Tumgik
#i wanna do a series of kind of stylized sides
anonyb0b · 14 days
Text
Tumblr media
Janus more like jansus
370 notes · View notes
thatsthat24 · 5 years
Text
New Inktober for 2019!
Once again, I was asked to create a new list of art prompts for October this year! These creations from you guys are ALWAYS so amazing, so I’m excited to bring you a new list! I got so many suggestions from my friends! You can use #TSinktober if you’d like to share your creations!
Remember: Even if we’re on Day 31, and you wanna post art based off the Day 1 prompt, you DEFINITELY can! There is no lateness for posting art, because it’s all entirely for fun! Hope you enjoy!!
Day 1: In a twist from the past years’ Day 1 prompts, I want to see you take a traditional Halloween monster or character, and draw what they look like Sep. 30th, and then their traditional look when it’s October 1st!  Maybe they don’t get spoopy until October 1st haha.
Day 2: Turn fall weather into a character! Could be the human embodiment of Fall, or the spirit responsible for Fall occurring, or something else!
Day 3: Turn a famous painting into a spoopy Halloween version!
Day 4: Draw a classic still life of items belonging to your favorite character. Let us guess who the items belong to!
Day 5: Draw your best friend or yourself (or both) GOIN GHOST. Ya know, that good ole Danny Phantom transformation!
Day 6: A Pokémon hanging out with (or running from) the zombified version of itself
Day 7: Choose two months, personify them, then draw what their first date would look like
Day 8: Sanders Sides characters on their dream vacations!
Day 9: A business that a Halloween monster or character would thrive on if they ran it!
Day 10: Take any popular author, imagine if they were a superhero, and draw what their comic book cover would look like!
Day 11: Portray any Disney princess as the “monster/scary thing” from a horror movie such as The Conjuring, The Nun, etc., either depicting them in a scene from the movie or the poster for the movie!
Day 12: Take any two coffee flavors, like Pumpkin Spice and Peppermint, and draw a battle between them, Mortal Kombat style (brew-tality lol)
Day 13: Take any Avenger from the MCU, and reimagine them as a Pokemon Gym Master! What would their Pokemon team look like?
Day 14: Reimagine a Sanders Sides, Cartoon Therapy, or other original character from our content as a kind of humanoid piece of candy or sweet treat!
Day 15: I really enjoyed this prompt from last year, so this year, take any Disney Villain, and use them as the inspiration for a Met Gala outfit! NO DALMATIAN PUPPY FUR ALLOWED, ALL OF YOU CRUELLA FANS.
Day 16: Take any traditional Halloween monster/character or any horror movie villain and make… them… CUTE. Now whether that’s adorably cuddly cute or va-va-voom cute is completely up to you! - Erin
Day 17: Take your fave character or OC and reimagine Steampunk versions of them!
Day 18: Take your fave food and create a cartoon character based off of it! It can have its own style, be stylized after an existing cartoon, whatever you wish!
Day 19: Take a quote from a book, song, or movie that particularly inspired you, and make it the main centerpiece of this day’s piece of art! Wherever you’d want to take the art from there is up to you!
Day 20: Here’s a cool challenge for ya! You can draw any Halloween-themed picture you want, BUT It’s all in ONE pen stroke. You can’t take your drawing utensil off the paper!
Day 21: What if anyone else from Halloweentown, other than Jack Skellington, had discovered and fell in love with Christmastown? Would anyone else have tried to dress up as Santa? Would they hatch another plan entirely??
Day 22: Back due to demand, take your fave character(s) from two different animated tv shows/anime/movie and depict them in each other’s animation style! An animation swap, if you will!
Day 23: Ever watch a movie or show and wish it had ended a different way? This is your chance to correct the plots to conclude the way YOU wanted it concluded! Oh boy, this may end up getting controversial lol
Day 24: We all know traditional Halloween monsters... but create what you think the Halloween monsters of today or the FUTURE would be!!
Day 25: This one is purely selfish because I’m still so in love with the past creations. Take ANY character of your choice from ANY piece of media and draw them in the style of a Tim Burton illustration!
Day 26: Speaking of classics, gotta include this one cause it’s tradition! Draw your OTP in Halloween costumes that are designed to go together!!
Day 27: Take any dramatic scene from any scary or Halloween-y movie... and meme it.
Day 28: How to Train Your [Insert Monster/Demon/Halloween-y creature here]
Day 29: This one is SUPER open-ended, but I’m into that. Take any book, turn to the 13th page (so the book has to be at least 13 pages lol) and go to the 13th word on that page (if it’s an article like “a” or “the”, just go to the next adjacent noun/verb/adjective/adverb) and use it as the inspiration for a one-worded scary movie/book. Draw that poster or book cover!
Day 30: Slightly inspired by the eerie vibe one can sometimes get from Spinel (SU), Betty Boop cartoons, etc. take any character, Halloween-y creature or otherwise from any of your fave piece of media, and depict them in the classic rubberhose/ Max Fleischer-inspired art style!!
Day 31: HAPPY HALLOWEEN! Do you remember a specific Halloween that was especially memorable for you?? It might have been because of the friends you spent it with, or a memorable moment that happened, or because of a costume you were particularly fond of. Or maybe there were a series of Halloweens that were dear to you because of a tradition you did with your family (and maybe still do!). Depict that moment along with an explanation! If you just wanna write about it, that’s fine too!
As always, you guys have been absolutely blowing me away with your incredible creations!! I love this time of year and seeing what your talents produce!! Thank you for all the amazing works and have a WONDERFUL October!!!
Thank you to all my friends whose suggestions helped to make this list!
Dahlia, AJ, Tammy, Ellen, Adri, Fariha, Brei, Rafaela, Jack, Esteban
8K notes · View notes
zacscandura · 3 years
Text
Lupin the Third (the best and most influential thing you’ve never heard of)
So, it’s the last week, and I decided to throw myself a bone and just nerd out about something I like a lot (but nobody talks about).
So you all like Miyazaki/Studio Ghibli right? How about Persona 5? Metal Gear? Batman the Animated Series? Jet Set Radio? Indiana Jones? How about Cowboy Bebop and Samurai Champloo? Well, all of those people and properties were heavily inspired by (or in Miyazaki’s case got their start on) Lupin III.
Lupin the Third (pronounced Loop-an because french) is an anime series/manga that has lasted over 50 years (throughout which has inspired countless pieces of media). It stars... Well, Lupin the Third. A gentlemen thief who can steal anything if he puts his mind to it. He’s the grandson of the original Arsene Lupin (which is a series of 19th century French novels by Maurice Leblanc, since apparently copyright didn’t exist in late 1960s Japan).
The series is about Lupin and his partners stealing things while being chased by the detective Inspector Zenigata and... Yeah, that’s it. You’d think something like this would get repetitive over the years, but the series has always been able to find new ways to both experiment (be it different tones, plot structures, and art-styles throughout the 6 shows).
The series is so much fun to watch, and it’s kind of hard to explain why. It’s just fun seeing a gentlemen thief steal stuff and always have some sort of insane trick or gadget up his sleeve, with memorable characters that have clearly stood the test of time. It’s also hard to explain due to how all 6 shows are pretty distinct. No matter what though, you can always rely on the characters to be fun, you will never be able to predict what Lupin has up his sleeve, and again, it’s just such a fun series. I’m not doing a great job at explaining why I love it so much, but it’s whatever. Each part (besides 4 and 5) have their own jacket color as well to match the tone of the series. I’ll get into it.
Part 1/Green Jacket (1971-1972) - It’s the shortest of the series and has a somewhat more serious tone with much darker elements than usual. It’s aged a lot visually, but it’s still incredibly well written. Side note, Hayao Miyazaki (the dude who made Totoro and Spirited Away)’s directorial debute was with this first part of Lupin. He also directed the second part as well.
Part 2/Red Jacket (1977-1980) - By far the longest and most iconic part in the series. It’s much more light hearted and has a more comedic tone than usual. There are a lot of fantastic episodes in it, and some of the Miyazaki episodes look straight out of a Ghibli film.
Part 3/Pink Jacket (1984-1985) - This series is a lot more comedic and absurd. This is probably also the most “childish” Lupin has ever been, compared to the more adult themes presented in the previous parts and manga. It’s still good though.
The Woman Called Fujiko Mine (2012) - This is where I’d recommend you start. It’s basically an origin story, and the first “serialized” Lupin show. This is by far the darkest and most serious Lupin show, but OH MY GOD IS IT GOOD. The animation is so stylized and beautiful, and there’s just so much cool crap in it. This is also the shortest part (being only 13 episodes).
Part 4/Blue Jacket 1 (2015) - This is much more of a modern take on Lupin. It’s tone falls between parts 1 and 2. A little serious, but not too much. The series takes place in Italy, and has a lot of great moments. I definitely wouldn’t say it’s my favorite, but there’s still a lot of fun to be had.
Part 5/Blue Jacket 2 (2018) - This follows the trend of Part 4 and is also more story driven. However, I like this part a LOT more. It deals with technology and social media, something Lupin usually doesn’t cover. However, this is probably tied with TWCFM for being my favorite part. It feels like a celebration of all things that came before and deals with a more introspective look on all of the characters and their relationships with one another.
All you need to know about Lupin before jumping into any episode are the characters. Lupin is a genius gentlemen thief, Jigen is his a marksman and partner who keeps him in line (and does some of the coolest crap I have ever seen be done with a gun in any piece of fiction), Goemon is another member of the gang samurai who is usually pretty serious, Fujiko is Lupin’s on and off love interest who loves treasure as much as she does manipulating Lupin into getting what she wants, and Inspector Zenigata is an officer of the law who’s life goal is to capture Lupin and bring him to justice (but he has a heart of gold and refuses corruption or the death penalty).
You could really just jump into any episode of any series if you really wanna get into the series (besides maybe TWCFM, and parts 4 and 5 which, again, are more serialized). However, if you want me to recommend some episodes, I’d say the first episode of The Woman Called Fujiko Mine and Season 4 Episode 42 of Part 2 (directed by Miyazaki) are my favorite episodes of Lupin (besides the later episodes of part 5 where the greatest plot twist I have ever experienced happens).
If you want to watch a movie instead, I’d recommend the movie The Castle of Cagliostro. It’s available on most streaming websites (just don’t watch the English dub because it’s really poorly translated due to the initial copyright issues with Lupin when being localized). ALSO Castle of Calgiostro was the first ever Miyazaki movie. It has the charm any Ghibli Film would have, but it’s also just a really fun movie. There’s also the recent Lupin movie called “Lupin III: The First” and it’s not nearly as good of a movie, but the animation is some of the best I have ever seen. It’s the first 3d animated Lupin movie and it looks better than Pixar. It’s so freaking gorgeous.
Anyways, I just wanted an excuse to talk about Lupin. It’s not my favorite anime/manga thing ever (that will likely always be One Piece), but it’s something I can always rely on to be fun.
42 notes · View notes
quirkykayleetam · 4 years
Text
Broken Pieces Superhero AU
Welcome back to our beautiful collaboration!  Damien and the world we’re in belong to the ever-talented @burtlederp while Daniel Wei is adapted from my series, Broken Pieces.  We wrote this together and could never have done this without each other’s wonderful help and support!
Chapter Two: Old Habits Die Hard
Damien took one last drag on his cigarette, fully exhausting it before he flicked it away and ground it into the gravel with his shoe. He paused, looking around with his hands in his pockets, letting the smoke slowly curl from his nostrils, admiring the lushness of the woods surrounding. 
He loved the summer here; the verdant forests, the bustling life, the warm summer sun (or having sun at all), even the damn mosquitoes. He took a deep breath of the fresh summer air before he turned to climb the rickety metal stairs to what he called home--apartment 204.
“Those things will kill you, you know,” a mellow voice said from the shadows opposite the door.  “Of course, I’m guessing you’re waiting on your choice of housing to do it first.” 
When the voice appeared, it belonged to a tall Chinese man with warm down-turned eyes and a slight grin on his face.  He knocked softly on the biohazard sign on the door next to Damien’s.  “I honestly thought this was a joke at first, a clumsy way to hide a secret lair, but no.  You actually live next to a biohazard.  How’s that working out for you, kid?”
When the man first spoke, he scared the daylights out of Damien, who jumped and cursed loudly, gripping the railing of the stairs with one hand and his chest with the other. He glared at the guy, frowning, and finished ascending. 
"I'm not dead yet," he replied gruffly, brushing past the man to get to his own door. He didn't add anything else, hoping this guy would leave him alone as he shoved his key into the door and entered.
“It sure is a rough world when the one and only Alchemist has to work three jobs on top of his League gigs just to afford this place,” the man said evenly.
Damien froze for a moment, door half open, then closed his eyes, sighing exasperatedly, and left the door open behind himself. 
"C'mon in, then, I wanna sit down."
Nodding, the man followed, wiping his shoes off at the door though there was no mat to be seen.
While the apartment was old, and dingy, and didn't smell particularly pleasant, it certainly wasn't barren and appeared very lived-in. The door opened to the kitchen in a way that it made the entrance feel very tight with the kitchen counters and cabinets on either side and a pile of shoes in the corner right of the door. A small wooden dining table filled what space was left of the kitchen linoleum after the counters ended on the far wall, the smooth floor giving way to the weathered carpet of the living room. It seemed the wall that was right of the entrance was a small closet, and Damien's room was on the far right end of the apartment.
An ancient sewing machine sat on the kitchen table, many bolts of fabric accumulated over years lying stacking in the corner behind it. A jacket hung off one of the three chairs around the table, and the living room was a mess of… well, more cloth. Left of the fireplace seemed to be the designated 'superhero suit' storage pile, the other side just laundry. Boxes were stacked all over the wall opposite, almost entirely blocking the front-facing window, a couch buried somewhere beneath them. Covering the fireplace, the wall behind it, and large swaths of carpet surrounding it, was a layer of singed carpet or wood and char, like a fire had once had its way here, uncontrolled.
Damien opened the fridge and pulled out a brown glass bottle, popping off the metal cap as he flopped down into the one chair at the kitchen table that didn't have something on it. He took a swig of his drink and stared, looking very tired, at the man expectantly. 
Unperturbed, Damien’s guest walked slowly around the apartment, taking off his black, military-style jacket before meeting Damien’s gaze.  In just a white t-shirt, he was clearly more muscled than Damien expected.  The corner of a tattoo, something red and gold peeked out of the cover of his left sleeve.  Throwing a selection of manila folders on the table, he offered his right hand to Damien.
“I’m Daniel Wei.  As you can probably guess, I’m ‘with’ the League.”  The man’s use of air quotes was not comforting.
Damien switched the bottle to his right hand and shook Daniel's offered hand briefly, his grip tight, and lifted the cover of the top-most folder with passive curiosity. 
"Mm," he grunted in response, taking another drink. "This isn't going to take long, right? I have rounds to make." 
“Kid,” Daniel said, “I’ll be honest with you: I’m in town for other reasons and there are other places I’d rather be right now too.  But since I’m here and here for good, I’ve been assigned as your brand new mentor--”
Damien nearly choked on his drink, leaning forward abruptly as he nearly spat it out. He swallowed it with a grimace and interrupted, "My new what?!"
“The League has let you operate on your own for an awful long time, but when I was headed here anyway, we saw this as an opportunity to...help you out a bit.  Give you a little guidance.  That kind of thing.”
"I--" Damien glared at  Daniel, trying to find words. "No?! No thank you?" he spluttered. "I'm doing fine, I don't need any help."
Daniel took another hard glance at Damien’s nearly empty fridge and the burned expanse by the fireplace.  “Sure, kid.  You’ve never gone hungry, never gotten yourself so hurt you could use a medic or at least another hand to hold the bandages.  You’ve never sprayed your opponent in deadly corrosive acid because you didn’t know what kind of damage it would do and you’ve definitely never struggled to understand your alchemical powers without even a high school diploma.
“I’m just saying that I’ll be around and, if you let me, we could make things a lot easier on yourself.  Check out those folders.  I’ll leave you my card.”
The small slice of paper Daniel left on the table didn’t have his name on it.  It was blood red with the stylized emblem of a wide-brimmed hat.  The only text read “The Rogue” with a phone number beneath.
Damien opened his mouth once or twice but closed it every time Daniel spoke again, face red with anger. He didn't say anything as Daniel tossed the card onto the table, didn't even glance at it. After a moment, he swallowed, closing his eyes and taking a deep breath--Daniel could almost see the steam blowing out his nose--and set his jaw. He took another generous gulp of his drink and met Daniel's gaze, anger still sparking behind his brown eyes, but his expression was even.
"Thank you. I'll consider it." The words sounded forced.
Daniel smiled and nodded.  “It’s a pleasure to meet you, Damien.”  Then he turned, put on his coat and walked off into the night.
Damien watched him go, nose curling as soon as Daniel was out the door and he was alone again. He shut and locked the door, then stood there, hand on the knob, the bottle in the other, and clenched his teeth, squeezing his eyes shut, feeling the anger boil in him. Who the f--k does he think he is?! Calling me "kid"?! His fingers dug into the cheap wood of the door and Damien quickly drew away when he realized he was leaving deep scratches in the wood, nearly going all the way through the door. He cursed, flicking his hand and looked around his dingy, lonely little apartment that felt much less little ever since he'd started being here alone.
Hesitantly, he walked back to the kitchen table and sat down stiffly, frowning down at the folders. He drummed his fingernails on the bottle, then gave in to curiosity, flipping the top one open.  Inside were the architect’s blueprints for a different apartment, a much bigger apartment, an apartment on the “right” side of town closer to the places that he worked.  The blueprints indicated secret basement access through a trapdoor in the bedroom that led to a laboratory of sorts complete with drains, air vents, a ventilator hood, and steel bookshelves built into the walls.  Beneath the blueprints was a lease already signed and paid for.  When Damien gave the folder a slight shake, keys fell out from the bottom.
Damien stared down at the shiny silver keys that glinted in the wan, dingy light of the one functioning light bulb remaining in the kitchen ceiling. He swallowed, looking back to the plans, flipping through them. After his eyes darted all over the pages, he leaned back in his chair, rubbing his face. He peeked out, looking around the little, cramped, dense apartment. The little, cramped, dense place he called a home. It was the last thing he had left of his life before… well, before he wasn't a kid anymore. If his Mom got better--She won't, a tiny voice in his mind reminded him--this… this could be the only place she could remember. Unless it wasn't here anymore. 
Damien frowned, and closed the folder after putting the keys back, and tossed it lazily to the overflowing trash can, where it bounced and scattered all over the kitchen floor.
"If this is another piece of f--kin' charity, I swear…" He muttered, turning to the next folder.  Inside he found a GED with his name on it, signed by members of the League and backdated to the first time he used his alchemical powers in public.  Underneath it was a letter written in excited academic writing from a former biochemistry professor and inventor who retired in Qinniq asking the Alchemist, whoever he was, to come work with him.  The man had so many different theories he wanted to discuss. 
Damien felt anger in his gut rise again. He scowled, memories of public school and old bosses and coworkers and his father and everybody in between flooding his mind, their taunts and jabs and nicknames and slurs and all of it coming back to him--
He tore it up and tossed the bits of it to the trash again, then opened the last folder.  This one was smaller than the rest.  It held only a prepaid bus card for fare from Qinniq to Anchorage, where Damien’s mom was, enough for him to go every weekend for an entire year.
Damien picked it up, his anger fading a bit. He swallowed, glancing between the card and the discarded folders in the trash. He slipped the card into his wallet and got to his feet, finishing off his drink and leaving the bottle on the table as he pulled off his shirt. 
He thought over Daniel's words, his offer, the folders as he changed into his costume. He pulled his gloves on slowly and frowned.
"Asshat," he muttered to himself as he slid open his back window and lept out into the night still lit by a sun that wouldn't disappear over the horizon until 11 o'clock.
Tag List (I’m including those of you who enjoyed the original Broken Pieces story, but if you want to be taken off, please just let me know!):  @stoic-whumpee​​​​​​, @whatwasmyprevioususername​​​​​​, @whumpty-dumpty-fell-off-the-wall​​​​​​, @straight-to-the-pain​​​​​​, @castielamigos-whump-side-blog​​​​​​, @0idril0​​​​​​, @fallingstormphoenix​​​​​​, @whump-fantasies​​​​​​, @imagination1reality0​​​​​​, @whumpback-wail​​​​​, @whump-tr0pes​​​​​, @untilthepainstarts​​​​​, @captivity-whump​​​​, @burtlederp​​​​, @redwingedwhump​​​​, @whumpiary​​​​, @captivity-whump​​​​, @blue-flare10
11 notes · View notes
bewitchingwitch · 5 years
Text
Constellations pt.3
Hey y’all this I my first fanfic and since I’ve been obsessed with Newt Scamander lately I decided to do a series about him depending on if this part gets good reviews
Word count: 2,298
Newt P.O.V
Newt stood outside of Theseus' office for a while, just leaning on the door, his hand pressed to his cheek where you had given him a kiss. The niffler looked at him with pure envy.
"What?" Newt teasingly mocked. "Upset that she kissed me this time instead of you." The niffler turned his back to Newt, crossing his stubby arms.
"Oh come on, you know I didn't mean it." Newt said picking up Niffler by the scruff of his neck and turning him to face the front. But the little guy sat with his head held high ignoring Newt and keeping his eyes squeezed shut to avoid looking at him.
"Come on you can't stay mad at mummy for ever." Newt tried persuading but the niffler didn't budge. "Fine be like that but you're going into time out." Newt said as he placed the niffler delicately in his side coat pocket, as the creature fought him. "No you know the punishment for disobeying mummy, you have to serve a time out for five minutes." He tucked the niffler away and placed his hand back on his cheek.
"Wow." He still couldn't believe that you had kissed him. It was nothing more then a peck that had lasted a mere seconds but to him it meant the world.
No matter what he tried he couldn't get you out of his mind. The way you laughed at every little thing, the way you seemed to always be observing like you had to take the world in at once, like the minute you looked away it would all be gone.
You had looked at him like at that. It was only for a second when he had first made eye contact with you. You had stared into his eyes, then your gaze would shift to try an intake all of his freckles. Then a small smile would creep to your lips like you were trying to engrave his appearance into your brain.
He was so lost in thought he didn't even notice the door opening behind him. Suddenly he was falling backwards and he tumbled, straight back into the doorway of Theseus' office. "Oof"
“What the-“ he landed hard onto the tips of his brother’s shinned shoes.
Newt opened his eyes to see you and Theseus standing over him.
"Newt! What are you still doing here!" Theseus said looking down at him with an agitated face. His brother rarely looked at him like that.
Meanwhile you looked down at him, holding back a laugh as you kneeled down to where he was. "Newt are you okay?"
Newt flushed a deep red, mentally hitting himself at embarrassing himself in front of you. He scrambled to get up but kept tripping over his lanky legs. He didn't manage to get up he only succeeded in hitting his head against the doorframe.
You let out a giggle and extended a hand to help him up. He took your hand keeping his gaze cast downward. You attempted to pull him up, but he was so lost in the fact that he was holding your hand he didn't attempted to try and get up.
You kept pulling him up but all of a sudden he pulled back and his strength over powered yours. You stumbled forward, Newt looked up at you in surprise. You couldn't stop yourself from falling forward on top of him.
You closed your eyes bracing for impact and your hand caught on his chest. You slowly opened you eyes to see that you were positioned between Newt's legs, your front knee brushing against his crotch every so slightly. He let out a small moan, but he quickly shut his mouth, praying that you didn't hear him.
Your hands were resting on his chest, and your faces were mere millimeters apart. Newt had his hand on your waist to steady you and his other hand was against the floor holding you both up. He stopped himself from leaning in but he could have sworn that he saw your eyes shift from his eyes to his lips.
You awkwardly shifted and bumped his crotch yet again and he bit his lip to suppress a moan. He quickly got up and extended a hand to you helping you to your feet. As you stood in front of him he noticed that he easily towered above you. If he wanted when he hugged you he could rest his chin on top of your head.
You looked at him a delicate smile perched upon you lips. You reached up to push his hair out of his eyes. "Beautiful eyes like that shouldn't be covered." You were still holding his hand and it seemed as though you were reluctant to let it go.
Newt looked past you to see Theseus leaning against the doorframe, arms crossed glaring at him. He quickly dropped your hand and you looked at him in surprise.
Theseus pushed himself off of the door frame and made his way to your side where he put an arm around your shoulders. You looked up at Theseus in surprise. His gesture making you cheeks dusk a light pink. "It's seems that we need to get going now. Ms. (Y/n) needs to have her wand inspected. Hope to see you soon baby brother." Theseus said as he led you down the long hallway.
"Hope I get to see you again soon Theseus." Newt mumbled as he fidgeted with the hem of his sleeve.
You turned to wave at him and he waved back smiling at you. You turned back around and engaged in conversation with his brother laughing at a comment he had just made.
Newt sighed as he picked up his case from the floor. As he made his way out of the Ministry he looked into his pocket getting ready to fish the niffler out of his pocket. But he saw that the creature had fallen asleep so Newt took his handkerchief out of his vest pocket and laid it over the creature like a blanket.
Once outside he apparated into a little apartment a little way from the Eiffel tower. He had traveled to Paris at the orders of Dumbledore to try and find Grindelwald. He was staying in an apartment with Queenie and Jacob who had come along to assist him. Tina was already in Paris but after finding out that she has met someone, a fellow auror, he found his feelings for her depleting.
Nonetheless he still remained good friends with the Goldstein family.
But news about Grindelwald's whereabouts had been scare lately, so Newt was laying low and scouting for creatures to write about in his novel. That was how he had stumbled across you. He was admiring a lovely tribe of bowtruckles nestling in a tree when Niffler had escaped and found you.
He plopped down on the floor fiddling with the locks on his case. The apartment was quite, both Queenie and Jacob were out exploring the pastries of Paris.
He popped open the case and placed the case on the floor. And attempted to step into it. But he found that the case did not extend into a staircase as usual.
He looked down confused and kneeled next to the case, confused. It wasn’t his case it was yours. The one you had been holding this morning. He must have switched cases with you when he was in Theseus office, in his rush to get out of the room, well in Theseus rush to get him out of the room.
Newt switched to sitting criss cross and against his better judgement he began to rifle through your papers. He gently picked up a stack of paper that was nothing but paper work. He placed it to the side.
Below that there were pictures. One had a picture of a women and a man swaying side to side dancing at a wedding. He assumed that they’re were probably your parents. The lady had your smile and the same soft curves of your face. While the man radiated kindness just as you always seemed you.
Behind the couple was a picture of a man in his early 30’s he was leaning against a car smiling and waving. In faded writing it said missing you. He was a handsome man in a three piece suit. Newt felt a surge of jealousy. He quickly tucked the picture behind the other and looked to see what else was in the case.
There were a handful of random doodles on corners of papers. He smiled pressing his fingers lightly to touch the drawings. You would make a wonderful illustrator.
“We’re home sweetheart!” Queenie announced as she apparated into the room, Jacob’s arm hooked through hers.
“Never quite get used to that.” Jacob confessed going a little green in the face. “ I think I’m gonna go sit down for a minute.” Jacob made his way to the dinning room table and sat down .
“Alrighty, I’ll make you some tea in a minute baby!” Queenie cooed before she made her way to stand right behind Newt, who was scrambling to shove all your stuff back in your case. “What ya got there Newton?”
“I don’t know, nothing! It’s nothing. Nothing.” He stumbled over his words as Queenie crouched beside him placing a hand on his shoulder.
“Well it doesn’t look like nothing.” She said reaching forward and pulling a paper off of the stack. Her eyes quickly scanned it before she handed it back to Newt.
“What are you doing with (y/n) bag.” Queenie asked as she stood up straight and went to walk to the kitchen. “She’s really a lovely girl and I don’t think she’d appreciate you looking through her bag.”
It took Newt a minute to comprehend what Queenie was saying. “Wait you know (y/n)”
“Of course I do.” She giggled as she grabbed supplies from the cupboards to make tea.
“Who’s (y/n),” Jacob asked sitting up straight suddenly interested in the conversation.
“Oh she’s simply marvelous!” Queenie gushed. “ I met her about a week ago at a little cafe. She drew the most ravishingly picture of me! Wanna see?” Queenie asked.
Newt made his way to the table where Queenie had set a piece of paper down. It a very detailed yet stylized drawing of Queenie. You had captured her smile perfectly and her hair flowed flawlessly. You were truly an amazing artist.
“She doesn’t live too far from here actually.” Newt perked up at this. “I invited her to go dancing with me and Jacob this Saturday.” She smiled to herself. The gears in her mind turning as Newts thoughts invaded her brain. “I was planning on inviting you too honey, but I figured you’d probably turn us down like always.”
“Actually Queenie, I was hoping that I could come. You know just to spend time with you guys.” Newt said turning away from the group and settling back into the floor, to put all of your stuff back into your case.
“Mhmm alright honey, if that’s the excuse you want to use we’ll be polite and pretend to believe you.” Queenie smiled as she poured a cup of tea for Jacob.
“Queenie please stop reading my mind.” Newt said his face going red.
She giggled. “I’m sorry I can’t stop myself. The way you think about her is so cute and innocent. Well except for that one incident where you have some more scandalous thoughts. Like when her knee-“
“Queenie!” Newt said slightly raising his voice before lowering it to a whisper. “Please stop talking.”
“Mhm well if you insist.”
Newt sealed up your case and sat it upright. He then joined Queenie and Jacob at the table taking off his coat and laying it on the back of his chair. Queenie had had him and herself a cup of tea. He thanked her before sipping it.
“Now here’s s a thought.” She mused as she stirred her spoon in her tea.
“What is it sweetie.” Jacob replied placing his teacup down.
“Well if you have (y/n) bag, doesn’t that mean that she had yours” Queenie asked looking up at Newt.
He nearly spat out his tea. “My creatures! If she opens the case they will all get loose!” Newt shrugged his coat back on and went to grab your case.
“We’ll come with you.” Queenie chimed as she pulled Jacob to his feet and hooked all their arms together.
“But I don’t even know if she’s still at the Ministry it’s already going to be 7.” Newt said exasperated.
Just as Newt spoke a sliverly light infiltrated the room. The trio turned to look at it and noticed it was a patronous. It took the form of a (y/p) and settled in front of them.
“How did she know where I was staying?” Newt said as he made his way closer to the Patronous.
“Maybe Theseus told her? I mean we’re wizards Honey, and you’re wanted by a lot of people it shouldn’t be too hard to find you.” Queenie smiled. Newt gave her a look
The patronous emitted a noise they recognized to be your voice. “Hello, I hope this is Newt because it seems that I’ve found myself in possession of your case.” You let out a nervous laugh. “And I opened it thinking it was my case case and a couple creatures got out. But they are contained within my apartment.”
They all exchanged nervous looks, before apparating to go to where you were at, Queenie said she knew where your apartment was. And as they were traveling Newt couldn’t help but think how lucky he was to be getting to see you for a third time this day.
Taglist: @hearteyesmotherclucker @gaenahelleborus @melodramaticmelon2118
173 notes · View notes
iobottle · 5 years
Text
atissi
replied to your post
“it kinda makes me sad when artists giving out tutorials on character...”
oh could you talk more about this? :o
ABSOLUTELY thank u for enabling me to go off about designs i love this shit this may get a bit long so its going under a readmore (sorry if ur on mobile i hope it works)
gonna start this off with im no expert Nor have i taken any sort of official art class this is me just analyzing characters from what i found that makes them memorable to ppl (most of these examples are going to be from games sorry i got them on my mind)
ok so basically making a memorable revolves around personality and appearance now theres different ways to go about showing these things and i think from consuming media you like will help narrow down how you wanna go about it, basically thinking about your character inside and out!
SO shapes and hyperstylization is a good way to get a fun appearance across in a cartoon esp media and is often what a lot of artists stress on an example of using shapes and a good silhouette to make a memorable character is sonic!(specifically comic sonic)
Tumblr media
(had to google idw sonic for a non...u know image)
but not only do they use lots of triangles for this hedgehog they also made him blue! you’d be more likely to remember a blue headgehog over a realistically colored one!(also almost all of the sonic characters have a combination of fun shape + unusual color to help you remember them! the designs werent afraid to use color to make a bold statement)(he’s also segas mascot so of course they put a lot of work in his design)
now sonics appearance is not the only reason why people like him or remember him so much he’s also got personality! he’s cocky, fast, always getting into trouble, “you’re too slow!”, accompanied by shitty butt rock and a cool guy persona ie he’s got personality! and they weren’t afraid to give him some weird interests(see the butt rock) and he’s not perfect( see arrogance) if youve ever played a sonic game you have almost always remembered the crush 40 theme that went with it
all in all to go with his unusual appearance he’s got some unusual traits! it helps make him believable! admittedly he’s not the most embarrassing of the sonic crew (see knuckles or shadow) but he’s definitely rounded and not boring from an objective standpoint(you can not like sonic or his games i dont care)
(another example of something that requires good shapes is pokemon altho they arent really like very depthy since there are 600+ and some only have like a pokedex entry worth of info but still they have good and memorable designs)
NOW something that doesnt have the most “good shapes” design off the top of my head is link
Tumblr media
now in the most recent zelda game his most memoriable physical attribute is that he’s on the androgynous side w his longer hair and smaller build but in his older designs he looked something like this
Tumblr media Tumblr media
(art for a loz:link to the past)
not really that much of a striking silhouette, but what do we look at and kinda leaves an impression on us? his hair and hat! its very silly to see someone in such a big green hat with that big of bangs/mullet, the hat at least became so ridiculous of a look that in botw nintendo didnt include his hat in links main outfit bc it was too hard to make look good, its silly! thats good! its fine to have a normal human looking characters because sometimes stories are about humans, but if you want us to remember them include something that will strike us as strange for them
also probably a good thing to note is the noises link makes when he swings his sword, jumps, pushes something, ie any action they have always been something that has stuck with me
(another example similar to this is in mgs solid snake in mgs is this cool super spy but is rocking a full on mullet which is considered a joke hairstyle. this leaves an impression on us. a spy with a mullet! how ridiculous! another example is raiden who was specifically made bc a woman wrote that she didnt want to play as an “old man” so the protagonist of the super spy game is a longer haired pretty boy (with a huge ass))
now ive explained a little on a character with good shapes and personality and a character with a more “boring” shape design that makes up for it with almost quirky design choices but i feel like theres another series thats what originally got me thinking about how even a memorable silhouette doesnt need hyperstylization
Tumblr media
ace attorney! (which is out on switch now if u havent played it i would def recommend it)
if you dont know the protagonist is the guy in the blue suit(phoenix), which well he looks like just a guy...with ridiculously spikey hair enough so that in his silhouette you can recognize him but also his posture (the pointing) makes for a sticking recognizable image bc if you’ve played the games you can practically hear objection just from looking at phoenix’s silhouette
which is another thing id like to talk about! not only are a good shape a way to have a good silhouette but posture is also important! how the character holds themselves can say alot about them just from a glance! such as meekness, arrogance, confidence, sadness, anger, happiness its a very important too especially when you arent relying on stylization
now onto the characters of ace attorney ive gone over phoenix's design a bit but theres a few others id like to look at with some Weird style choices that make us remember them(just going to glance over them since this post is so long)
Tumblr media
now, this woman, franziska von karma, she dresses kind of strange for a prosecutor but her outfit is not too out there and her silhouette is not striking
but you see that whip? remember how i said she was a prosecutor? yeah she will strike people in court for getting off topic and will even hit phoenix when he starts breaking down her witnesses testimonies, which what literally strikes up about her
Tumblr media
another prosecutor, godot, now his hair could provide a somewhat memorable shape but what we first notice is the strange mask on his face which is weird, but not the Same weird as franziska bringing a whip to court thus having both of these prosecutors being Weirdly memorable for different things (another note is his liking of coffee that he does not give up even in court ha ha)
now onto the other protag for the aa games
Tumblr media
apollo! who also has weirdly spikey hair, but even if you put a silhouette of him next to phoenix you could tell there some was a difference between the two! its showing a pattern with the protags while also keeping them distinct enough to be able to tell who is who! although you cant say the pointy haired guy from ace attorney and not get just One answer unlike saying the prosecutor who has a whip but still they are distinct to people who have little experience with the series
sorry i dont have any sort of conclusion on this this was just sort of me rambling on about character design, but my main point is if you are discouraged bc all your characters dont have wildly different silhouettes thats ok! there are other ways to establish a good memorable character! dont be afraid to make them a little weird! give your character pink hair in a medieval setting, have them be ridiculously in love with tigers they have a striped shirt and pants, let them love childrens tv shows and have them never miss an episode, give them wacky hair or an extreme love of gum, show us some personality!! but dont forget about how they act and their values and dont forget that posture can go a long way for establishing a first impression
there are also many other methods to making a good character! like colors and dress!
silly is the way to go! have fun with it!!
there isnt just one way to make a good character!! theres plenty of more series that have good character design that i didnt mention pay attention to why you like the characters you like! also watch this video bc its really good
33 notes · View notes
wellhalesbells · 7 years
Note
If you have the time and if you don't mind, what are some books you really recommend? Doesn't have to be all time faves, but anything that pops into mind that you want more ppl to read and love, Extra points if lgbt+ , i got the whole summer with little to do and i wanna spend it reading some good quality writing and honestly so far your recs have introduced me to so many faves its unbelievable
[blushes profusely] oh wow, thank you!!!  i’m so glad you’ve trusted me enough to check out some of the stuff i reblog; that is like the ultimate compliment, i can’t even???  i don’t mind at all(!), fair warning though: i only started recording what i read partway through last year and my mind is like a sieve so i’ll do my absolute best to remember what’s sang to me in the recent past.  warning number two: i’m in an open relationship with absolutely every genre out there so i’ll try to note which belongs where so you can avoid those that hold no interest for you.
LGBT+
i’ll give you the sun.  i loved this book, the writing is fucking transformative and all the characters are so damn likable, while still being realistically flawed human beings.
the raven cycle (tetralogy).  definitely my favorite series since harry potter.  the writing, the world-building, the characters, it’s all on top-form.  i wrote a little, mini non-spoilery review of it: here, back when i was better (worse?) wordly-wise and my feels were brand new.
more happy than not.  i’m still not sure how i feel about this book.  it was hard, but it felt very true to the characters and the lingo and style matched the ages of the players and i have a lot of respect for that.
the watchmaker of filigree street.  woooow i loved this book.  i admit ‘historical fiction’ kind of makes me cringe.  it never precludes me from reading a book but it does knock it down the list by a book or five because they’re often very dense and very clunky and end up taking me ages to get through.  but this one was gorgeous.  i loved the plot, the attention lovingly placed on every character and the historical elements.  the surprise gay in an already brilliant book felt like winning the lottery honestly.
captive prince (trilogy).  okay, truthfully, i’m only putting this on here because the second book is such a high point for me.  it was never bad at any point but it had unfortunately been hyped far too much for it to live up to my, admittedly, very high expectations.  hopefully it’ll fare better with you?
everything i never told you.  i go back and forth on this one.  i like the writing a lot, i like the LGBT aspect a lot, and i like the mystery aspect a lot but there are definitely characters i would cut out entirely for sheer predictability if i could and that killed a lot of my enjoyment at the time (but i think much more highly of it in retrospect?).  so, take that as you like.
aristotle and dante discover the secrets of the universe.  if there’s a book that handles its characters with more care or respect or consideration then i haven’t run into it.  i love the way this is written and the people it’s populated with.
flying lessons & other stories.  a bunch of uber talented authors writing a bunch of uber diverse and LGBT-focused stories and, yes, that is exactly as awesome as it sounds.
the song of achilles.  it is utterly heart-breaking but so rich, honestly.
FANTASY
the diviners.  (also has a minor LGBT character, who may play a bigger role in the sequel?)  fair warning, i have not read the sequel, lair of dreams, because it is somehow still not out in paperback (yes, i read physical books, yes, i pretty exclusively read paperbacks so i can lug them everywhere with me, YES, I PRE-ORDERED THIS ALMOST TWO YEARS AGO AND IT’S STILL NOT OUT, NOT THAT I’M BITTER ABOUT THAT OR ANYTHING) so i can’t speak to that one finishing on a high note as i don’t know.  but this was the first historical novel i managed to like in a long while.  it does such a good job of fusing in 1920s lingo and dress and aspects that i couldn’t help but love it.  add in the fantasy elements and i can admit i’m the perfect sucker for it.
the scorpio races.  i’m not sure why but it took me a long-ass time to get into this book, i wasn’t flipping pages with gusto until well towards the end but - especially as i was reading so much YA at the time - i really appreciated coming across a romance that lets both people come into it as themselves and stay themselves, neither puck nor sean were ever smashed or crumpled or shaved away to fit into their relationship, which was so refreshing.  plus the water horses were fucking cool.
the night circus.  the writing, the atmosphere, the circus.  just… it is all very whoa.
all the birds in the sky.  i loved this writing style and these characters and the magical elements.
CONTEMPORARY
i’ll meet you there.  there was something about this and i just… ended up liking it way more than i expected to.  i might’ve just read it at exactly the right time, i’m not sure, but i really enjoyed it.
the invoice.  this is honestly just hella cute and so freaking surreal.  swedes, man.
NON-FICTION
why not me?  i like mindy kaling a lot.  i make no apologies for that.  plus you can read both her books in about five seconds, haha.
SCIENCE FICTION
station eleven.  i loved this book.  the way the narrative is woven is so refreshing and i wish the comic book miranda was writing in this book was a real thing more than anything else in the woooorld.
illuminae.  hot DAMN this book was cool.  the plot was rock solid, the characters were hilarious and badass and the graphics made out of text and spiraling words and just the way this thing is put together?  shit, it’s worth your money and then some.
a robot in the garden.  okay this is just cute as hell.  i can’t even with tang, he’s the most adorable robot to ever adorable.
annihilation (southern reach trilogy).  (LGBT minor characters.)  okay, honestly?  i don’t know.  this was freaking zany but i was invested as fuck in all the kookiness for reasons i can’t articulately elaborate on.
the martian.  hilarious, engaging, SPACE.  what more do you want?
HORROR
things we lost in the fire.  this is more atmospheric than anything but, damn, could this get me wishing i wasn’t reading this in the dark or looking over my shoulder to make absolutely sure no one was standing behind me.  it’s a book of short stories (by the way, i love books of short stories and i definitely realize that is not true for everyone) and each one is so well-delivered and stylized.  i really enjoyed reading this.
let the right one in.  okay, this is legit horror so definitely stay away if you’re easily squicked out but it is harrrrrd to find good horror (at least in my opinion) and this definitely, definitely qualifies.
horrorstör.  i honestly had such low expectations for this, a horror story set in a wannabe-ikea, but it ended up being so ridiculous and strange and funny that i was won over by the finish.
the girl with all the gifts.  holy unique and well-executed zombie idea, batman!
SHORT STORIES
the bigness of the world.  there were definitely ones here that hit better than others but the ones i liked, i really liked!
GRAPHIC NOVELS (i read a lot of these so, um, prepare yourself)
saga.  (LGBT minor characters as well.)  this is world-building to a degree that i’m convinced did not exist before.  just, i can’t say enough amazing things about this series and the staggering amount of imagination that regularly goes into it.
ms. marvel.  heart-warming as fuck.  it’s definitely really easy to lose faith in the world these days, luckily kamala is there to remind you that people are primarily and genuinely good.
black science.  this is another one that took just an insane amount of imagination to cook up.  i got off to kind of a rocky start with this one but the gray-ness of all the characters really speaks to me, and that doesn’t really blossom until later in the series.
spider-man/deadpool.  this was very satisfying for my super duper spideypool-shipping mind.  joe and ed did us so good, and joe basically said in his sign-off: i made it absolutely as gay as they would let me, haha.
the wicked + the divine.  (LGBT minor characters that you’re going to get way too attached to, and retroactively.  it’s awful [sobs].)  the concept for this, gods reincarnating into teenagers before they burn up their hosts after a predetermined set of time, is so fucking cool.  the humor and the characters and the plot is all just aces.
iceman (LGBT MAIN CHARACTER).  okay, so this just started.  like issue #2 was only released days ago but 1) i am liking it so far and 2) marvel did it so dirty and barely advertised bobby - an openly homosexual superhero - was getting his own series, like, i found out about it the day before it went on sale and i keep my ear fairly close to the ground (not as close as some BY A LOT, but closer than the lay person i’d say) so if you can support it, please do!  pre-orders mean a lot in terms of numbers. :))))
descender.  admittedly, this starts out rooough.  because the main character, TIM-21 (and his little dog too), are annoying as hell.  he’s an android so there’s no dimension to him so he’s booooring as all get out but i am so glad i stuck with it through to the next trade because, probably picking up on the unsustainability of him as a main character, he gets shuffled off and the side characters get the stage and they rock so hard.
paper girls. (LGBT main characters.)  i’m kind of just convinced that brian k. vaughan can do no wrong at this point.  his plots are so tight and mind-blowing and badass.
monstress.  here’s a little tid-bit about me: female comic book writers are 100% more likely to get my money and my time because they are so damn rare and this series is unique, badass, and eye-opening.
black monday murders.  i’m a little premature with this since there’s only one volume and i usually try to wait until there are at least two but i check up on a volume two a lot so that definitely means something intrigued me!
nailbiter.  okay, i haven’t read the final volume yet ‘cause i’m reluctant to let it go but, so far, a series about multiple serial killers all being from the same town has me VERY HOOKED.
i wish i could remember more but this is honestly way better than i expected to do, haha.  they’re definitely not all my all-time faves but they’re ones that have stuck with me for one reason or another and that i didn’t feel i wasted my time on, so that’s something, right?  i hope this helps get you started and that you don’t think too awfully of me when you inevitably run across ones that aren’t your cup of tea!
18K notes · View notes
Text
Ghoul Squad Island Ghouls: Review!
Back by popular demand are more reviews for Adventures of the Ghoul Squad!
I will be reviewing each new episode after they are released! with screen shots and an in depth analysis.
lets jump right in shall we?
I stated in my first review that I don’t care for the theme song and the more I hear the more I still don’t... I wish they would have leaned more in the direction of James Bond that they were aiming for instead of the repetitive kidz bop sound it actually has.
Secondly the animation. in my first review I was undecided if I liked the art style or not and I have finally come to a conclusion on what’s bothering me about it. The art style used for the Ghoul Squad series falls into this weird valley of stylized but not stylized enough: I’ll explain.
Tumblr media
The main 5 ghouls doing the exact same poses as their box art counterparts which I do not have a colored art for at my disposal but they DO use the box art silhouettes for the logo so I’ll use that.
Tumblr media
Just looking at the silhouettes alone shows major differences in the art styles used here and I personally prefer the box art style because it’s more delicate, current and makes them look like actual high schoolers. The style used for the webisodes is clunky, I really hate their thick popeye arms/ankles and I feel like this art style infantilizes them. To be fair the original web series kind of suffered from this clunky popeye arm thing too but to a much lesser extent.
Now this does not mean I am against stylization as a concept, I frigging love the art for the vinyls so much.
Tumblr media
However, the art for the vinyls is SO radically different and far removed from the box art style I can see it as it’s own separate thing where as the ghoul squad art is close- but not close enough, it’s just different enough that it bothers me but it’s not so different I can appreciate it on a new level. ( the same thing can be said for shows like Teen Titans Vs. Teen Titans Go!)
Anyways the show starts with Dracula being tech-illiterate and running back to his books which is kinda funny because I can’t even get my 80 year old grandmother to give up her old flip phone, I can’t imagine trying to get someone whose hundreds of years old up to date.
Tumblr media
This might be the first time since the reboot we’ve seen consequences for them not doing their school work... I know, I was shocked they actually went to class as well.
Tumblr media
Cleo didn’t do her humanology assignment so Dracula doesn’t let her go on the Island adventure. I wish she would have wanted to be there for more than JUST sand (sun, surf, pool  boys, etc) it makes her sound kinda one note and anyone who knows even the teeniest bit about the ancient Egyptians knows that sand was a constant curse upon them, getting into their food and eroding their teeth- but alas, I’m here to review cartoons not cover world history.
interesting footprints for someone whose wearing shoes.
Tumblr media
Once they are on the island they run into native wild life, a ‘spider monkey” which is essentially just a regular monkey with extra arms, kinda uninspired I think.
Tumblr media
I much prefer the spider monkeys in the pre-boot that had a bit more spider in them and I thought they were unique!
Tumblr media
But that’s what the reboot was all about right? making things cuter? even if it’s at the cost of what makes them monster-like... :\
The subplot of this episode is Cleo working on her paper while helping Dracula navigate modern technology.
Tumblr media
it’s not a bad subplot but I feel like him being loud in the same room she is trying to work in kinda undermines the good example he was trying to set by keeping her there in the first place...maybe a better subplot would have been if she had the flu or some type of mummy sickness and had to stay behind vs her being punished but not really being punished.
Tumblr media
once we get back to the main plot Lagoona and Clawdeen find a scale that belongs to a fresh water monster! and I really like that they explain only salt water creatures can live in the ocean, kids may not know that fresh water creatures would live in water on the island instead of around it. However this does bring up the question: that if all the monsters have been in hiding and isolated from each other how does Lagoona know what a fresh water monster scale looks like? I’ve mentioned before in both my reviews for the movies and the first episode that erasing all the history the monsters had together was a mistake and this is one of the many problems you create when you do that... if monsters don’t interact with other monsters in this universe like what is stated in welcome to monster high then are there still feuds between the species? Fangelicas words in the first webisode imply that vampires and werewolves being friends is surprising so I want to say yes...but that doesn’t make sense when in universe they stated that all the monsters are in hiding and thus do not have their own culture because they are isolated from other monsters.I am well aware that for lots of people this may be a good thing as many people were growing tired of the whole Gil / Lagoona soap opera of his parents being bigots and her being a salt water creature but I liked that conflict, as someone in an interracial relationship myself I can empathize with them and those kind of problems with families don’t always have a nice ending like they do in after school specials sometimes they are ongoing, sometimes they never get resolved or sometimes something worse....but it does happen and I like that the pre-boot didn’t shy away from that but let’s see if the reboot follows in those footsteps.
Tumblr media
I talk a lot of crap about the reboot designs, like I really hate Lagoonas eye color needlessly changing but one thing I do like is that she has more freckles! unrelated to the picture: I also like how they pointed out that printed books can become out of date.
Tumblr media
If monkeys can’t talk HOW is this one activating the mapalog? does the mapalog just respond to any language you say at it? including spider monkey??? what are the rules!?!?!
Tumblr media
Dracula being a weenie is getting kinda old. remember when we thought he was going to be all menacing based on his portrait in frights camera action?
Tumblr media
yea...me too.
Tumblr media
....Why....would any sea creature make their home on the side of an active volcano... is Gil living by himself!? where are his parents!? did he run away? if they’re not in the picture maybe there will be no Gil / Lagoona soap opera drama.
Tumblr media
We finally see Gil! my boy! in his pre-boot look but with a new water breathing apparatus that just covers his gills instead of his whole head....super interesting how Gil has a varsity jacket in colors for a school he’s never heard of and a swim team he’s never been on. man you really do not wanna give that boy new clothes.
One thing I will say about Gils updated look is that he looks more Japanese? I’m not sure if it’s a conscious design choice by the Mattel team or if I am just imprinting @peppapigvevo‘s beautiful Gil head cannon on to Gil but either way I like it!
Tumblr media Tumblr media
This is not at all how surfing works.
Tumblr media
Cleo is so strong, dang.
GIL JUST PEACES THE EFF OUT! I genuinely laughed at this moment.
It’s still early in the series to judge it too harshly but I’m glad we got Gil! it’s also super interesting to see what monsters they are going to “find” first like....I wonder if that’s whose dolls sold the best? I have so many questions! we’ll find out if they have answers, in the next episode!
<- Previous Webisode Review.
24 notes · View notes
gingervsblondie · 5 years
Text
Blondie Has Servant Trouble (1940)
Tumblr media
11:51 PM, Saturday, 19 October 2019
What a title, eh? The biggest first world problem of the 20th century. Needless to say, there are bigger problems in the world in 1940 than Blondie’s servant trouble, but here we are. I’m not in the best mood so why not take it out on this totally well-meaning but inconsequential piece of light entertainment from 80 years ago?
11:55
Hey so: the mailman Dagwood runs into in the intro isn’t the mailman he runs into in the movies proper. I don’t know if it ever was. Maybe in the first movie, I honestly don’t remember, but I don’t know who that guy in the intro is. He’s not the mailman I know and love from these great great flicks.
11:58
Hey, noir detective newspaper guy is back! I guess whatever drama I decided was going on behind the scenes last time is resolved now.
We may never know how much blood he has on his hands, how far he went, interrogating petty criminals in alleys, following the trail that ended at the dog-catchers, God rest their souls.
12:01 AM
So… I think a lot of what I’ve seen so far is stock footage, which isn’t something they’ve done to any noticeable degree in the previous movies. Maybe it isn’t though? I don’t know! I don’t trust myself. Maybe these movies are just so repetitive that I can’t believe that they filmed this stuff a second time anymore.
(Future Euan note: I’m pretty sure it wasn’t stock footage.)
12:03
So far, this entry seems to be about superstitions. You know, black cats, walking under ladders.
I’m kinda checked out. Which I can only apologize for. If you’re reading this I want to give you my all, but I mean YOU KNOW WHAT’S GONNA HAPPEN. YOU’VE SEEN OLD CARTOONS. Man I miss Dagwood and Blondie just chilling on the train.
12:07
Blondie: “Poor Daisy. Maybe she’s tired of doing the same thing over and over. I know I am.”
Holy shit, the movie heard me. I’m scared now. I’m feeling very vulnerable and I’m not ready for Blondie Has Servant Trouble to Sonic.exe me.
12:09
Dagwood just electrocuted himself atop a ladder at the top of a flight of stairs, which he then fell down. And all I can think is “man I wish Dagwood could die.”
12:15
Alexander Hamilton Bumstead has a kite.
Kinda like how Charlie Brown flies a kite.
...
You know, What Have We Learned, Charlie Brown has a really interesting sequence of World War II footage that’s hand-tinted in bright stylized colours. I could be watching that right now.
https://www.dailymotion.com/video/x3x6rhf
12:28
I promise I’ll go easy on the next movie. I’ll look on the bright side for that one.
12:30
The mailman says he transferring. It’d be weird if the movie where I finally notice that there’s a different mailman in the intro is also the last movie with the mailman that actually is in the movies.
12:32
There’s a gag where Dagwood, through a series of hilarious events, runs into the mailman while caught on Alexander Hamilton Bumstead’s kite, and we see the kite flying in the air with the mailman’s hat stuck in its string. And all I could think was “that must have been a very hard shot to get and it was not worth it.”
Dark Side Euan has entered the chat.
12:38
Apparently people said “no offence” in 1940. Did not know that.
12:39
You know, I was in a good mood last night. Maybe things’d be different if I did this then.
See, like: Dagwood just kicked his boss in the ass so hard that he slid clear across the room. And I feel nothing.
12:44
Turns out the mailman transferring was just more “ooh, is the mailman gonna avoid getting run into this time? No. He’s not.” The mailman’s transferring to a neighbourhood where Dagwood’s boss is going to put him so that he and Blondie can have servants. Shenanigans. Malarkey. MALARKEY I SAY.
12:48
Somebody died. I’m pretty sure this is the first allusion to death in the Blondieverse. So people can die. By that token, Dagwood can die, assuming he’s a human.
But you know what they say about assuming: don’t do it if it’s not funny.
Is Dagwood an alien? That would explain what I’ve taken to be the strangely pointy bits of his hairdo, maybe they’re actually antennae. Perhaps he’s some kind of god, or an angel, a being from a higher- wait I’m just doing the Mr. Bean lore now.
12:56
Dagwood, Blondie and Alexander Hamilton Bumstead (to say nothing of the dog) are on the car-ride over to the house they’re going to stay in, where a magic trick manufacturer died (more malarkey incoming.)
While Blondie was getting all horny at the thought of having servants (I don’t know how else to describe it, she just keeps saying the word “servants” with satisfaction,) Alexander Hamilton Bumstead cut her off and said “Daddy, are we still in the United States?” I thought, true to his abolitionist namesake, he was condemning his mother for indulging in the privilege her position in the class hierarchy provided her. But apparently he was just commenting on how long the car-ride was taking.
1:08
They’ve arrived at the house, and it doesn’t have electricity.
Alexander Hamilton Bumstead: “This is a mess, how are we going to eat?”
Blondie: “We have plenty of candles, dear.”
Alexander Hamilton Bumstead: “Only eskimos eat candles.”
Never mind, Alexander Hamilton Bumstead isn’t a progressive in the realm of race politics after all.
1:16
Alright. The movie’s acting like there’s a ghost in the house. They’ve shown us someone under a cover, cartoon ghost style. I’m betting you right now it’s the magic trick manufacturer and he’s still alive and that’ll be the shenanigans and in fact death remains an unconfirmed theory in the Blondieverse. And if I’m wrong, I’ll just go back and delete this paragraph.
1:18
I’m wrong. But anyway I’m pretty sure they used stock footage for real this time, for a shot of Daisy running into a door and hitting her head because there’s no dog door. Unless maybe Daisy had a catalogue of tricks she could do, and so they’re filming them more than once to get the most out of having trained the dog to do that.
1:23
So! The guy under the sheet was a black man by the name of Horatio Jones, played by Ray Turner. I note that he’s black because of our experiences with Willie Best, the only other black representation in these movies up until this point. Horatio’s in the house because he’s being initiated into a lodge, and he has to spend a night in a haunted house. So maybe these movies are improving at representing black people?
(Future Euan Note: Horatio is still a pretty stereotypical character, and has his eyes wide practically every second he’s on screen, but he’s presented as equal in class to the Bumsteads so I guess I can count that as progress.)
1:36
Shenanigans alert: the servants just arrived, or rather two people purporting to be the servants, but they reacted oddly when Blondie said “you must be the servants,” and haven’t said anything, instead letting Blondie talk for them, so I suspect they’re not actually the servants. Maybe they’re there to rob the dead magic trick manufacturer’s house? I’m determined to figure out the shenanigans before they happen.
1:40
The “servants,” on their own:
Servant A: “This is my house, it always has been my house.”
Servant B: “But those young people are harmless.”
Servant A: “Harmless? No-one is harmless!”
Servant B: “...Sometimes I think your mind is-”
Servant A: (Turning, putting his hands on her neck as if to strangle her,) “You’ll never say that again!”
These bastards are straight out of a completely different movie.
1:45
Blondie has her fur coat from the last movie. Continuity! Wooooo.
1:47
Please make this movie be over.
1:51
I hate you
You hate me
Let’s team up and kill Barney
With a baseball bat and a two-by-four
No more purple dinosaur
1:54
Dagwood got a flashlight stuck in his mouth and can’t get it out. Which is upsetting more than it is comical. Reminds of that one bit in The Empty Child.
Tumblr media
Gross.
1:57
After getting it out, Dagwood promptly got the flashlight stuck in his mouth again, while demonstrating to Horatio how he managed to get it stuck the first time ‘round.
What a fucking dipshit.
2:03
Eric the fake servant dude just grabbed a kitchen knife and walked menacingly in the direction of the Bumsteads, before fake servant lady stopped him.
Don’t tease me like that, Flournoy!
(Future Euan Note: Wow that’s dark, I’m sorry.)
2:07
The guy playing Eric, the demented mystery man masquerading as a servant and repeatedly holding his head in anguish, is named Arthur Hohl, and a cursory glance at his Wikipedia tells me that he’s a fairly serious actor. And I mean I’m down. I’m struggling with this one but I am down for the introduction of a thespian playing a violent and dangerous man losing his grip on reality.
Maybe, just maybe, it’s Dick Flournoy’s self-insert character.
2:15
There was just a bit where Dagwood ran to get water to douse on fake servant lady, who’s unconscious.
...Which reminds me of this one scene in A Boy Named Charlie Brown, which I’d also rather be watching.
https://youtu.be/E7ID_E-SYbQ
Snoopy’s an asshole and I love it.
2:24
15 minutes left. My eyes are doing that thing where they feel bad to keep open. You know. When one is sleepy.
2:28
https://youtu.be/AQE4bwA6EF4
This movie is weird you guys.
2:30
Welp, the movie broke me. I laughed.
Blondie: (reading a newspaper clipping with a picture of the crazy fake servant dude) “Man eludes police after knifing attorney.”
Dagwood: “Euh- with a knife?”
2:35
This movie’s never gonna end I wanna SLEEEEEEp
2:37
Ignore this entry, I’m just typing something so I don’t fall asleep.
2:38
Dagwood just yelled “Blondie, I’m shot!” What actually happened is he burnt himself with a candle, but if I was a real sociopath, I could edit that line with gunshot sound effects either side of it. Like Dagwood’s Crazy Frog and I’m on Newgrounds circa 2005.
2:42
I think Dagwood just got stabbed. I think Dagwood has a knife in his back. I think Dagwood just got STABBED.
2:43
Nah the knife was just stuck in his jacket. But if I was a REAL sociopath, I could- 
idk, edit in a punchline when you’re not so tired, Future Euan.
(Future Euan Note: I dunno, painstakingly animate CGI blood dripping from his back? I don’t really know what you were going for here, Past Euan.)
2:47
Okay it’s done! IT’S DONE! It’s done.
Quick quick quick, wrap up: This movie was good, probably, maybe? I was miserable watching it but it had weirdly life or death stakes and a psycho killer (qu’est que c’est) which is almost interesting by Blondie standards. It’s even the kind of movie I could see myself stumbling on and enjoying if it wasn’t a Blondie movie, or if it was but I wasn’t on this crusade. The kind of movie I’d find on some weird DVD collection of public domain or cheaply licensed old movies, like a favourite of mine, The Answer, a 1955 episode of Four Star Playhouse that felt very profound when I was little.
My Dagwood Sandwich rating is: one sandwich containing ice cream. You appreciate the ice cream, but you weren’t exactly expecting it in your sandwich. And when somebody asks you how it was, you’re like, “Well, it was ice cream, so good I guess.” And they say, “Did you enjoy it?” and you say, “Well, no.”
AHHHHHHHHHHHH!
I’m gonna go to sleep.
0 notes
darkhymns-fic · 7 years
Text
The Value in an Ending
Being a judge can be tiring (especially when you're swindling the government), so Sans always makes sure to visit the bakery down the street for some good food, some bad laughs, and the lovely voice of a nice friend.
He wants to make sure to keep this happy ending.
Fandom: Undertale Characters/Pairing: Sans/Toriel, Flowey Rating: G Mirror Links: AO3, FF.net Notes: This was written as a response to my boyfriend's most recent story, Murder with a Side of Lies, part of the Detective Papyrus series. Takes place after that story's events with a lot of references to it, and it's a super-fun read anyway that you should check out. *hint hint* 
Everyone knew about Toriel’s Bakery café that was huddled between the barber shop and the small fruit market down on Old Abode Lane. Even if you didn’t know it by name, the scent of her famous butterscotch pie was hard to ignore when you passed by. The waft of golden, flaky bread and the tinge of cinnamon spice would make its way through the air, unhindered by the constant storms and showers that took over the dreary skies, enticing the curious, the hungry, and those with a weakness for sweets.
Sans didn’t fit any of those categories (indifferent, no stomach, and he preferred food of the greasy variety), but the scent of that pie made him go to her shop anyway.
There was a sign over the door. It was printed boldly and clearly for all to see, along with a useful design of a clock. ‘Will be back in exactly 1 hour. We are sorry for the inconvenience.’
Nah, that’s alright.
He pushed open the door, the bell atop tinkling as he entered. It was good to get out of the rain, and him being the numbskull that he was, he didn’t bring an umbrella or a hat to cover his shivering bones. Well, usually the rain didn’t hit him- it just always seemed to miss him at the right moment. But this time, Sans didn’t try to cheat out of it. After all, it was okay to get dunked on once in a while. And hey, this way, his skull was now shiny and clean.
Pink slippers placed themselves on the welcome mat, which was both simple and elegant, if he had to describe it. The ‘Welcome’ on it was stylized in cursive, printed against a violet background with pretty designs of curls and columns that resembled architecture. It was also large enough for the feet of the biggest of monsters. Sans, being the opposite of that, felt quite engulfed within the mat’s confines.
“yo, tori,” he called out, but she wasn’t present. It seemed no one was in the shop right now. (Guess that sign was for something). He walked towards the displays of cakes and cookies, pies and pastries, and the special snail creations counter. It was midday and items from each section had been sold to prospective customers, except for the snail treats. A shame, really. The snail pie wasn’t so bad if you put enough whipped cream on it and ignored the crunchy texture of shells between your teeth.
Sans then went through the little open space between the shop counter, heading straight for the back door.
Can’t break with tradition.
“knock knock,” he said, rapping bare knuckles against the wood.
He heard two distinct sounds then; the airy laugh of that sweet old lady, and the sigh of a certain bud of his.
He was hoping the kid would be taking his nap right about now. Oh well, can’t have everything.
“Who’s there?” spoke the kind voice.
“ice cream,” he answered.
“Ice cream who?”
“ice cream if you don’t let me in.”
He basked in her laughter, which was only slightly ruined by another’s groan and frantic whisper of, “Come on! That was lame!”
Hearing plates clink from beyond the door, his joke buddy then spoke out, “It’s open.”
Sans was greeted to the sight of the shop owner known as Toriel. She was tall and poised in her posture, hands clasped delicately on the dining table within the room. She was seated among a pie tin that was placed within the center of the table, several slices already having been cut from its shape. Sans saw his own plate – the one with the ketchup bottle next to it. On the pie slice was a red-drizzled drawing of a skull. Aww.
A bit further off from the condiments and sweets, the other side of the table had different objects; namely books, some paper and pencils, and a hat with a grumpy-looking, golden-petaled flower on it.
“I was just helping him with some of his homework,” Toriel explained as Sans made his way to his seat. “Right now, we are on algebra.”
“Math is dumb!” Flowey declared. He held a pencil in his leaf, albeit with some difficulty.  “Who even uses this trigonometry junk in real life anyway?”
Sans looked at the flower. Man, this was good to pass up.
“you use it all the time, kid. triangle shapes are all around you. why, it’s as easy as pie.”
Flowey narrowed his eyes at the skeleton, particularly at the way Sans’ jacket was still sopping wet from the rain outside, damping both the carpet and seat. “That was stupid. You’re just stupid!”
“Flowey, that is quite enough,” Toriel chastised. She gave a little tap on Flowey’s head, making the plant flinch. “Please behave yourself when we have a guest.”
“no sweat, tori. he just hasn’t discovered math’s inner sweetness. it’s the reason pie even exists.”
Flowey threw down his pencil. “No, it’s not!”
“kid, would i lie to you? you ever hear about the worst thing about getting hit with pie?” Sans grinned wide. “get this. it’s because pie…” He turned his eye sockets to Toriel.
She finished with, “It never ends!”
Flowey groaned and growled and pushed away his math assignment. “I still don’t get it!!”
“oh yeah, tori. got, uh, a message for ya.” Sans took a crumpled-up note out of his pocket, though that was being generous. It was practically wadded into a paper ball, down to the size of a nickel. He tossed it over to Toriel, who deftly let it bounce upon her palm.
“…Sans, usually your letters are a bit more… well-prepared. Though I supposed this would have been difficult to mail.” Despite her words, she didn’t sound annoyed in the slightest. She smiled at the skeleton, and went to work on the paper ball as if it was a gift ready to be unwrapped. It was a challenging exercise for her large hands, but she was determined to see it through!
“now you know i like the snail mail we have going on between us.” Sans’ voice was light as he spoke. He watched as Toriel untangled the crinkled paper, and then looked away. Eye sockets wandered back over to the bakery shop section, back to the glass door, the bell above it, and the sign hanging over the front. The rain continued to pour, and the faint sound of thunder muffled through the skies.
“but it ain’t my message exactly.” He turned back to her. “big guy wanted to pass a word along.”
That made Toriel’s hands pause.
Flowey looked from both monsters, his dark eyes swishing around the empty space that was his petaled head.
Then a grin formed.
“Oh! Did Daddy say hi to me?”
Toriel didn’t say anything. Sans shrugged at the flower. “can’t tell you, kid. he didn’t mention hi or low of you.”
Flowey scoffed. “You know that’s not what I-”
“Asriel.” Toriel raised her head. The ceiling lights glinted off her eyes, highlighting the crimson that swirled within their depths. “Please take your homework and go upstairs to your room. Try to finish the rest of your assignment and I will come along to check it over.”
“What?!” The plant quivered with impatience. “But I wanna know what Dad said! And I told you that my name is Flo-”
“Asriel,” she repeated. Her mouth was set firm. “I’m not asking you again.”
The air felt hot, despite the cool rain outside. The flower wilted.
“…Ugh, fine.”
Was an interesting sight to see a houseplant try to cradle both a heavy-bound textbook and a sheaf of written-on papers in their leaves, all while holding a pencil in its mouth. “think you can handle all that, bud?” Sans couldn’t help but ask. The little weed predictably growled and tried to yell, but only ended up dropping the pencil and some spit onto the table.
Toriel glared.
“…I still want my pie later!” Then the flower nabbed the pencil with his teeth, and hopped off the chair to the floor, still attached to that hat that Toriel usually wore. Toriel’s home didn’t pave the way for a dirt floor, so the flower stumbled a bit, all the way through the living room and up the stairs, making sure to grumble all the way. “And don’t let him eat it!” Flowey shouted down before a door slammed.
Sans leaned back on the chair, shrugging in the most innocent way possible. “don’t know what the kid’s talking about. i already ate his slice five minutes ago.”
Sure enough, Flowey’s plate was cleared off except for a few crumbs.
He saw something then – the quirk of a smile that tugged at Toriel’s lips. But it faded fast the moment her attention went back to the crumpled letter.
“i can come back later if you want.”
“No, no, you do not need to.” Toriel took a breath, finally unraveling the letter. She stood up from her chair, reaching for a pair of reading glasses that she kept on her dress. “I will just be a moment.”
Sans resigned to that. He pushed away his own pie plate that was just as empty as the other.
It was probably weird watching her as she read the letter, he figured. But it’s not like he had anything much better to do. Besides, it was a good way to identify her tells – how her muzzle twitched like so when she was annoyed with something, or how she absently toyed with the blunt of her horn when she came across a mental obstacle. He noticed that same thing when they would both solve the crossword together – or more recently, the horoscope. (His cool bro’s suggestion).
At one point, her glasses seemed to steam up and, wait, was it getting hot in here? Having no skin made it hard to tell these things. But Toriel had removed her glasses then. She neatly tucked it back in her dress pocket, then proceeded to fold the letter into a nicely-shaped square. (Sans would have done that the first time, but it wasn’t like ol’ fluffybuns even asked him to. No need to do extra work like that). She stared at the letter with casual disinterest and walked over to the trash bin that was placed neatly by the door that led back to the bakery shop.
Then the letter immediately combusted into flame, illuminating the room harshly before extinguishing, all in a matter of seconds. The ashes fell into the trash.
Sans blinked. “guess that got you pretty heated.”
She didn’t smile at his joke this time. The fire was still in her eyes, before it dulled to a cautious warmth. “He wanted to know of my… progress.”
The skeleton was absently playing with the ketchup bottle. The opening of it was clogged over with some crust. Bummer. “yeah, guy’s a bit nosy, huh?”
“Sans,” she spoke to him seriously. “You are the judge. Is not inquiring over the affairs of his previous business in violation of his current sentence?”
“eh, probably.”
“…Did you tell him that?”
“think i mentioned a word or two about that.” Sans finally picked away the gross crust stuff, and was able to take a nice, refreshing gulp of the processed condiment. “but, uh, he’s pretty good at wording things just the right way, you know. making it legal and all that.”
Toriel sighed. “I must say I am not surprised. Asgore and his loopholes.”
“yeah.” Sans saw how Toriel stared at that trash can, the ashes already disappearing among the crushed bits of snail shells. “said he just wanted to ask how you were.”
“Yes, that sounds very chivalrous of him.” Toriel had to edge herself away from the trash to go back to the table. Her hands made as if to go for the pie, but she stopped herself, laying them clasped together on her lap.
“tori, ya know i’m the last person that’s going to judge ya for binge-eating.” He drank another swill of salty ketchup. “it’s a favorite pastime of mine, after all.”
There was a giggle this time from her – and it wasn’t totally forced either. He could appreciate that.
Toriel lifted her hands to place them on the table. Her claws tapped against the utensils. “It has been very busy lately.”
Sans nodded. “heard the family business was tough.” Especially when one was head of said The Family – the volunteer-run group of monsters that sought to help out all monsterkind with fundraisers, social work, and the like.
Toriel breathed in gently. “That’s a bit of an understatement. Just this week, a very curious, armless monster child had run away from his home. Said he got lost trying to find a job to help his family. It took quite a while to locate his parents.” She rubbed a hand against her temple, then gave a little sigh. “We were able to offer them some occupation, to help out with the home construction on the west side for the vulkins. They really do quite amazing work just using their feet.”
“good ol’ charity work.” The skeleton favored her decision with a wink. “we all knew you’d be great for the job though.”
“You mean the only one for the job. Certainly no one else was grabbing for it. Especially not after the reputation that Asgore had left it with…”
Yeah, having a criminal record over killing another monster probably had something to do with it.
Well, allegedly.
“you don’t have to stick with it though.”
“Yes, I do, Sans,” Toriel nodded. “I’ve run away from my responsibilities long enough… And someone has to clean up the mess.”
Sans didn’t have much to say to that. But he did have another thing to mention. Seeing Asgore on his weekly judicial visits (which really consisted of playing checkers and having chamomile tea) made him remember again.
“oh yeah, and the kid’s doing just fine. don’t know if fluffybuns mentioned that.”
He could hear Toriel hold in her breath. “He made a passing mention of them, yes.” She paused. “They are not safe with him.”
“don’t gotta tell me twice.”
“Apparently I do.” Her tone suddenly had an edge to it – one that was rarely pointed at him. “You know what he is capable of, and yet you allow this.”
And the thing was, Sans knew he didn’t have much of an excuse, except for…
“frisk is a pretty determined kid, you know. not much i can do against that.”
One reason he didn’t hang out with humans much. Or trust them either. Never know what weird stuff they were capable of.
Asgore must have thought the same thing.
She didn’t look convinced, and he didn’t blame her, but having her angry eyes on him was putting a damper on his mood. “kid looks healthy though. not hanging out on the streets anymore. knows how to brew a good tea – and can bake, too. and, uh, someone’s gotta do the big guy’s shopping since he’s under house arrest and all.”
“And why can’t that someone be an adult?”
“no adults were willing.” Not even Undyne, which he thought was weird. Guess she really wanted to let the past be. Maybe he could learn from her, someday. “and legally, can’t let past business associates have contact with him either. but you know, the kid’s been smiling lately. seemed real happy hanging out there… kinda creepy, actually.”
Toriel still huffed at the explanation. Sans tried another avenue. “ya know, being legal guardian and all, i’m sure you can talk to ‘em and they’d come running back.”
She finally relented and went to cut a piece of pie for herself. The tin clinked against both knife and fork as she brought a slice onto her plate. “I don’t believe they will, no. I was hoping… you could talk some sense into them.”
“ah, tori.” He leaned back against the chair, hands in his pockets. “you expect too much of me.”
She didn’t deny that.
Sans will always remember when he first met Toriel. It had been another rainy day, a quiet one, with the cars swishing by on the pavement as nightfall descended. She had been there on the sidewalk, umbrella in hand, her fur slightly matted from the rain. Despite the weather she wore a wide-brimmed sunhat, topped with a flower that even had a kinda-smiley face on it. She had been the first person to even look at him that day.
Oh, and he had been begging her for money.
“spare some change, lady?”
The skeleton had picked the perfect spot for his shtick. Just right by the mailbox underneath the lamppost, across the street from this adorable-looking bakery that always had the best smells. He wasn’t really a pie and pastry kind of guy, but he liked the aesthetic of it.
Seating his behind on the wet sidewalk, she had been looking down at him. Not condescendingly or anything like that, just literally looking down, especially at her height. He had to crane his neck bone to meet her eyes.
“Oh? Have you met some misfortune, young man?”
“yeah, haven’t had a bite to eat in weeks. now i’m all-bones.”
An unexpected laugh had bleated out of her at that – which was surprising. He couldn’t remember an audience that responded so well to the warm-up jokes.
Through stifled laughter, she gestured to him. “But then, why do you have a nice cream cone?”
Sans shifted his gaze to said nice cream cone, held within his right hand’s grip.
“…beats me, actually. but hey, it’s nice, huh?” Usually, he could think on his feet when it came to his stuff. (But then again, he wasn’t standing anyway). He was also a bit distracted by the way her long ears framed her face, and the sheer snow-whiteness of her fur.
“You know what goes great with nice cream? A hot slice of butterscotch pie. Oh! Or do you prefer cinnamon? Or perhaps both?”
“well, i’m more of a ketchup and fries guy myself.”
That wasn’t even really a joke, but she laughed anyway and hey, that was nice.
Then he heard a groan. “Who is this loser? Can we go home already?!”
Sans craned his neck some more. “heh, didn’t see you, bud. how’s the weather up there?”
Toriel poked the complaining flower, then smiled apologetically. “Please excuse his behavior. He’s just shy around new people.”
“I’m not shy around trash- ow!”
Okay, Sans had to laugh. Something about a goat lady scolding a plant was hilarious.
It was a real bonus that she seemed to like bad jokes, too.
After Flowey was made to mumble out an apology, Toriel pulled out a few coins of monster currency, laying it within Sans’ empty palm.
“I wish you the best of luck in your future. My bakery is just across from here, and I would love for you to visit when you have found your way. I will give you a pie slice on the house!”
“What?!” the flower shouted, absolutely mortified. “Don’t do that!”
First thing Sans thought when he heard that: alright, some freebies.
Second thing: this lady seemed very nice and genuine. It was hard to tell the real genuine folk of this town, even from other monsters. But not this lady.
“careful. i might take up on your offer.”
She smiled even wider at that. Perched underneath her umbrella, and dressed in a long, swishing dress, she looked like she brought spring with her wherever she went. Just have that flower on her hat smile more often, and it’d be perfect.
“I cannot wait until then,” she said to him, then proceeded to cross the street. He heard the flower grumble more, until they were both out of earshot.
He kept the change she gave him. In his back pocket, always just out of reach from his other coins.
You don’t give away gifts.
Sans will always remember how he first met Toriel.
And he will always remember just what she asked of him only moments before.
He tried not to think too hard about that, already fiddling with the radio that was set up on a small coffee table. Static kept interrupting the sound waves, morphing the voices coming out of the speakers. Toriel didn’t have a television set – too high tech for her tastes – but it gave Sans a great excuse to rest his eye sockets when they listened in on the latest radio drama. Maybe catch a few Z’s here and there.
“heard metts’ switching gears now. literally and figuratively, heh. wanna catch his latest show?”
Toriel was gathering up the plates and pie tin, her back to Sans as he laid back on her plush sofa. “I must now get back to work, Sans. Perhaps next time.”
“aw, come on. sure ya can’t just leave the shop closed for an hour? this one sounds really good.”
“…and then I told him, “That’s not my engine coolant, that’s my wife!” Cue the canned laughter, along with brief interruptions of more static. “Oh, thank you, beauties and gentle(fzzt!) Remember to call in now to get the chance to speak with your favorite (schzt! fshhh!) and everybody LOVES me!”
“killer new song,” Sans commented.
Toriel turned toward the stereo sound. “Oh, it does sound quite fun, though I should have that antenna fixed. But I really must get going. Hopefully they will do a repeat of it later tonight.”
Sans reached out to reluctantly turn off the radio. Too bad, he could snooze easy to this.
“Alphys, darling, you’re talking (rrrek!) again. Game of Bones is not of any relevance to this program.”
“B-but the mangaka is not even writing anymore and-and (tshiig!) o-opened a f-film studio to waste even more time (rrek fzzzt!) st-stupid sell-out and a h-hack!”
“Oh my god, just play a record already-!” Click.
He edged off the couch, watching quietly as Toriel made her way to the kitchen. “it’s pouring pretty hard out there today. more than usual. might not get many customers.”
“Actually, someone is helping take over the afternoon sales. I have other matters.”
“oh?”
Disappearing through the kitchen doorway, Sans didn’t expect much else. Then she stepped out again, leaning backwards with a grin, the dirty plates still held within her arms.
“Yes. Family matters.” Then she winked, and vanished once again.
Sans choked on air. Did that joke even made sense? Who cares? His bones were light from her delivery.
It wasn’t long before Toriel’s bakery replacement came in. The buff bunny monster was a bit eager for his shift – he was already wearing the pie-patterned apron and everything. Though he no longer wore the pin-striped suit, he still had his hat on, which shadowed most of his face.
“Yo! I’m like, here to help, boss lady!” he called out from the front. The shop looked ludicrously small with this bench-pressing monster standing within the middle of the place.
“Oh, he is here quite early.” Toriel, having already finished her washing, was now dressed in a more business-casual outfit, it’s colors muted instead of the brightness that was her sundress. Atop her head, she wore a pillbox hat, it’s surface absent of patterns and sentient flowers. “I supposed that gives me a head-start.”
Sans walked her to the front, eyes latched onto the purse she carried. Very elegant, with golden clasps. And the way she walked spoke of a regal authority that was awfully familiar. “what’s on the agenda today for ya, queen tori?” he asked her naturally.
Toriel blinked at the royal address – yeah, he didn’t know where that came from either – but she answered him still.
“Another monster family was unfairly kicked out of their home. Apparently, their human neighbors complained and cited a housing violation. I will be going to the regulations office for a meeting. I am hoping we can reach a sort of mutual arrangement for equal housing.” She tsked, already gesturing for the buff monster to take his place behind the counter. “It is not the poor monsters’ fault that they are completely made of fire.”
“yeah, grillbz has the same problem. guess his landlord just can’t stand the heat.”
Toriel stifled her laugh, but it came out as a hiccup, which only made Sans grin even more. “Yes, well, if your friend needs help, he can come over for a chat anytime.”
“i’ll make sure to pass it along,” he said, kinda meaning it.
Toriel was back to instructing her worker. “There are several loaves of bread in the oven there. Be sure to check on them. Oh, and Mrs. Waters will be here in about an hour to pick up her cake. It’s right there on the left shelf.”
“Gnarly prep work, boss,” said the bunny monster, openly admiring the cake’s decorative work. A birthday cake, clearly, with fanciful ribbons, rainbow rosettes on its sides, and a neatly-written ‘Happy Birthday, Joel!’ written with the neatest and florid of penmanship… or pipesmanship. (Because using a cake piping and all. Only cake aficionados would truly get the joke. Sans thought it was probably best to leave it out of his set).
Once the bunny dude was set-up, Toriel and Sans left the shop. The rain was still pouring heavily outside, washing the sidewalks clean. They both stood under the awning of the bakery, hearing the raindrops plunk against the material.
“Ah, and there is my car ride.”
Sans looked to his left and, sure enough, a fancy-looking blue car was parked just a little upwards of the bakery. With a squinting of his eye sockets, he could see the other half of the buff duo that Asgore once employed in his flower shop. The dragon-looking monster was still dressed in his pinstripe suit, from what Sans could see through the constant shower from the skies.
“I am sorry to leave so abruptly today, Sans.”
“no worries, t.” He shrugged. “i still got a free meal out of it. why would i complain?”
Just as she was about to laugh again, he saw her eyes widen curiously. “Oh my! You’re missing one of your adorable slippers!”
The skeleton looked down and, what do you know, he was wearing only one of the things. The other was living free in the rain, toe bones planted against the pavement. See, if he had skin, he could avoid these mishaps.
“how about that? must have left it on your couch. i’ll get it later.”
“Sans, are you admitting you put up your feet on my upholstery?”
“naaah.”
Another smile from her. He could do this all day. He wouldn’t mind it at all.
But she had to go. Though the car horn didn’t beep, her chauffeur kept staring at them in intervals. Toriel then hurriedly made her way to the car, one hand holding onto her hat, the other clutching her purse to her chest. Even so, she made sure to turn to him with a wave of goodbye. “Please come back tomorrow. I will make sure the radio is properly tuned this time!”
“wouldn’t dream of missing it,” Sans said, fully meaning it, as he always did.
He remained underneath the awning, watching as the car drove down the street. Though it was only mid-afternoon, the lampposts outside were already lit. They casted pools of light on the streets. The car passed underneath one such light, it’s coat looking to nearly shine from the washing it received from the rain. Then the car made a right turn, leaving Sans with nothing more than an empty, noir-painted street.
Welp. Time to get back his footwear.
He didn’t feel like going through the front door again (boring) and just walked straight into the living room. There was the turned-off radio on the coffee table, his ketchup bottle in a cup holder, and a pink, fuzzy slipper laying on a couch cushion.
Also Flowey was there.
“She’s already gone, you idiot,” the flower snapped. He was perched within a little flower pot this time, one that was situated squarely in the middle of the coffee table. Yeah, soil was probably an important thing for this kid.
That and manners.
“nice seeing you again, bud. betcha finished that homework, huh?”
“Hmph!” Flowey pouted, crossing his leaves together, as if leaves had elbows and joints and all that. “since you’re so interested, why don’t you just finish it for me?”
“ok.”
Flowey sputtered. “Wait? Really?! You’ll do it?”
“nope, just messing.”
He juggled his unworn slipper in his left hand, too lazy to put it on. “see ya.”
“Wait!”
He didn’t really want to, so just kept walking forward. The walls to his right shifted. Plaster cracked, leaving little shards on the floor. Vines extended from the damaged walls and floor. Wood boards were torn in half from the strength of it.
Flowey’s face hovered before him, features stretched to nightmarish proportions. Sadistic intent played out in the plant’s eyes.
Sans stood where he was, slipper still in hand. “you know i’m gonna tell your mom.”
The flower flinched. His elongated eyes and sharp-toothed mouth reverted back to normalcy for a second, before reaffirming themselves. “L-like I care!” he shouted, his voice’s tone distorted and low, but also having cracked there for a second. It had been a really weird sound, basically.
“i mean this is cute and all, but papyrus has a plate of expired spaghetti waiting for me that i need to figure out how to miss.”
“No!” The abomination of a flower stretched out his stem, grinning wide, opening his maw that was only blackness and despair. Or, at least that was the impression Sans figured the kid was trying to do. He wasn’t paying all that much attention to be sure. “I know… I know that- that you know! And that you know that I know… that you know! You idiot! Ha!”
“wow kid, you’re really bad at this.”
“Shut up! I’m not going to let you get me like-”
“hey. look. why don’t we sit down and forget all this?”
“Don’t interrupt me!” Flowey shrieked, his malformed voice now high-pitched. Amazing the bunny monster didn’t hear any of this. Asgore sure knew how to pick ‘em. “I’m going settle things with you, and then-”
“kid.” Sans dropped the slipper to the floor, putting it back on his foot with the laziest of motions, his skull angled downwards to better see. The continued casualness of his tone stopped Flowey in mid-gloating. “how about we take a breather?”
Just a moment of hesitation before the flower tried again. “I’m not done!”
Sans raised his head. He opened his eye sockets.
“Y e s  y o u  a r e.” A pause, to lay on the effect. “N o w  s i t  d o w n.”
Sometimes you need a professional.
The flower shrank back then, fangs hidden away, eyes reverting back to the normal dots.
Sans remained where he was.
The flower then started to shrink, his winding vines disappearing, though leaving a mess behind. Eventually, the flower was in the middle of the floor, planted in his flower pot. Flowey grimaced, looking almost ready to cry in frustration.
“see?” Sans shrugged. “if you wanted a chat, should’ve just asked.”
The flower grumbled some more.
“but hey, we all get a little grumpy when we’re young. you’re like in your terrible two’s, right?”
“Shut up already.” Flowey wouldn’t look at him. “I… changed my mind. Just go.”
“heh, okay then.” Sans walked around the plant, heading for the kitchen for some reason.
Then he stopped.
“one thing though, bud.”
The flower timidly angled his head towards Sans, nothing but venom in his eyes. No joy or thrill. Good signs. Maybe he won’t make these same mistakes if they bring him nothing but headaches.
“i don’t know what you’re assuming, but i don’t know nothing. and that’s all well and good, right? as long as things stay nice and normal.” He paused. “just a good time for everybody.”
Flowey flinched.
“capiche?” Sans winked. “here, go buy yourself a soda pop.” Sans took a coin out of his back pocket, still reflecting that light like it once did out in the rain. He tossed it towards Flowey who caught it with a fumble.
But he let a thought slide. Easy to catch wind of when you were magically-inclined, like a certain talking flower.
So don’t mess up the happy ending we got.
At that, Flowey shot out of the flower pot, straight into the upended floor. Sans watched the ground upturn as the flower ran off to his bedroom. (Which meant the stairs were slightly broken afterwards).
Sans was never that great with kids.
Now as the only monster judge available, Sans had to make… good judgements. And the only way to do that was to keep an eye on people, and observe them routinely.
Or in lamer terms, spying.
Sans had already done so with Asgore before the whole court trial, and even then, for a huge furry goat monster, the guy was rather sneaky. Sans couldn’t keep up half the time, which was why he was glad on having a cool bro help out with said case. Asgore had a lot of shady dealings – some downright killer even – and Sans wasn’t a big fan of surprises. He hoped that would be the last.
Besides, barely competent spying was really all he could do anyway. Whatever wards Asgore had set up back then, they were strong, keeping the skeleton out of the inner space of his home, where he knew those souls stayed contained. It was enough to make his shortcuts just really long detours back home instead. Probably Alphys’ handiwork, that poor nerd.
Too bad really, that those missing kid reports had to stay missing.
Now that Asgore was under house arrest, and his pursuit of souls to harness their power for a long-dead son was out of the picture, it made Sans’ job easier. He could just perch himself up on a fire-escape and keep spying for hours instead of following the guy from place to place. No room for error. Just the best scenario all-around for him.
On that same fire-escape, hood of his blue jacket pulled up over his skull, he watched. Along with his basketball shorts, he did not fit with the…atmosphere, and he knew this. But he was here, and that was good enough.
What would Papyrus do in this situation though?
Oh yeah, the whole detective reporting shtick. Well.
There was that kid again, still wearing their striped shirt, and their hair barely combed. They were seated on the floor in Asgore’s living room. A tea cup was cradled in their hand. And across from them, the big guy himself was seated too. He was hunched over, his burly body looking too big for anything. But Asgore persevered, holding his own teacup between thick fingers. His great horns bobbed along with his head as he nodded and spoke to Frisk.
And Frisk was smiling.
Weird.
Sans wouldn’t stay long. (Cold plate of spaghetti? Cool bro Papyrus, remember? Keep up). But he noted some other strange things before he would leave. Like an illusion kind of deal. Where a color would shift, and the rain would mute itself. Sans couldn’t really tell what it was all about exactly, and honestly, he didn’t feel comfortable anymore.
Still, it was worth keeping tabs on. Gotta keep the happy ending, after all.
Besides, Tori had asked him.
“Watch over them, will you not?”
The kid’s smile was a small thing, gentle and understanding. That was a good thing, but…
Eh, he just needed some sleep.
“you expect too much from me, t,” he said out loud.
But he was looking forward to tomorrow still.
With a sigh, Sans laid back against the fire escape grating. Then he was gone.
Meanwhile, both human child and big fuzzy pushover continued to chat with each other, late into the afternoon.
16 notes · View notes
dachosmin · 4 years
Text
The Untamed Episode 22
More liveblogging!
WWX: "there will never be a day that I enter into demonic cultivation." The title of the gotdamn series determines that was a fucking lie
LWJ with the 80s shoulder pads and the snatched waist is a LOOK ok
Okay mister mingjue that's a cool back scabbard but how tf do you resheath that massive sword???
Aww horsies!
LMAO NHS calling out like a fair maiden on the battlements. Wanna offer them your handkerchief too?
K JZX is actually pretty hot when he's fighting, he can stay
Okayyy the evil molten lava dudes aren't distracting as the taxidermied wolf but like.... I mean....
NMJ: I will go alone into the big bad fortress and kill WRH all by myself >:) There's no way this will go badly >:) JZX/JC: that's the dumbest fucking idea we've ever heard
JIN ZIXUAN YOU BITCH you did NOT just say that to JYL. JYL, why are you still into him?? I guess when the rest of the men are gay your options are limited -_-
Okay but also like... there's a fucking war on and we're bitch slapping people over SOUP??? Please give JYL a sword! Let her do literally anything non-soup related
LWJ: I think you may be out of control :| WWX: I am perfectly in control :) Narrator: this was also a fucking lie
Oh hello LXC/NMJ, you'd be hot together too (is it weird that every other scene gives me a new ship? Likely.)
Okay but LXC, I am a bit concerned about where you got this perfect map, esp since you won't say where he got it. Can't believe LXC is eeeevil... but maybe a bit dumb?
Wow, so yall's big plan was to... rush the front gates? Kay.
A serious thought: the way battles are set up and framed has a very... stylized classic/epic feel to them. It's not one side v the other but a bunch of individual duels between individual heroes, almost always 1 on 1. Kind of how battles are described in the Iliad, Nibelungenlied, Tolkien, etc.
So do the Wens make the scary evil clouds over Nightless City for The Aesthetic or were they always there?
NOOOO MUSTACHE DADDY
Oh it's this bitch again
NMJ please beat the little shit
Oh NO the little shit got mustache daddy killed AND lied to LXC, didn't he? How very dare. Also, shit taste: you picked Wen Ruohan?! over them?! FFS he isn't even cute.
Okay sucks to be these redshirts that survived the swordfight just to get fireballed into pieces. Womp womp.
Oh wow that's lots of zombies yall are fucked
Aww it hurts when you see one of the heroes fighting someone in their own colors, they probably knew the person
YES TIME 4 FLUTE
Oh come now you three, stop being bitchy just because WWX went kind of goth, he saved your lives
0 notes
lorrainecparker · 7 years
Text
ART OF THE CUT with “TWIN PEAKS” editor DuWayne Dunham
DuWayne Dunham’s filmography is so extensive and impressive that trying to summarize it in a paragraph just doesn’t do him justice, so I’d advise checking out imdb for more. But a quick summary is: Assistant editor on “Star Wars: Empire Strikes Back” and “Raiders of the Lost Ark.” Editor on “Star Wars: Return of the Jedi,” “Blue Velvet,” “Bill and Ted’s Excellent Adventure,” the original TV series “Twin Peaks,” “Wild at Heart,” and “K-11.” He is also a director, including on the original TV series, “Twin Peaks” and the features “Homeward Bound: The Incredible Journey” and “Little Giants.” I spoke to Dunham about editing David Lynch’s return to “Twin Peaks” on Showtime.
This interview was transcribed using SpeedScriber. (Transcribed in under 10 minutes with no wait for a transcriptionist.)
If you’re interested in watching Twin Peaks or checking out some of the episodes Mr. Dunham mentions, you can sign up for a free month of on-line Showtime. You can also watch the first part (episode) for free on Youtube.
  HULLFISH: Tell me a little bit about the style of the show. It’s very stylized, for those who haven’t seen it. Does that make it difficult to edit?
DUNHAM: It doesn’t add any sort of complication. It just makes it a lot more fun. It may open certain doors to try things. David (director, David Lynch) is such a visionary. His material is just different to begin with. So it’s a real pleasure to work with.
HULLFISH: You’ve worked with him on many things of course. You did the original TV series and also Blue Velvet. Tell me a little bit about your relationship and how you guys came to work together and how you’re able to contribute to his vision.
DUNHAM: The first thing I did was Blue Velvet for David. We did some commercials together and then Wild at Heart. Actually, it was the pilot for Twin Peaks, but while we were finishing that, he went off to do Wild at Heart. And about that time, we got picked up for the first seven episodes of Twin Peaks. And I started directing on the series and doing other work as well.
So, on Blue Velvet, we would cut up in Berkley, in the Bay area. I was over at LucasFilm in Marin, and it’s a small film community up there and I’d finished cutting Return of the Jedi and then another movie called The Mean Season (1985) and David called and asked if I’d cut Blue Velvet and I said, “Maybe you ought to meet me first.” I flew to LA to meet with David and we shared a couple of “Gee whiz” and “Aw shucks” and we got along pretty well in that way and you learn a lot about a person’s thought process and their working process and whether you can work with them.
So I cut Blue Velvet. The first cut was 3 hours and 57 minutes long and I was a little nervous. David was sitting next to me. There were only about four of us in the theater that night. The screening finished and the lights came on and after a minute he says to me, “I liked it. I like it just the way it is. But one problem…” and I thought, “well, this is going to be easy.” And he said, “I only get to have final cut if the film is under two hours.” So there we went trying to cut down an almost four-hour movie, which we did.
And then the experience with Wild at Heart was so crazy because I was finishing the pilot episode. as well as an alternate ending for that. And I knew that was coming to an end and I knew David wasn’t going to do anything else for a while. I loved the pilot. I still love the pilot. I think it’s one of the best movies around. We were able to screen that pilot episode at DGA one time and I’ll never forget it. It was like liquid gold on the screen, it was just beautiful. That pilot has a pacing and a rhythm to it that I think David and I seemed to be on that same kind of wavelength. I asked David at the end of the pilot what he was going to do and he said he was going to take some time off and I said, “OK, then, I’ve got to look for another job.” And I did. I told another studio I would be free after I finished the last few weeks on Twin Peaks and before that happened, David walked back in and he said, I’m going to direct Wild at Heart and I want you to cut it, so I told him that he’d said he wasn’t going to do anything else, so I booked another job. It was May and I asked him when he was going to shoot it, and he said, “July,” and I asked if he had a script and he said, “More or less.” I told him, “David, I feel terrible, I want to work with you but I took another job and I cannot trade one editing job for another.” He thought for a little while and he said, “OK, we just got picked up for the first seven episodes of Twin Peaks. You can direct the first episode and a couple more. So will you cut Wild at Heart for me?” And I said, “Sure.”
So David went off shooting Wild at Heart. and I started editing Wild at Heart while scripts were being written for Twin Peaks and sets were being built. I wanna say it was around August or the beginning of September. I took a break from Wild at Heart to go direct the first episode of Twin Peaks and I finished seven days later, which was exactly the same day that David finished shooting Wild at Heart. So we met back in the cutting room and now we have the feature Wild at Heart and the first episode of Twin Peaks and David was prepping to direct the second episode of Twin Peaks so in the process of cutting Wild at Heart we were both doing the first season of Twin Peaks. A lot’s going on and it was crazy and David is in and out of the cutting room.
And while all of this is going on, David asks if we can have Wild at Heart ready for Cannes and it’s already November and that cut was almost four and a half hours long. So we put our heads down and finished up Wild at Heart and the first seven episodes of Twin Peaks. David took Wild at Heart to Cannes and won the Palm d’ Or.
HULLFISH: Wow. So you are cutting a Palm d’ Or-winning feature film while you’re directing episodes of an iconic TV series. Did you hand the editing of your directorial episodes over to someone else?
DUNHAM: A little bit of both. It was crazy, because I had my own editing set-up. We had a supervising editor, but I pretty much cut my episodes. Jonathan Shaw had been with us on Blue Velvet. He knew David and David knew him and he was familiar, so John came on and he was our supervising editor on Twin Peaks because there was so much work to be done and then ultimately there were a couple more editors, but basically, I would cut my stuff and David’s stuff. And direct.
HULLFISH: Wow. That was the season of your life that sounds very filled out.
DUNHAM: I jokingly tell this story that during that time I lived on the west side, so I’d drive from Hollywood at night at midnight, one, two in the morning and I would just hope that I would come across a red light because at a red light I could close my eyes. And then twenty years later, on Twin Peaks again, I’d again be hoping for another red light! Because this Twin Peaks was huge.
David and I had another project we were talking about and it was something I would just direct. And he calls me and asks me to come over for a chat, so I drive over, thinking we were going to talk about that and he says, “I’m going to do Twin Peaks.” And I said, “Why?” and then asked when he was going to start and he said, “I want you to cut it for me.” And I said, “David, I haven’t edited for someone else in nearly 25 years…” I’d been directing and doing my own stuff. But I always said that in my career there were two guys that I was blessed to work with: David Lynch and George Lucas was the other. And I said, if either of those guys called and asked me to work with them I would do it because I love working with them. Unique talents but so similar and you learn so much from both of those guys because it’s not just cookie-cutter. You’re tasked with going deeper and you want to go deeper.
And so I asked how many episodes and he told me, and I laughed because I know his stuff. He told me nine and it turned out to be 18 hours. Pretty cool hours. But it was just an extraordinary experience With David. You’re never ever apprehensive of going to work that day. You don’t want to leave at night and you want to get back in the morning and get after it. And we pretty much cut for a year.
HULLFISH: Was the first time that you directed Twin Peaks?
DUNHAM: Yes. It was the very first episode of the original seven.
HULLFISH: And did he know that you had aspirations to direct? Or did he figure that your editing skills would lead you to be able to direct?
DUNHAM: When you get in a room together, you’re pretty quick to suss out what kind of tools is this person carrying. Just before Blue Velvet, I had a project that David was very much aware of because I was kind of putting him off. He knew I wanted to direct this project of mine, but I was having trouble getting the money and it was slow going, and I told him I couldn’t give him an answer today. And that went on for about two weeks before I’d agreed to do Blue Velvet, and he finally called and said, I’m leaving and I need to know right now. I was weighing three or four offers and I thought, “Well, who can I learn the most from?” and of course, it was David. So he was aware, but he did want me to edit Wild at Heart and we’d had a great time on the pilot for Twin Peaks, a REALLY great time. David wasn’t in the cutting room that much because obviously, he was off shooting, but that first seven episodes, to this day, any one of those cast or crew members, the pilot episode or the first seven episodes, it’s a very close family.
Kyle MacLachlan in a still from Twin Peaks. Photo: Suzanne Tenner/SHOWTIME
HULLFISH: It’s amazing that all those things were going on at the same time. Let’s talk a little about editing this new Twin Peaks series. I was really intrigued by the sound design throughout. There’s a great example in the first episode where you’re cutting between two different surveillance cameras and each one of them has its own little sound.
DUNHAM: Sound design is due to two words: David Lynch. When I cut — my style — and I learned this from Lucas (George Lucas) — I cut silent, even for dialogue, I’m not listening to the dialogue, I’m looking at picture. My number one rule when I go into the cutting room – I only have two rules and I tell all my editors that I work with this — The first thing is to throw the script away and the second rule is — while we’re shooting, call the set every day and just say everything looks great, keep going. Unless there’s a REAL problem. So that’s what I do with David. On this Twin Peaks, I had to make an exception to my first rule. This is the only film where I kept the script in front of me because it’s so big.
And I work with cards — little index cards. Again, that’s a Lucas trick, but it worked really well for David and me on Wild at Heart. It was so big and we did an awful lot of restructuring of it. So we could quickly move cards around so, David uses that system and my entire room was full of cards. It started at one end of the room and moved all the way down the wall, down the side wall and the back wall. He’s shooting out of order and of course, you’re cutting out of order. and you develop a system.
So I cut silent. I rarely cut with music, I wait till my scene is cut and then I’ll add music.
David loves every single step of filmmaking. Every single one. Sound design is a big one. I did add SFX in the beginning, knowing we were on such a tight schedule and I would put certain SFX in, very sparse, just the things that needed something… an accent. Because with David’s material, it doesn’t need much. It’s so inherently interesting. Sound simply amplifies, and you can’t say that about too many people’s work. So sound design was always left more to David and I cut certain scenes in the beginning. He’d say, don’t put a single thing in — maybe some air — the sound of wind through trees, but nothing signature.
When he was done shooting, he sat down for a week to watch what we’d edited — and I muted my sound channels, but he said to turn them back on. So all I put in it was the barest sound work, just enough so it had some life.
I learned an important lesson from David on Wild at Heart – the deadline for that project was so tight, It was 12 ten minute reels. David was doing the mix up at Skywalker and eventually he caught up to me I was still cutting the end of the movie — reel 12, and we even broke reel 12 in half and I gave him the first five minutes of reel 12 while I worked on the last 5 minutes. That’s how tight that schedule was. When he finished mixing reel one of Wild at Heart, he called me in and we did a playback and I was thinking “Wow, this is really something.” By the time we got to reel 4, I understood what he was doing. He’s painting with sound. You can’t interrupt that. You can’t say, “You need a little more blue over here.” You let it go, because at that point it’s got its own life. I never would have approached the sound design for Wild at Heart that way, but what David was doing was so unusual. it’s so great that you just automatically stand back and support it as best you can.
Kyle MacLachlan, Laura Dern and David Lynch in a still from Twin Peaks. Photo: Suzanne Tenner/SHOWTIME
HULLFISH: While we’re talking about characters one of the things that struck me watching the episode and of course previous work from David is that those performances are stylized. Is choosing performance when the performances are that stylized any different than choosing performances when you’re working with other directors?
DUNHAM: David, typically does not do a lot of coverage and David is very specific about what he’s going after. I was reminded of your question almost every day doing this version of Twin Peaks because I seem to understand his material and I know what David would want to do with it. We had to put a bunch of additional editors on this to help with the crunch, and they’d bring tough scenes to me and I’d send them back with notes: This is a David Lynch scene. and it’s not done until you can feel it. So take it back and find the groove.
HULLFISH; Does understanding what that groove is… does that come from knowing his other material so well?
DUNHAM: I don’t think so. Some people can just interpret the material better. Billy Wilder said something really great and it pertains to editing and directing as well. He was asked, “What makes a great director?” and he said, “Some people walk into a dark room and bump into things and trip over furniture and other people just seem to see better in the dark.” I think that’s true. Some people can just see it. With David, it’s always in there. He digs down very deep to some emotional beat.
HULLFISH: You said he doesn’t shoot a lot of coverage. Does he shoot a lot of takes?
DUNHAM: No. No.
HULLFISH: Is that because it’s so well rehearsed or because he’s communicated with the actors so well?
DUNHAM: He communicates very clearly. Also, he gives everyone — actors, crew — so much freedom. He’s very good with the specifics of what he wants and he’s very nuanced with delivery or whatever. And the other thing is that he knows when it’s working. A lot of people don’t know when they have it and they just keep going. If David can get it in one, then boom, let’s move on.
HULLFISH: To get back to choosing performance in editing. When I’m choosing performances, my biggest clue is what feels real and honest in my world. Twin Peaks is clearly not the world that I live in. In the first episode, an insurance guy comes in and talks to the sheriff’s receptionist. How do you choose the moments that feel real when you’re looking for something other than total realism
DUNHAM: It’s interesting that you would pick that little vignette. Honestly, that scene didn’t work that well. For whatever reason, it wasn’t fully formed. I cut it, and then David came back from shooting and he tried a few things and we both worked on it to try to make it something more. The obvious guiding light is what’s the scene about, and whose scene is it? How do you make this character interesting?
HULLFISH: You mentioned restructuring. It almost sounded like you were describing the entire series as one big long movie.
DUNHAM: Absolutely.
HULLFISH: So tell me a little bit about the restructuring that you were able to do and what were some of the reasons for some of the restructuring?
Laura Dern in a still from Twin Peaks. Photo: Suzanne Tenner/SHOWTIME
DUNHAM: There was just no time on this show. Most shows there’s a little bit of time where you can catch your breath. David stopped shooting — let’s call it April 25th and on May 2nd we sat him down and for that whole week, he did nothing but look at the movie. Now I didn’t even sit with him because I’m still trying to get the last reels ready for him. Then David and I sat down and worked on the opening, which was very difficult. Structurally we tried a bunch of different things.
David did a couple of scenes here and there that only he knew what was going on. On those scenes, I roughed something out, but I didn’t even have a clue what was going on. Then once I got through all the reels, I started going through picture again with David coming along behind me. He kept working on those scenes that only he understood and I kept making changes. I don’t think he and I ever sat down and watched one scene.
HULLFISH: And that’s because David was hands-on acting as the editor on those scenes?
DUNHAM: Absolutely. So a scene like the atomic bomb, the so-called episode eight. There were certain scenes like that that only he knew what it was supposed to be, sort of making up the effects as we were going along.
HULLFISH: Are you bringing editing skills to directing or is it going the other way or do you just find that they’re very similar thought processes?
DUNHAM: They are. You know: you write a picture three times. You write it when you write it. You write it when you direct it. And you write it when you edit it. And Lucas always said if you want to learn how to be a filmmaker: write. And he’s absolutely 100 percent correct. Writing is re-writing and editing is re-editing, and you’re constantly doing it until someone locks the door.
HULLFISH: When you’re directing do you feel like you’re a better director because you have editing skills? What does it do for you?
DUNHAM: Well I know what I need. I know the shots that I need and that’s a big part of it. I had the luxury and blessing of working with George Lucas on Raiders of the Lost Ark which Stephen Spielberg directed and Michael Kahn — a great, great editor cut. George would say, “Stephen shoots the movie. Guys like me shoot AROUND the movie.”
George Lucas is a genius editor. It just comes natural to him. But what he means is that Stephen goes out and he has the picture in his mind and he shoots THAT. George shoots AROUND and then makes it up in the cutting room. David is a little bit of both because he shoots the movie but it is generally such a different way of looking at things, You know the only way any of that works, is if every little bit matches up. You can’t just do one note in the composition. The whole thing has to be consistent. And so he’s very specific but you do find it in the cutting room.
HULLFISH: You described this series as a movie… essentially an 18 hour-long movie. When it came to structuring that, how did you break it up? Just whenever you came up with an hour’s worth of material?
Sherilyn Fenn in a still from Twin Peaks. Photo: Suzanne Tenner/SHOWTIME
DUNHAM: David always said this is a narrative from beginning to end. It is not episodic, and therefore we’re not going to do recaps and we’re not going to do a “coming next week” kind of thing. Showtime required somewhere between 51 or 52 minutes and a solid hour. It really wanted 52 to 58 minutes for each chapter, as we called it. They’re designed to be put together as a giant 18-hour movie.
David shot a whole bunch of bands in the roadhouse. and it seemed like that was maybe a way to end each chapter. They don’t all end that way, But quite a few of them do end in the roadhouse, so it’s kind of a clue for the audience: “Oh I know what’s coming. It’s a musical number.
The other structure thing was — and I had never done this before — I used different color index cards. We had blue ones and pink ones and salmon ones and two shades of green and white and yellow. Certain characters were a certain color. For instance, everything that happened in the town of Twin Peaks was green. So you can look at the board and say, “We haven’t seen any green for a while. We’re away for a long time, and we’ve got a little bit here and a whole bunch over here.” And you can just look at it and say, “What if we broke that up a little bit more?” And the Roadhouse scenes might have been a bright pink. Sarah Palmer had her own color. Jerry had a color. Guido Cooper had a color. It’s the only way you could keep track of it.
HULLFISH: Did you use those same colors inside the Avid or no? With colored locators or colored clips in the timeline?
DUNHAM: It was just the cards. None of us had any idea it was going to be THAT many cards. The start and end of each day would be David and me standing in the middle of the room and looking at one section of the cards and just thinking. The other thing was that the pins that held the cards to the wall were all colored.
HULLFISH: Why are the pins different colors than the cards? What does that signify?
DUNHAM: The pin color was an indicator about the state of that scene. They always started clear. Yellow means there’s a first assembly. When a scene gets David’s notes, then it goes green. And when David approves it, then it goes red. You can look at the board and know where we are at all times.
HULLFISH: Isaw I one pretty blatant continuity thing in the first episode. Many editors I talk to, including Thelma Schoonmaker and Dody Dorn, say continuity is the last thing they worry about. That’s also Walter Murch’s least important issue when considering a cut. What’s your take on the importance of continuity?
DUNHAM: To me, there’s no question. It doesn’t matter. They did a pick up of Jack Nicholson in One Flew Over the Cuckoo’s Nest — which was the first film I worked on — and you are cutting back and forth and he’s got three days of growth difference depending on what shot you cut to. The audience doesn’t know. Nobody knows. Harry Dean Stanton, in Wild at Heart, there’s a scene where he’s sitting at a booth in the Banshee Restaurant some and in one take he’s got a cigarette in his hand and in other takes he’s got a glass of whiskey. You go for performance. There are some directors where you can’t get away with that continuity stuff because they’re not giving you the in-depth performances that Lynch will give you. Episode 8 of the series is brilliant.
I love the scene in the sheriff’s office at the end which quite literally broke the Avid. There was so much data for that scene. Eleven tracks of picture. 24 tracks of sound. It was a 27 minute scene and we had to break it up into 2 minute chunks just for Avid to be able to process everything. There’s 22 principal characters. When he was shooting it, I told him it was going to be special. He was using shaky-cam and I told him, “It looks great. Keep using that shaky-cam.”.
HULLFISH: That’s really different from the style of the rest of the episodes leading up to it. Things are so locked off.
Kyle MacLachlan in a still from Twin Peaks. Photo: Suzanne Tenner/SHOWTIME
DUNHAM: Yeah. Well, he’s a painter. We liked some of the shaky-cam stuff so much that David re-shot it on the monitor.
My other favorite scene – there are only two characters in the scene: the character Red and the character Richard. It was shot in a location that was found that morning because of rain. It was moved from the woods to a warehouse. So just two actors and hardly any coverage. Two sizes and a couple of takes each — a close and a medium. It’s very uncommon for David to do multiple takes and I could see in my bin that there were like seven takes on Balthazar.
I put take one up and it looked fine. Now, I’m always interested to see how David is going to adjust the performance. I watch take two and three — there’s a little bit of movement, but by take five, big shift, by take seven even bigger shift, he’s actually talking the character through the scene: do this, do this, try this… He’s obviously looking for something very specific. So I started cutting and I loved everything that the actor was doing. I found a pattern. I found a rhythm. There’s a coin-flip at the end that lands in the guy’s mouth. And I’d say, “David, what about this coin thing?” And he’d say, “Oh, you’ll get it.” It’s about a 12-minute scene and it’s mesmerizing. It’s a blessing when you’re working with somebody who is open and you’re both finding this stuff together and you both get a similar thrill from it.
HULLFISH: What’s your approach to those scenes? Are you making selects reels?
DUNHAM: I’ve really trained myself that the first thing you have to do is sit down and watch the dailies in real time. And it’s hard to do because you’re on a tight schedule. The tendency is to want to race through it. It’s not about finding the number one overall performance, but I have pieces from probably every take. I use a combination of all the best pieces from whatever take they come from. I rely heavily on reaction shots and oftentimes the reaction is even stronger than the action itself. Sometimes, if it’s a big, big scene, I’ll make selects because I don’t want to have to go back through stuff. If there’s a line reading, for instance, I’m not sure because they’re so close then I might put those back to back so I could hear them and watch them. I turn the sound off and cut it on the rhythm of the beats… the rhythm of the actors. I’m looking for the quiver in the cheek. I’m looking for the little glint of light in the eye. What’s the subtlety?
HULLFISH: Do you remember episode numbers for those scenes?
DUNHAM: The sheriff’s office one is 17. The warehouse scene is episode 4, 5, or 6.
HULLFISH: You were obviously editing films before Avid was invented. When did you switch and what was that like? And have you considered anything else?
DUNHAM: Well, with Lucas, we were messing around with non-linear in the late 70s. The closest we could get to non-linear was having dailies put on five or six identical laser disks racked up and have the engineers try to figure out how to get them to play back a scene. I was the interface between Lucas and the engineers when he was building the EditDroid. The last picture I ever cut on film was Incredible Journey which was about 1992. That was the last time I touched film.
My next picture, Little Giants, we had a really, really short schedule. I had to convince Warner Brothers to go non-linear. I wanted to go digital. And at that time Avid was new and LightWorks was new. The studio had no confidence in the technology to deliver a finished picture, but I told them, if I’m not doing digital, I’m not doing this movie. There were four editors and not one of them wanted to go digital, and I told them, “We’ll send you to school for a week to learn Avid. It’s not that hard, and I promise you that after you try it, you will never, ever, ever go back to film.”
HULLFISH: Thanks for a really interesting interview. Good luck on your next project, DuWayne.
DUNHAM: Thanks Steve. Good talking to you.
To read more interviews in the Art of the Cut series, check out THIS LINK and follow me on Twitter @stevehullfish
The first 50 interviews in the series provided the material for the book, “Art of the Cut: Conversations with Film and TV Editors.” This is a unique book that breaks down interviews with many of the world’s best editors and organizes it into a virtual roundtable discussion centering on the topics editors care about. It is a powerful tool for experienced and aspiring editors alike. Cinemontage and CinemaEditor magazine both gave it rave reviews. No other book provides the breadth of opinion and experience. Combined, the editors featured in the book have edited for over 1,000 years on many of the most iconic, critically acclaimed and biggest box office hits in the history of cinema.
The post ART OF THE CUT with “TWIN PEAKS” editor DuWayne Dunham appeared first on ProVideo Coalition.
First Found At: ART OF THE CUT with “TWIN PEAKS” editor DuWayne Dunham
0 notes
Text
Welp, @gravityeyelids​ called it, I’m gonna go through the list of questions and answer the ones I feel like answering. After the cut, as usual. If you feel like answering any/all of these, go right ahead.
1) Put your iTunes on shuffle. Give me the first 6 songs that pop up. Sithu Aye - Constants And Variables The Bloodhound Gang - Three Point One Four Scale the Summit - Willow Muse - Butterflies and Hurricanes T.M.Revolution - Resonance The Beatles - Eleanor Rigby
2) If you could meet anyone on this earth, who would it be? …hmm.
3) Grab the book nearest to you, turn to page 23, give me line 17. “Hebrews for not bringing him cannabis or enough of the lavish animal sac-” (from The Pot Book, edited by Julie Holland)
4) What do you think about most? How much I’m fucking up lol
5) Ever had a poem or song written about you? I… don’t think so? Maybe.
6) Do you have any strange phobias? Nah, mostly pretty ordinary stuff.
7) What’s your religion? n/a
8) If you are outside, what are you most likely doing? gardening
9) Simple but extremely complex. Favorite band? Sithu Aye. This used to be a hard question.
10) What was the last lie you told? I try not to lie, but it’s usually inevitable. Probably my wife asked me what was wrong and I said “nothing.”
11) Do you believe in karma? Not really.
12) What does your URL mean? I’ve explained it elsewhere, but it has to do with the fact that classical physical theories predicted that a blackbody should radiate infinite power at higher frequencies, and it was around the ultraviolet range where the theory started to diverge from observations.
13) What is your greatest weakness; your greatest strength? laziness and dedication, probably
14) Who is your celebrity crush? I don’t… really have one? Maybe The Rock.
15) How do you vent your anger? …not always in a healthy way.
16) Do you have a collection of anything? Many things.
17) Are you happy with the person you’ve become? No, but I’m a better person than I was, which is all I can hope for, really.
18) What’s a sound you hate; sound you love? I hate high-pitched hums; I love the sound of rain.
19) What’s your biggest “what if”? What if I died and left my wife and daughter alone?
20) Do you believe in ghosts? How about aliens? Ghosts I’m on the fence about; gonna say probably not but you never know. Aliens, absolutely.
21) Stick your right arm out; what do you touch first? Do the same with your left arm. The wall, and… a crappy Casio keyboard.
22) Smell the air. What do you smell? Stale, dry winter air.
23) What’s the worst place you have ever been to? I can’t think of how to answer this.
24) Most attractive singer/s of your opposite gender? All of them. Literally all of them.
25) To you, what is the meaning of life? Do the best you can to make the world a better place.
26) Do you drive? If so, have you ever crashed? Not really and no.
27) What was the last movie you saw? Moana (go see it!)
28) What’s the worst injury you’ve ever had? Probably the time I sliced my fingertip open with a utility knife. Lost all feeling in it for a good 6 months.
29) Do you have any obsessions right now? Sithu Aye, Stardew Valley… there’s more I’m sure.
30) Ever had a rumor spread about you? I hope not.
31) Do you tend to hold grudges against people who have done you wrong? Nah, I’m quick to forgive and forget.
32) What is your astrological sign? Pisces
33) What’s the last thing you purchased? $5 worth of diamonds in Crush Crush.
34) Love or lust? Both?
35) In a relationship? Yep
36) How many relationships have you had? Yep >_>
37) What is your secret weapon to get someone to like you? I get them to do some small favour for me. I learned this trick in university, from a psychology class; cognitive dissonance kicks in and the person unconsciously assumes that if they’re doing you a favour, they must like you.
38) Where is your best friend? In bed, and I should be beside her (it’s 3 am lol)
39) What were you doing last night at 12 AM? Playing video games, probably.
40) Are you the kind of friend you would want to have as a friend? Yeah, I think so.
41) You are walking down the street on your way to work. There is a dog drowning in the canal on the side of the street. Your boss has told you if you are late one more time you get fired. What do you do? Better work on that resume.
42) You are at the doctor’s office and she has just informed you that you have approximately one month to live. a) Do you tell anyone/everyone you are going to die? b) What do you do with your remaining days? c) Would you be afraid? a) not everyone b) try to make sure my family is looked after c) only afraid of missing out
43) What’s a song that always makes you happy when you hear it? King Missile - The Cheesecake Truck
44) In your opinion, what makes a great relationship? Trust and respect.
45) How can I win your heart? You can’t :)
46) Can insanity bring on more creativity? I mean it CAN…
47) What is the single best decision you have made in your life so far? Marrying my wife :)
48) What would you want to be written on your tombstone? “He did his best. Unfortunately, it wasn’t good enough.”
49) Give me the first thing that comes to mind when you hear the word “heart.” BARRACUDA
50) Basic question; what’s your favorite color/colors? green and blue
51) What is your current desktop picture? A series of cool stylized drawings of the Inner Senshi
52) If you could press a button and make anyone in the world instantaneously explode, who would it be? Trump Nobody, I’m not comfortable with doing that.
53) What would be a question you’d be afraid to tell the truth on? Depends on who’s asking.
54) You accidentally eat some radioactive vegetables. They were good, and what’s even cooler is that they endow you with the super-power of your choice! What is that power? Immortality. Failing that I want my consciousness to be in an indestructible robot body.
55) You can re-live any point of time in your life. The time-span can only be a half-hour, though. What half-hour of your past would you like to experience again? I’d go back to the end of high school when I was about to turn in my application for university. I’d pick a different path.
56) You can erase any horrible experience from your past. What will it be? I can’t think of one I’d want to completely erase.
57) You have the opportunity to sleep with the music-celebrity of your choice. Who would it be? Jeez man, I dunno.
58) You just got a free plane ticket to anywhere. You have to depart right now. Where are you gonna go? Hawaii!
59) Ever been on a plane? yep
60) Give me your top 5 hottest celebrities. 1. you 2. I know you’re not a celebrity 3. but what’s with all these questions 4. I just wanna make you feel good about yourself 5. Idris Elba
0 notes