Gene Roth-Allison Hayes "Zombies of Mora Tau" 1957, de Edward L. Cahn.
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SHE DEMONS Reviews and free on Plex and YouTube
‘From Beauty to BEAST!’
She Demons is a 1958 American horror feature film directed by Richard E. Cunha (Missile to the Moon; Frankenstein’s Daughter) from a screenplay co-written with H.E. Barrie. The movie stars Irish McCalla (Hands of a Stranger), Tod Griffin, Victor Sen Yung (TV’s Night Gallery), Rudolph Anders (The Snow Creature; Frankenstein 1970) and Gene Roth (Attack of the Giant…
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Attack of the Giant Leeches
Attack of the Giant Leeches
Attack of the Giant Leeches (1959), starring Ken Clark, Yvette Vickers, Bruno VeSota, Michael Emmet
Synopsis of Attack of the Giant Leeches
In Attack of the Giant Leeches, radiation has caused ordinary leeches to mutate into giant monsters. They threaten the folks in a small bayou town. Can our local protagonists stop them?
(more…)
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Cloud, Genesis, Angeal and Sephiroth are all cats and are all now right infront of Zacks door bearing collars with their respective names on it
Zack, sobbing while hugging all four cats at once: UGHUHUHUHU YOU'RE ALL SO CUTE AND FLUFFY AND I'M GOING TO GET YOU GUYS THE BEST CAT TOYS GIL CAN BUY AND WE'RE GONNA GO ON WALKS AND I'M GONNA LOVE YOU ALL FOREVER AND EVER AND EVER AND—
Kitty-roth and Gene-hiss:
Zack: I can't live like this.
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full list of biden letter 2:
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EARTH VS THE SPIDER (1958) Reviews of Bert I. Gordon monster movie
‘Bullets won’t kill it! Flames can’t hurt it! Nothing can stop it!’
Earth vs the Spider is a 1958 American sci-fi horror film in which teenagers and their science teacher battle a giant mutant spider.
Produced and directed by Bert I. Gordon, who also wrote the story, upon which the screenplay written by George Worthing Yates (Tormented; Frankenstein 1970) and László Görög (The Land Unknown; The…
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Arch-Conspirator by Veronica Roth is a science fiction novella that's a retelling of Antigone. Roth's prose has improved since I read Divergent almost 10 years ago, but the way she handles the story of Antigone and its setting is... Odd.
In the story, the kingdom of Thebes is the last bastion of civilization in a post apocalyptic world. In order to prevent genetic bottlenecks in a small population, it's mandatory that citizens 1. have children and 2. do not procreate but instead use preserved sperm and/or eggs from a library of long-gone donors. They've created a faith out of this process, attributing to reincarnation. It's better to pick the genes of a long-dead hero because it means your child will grow up the same, etc.
Antigone's brother dies, and the plot kicks off because King Creon bans his genes from being added to the gene library, and Antigone wants her brother to have a chance at reincarnation. Sure, I guess this is one way to do the plot in a science fiction manner.
It's just that this is used to sidestep the incest entirely.
The crime of Antigone's-- and her siblings'-- birth is not through incest and the degradation and tragedy and horror of the family unit, but because Oedipus and Jocasta have a natural birth-- Oedipus impregnates Jocasta naturally and has 4 children. Because they're the reincarnation of nobody, the children of Oedipus are claimed to not have souls, and this is the reason why so many people believe their family line is broken beyond repair. But like... This doesn't have a real-world counterpart. There's not really any believability in a society that considers genetic relation between siblings as a degradation of the family, let alone as a metaphor of incest.
This would be a cowardly action to begin with-- this is a book for young adults and adults where they say fuck-- but the biggest offender is that they DO allude to incest, somewhere else-- Eurydike's mother recently passed away, and Eurydike wishes she could be reincarnated, but if she used her mother's DNA for a new child that'd be incestuous. So instead of one of the core pillars of conflict in the story, incest is relegated to an offhand comment about a completely speculative fiction element.
This book wants to talk about abuse, about misogyny, and lesbophobia (there's a weird tangent where Antigone observes a lesbian couple at the gene bank, and ismene is gay) about marital violence, about filial piety, but is actually really afraid to, because these topics are scary. Roth's prose may have improved since Divergent but her political literacy very much has not.
On top of that, the book gets 33 pages of preamble before Polynikes and Eteocles actually kill each other. The play of Antigone starts with those two already dead in the field. I cannot stress this enough, we have PLACES TO BE. The story should not start a THIRD of the way into the book. it's also a matter of personal distaste but i dislike the fact that chapters are written from the perspectives of different characters. i dont actually care about ismene's inner monologue, or to watch the siblings talk at a cafe. Why does Eurydike have a POV chapter before the "play" even starts??? Her entire role is one of futile passivity. She has no relevance until the point of no return. She has 4 lines of dialogue, a fact several better adaptions comment on and explore (Antigonick and Antigone Will Take The Stairs Today) and her presence this early in the area adds nothing.
Antigone's anger feels toothless and performative no matter how many f-bombs she drops. The narrative is unfocused and meandering and is overinvested in justifying its science fiction premise. Despite the attempt to characterize them in a story that doesn't need it, Polynikes and Eteocles and Ismene feel flat.
It's a bad adaption of Antigone that's fundamentally inequipped to deal with the source material and elects to disrespect the care it requires and the emotional core of the original work, and this just makes it, in general, a bad book.
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