid and you can go rant and rave on your own blogs and in your own tags but leave ours alone. I don’t really delete comments bc Express your opinions on posts that warrant it for all I care but really? Turning a joke into this is just crazy.
This fandom has gotten so crazy over the years and Im really over it like ugh.
Anyways: rant over. Sorry for the long post.
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Requests Are Officially Open!
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Hi there lovelies!! Excited to announce that I've now opened requests again! These will begin to be posted at the start of July! Maybe earlier if I can manage so it gives me a month to get to work for you!
Before you send in your requests, please make sure to read the guidelines (Below the cut I'll add a basic guidelines since I know they're a lot to read). It’s important to follow these to ensure that your request can be fulfilled smoothly and efficiently. The guidelines include details on what I am willing to write, the types of stories I’m comfortable with, and any other important information you need to know.
Read the Guidelines: (Either the long post above or the shorter one below) Seriously pleaseeee! It will save us both a lot of time and help me create the best possible story for you! I want to give you the story you want!
Be Specific: Include as much detail or as little as you want in your request. However, be mindful that the more information you provide, the better I can tailor the story to your vision.
Be Patient: Depending on the number of requests, it might take some time for me to get to yours. I appreciate your understanding!
It is first come first served! <3
I can’t wait to see what amazing ideas you all have. Let’s create some fantastic stories together!
Happy reading and requesting!!! ~ M
WHAT AM I WILLING TO WRITE: 
Fluff
Smut (18+ only Please make sure you’re not on anon so I can confirm you’re over 18. I don’t feel comfortable writing for anyone under the age of 18)
Angst (Make it hurt people I miss writing angst that hurt)
Head canons (But they will be in bullet points)
Romantic
Platonic 
Comfort 
Yandere 
Mafia (GIMMIE GIMMIE GIMIIE)
Small Town
All the tropes you can think of honestly 
Dark (within reason and within guidelines of what i WONT write)
Poly/Harem (I’ll try hehe)
Cheating (hence angst ;) )
Pregnancy Tropes
Pretty much anything if it’s not in the below section. 
What I WONT write: 
I DO NOT take requests to the reader being in an actively abusive situation with a band member. Domestic abuse, assault, or anything of the sort is an Automatic NO.
No 8/9th member pieces. I beg. 
I don’t write POC reader as I’m not POC AND I try and keep my writing open for everybody (Hence no description details about a reader, no “running his fingers through your hair” and no “You blushed a deep shade of crimson red” because I want everyone to feel included. 
Incest 
Pedophilia 
I won’t write about scat or anything to do with body fluids 
 will not write about explicit abuse
In the past I have written about referencing it (example: He punches your bad ex or you have a rough family, or even another character hitting reader) but I will not write about the boys abusing the reader, I will not write about the reader hitting the boys. If it is within smut (spanking, grabbing/slapping the face it is all consensual and not seen as abuse)
I can’t and won’t write about miscarriages,, or abortions on this account. I’ve explained this many of times that I can’t do it yet I still get countless requests about it. That being said I can write about complications in pregnancies, bleeding during pregnancies but the baby is fine! 
Requests can be anywhere between 900-17K words but please don’t demand that i write a long fic for you, if it comes out long it does, if it doesn’t it doesn’t, I’m sorry <3
Please remember that I do this as a hobby - I aim to prioritise requests in the order they were received and work on them when I have time. If I feel that someone is being too impatient and unkindly following up on their request, I won’t write for them. 
I have every right to reject any request I get. I might reject a request if 1) It doesn’t follow the rules or Guidelines I’ve explicitly set out. 2) The request makes me uncomfortable and 3) I have no motivation to write it or I don’t get a spark of inspiration from it. 
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skayafair · 1 day
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Witches, Birds and Snakes
Guys I think we underestimated just how much DBD was tailored specifically for us. Yes, still.
I was thinking about Esther and how her main symbols are a bird (not just a crow, she's a finch herself) and a snake (the one who keeps her young and is also in her poster), and how they are both born from an egg, and that maybe there's some symbolism in their unity. I looked into it, and boy THERE IS.
So far I've started to read "The Monstrous Goddess: The Degeneration of Ancient Bird and Snake Goddesses into Historic Age Witches and Monsters" by Miriam Robbins Dexter and "The Bird, the Snake, the Woman" by Martini Fisher. I can't tell how credible they both are but at least the first author seems to be an actual archeologist so I have some hopes and this is interesting.
So I've just barely peeped into this rabbit hole but I can already tell it's gonna be a long and spiraling one because apparently there's a lot. The shortest version is that together a bird and a snake are often attributed to a goddess who represents the cycle of birth, death and rebirth. Very fitting to Esther if you ask me, and her turning Monty into a human and back through something closely resembling death (followed by a "rebirth") only reinforces this idea.
Also a bird seems to be a symbol of a heavenly realm, of somethig good (again, even Monty ties into this very well with his development), while a snake represents evil, everything low, the earth and beneath, etc. (let's leave aside how unfair that is for now). It may point to the fact that even while being an evil witch, Esther is still a wronged woman who isn't bad inherently, who has this spark of something good left in her - remember how she reacted to Crystal's words in the finale? It makes her more three-dimentional, not a cardboard villain (even though her flourishing personality is already enough for that). It also doesn't mean she should be forgiven for what she's done because every villain has their sob story, it doesn't excuse their actions.
The fact that Esther wanted to become a goddess (even if only for her small town, I'm sure her appetite would have grown in case of sucess) ties into all this very neatly, too.
Really, Esther Finch is so rich in symbolism - a woman, a wronged woman, a witch, a goddess, a bird, a snake, a villain, the beauty, the youth, life, death, rebirth... so much. Such a great character.
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