Apotheosis / Abduction
Star Wars: Visions - S2E2 “Screecher’s Reach”
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source: Regular Show. S1E2: "Just Set Up the Chairs"
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Portrait of a lady on fire/ Portrait de la jeune fille en feu (2019), dir. Céline Sciamma.
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Peaky Blinders and Black Sails have such similar vibes istg
all these horrible, desperate people beating their fists against the cage of history
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Every Frame a Painting — Three Days of the Condor
In this scene, Turner's colleagues are murdered, leaving him in a state of shock. He seeks help from the CIA headquarters by calling from a phone booth, and the conversation between him and the Major is marked by tension and urgency. While the Major remains composed, Turner is frantic, highlighting the bureaucratic nature of the CIA. The Major's concern is mainly focused on the extent of damage caused and the organization's operational concerns rather than the loss of human lives. Turner's breach of protocol leads the Major to admonish him, which only fuels Turner's frustration and reveals his disillusionment with CIA procedures. Turner's emotional outburst, including the use of profanity, underscores the gravity of the situation. In the scene's closing lines, Turner asserts his innocence and vulnerability, presenting himself as an ordinary analyst caught in a nightmare. This moment makes Turner more relatable and sets him apart from the enigmatic figures within the CIA. The framing of this shot gives the impression that he is being boxed in, intensifying the feeling of claustrophobia and vulnerability. This tight shot emphasizes Turner's isolation and reinforces the sense of impending danger lurking in the shadows of the bustling city streets outside. Overall, the Phone Booth Scene signifies Turner's transformation from a passive observer to an active participant in a dangerous world of espionage and survival.
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