i have to start just saying why? 'are you free right this moment? are you busy today?' they are not asking because they are curious they are asking because they want something from you and once you say yes you're free you're really saying yes i will do what you plan to ask of me
it's all a fucking farce. note to my fucking autism: people just want you to do them favors!! they don't care how your day is going!!
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The fact that Judaism is trending because of both the wave of bomb threats on synagogues and Bradley Cooper's Antisemitism Adventure (his huge fake prosthetic nose, and him basically stealing the story from a Jewish man) is so infuriating and so exhaustingly typical.
The fact that I see Judaism trending on Tumblr and immediately think "oh no. Something Bad is happening to us." We're never trending cause it's fucking good. I never get to be excited, it's just cold dread.
The fact that Antisemitism is getting worse everyday and the only ones who ever talk about it are other Jews. The fact that no one else fucking cares. The only ones who support us are other Jews. Even when gentiles talk about Nazis or white supremacists they don't want to help us. We're just their prop, the canary in the coal mine and the perfect victim.
The fact that everyone's uncomfortable with Jews still being here. Reminding them of things they'd rather forget.
The fact that it'd be easier for them if we were all dead. Then they could tell stories about our people, dressed in offensive caricatures, without us making a fuss.
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On the left is the werewolf...do I actually need to explain what a werewolf is? Can be a wolf, a person, or a larger wolf person. Normal people, but with the constant undercurrent urge to go wild. Look, all the writers do is rant about "it could be evil or maybe not OR MAYBE SOMETIMES." because they, like me, know you know what this is.
A person-sized wind elemental that's invisible outside slight visual distortion like a heat haze. To the point that the early editions just had a blank space for thier picture! Issue is that we don't actually know anything about them on thier home plane, being invisible air in an endless sky. Like yeah, they're told to kill and steal when they're forced to be here, but we only really know two things about them. They would rather be home than here, and they hate these mages who keep forcing them to be here instead of home.
so yeah. werewolf or angry wind?
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ive been thinking about language a lot recently and doing a lot of studying of my irish grammar books and one thing that is always in the back of my mind no matter what is the grief over not being able to speak my own language, having to learn it in schools and at home, picking up a book in irish and feeling this unassailable choking frustration guilt and grief that i cant understand it at all. i can parse bits and pieces, stray words and phrases, but thats it. watching things on tg4 and not understanding a word and drowning in guilt over it. ive always felt this huge impenetrable wall in my mind separating me from from irish. and the prevailing attitude of most everyone i meet and talk to about irish is that yeah its sad that we got colonised and dont speak it anymore, but its dead and useless and redundant. the goverment puppets its corpse on roadsigns and documents and titles, paying lipservice to this unimaginable violence done to us as people that we cant speak our own language, but does nothing substantial that would actually help. is fearr gaeilge bhriste ná béarla cliste yeah but is there not a need for gaeilge cliste as well? this surrender to inability across the nation is such a disservice to the language and the people who speak it. im not talking about people not having perfect irish and still speaking it, of course not like i barely have any irish myself, im talking about the disrespect given to irish that it doesnt need to learnt and loved, only bastardized. my family have spoken english for a hundred years, irish for thousands of years before that, and even in that english, vestiges of irish have lingered in hiberno english form. irish hovers just out of reach for me, i surround myself with it through music poetry tv books, but i never am fully apart of it. and the thing is, something that im only just realising in recent years, is that (white) english people dont feel this! theyre not assaulted from a very young age by the knowledge this grief and inadequacy and the injustice done to their people. they dont even learn in schools about what they did to us! to every peoples across the world they colonized brutalised and exploited, every culture they massacred and did their very best to erase! they have the luxury of not caring! and thats incomprehensible to me, that people can live in this world free of the inherited grief of history, that they dont have to carry the weight of their families history on their shoulders, dont have to live with the fact that something intrinsic to them has been stolen! i have always felt like something was missing, and i cant even imagine living with a sense of wholeness, but for these colonisers that is their life! they dont have to face consequences for what theyve done to the world, they dont even have to remember! i wish i could speak irish, i wish i didnt have to know the ugly harsh syllables of this language. tá brón an domhain orm
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genuinely forgive me for spiralling abt this thing i just made up but the concept of rolling on the relationship track potentially giving people a stress token is making me want to see riz snap all the more. i think it would be so appropriate to the whole like "the moment he slows down he will break" thing for him to finish these huge challenges and successfully pass all of his classes for the year with flying colours and have a chance to take a breath and use that to try and, for the first time in months, reach out to his mother.
and then it just all comes crashing down and he takes a rage token and fights with sklonda and logically he knows that this rage isn't helping but he's so angry at this system that forces him to work himself to death and sklonda is just. there in the moment; a face for him to yell at. and even if it's not fair he can't control his anger. in the moment he suddenly feels much closer to kipperlilly than he ever has. who sees what she considers an unfair system, and is pissed at the people who enforce it and benefit from it.
idk obviously there are larger plans for the rage tokens as a whole (tying into ankarna, probably pushing them closer to like, being this corrupted being) but it would make so much sense for riz, after everything else has fizzled down, to just crash into a wall and break.
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I finally got why I love so much the "dragons are gone" ending in the books while I hate it in the movies:
The books set the dragons free.
The movies simply sent them away.
That's basically the idea but I had a vision yesterday at 3am so I will be getting into detail below the cut.
The books have a very strong message about slavery. Some would say that it is a concept that is only important within the context of the last five or four books, but the ones that have been paying attention to the saga as a whole knows that there are things happening in the background. You know, stuff like
People eating dragons
People stealing dragons from their families so
The dragons can serve the vikings
And they're expected to obey because
People threaten to turn them into bags.
That's mostly the first book.
Dragons are constantly showed as unsatisfied with the status quo trough out the books, some more annoyed with the vikings than others. We have complete monologues from different dragons before the war is even a possibility. Sincerely, when it happens, it feels natural.
The idea of freeing the dragons is not one that comes up in the last book, not even close. The first time it is considered an option is in book 9 (I think), and, by the time being, we've already stablish lots of concepts as slavery within human beings, the dangers of a war, how this could lead to the end of all and freeing the dragons is the only option.
It is fatalist to say the least, but it's not going out of nowhere. There is a lot of worldbuilding (more on that later), but it is also the right thing to do. By the time Hiccup is presenting the option, Cowell has made us root for the dragons to be free and wild and do whatever they want, even if what they want is to hide under sea for thousands of years. Or if they don't want, or if the want to but just not in that moment, they can do it.
Oh, yes, because they leave GRADUALLY.
It is a sad ending, but still manages to get as satisfactory because, yet again, we know this happens and the books remind us this will happen eventually every time they can. “There were dragons when I was a boy” is literally the first phrase in the saga.
And then we got the movies.
The movies never followed the books. Like, not very much. The writers decided that they wanted to tell a story of a broken relationship between a father and a son while using dragons, the heroic and prophetic aspects of the books were getting on the way of that and they scrapped the idea. So, no, you can't tell me the movies actually follow the books.
However, if you're very technical, you know the Hiccup we see in the movies resembles Hiccup I, the one that stopped the war between vikings and dragons in the books, stablishing an equal relation between the two races. And this idea of the movies being a prequel can work for the second and specially the first movie, disregarding the fact that there are no prophetic or magical elements at all.
But THW exist and... Exist.
Suddenly the writers and producers decide that they want to follow the books and want to get rid of the dragons, something that is completely against the message of the other two movies.
(I am just talking about the movies, the shows-books relationship is very different and I will someday make a post ranting about it)
The movies do NOT talk about the dangers of dragons being with vikings or how the vikings mistreat the dragons or how bad is slavery or anything like that. The second movie does, yes, but the second movie also sends a message about how people benefit of being with dragons. They have their dragons and they're strong because of that friendship. Being at war with one another only brings loss and suffering for both bands while being together promises an actual future. A bright future that no one imagined before the first movie and that now they cling to.
Dragons and vikings are friends and together cand do basically anything.
That's a very strong message, you know?
And you know what? The third movie decided that such a strong and important message about friendship should leave the franchise completely.
“Free the dragons” it's a concept that doesn't fit with the movies. They're not slaved, they're not away from wildness and, most importantly, they CHOOSE to be with the vikings in the first place. They are already equals, they can do what they want and, you know, they are with the vikings because they want to.
But no, let's do a movie about letting friends go as if it could actually fit in the saga.
(I know it could actually fit but the execution was terrible).
As I said before, the movies resembles Hiccup I befriending dragons and we know how it ends. And someone who has never read the books will go and say "well, it was bound to end that way, why are you mad?” I tell you the difference right now: there's 1000 years of difference between the befriending and the parting in the book, 1000 years in wich we witness the deterioration of said friendship (from being friends and equals to being slaves). That's no what happens in the movies. The films give us 6 years and the only deterioration is within Toothless' character and how they made him a horny dog.
The dragons shouldn't have leave. This was a whim from the writers that thought that ending both stories the same way would be cool. It isn't. At all.
Long story short, it doesn't fit thematically. The movies and the books have different themes with different concepts and different characterizations of the dragons. While the books got story building and present the theme's since the beginning, the movies get it out of no where ignoring the themes in previous works.
Anyways, go read the books they're jewels and the ending isn't as shitty as thw make it look
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