So Venus is my favorite planet in the solar system - everything about it is just so weird.
It has this extraordinarily dense atmosphere that by all accounts shouldn't exist - Venus is close enough to the sun (and therefore hot enough) that the atmosphere should have literally evaporated away, just like Mercury's. We think Earth manages to keep its atmosphere by virtue of our magnetic field, but Venus doesn't even have that going for it. While Venus is probably volcanically active, it definitely doesn't have an internal magnetic dynamo, so whatever form of volcanism it has going on is very different from ours. And, it spins backwards! For some reason!!
But, for as many mysteries as Venus has, the United States really hasn't spent much time investigating it. The Soviet Union, on the other hand, sent no less than 16 probes to Venus between 1961 and 1984 as part of the Venera program - most of them looked like this!
The Soviet Union had a very different approach to space than the United States. NASA missions are typically extremely risk averse, and the spacecraft we launch are generally very expensive one-offs that have only one chance to succeed or fail.
It's lead to some really amazing science, but to put it into perspective, the Mars Opportunity rover only had to survive on Mars for 90 days for the mission to be declared a complete success. That thing lasted 15 years. I love the Opportunity rover as much as any self-respecting NASA engineer, but how much extra time and money did we spend that we didn't technically "need" to for it to last 60x longer than required?
Anyway, all to say, the Soviet Union took a more incremental approach, where failures were far less devastating. The Venera 9 through 14 probes were designed to land on the surface of Venus, and survive long enough to take a picture with two cameras - not an easy task, but a fairly straightforward goal compared to NASA standards. They had…mixed results.
Venera 9 managed to take a picture with one camera, but the other one's lens cap didn't deploy.
Venera 10 also managed to take a picture with one camera, but again the other lens cap didn't deploy.
Venera 11 took no pictures - neither lens cap deployed this time.
Venera 12 also took no pictures - because again, neither lens cap deployed.
Lotta problems with lens caps.
For Venera 13 and 14, in addition to the cameras they sent a device to sample the Venusian "soil". Upon landing, the arm was supposed to swing down and analyze the surface it touched - it was a simple mechanism that couldn't be re-deployed or adjusted after the first go.
This time, both lens caps FINALLY ejected perfectly, and we were treated to these marvelous, eerie pictures of the Venus landscape:
However, when the Venera 14 soil sampler arm deployed, instead of sampling the Venus surface, it managed to swing down and land perfectly on….an ejected lens cap.
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Someday could you give us tips to draw chubby bodies?
i once put together some tips on how I draw fat for a friend so i suppose i can share those right now :) just keep in mind that these might not help everyone and that i mostly don't know what i'm talking about. it's just how i personally draw idk
and i cannot reccomend the book morpho: fat and skin folds by Michael Lauricella enough. it's an amazing resource for learning and it really changed the way i understand fat as an artist
edit: excuse all the typos on the images fml
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"You should not look for the definitions of those words, Len. Trust me when I say that they are NOT the sort of anatomy you seem interested in." @the-fallen-hospitaller
"My dear knightly friend, ehehehe! All manners of anatomy intrigue me! However can I do my experiments if I don't fiddle with EVERY part of the subject?"
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Do you think Kirby has drawn meta knight and his crew before. Just asking
Yeah I'd think so, he's a regular artist!
They'd get the fanciest frame they could find and hang his work in the middle of their executive meeting room.
(just the doodle below the cut)
(courtesy of: my left hand)
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When you talk about Philippino history and then Roman history, as a Venezuelan it's been making me think about our history and like, I've always thought there's a lot of similarity there but now it's like...its so similar. Your house is haunted too! I always think about how we won wars against the colonizers but their ghosts are still there, and they still sit at the dinner table with us every night. Your work is so cool, I feel like I can extend that train of thought further through time. I've never been interested in Rome but now I kinda am!
Venezuela 🤝the Philippines: being haunted houses (colonized by Spain)
also that is so SO real, the ghosts really are with us!! THEY ARE AT!!! OUR DINNER TABLES!!!!! ngl, once you start noticing it, it's impossible to NOT notice how they've crawled into the spaces and just. stayed.
ancient Rome is so weird for it too, because if you asked me about it, I wouldn't immediately put ancient Rome down for haunting the Philippines, except for the fact that like Catholicism, it's fucking everywhere. it's gotten in the cracks and spaces between the walls. On the stage of theater, Nadres' Hanggang dito na lamang at maraming salamat: the main character is named after Julius Caesar
Closet Queeries, J. Niel C. Garcia
and so many people are named after figures from ancient Rome (I know enough Mark Anthonys I've run out of differentiating nicknames for everyone) that it rivals Catholic saints for naming conventions. neo classical architecture had it's moment in the sun in Manila, our ilustrados brought some of it back when they returned from Spain to call for reform, and then independence, and I am struggling to hold back a plague-infection comparison about that. like, something else crept in with Spain, and like Spain's ghosts, it Did Not Leave.
but on the other hand! there's a long, centuries long, tradition of using the events of the Fall of the Republic to discourse, discuss, to vent or call for action, current events. it provides a interlocutor when something hurts too much to say directly, it provides a stage to explore a tragedy that echoes in our own histories, it gives a script to voice an ideal that a government might otherwise put down. how many centuries have we used Brutus (and Cassius) to rail against Tyranny, and how many centuries with equal enthusiasm have people used Julius Caesar as a martyr to justify the rights of Kings and Empires? these things are equally as important (in a different way) from the ancient events that actually transpired. (this specific topic, of Brutus & the Assassination of Caesar and it's literary revivals in history, are the focus of The Brutus Revival, Manfredi Piccolomini)
and the cores of these things conflict with each other, but in that friction, it's like there's an invitation to sit down and think for a minute. to look back at history and feel it's immediacy in the present.
ANYWAY I got carried away, but I am glad!! that my stuff could make Rome interesting!!! I hope that you find new doors of thoughts to explore!!!!!!!
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today just confirms that the pfp curse was actually real
that's the only take i have rn
Me logging onto namemc accidentally doing dark magic as I screenshot block men.
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