your post about Houdini reminded me of a good omens post I saw years ago; Crowley's mad at Houdini for some reason so he traps him in a room, says "ooh what's that behind your ear", reaches behind Houdini's head and pulls back flipping the bird
would u be shocked to know that was also my post
677 notes
·
View notes
forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
4K notes
·
View notes
realised yesterday just how often hozier actually used to sing about being not quite alive, not feeling like a person, about loving someone in a way that defies death and made him more alive, about suffering death for love. it's like he was constantly being buried underground and unearthed by love, over and over, which, while romantic in a way, is also incredibly sad. but i think it's interesting how his latest album (literally called 'unreal unearth') takes this idea and makes it its central theme. that's what this album is, one man's descent into the underworld. except, crucially, he makes it to the other side, and ends the album saying the darkness will come again, but this time he is "never going back [to hell] again." it feels like such a full-circle moment considering the rest of his discography and i'm so very excited to see what comes after this
819 notes
·
View notes
dunno if this has been done yet but: airplane didn’t first become aware of peerless cucumber in the comments of pidw, he first saw peerless in the comments of a different web novel (that perhaps was one of airplane’s earlier works?) and so when initially drafting pidw he was inspired to write a villain just like cucumber bc “he’s MEAN MEAN for no reason, a literature snob, and pretends to be all high and mighty while looking down on others. also likes to kick down the little guy” and boom. sqq was born. cut to years later post-transmigration when sqh just casually drops this info with “lol i always did find it funny how much you hated the guy considering he’s literally based off you”
294 notes
·
View notes
Idk I just think it’s so interesting how Hickey uses names and titles as a tool to manipulate the people around him (especially the mutineers). Calling Tozer “sergeant” when he’s first convincing him to mutiny, to play into his desire to follow his rank and protect. Switching to “Solomon” when he’s trying to get Tozer to open up more about the Tuunbaq. Intentionally not calling Jopson “Lieutenant” after his promotion as a subtle dig. How often he says Billy’s name, especially during the ring scene and when Billy’s entertaining the idea of a mutiny before the walk out (“speak your mind, Billy”). Smugly directing his story about kidnapping Silna to “Captain Crozier” and only Captain Crozier, then after kidnapping him only referring to him as “Mr. Crozier” and making the mutineers do the same (but Hodgson, who’s not loyal but is at least complacent to Hickey, stays “Lieutenant Hodgson”). Calling Tommy, who’s always Tommy or Mr. Armitage, “Private Armitage” when he’s ordering him to brutalize Crozier, because Hickey knows he’s always wanted to be a marine, so in his camp he’s given him the rank of one. It adds an such an interesting layer to Hickey’s “reconfigure, reinvent, rearrange” speech.
248 notes
·
View notes
i was thinking about tim & his interesting (to me) relationship with physical distance from gotham & how he will often choose to leave to clear his head in moments when he's unsure of life or just not doing very well.
& to me the parallels between the fact that his parents used their trips as a way to try to salvage their marriage & how while he had issues about feeling like they left him behind to go on adventures, he also probably internalized some of the need to get away to think from them.
like robin i, we have tim choosing to leave gotham (& his parents, which was very hard and strange for him) immediately after the events of rite of passage and his mother's funeral & him officially getting the robin costume. and he goes to train, but he goes to train because he feels unsure about his place and whether he's really ready to be robin.
and then we have him choose to leave again to finish his training after the death of young el & tim's inability to save him.
and then he leaves again to go help danny temple after bruce gives away his identity to stephanie & he's struggling with the betrayal of bruce & steph with that whole thing.
and then he leaves for bludhaven after his dad & steph die.
and then bruce, dick, & tim leave gotham during 52 to heal after the events of infinite crisis.
and then he famously leaves gotham to go have his around the world breakdown & search for bruce in red robin.
&&for all of these, it's like. the going away is the breakdown, the return is when he truly heals. so it's like to me, i guess. for tim, he has an extremely good head for when he needs to get away and be alone because he's not happy with his status quo or where he is in life. in fact, the first thing he usually chooses to do when he's at a low point or he's not acting like himself is leave to get some distance from his problem, but him being away is also inevitably a sign that he's avoiding his problems & not actually dealing with it (much like his parents going away to work on their marriage was not actually addressing the underlying problem that is the fact that their marriage was fundamentally not working out). and he always comes to the realization after he's had some time alone that he needs to go back to gotham and not avoid the problem in order to actually make headway on dealing with whatever he's struggling with.
because tim is a character where that physical distance is him trying to get some clarity for himself on whatever situation is ailing him, but he can't actually deal with the situation that's ailing him until he returns home to actually deal with it (also related, why him leaving inevitably ends up in him getting wrapped up in other people's problems, so he can avoid dealing with his own). the answer is usually, for him, "oh, i should go home and face it head on". and that kind of tracks for tim in that, imo, that he is not a character where distance heals for him, necessarily, and space isn't what he needs to work things out, he's the kind of person who needs to be there in order to actually resolve the conflict he feels internally. he's a needler--he will poke & prod at the problem until it's worked out to his satisfaction.
353 notes
·
View notes