heyhey!! just wanted to say your works are amazing and i love them so so so SO much aagghhh!!
now onto the request— what if,, what if reader knew a ton of languages like nikolai does, and they call their s/o pet names in those languages. an example would be,, maybe if they knew french they would say 'mon chéri' or perhaps they picked up romanian at some point and would call them 'dragă'
the characters i have in mind are price, nik, alejandro, & rudy, if that's okay !! (´▽`)
sorry for the super long ask, lol :')
Hey there! Thank you, that makes me really happy to hear :D And don't worry about sending longer asks, I really don't mind ^^ Also, that request is really cute! I love reader speaking several languages and being a sweetheart in all of them :D
Price, Alejandro, Rodolfo and Nikolai with an S/O who Knows Many Languages
Price: I think he knows quite a few languages himself, being a captain in the SAS and all. Not nearly as many as Nikolai, but he probably knows a good three to four languages, so he likely wouldn’t be entirely clueless when you call him something along the lines of mon petit chou fleur. While he won’t understand every term of endearment you call him, it does warm his heart to hear you speak a language he doesn’t know. It flows off your tongue very nicely and he just loves listening to you. Depending on what kind of language it may be, even the profanities sound nice. Although whenever you want to get his attention, just to call him something in a language he doesn’t understand, he sort of expects it to be some cute pet name. Will always smile at you, even if you were to call him your albernes kleines Kaninchen. Retorts with a pet name in one of the languages he speaks. Sometimes he does feel the urge to learn a new language, just for you. Or maybe you could learn a new language together? Practice with each other and just have a good time overall? He might bring up the idea at some point.
Alejandro: Like Price, he probably knows a few languages himself. More than the average person, but not nearly as many as Nikolai. So probably three to four as well. However, because he knows Spanish there’s a good chance he can derive most words in a Romance language. Call him something along the lines of giliw and he’ll always retort with some embarrassing pet name in Spanish. Yes, he knows several languages himself, but that doesn’t mean he won’t almost always revert to Spanish anyway. Pretends that you’re using your languages against him and calls you a traitor. And, as is the rule in your household when you’ve betrayed him, you will be held accountable. Lots of chasing through the house. Will “interrogate” you to get you to tell him what you said. Call him a term of endearment in Spanish and you won’t ever hear the end of it. No matter how many times he hears you call him guapo, he always gets that goofy grin on his face. Might research embarrassing terms of endearment to use on you in any other language. And yes, his goal is to find a language you don’t speak. Once he’s found one? He’s not gonna let you live it down. He’s bested you, and that’s all he wanted.
Rodolfo: You’d actually have to call him by his name if you want his reaction since he usually just tends to block out people speaking a language he doesn’t know. Why bother trying to understand someone like that? It’s not like he’ll learn the language overnight anyway. Rodolfo knows about three languages, so not as many as Alejandro. But he knows English and Spanish, which means he can communicate in most places anyway. He thinks he knows enough languages since learning one takes roughly an eternity and he doesn’t have the time for that anyway. Call him Cục vàng and he’ll just look at you as though you’ve grown a second head. You’d have to tell him what it means and then he’ll smile. While he will always appreciate a good Hartlam, he might look at you confused until you tell him you love him. Might not always retort with a pet name of his own, but will mix it up among the languages he does know since he doesn’t wanna seem too stupid next to you. Will also sometimes look up new terms of endearment in languages he doesn’t know so he can surprise you, but might get a bit shy since he might botch the pronunciation a bit. But he tries, and that’s all that matters.
Nikolai: He canonically knows eight languages, so there’s a good chance he knows what you’re saying. Even when you’re saying something in a language he might not entirely know, he might be able to derive the word from a language he does know. Although he may love any pet name you give him, he especially loves any Russian ones since he’s very attached to his country and his native tongue. Goes absolutely wild whenever you call him radnoy. There’s just something so sweet about you calling him something nice in Russian, doesn’t even matter if you botch the pronunciation. Will always give you a hug and a kiss to your forehead since he will always be reminded of how much he loves you. But even a simple min søde skat will get him to smile, even if he has no idea what it means this time. Because of you he might be inspired to pick up some new languages along the way, maybe even ones you don’t know so you can get the same treatment he does with you. Whenever you speak a language he doesn’t know he gets heart eyes for you. You’re just so gorgeous, you’re just so very smart. However, at some point he will just start speaking Russian to you, even if you don’t know the language. He won’t say anything mean, he’ll just tell you how precious you are and how much he loves you.
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Signalis, Authority, and History
There's a level of nuance to how Signalis presents the violence of the authority of the nation that doesn't call attention to itself but which I really appreciate. Which is basically just, all the officers and cops and spies who make life hell for people like the Gestalt mine workers, Ariane, and the Itou family--we get little glimpses into who they are in Adler and Kolibri's diaries and despite the propaganda and the authoritative tone they take in official communications, for the most part they don't seem to actually be particularly invested in the hard line of national ideology. They uphold it though, viciously, both because things were worse under imperial rule (we don't get hard details on what it was like but it's mentioned in passing enough that I believe it) and because they're scared that if they don't they will be decommissioned and easily replaced. They are literally stamped out of a production line after all. There's a subtext of well, if I don't do it my replacement will anyway and I'm not trying to die so what's the point of rocking the boat?
I think Kolibri stands out to me most clearly on this because in communications from the block warden regarding Ariane there is emphasis put on how it is unacceptable and suspicious that she should be so interested and invested in art and literature that does not serve the purpose of furthering the goals of the nation. But we know that Kolibris themselves are bookworms, Adlers are fiends for stimulating experiences, and both get miserable FAST when deprived of art and puzzles and entertainment and hobbies. Y'know, just like anyone. Far be it from being a paragon of The Nation only interested in productive labor, we are reminded that the block warden, too, hates this shitty town and wants to transfer but is denied. They're hypocrites, but not monsters, nor brainwashed puppets of the state.
The monstrousness at play is not contained within any particular subset of evil individuals, or even an inherent universal force of evil contained in the broad notion of The Nation. There is no cosmic evil force that makes them all do these things to each other. The monstrousness is within the social systems, the mechanisms of how authority perpetuates on a structural procedural level, held in place by fear and tangible threats of violence, each link in the chain restraining the next through those threats out of fear that if they don't, then they'll be next. Regardless how many, if any, of those people in this chain are true dogmatic hardliners, they must act as such because failing to do so opens them up to danger.
Here then I think of the quote that is so prominent, "Great holes secretly are digged where earth’s pores ought to suffice, and things have learnt to walk that ought to crawl", from Lovecraft's The Festival. This is not just a chilling abstract visual that conveniently evokes a mineshaft-- in Lovecraft's story, this line refers to worms which ate the decomposing bodies of wizards whose wretched souls had remained after death, complete with the terrible powers they gained through contracts with demons. Those worms inherited both their power, and also the evil. The Nation, despite having overthrown the Empire, is built on imperial technology, in particular Replikas and bioresonance. So too, then, we can imply that The Nation inherited with those things some of the monstrousness of The Empire as well. There is no end of history, nor clean break with the past, no matter how violently it may seem to be rejected. That which remains from the past--and something inevitably always does--creates the present.
This is a game that is not shy about evoking East Germany. And I think all of this provides a sophisticated picture of repressive authority that we rarely see in fiction of the English speaking world, especially in games. The year the S23 incident takes place is notably 84, but, frankly, I find this to be more compelling and illustrative than 1984 (and I'm a librarian and have taught English classes so I get to say that). Orwell, let's be honest, presents a fairly one dimensional picture of authority, where people seize power and wield it against others out of seeming mustache twirling evil or malice.
Here though we get a more humanistic view. Authority did not come from nowhere and is not wielded arbitrarily out of gleeful cruelty or mindless brainwashed allegiance. People aren't "just following orders". Individuals have rich inner lives. They make decisions, and those decisions are based in the context they're in. Even the decision to carry repressive tools of the past into the present is a decision that was made strategically with the big picture in mind. Nobody woke up and decided to be evil that day. Everyone operates on self interest, and, we must assume, an earnest desire for things to get better. Even the [spoiler] program which served as an inspirational demonstration of The Nation's power, you can imagine the chain of officers and bureaucrats who genuinely wanted the people of the nation to believe in the future, to confidently trust that everyone was working together towards something great and beautiful. And, through a long chain of those people who couldn't say "No" without being decommissioned, we ended up with something unbelievably cruel.
We get to know Adler and Kolibri and the other officers not to say well they're human too, maybe it wasn't so bad that they condemned all those people to agonizing suffering, but to remember that if we keep looking for true monsters we will not find them. There are no monsters and there are no demons. There are only people making decisions. A better world is possible. A better world, where Adler is just a paper pusher who does puzzles after work instead of signing papers to authorize torture, where Kolibris are librarians instead of spies and cops, where EULEs can gossip and play piano and ARARs can do maintenance on facilities that don't contain torture rooms, is one that would not have led to the Ariane and Elster's tragic cycle and ultimate end.
Authority and its attendant cruelty is not contained, radiating forth from The Great Revolutionary and Her Daughter, it is within the social systems of control. When those two women die, that cruelty will continue so long as those social systems continue. Like Lovecraft's worms, no matter how long dead the evil of the past is, so long as it continues to be fed upon, that evil will not only remain, but evolve into something new in the present. A better world can't be achieved through the death of the old world alone, even if violent overthrow is warranted. There is no end of history. There is no clean break from the past.
"Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living."
Karl Marx, The Eighteenth Brumaire of Louis Bonaparte
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